PERSONAL STATEMENT Knowledge and Experience is what I percieve and accept everyday as a new challenge to make it a learning experience. Getting to interact with new people can give a different perspective to architecture.
Hand Rendering Physical Model Making
2016 - Volunteered in ‘ARGHYA-Borivali Design Fair’ Annual fest of our college, held for 3 days and was Leading the core team.
Laser Cutting
EXPERTIES
Steel Frabrication Analytical Thinking
2016 - Participated in REDBULL Soapbox Race. The Red Bull Soapbox Race is an international event. Held in India for the second time. Its an outrageous downhill race, racers are welcomed to build their own soapbox and compete against gravity. Each of these hand-made machines have no engine or breaks on them.
Problem Solving Microsoft OS Mac OS
Autodesk AutoCad Archi Cad Autodesk 3Ds Max Autodesk Ecotect Adobe Photoshop Adobe Illustrator Adobe InDesign Rhinoceros Google Sketchup V-ray Render Lumion
QUALIFICATIONS 2017- Studying in 4th Year B.Arch. Pursuing Bachelors degree in Architecture from Aditya college of Architecture, Boriwali (west),Mumbai. 2014 - 17. 2014 - Completed 12th. Passed 12th from T.P. Bhatia college of Science, Kandivali (west),Mumbai. 2012 - 14. 2012 - Completed 10th. Passed 10th from Don Bosco High School, Borivali (west),Mumbai. 2000 - 12. LANGUAGES English
@Kashyap.shah03 2016 - Volunteered in International Design Competition (IDC) Design competition hosted by our college, across 177 countries, was in core the team.
Calligrapy
N: Kashyap Nimesh Shah M: +91 9167583366 E: kashyap.n.shah@gmail.com A: A-504, Vasant Aradhana Tower, Mahavir Nagar, Kandivali(west), Mumbai - 400067.
@KashyapShah_ ACHIEVEMENTS
SKILLS
CONTACT
www.issuu.com/kashyapshah3/docs/kashyap_shah_ portfolio @Kashyap Nimesh Shah
Hindi
Gujarati
2015 - Painted King Circle Railway Station. We painted of the “King Circle” Railway Station. 2014 - Volunteered for Art Installation of ToyBank. Toybank is a NGO who’s approach is to develop programs and initiatives particularly focusing on the behavioral and mental growth of at-risk children in their most impressionable years of life.
2011 - Participated in State level Scouts (Pioneering). The national Scout jamboree is a gathering, or jamboree, of thousands of members of the Boy Scouts of India, Held in Hyderabad, Andhra Pradesh.
Heritage Preservation Centre Multi-Facilty Centre Working Drawing Individual Projects Community Centre Interior Design Skill Sets
Heritage Preservation Centre Location:
Orchha Complex, Madhya Pradesh, India.
Brief:
A design solution essentially with a deeper understanding of heritage potential and optimum usage of spaces for a growing small town with daily conflicts between the spaces trapped and identities lost; with obscure interfaces and diminishing characters, Involving study of growing population due to migration, The need for availability of sources of income or employment, The interconnectivity and Infrastructure of a city.
Semester: Mentor:
6 / 2016 Ar. Renuka Kale
Lumion, Google Sketchup, Photoshop
HERITAGE AND RESEARCH CENTRE
GUEST HOUSING ENTRY
Raja Ram Temple
Palkhi Mahal
Phool Baugh
Chattarbujh Temple
OPEN EXHIBITION
Chattarbujh Temple Chattarbujh Temple Major Attraction
Orchha Fort Raja Ram Temple
Raja Ram Temple
Chattarbujh Temple
Palkhi Mahal
Palkhi Mahal
Hardaul ki Baithak
Raja Ram Temple
Phool Baugh
Hardaul ki Baithak Phool Baugh
Palkhi Mahal Hardaul ki Baithak Phool Baugh
Sawan Bhado named after spring months subterran structure for retreat of orchha king and are persian cooling units for wind and ventilatio
SKILL DEVELOPMENT
SKILL DEVELOPMENT
TOURIST INFORMATION CENTRE
TOURISTMUSEUM INFORMATION CENTRE
Hot Wind
Change of temperature due to compression.
Orccha being rich in heritage has129 CENTRAL INFORMATION COURTYARD TOURIST CENTRE declared MUSEUMheritage site, including architectural heritage, natural herItage, GUEST HOUSING HERITAGE AND RESEARCHcreates CENTRE traditional heritage high quality OPEN EXHIBITION TOURIST INFORMATION CENTRE public and social space for the town ENTRY tourism and recreational development to CENTRAL COURTYARD OPEN EXHIBITION keep Orchha on the international map of tourism while still retaining its unique GUEST HOUSING cultural characteristics Orchha fort being TOURIST INFORMATION CENTRE most important among it.
