Katerina Kriveshko - Design Portfolio

KK Design Portfolio

Katerina Kriveshko

COMMERCIAL RESTAURANT BREAKING BREAD: POP UP & RESTAURANT -SENIOR YEAR-

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COMMERCIAL LONDON OFFICE TIMELESS ROTATION -JUNIOR YEAR-

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INDOOR PAVILION SHIFTING PERSPECTIVES

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-JUNIOR YEAR-

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Ta b l e

Contents

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ARTWORK

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PHOTOGRAPHY

ADAPTIVE REUSE REFINED SIMPLICITY -SOPHOMORE YEAR-

THROUGH THE YEARS

THROUGH A TRAVELERS LENS

“I think everything in life is art: What you do, How you dress, The way you love someone, and how you talk. Your smile and your personality, What you believe in, and all your dreams. The way you drink your tea, How you decorate your home, Or party. Your grocery list, The food you make, How your writing looks, And the way you feel. Life is art.�

- helena carter

Breaking Bread

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SCOPE OF DESIGN Serious Pie is a pizzeria with a bread baker’s Soul and serves up SOME SERIOUS PIES This retailrestaurant Experience IS an extension of the food experience.

THE SPACE enhances the dining, shopping and social experience.

COMMERCIAL: BREAKING BREAD - POP UP

THE BRAND

THE PRODUCTS

HUMBLE A FAMILY MEAL PASSIONATE

HOT STOVE KNIVES SOCIETY COOKBOOKS RUBS

THE BRANDING

THE CUSTOMERS

BOLD BRANDING WITH A THE FAMILY POP OF COLOR THE LOCAL HANDCRAFTED NOTES THAT THE FOODIE ADD A PERSONAL TOUCH.

TOM DOUGLAS QUOTES "A GROWING COMPANY WITH SMALL COMPANY VALUES." “WELCOME TO FAMILY MEAL/ THERE’S NO HIERARCHY.” “DELICIOUSNESS SERVED WITH GRACIOUSNESS IS THE AXIS OF OUR MISSION STATEMENT; EVERYTHING WE DO STARTS THERE AND GETS BETTER.”

COMMERCIAL: BREAKING BREAD - POP UP

THE CONCEPT SUMMARY THE CELEBRATORY NATURE OF FOOD IS UNIVERSAL. HERE AT SERIOUS PIE WE OFFER YOU THE OPPORTUNITY THAT IS SO RARE IN THE MODERN LIFESTYLE: TO PAUSE, TO SIT DOWN AND TO ABANDON ALL YOUR TROUBLES, RESTRICTIONS AND DIETS. OFFERING YOU THE OPPORTUNITY TO SPLURGE ON GOOD, HONEST, RICH FOOD. TOM DOUGLAS’S CONSTANT “PURSUIT OF GREAT FLAVOR,” ALLOWS YOU TO NOURISH YOUR MIND, BODY AND SPIRIT, THROUGH LOCAL FOOD AND GREAT CONVERSATION. FOOD IS THE SINGLE GREAT UNIFIER AMONG ALL CULTURES. THERE IS A TRUE JOY OF EATING SOCIALLY WHEN WE TAKE THE TIME TO EAT WITH FRIENDS AND FAMILY. WE FOCUS ON OUR FOOD, WE APPRECIATE IT MORE, WE SAVOR EVERY BITE, AND EAT WITH A FULLER CONSCIOUSNESS. LET US RETURN TO SOME SENSE OF TRADITION, & BREAK BREAD TOGETHER FOR THE SIMPLICITY AND PLEASURE OF GREAT FOOD & GREAT COMPANY.

SCOPE OF DESIGN To design A POP UP RESTAURANT FOR CHEF TOM DOUGLAS. THE DESIGN SHOULD INCLUDE BOTH A RETAIL SPACE ALONG WITH A KITCHEN AND SEATING.

2 1 COMMERCIAL: BREAKING BREAD - POP UP

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CONCEPT DIRECTION The celebration of food is a unifying experience.

