Portfolio 2018 by Kelly Riemer

Kelly Riemer The University of Tennessee College of Architecture and Design Bachelor of Science in Interior Architecture Minor in Entrepreneurship Phone: (865) 385 - 8434 Email: kriemer18@gmail.com

RESIDENTIAL Keramikos 54-59

RETAIL

Heart of Midtown 22-29

WORKPLACE

Framed Micro-Climates 42-53

flora [414] timeless [320] Sicilian instruments [308] table of contents 64 64

008

CHILDCARE

Playing with the Senses 30-41

007

HomeBrew Hotel 6-21

006

HOSPITALITY

REPRESENTATION

00D

Seeking Transformation Delirium 60-65

seeking a transformation to mark the new beginning of a new chapter 00C

FURNITURE DESIGN Floating Table 66-69

00B 00A 001

002

003

004

SKETCHES

76-79

PHOTOGRAPHY

70-75

005

HOSPITALITY

HOMEBREW HOTEL O4 YEAR FALL 2017

The Homebrew Hotel is located in Pigeon Forge, Tennessee at the intersection of Parkway and Pine Mountain Road. Pigeon Forge has a strong history of distilling moonshine, with multiple distilleries still located there today. In the 1830â&#x20AC;&#x2122;s the Old Mill was built to stone grind corn, wheat and rye. In 2014, the Old Forge Distillery was built a hundred yards from the Old Mill using the grain from the Old Mill to make moonshine. This project is inspired by the distilling process of moonshine and the environment in which the site is located, connecting the interior and exterior. Moonshine is created by heating a mash mixture of corn, water, yeast and sugar to 173 degrees, it is then turned into an alcohol steam and is past from large copper stills through small copper piping to cooler water where it is then condensed back into a liquid. The liquid is then filtered through charcoal and then dispensed into a jug. The moonshine is then put into mason jars for packing. This process is used within this hotel by creating large open main spaces, mimicking the large stills and using long hallways or tunneling spaces for the connecting spaces, to simulate the copper piping between stills. The materials, ingredients and the history of moonshine are all the factors that influenced each part of this hotel. The materials chosen for the hotel are local to Pigeon Forge. The furniture used throughout the project was chosen due to the round shape to reinforce the concept and bring more of the shape of the stills and pipes into the space.

COFFEE BAR PERSPECTIVE

GROUND FLOOR PLAN

COPPER PIPING

173 DEGREES

COILED COPPER PIPING

ALCOHOL STEAM

MASH

CHARCOAL FILTER

COOL WATER 1ST POT

PRESSURE COOKER

2ND POT JUG

DISTILLING PROCESS DIAGRAM MATERIALS All of the materials chosen for this project are found locally and are native to the Smoky Mountains.

Dark Mountain Maple used as flooring in the restaurant, employee lounge, admin offices and business center.

Yellow was selected for upholstery both interior and exterior to represent the color of wheat and corn.

Copper is used in pipes and sheets, throughout the hotel. 10

Large tile Crab Orchard Stone is used in a warm buff tone for the outdoor flooring.

Slate is used in as an accent in a variety of spaces.

White herringbone tile is used in the entry and bathroom of both the suite and standard rooms.

A wormy American Chestnut is used in the coffee shop.

For the outdoor banquette seating back, small tile Crab Orchard Stone in warm buff is used.

Cool grey Crab Orchard stone is found in the lobby, restrooms and kitchen.

OUTDOOR BAR PERSPECTIVE FOLDING WALL The wall connecting the interior and exterior bar serves as a visual and physical permeable wall that adheres to the concept of bringing the outdoors indoors and vise versa. The folding wall slides together to completely open up the space.

PLAN

SECTION

ELEVATION

RENDER GROUND FLOOR AXONOMETRIC 12

RESTAURANT PERSPECTIVE FURNITURE The curvilinear furniture used throughout the project reinforces the concept. The fluid line within the furniture mimics the flow of running water through the pipes.

Knoll Saarinen Executive Armchair is used in black leather and a copper base. They are used in the offices.

Knoll Paperclip Table is featured in copper legs and white plastic table top. The table is used in dining areas.

Knoll Tulip Chair is shown in white plastic and yellow upholstery and used in the dinning spaces.

Haworth Wander’s Tulip Lounge Chair is in white plastic and yellow upholstery. The chair is used in the coffee shop.