Hardaul ki Baithak
SKILLHOUSING DEVELOPMENT GUEST MUSEUM TOURIST INFORMATION CENTRE PERMANENT HOUSING
GUEST HOUSING MUSEUM
HERITAGE AND RESEARCH CENTRE
HOUSING PERMANENTGUEST HOUSING
Cool Wind
PERMANENT HOUSING
HERITAGE AND RESEARCH CENTRE HERITAGE AND RESEARCH CENTRE MUSEUM Activities
HERITAGE AND RESEARCH CENTRE ENTRY CENTRAL COURTYARD GUEST HOUSING TOURIST INFORMATION CENTRE OPEN EXHIBITION Google Sketchup, V-Ray, Photoshop
DO
B'
B'
B'
B'
WN
+2.85
+2.85
UP
+2.85
A'
-0.75
A'
A' +4.5
ARE
A
+4.5
+5.25
+5.25
+4.5
-0.75
+4.5
-0.75 +4.5 HAN
ET
MEN
TOIL
ET
DISP 11.4 LAY M X ARE 19M A
-0.75
DICR 7.6MAFT WOR X 12.6 KSH M OP
TOIL
+2.85
+4.5
UP
MAN
A'
5
+1.2
REC 3.7MEPT ION X 5M
+1.
35
UP
ION
+1.3
5
FLAT
UP
EPT
+1.5
FLAT
MAN
SHOPS 2.4M X 2.4M +1.35
2BHK
REC
AGE 5M R'S X 4M CAB
IN UP
5
CON 3.8MFERENC X 6M E
+7.3
5
STO 8M RAG X 9M E
N
LIBR 10M ARY X 8M +2.85
+0.9 +1.0
CLI 4M NIC X 3M
+4.3
DOW
5
A.V. 12MROO X6MM
UP
UP
+1.3
STO 6M RAG X 4M E A.V. 4M ROO X 6M M
+6.45
+4.5
+2.85
+4.5
+7.5
+4.3
+4.3
5
+5.3
5
GUE
ST
+7.1 5 HOU SIN
G
B
+2.85
UP HOP
2BHK
A'
WN
Plan @ 5500mm
B
LIBR 10M ARY X 8M
DO +2.85
UP
CAB 4M IN X 4M
IN
VEN 6M IR SHO X 4M P
UP
DIC RAF 11.7 T M WO X 9.7MRKS
+4.5
+2.85
AGE 3.3M R'S X 6MCAB
SOU
+1.5 HAN
DISP 16.4 LAY M X ARE 14.4 A M
+6.45
+2.85
IN
MAN
+2.85
VEN 6M IR SHO X 4M P
UP
M
SOU
UP
CAB 4M IN X4M
INAR 6M ROO X 4.5M
VEN 4M IR SHO X 6M P
UP
B
SEM
Plan @ 3500mm
UP
M
Site Plan
Plan @ 1300mm
TUR 8M E ROO X 6M
VEN 6M IR SHO X 4M P
UP
SOU
LEC
ADM 8.6M IN X 3.8M
AGE 4M R'S X 6.5MCAB
SOU
-0.75
DOW N
UP
TRY
STO 5.7M RAG X 8ME
UP
+6.45 DOW N
+6.45
DISP 16.4 LAY M X ARE 14.4 A M
PAN
TUR 8M E ROO X 6M M
DISP 11.4 LAY M X ARE 19M A
+6.45 DOW N
+6.45
+1.5
UP
LEC
A'
+4.5
A.V. 12MROO X6MM +4.3
5
CON 3.8MFERENC X 6M E
+7.3
5
STO 8M RAG X 9M E
DOW N
EN
-0.75
A.V. 10M ROO X 8MM
UP
WOM
-0.75
+7.5
+4.3
+4.3
5
+5.3
5
GUE
ST
+7.1 5 HOU SIN
G
B
SEA TING
STO 4M RAG X 6M E
DISP 30MLAY ARE X 18M A
Plan @ 8500mm
A'
Google Sketchup, V-Ray, Photoshop
Section AA’
Google Sketchup, V-Ray, Photoshop
A'
Auto Cad, Google Sketchup, V-Ray, Photoshop
Multi-Facilty Centre Location:
Dhanukarwadi, Kandivali West, Mumbai, Maharashtra, India.
Brief:
Mumbai has a linear growth corridor. All the stations on the western and central line are along the main roads which act as the main arteries of the city along with highways. All the stations are at a close proximity of the main roads.The studio objectives are to explore the ideation of an architectural intervention of different uses and identifying the use of appropriate form for given function in the background of dense urban area of proposed metro station.
