Ken Portfolio 2023

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KEN NG Interior Design Portfolio Selected Works 2023
12-29 REVAMPING SAM TUNG UK MUSEUM PROJECT 2 PROJECT 1 04-11 MEGABOX SHOPPING MALL DESIGN 30-39 HONG KONG PAVILION PROJECT 3 MEDITATION PAVILION PROJECT 4 40-49
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MEGABOX SHOPPING MALL DESIGN PROJECT

COMPANY: DLN ARCHITECT.LTD

TYPE: SHOPPING MALL DESIGN

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CONCEPT

Encourages indoor outdoor activities by creating a comprehensive design for building exterior, interior and landscaped outdoor spaces.

Introduce fun and youthful mix of commercial and leisure activities for visitors of all ages, including your four legged friends.

OBJECTIVES APPEARANCE

Improve the appearance of Megabox shopping mall

Bring life to Megabox shopping mall

Improve on retail strategies of megabox

Maintain the iconic dna of megabox

Create a contemporary fresh new look

Improve street level presence of the two main entrances

Highlight the new sky dining zone at level 17 & 18

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2007 MEGA BOX 2022 MEGA-GIFT-BOX
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LEVEL 17 & 18 DESIGN - LANDSCAPED TERRACE

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Outdoor Performance Space 01 Landscaped 02 Picnic/ Seating Area 03 Landscaped Footpath 04 Garden Steps 05
The ribbon like design on level 17 & 18 adopts an organic curvilinear form which sits on top of a static box aiming to create an interesting contrast between the new and the old.
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1 1 3 3 7 2 11 8 8 8 8 8 8 8 9 9 8 8 8 8 6 5 4 10 10 10 | To redefine a central shopping spine with attractive single- and double-storey glass shopfronts along two sides. Brand new image for the Fashion & Beauty zone is created through THE RIBBON CONCEPT for shopfront and ceiling design G/F DESIGN - ATTRACTIVE SHOPFRONT Home & accessories con concept store 01 Beauty concept store 02 Fashion anchor store 03 Reception counter 04 Main event space store 07 Fashion & accessories retail 08 Pop-up store 05 Island café 06 Escalator to 1/F 09 Escalator to basement 10 Entrance forecourt 11

PROJECT 2

COMPANY: DAYDREAMER DESIGN.LTD

TYPE: EXHIBITION DESIGN

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SAM TUNG UK MUSEUM HISTORY

Sam Tung Uk House (built 1786 onward)

Sam Tung Uk is a Hakka dwelling founded in 1786 during the reign of Emperor Qianlong.

The name of the house literally means “Three Beam Dwelling” and aptly describes the original floor plan.At that time the Chan clan, which was originally from Fujian, had moved to Guangdong and then to Hong Kong to engage in farming.

Under the leadership of the clan patriarch, Chan Yam-shing, the house was constructed as four modules clustered around an ancestral shrine at the north center.

As the clan grew more prosperous additional units were added to the house, giving it its current appearance. Other rooms were attached to the north, but the house’s rectangular plan allowed for easy expansion.

The descendants of the pioneers lived in the house for over two hundred years. As late as the 1970s, Chan clan members still farmed in this area of Hong Kong.

Finally, in 1980, with the encroachment of urban sprawl, the last clan member moved out.

In March 1981 the house was recognized by the Antiquities Advisory Board as a historical monument and was protected from destruction.

The Advisory Board repaired the house, bringing in authentic Hakka material from nearby Guangdong province.

Nowadays the museum is a little too well maintained. Although it preserves authentic architectural features from centuries past, it has been spruced up so much that it looks almost new.

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Sam Tung Uk Museum Advertisement

STATEMENT

The exhibition presented the different stages of appeasing god, from calling for stability and faith, thriving in the entertainment and craftsmanship to uniting the community through vocal, instrumental and physical, situational respectively.

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STAGE1. HERITAGE CONSERVATION

Heritage Preservation is a process of renovation, refurbishment, alteration and modernization of Sam Tung Uk Museum with an aim to preserve and reuse the portions which are significant to its historical, architectural and cultural values.

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STATE2. EXHIBITION DESIGN

“Lost & Sound in Festival” is aimed at presenting the ICH items in an innovative and creative manner and establishing a connection between the visitors and the ancestors by giving them sensual pleasure with the tingling sensation on the skin caused by ASMR.

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STAGE1. HERITAGE CONSERVATION

EXISTING ISSUES

1.

SOLUTION

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Obstructing wall space 2. Distract visitor’s visual experience in exhibition hall. 1. Proposed new partition wall to cover existing A/C indoor units & electrical conduits. 2. Removed existing wooden ornament on existing wall to maximize wall space. 3. Enhance visual experience with minimal design.
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PRESERVATION OF HISTORIC INTEREST

The revamp purpose to preserve and put historic buildings into good and innovative use. Committed to putting historic building to good adaptive re-use. Aim to give Sam Tung Uk Museum a new lease of life for the enjoyment of the public.

In the future, exhibitors able to design their own exhibition according to their needs, and they can put their exhibits in the exhibition hall safely without destroying the historic building.

