Ketaki K portfolio by Ketaki P. Karanjavkar

HEY ,

I am Ketaki Pravin Karanjavkar , an eager architecture undergraduate passionate towards designing positive spaces for social beings.

I perceive architecture as an expression that articulates the relations between tangible and intangible elements. Architecture has enabled me to perceive the untold stories surrounding me. I have a particular interest in simple and sustainable designs, and I am eager to explore and learn every phase with diverse perspectives and approaches

EDUCATION

Bachelors in Architecture

Rizvi college of Architecture 2021- Present

Schooling

Ramniranjan Jhunjhunwala College of Arts , 2019-2021

Science & Commerce (HSC)

B.P.E.S High School (SSC) 2018

WORKSHOPS ATTENDED

Cob , Wattle & Daub Workshop by Co-earth Foundation

Rammed earth Workshop by Bayhauz Studio

Urban Photography by Ar. Jigar Patel

Architecture & Sci-Fi

Working with Wood

Architectural Journalism

SKILLS

COMPETITIONS

Louis. I Kahn Trophy 2023-2024

Annual Nasa Design Competition 2023-2024 (Shortlisted in top 50)

EXTRACURRICULAR

Signal School -Thane 2022-2023

Shipment container schools makeover

Skygoodies

Product Marketing

Graphics team

HOBBIES & INTEREST

2023-2024

Software

Auto Cad

Adobe Photoshop

Adobe Illustrator

Adobe InDesign

Sketchbook

Powerpoint

Sketchup

Revit

Enscape

Other Skills

Handdraft

Sketch

8828376178

Paint

Photograph

Model Making

Communication

SOFT SKILLS

Teamwork Leadership Responsibility Adaptibility

LANGUAGES

English | Marathi | Hindi

01 The Untagged

Reimagining the Ambedkar Memorial Project

Design Studio Sem VI

Location : Dadar, Mumbai , Maharashtra

Guide : Zainul Bhivji

The project is situated at United Mill No. 6 Compound, Dadar (West), Mumbai, India. The aim was to understand and disseminate the process of institutionalizing marginalized communities through architectural iterations. The project’s focus was on comprehending and analyzing the Dalit community in Mumbai, and then generating designs that address significant requirements and problems.

The master plan conceputalized majorly focuses on providing a common melting space for the Dalit community and other background people in order to develop understanding amongst the public.

Intial idea focussing towards the sea view.

Breaking down the blocks by keeping the axis focusing the sea view.

Pushing away the blocks from each other to break monotony and skewing the whole block along the diagonal axis of site.

Bringing the blocks as one unit consisting of 3 sub parts.

Skewing of two outer blocks to develop open public interactive spaces.

The design focused on developing different units of various programs into one whole unit. Though being separate,each unit is connected through passage ways acting as buffer zones and service areas for all 3 units.The programs in each unit are placed as per the analysis of human footfall.

First unit near the site entry serves for large footfall ,the second unit is dedicated towards awareness centric program while the third unit has community kitchen and activity specific programs.The first floor is dedicated to knowledge-centric programs, considering specific footfall.

Ground Floor Plan

Portfolio | Ketaki Karanjavkar

First

Floor Plan

Portfolio | Ketaki Karanjavkar

Hall of fame view:Revit model & Twinmotion render

02 Cultural Tapestry

Community Resource Centre, Design Studio Sem IV

Location : Chandelao , Jodhpur, Rajasthan

Guide : Probuddha Mukhergee

The project is situated in Chandelao, Rajasthan, just 40 km southwest of Jodhpur city. With the increasing living demands, the population is steadily moving towards urban areas, losing its traditional roots. The primary objective was to thoroughly grasp the needs of the growing population and to design a community resource center for the village.

The design is centered around integrating elements of belongingness, relatability, and local activities while reflecting the social and cultural values of the region. The master plan is conceptualized with walls leading towards independent load-bearing structures, all linked by a continuous rural public realm.

The project focused on designing spaces that can adapt to future user requirements. The idea was to use walls as a guiding element throughout the center. The blank load-bearing walls and screen walls were inspired by the veils worn by village women, particularly those of Chandelao who played a significant role in the village’s development.