Minotte Creed “Semi round lounge sofa” is shown in white upholstery with yellow accent pillows.

Hightower Lotus Table is shown in white plastic or glass top with copper legs. This is used in the lounge.

Haworth Chickpouf chair is featured in white and yellow upholstery and is used in the lounge.

Haworth Openest Corner Booth is featured in white and yellow upholstery and used in the lounge.

Knoll Bertoia Barstool is shown in copper and an outdoor yellow upholstery.

SUITE AND STANDARD ROOM AXONOMETRIC

SUITE AND STANDARD ROOM FLOOR PLAN 14

SUITE LIVING ROOM PERSPECTIVE LIGHTING The lighting fixtures were selected in the interest of the round shape as well as the metal materiality.

Viba Slim by Jordi Vilardell shown in copper and used as ambient lighting in the bedrooms.

Jonas wire copper pendant is used as ambient lighting in the living space. LED downlight recessed can lighting is used for task light.

LED down light strips are used around the entry and in the bedroom.

Custom pipe lighting made of copper pipes and incandescents is used for a warm ambient light.

SUITE ENTRY PERSPECTIVE ROTATING WALL A wall of the suite entry is movable to create different dynamics of the space. The wall can be moved to obstruct the pathway to the bedroom to create a more social atmosphere, or the wall can be a barrier to the living space to generate a greater intimate setting.

PLAN 16

EXPLODED CONSTRUCTION

ELEVATION

FURNITURE The furniture for the rooms was chosen because of the curved nature to reinforce the concept up to the rooms.

Minotti Creed Bed is featured in the black leather headboard.

Steelcase Coalesse Hosa Sofa is used in yellow and white upholstery.

Minotti Winston Armchair is used with yellow upholstery and white plastic legs.

SUITE ROOM PERSPECTIVE

DAYLIGHT RENDERED FLOOR PLAN

DAYLIGHT RENDERED SECTIONAL PERSPECTIVE

NIGHTTIME RENDERED FLOOR PLAN

NIGHTTIME RENDERED SECTIONAL PERSPECTIVE

STANDARD ENTRY PERSPECTIVE

3form Varia Ecoresin Naturals Field is used to create the walls within the entry circle of both the standard and the suite rooms. This material was chosen because of itâ&#x20AC;&#x2122;s ability to be formed to any design as well as its translucent nature. The choice of pattern within the polyethylene was selected to comply and translate the concept up into the room design.

Slate tile flooring is applied within the bed area of the rooms. It is used because of its capabilities to be throughly cleaned. The rugs underneath the bed give a homey quality to the space.

STANDARD BEDROOM PERSPECTIVE

RETAIL

HEART OF MIDTOWN INTERNSHIP SUMMER 2017 GENSLER, ATLANTA

Experience transformation in the heart of Midtown through a glimpse of the three part project that was given to the interns at Gensler, in the Atlanta, Georgia office, during the summer of 2017. The project was to develop design proposals for refreshing and activating storefronts in Midtown, and implement them into a mixed use development proposal for the AT&T campus. The first part of the project was to redesign the Midtown storefront guidelines. The challenges faced in this stage of the project was to create strict enough guidelines that unified Midtown, while allowing each brand to express themselves. The second part was to use two retailers in Midtown as examples of how the new guidelines could be used to unify Midtown. The two retailers were ACE Hardware and SAVI. They both had storefront properties that were not used to the fullest advantage. Our challenge during this phase was to incorporate the owner’s wishes while adhering to the new guidelines we redesigned to achieve the best overall storefronts for the company’s and Midtown’s brand. The third part was to develop a mixed use proposal for the AT&T campus. The current site is in close proximity to public transit, however there is low foot traffic due to the elevated plaza. Our intent was to unify the local community by offering a welcoming retail experience. Developing a strong sense of brand, offering ample retail space and bringing green spaces back into the city were our main goals for this phase.