Semester: Mentor:
5 / 2016 Ar. Shishiir Saawant
INDIA India is one of the rapidly deveopleing country and hence has a growing mass rapid transit system
MAHARASHTRA Maharashtra being one of the major states of india.
Concept Model MUMBAI Mumbai being the financial captial is the fastest growig city
SITE Site is adjacent to upcoming mero 2 exit being a juction demands the need for a multifacilty hub near by.
Junction where two paths intersect; Junction nowadays in Mumbai means traffic and chaos. Incopraing Junction in my design for people as a community space. Giving a new meaning to it. Considering the future development there would be a major change in skyline. Breaking the sky line will create intrest for the user but doing something bizarre or dynamic will loose intrest making it disturbing to see it everyday.
Section AA’
Food Kiosk Convienence Store Guest Housing
Isometric View
Civic Centre Sport Centre
Auto Cad, Google Sketchup, V-Ray, Photoshop
Auto Cad, Google Sketchup, V-Ray, Photoshop
START TILE
Brief:
1
Working drawing of Residential Building proposed stilt + 5 floors having 2, 3 BHK on each floor. DETAIL A
TOWEL ROD
START TILE
DETAIL A
SCALE 1:10
115MM THK FINS FLUSH TANK
WALL FIXTURE (with provision of over head shower with 115 mm long bend pipe & wall flange)
W4
115MM THK FINS
SQUARE BASIN
Semester: Mentor:
B
LIVING ROOM 6188 X 3800
W1
20
B
D
START TILE
G' C18
W4
SINGLE LEVER BASIN
TOILET DUCT
W2 C1
SQUARE BASIN
D3
RCC CHAJJA ABOVE
H'
H' 450x300
SHOWER HEAD
B'
D'
23'
22
17
23
16
24
KITCHEN 2730 X 4300
15
25
14
26
12MM THK CERAMIC TILES (maxima series - white, glossy finish) 20MM THK MOTAR
12MM THK CERAMIC TILES (maxima series - white, glossy finish) 20MM THK MOTAR
200MM THK SUNK
200MM THK SUNK
SECTION DD'
150MM THK RCC SLAB 600MM THK BEAM
F1 S1
13
C1 W1
32
23
C14
A
SCALE -
SCALE1:20
DETAIL A
SCALE 1:10
PROJECT -
WORKING DRAWING W4BUILDING OF RESIDENTIAL
DRAWING NO. -
15
115MM THK FINS
DATE -
01-04-2017
A'
1)
6735
START TILE
B'
115MM THK FINS
KASHYAP NIMESH SHAH
SEAT NO. -
300x750
DETAIL A
TOWEL ROD
DRAWN BY -
TOILET DETAILS
C9 UP
FLUSH TANK
FLUSH TANK
All drawings are property of Kashyap Nimesh Shah and can not be used without his/her permission.
SOIL PIPE
SIGN $ STAMP.
D2
C20
S2 F2
D3
W2 C1 TOILET -200 MM SUNK
PASSAGE
W4
B'
C23
C24
300x600
300x600
W4
SW1,SW2
F'
C16
C14,C15,SW3,C17,C18,C34,C35 7660
6610
7510
450x300
1 : 100
C21 D2
H'
C19,C20,C21,C22
J'
C23,C24
K'
C25,C26,C27,C28
13060
L'
C29,C30,C31,C32
14735
9300
450x300 1 : 100
600x300
BALCONY -200 MM SUNK
D2
10130
BEDROOM 2 4100 x 3600
F1 S1
S1 F1
C1 W1
W1
W1 C1
S2 F2
- W1
BEDROOM 3 3600 x 4300
K
D3
1 : 100
C25
C26
F2 S2 C1 W2 TOILET -200 MM SUNK
W4
450x300
F1 S1
S1 F1
C1 W1
W1 C1
C27
1 : 100
C28
S2 F2
450x300
W4
-200 MM SUNK
W1
F2 S2 BALCONY - W1 -200 MM SUNK
300x450
END FACELINE
D3
600x300 TOILET W2 C1
W1 C29
200MM THK SUNK
W1 -
BEDROOM 3 3600 x 4300
600x300
L
12MM THK CERAMIC TILES (maxima series - white, glossy finish) 20MM THK MOTAR
E'
S2 F2 W2 C1
D3
4180
G' C18
TOILET -200 MM SUNK
F2 S2
SINGLE LEVER BASIN
SECTION AA'
C17 750x300
RCC CHAJJA ABOVE
D3
D2
SQUARE BASIN
200MM THK SUNK
D2
W3
SW3
300x600
RCC CHAJJA ABOVE
W2
W1 C1
DUCT
3205
BEDROOM 1 4100 x 3400
S1 F1
C16
750x300
W4
600x300
WATER CLOSET (hindware art - crystal)
