Artistic Elements & Creative Ideas in Landscape
Chris Razzell
Matej Kučina
Bruto Landscape Architecture & Design, Director
Todd Pilgreen
AILA - ASPECT Studios Pty Ltd, Director 澳大利亚澳派景观工作室总监 澳大利亚景观设计师协会获奖成员
BRUTO景观建筑与设计事物所总监 SCASP获奖成员
美国捷得国际建筑师事务所中国区总裁 美国建筑协会获奖成员
"+Scape! provides a platform for landscape architects to publish leading contemporary design works that address the needs of tomorrow's community, whilst also taking up the challenges of sustainability, and, integrating art and landscape in a creative manner. This publication's editing and attention to content delivery ensures readers gain relevant project information and more importantly, an insight into the designers ideas and aspirations. ASPECT Studios is delighted to be a part of this publication."
"Beautiful modern layouts and various exciting contents make "+ Scape!" become a valuable rare book on landscape design and a worthy collection for professionals. With forward-looking perspective and called critical and rigorous selection criteria, this set of books inclued various authoritative, cuttingedge, unique and innovative outstanding works, each fresh ideas and creative concept can bring designers shock and surprise. I believe these numerous highlights in the works will be inspirational and valuable source for designers' creations.
"The +Scape! publication offers a highly creative and exceptional quality of media to showcase important designs and works from around the globe. The carefully selected works contains detailed information and materials that both educate and inspire. The Jerde Partnership is thrilled to be a part of their collection and have the opportunity to showcase some of our landmark projects."
“《+Scape!》是景观设计师联合展示最杰出 作品的极佳平台。这些设计不仅关注了未来社 会环境的需求，强调可持续性发展，更创造性 地将艺术理念与景观设计融合在一起。这套书 的编写和内容上的着重点不仅确保读者可以获 得相关作品的详细信息，更重要的是，还能引 导他们洞察到设计师的深刻思想和设计诉求。 澳派景观工作室很荣幸可以参与其中。“
“精美现代的设计和精彩丰富的内容使 《+Scape!》成为的景观设计领域不可多得的 价值读物，十分值得专业人士珍藏。这套书具 有前瞻性的视角和称得上挑剔、严格的评选标 准，权威、前沿、独特、创新的各类优秀作品 汇集于书内，每个新鲜思路和创意都能给设计 师带来震撼和惊喜。相信这里的无数设计亮点 定会成为激发大家创作灵感的宝贵源泉。”
AIA – Jerde Partners, China Director
“《+Scape!》丛书为读者展示了一系列来自 世界各地的极富创造力的高品质景观设计作 品。这些精选案例包含详尽的材料信息，既对 实际的操作具有指导意义，又能给读者带来无 限灵感。我们（捷得国际建筑师事务所）很荣 幸能够参与其中，有机会借该丛书展示我们的 一些代表性项目。”
Landscape design plays a unique and important role in enviromental planning and public visual interaction. It can build a distinguishable image or local characteristics as the landmark for a certain place, promote the value of commercial development projects, combine human being and the environment together, as well as arousing people’s mutal feeling for art and nature. However, many landscape designers are facing a rough challenge: many aspects of landscape design including materials, techniques, artistic expression, professional knowledge and skills are gradually getting similar. Fresh ideas will always be highly adored! This set of books which is full of creativity and inspiration is divided into two volumes: Art+Scape! emphasizes art installation, sculpture and artistic landscape architecture as well as the designs with creative ideas built in the nature and renovated environment, on the other hand, Nature+Scape! tends to stress on natural waterscape, vertical planting and the layout of vegetation as well as designs with natural concepts. All these highly innovative and professional projects featured in the set of books come from notable contemporary landscape designers and artists worldwide. These talented designers along with their acclaiming works make this book a practical and priceless reference for landscape designers and project developers. Furthermore, this set of books also obtains a joint recommendation from a group of world-renowned senior landscape designers and in which they have shared their newly outstanding works. 景观设计在环境规划及确立公共视觉交流方面有着独特而重要的作用。它可以树立某一区域地标式的识别 形象或本地化特色，提升商业开发项目的价值，也可以将人与环境关联起来，并引起人们对艺术和自然环 境的共鸣。然而,众多景观设计者正面临材料、技术、艺术表现、知识与技能等诸多方面日趋同化的挑战。 新鲜的创意将永远收到追崇！饱含设计灵感的该套丛书分为两册，其中“艺术”卷着重介绍了自然或再建 环境中的艺术装置、雕塑与艺术景观建筑；“自然”卷则着重介绍了更倾向生态自然的水景、立体绿化、 植被花卉布局等创意设计。选自全球范围内的各种高度创新和专业化的项目案例均出自当代著名景观设计 师和艺术家之手，颇具才华的设计师及其令人叹为观止的作品使本书成为景观设计者、项目开发者和景观 爱好者实用而无价的资源参考书。更有享誉全球的资深景观设计师联袂推荐该丛书，并分享了他们新近期 最为举世瞩目的作品。
Aalborg Waterfront
008
Maaskade Cuijk
014
Maister Park
018
On the Way to the Sea
022
717 Bourke Street
028
Central Plaza Chonburi
032
Hollywood & Vine Metro Portal & Plaza
038
Santa Monica Place
042
The Meeting Place
048
Wind wands
052
Campenvaart
058
Columbusplein
062
Kindergarden Griechische Allee Berlin
066
Medea ed Edipo a Colono Scenography
070
NICOLAI
074
Paul-Bruchési Schoolyard
078
School, Library And Reading Park
082
St-Paul-De-La-Croix Schoolyard
092
BeatWave
098
Impression of Infinity
102
Intensified Reflections
106
Le Bon Arbre Au Bon Endroit
110
lightsail
114
Melbourne Convention Center
118
Oursins
124
Hilton Pattaya
130
Saffire Freycinet
140
Wellness Orhidelia
144
Citylounge
152
Fogo Studios
156
Artistic Elements & Creative Ideas in Landscape
Myrtus Convention Center
160
Noble Cube
166
TECNOPARQUE
172
Bat Tower
182
Duinpark
186
Fukuoka Bank
190
Jarry Playground
196
Palace Garden
200
Pentagon Memorial
204
Safe Zone
208
San Luis Master Plan
212
Šentvid highway tunnel urban park
218
Arsenal District Urban Renewal Project
224
Geelhandplaats
228
Iidabashi
232
Prive' by Sansiri
236
Hariri Memorial Garden
246
Land of Giants
250
Mersey Wave
254
Circolare, Ecole del Rusco
260
DJ Light
264
Domplein Utrecht
268
Elastic Plastic Sponge
272
Galindez Slope
276
Garscube Link
284
Maaloev Axis
288
Northcote Civic Square
292
Open Center of Civic Activities
296
RICARD VINES SQUARE
302
Southern tan mill island
306
Torico Square
310
008-025
1.1
Beach & Waterfront ART +SCAPE!