STRUCTURE SEMI-PERMANENT STRUCTURE, LOCATED THROUGHOUT CALIFORNIA, OREGON AND WASHINGTON.

3 4 COMMERCIAL: BREAKING BREAD - POP UP

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Concept Direction

FINAL PHASE: THE RESTAURANT MATERIALITY AN OVERALL NEUTRAL BACKDROP, THAT ALLOWS THE FOOD TO STAND OUT. RAW, UNFINISHED MATERIALS. EMPHASIZE THE SIMPLICITY AND HONEST CHARACTER OF TOM DOUGLAS. A POP OF ORANGE CAN BE SEEN IN THE GRAPHICS THROUGHOUT THE SPACE.

DN

OPEN TO BELOW

THE GARDEN: BAR

MEZZANINE LEVEL - SPATIAL PLANNING

RESTROOMS

STREET ACCESS SECONDARY ENTRANCE

SHARED PATIO

EXTERIOR SEATING

THE MARKET

PRIMARY ENTRANCE

EMPLOYEE ENTRANCE

EMPLOYEE LOCKERS

UP PIZZA PICK-UP WINDOW

WASH ROOM

DEMO KITCHEN THE PATIO

TRASH

KITCHEN

NOTE: NOT TO SCALE

MAIN FLOOR -SPATIAL PLANNING

THE GARDEN

SOCIAL GATHERING PLACE, BAR

THE PATIO

INTIMATE SEATING

THE MARKET

FRESH PRODUCE, FLOWERS, RETAIL

THE DEMO KITCHEN

CLASSES, HOSTS UP TO 12 PPL..

THE KITCHEN COMMERCIAL: BREAKING BREAD - RESTAURANT

17' - 11"

THE GARDEN: BAR

17' - 11 1/8"

4' - 7 23/32"

DN

OPEN TO BELOW

39' - 1 7/8"

9' - 11 13/32"

6' - 3 15/32"

10' - 10 3/16"

7' - 7"

9' - 10"

MEZZANINE FLOOR PLAN *NOTE: NOT TO SCALE

RESTROOMS

STREET ACCESS SECONDARY ENTRANCE

SHARED PATIO

EXTERIOR SEATING

THE MARKET

PRIMARY ENTRANCE

EMPLOYEE ENTRANCE

EMPLOYEE LOCKERS

UP PIZZA PICK-UP WINDOW

WASH ROOM

DEMO KITCHEN THE PATIO

LOCATION Pike MotorWorks Bldg.

715 East Pine Street Seattle, WA 98122

TRASH

KITCHEN

NOTE: NOT TO SCALE

MAIN FLOOR PLAN

THE ENTRANCE IS AN OPEN, WELCOMING AND WARM ENVIRONMENT WITH BOLD GRAPHICS. VIEWS OF THE DEMO-KITCHEN AND THE PATIO CAN BE SEEN.

THE PATIO IS A BRIGHT INVITING ENVIRONMENT. OVERALL IT OFFERS FOR MORE INTIMATE SEATING. TABLES CAN BE PUSHED TOGETHER TO ACCOMMODATE LARGER PARTIES. DURING GOOD WEATHER, tHE SLIDING DOORS CAN REMAIN OPEN TO ALLOW FOR A FRESH BREEZE TO COME IN.

COMMERCIAL: BREAKING BREAD - RESTAURANT

THE MARKET HAVING A RETAIL ENVIRONMENT THAT HIGHLIGHTS THE ESSENCE OF TOM DOUGLAS IS A NEW AND EXCITING FEATURE TO THIS RESTAURANT.

FRESH PRODUCE DELIVERED

FRESH

FLOWERS DELIVERED

HANDCRAFTED NOTES AND RECIPES COMMERCIAL: BREAKING BREAD - RESTAURANT

THE GARDEN BAR IS LOCATED ON THE MEZZANINE LEVEL. IT IS A SOCIAL GATHERING SPACE THAT OVERLOOKS THE DEMO KITCHEN AND THE MARKET.

