Kazuya Uchida works
内田 和也 Kazuya Uchida
Address. Spaarstraat 19,1000 BRUSSEL Tel.
+32(0)483458975
Email. dressup777@yahoo.co.jp 06.07.1989 in Saitama, Japan
Dancing topography －topography and history, elements for adding spice－
Diploma in Chiba University 2/2012 “Excellent prize”
Archive of history I think the slope makes shibuya attractive. And in this building, the form is continuously changing due to the function which was extracted from the history of Shibuya. Visitors to this facility, tour the history of Shibuya from present to the past as walking this building. This is an archive of history. And the attraction of shibuya is represented in this facility.
Respect for the power of land □respect for tpografy □dig up the history Plot plan
→
“slope”
superimpose past on present
“history of Shibuya”
stucking history like slopes
1:3000
Memory of ground
Jomonーbath
Hidden history
Dig up
Cultural Map at Shibuya
Tableland Valley Yoyogi park
8th floor GL38000~39500
Edoーpark
明治新政府により武家屋敷が 桑畑や茶畑へと変貌する。
Concert hall
さらに新しい農業•牧畜のための
NHK hall
官用地が設けられていく。
震災の復興によりできた百軒店。 数々のジャズ喫茶•ロック喫茶が 7th floor GL32000~38500
軒を連ねる。
Taisyoーconcert hall
Theater Parco theater 5th floor GL20500~24000
Showaーmini theater
パルコ劇場を中心とし、渋谷公会堂や 小劇場ジャンジャンへの来客があり、 駅から離れたところにまで活気が 広がる。
4th floor GL9000~17000
Presentーstore
Jomon transgression Station かつての岬。 1st floor GL0~3000
Buildings standing like forest with concealing the ground
太古の昔、東京の低地の 大部分は海に沈んでいた。
Futureーlibrary
Respect of the history only around its foot
Fashion
Duplication of typical plan
１０９ QFRONT やマークシティにより
I have doubts about that sort of thing all the time. How can we add spice to a building which looks expressionless?
ground floor GL-2000~0
再度中心が駅へと向かう。
Superimpose history on the elements scattering in Shibuya now
Vertical Boulevard
The building composed by slope will produce the vertical sidewalk continuing with the city.
Changing angle of the view,
en tre nS et
Bunn kam ura
ug
in the diagram at the bottom right
Do
represented by the red and purple
Stree t
surrounding buildings,
connected elevation
Jomon periodーbath
Edo periodーpark Gym GL+39500
Taisyo periodーconcert hall Concert hall GL+20500
Park GL+32000~38500
Changing room GL+39500
Futureーlibrary Reading room GL-2000
Information GL +3000
Seat GL+9000~13000
Exhibition GL+24000
Terrace GL+32000~38500
Hot bath GL+39200
Presentーstore
Theater GL+9000
Terrace GL+20500
Exhibition GL+32000~38500
Stone sauna GL+39500
Syowa periodーmini theater
Library GL 0
Fashion shop GL0
Catwalk GL+13000
Information GL 0
Heated pool GL+38000
7th floor GL32000~38500
8th floor GL38000~39500
Public bath
City Park
5th floor GL20500~24000
Concert Hall
4th floor GL9000~17000
Theater
1st floor GL0~3000
Store
ground floor GL-2000~0
Library
3-dimentional wooden Urban-scape
The aim of this proposal is to create a 3-dimentional network of both human beings and urban environment in NYC, where the buildings and ground are separated because of the historical urban strategy called GRID SYSTEM. This is an architectural intervention by using “3-DIMENTIONAL WOODEN GRID” , which makes the most of existing urban structure and attempts to create the image of “future city that imbued with history” .
NEW YORK CITYVISION COMPETITION 6/2012 “Honorable Mentions”
■BACKGROUND In 1811, the government of NYC enacted the “GRID SYSTEM” that has permanently realized the concept of “vertical growth” and “open space on the ground” . It is an attractive outline of NYC toward future. On the other hand, it also restricts the further growth of City structure. And then, at the present time, the ground and skyscrapers are completely separated. There is no way to figure out what is happening inside those buildings unless they are similar to the ground level. Can we overturn this situation to a new network by the architectural intervention?
?
?
?
?
?
?
?
?
?
? ?
?
? ?
?
■3-DIMENTIONAL WOODEN
GRID
“3-DIMENTIONAL WOODEN GRID”, which consist of “Modular”, gives “human scale” to the scale out Skyscraper, create voids penetrating spirally into buildings, and connect isolated buildings as a bridge as well.In addition, the unit of “WOODEN GRID” is interchangeable, which means that people can easily do an enlargement of a building.