STREET LEVEL RENDERING

5TH ST NE

EXISTING CONDITIONS

4TH ST NE

3RD ST NE

SPRING ST NW

Site

PEACHTREE ST NW

Project Scope

SITE OVERVIEW PROPOSAL

4TH ST NE

Project Scope Site

Major Points of In

3RD ST NE PEACHTREE ST NE

CYPRESS ST NE

SITE OVERVIEW

PEACHTREE ST NE

SPRING ST NW

PEACHTREE ST NW

CYPRESS ST NE

5TH ST NE

SITE OVERVIEW

PONCE DE LEON AVE NW

PROPOSAL

PONCE DE LEON AVE NW

SITE OVERVIEW SITE OVERVIEW OVERVIEW SITE

SITE OVERVIEW SITEOVERVIEW OVERVIEW SITE

EXISTING CONDITIONS EXISTINGCONDITIONS CONDITIONS EXISTING

PROPOSAL PROPOSAL PROPOSAL

Project Scope Project Scope Scope Project

Project Scope ProjectScope Scope Project

Site Site Site

Site Site Site Major Points of Interest MajorPoints Pointsof ofInterest Interest Major

Project Scope Site Major Points of Interest

SITE OVERVIEW

SITE OVE

EXISTING CONDITIONS

PROPOSAL

Project Scope

Project Sco

Site

Retail

SITE OVERVIEW

PROPOSAL

EXISTING CONDITIONS N

N 56

SITE OVERVIEW SITEOVERVIEW OVERVIEW SITE

Project Scope

EXISTING CONDITIONS EXISTINGCONDITIONS CONDITIONS EXISTING

Site

Project Scope Project Scope

Project Scope

PROPOSAL PROPOSAL PROPOSAL

Site

Project Scope ProjectScope Scope Project

Retail

Site Site

Site Site Site

Retail Retail

Retail Retail Retail

STREET LEVEL RENDERING

Retail

N NN

56 54

N NN

57 57

STREET LEVEL RENDERING

SITE OVERVIEW

SITE OVE

EXISTING CONDITIONS

PROPOSAL

Project Scope

Project Sco

Site

Bike Rental

Bike Renta

Bike Hub

Bike lanes

SITE OVERVIEW SITE OVERVIEW

EXISTING CONDITIONS EXISTING CONDITIONS

EXISTING CONDITIONS EXISTING CONDITIONS N

N 60

SITE OVERVIEW SITE OVERVIEW SITE OVERVIEW

EXISTING CONDITIONS EXISTING CONDITIONS EXISTING CONDITIONS

Project Scope Project Scope Project Scope Site Site Site Bike Rental Bike Rental Bike Rental Bike Hub Bike Hub Bike Hub Bike lanes Bike lanes Bike lanes

Project Scope Project Scope Site Site Bike Rental Bike Rental Bike Hub Bike Hub Bike lanes Bike lanes

SITE OVERVIEW SITE OVERVIEW OVERVIEW SITE OVERVIEW

EXISTING CONDITIONS EXISTING CONDITIONS EXISTING PROPOSALCONDITIONS

Project Scope Project Scope Project Project Scope Scope Site Site Site Site Bike Rental Bike Rental Bike RetailRental Bike Hub Bike Hub Bike Hub Bike lanes Bike lanes Bike lanes

Project Scope Project Scope Site Site Bike Rental Bike Rental Bike Hub Bike Hub Bike lanes Bike lanes

SITE OVERVIEW

SITE OVERVI

EXISTING CONDITIONS

PROPOSAL

Project Scope

Site

Green Spaces

SITE OVERVIEW

EXISTING CONDITIONS

EXISTING CONDITIONS N

SITE OVERVIEW OVERVIEW SITE SITE OVERVIEW

EXISTING CONDITIONS CONDITIONS EXISTING EXISTING CONDITIONS

Project Scope Scope Project Project Scope

SITE OVERVIEW OVERVIEW SITE SITE OVERVIEW

Project Scope

EXISTING CONDITIONS CONDITIONS EXISTING PROPOSAL

Site

Project Scope Scope Project Project Scope Site Site Site Bike Bike Rental Rental

Green Spaces

Site Site Site Bike Bike Rental Rental Bike Rental

CYPRESS STREET RENDERING Bike Bike Hub Hub

N N

Green Spaces

Bike lanes lanes Bike N

N 58

60 60

Site

Green Spaces Bike Bike Hub Hub

Bike Hub

Bike lanes lanes Bike Bike lanes

Project Scope

N N

60 60

N 59

CYPRESS STREET RENDERING

USER JOURNEY PLAZA OVERVIEW

Green Spaces Dining Retail Leisure Bike

Exploded Axon

HOW DOES RETAIL CAPTURE THE SPIRIT OF MIDTOWN?