12MM THK CERAMIC TILES (maxima series - white, glossy finish) 20MM THK MOTAR
C15
C1 W2 TOILET -200 MM SUNK
C10,C11,C12,C13
RCC CHAJJA ABOVE
C22 C19 450x300
W1
with 115 mm long bend pipe & wall flange)
SOIL PIPE
WATER CLOSET (hindware art - crystal)
DINNING 2700 X 3350
W1 C1
1 : 100
C1 W2
C7,C8,C9,C33
C13 600x300
W1 C1
1 : 100
BALCONY -200 MM SUNK
N
ADITYA COLLEGE OF ARCHITECTURE. Harridas Nagar Rd, Saibaba Nagar, MIRROR Borivali, Mumbai, Maharashtra, WALL FIXTURE Pincode 400067. (with provision ofIndia. over head shower
S1 F1
D4
SW2
W6
C' D'
150
225
S2 F2
S1 F1
600x300
29
MIDLANDING
C1,C6
BALCONY -200 MM SUNK
W1
C12
KITCHEN 2730 X 4300
LIFT SHAFT
C2,C3,C4,C5
B'
W1 -
1 : 100
BEDROOM 2 4100 x 3600 TITLE C4 450x300
B
LIVING ROOM 6188 X 3800
1 : 100
28
A'
450x300
FOYER 2915 X 2888
30
F2 S2
PASSAGE
F2 S2 1 : 100
C6
W1
S1 F1
SW1 W3
D3
TOILET -200 MM SUNK
W4
450x300
00
BALCONY -200 MM SUNK
W1 C1
27
31
D2
H
SECTION BB'
150MM THK LINTEL ALUMINIUM FINS L-BRACKET
DINNING 2700 X 3350
G
150MM THK RCC SLAB 600MM THK BEAM
150MM THK LINTEL
W4
BEDROOM 1 4100 x 3400
W2
C1 W1
J
NOTES -
600x300
F WATER CLOSET (hindware art - crystal)
C22
NAHNI TRAP
All drawings are property of Kashyap Nimesh Shah and can not be used without his/her permission. The drawings shall not be scaled. Written dimensions are to be followed. Dimensions given are in mm unless and until specified & are from START unfinished surface. TILE All Internal Plaster is 12mm and external plaster is20mm. Any ambiguity shall be immediately brought to the notice of the architect before commencement of work. All external walls are 230mm and internal walls are 150mm thick unless specified.
21 22
21
F1 S1
PLAN 19'
C11 F1 S1 C1 W1
E
FLUSH TANK
C' 1 : 100
C21
20
300x750
300x750
UP
DOWN
18
1 : 100
C10
START TILE
WALL FIXTURE (with provision of over head shower with115 mm long bend pipe & wall flange)
NAPKIN HOLDER
A'
450x300
600x300
19
C9
C8
19
600x300
C5 600x300
D1 F1 S1 C1 W1
C7
600MM THK BEAM
C4 450x300
FOYER 2915 X 2888
F1 S1 C1 W1
300x750
D
150MM THK RCC SLAB
W5
450x300
D1
C
600MM THK BEAM
START TILE
S2 F2
18
17
1 : 100
C3
C2 600x300
- W1
Ar. Ashwin Parmar
W.C
C
16
S2 F2
W1
BALCONY -200 MM SUNK
F2 S2
TILE DROP
SQUARE BASIN
15
14
W1 -
C1
SECTION CC'
TOWEL ROD HEALTH FAUCET
TOILET -200 MM SUNK
13
12
RCC CHAJJA ABOVE
23
D3
11
- W1
450x300
6 / 2016
G'
7)
10
200MM THK SUNK
150MM THK RCC SLAB
19
5) 6)
9
F2 S2 BALCONY -200 MM SUNK
B
12MM THK CERAMIC TILES (maxima series - white, glossy finish) 20MM THK MOTAR
200MM THK SUNK
0,0 A
WATER CLOSET (hindware art - crystal)
12MM THK CERAMIC TILES (maxima series - white, glossy finish) 20MM THK MOTAR
2) 3) 4)
8
7
1 : 100
START FACELINE
SINGLE LEVER BASIN
SOIL PIPE
WATER CLOSET (hindware art - crystal)
1)
6
5
4
MIRROR
FLUSH TANK
SOIL PIPE
A
3
2
150MM THK LINTEL ALUMINIUM FINS L-BRACKET
W4
SECTION AA'
END FACELINE
150MM THK RCC SLAB 600MM THK BEAM
150MM THK LINTEL
A
150MM THK RCC SLAB 600MM THK BEAM
START FACELINE
Working Drawing
C30
C31
300x450
300x450
S2 F2 W1 -
C32
BALCONY -200 MM SUNK
300x450
1 : 100
14960
1 : 100
SECTION CC'
3 8'
9'
C30
10'
11'
12'
13'
15'
14'
16'
18' 19'
17'
20'
A TITLE STAINLESS STEEL TOILET DETAILS GLASS RAILING
SEAT NO. -
6735
SCALE -
SCALE1:20
PROJECT -
SIGN $ STAMP.