■3-DIMENTIONAL WOODEN
CITY
We insert the system of “3-DIMENTIONAL WOODEN GRID” multi-directionally in skyscrapers in NYC and create the unprecedented network of human beings and urban environment. “3-DIMENTIONAL WOODEN GRID” takes off the opaque skins of the existing buildings and connects adjacent buildings. That operation helps people to observe the inner parts of buildings and to create new relationships among the isolated buildings.
2250
MODULOR
INTERCHANGERABLE
IN FILL
SKELTON FRESH AIR
detailed section
■INSERTION Heat exhange system Housing,Commerce, Office
HOTEL HOTEL HOTEL HOTEL OFFICE OFFICE OFFICE OFFICE
EXPLORE SKYSCRAPER!!
COMMERCE
OFFICE OFFICE OFFICE RESTAURANT
HOUSING
OFFICE OFFICE OFFICE OFFICE OFFICE COMMERCE COMMERCE COMMERCE
section S=1:400
“3-DIMENTIONAL WOODEN GRID” enables people not only to climb the Skyscraper , but also to communicate through out building layer and adjacent buildings. Furthermore, several function such as commercial, offices, and housing might be mixed and that cause people having multi-work life balance. It can also replace the buildings’ facilities which are difficult to renew. The Voids provide natural ventilation while the Bridges provide heat exchange system. In other words, it generates sustainable urban-scape.
buildings and ground are separated
EXTRACT the activity hidden inside the building
COMBINE the buildings with wooden grid
art－OS
Renovation project in Toride, Japan 5‒11/2011
before
working
after
art×open space
－2 strategy for renovation－
Separating space Separating spaces by finishing, we created the two areas for events and daily use.
Relationship of seeing and showing Creating openings in the boundary, we connected inside and outside of the building, sacred and secular.
TAP :TORIDE ART PROJECT(art NPO) 取手市を中心に活動する NPO 法人 TAP。 以前使っていた事務所が東日本大震災の影響により使えなくなる。 その新事務所として取手駅西口近くのかつて塾として使われていた物件が選ばれた。 今回、老朽化したこの物件を事務所として使用するための改修計画の提案、そして施行を行った。 １階は現代美術家の活動拠点、２階は TAP のオフィスとイベントスペースとして計画した。
Big Window opening to the town 駅に近い立地、市民へ開いたイベントスペース、ギャラリー、 バーを活かす為に積極的に外へ開く。 木造の物件であることの利点を活かし、開口を開けていく。 この開口は部屋同士、建物の内側と外側に見る見られるの 関係をつくりだす。 昼間はイベントの様子、夜はバーへ誘う光が街へと流れていく。
Two Faces of spaces ギャラリーとイベントスペースをコアと考える。 コアの内側と外側の壁面に異なる操作を行う。 内側：既存の壁に石工ボードを貼り白くきれいに仕上げ、 展示やプロジェクターなどの為のホワイトキューブをつくる。 外側：既存の壁をはがし、柱の間に棚をつくる。 オフィスやイベントスペースの為の収蔵空間。
Ground Floor Comtemporary Artist 285
1820
11850 1820
910
1820
1820
1820
the boundary, we shortened the distance between the inside and outside of building.
1215
窓枠：既存OP
窓枠：堅木OP
corridor-1
shipping door
壁面収納
壁面収納
窓枠：既存OP
柱•筋交：既存現し
収納
kitchen
bar
外壁：既存サイディング 高圧洗浄のうえ塗装
entrance
階段：既存クリーニング OSCL
1820
gallery
700
4100
新規枠：堅木OP
1520
1100
Taking advantage that it is a wooden building, we widened openings to show the situation of inside of building to outside.
Making shipping door by creating an opening in
壁：石膏ボードOP
蹴込
床：既存長尺シート クリーニング
1820
6375
455
wc 収納内部： 既存のまま
200 700
800
窓枠：既存OP
Putting plaster board to the existing wall and paintingwhite, we created white cube suitable as the exhibition room.
Peeling off the ceiling, We took large floor height. And lighting of bar was took place using the revealed beams.
1st Floor TAP-NPO 11850 910
Representing braces by peeling off the existing wall, we made a storage space by making a shelves between the braces.
1820
1820
1820
455
Creating openings in the boundary, it became possible to show the situation of inside when they have event.
1100
We repaired outer wall with widening openings.
窓枠：堅木OP
corridor-2
打合せ 壁面収納
窓枠：堅木OP
壁面収納 窓枠：堅木OP
柱•筋交：既存現し
コピー機
窓枠：堅木OP
外壁：既存サイディング 高圧洗浄のうえ塗装
壁：石膏ボードOP
新規机
event space
910
office
新規枠：堅木OP 新規開口
床：既存長尺シート クリーニング
壁：石膏ボードOP 棚
910
壁面収納 筋交：既存現し
窓枠：既存OP
Creating openings in the boundary, we connected rooms together.