ART + SCAPE! • Beach & Waterfront
Aalborg Waterfront
The project that involves the transformation of the former industrial area into a lively urban environment.
Aalborg, Denmark
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
C. F. Møller Architects, Vibeke Rønnow Landskabsarkitekter
AALBORG WATERFRONT – LINKING PORT & CITY
170,000 m2
2011
Helene Høyer Mikkelsen, Vibeke Rønnow, C. F. Møller Architects
Aalborg Municipality
The master plan for Aalborg Waterfront links the city’s medieval centre with the adjacent fjord, which has previously been difficult for citizens to access due to the industrial harbour and the associated heavy traffic. By tying in with the openings in the urban fabric, a new relationship between city and fjord is created, and what was formerly a back-side is turned into a new, highly attractive front. The qualities of the approximately one-kilometre stretch of quayside are emphasised with a tree-lined and unusually detailed boulevard to accommodate cyclists and pedestrians. The medieval Aalborg Castle once again becomes the harbour’s centrepiece through the establishment of an extensive green area to frame the historic embankments. At the same time, Aalborg receives a harbour promenade with steps and recessed terraces, allowing people to get close to the water. Various kinds of urban gardens facilitate activities such as markets, ball games and sun-bathing. The aim is to create robust and attractive spaces to benefit many different users. The central activities field was designed to accommodate various games and sports, from beach-volley in the summer to ice skating rink in winter, surrounded by dramatically angled netting and lighting masts. The adjacent gardens are a calm, slightly sunken green space with a dense planting of trees and flowers. The materials chosen are as raw as the fjord itself, including asphalt, rubber, cor-ten steel, concrete and wood, while at the same time containing subtle references to the sea through wavy pavement patterns - an architectural quote of the famous Copacabana beach promenades by Roberto Burle Marx
008 - 009
ART + SCAPE! • Beach & Waterfront
Promenades: Asphalt with steel guidelines; Pavements: Black and white mosaik granite in wavepattern; Playground: Rubberhills with elements in stainless steel; Plazas: Grass Makadam with pavements in black granitecobbles; Furniture: Wooden and steel benches, concrete benches and concrete litter bins; Plants: Betula Utilis, Tilia and amelanchier; Lights: Bollards in cortensteel
奥尔堡滨水区总体规划把市内“中世纪中心” 与附近海湾连接起来。由于该地区曾是工业港 口，而且附近交通拥堵，导致市民一直难以靠 近。通过开放城市结构，连接两处地带，使得 城市和海湾之间形成一种全新关系，曾经的背 面景象已一越成为极具吸引力的正向景观。 码头海岸线绵延近千米。周围适合骑自行车和 步行的精美大道，以及成排的树木使这里的滨 水景观特质得以突出。历史悠久的堤坝在大面 积绿化布局中涣然一新，使得中世纪奥尔堡城 堡再次成为港口的核心标志。同时，带有台阶 和嵌入式阶梯看台的海滨人行道让人们可以更 近距离地接触水。各种各样的城市花园促进了 集市、球类运动、日光浴等户外互动的积极开 展。其目的在于创建健康而有魅力的空间，以 使更多居民乐在其中。 中央活动区四周围绕着角度各异的栏网和照明 灯杆，从夏季的沙滩排球到冬季的滑冰场，其 设计适合各种游戏和运动的开展。附近的花园 是一处宁静的、地势略低的绿色空间，内部花 草树木的生长十分繁茂。 在材料选择上，滨水区以海湾本身作为原材 料，包括沥青、橡胶、耐腐蚀高强钢材、混凝 土和木料，同时也通过波浪人行道图案展现出 海的细微元素，这也是对罗伯特.布雷.马克斯 设计的科巴卡巴纳海滩的建筑引用。
010 - 011
ART + SCAPE! • Beach & Waterfront
012 - 013
ART + SCAPE! • Beach & Waterfront
Maaskade Cuijk
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
Buro Lubbers
Maaskade Cuijk
11,000 m2
2008
Buro Lubbers
Municipality of Cuijk
A spectacular meeting place near Meuse river
Cuijk, the Netherlands
Originated in Roman times, the village of Cuijk can look back at a long history on the Meuse river. Until the fifties of the twentieth century, Cuijk was located directly at the water front, merely protected against high water by a wall. In the fifties a dike was constructed which consequently forced buildings at the Meuse to give way. A main road on top of the dike further cut off the river from the centre of the village. The design concept of the river bank is inspired on the scale and atmosphere of the river. The sturdy wall of steel has become the link between village and river, not by separating the two, but instead by giving both land and water more space. The quay itself is leveled and designed as a plateau of stelcon plates with border lines of corten steel. Whereas the lines provide a subtle layout, the concrete panels show the contours of Roman archaeological finds, such as canals, a bridge pillar as well as explanatory texts. The connection between quay and village centre is first of all created by an underpass of the dike. Besides, near the church, a combination of ramps and stairs is realised, that connects both locations. Via the ramps one can slowly descend to the quay, the intermediate steps offer a quick link between the riverside and the top of the bank. Both ramps and stairs function as a viewing gallery during events, such as the Four Days Marches of Nijmegen. Along the waterfront wooden platforms with furniture are placed. Here visitors can quietly overlook the river. A surprising feature is that the existing port is integrated in the design of the quay by applying the same wooden materialization. The wide wooden arm embraces the river and offers a nice panoramic view.