DRAWING NO. -
15
DATE -
01-04-2017
A'
WORKING DRAWING OF RESIDENTIAL BUILDING
N
KASHYAP NIMESH SHAH
DRAWN BY -
B'
T
50MM THK WATER PROOFING
120 119
107 106 105
RCC CHAJJA
104
50MM THK WATER PROOFING 150 MM THK RCC SLAB D1
WALL
NO.
LUSTER PAINT
C1
10mm CERAMIC TILE (200 X 300)DADO
U
900
1200
CEILING
SLIDING WINDOW
D3
750
FLUSH DOOR
W4
1200
600
TOILET VENTS
D4
750
W5
1000
3600
SLIDING WINDOW
ALUMINIUM DOOR FRAME
W6
1000
2000
SLIDING WINDOW
06
DATE -
01-04-2017
W1
W1
W3
W1
25MM THK MOTAR 100MM THK BBC 50MM THK WATER PROOFING 150 MM THK RCC SLAB
W6
D
W3
W3
W1
PASSAGE
D3
W4
PASSAGE
D3
W4
W4
PASSAGE
D3
W4
W4
PASSAGE
D3
W4
W4
+12.45 M
U
W6
+9.45 M
D
THIRD FLOOR D
TITLE -
W4
W3
W3
W1
W6
+6.45 M SECOND FLOOR
RCC CHAJJA
50 MM DIA STAINLESS STEEL PIPE RAILING
18
RCC CHAJJA
W3
W1
W6
+3.45 M FIRST FLOOR
30 MM DIA STAINLESS STEEL PIPE BALUSTER
6
600MMD1 THK PLINTH BEAM
150MM THK PCC 600MM THK PLINTH BEAM
3
150MM THK PLINTH PROTECTION SLOPE FOR PARKING
75 MM GRANITE SKIRTING
150MM THK PCC
5 MM THK STAINLESS STEEL BASE PLATE THREADED INTO BAULSTER AND SCREWED INTO RCC SLAB 18 MM THK GRANITE TREAD
N
150MM THK PLINTH PROTECTION
150 MM THK WAIST SLAB OF RCC STAIRCASE
DETAIL @ B
3'
SCALE1:10 1)
C'
A'
2) 3) 4)
3'
5) 6) A
TITLE C4 450x300
B C9
0.0 M GROUND LEVEL
SECTION BB'
5 MM THK POLYSUPLHIDE CAULK 18 MM THK GRANITE RISER 10 MM THK SETTING PLASTER
600MM THK PLINTH BEAM
NOTES -
+0.60M
150MM THK PLINTH PROTECTION SLOPE FOR PARKING
150MM THK PCC
STAIRCASE DETAILS
DRAWN BY -
KASHYAP NIMESH SHAH
SEAT NO. -
6735
N
7)
All drawings are property of Kashyap Nimesh Shah and can not be used without his/her permission. The drawings shall not be scaled. Written dimensions are to be followed. Dimensions given are in mm unless and until specified & are from unfinished surface. All Internal Plaster is 12mm and external plaster is20mm. Any ambiguity shall be immediately brought to the notice of the architect before commencement of work. All external walls are 230mm and internal walls are 150mm thick unless specified.
ADITYA COLLEGE OF ARCHITECTURE.
7'
16'
8'
NOTES -
TITLE -
A
KASHYAP NIMESH SHAH
W5
SECTION
C4 450x300
B C9 UP
300x750
B'
WORKING DRAWING OF RESIDENTIAL BUILDING
18'
DRAWN BY -
KASHYAP NIMESH SHAH
SEAT NO. -
6735
SCALE -
1:50
DRAWING NO. -
10
DATE -
01-04-2017
PROJECT -
A'
DRAWN BY -
50 MM DIA STAINLESS STEEL TUBE CONNECTOR
20 MM DIA STAINLESS STEEL PIPE TIE
150MM THK PCC
150MM THK PLINTH PROTECTION 2 1 SLOPE FOR PARKING
2)
W4
FORTH FLOOR
DETAIL @ A
D1
8 150MM THK PCC
23'
D3
5 MM THK BALUSTER CAP THREADED INTO BALUSTER
4
F'
PASSAGE
+15.45 M
W3
W1
5 600MM THK PLINTH BEAM
All drawings are property of Kashyap Nimesh Shah and can not be used without his/her permission. The drawings shall not be scaled.
