k e a l a n i s t u d i o
j e n s e n w o r k
2 0 1 4 - 2 0 1 5
k e a l a n i
education
experience
562-631-0716
j e n s e n
anticipated
cal poly san luis obispo
minor: art history
cal poly digital fabrication lab: technician
5.2014-present
operates laser cutters, CNC mill, and MakerBot Replicators using Rhino and RhinoCam software
&
associates art advisory: intern
Created renderings for artists’ presentations, designed company website and logo, and assisted artists’ presentations for current projects: retna_wwtc + sls hotels + neale house marco perego_marble show
7.2013-9.2013
with
nomination: odo design competition
spring
honorable mention: third year best of show
winter
tau sigma delta honor society representative for caed on-campus computing commitee dean’s list
displayed work on caed website homepage girl scout gold award
skills
2017
bachelor of architecture
esthella provas
accomplishments
kealanij@gmail.com
2015 2015
12.2014-present 11.2014-present 5 quarters 3.2013-9.2013 6. 2012
rhino//vray//grasshopper//rhinocam//autocad//adobe suite cnc routing//laser cutting//3d printing
welding//woodworking//ceramics
dslr photography//sketching//watercolor
references
mark cabrhina: cal poly associate professor
mcabrinh@calpoly.edu
+
dfab lab faculty advisor
esthella provas: ceo at esthella provas and associates
esthellaprovas@esthellaprovas.com
jeff ponitz: associate professor at cal poly
jponitz@calpoly.edu
//contents//
live/make part 2: regenerating the future
spring
live/make part 1: maker portals
winter
grover beach library pod: dfab
+
youth center
fall fall
professor: jeff ponitz spring 2015 in collaboration with riley snyder
page 1
the maker movement feeds on a relationship between makers and members of the public. our goals with this prospective project are first to encourage interaction between the makers in residence and the residents of dog patch and san francisco at large. second, we wish to expose the maker movement in order to feul the collaboration and inspiration the movement is based on. we believe these goals reflect the current explosive direction of the maker movement and forsee a future where people live and work in the same place.
to achieve our goals we incorporate a unique system of upcycling between makerspaces. upcycling creates a regenerative system within makerspace by taking waste from various shop spaces such as cnc mill dust, old
3d
printed parts, etc. and feul a new form of making.
through this systematic process, the goal is to achieve a connective quality which symbolizes the collaborative nature of the maker movement and propel the creation of ideas throughout the lifetime of this structure.
page 2
long section
page 3
concept
structure
portal columns transport upcycling
the structure consists of a two-way steel
services to various maker spaces and
slab system with hollow occupiable steel
connect makers to the public zones.
columns.
public circulation
residential circulation
the public are pulled through the main
the residential units are split so a
volume and arrive on a roof deck with
resident can interact with the public and
views into the columns below.
access all makerspaces.
1/4� = 1’0� model 3d
printed columns with thermoformed
acrylic rods demonstrating services being transported from columns to machines.
transverse section
page 4
column grid the buildable envelope first divided into an even grid.
sized the columns are sized in order to accomodate assigned program ranging from makerspace to egress.
residential blocks residential blocks pull the corresponding columns toward the living units for efficiency.
final composite the final column grid reflects similar movements so program columns are adjusted to
page 5
wall section
+
elevation
the facade is constructed from insulated frp panels which are punctured to expose the makers to the public and vice versa.
CANTILEVERED WALL SECTION
ELEVATION
[5]
[4]
[2] [9]
[1]
[3]
[5] [4]
[2] [1]
[3]
[8]
[5]
[4]
[7]
[2]
[9]
[1] FLOOR PLAN DETAIL
[1] STEEL SHELF ANGLE [2] PERFORATED ALUMINUM MESH CEILING [3] FRP INSULATED CLADDING PANEL WITH WEATHER BARRIER [4] 2-WAY STEEL SLAB SYSTEM [5] CORROGATED STEEL DECKING WITH 3” CONCRETETOPPER [6] CONCRETE SLAB ON GRADE FOUNDATION SYSTEM [7] DRAINAGE PIPE
[6]
[8] INSULATED GLAZING UNIT [7] [10]
[9] EXPLOSED MECHANICAL SYSTEMS [10] GRAVEL INFILL
page 6
FOURTH FLOOR
ROOF
1/16” = 1’0” [1] housing unit [2] makerspace: workshop lab//access to printing+lasers [3] intermediate: collab//small groups
1/16” = 1’0” [1] roof terrace [2] collab: large groups
[1]
[1]
[1]
[1] [3] [2]
[2]
THIRD FLOOR
SECOND FLOOR
1/16” = 1’0” [1] housing unit [2] makerspace: laser + printing [3] makerspace: plastics [4] intermediate: collab
[1]
1/16” [1] [2] [3]
[1]
[1]
= 1’0”
housing unit makerspace: laser + printing makerspace: printing//plastics
[1]
[1]
[3]
[3] [4]
[2] [1]
[1]
[1]
[1]
[1]
FIRST FLOOR
BASEMENT
1/16” = 1’0” [1] entry: interactive zone [2] collab room [3] start of public circulation [4] view portals to shop space
1/16” = 1’0”
[4] [1] [3] [2]
page 7
[2]
[2]
[2]
[1]
[1]
[1]
[1]
makerspace
interior of unit
the makerspaces are serviced by the portal columns that intersect
each residential unit functions as a studio with a column servicing
them. green indicates the services being transported from columns to
it. every unit is organized so it intersects with a column and
makerspaces.
minimizes wasted energy from transit.