014 - 015
ART + SCAPE! • Beach & Waterfront
Floor/ Walking Paths: Concrete slabs with brushstrokes, color grey and dark grey Some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
Cuijk村庄位于默兹河畔，其悠久的历史可追述 到罗马时代。长久以来，河岸上的Cuijk村庄仅 凭一面保护墙来防御水位上涨。直到20世纪50 年代，默兹河才开始修建堤坝，沿岸的建筑不 得不为此拆除。堤坝顶部的一条大路更是将默 兹河同村庄中心割裂开来。 河畔的设计灵感源于默兹河的规模和其独有的 气氛。一面坚固的钢铁墙横跨于Cuijk与默兹河 之间，非但没有将二者分割开来，反而成为他 们连接的纽带，令水域和陆地都更显开阔。码 头本身采用板和耐候钢边线制成，形成鲜明的 边界线，令整个码头的布局更加微妙。混凝土 石板上呈现了许多关于罗马时期的考古发现， 包括当初运河、桥墩的轮廓图画，以及相关文 字解释。 河畔设有木质看台和相关基础设施，游客们可 以在这里安静地俯瞰河景。设计团队还特别打 造了一个木质口岸，仿佛一个宽阔的木臂膀拥 抱整条河流，成为本案的惊人之笔，同时，木 质口岸也为人们带来更开阔的视野。 堤坝拥有一条地下通道，将码头和村子中心连 接起来。设计团队在教堂周围打造了一些坡地 和台阶，也起到了连接村庄和河流的作用。人 们可以通过这些斜坡缓缓地走向码头，台阶则 为人们在河畔和陆地之间自由穿梭提供便捷通 道。在有诸如奈梅亨四日游行这样的重大活动 时，坡地和台阶还可以被用作观景台。
016 - 017
ART + SCAPE! • Beach & Waterfront
Maister Park
An abstract three-dimensional space in memory of Maister and his soldiers.
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
Matej Kučina, Tanja Maljevac Primož Pugelj sculptor
General Maister Memorial Park
1,500 m2
2007
Miran Kambic
Društvo borcev za severno mejo
Ljubno ob Savinji, Slovenia
The memorial park is designed as abstract three-dimensional space, where the paths lead around geometrically cut grass ridges. It is a very abstract illustration of the mountain ridges of the northern border, for which Maister's soldiers fought in the year 1918. The area constitutes of branched communications, which are arranged between the river Savinja and the main road, and enable the access to the river and the settlement. The main elements of the space articulation are the reinforced prefabricates of concrete, which are separating single triangular surfaces and framing the terrain like retaining walls. The multifunctional elevated retaining walls are also resting places view points, which include benches, litter bins and light elements. The elevated parts of walls are transformed into benches, with facade panels on the top. The litter bins are hidden in internal openings of the wall, and are covered with lids of the facade panel in the framework of the benches.The whole embankment is secured against inundation and erosion with solid stone blocks, which protect the park like a stone shield. Concrete prefabricates divide rigid surfaces of the rock embankments. The path leading to the river is because of danger of flooding additionally fortified and paved with concrete prefabricates. The grass terrain along the road ends in the retaining wall, which from the side view presents the abstract form of a mountain ridge and functions as part of the memorial place, as near by stands a sculpture which is composed of several stylized soldiers, and the statue of general Maister with a horse. The sculptures are made from welded metal rods. The abstract wire frame sculpture has the appearance of a sketch, at the same time it forms with the subtle accentuation of key lines of the torso real volume and fullness of the soldiers' bodies.