W4
W1
W1
7
26580
+18.45 M
W3
BALCONY
13
23
ADITYA COLLEGE OF ARCHITECTURE. +23.5 M Harridas Nagar Rd, Saibaba Nagar, Borivali, Mumbai, Maharashtra, India. Pincode 400067.
SIGN $ STAMP.
DRAWING NO. -
W3
12
N
+19.65 M
W1
11 9
18
TERRACE LEVEL
W5 BALCONY
10
16
W6
W1
16
C6
26355
WORKING DRAWING W6 OF RESIDENTIAL BUILDING
SCALE1:10
15
C28,C22,C18
C32
1:50
12MM THK MOSAIC TILES
W5
100
14
C13 6735
SCALE -
W3
101
17
25715
24830
KASHYAP NIMESH SHAH
SEAT NO. -
FIFTH FLOOR
DETAIL B
W6
26280
C12 22325
22400
DRAWN BY -
PROJECT -
20MM THK EXTERNAL PLASTER
102
DETAIL D
C27,C21
C5 20380
C31
C24,C17 19320
18420
C9,C4,C33 16405
SW3
SW2,C35 15390
SW1,C8,C34
14415
W3
12mm ANTISKID CERAMIC TILES
PLASTIC EMULSION PAINT
TYPICAL FLOOR PLAN
W6
103
W6
W4
13440
FLUSH DOOR
T
108
C16,C7,C3
FLUSH DOOR
900
100MM THK BBC
109
10175
TYPE OF DOOR
1200
D2
230MM THK BRICK WALL
25MM THK MOTAR
111
A
8160
C2 6200
WIDTH
D1
SLIDING WINDOW
C
C
110
NO.
FRENCH WINDOW
2000
W1
114 113 112
TYPE OF7 WINDOW
3000
600
150 MM THK RCC SLAB
12MM THK ANTI SKID CERAMIC TILE
118 116
WIDTH
120
12MM THK MOSAIC TILES 100MM THK RCC COPING 25MM THK MOTAR 100MM THK BBC 50MM THK WATER PROOFING 150 MM THK RCC SLAB
100MM THK BBC
DETAIL A
117 115
7260
12mm ANTISKID CERAMIC TILES 300X300 S2
W1 W2.
TITLE -
8
CILL LEVEL
W1 W2
100MM THK RCC PRECAST COPING DRIP MOULD
25MM THK MOTAR
W6
4255
C1
C29
865 F2. NO.
100MM THK RCC COPING
SOIL PIPE
NO.
20 mm THK. VITRIFIED TILES (600 X 600) S1
T
300x750
DOOR AND WINDOW NO.3 SKIRTING 20 mm THK. VITRIFIED TILES
FINISHES FLOORING
F1.
C
C9 UP
NO.
U
C4 450x300
B
NOTES -
2) 3) 4)
D
A
600MM THK BEAM
1)
All drawings are property of Kashyap Nimesh Shah and can not be used without his/her permission. The drawings shall not be scaled. Written dimensions are to be followed. Dimensions given are in mm unless and until specified & are from unfinished surface. 5) All Internal Plaster is 12mm and external plaster is20mm. 6) Any ambiguity shall be immediately brought to the notice of the architect before commencement of work. 7) All external walls are 230mm and internal walls are ADITYA COLLEGE OF ARCHITECTURE. 150mm thick unless specified. Harridas Nagar Rd, Saibaba Nagar, Borivali, Mumbai, Maharashtra, India. Pincode 400067.
W1
T
OVER HEAD TANK
1750
00
SECTION BB'
C
C10
200MM THK SUNK
SECTION DD'
WATER SUPPLY PIPE
NOTES -
WATER CLOSET (hindware art - crystal)
12MM THK MOSAIC TILES
1)
21' 22' 23'
C
F
All drawings are property of Kashyap Nimesh Shah and can not be used without his/her permission. The drawings shall not be scaled. Written dimensions are to be followed. Dimensions given are in mm unless and until specified & are from unfinished surface. All Internal Plaster is 12mm and external plaster is20mm. Any ambiguity shall be immediately brought to the notice of the architect before commencement of work. All external walls are 230mm and internal walls are 150mm thick unless specified.