CHILD CARE

PLAYING WITH THE SENSES 03 YEAR SPRING 2017

This project began by a two week charratte sponsored by Crossville Tile to design a tile system based on self given criteria. The concept was how light interacts with depth and perception. The tile system is designed as a kit of parts that contain the same modular repeated by stacking and shifting. The kit consists of a metal frame that a reflective tile slides into on four sides of the octagon shape. A glass colored tile is then inserted into the center of the shape. When light interacts with the system, light bounces around the interior within the reflective tile and emits the light as the color of the glass tile insert. This project is located in the storefront retail space in Evolve apartments on Cumberland Avenue in Knoxville, Tennessee. Cumberland Avenue is one of the most circulated streets in downtown Knoxville. The site is located on a extremely populated street by not only people but restaurants, hospitals and businesses. After studying the site and discovering the diverse sensory simulating environment, I developed the interest in how different stimuli effect the human experience. Sensory Processing Disorders, or SPD, are extremely common in children. SPD is the inability to react to certain stimuli or being too overly stimulated. SPD often accompanies Autism, ADHD, ADD and OCD. There are less then five Sensory Processing Disorder Centers in the United States and none being close to Tennessee. Designing a center for children with Sensory Processing Disorders requires spaces that stimulate their senses to feel a particular way. This design allows a child to be stimulated by color and light. Each space within the design uses a designated color to stimulate a child to feel a certain way to provoke a certain activity within each location.

RENDERED SECTION PERSPECTIVE TILE SYSTEM CONSTRUCTION

The tile system is a kit of parts created with aluminum and tile. The tiles have grooves cut into the sides to easily slide into the metal frame. The center tile slides into the grooves cut into the two tiles across from each other. They are then stacked on top of each other and staggered.

METAL FRAME

SIDE TILES

CENTER TILE INSERT

Aluminum is used on the outer frame of the tile system. Aluminum is used to counter the heavy tile.

Crossville tile in Sideview Glass color silver is used on four sides of the system. It was chosen for its reflective qualities.

Crossville tile in Glass Box is used in the center of each tile system. Glass Box is used in Angel Fish, Dazzle Red, and Green Glow.

ABSTRACTED SENSORY PROCESSING METHODS

SIGHT

TOUCH

TASTE

SMELL

SOUND Red is the most stimulating and powerful color. It raises our pulse and promotes activity. Green is the color of balance. It is relaxing and can contribute to better health. Blue is the color of the mind. It enhances creativity and is mentally calming. Strong blues will stimulate clear thoughts.

STIMULATION DIAGRAM

SENSORY MAP OF CUMBERLAND AVENUE

SUNRISE NOON SUNSET

SITE SMELL TASTE SIGHT TOUCH SOUND

SITE ANALYSIS

F12

S1 6

3 3/4

F11

S3.1

1 15/16

F9 F10

3/16

F10

3’

S6.1

S6.2

S7 3’

S8.1 S8.2

3’

F4 F1

5 9 1/16

N 3’

FURNISHING FLOOR PLAN SCALE 1/4” = 1’-0”

3’

1 15/16

3’

S3.2 6

LIBRARY

S6.1

STORAGE ROOM 1

S6.2

STORAGE ROOM 2

LAN ROOM

S8.1

WOMENS BATHROOMS

S8.2

MENS BATHROOMS

FFE SCHEDULE

LEGEND EXIT SIGNS

SYMBOL

QTY.

EXISTING WALLS

NEW WALLS

MILLWORK/BUILT-IN FURNITURE

ROOM LEGEND

ACTIVITY SPACE

RECEPTION/OFFICE

S3.1

CLASSROOM/ THERAPY ROOMS

S3.2

CLASSROOM/ THERAPY ROOMS

ART SPACE

LIBRARY

S6.1

STORAGE ROOM 1

F10

F11

S6.2

LAN ROOM

S8.1

WOMENS BATHROOMS

S8.2

MENS BATHROOMS

FFE SCHEDULE QTY.

MANUFACTURER

MODEL NAME/#

HERMAN MILLER

BLOSTER CHAIR

HERMAN MILLER

MAGIS TROY PLASTIC CHAIR

SO SVELTE IT SEEMS TO FLOAT, BUT STRONG ENOUGH TO HOLD AN ENTIRE BUFFET; AVALIABLE IN 62” AND 80”; LONG THIN TOP

HERMAN MILLER

MAGIS BAGUETTE TABLE

FOLDED METAL INTO 18” SEATS TOPPED WITH A WOODEN SEAT; BETWEEN THE SEATS ALLOWS STORAGE FOR BOOKS

CUSTOM

CUSTOM MILLWORK

CUSTOM

CUSTOM MILLWORK

CUSTOM

CUSTOM MILLWORK

CUSTOM

SENSORY SWING

LIGHTWEIGHT, BI-INJECTION MOLDED; INDOOR AND OUTDOOR STACKING CHAIR; ENDLESS UTILITY.