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STAGE2. EXHIBITION DESIGN

INTANGIBLE CULTURAL HERITAGE

1. Intangible cultural heritage over time as a symbol of cultural inheritance

2. Reinterpret local traditional culture in a new and creative way.

INTERIOR DESIGN

1. Visitors to the exhibition can refresh their minds by hearing the sounds of traditional activities

2. Perceive the wisdom of our predecessor while chanting their words

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PAPER CRAFTING TECHNIQUE OF LION HEADS

The birthday celebrations held for deities in villages are usually accompanied by dancing lions or other auspicious animals. They worshiped at shrines and temples to report to the deities, and hence lion head paper crafting emerged.

Lion head paper crafting comprises four processes, namely crafting the frame, mounting the paper, coloring and decorating.

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BAMBOO THEATRE BUILDING TECHNIQUES

The bamboo theatre is a temporary space that can accommodate thousands of audience, with the flexibility to be constructed and dismantled at any time.

The original intention of Shengongxi is to perform for deities, so the theatre is usually built in front of the temple. If not, a place facing the stage is reserved for worshipping the deity statue Invited from the temple.

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PROJECT 3

HONG KONG PAVILION

COMPANY: DAY DREAMER DESIGN.LTD

TYPE: EXHIBITION DESIGN

SITE: SHANGHAI NATIONAL EXHIBITION AND CONVENTION CENTER

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The patterns exhibited in various items as the construction of city contour, street signage, window and entrance gate’s metal frame, traditional Chinese mosaic tile, red-white-blue nylon canvas and signature plastic products.

THE SILHOUETTE OF HONG KONG

“The Silhouette” captured the series of Hong Kong pattern and reinterpreted into a contemporary pavilion in Shanghai Chinese International Import Expo organized by Hong Kong Tourism Board.

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Tong Lau Pattern Red Lampshade Mosaic Tiles Contemporary Red Chandelier Red-White-Blue Strips Silhouette of Hong Kong Red-White-Blue Strips Tong Lau Pattern Red Lampshade Mosaic Tiles
CONCEPT
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Lounge
Exhibition Office Entrance 34 |
Reception
Main
1. Original Form 3. Staggered Circulation 5. Design Chandelier 2. Three Zones 6. Silhouette Facade 4. Proposed Rooftop

MainEntrance

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DESIGN ELEMENTS

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The architectural features on Tong Lau explicated more than the metal frame, mosaic tiles and signage are distinguishable too. In the pavilion design, the mosaic tiles and signage articulated into the floor carpet and hanging installation.
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INTERIOR DESIGN

The 220sqm, 6m in height pavilion divide into three zones including Reception Lounge Area, Hong Kong Exhibition Area, and Greater Bay Area Exhibition Area. Space showcased Hong Kong’s tourism brand and its unique travel experiences, as well as, highlighted multi-destination travel in the Greater Bay Area and promoted Hong Kong’s diversified travel products.

Submerging in the impressionable world of Hong Kong, the vivid memories is in every corner. The memories became cultural symbols. The elements in our daily life are the nutrient of our creativity and inspiration. The pavilion aimed to outline the pattern of Hong Kong and requesting our attention to the subtle beauty surrounding us.

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RED LAMPSHADE DESIGN

The iconic plastic product, the red lampshade in the Chinese groceries store in wet market reinterpreted into a contemporary chandelier to lit up the environment. The articulation amplified by nostalgia for the surrounding atmosphere.

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MEDITATION PAVILION PROJECT 4

ACADEMIC PROJECT

TYPE: EXHIBITION DESIGN

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致虛極 守靜篤 萬物並作 吾以觀其複 老子

To the Utmost, you yourself Empty; Remain in Silence and Clarity. All Things are evolving together, thus -- I see the Life Cycles continuous. by LAO ZI

CONCEPT

More and more Hongkongers are turning to meditation to forget the stresses of everyday life, find balance and nurture inner peace. The Design aim at helping visitors find inner serenity, bliss and a more positive outlook.

SELF DESIRE POWER OF TRANQUILITY

Desire is perilous. Ultimately, Desire is progressive after it is conceived. It is like a seed is put into the ground, growing and developing into whatever that seed is.

Turning down the clatter in our lives, restoring a sense of contentment, and reclaiming the calm. achieve the greatest blessing - shalom, peace of mind and spirit.

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NATURE’S TRANQUILITY

Watch something unfurl slowly is to experience the passage of time itself, and to be reminded of the rarity of being fascinated by something so simple as leafs and the wind, and with this, we regain a curiosity and attention that we have forgotten we’ve had.

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1. Original Form 3. Accessing the Narrow Path to Meditation Area 5. Proposed Soundproof Glass to provide a tranquility space 2. Meditation Area 6. Invisible Meditation Area by Wood Construction 4. Experience the narrow space through movable obstacles

ESCAPING THE HUSTLE & BUSTLE

One soon becomes aware, upon entering the Meditation Pavilion, that there is not much to do. You can watch the leafs move. All one can do is stand, or find a place to sit and experience the building itself as a space, and watch the wind flow and the leafs move and think about what it means.

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INTERIOR DESIGN

Nature’s tranquility is very much part of the presentation of the Meditation Pavilion, where you are surrounded by the birds, the wind and the sounds of the leafs, it encourages you to dwell on it in appreciation. Allow wind, sounds, and light of the world outside into this organic space where nature and architecture intimately interconnect. In the interior space.

This setting, in which nature, art and architecture come together with such limitless harmony, conjures an infinite array of impressions with the passage of seasons and the flow of time.

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