W4
7'
C23,C15
6'
U
CONCRETE FINS 23'
B'
D'
7)
5'
4'
12MM THK CERAMIC TILES (maxima series - white, glossy finish) 20MM THK MOTAR
200MM THK SUNK
450x300
W4
FLUSH TANK
12MM THK CERAMIC TILES (maxima series - white, glossy finish) 20MM THK MOTAR
SHOWER HEAD
PLAN
WALL FIXTURE (with provision of over head shower with115 mm long bend pipe & wall flange)
150 MM THK RCC SLAB H'
600x300
5) 6)
SQUARE BASIN
50MM THK WATER PROOFING
D3
C22
NAHNI TRAP
C21
2) 3) 4)
100MM THK BBC SINGLE LEVER BASIN
TOILET 50MM THK WATER PROOFING DUCT
H'
START TILE
25MM THK MOTAR
NAPKIN HOLDER
C' 150 MM THK RCC SLAB
1 : 100
1)
3'
4180
W4
S2 F2 W2 C1
C
100MM THK RCC COPING
START TILE
300
START TILE
TOILET -200 MM SUNK
SQUARE BASIN
19'
2'
600MM THK BEAM
C25,C19,C14
B
D
NOTES -
TILE DROP
D3
600MM THK BEAM 12MM THK MOSAIC TILES
THK MOSAIC TILES
100MM THK RCC COPING G' 25MM THK MOTAR C18 A' 450x300 100MM THK BBC
W.C
G'
A
1'
23 TOWEL ROD 12MM HEALTH FAUCET
225
19
150MM THK RCC SLAB
C11
150MM THK RCC SLAB
C26,C20
A'
23
23'
N
SIGN $ STAMP.
ADITYA COLLEGE OF ARCHITECTURE. Harridas Nagar Rd, Saibaba Nagar, Borivali, Mumbai, Maharashtra, India. Pincode 400067.
Individual Projects
1800 600
Car Ramp
1180
Transformer
Location: About:
Ajman, UAE.
Status: Year: Done by:
Approved under Ajman’s Architect.
Showroom 3
120
Pump Room
Watch Man
250
250
120
220 200
200
5000
Car Ramp
Showroom 1
120
252
252
Showroom 4
120
2017 Kashyap Shah Munir Halai
Bedroom 2
Garbage C. 220
Changes were made by us in planning provided by the architect according to the client wish for 2 projects: 1st G+1 Villa and 2nd G+3 Commercial and Resdiential Building.
Bedroom 3
Kitchen
Passage
Bedroom 1
Living Room
250
First Floor
1800
2400
Basment
SHOWROOM PLANS
Ground Floor
VILLA PLANS
Showroom 2
Bedroom 2
550
Bedroom 3
Passage
Bedroom 1
Ground Floor
Kitchen
Living Room
5
Community Centre Location:
Haja patel ni pol, Ahmedabad, Gujarat, India.
Brief:
Pol is are rapidly changing becoming very urbanised, congested with traffic, fast paced and very hectic. The essence of social life is reducing everyday. The vision is to offer a space to the pol community which can help people come together, space which can be used for health care, display their talents, help women run small business; showcasing ‘An Architecture for the People, based on their Socio - culture Fabric.’
Semester: Mentor:
4 / 2015 Ar. Smit Goghari
Documentation of Pol in Gujarat.
City Fabric - Laser Cut on MDF
Scale structural model of a house in pole
6
Final Design Model.
Hand Rendered - Water and Pencil Colours, Rotoring Pen
7
Interior Design Brief:
To design a studio apartment for a Tattoo Artist with 7 m of clear height.
Semester: Mentor:
4 / 2015 Ar. Pritam Mhadugut
Section AA’
Section DD’
www.aditya-arch.edu.in/events/idc/register
Ground Floor
First Floor
Section CC’
Section BB’
Skill Sets 8 About:
IDC Poster
ACA’s 4th
i i 8 “T countries
m u lt i p l e
STAGES STAGE 1: WORLDWIDE LAUNCH - Online Registration of entries starts on the 8th of August, 2016. For www.aditya-arch.edu.in/events/idc.
more
details
visit
us
at,
STAGE 2: SUBMISSION WINDOW – In order to account for the variations in
Academic Schedules globally, at this stage of the Competition a Submission Window shall open on the 12th of September, 2016 and close on the 8th of November. Online Submission of entries shall be accepted during this window only. Student teams shall be allowed to update their submissions till the 8th of November, 2016.
STAGE 3: RESULT ANNOUNCEMENT - Results shall be declared on the 14th of November, 2016
STAGE 4: AWARD CEREMONY- Post Declaration of results the winning
participants would be invited to attend our Annual Festival “UDAAN” on the 16th of December, 2016. They will be invited to present their work during the festival and shall thereafter be felicitated with the prize amount.
awa r d s
j u ry
of eminent architects
global exC H A N G E O F
he fascination of boundaries lies in their ambivalent role of dividing and connecting at the same time. They mark the transition between different modes of existence. They transmit and control exchange between territories. They are the playground for discovery and conquest '" -Richter and Peitgen, 1985.