THE DEMO KITCHEN IS THE PLACE TO LEARN AND EXPERIENCE THE ART OF MAKING A SERIOUS PIE. WHEN CLASSES ARE NOT IN SESSION, THE AREA OFFERS COMMUNAL SEATING AREA. CUSTOMERS CAN ALSO VIEW THE MAKING OF FRESH DOUGH DAILY .

COMMERCIAL: BREAKING BREAD - RESTAURANT

Timeless Rotation

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SCOPE OF DESIGN To design an office for Amazon. The plan will be in effect five years from now, in the year 2020.

It will be located in London, England Since the design will be looking into the future, all aspects of Amazon culture, philosophy, as well as the culture of London and changes in the workplace has been considered.

IDENTITY

CONNECTION

CHOICE

IN ORDER TO FOSTER INNOVATION, COLLABORATION AND EMBRACE CHANGE, THE OFFICE IS TEMPERATED IN THREE ZONES: CHOICE, IDENTITY & CONNECTION. IDENTITY ENRICHES THE USER’S EXPERIENCE NURTURES THE HUMAN SPIRIT QUIET FOCUS AREAS FOR REFLECTION OR WORK

CHOICE FOSTERING ENGAGEMENT WITHIN THE WORKPLACE

CONNECTION OFFERING FLEXIBLE WORK ENVIRONMENT COMMERCIAL: TIMELESS ROTATION

5 YEARS FROM NOW, WORKSTATION ROTATION WILL BE A COMMON TREND. MAKING IT A NEW DAY EVERYDAY.

DN

MEZZANINE LEVEL

UP

MAIN FLOOR

MEZZANINE LEVEL HALLWAY The concept of the clock is emphasized in this transitional space.

It offers an area of relaxation, away from the busy office environment.

Separating the kitchenette form the tea room, offering a space for chance encounters, fostering the idea of collaboration.

Large roman numerals are applied to the exterior of the walls. Certain numbers correspond to conference rooms and private spaces. When rooms are in use, roman numerals are lit with a warm, pleasant glow.

COMMERCIAL: TIMELESS ROTATION

PRIMARY ENTRANCE The design of the clock is applied to the reception desk.

TEA ROOM This serene rooms gives a nod to traditional London Tea Rooms. A space intended for relaxation, a safe haven away from the office. Pops of red and green are continued into this design. A modern take of the traditional London telephone booths are located near the bar.

White and gold plates taken from London will be adhered to the brick wall.

COMMERCIAL: TIMELESS ROTATION

Shifting Perspectives

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SCOPE OF DESIGN The design of the pavilion was inspired by elements in nature: the beauty of how bark naturally peels away from a tree trunk over time, and the complexity of the organic pattern of a tree, specifically seen in the curvilinear knots of the bark. Our floor plan is derived from the aerial view of the knots.

DESIGN ATTRIBUTES THIS PAVILION DESIGN IS A COLLABORATIVE TEAM PROJECT. I WORKED ALONGSIDE ANOTHER INDIVIDUAL. The design of this indoor pavilion combines natural, organic shapes and materials with a variety of opportunities for human interaction. The layers, which create both wall and ceiling structures, are derived from the curvilinear shapes found in the bark of a tree. Seating on the exterior and interior, as well as a large open space for congregating with friends or simply enjoying the play of light and shadow created by the layers of molded plywood, result in an interactive and unique experience with each new visit.

PROCESS PHASE ONE: Nature observation PHASE TWO: Form inspired by nature PHASE THREE: Human observation PHASE FOUR: Form inspired by human observation PHASE FOUR: Combine observation and forms into one final form PAVILION: SHIFTING PERSPECTIVES

LIGHTING & LAYERS Lighting is an essential part of the viewer’s experience, establishing the emotional impact of the pavilion through the manipulation of light.

The walls of the pavilion are highlighted with upwards grazing light, which enhances the natural texture of the wood. When walking through, viewers can peak through the various layers, which are highlighted with a warm upwards lighting. While the seating is visually stimulating, with the ever changing shifts of seats which allow views of the water wall, back-lit with pleasant lighting.