WELDED METAL BOOKSHELF

WELDED METAL TABLE

CONE SHAPE SWING; METAL FRAME CONCEPT OF OPENNESS AND EXPANSION-EVOLVING; 145 DEGREE ANGLE

DESCRIPTION

MANUFACTURER

COMPACT SIZE AND LIGHT WEIGHT MAKE IT EASY TO MOVE TO WHEREVER NEEDED; CAN EVEN STACK THEM TO GET OUT OF THE WAY.

SCULPTED SILHOUETTE AND SOPHISTICATED SIMPLICITY OF FORM; EFFORTLESS SENSE OF COMFORT; COMES MID OR HIGH BACK UNFRAMED 3D INTELLIGENT BACK ALLOWS FOR MORE MOVEABLILITY; INSPIRED BY SUSPENSION BRIDGES

MODEL NAME/#

F12MILLER HERMAN

1 CHAIR BLOSTER

LIGHTWEIGHT, BI-INJECTION MOLDED; INDOOR AND OUTDOOR STACKING CHAIR; ENDLESS UTILITY.

HERMAN MILLER

MAGIS TROY PLASTIC CHAIR

SO SVELTE IT SEEMS TO FLOAT, BUT STRONG ENOUGH TO HOLD AN ENTIRE BUFFET; AVALIABLE IN 62” AND 80”; LONG THIN TOP

HERMAN MILLER

MAGIS BAGUETTE TABLE

FOLDED METAL INTO 18” SEATS TOPPED WITH A WOODEN SEAT; BETWEEN THE SEATS ALLOWS STORAGE FOR BOOKS

CUSTOM

CUSTOM MILLWORK

CUSTOM

CUSTOM MILLWORK

CUSTOM

CUSTOM MILLWORK

CUSTOM

SENSORY SWING

DECCA ELAN

AVANT LOUNGE

HERMAN MILLER

EAMES WIRE BASE LOW TABLE

HERMAN MILLER

SAIBA SIDE CHAIR

HERMAN MILLER

SAYL CHAIR

STORAGE ROOM 2

SYMBOL

DESCRIPTION

INVITING, VERSATILE, AND THOUGHTFULLY SCALED, DELIVERS THE SUPPORT NECESSARY FOR UPRIGHT SITTING, AS WELL AS THE PLUSH COMFORT DESIRED FOR LOUNGING POSTURES.

WELDED METAL BOOKSHELF

WELDED METAL TABLE

CONE SHAPE SWING; METAL FRAME CONCEPT OF OPENNESS AND EXPANSION-EVOLVING; 145 DEGREE ANGLE

COMPACT SIZE AND LIGHT WEIGHT MAKE IT EASY TO MOVE TO WHEREVER NEEDED; CAN EVEN STACK

DECCA ELAN

HERMAN MILLER

FINISHES

STAINLESS STEEL METAL RECEPTION TABLE

AVANT LOUNGE EAMES WIRE BASE

LEGS, CHARCOAL MEDLEY FABRIC

CUSTOM

CUSTOM MILLWORK

FINISHES STAINLESS STEEL LEGS, CHARCOAL MEDLEY FABRIC POLYPROPYLENE FRAME, STEEL TUBE CHROME BASE, VARIETY OF FINISHES, SOLD IN TWO TOP: 1” MDF IN WHITE OR BLACK, CLEAR OR WHITE GLASS OR SLATE OR QUARTZITE; CAST ALUMINUM LEGS AND FRAM POLISHED OR PAINTED WHITE OR BLACK GLAVINIZED STEEL; 1/2” CARBONIZED STRAND WOVEN BAMBOO GLAVINIZED STEEL

GLAVINIZED STEEL

GLAVINIZED STEEL; GREY FABRIC FULLY UPHOLSTERED WITH GREY FABRIC; WOOD VENEER BACK AND LEGS BASE CONSISTS OT 2 U-SHAPED WELDED STEEL RODS AND CROSS MEMBERS; NATURAL STONE STOPS WITH BEVELED EDGE FULLY UPHOLSTERED WITH GREY FABRIC AND WOOD LEGS BLACK BASE WITH BLACK Y-TOWER; BLACK BACK; RHYTHM BLACK FABRIC SEAT; BLACK ARMPAD GALVANIZED STEEL