1/16�-1’0� model
page 8
open interaction floor
the open experience on the first floor portrays a vision of the maker movement. an era where people are more connected and can regenerate their workspaces and living spaces in the same place. our hopes for the maker movement seek an environment where sharing ideas is encouraged and transforming the workings of the imagination into physical and digital objects becomes commonplace.
page 9
professor: jeff ponitz winter 2015
page 10
SITE: DOGPATCH, SAN FRANCISCO, CA
the maker movement is founded and feuled by the idea of connection between makers and those they are making
18TH ST.
for. thus, the boundary between public and private sometiems completely breached. the maker’s environment is a collaborative one where inspiration can be found
3RD ST.
. TENNESSEE ST
spaces for such individuals is slightly blurred and
through the interaction between many different types of people. in accordance with these basic premises, this building formally responds to people’s sensory experiences which are permitted through portals that cut through programmatic mass. the interaction is meant to spark a curiosity or sense of discovery so individuals are more willing to move through all the spaces in the live//work condition. these voids become hot spots of interaction and activity, where individuals will see an alternate reality and be inclined to interact with the person on the other side of the portal.
south section
page 11
PROGRAMMATIC DIAGRAM
GALLERY/EXHIBITION designed for large group/individual work
LIVE/WORK HOUSING UNITS live work units designed to have mechanical track rolling door which either opens the pod to public circulation or closes it off from public interaction
MAKER PODS rentable exhibition/gallery/retail/ meeting space for residents.
“plug-
in” nature provides an opportunity for future reconfiguration and adaptability.
MAKERSPACE heavy machinery/loud equipment grounded in the first floor in order to isolate sound.
page 12
gallery/exhibition
floor plans
rentable pods
FLOOR 4
rentable pods
makerspace:
rentable pods
computer lab
FLOOR 3
rentable pods classrooms/collab
makerspace: studio art
rentable pods
FLOOR 2
makerspace:
maker pods
dfab
FLOOR 1
heavy machinery
metal/ wood
storage
BASEMENT page 13
shop
mech.
main circulation stair:
portal:
2nd
3rd
level
level
page 14 entry sequence from
3rd + 18th
diagrams
egress
site the
site circulation
exit/access alley
street
and
onto
18 t h
main
3rd
entrance with
entrance residents
a on
sculpting voids
portal experience
on
voids
sculpt
program
portals
side
space
around
them
people
in
spaces
together
alley
for
create between program
and
relationships juxtaposing
order
connect
to
different
interaction and
potential
collaboration
page 15
in
encourage
physical model 1/8” = 1’0”
exterior approach from
3rd + 18th
page 16
professor: margarida yin fall 2014
aerial view library
page 17
+
youth center
the youth of grover beach are presently in a state of flux with no directional force to catalyze their education, passion, or future. in this proposal, a place of connection emerges where youth center and library are pulled apart and then brought together again physically and theoretically. acting as a catalytic center which connects youth to opportunities unknown to them before, the grover beach youth center and library transforms into a place of change for the future young adults of the world.
youth
center
library
1/16� = 1’0� phyisical model
page 18
youth center pleated stainless steel skin
1. 2. 3. 4. 5. 6. 7. 8.
theater storage multipurpose gathering/flex space dance studio music room
structure
art studio ceramics
8 classrooms
4 7
2
6 1
multipurpose
5 storage
3
floor
1
floor
page 19 youth
center
interior
2
floor
3
theater
library
folded steel
1. 2. 3. 4.
pleating with incorporated structure
computer lab staff main library youth room
main library
elevator+egress
2 2
4 3
1
classrooms
floor
1
floor
2
floor
3
page 20 library
north
approach
1/2”= 1’0” s e c t i o n m o d e l
page 21
professor: jeff ponitz fall 2014 with gary dominguez + erik yarosh
final mockup
page 22
this
Pod
pursues the ephemeral atmosphere
top view
of smoke. the final mockup of a portion of the adjacent rendering was constructed with thermoformed pieces of laser cut acrylic and connected using an adjustable clipping structure. the design tools used include rhino, t-splines, grasshopper,
and rhinocam. each panel was thermoformed
in an individual cnc routed mold. the pod also contains
LEDs
which glow from the
interior and produce a filmy effect on the exterior surface.
structure acrylic clip with chipboard insert
diagrams
panelized surface
page 23
registration key
rings differenced for clip holes
to be continued...
kealani jensen kealanij@gmail.com
562.631.0716