018 - 019
ART + SCAPE! • Beach & Waterfront
Floor: sand; Walking Paths: sand, concrete; Furniture: concrete walls with seat bench incorporated trash cans and lights, flagpoles; Illumination: blue floor luminaires, recessed luminaires; Plants: grass; Others: iron sculpture
梅斯特将军纪念园是一处抽象化的三维空间。 在公园里,小道环绕着修剪成几何图形的草皮, 象征着北边山脉。1918年，梅斯特将军率领士 兵为了北边山脉英勇奋战。该区域在萨维尼亚 河和主干道之间设置了交通线，方便人们在河 流和住宅区之间来往。这片空间的主要元素是 预制钢筋混凝土，分隔的三角形表面如同挡土 墙，形成了地域框架。多功能的竖向挡土墙同 时也是休息的地方，那里还设有长椅，垃圾箱 和灯柱。 竖向的墙体被改造成顶部是外墙板的长椅。垃 圾箱都隐藏在墙壁的内部开口中，被座椅和外 墙板掩盖。整个堤岸由坚固的石块砌成，可以 有效地防御洪水和腐蚀，像石盾一样保护整个 公园。预制混凝土把岩石护堤的粗糙表面分隔 开来。为防御洪水灾害，通向河边的道路在铺 装上特别增加了预制材料。沿途的草地在小路 的尽头与挡土墙相连，侧看草地像是山脊的抽 象形式，这也是纪念公园的一部分。草地周围 放置一些形态各异的士兵雕塑及马背上梅斯特 将军的铜像。这些雕塑都是由焊接金属杆做 成。抽象的线框雕塑看起来像素描，突出了士 兵们 强壮的身躯线条。
020 - 021
ART + SCAPE! • Beach & Waterfront
On the Way to the Sea
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
Derman Verbakel Architecture
On the Way to the Sea
500 m2
2010
Yuval Tebol
The City of Bat-Yam
A design with a series of arches and movable furniture, forming a public space between city and sea.
Bat-Yam, Israel
On the way to the Sea” is a project located in between the city and the sea in Bat Yam, designed by Tel Aviv studio Derman Verbakel Architecture. The intervention includes a series of frames and movable furniture which encourage individual interaction and public events. "On the way to the sea" transforms the space that lies between the city and the sea to a place of its own rather than an in-between passage. The way to or from the sea passes through the site but the movement from point A to point B is not the purpose. A series of frames carefully positioned between city edge and sea shore host public activities, creating a new use for this in-between space. The installation invites inhabitants and passers-by to intervene and create opportunities for events and unexpected interactions by manipulating different elements integrated within the frames. In the gap between city and sea, the project encourages collective and individual interactions that range from urban events to beach activities. A series of fixed frames containing movable elements creates a basic infrastructure in which users have the freedom to alter the urban space and fit it to their own private uses. Within the same frame, users can make changes to create very different situations and even fulfill the desire for a private space in the public domain.
022 - 023
ART + SCAPE! • Beach & Waterfront
Floor: leveled concrete, deck with movable parts of steel and plastic-wood composite; Furniture: custom-made benches and tables of steel and plastic-wood composite incorporating bicycle tires; Frames: weatherproof steel; Ramp: steel structure with a walking surface of plastic-wood composite; Illumination: lamppost with spots
项目“去大海的路上”由以色列特拉维夫市的 景观建筑公司Derman Verbakel Architecture 担纲设计师，位于巴特亚姆的海岸与城市交界 区。项目包括一系列拱门结构以及可移动家 具，鼓励私人或是公共交流活动。 项目“去大海的路上”将介于城市与大海之间 的空间进行重建，使之成为一个独立区域，而 不仅仅是一个过渡通道。这条连接陆与海的道 路穿越整个海滨区域，然而，团队的设计意图 绝不止从A到B的位移这么简单。 在城市边缘与海岸的交接区域，井然有序地放 置着一系列方形框架，为这个边缘区注入新鲜 血液，拥有新用途。这些框架款款邀请着周围 居民和行人，将他们汇聚在一起。在框架中融 入不同的设计元素，就可以举行各种活动，为 人与人之间的交流创造机会。项目鼓励各种集 体或是个人之间的交流，涵盖范围广泛，可以 是都市类活动，也可以是沙滩游戏。一系列固 定架子被融入可移动的设计元素，形成了最简 单的设施，使用者可以按照自己的意愿对这些 框架进行改造。同一个框架可以营造出不同情 景，使用者甚至可以在这个公共区域打造一个 十分私密的空间。
024 - 025
028-055
1.2
Commercial & Mixed-use ART +SCAPE!
ART + SCAPE! • Commercial & Mixed-use
717 Bourke Street
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
ASPECT Studios Pty Ltd.
717 Bourke Street
5,000 m2
2010
Simon Wood
ProBuild & PDS Group
A multi-level urban landscape realm wrapped around two buildings drove the design towards a highly architectural outcome.
Melbourne, Australia
ASPECT Studios was responsible for the design to 717 Bourke Street public realm areas on ground floor, level 4 podium and connection to ground floor areas and bridge connection to Southern Cross Station, level 5 podium areas and connections to level 4 and private courtyards on level 4. The design concept looked to seamlessly integrate these podium landscapes with the imposing architectural façade and enveloping canopy form to create a topographical carpet that spreads outwards from the building, blurring the interface between public and private, active and passive, building and ‘landscape’. Wanting to remove the typical 90 degree relationship with landscape and the building ASPECT created a language of tectonic landscape forms, made of ramps, seats, garden beds and decks. The topographical carpet is shifted upwards to form occupiable plinths and platforms, and draw apart to reveal the hidden indigenous vegetation within, an acknowledgement of its location on the edge of a former swamp. The platforms conceal irrigated podium planter boxes connected into the building’s stormwater recycling system that contain copses of drought tolerant Banksia and small Eucalypts with under plantings of native grasses and strappy shrubs. The carpet itself consists of defined bands of stone paving oriented north-south - granite, bluestone, and two colour variations of splitstone – which are broken down into a geometric mosaic pattern to enhance the architectural façade articulation. External lighting and custom drainage strips were also able to be hidden within this build-up at interfaces of paving bands to eliminate the need for drainage grates / pits.