Beyond the ‘Self’, we are inherently a part of ‘collectives’ such as a family, a community, a city, a village, a country, a culture, an ethos, and the universe. In the natural course of life we become aware about the geographical edges and social boundaries such as language, culture, religion and economy that segregate Us from Them. And yet we feel connected to these various 'collectives’ almost simultaneously. To feel connected we learn about other cultures, art, languages, share ideas, do trade, or just come together and celebrate. The transitory events such as family rituals, work, education, festivals, recreation, public events, journeys, pilgrimages are the means through which we constantly traverse from one domain to the other. In today’s world the digital media has made this transition through the boundaries a lot quicker.
I D E A S
AWARDS
1st Place – RS. 1,00,000/2nd Place – RS. 75,000/3rd Place – RS. 50,000/Citations – Certificates shall be awarded to 5 Exemplary Entries. National Category
1st Place – RS. 50,000/- (Student Teams from India) 2nd Place – RS. 30,000/- (Student Teams from India) Citations – Certificates shall be awarded to 3 Exemplary Entries.
JUDGING CRITERIA
The jury will analyze entries on a number of factors including originality, innovation, form, sustainability and also on how your design has1. Addressed the key elements of the brief. 2. Evolved in your idea of the ethos it belongs to. 3. Integrated itself within its context.
JURY
Ar Prem Ar Ratan J. Chandavarkar Batliboi
Ar Arjun Malik
CONTACT US
In case of any queries feel free to write to us at idc4.aditya@gmail.com Or visit us at, www.aditya-arch.edu.in/events/idc.
R E G I S T E R
N O W www.aditya-arch.edu.in/events/idc/register
Architecture has always facilitated this transition by providing spaces where the territorial or socio-cultural boundaries are negotiated – dissolved, consolidated or maintained. The Haskell Free Library that sits on the border between the United States and Canada speaks of a knowledge exchange between countries. The Hammam restoration project in Kabul, Afghanistan aims at reviving the traditional bathing house culture. It is an example that shows how Architecture can facilitate a boundary that breaks the barriers of social restriction. The Tabiat Pedestrian Bridge in Tehran, Iran is a beautiful example showing how architecture can transform the idea of bridging a physical boundary beyond its functional connotation. The Great Wall of China built in 14th century to divide the kingdoms and protect them from invasion has over time transformed into a world heritage site visited by millions every year exemplifying how architecture adapts and blurs boundaries in time.
The
Honorable Mentions to Mentors – Certificates shall be awarded to mentoring faculty of winning entries.
The Competition is open to all Bonafide Students from All Years of their Undergraduate Architecture course belonging to the same School/College/Department in their University/Institute recognized/affiliated by their respective State/Country Board of Education or Architecture Schools Associations. No Inter-Collegiate Participation shall be allowed. NOTE – For REGISTRATION, SITE, DESIGN, SUBMISSION details visit us at www.aditya-arch.edu.in/events/idc
The connectedness takes place when the ’edges’ defining the territories allow for exchange. Prof. Richard Sennett, renowned Sociologist, teaching at the London School of Economics, has demonstrated through the natural phenomenon of “Edge Effect”, how the boundary conditions between diverse habitats are conducive for exchange and hence generate a greater biodiversity. He therefore asks whether the ‘natural systems’ of ‘edge effects’ could be simulated as ‘man-made systems’ for human habitat thereby proposing that the ’public realms’ to be pushed to the ‘edge’ where the human activity is heightened and rich.
Christopher Alexander, in his book A Pattern Language emphasizes the importance of having boundaries in order to ensure a thriving mosaic of subcultures. He further suggests ‘Let this boundary be natural – wilderness, farmland, water-or man-made-railroads, major roads, parks, schools, some housing. Along the seam between two subcultures, build meeting places, shared function, touching each other’ This year’s ACA’s International Design Competition-2016 has set out to discover, the layers of
Winning entries at the IDC 2016-17 shall receive Certificates and a Prize amount as follows: Global Category
ELIGIBILITY
Skills in 1:1 sacle Installations, Photography, Graphic Design, Sketches...
rchitecture
of
boundaries... "Imagine there's no countries It isn't hard to do Nothing to kill or die for And no religion too Imagine all the people Living life in peace... You.... You may say I’m a Dreamer But I am not the only one I hope someday you would join us And the world will live as one." - Excerpt from ‘Imagine’ by John Lennon (1971)
the architecture of boundaries. The Competition eagerly awaits your unique narrative of these ‘spaces on edge’ that represent a core transformational condition, theme or an event set in your part of the world. For this you may need to take a deep dive into the inheritance of the ethos you belong to and simultaneously take a leap out of it to embrace the world beyond it. The English musician John Lennon immortalized an imagination of a world free of boundaries, barriers and borders at a time when it seemed like control over them were the only things that could prove supremacy.
Chess Board made of POP and Coins of wax.
Red Bull Soapbox Cart - Blastoise
Photography
“Design is not just what it looks like and feels like. Design is how it works.� - Steve Jobs