Putting plaster board to the existing wall and painting white, at the time of the event, it is also used as a projection surface.
6375
910
プリンタ
柱•筋交：既存現し
1215
1820
610
1820
1820
285
Relationship for Future Town
Proposal for Wenduine, Belgium 9‒1/2013
About Wenduine
car map
Wenduine situated on the Flemish coast and this area has some problem because of its character,
elements are needed. It means not only promoting young people but also making new
Analysis Public-Private
Pocket space
touristic and aging society. Many housing are used as a “second residence� for holidays. To sustain this city, promoting young people to move here as new residents and putting new
3step for Communication
tram map
Share garden Renovation works on garage
relationship. Local residents will hate young without relationship because of different generation of culture. My key word should be relationship
bus map
D i ff e r e n t s c a l e Same operation
isolation area 0.existing situation 1.introduceparatransit
2.improve residence area
Public
location
Semi-Public M-scale
3.changing in housing
4.new relationship
New visible functions
S-scale
Private Semi-Private
Space will be continuous one. From road to share garden and to pocket space, because road is carved one, eyes go to these space naturally. And they have eye connection outside to housing. Because there is visible garage, garage for atelier
back garden
Effect of sunlight angle
pocket space
garage for atelier
garage for office
pocket space
pocket space
share garden
road
pocket space share garden
may be it express residents’ characteristic and living most clearly.
garage for office
back garden
Visible town
Gradual Changing
By Pocket space, Share garden, some changes will happen
Space will be continuous one. From road to share garden
in housing, garage and window. Main purpose of this
and to pocket space, because road is carved one, eyes go to
intervention is changing housings more visible one and
these space naturally. And they have eye connection outside
reveal character of this town.
to housing. Because there is visible garage, may be it express residents’ characteristic and living most clearly.
TAKAGETA town After Great Tohoku earthquake “3.11” , we must recall the idea of former TAKAGETA. From now on we need a flexible modest renovation idea such as TAKAGETA, rather than large-scale re-development suppressing nature. Suggesting urban development to coexist with nature, we will hand over scenery of ordinary town as precious things.
Architectural Institute of Japan competition 6/2012 “Honorable mention prize”
not Severance but Inheritance
Severance of community by huge bank
Inheritance of community with TAKAGETA
foothold for 3D alley new ground level new ground
既存の街並みを維持しながら、足場を組んでいく。
既存の街並みを一掃し、大量の盛土をすることで水害に強い街をつくる計画。
小規模な建築行為を繰り返すことで、かけがえのない街の風景と
建物だけでなく、コミュニティを初めからつくり直さなければならない。
コミュニティを維持しながら、災害に強い街を形成していく。
Kitakoiwa in Tokyo
Low sea level area
Huge bank
Problem of disaster prevention
Learn from TAKAGETA 4.0 3.0
4.0
対象地
TAKAGETA are traditional Japanese footwear with an elevated
3.0
wooden base to keep the foot well above the ground. Sometimes TAKAGETA are worn in rain or snow to keep the feet dry, due to their extra height. Instead of changing the ground to asphalt, by a modest device,
±0m
2.0 1.0
3.0 2.0 5.0 4.0
1.0
0.5m未満 0.5~1.0m未満
事業完了 事業中
1.0~2.0m未満
事業化準備中
2.0~5.0m未満
江戸川、荒川、中川の スーパ＝堤防の範囲
地域防災区域
避難経路 地域防災区域
旧江戸川、新中川の スーパー堤防の範囲
we've accepted and coexisted with nature. 敷地は東京都江戸川区、北小岩地区。この敷地及び周辺地域は江戸時代以降、東京湾を埋め立てることで 居住地を拡大してきた。また、海抜が低いため、豪雨や河川の氾濫などによって度々、洪水に見舞われている。
Land purchase
Intervention for vacant lands and alleys
Shelter for disaster
＋ 地域住民
スーパー堤防事業計画により、行政側の土地の買収が行われ、 長年住んでいた人たちが引っ越す。
空家となった住宅が、取り残されることを防ぐため、 防災拠点及び地域のコミュニティ空間としての利用を考える。
空家を取り壊す時、排出された建材を同地域で 避難経路に再利用する。
事業予算を、空家の改修に充てることで、地域の 防災拠点とコミュニティースペースを確保する。
立体的路地は避難経路、そして町を再認識し、新たな コミュニティーや、人々の行動を誘発する役割を持つ。
空家になった建物が行政側の事業展開によって壊される。
スーパー堤防事業の中断により、町中に空地 や空家が散在し歯抜けの町になる。
歯抜けになってしまった空地に、地域の防災拠点を設ける。 日常では地域のコミュニティーの拠点として機能する。
地域のコミュニティー拠点の場所が、水害や震 災時には避難場所として使われる。
Connection of Shelters with 3D alleys
TAKAGETA town planing Based on flood control alternative to huge bank, ensuring shelter, outflow of local residents, problem of increasing vacant houses and spaces, our proposal is aiming to keep scenery of town and community by continuing modest architectural interventions, rather than large-scale re-development.