POLYPROPYLENE FRAME, STEEL TUBE CHROME BASE, VARIETY OF FINISHES, SOLD IN TWO TOP: 1” MDF IN WHITE OR BLACK, CLEAR OR WHITE GLASS OR SLATE OR QUARTZITE; CAST ALUMINUM LEGS AND FRAM POLISHED OR PAINTED WHITE OR BLACK GLAVINIZED STEEL; 1/2” CARBONIZED STRAND WOVEN BAMBOO GLAVINIZED STEEL

GLAVINIZED STEEL

GLAVINIZED STEEL; GREY FABRIC FULLY UPHOLSTERED WITH GREY FABRIC; WOOD VENEER BACK AND LEGS BASE CONSISTS OT 2 U-SHAPED WELDED

HANGING METAL DETAIL CONCRETE T BOLT T NUT STEEL TIRE SWING MOUNT 1/4” STEEL EYE BOLT 21MM CARABINER

3/16” ZINC - PLATED PROOF COIL CHAIN

ART PERSPECTIVE

LIBRARY PERSPECTIVE

LIBRARY SEAT DETAIL BAMBOO SEAT EPOXY SINGLE - BEVELED GROOVE WELDED CORNERS GALVANIZED STEEL PLATE 1/8”

FURNITURE The furniture used throughout the project was chosen due to the flexibility and comfort.

Sayl Chair by Herman Miller has an intelligent back to allow you to stretch and move.

Magis Baguette Table by Herman Miller is used in the library and is so light and lean it seams to float.

Eames Molded Plastic Stool is used in the library.

SECTION PERSPECTIVE

Avant Lounge by Decca is used in the therapy rooms. The 145-degree angle allows for face-toface conversation.

Eames Wire Base Low Table is used in the therapy rooms and is practical and versatile.

Plex Club Chair by Herman Miller is used in the therapy room and brings residential comfort to the work place.

Bolster Club Chair by Herman Miller is used in the library that balances comfort with support.

THERAPY ROOM PERSPECTIVE

ENLARGED THERAPY ROOMS FLOOR PLAN

WEST ELEVATION

SOUTH ELEVATION

EAST ELEVATION

NORTH ELEVATION

WORKPLACE

FRAMED MICRO-CLIMATES 03 YEAR FALL 2016

This project began by research on the Viperfish, a bioluminescent organism. The two main things I extracted from my research were the layers of the fish’s skin and the layers of the bioluminescent organ. The Viperfish’s skin consists of two layers, the first being the scales and the second is a translucent coating over them. The bioluminescent organ, a photocyte, consist of four layers and is used to attract prey. I began the design process by taking the shape of the bioluminescent organ then abstracting and extruding it. I then studied the thickness of material and how light can penetrate material based on varying depths. I continued the iterations by adding a variation in height to the extrusions to create more depth and add a topography to the surface. This became the design for the herbarium. After studying the site, The Whitney Museum in New York, I realized how the Whitney could interact with the High Line and it’s surroundings. I researched the plants and trees growing on the High Line and incorporated them within the herbarium. The herbarium consists of pod-like micro-climates concentrated towards the top to be in the sunlight. The pods toward the bottom contain a seed library to the plants growing above. A ramp goes through the middle of the two layers of the system to allow user interaction with the both the top and the bottom. The herbarium system is the main focal point within this design, which determined the rest of the program within the space. The spaces closer to the herbarium became the public zones and the areas furthest away became the private zones.

CENTRAL RAMP PERSPECTIVE

1 HERBARIUM 4 INDIVIDUAL RESEARCH 8 PRIVATE OFFICES

2 LIBRARY

3 RECEPTION 5 GROUP RESEARCH 7 CONFERENCE AREA

6 EXTERIOR TERRACES

SPATIAL CONCEPT DIAGRAM The herbarium is the focal point within the design and thus influences the spaces around it. The areas that are closer to the herbarium are the public zones, while the areas furthest away are the more private zones.