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ART + SCAPE! • Commercial & Mixed-use
Paving: Ranite, bluestone, and two colour variations of splitstone; Plants: Drought tolerant Banksia and small Eucalypts with under plantings of native grasses and strappy shrubs
ASPECT Studios澳派景观设计工作室受业主邀 请，对墨尔本港口区717 Bourke 商业街商业 综合体项目提供景观设计，设计的范围包括商 业广场，屋顶花园、市政人行天桥以及和庭院 的设计。 设计师从建筑表现感很强烈的墙体设计得到灵 感，让建筑的线条在户外的铺地自由地延伸， 将公共与私有空间融合，将动态与静态的空间 融合，也将景观与建筑更好地融合在一起。设 计避免了景观与建筑常规的90度直角的空间关 系，创造出一种独特的景观语言，成功地打造 了一系列商业景观功能空间，包括梯形的景观 地形，座椅，种植池和平台等。 景观地毯向上方延伸，形成一个个有趣的休息 平台空间，与当地种植相结合，体现出这个场 地原来是一片沼泽地的历史风貌。景观平台巧 妙地将与种植池相结合，种植池下方设有过滤 的碎石带，这样多余的浇灌的水分在过滤后流 入了整个项目的雨水系统。种植的类型有非常 耐旱的当地植物如班克西木与柠檬桉等，下层 中有当地的灌木与地被植物。景观地毯铺地的 类型是南北向的花岗岩条石、青石与两种不同 色调的石材，形成一个精美的马赛克拼花的图 案，通过铺地的图案进一步烘托强烈的建筑表 情。这个景观地毯还巧妙地将灯光以及排水系 统综合到这个元素之中，使得场地更加干净统 一。
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ART + SCAPE! • Commercial & Mixed-use
Central Plaza Chonburi
The plaza is sculpted into corner-less space, being inspired by the shape of water drop.
Chonburi, Thailand
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
T.R.O.P. Company Limited Design Director: Pok Kobkongsanti Project designer: Wasin muneepeerakul
Central plaza Chonburi
151,000 m2
2009
Wasin Muneepeerakul
Central Pattana (CPN)
Award-winning architectural landscape studio TROP got the commission to do this project from Central Pattana Group, Thailand's biggest Shopping & Retails Developers. The site is in Chonburi, which means the City of Water. Therefore, without any doubt, water is the designers’ main theme of the design. Central Plaza Chonburi will be the city's biggest shopping mall. The design scope includes the plaza design and the overall streetscape. The first move of the design team is to sculpt the shape of the plaza to be a corner-less space, inspired by the shape of a water drop. Then they lower the street down, ramping it underneath a pedestrian bridge in order to prevent a cross-circulation traffic. The result is quite interesting as the entering cars are descending down, while the people walking on the bridge into the plaza. Along the plaza edge, the design team proposed a water edge. This is to get rid of the guard rail, making the plaza appearance "lighter and floating in the space". Since it is a shopping mall, the designers also have to add some gimmick as a symbol of the project. For Central Chonburi, they arranged a series of giant fish swimming all over the plaza area to attract kids. The Mall is originally targeted at the C+ Group, however, with the high quality of the plaza design, the Mall ends up attract the upper leveled crowd from the nearby cities as well.
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ART + SCAPE! • Commercial & Mixed-use
Walking Paths: granite stone, terrazzo, concrete; Furniture: terrazzo; Plants: Washingtonia robusta, Crescentia cujete, Dolichandrone rpathacea; Others: aluminum cladding, fiber glass.
备受赞誉的景观建筑公司TROP，受泰国最大购 物&零售开发商巴塔那集团的委任，担纲春武 里中心购物广场的景观设计师。泰国海滨城市 春武里，被誉为“水之城”，因此，“水”毫 无疑问地成为本案的主要设计主题。设计团队 意图将这里打造成泰国最大的购物广场。 TROP所负责的设计范围包括购物广场以及整体 街景。设计团队做的第一件事就是将广场形状 重新造型，减少拐角。这一做法的灵感源于柔 美的水滴形状。接着，设计团队降低了路面高 度，令其坡度恰好与人行桥吻合，避免交通的 拥堵。同时，这样的设计极具趣味性，当人们 经由人行桥进入商场时，车辆则一路下降。 广场以水为边缘，既省去建造护栏的麻烦，同 时令广场更显轻盈，仿佛漂浮在空间上。 作为一家购物广场，设计师还需在其景观设计 中暗藏机关，令其更加有趣。因此，TROP团队 打造了一系列游走于广场区域的“大鱼”，以 吸引孩子们的注意。 本案最初的定位是面向中产阶级，然而，由于 设计上乘，这里最终也吸引了许多来自周边城 市的上流社会人群。
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ART + SCAPE! • Commercial & Mixed-use
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ART + SCAPE! • Commercial & Mixed-use
Hollywood & Vine Metro Portal & Plaza The Rios Clementi Hale Studios’ designed portal and plaza integrates transit, W Hollywood, Pantages, and public space.