空地、及び空家に防災拠点（コミュニティスペース）を設け、それらを木造の 立体路地でつないでいくことで、迅速な避難と街並みの保全を可能にしていく。
1000 ～ 2000
1000
４ｍ ３ｍ
2500 ～ 3000
５ｍ
2500 ～ 3000
木デッキ：t=30
柱：105 角 横架材：50×100
斜材：50×100
2500 ～
1000 ～ 1500
N
vertical circulatio and view points to town
束石
2500 ～ 3000
１ｍ
2500 ～ 3000
２ｍ
flood level and floor level
Bank level
New ground level Ground level
Connect buildings
Modest renovation
Create activities
Create new view points
道幅の狭い路地では立体街路は幅を狭め、ひさ
町にできた歯抜けの空き地では立体街路は上へ
立体街路は建物のアクティビティを外へ溢れ出
立体街路に上ることで人々は町並みを新しい視
広げ、路地を横断し町をつなげていく。
しのような機能を持ちながら、建物同士をつな
伸び、浸水時の避難場所をつくる。
させる。そのアクティビティは路地に広がり町
点から眺めることで町の見方を変える。その視
げる。
立体街路は空き家にも侵入し公共空間をつくる。
の活気となる。
線の先には堤防で隠され始めた川が見える。
00
Connect alleys 屋根が寄り集まる路地では立体街路は少し幅を
Display of Design faculty
CHIBA University design faculty building renovation competition 8/2010 “Second prize�
“Display of Design faculty”
order Circulation and solve Dead Space 混雑していたエントランス、誰にも使われない一階奥、二階の全体の空間。 使っていないスペースが無いように、それぞれにしっかりと役割を与えることで空間全体を活かす。
Entrance of Design faculty building, it is the face of of it.
Display “designed”
Two approach of "showing" the face,
Providing entrance with light by making atrium at the entrance, create exhibition space.
we show the "designed" and "designing".
Display “designing”
Conversation space
Exhibit daily activities by creating work space and conversation space.
入り口、教室側を向いて座るソファを設置し、 一 人 で も 気 軽 に 座 り や す く、目 線 的、 動線的にも不安感を少なくできる。 先 輩、卒 業 生 の ポ ー ト フ ォ リ オ が コ ー ス
300
Changing display
ごとに分類されて置かれていてデザイン
デザイン学科の作品が動線上で時間軸に
850
Out▶In：Pileing of Design
Control circulations 今 ま で こ の 位 置、複 数 動 線 の 交 点 上 で、
2650
520
5300
380 200
In▶Out：Desing from past to future
デザイン学科をより知ることができる。
1560
250
1090
学 科 生 徒 は 参 考 に で き、他 学 科 の 生 徒 は
沿って感じられる。
立ち話、混雑が多く発生してしまっていた のを解消する柱。 柱により空間を談話スペースと動線に整理 する。 また最も目に入りやすい位置なのでサイン、
1st Floor Plan
吹き抜けを見おろせるようにテーブルと椅子 を配置し、読書、ノートパソコンなどを使い 一階のわいわいした談話スペースとは違った 使い方を想定。
1500
500
4000
Connection between floors 吹き抜けを設けることでエントランスを明るく 生まれ変わらせる。
2050
1200 6000
ことができて飽きない空間となる。
500
800
4800
600 1560
1090
人の流れの多いエントランスが作品をみる
5300
1100
200 500 400 400 400 400 500 200
ゆっくりとアイデアを考えられる。
East Elevation
500
2700
展示、姿見など様々に利用することができる。
Space for idea
1100
2700
50 400 400 400 350
West Elevation
3800
閉 塞 感 が あ り、薄 暗 か っ た 空 間 が 採 光 と ライトで一新する。さらに吹き抜けは見る
Past
Portfolio of graduates
Installation
Event, Competition
Design books
Display of excellent works
Flyer, Poster
見られるの関係をつくり、上下をつなぐ。 また、高さを利用した、インスタレーション
Future
2nd Floor Plan
や作品集の展示も計画する。