12AM

3AM

6AM

9AM

HTTP://WWW.NEWYORKER.COM/TECH/ELEMENTS/MAPPING-NEW-YORK-NOISE-COMPLAINTS

3 THE HIGHLINE

CHELSEA GRASSLANDS

SPRING

FALL

SUMMER

WINTER

10TH AVENUE SQUARE

SPRING

SUMMER

4 FALL

NOISE BASE CONSTRUCT

WINTER

MORE ASORBTION 3 SUNDECK

WASHINGTON GRASSLANDS 2

SPRING

SUMMER

FALL

WINTER

SPRING

SUMMER

FALL

WINTER

GANSEVOORT WOODLAND 1

SPRING SUMMER NN 46

SITE ANALYSIS HTTP://FILES.THEHIGHLINE.ORG/PDF/PLANT-GUIDE-SPRING-SUMMER-2010.PDF

MORE ASORBTION FALL

WINTER

HIGH FREQUENCY HIGH DENSITY HIGH HEIGHT HIGH FREQUENCY, DENSITY, HEIGHT MORE ABSORPTION MORE ASORBTION

VARIATION OF NOISE VEGETATION NOISE ABSORPTION WITH ABSORPTION FOR VEGETATION BARRIER BARRIER HEIGHT HEIGHT VEGETATIONNOISE NOISE VEGETATION ABSORPTIONFOR FOR ABSORBTION RANGEOF OF RANGE FREQUENCY FREQUENCY VEGETATION NOISE VARIATION OF NOISE ABSORPTION FOR ABSORPTION WITH VEGETATION BARRIER BARRIER DENSITY DENSITY

LOW FREQUENCY LOW FREQUENCY, DENSITY, HEIGHT LOW DENSITY LESS ASORBTION LOW HEIGHT LOW ABSORPTION

SITE ANALYSIS

1 2 3 4 5 6 7 8 9 10 11 12

LEGEND

GROUP RESEARCH INDIVIDUAL RESEARCH INDIVIDAUL RESEARCH GROUP RESEARCH HERBARIUM SEED LIBRARY INDIVIDAUL OFFICES INDIVIDAUL LOUNGE CONFERENCE GROUP LOUNGE CONFERENCE RESTROOMS DAYLIGHT 35’ FROM WINDOWS

11 9 10

6 5 4

2 3

7TH FLOOR 1/16” SCALE

The Whitney New York, New York

7th Floor Plan Project number Date Drawn by Class

01 12/8/16 Kelly Riemer IDS 371

FP.01

Scale As Indicate

1 2 3 4 5 6 7 8 9 10 11 12

LEGEND

11 9 10

6 5 4

2 3

7TH FLOOR 1/16” SCALE

The Whitney New York, New York

7th Floor Plan Project number Date Drawn by Class

01 12/8/16 Kelly Riemer IDS 371

FP.01

Scale As Indicate

FURNITURE The furniture used throughout the project was chosen due to the flexibility. Using furniture that is easy to move makes the space dynamic and able to change based on the userâ&#x20AC;&#x2122;s needs.

Layout Studio by Herman Miller is used with a red dividing screen and used in the group research space and offices.

Sayl Chair by Herman Miller is shown in a black and white plastic and is placed in the group research, offices and conference spaces.

Swoop Family Ottoman by Herman Miller is used in the individual research spaces.

Everywhere Table by Herman Miller is used for the conference tables and shown in a white plastic table top.

Swoop Chair by Herman Miller is used individual research areas .

Nelson Platform Bench by Herman Miller is placed on either side of the center walls by the elevators.

Tuxedo Sofa by Herman Miller is used in the reception and in individual research spaces.

MATERIALS The materials chose were selected because of their minimalist characteristics to allow the herbarium to be the focal point. The red fabric was chosen to draw the color of the herbarium into the private spaces.

Frosted glass is used on the ramp to allow light and visibility to above.

Steel will be used as reinforcement with the glass.

Corten is used as the material for herbarium. This is the color at 2 months.

A red fabric will be used for the upholstery and privacy screens.

Corten was chosen due to the color change over time. Coloring at 4-6 months.

Stamped concrete is used for the flooring.

Corten coloring at 12-18 months.