Los Angeles, USA
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Rios Clementi Hale Studios
Hollywood & Vine Metro Portal and Plaza
1,375 m2
2010
Tom Bonner
Client / 客户:
Gatehouse Capital, Los Angeles Metropolitan Transit Authority (Metro)
Rios Clementi Hale Studios’ design integrates the Metro Portal and Plaza into the fabric of Hollywood Boulevard, creates an environment to satisfy the diverse groups converging there, and links Hollywood’s iconic past to its revitalized present. The program realizes the plaza as an extension of a series of thematic courtyards lining Hollywood Boulevard (such as the ones fronting the landmark Egyptian and Grauman’s Chinese theaters). The design also utilizes the dramatic presence of the Pantages Theater directly across the street as a visual benchmark. The Rios Clementi Hale Studios team incorporates a rich spectrum of colors and patinas into the design—and a boldly differentiated hardscape palette—to contrast and connect project areas. At the east perimeter, a ruby-hued glass-aggregate concrete “red carpet”—suggesting archetypal Hollywood glamour—stretches from the sidewalk’s Walk of Fame through the hotel lobby. On the exterior of the Metro Portal canopy, black granite and concrete walls extend up to wrap a granite slab over the top, making the roof a handsome focal point for W Hotel guests looking down from their rooms. The luminous underside of the canopy is composed of varying tones and translucencies of gold, honey, and amber glass, a patchwork of color and texture inspired by “the yellow brick road.” The gold jewel tones are repeated with terrazzo inset into the concrete plaza pattern. Other details throughout the portal and plaza echo the design’s black and gold motifs—including gold leaf, foil, and crenellation—as well as the black and gold ornamentation on the Pantages’ Art Deco façade.
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ART + SCAPE! • Commercial & Mixed-use
Floor/Walking Paths: ruby-hued glass-aggregate concrete; concrete with terrazzo insets Planters: concrete Plants: Dwarf Bamboo, Black Bamboo, King Palm, Lily Turf; Variegated Shell Ginger, and various types of Elephant’s Ear Canopy: black granite; concrete; black-painted steel frame; and gold, honey, and amber glass
经过团队的精心设计，入口通道与新广场被完 美地融入到好莱坞大道浓重的都市氛围中，满 足各色种群的需求，既展现了好莱坞辉煌的过 去，又昭示了它更有活力的未来。广场被作为 好莱坞大道沿路一系列主题庭院（例如位于埃 及剧场以及格劳曼中国大剧院等好莱坞地标性 建筑前的主题庭院）的延伸。设计团队充分利 用了项目与潘太及斯剧院仅一街之隔的地理优 势，对麦德龙入口的扶梯进行调试，当行人从 扶梯缓缓而上时，引人注目的潘太及斯剧院恰 好处在他们视线的中心位置。 Rios Clementi Hale团队在设计中融合了丰富 的色彩和光泽，并大胆地运用了一系列个性的 硬景观元素，各区域既具有独有特色，同时又 能和谐相处。项目东侧有一片宝石红的混凝土 “红毯”，暗示好莱坞魔力，“红毯”经酒店 大厅一直延伸到好莱坞星光大道。 入口通道的外侧被黑色花岗岩和混凝土墙壁包 裹，天蓬顶部的设计大方，为一旁W酒店的访 客提供视觉焦点。天蓬明亮的内壁由变化的金 色、蜜色和琥珀色的半透明玻璃构成，色彩组 合和纹路形式来源于著名的“黄砖路”。黑色 和金色的图案贯穿入口通道和广场的每个设计 细节，包括一些金叶子、金箔以及齿状元素 等，既呼应了黑色和金色的设计主题，又迎合 了潘太及斯剧院外观的装饰物。
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ART + SCAPE! • Commercial & Mixed-use
Santa Monica Place
The design adapts the enclosed center to an open-air facility to be more energy efficient.
Santa Monica, USA
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
The Jerde Partnership, Inc
Santa Monica Place
50,000 m2
2010
Courtesy: Macerich, Courtesy: The Jerde Partnership, Inc.
Macerich
It may be the first mall remodel project that actually transforms an existing mall into an urban place. The Santa Monica Place changes an obsolete, enclosed, multi-level mall into a dynamic urban heart that celebrates the cultural and geographic openness that makes Santa Monica a great place to live, work, play and visit. Commissioned by Macerich to renovate the outdated mall, The Jerde Partnership set out to create a vibrant and intimate public setting. Blending timeless urban principles that predate conventional malls with its organic approach to retail design, Jerde carefully and intricately wove the project into the existing city fabric. By incorporating forms, materials, and landscaping that are found throughout the city, Jerde enhanced the project’s natural fit, both aesthetically and functionally. The new Santa Monica Place replaces a dead mall with a vibrant, open-air district within thriving downtown Santa Monica. By seamlessly connecting its popular and diverse surrounding uses, creating new public spaces, and attracting a new caliber of retail tenants, it will become the hub of Santa Monica.
042 - 043
ART + SCAPE! • Commercial & Mixed-use
Construction materials: Steel, Stainless steel, glass, aluminum, venetian plaster, terra cotta cladding, quartzite stone; Street: Terra cotta, glass, stone, brick, and stainless steel; Plantings: Large mature olive tree, palm tree, jacarandas; Furniture: Outdoor fireplace, cabana-style lounging cubes, indoor/ outdoor common seating
本案可能成为首个将购物中心改造为都市空间 的项目。建筑师将过时、封闭、多层的Santa Monica Place改造为充满活力的城市中心，彰 显文化及地理开放性，令圣塔莫尼卡成为居 住、工作、游玩、参观的别样城市。 受到Macerich的委任，The Jerde Partnership 着手将过时的购物中心改造为充满生气、气 氛融合的公共空间。Jerde将早于传统商场的 永恒城市原则与有机的零售设计策略融合， 小心、复杂地将本案打造为目前的都市建筑空 间。Jerde将遍布城市的形式、材料、景观进 行合并，在美学方面及功能性上增强了本案的 自然合理性。 崭新的Santa Monica Place在繁荣的圣塔莫尼卡 市中心区，以充满生气的户外空间取代废弃的 购物中心。将广受欢迎并各不相同的周围空间 完美融合，打造崭新的公共空间，吸引了大量 的零售租户，也因此成为该市的中心。
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ART + SCAPE! • Commercial & Mixed-use
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ART + SCAPE! • Commercial & Mixed-use
The Meeting Place
This playful design encourages participation and interaction whilst heightening the experience of moving through the urban space.
