KR
Kelly Riemer Student
University of Tennessee Knoxville College of Architecture and Design Bachelor of Science in Interior Design Minor Entrepreneurship Graduation 2018
Contact
7604 Harrisburg ct. Knoxville, TN 37909 865-385-8434 kriemer18@gmail.com kriemer.weebly.com
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Table of Contents ACADEMIC WORKS 1.
LIVE-WORK : KERAMIKOS
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OFFICE DESIGN : FRAMED MICRO-CLIMATES
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REACTIVE TILE : DEPTH AND PERCEPTION
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RESTAURANT DESIGN : SMOKEY’S DEN
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MULTIMEDIA 1.
PHOTOGRAPHY : NORTH CAROLINA AND NEW YORK CITY
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LAYERED MEDIA : CHARCOAL OVERLAYS
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CHARCOAL DRAWING : STYLE SERIES
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WATERCOLOR : FRUIT SERIES
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ACADEMIC WORKS
LIVE-WORK DESIGN 6
KERAMIKOS 2ND YEAR SPRING 2016 The idea behind this project was to create a three-story plus mezzanine live-work space devoted to a given crafts person and their apprentice. My client was a ceramicist who wanted to create volumes that are not large in scale but feel monumental and significant, but also have a simplicity to them. The porous wall was inspired by the pure form of ceramics as well as my client’s interest in minimalism and simplicity. The system was also designed for multi-use. It allows for display for my client’s ceramic pieces, shelving for supplies while working and also allows slight visibility to what lies behind it. The first floor contains the gallery space that you walk in to with a glass floor above that allows you to up to the third floor. It also contains the workspace that lies behind the porous wall and in a connecting back space contains the apprentice’s apartment. The second floor consists of a secondary work space that has a work station for my client to sketch ideas for her ceramic pieces, as well as a more public living space. The third floor is made up of main, private living space. And the Mezzanine was created for my client’s kids.
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FIRST FLOOR PLAN WORK SPACE GALLERY SPACE
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SECOND FLOOR PLAN N
SECONDARY WORK SPACE LIVING SPACE
THIRD FLOOR PLAN PRIVATE LIVING SPACE
MEZZANINE FLOOR PLAN CHILDREN’S ROOM
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OFFICE DESIGN 14
FRAMED MICRO-CLIMATES 3RD YEAR FALL 2016 This project began by research on the viperfish, a bioluminescent organism. Two qualities of the viperfish took my interest, The first being the skin of the fish, the scales and translucent coating over them. The second one was the bioluminescent organ and the layers it had to be able to produce the bioluminescence. I began the design process by studying the thickness of material and how light can penetrate material based on varying depths. I continued the design by adding a variation in height of the extrusions to create more depth and add a topography to the surface. This idea is where the herbarium system was created. After studying the site, which was the Whitney Museum in New York, I became fascinated with the high line and how the interior can interact with the exterior and relate to its’ surroundings. I wanted to incorporate the variation of greenery that filled the high line and use it within the pod-like micro-climates in the herbarium system. These micro-climates are concentrated towards the top of the herbarium to allow access to direct sunlight. The pods concentrated at the bottom of the system had pull-out shelves for the seed library, which contain the seeds of the plants growing above them. A ramp goes through the middle of the system to allow user interaction with both the top and the bottom herbarium. The herbarium system is the main focal point within this design, which then influenced the rest of the program within the space. The spaces further away from the herbarium became the private spaces, such as the offices and private research areas. Within the closer areas of the herbarium consisted of group research areas.
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7TH FLOOR
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8TH FLOOR
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REACTIVE TILE DESIGN
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DEPTH AND PERCEPTION 3RD YEAR SPRING 2016 CROSSVILLE INC. SPONSORED STUDIO This design is a kit of parts that contains the same modular repeated by stacking and shifting to create variation. It consists of a steel metal octagon frame that encases reflective silver tile facing towards the interior. The system is easy to assemble with grooves cut into the sides of the tile where the frame slides into. The frame is what holds the tile in place, but the tile is what connects the modulars together. The middle insert is a variety of color tile. When light interacts with the system, it bounces around the interior within the reflective tile and the color tile to cast off playful shadows and color. 29
RESTAURANT DESIGN
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SMOKEY’S DEN 2ND YEAR FALL 2015 This restaurant design revolved around the aspect of food trucks entering the space but only around meal times. After studying the site located in Knoxville, TN, three main words became the focus around my design. Hiking, outdoors and fog were the words that stuck with me after my research. Incorporating those into a design, hiking represented the way finding within the entry of the space. Outdoors became an open space concept within the main space or dining area. Lastly, fog became an idea of obstruction that is also used within the entry of the space.
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MULTIMEDIA
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THANK YOU 47