RESIDENTIAL

KERAMIKOS 02 YEAR SPRING 2016

The concept behind this project was to design a three-story plus mezzanine live-work space devoted to a given crafts person and their apprentice. My client was a ceramicist who wanted to create volumes that are not large in scale but feel monumental and significant, while being simplistic. This porous wall was inspired by the pure form of the ceramic work, as well as my client’s interest in simplicity and minimalism. The system was designed for a multiuse. It allows for the display of the client’s pieces, offers shelving for supplies while working, and allows slight visibility to what lies behind to draw in walk-in customers. The first floor is a multi-function space combining a gallery and a workspace. In the storefront are glass shelves filled with the client’s work. Just beyond is the porous wall that allows for more display space and contains the workspace. Through the back door connects to the apprentice’s living quarters. The second floor is a secondary work space to allow my client to sketch ideas. It also serves as a public living space. At the front of the second floor is a frosted glass floor that allows slight visibility from the gallery space below and allow light in from the storefront. The third floor is a private living space that has a balcony at the same location of the glass floor to allow the client to see if someone walks. The mezzanine level was designed for the client’s kids.

FIRST FLOOR RENDERING

THIRD FLOOR RENDERING

GROUND FLOOR PLAN WORK SPACE GALLERY SPACE

FIRST FLOOR PLAN N

SECONDARY WORK SPACE PUBLIC LIVING SPACE

SECOND FLOOR PLAN PRIVATE LIVING SPACE

MEZZANINE FLOOR PLAN CHILDRENâ&#x20AC;&#x2122;S QUARTERS

REPRESENTATION

table of contents flora [414] timeless [320] Sicilian instruments [308]

SEEKING TRANSFORMATION 04 YEAR FALL 2017

The concept behind this project was to write a poem from words or phrases found in Vogue magazine. From the poem I abstracted a few key words to focus on which were Impressionist and Sicilian instruments. I then transformed the text into image.

Expression of Noise

Taken from Ballet by Leonid Afremov

Seeking a transformation to mark the new beginning of a new chapter (728). Glamorous figures of fascination(250) pass by while I’m enduring the mass of people that swarm around me. Experience changes all of us(250), nervously chewing her nails(458). I remember vividly(250) the joyous and beautifully real(302) people who possessed a certain radiance(312). Draped in floor-length evening dresses(404) made of Impressionist tulle over silk printed with watercolors of local flora(414). Tenderness and timeless(320). Guest were serenaded by musicians playing ancient Sicilian instruments(414). There was an unmistakable charge in the air(462). The atmosphere(288): Magnificent(334); Iconic(340); Ageless(340). As the morning sun filtered into the space(462). Misty eyed nostalgia(232). The art of seeing and reseeing(624). The mythic woman rendered in images(307), the beauty of ruin and organic texture(320). He would literally erase your face(458). Bluring the boundaries(624), portray an emblem of victory(308); a defiant stance(308) and attitude(308). Be a strong voice(619). Rooted in memory(380). Life only goes in one direction – forward(232). [kr]

DELIRIUM THRESHOLD 04 YEAR FALL 2017

02 ANG

001

002

004

003

00A

BRINK OF INSANITY

FIVE STAGES OF GRIEF 01 DEN

01 DEN Therefore my soul lay out of sight, denial

Untuned, unstrung: My feeble spirit, unable to look right, Discontented.

02 ANG It boils within anger

00B

Slowly poisoning all that it touches, Corrupting all that is within. For it has boiled over everything Everything I have, A crack in her voice; A tremble in her words; She clenched her jaw.

ROOTED IN MEMORY

00C

03 BAR I thought of you today, bargaining Relieved sleep soon became intolerable Repetative songs with enhanced meaning Lungs beating back and forth Who swallowed all the sunlight

BLURRING

THE BOUN

04 DEP Sorrow filled my heart depression

Tie a noose around your mind Over come urges and temptations I lie here I wish I had a heart of steel

05 ACC Itâ&#x20AC;&#x2122;s something every soul craves acceptance

00D

Heart is filled with patience Fingers tremble Dreams race through your bloodstream It happened EXPERIENCE CHANGES ALL OF US

05 ACC

D ESSE POSS

ORGANIC TEXTURES

008 007 006 005

BEAUTY OF RUIN

NDARIES

03 BAR

04 DEP

FURNITURE DESIGN

FLOATING COFFEE TABLE 04 YEAR FALL 2017

The coffee table was designed to be easily stored and have the illusion as if it is floating. The table is made from poplar wood and consists of three pieces that makes assembly simple. The top of the table has a groove around the inside so the glass can easily slide in.

PHOTOGRAPHY

COSTA RICA 2016

KNOXVILLE, TN 2017

WASHINGTON D.C. 2017

DRAWINGS