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
ASPECT Studios Pty Ltd
The Meeting Place
200 m2
2009
Florian Groehn, Simon Wood Photography
City of Sydney Council
Sydney, Australia
ASPECT studios have been selected from 68 entries to design and install a public artwork as a part of the Sydney City Council’s “by George!” Festival. Designed in collaboration with Herbert & Mason and Derlot, the artwork entitled “The Meeting Place” had been in place for 3 months over summer in Little Hunter Street in Sydney’s CBD. THE MEETING PLACE is part architectural installation/ sculpture and social experiment. It is a playful installation which encourages participation and interaction whilst heightening the experience of moving through the urban space of Little Hunter Street. The concept is to create a space within the existing the lane way - two 4m high curtain walls of elastic fabric are fixed to a structural frame and erected along the length of the lane in compressing arcs. The width of the path moves from 0.9m at the entries to 0.7m at the centre. The material adopted has an opacity to it which allows for views through and when lit at night becomes a canvas for revealing movement of people through the space. People have to negotiate their way through the laneway by communication and contact with other people like themselves that are moving in the opposite direction. This social aspect of watching, communicating and negotiating with people will increase positive human contact with a sense of play.
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ART + SCAPE! • Commercial & Mixed-use
Installation: woven polyethylene doth, 20mm bungee cord+grommet fasteners, steel structural frame; Illumination: 3x1W LED lighting
澳派景观规划设计公司从68家竞争者中脱颖 而出，获得了一件公共艺术作品的设计任务。 该作品作为悉尼城市委员会举办的名为“by George!”节日展出计划的一部分。澳派景观设 计联合设计单位Herbert & Mason 及Derlot共同 完成这个名为“The Meeting Place”（聚会场 所）的艺术作品。2009年夏季，“The Meeting Place”在悉尼中心商务区的Little Hunter街进 行为期三个月的展示。 “聚会场所”的设计既是一件公共艺术作品， 也是一次社会交流体验的机会。设计以一种有 趣而又艺术的方式去鼓励人们进行互动与交 流，也增加了城市空间的趣味性。 设计师在一条名叫“Little Hunter Street”的 小巷子中创造出一个艺术空间——两面足有4 米高的弹性拉伸被固定在钢结构框架上，沿街 道成拱形延伸。入口处宽达0.9米，到中间则缩 短成0.7米。弹性面料由半透明的材料制成，夜 幕降临时，配合灯光的效果，像一幅油画般能 看清从中穿梭的人们的身影。 当人们需要穿过这条小巷的时候，一端的行人 必须与另一端的行人时刻保持沟通与观察。通 过同陌生人观察，交流以及沟通这种全新的 体验活动，让人们对这个城市空间留下深刻 印象。通过鼓励人与人之间的观察，交流和互 动，这件公共艺术品对社会的健康与交流起到 了促进作用。
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ART + SCAPE! • Commercial & Mixed-use
Wind wands
A landmark feature of the newly redeveloped Bull Ring Centre Birmingham.
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
FoRM Associates artist Peter Fink
Bull Ring
2,800 m2
2011
FoRM Associates
Hamerson and Bull ring alliance
Birmingham, UK
Wind wands - a landmark feature of the newly redeveloped Bull Ring Centre Birmingham - the largest retail-led urban regeneration project in Europe. The wind wands are constructed out of carbon fibre and stainless steel and their design is a response to both the strong urban axis between the St. Martins Square and the newly created Rotunda Square. The 30m, 25m and 20m high wands emphasise the principle connective vista as well as visually terminate the new square. The wands animate the new square and its surroundings with an almost constant wind induced movement emulating the behavior of trees and plants. The mirror polished stainless steel leaves when still form a helical pattern and when swaying move into the direction of the masts movement. The wind wands are internally illuminated at their base whilst the top section of each mast has an illuminated tip and a matrix of LED light points. The night time presence of the light wands is further emphasised LED illumination of the “tramline strips” of black granite.
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ART + SCAPE! • Commercial & Mixed-use
Material: Carbon Fibre and Stainless steel; Lighting: LED point lights and floods
风向标——最近重建的伯明翰牛环购物中心 （欧洲最大的以零售为主导的城市复兴项目） 的特色地标。 风向标由碳纤维和不锈钢材料制造而成，其 设计与圣马丁斯广场和新建的Rotunda广场之 间的城市轴线相协调。高分别为30米、25米和 20米的三个桅杆与远处景色相连，同时在视觉 上也意味着新广场的末端。桅杆给广场带来活 力，周围不变的恒定风吹动着桅杆，使它们像 树木和植物一样飘动起来。不锈钢镜面抛光的 叶子静止时成螺旋形，而当桅杆转动时，叶子 也随着桅杆的转动方向摇摆。 风向杆在基座部分设有内部照明，在每个桅杆 的顶端也都有照明装置和LED矩阵电光源。晚 上，亮灯的桅杆更加突出了黑色花岗岩地面的 明亮轨迹。
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058-095
1.3 Cultural Zone ART +SCAPE!
ART + SCAPE! • Cultural Zone
Campenvaart
The playgrounds is suitable for children with and without disabilities.
the Hague, the Netherlands
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
Carve
Playground Van Campenvaart
Whole Field 5,000 m2 Play Area 350 m2
2010
Carve
municipality The Haque, district Ypenburg-Leidschenveen.