A PATH THROUGH LAYERS The pavilion is created by layers multiple rings of marinegrade molded plywood. From an aerial view, this resembles the rings of a tree. The viewer experiences these layers as they walk through the space.

Additional layers wrap tightly around the exterior to provide seating, as well as dynamic and engaging elevation. Once inside the pavilion, the layers continue in an intricate circular patterns overhead, providing dynamic and ever-shifting shadows, and hints at the feeling of walking through a forest

PAVILION: SHIFTING PERSPECTIVES

Refined Simplicity

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“Simplicity of life, even the barest, is not a misery, but the very foundation of refinement.�

-William Morris

SCOPE OF DESIGN This is an adaptive reuse project for the historic Northern Pacific depot, located in Pullman, WA. The space is to house; an art gallery, artist studio and small residence. The space is universally designed, both meeting the needs for handicapped and visually impaired individuals.

ARTIST When choosing my artist, I was drawn to James Waterman's acrylic paintings. There was something very tranquil and peaceful about them. The artist goes through several steps in order to create a very weathered, aged appearance in his paintings; sanding, spraying with solvents, letting paint drip.

INSPIRATION When visiting the site, I was inspired by the herringbone brick, which were found on the exterior of the building. The bold geometric shape combined with the organic, fluid forms that are hidden within the natural texture of a brick are appealing. In essence, bold geometric vs. flowing organic was influential to the design; acknowledging the beauty of opposing forms which complement one another.

ADAPTIVE REUSE: REFINED SIMPLICITY

EXTERIOR ELEVATION

FLOOR PLAN

HARMONY

UTILITY

Harmony is achieved through the rhythm and repetition of these directional forms mixed with organic circular forms. This overall pulls the pieces together visually.

There is overall a great feel of balance which is seen in the arrangement, creating an overall sense of stability and calmness.

Unity is accomplished through the simple shapes like rectangles and circles which are understandable and relatable. These shapes help create a visual unity, where all these elements are in agreement with one another. They work together gracefully. These similar diagonal shapes help connect with one another and create movement through one point to another.

RECEPTION ENTRY As you enter through the moss green door with gold hardware, to the right is the reception desk. Face frame is Lumicor which is back-lit. It has a very organic pattern, with an emerald colored counter-top. Overall it is very geometric compared to the very organic, tree which is reclaimed drift wood and the very lush living wall, showing the beauty of opposing forms.

JAMES WATERMAN “My own personal philosophy and concept of art and painting has been influenced by the ability to seek inspiration and harmony from nature; to seek solace and contentment in simplicity, purity, restraint and humility. This personal journey for refined simplicity has led me to value beauty found in the imperfect and irregular.� (seen on wall to the right) ADAPTIVE REUSE: REFINED SIMPLICITY

GALLERY No matter which entrance you come from, as you enter the space, the first thing you see is a 7’-0� tall waterfall, which is located in the middle of the room. A ceiling cloud is suspended above this space. The idea behind this was to create a very organic room within a room which would entice you in. As you can see the floor plan is directly influenced from my initial parti.

RESIDENTIAL Looking back to the floor plan, there is a clear separation from public to privet space. The patio space which is connected to the gallery is divided by dense trees.

As you enter the residential entrance, you are greeted with diagonal walls. I wanted to have an indoor / outdoor space.

Where you can either close the doors, or keep them open to let a breeze in. This hallway acts as a separation from the semiprivate great room area, to the private bedroom and bathroom.

ADAPTIVE REUSE: REFINED SIMPLICITY

Artwork

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ARTWORK THROUGH THE YEARS “THE PRINCIPLES OF TRUE ART IS NOT TO PORTRAY, BUT TO EVOKE.” -JERZY KOSINKSI

Photography

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PHOTOGRAPHY THROUGH A TRAVELER’S LENS “YOU DON’T TAKE A PHOTOGRAPH, YOU MAKE IT.” -ANSEL ADAMS

KK

THANK YOU