The existing structures, such as the Arts and Crafts center and workshop areas, have been preserved to respect local craftsmanship and architecture. The project also includes semi-open spaces and a courtyard system constructed using local sandstone.

The free standing walls guide one through pathways that resemble the street patterns of Chandelao village.

Free standing walls forming individual structures that use louvered doors allowing flexible use of space

Site plan

1. Information desk

2. Loading and unloading area

3. Arts and crafts centre (existing structure)

4. Jwellery shop and exhibit

5. Dormitory

6. Community kitchen

7. Sorting

8. Cleaning and Disposal

9. Cooking and packaging

10. Dining area

11. Product display

12. Public theatre

13. Computer lab (existing structure)

14. Pyau

15. Kiosk

16. Jwellery making workshop

17. Multipurpose hall

18. Stone carving workshop

19. Stone work exhibit and shop

20. Public toilet

21. Storage

22. Parking

Axonometric view : Sketchup Model & Enscape render

Working Drawings

Academic project : Architectural Representation & Detailing,Sem V & VI

Typology : AutoCad Drawings

Guide : Waseem Noori

Working drawings for a bungalow in Mumbai.

STRIP SECTION B-B'

Portfolio | Ketaki Karanjavkar

Lines in Nature

Types of Space

Allied Design Studio & Architectural Design Studio Sem1

Location : Mumbai

Guide : Minaz Ansari

The project aims to understand the types of spaces. The main source of inspiration was the lines in nature, which focused mainly on sea life. The allied design and architectural design studios were run concurrently. The Allied Design Studio aimed to create design patterns that were inspired by marine life and incorporate them into lantern designs. The architecture design studio emphasized the use of patterns in the form of openings in a structure and their capacity to alter the typology of space and user response.

Allied Design Studio Sem 1

The aim was to develop an abstract pattern inspired by life forms inside seawater. The patterns used in the lantern design are inspired by coral reefs. The pattern has been used as a design element around the lantern. This pattern-inspired cutout allows light to spread out, forming patterns observed in sea water due to light rays.

Architectural Design Studio Sem 1

The aim of this studio was to understand the different types of spaces. The main intention was to use an abstract pattern inspired by life forms inside seawater and use it in the design of a pause point at Carter Road, Bandra (W), Mumbai.

The pattern employed for the pause point is derived from a coral reef. The structure’s facade have openings created by the abstract pattern. The concept of porosity is used to maintain a semi-open structure for public space.

Documenting Chandelao

Second year study trip

Design Studio Sem IV

Location : Chandelao,Jhodpur,Rajasthan

Guide : Probuddha Mukhergee

Chandelao is a traditional village located 40 km away from the bustling city of Jhodpur, Rajasthan which holds a history of rulers of Rajasthan. The study trip was a documentation of the neighbourhood, including Chandelao Garh.

The documentation was presented through the narrative of a royal tailor, which detailed the village’s formation until the present day. The Chandelao Garh and traditional houses were documented in measured drawings. The documentaion was later on considered for re-presentation in Louis. I Kahn Trophy 2023-2024

The story of Chandelao Garh is deeply rooted in the annals of the Rathore clan’s legacy. Dating back to its establishment in 1744 ,the fort has played a pivotal role in shaping the narrative of the village of Chandelao.Before its existence,the surrounding settlement existed in relative obscurity.However,the fort emerged as a tranformative force,that helped expand the expanse of surrounding village.

Evolution

3) Gate Reconstruction (20th Century): Undertaken in the early 20th century to facilitate the passage of elephants during grand celebrations.Illustrates the fort’s dynamic role in accommodating evolving community needs.

Agriculture,particularly farming,became the lifeblood of the community,sustaining the fort while also contributing to its maintenance.The Garh not only elevated the village from obscurity but also became the cornerstone of their identity,interwining the past with the present in a narrative that speaks of resilence ,heritage and enduring relevance.

2) Addition of High Stone Walls Evolutionary phase marked by the walls.Enhanced defensive capabilities visual grandeur of the fort. Signified architectural trends and security

1) Inception of foundational structure known as “raola,” Functioned as the fort.Surrounded early defensive

the Central Building (1744):The structure of Chandelao Garh, “raola,” was erected in 1744. the main living quarters within fort.Surrounded by mud walls, emphasizing considerations.