Carve was asked by the municipality of the Hague to design two 'integrated play facilities', playgrounds suitable for children with and without disabilities. How does one design a playground where the difference in play between children with and without disabilities is eliminated? A playground that offers challenges and appeals to children with and without disabilities? In Carve's vision 'playing together' doesn't mean playing next to each other. Van Campenvaart is one of the two playgrounds designed with the capacities of children with a disability in mind, and not their limitations. Every child wants to explore its possibilities and wants to be able to extend its boundaries. Importantly, the playgrounds do not directly show that possible limitations (visual, auditory, physical and mental) have been taken into account. They offer increasing challenges for all children and thereby contribute to play without limitations. With a completely authentic language of form and choice of colour they stimulate curiosity and allow children to discover the extensive playing facilities by and with each other. This new playground is located on an existing lawn and shaped as a folded red blanket with a strong graphic character. By constructing creases between a ramp, several angles are created. The undefined possibilities of the field challenges the boundaries of both (partially)disabled and non-disabled children. Intersecting routes allow children with different abilities to meet and help each other. In the playing-field, different climbing grips and tactile elements have been added, as well as a moving rubber mat. Whisper tubes, a wide slide, a 'concave' turntable and a hammock create additional play elements.
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ART + SCAPE! • Cultural Zone
Floor: EPDM safetysurfacing; Walking Paths: Prefab concrete with wood-grain print; Furniture: Steel powdercoated / stainless steel
Carve受海牙市政府之邀设计两处完整的游乐设 施——适合健康儿童和残疾儿童的游乐场地。 怎样协调健康儿童和残疾儿童的游乐场地在设 计之间的不同之处呢？一个游乐场地如何同时 为健康儿童和残疾儿童带来挑战和吸引力？ carve认为，“一起玩”并不意味着互相紧挨着 玩。 两处游乐场地的设计始终考虑残疾儿童的行动 能力，而不是他们的限制性。每一个儿童都想 探索自身的发展潜能并有能力突破自己的限 度。重要的是，对于残疾儿童在视觉、听觉、 生理和心理方面可能存在的局限性，两处游乐 场地并没有明显地体现出重视程度。游乐场为 孩子们提出越来越多的挑战，从而也有利于孩 子们没有限制的玩耍。游乐场以其完整的形式 表达和颜色上的应用鼓励孩子们的好奇心，并 给与他们广阔的娱乐空间。 新的游乐场地坐落于既有的草坪之上，形状如 同在一个褶皱的红色地毯，上面设计了一个字 母图形。斜坡之间的折痕设计构成了几个三角 形。场地不明确的可能性对有残疾或身体有缺 陷的儿童构成挑战。孩子们在交错的红色小 路上会有很多机会碰到其他小朋友，并互相 帮助。这块游乐场地加设了攀岩设施和触觉元 素，好像是一块移动的橡胶垫。耳语管、宽阔 的斜坡、凹面的转台和吊床创造出了更多的游 戏元素。
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ART + SCAPE! • Cultural Zone
Columbusplein
This landscape is a vitalized public space according with children’s needs and wishes.
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
Carve
Columbusplein
9,400 m2
2008
Carve
municipality Amsterdam, district De Baarsjes
Amsterdam, the Netherlands
Columbusplein is an urban square typical for the 1920 to 1940’s layout of the city of Amsterdam. Today this part of Amsterdam is given an extensive financial injection to renew and vitalize the public space. Carve was asked to renovate the existing playground, a commission soon to be extended to a redesign of the entire square. This way we were given the opportunity to create an attractive public space for people of all ages and a meeting place for the neighborhood. The elongated square seems to be divided in two parts by the 1980’s building in the middle, on the south side characterized by it’s green appearance and on the north by a already existing playground. By giving up the road in front of the primary school and integrating it into the square, the Columbusplein can now also function as an extension for the adjacent schoolyard, which was already too small. Asphalt surfacing is the binding component connecting the two sides of the square and is a perfect material to skate, roll and bike on. The five-meter wide sidewalks around the asphalt form a recognizable barrier for children. Providing more than enough space and at the same time preventing the children from running on the surrounding streets, without the use of fencing. All street furniture, playground equipment and also the integrated building for the “squaremanager”, were specially designed for this situation. On a formal level, everything had to answer prescriptions concerning the historical urban background of the square. And, moreover the children’s needs and wishes.
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ART + SCAPE! • Cultural Zone
Floor: epdm rubber safety surfacing; Walking Paths: tarmac; Furniture: hot dip galvananized steel construction, stainless steel, netting, poly ferro ropes, wooden beams and platforms (cumaru, fsc certified wood, quality class 1, suitable for playground equipment).
Columbusplein是一处典型上世纪20年代至40 年代布局的城市广场。如今，这块公共空间被 注入大量资金得以翻新并重新赋予其生命力。 Carve受邀重建原来的运动场，但这项工程很 快就延伸为重新设计整个公共区域。Carve旨 在建造一个可以吸引所有年龄层的公共空间， 并为附近居民提供聚会地点。这个细长的广场 被中间80年代的建筑物分隔成两个部分，南面 部分以绿地为主，北面则是现在这个运动场。 放弃原来小学前面的路，与Columbusplein广场 连起来成为一个整体部分，使附近原本较小的 校园得到延伸。广场两边的柏油铺装是溜冰、 轮滑、骑自行车的完美材质。柏油路附近5米 宽的人行道为孩子们提供一个安全屏障。这样 不但了扩大了活动空间，同时也防止孩子们在 没有围墙的情况下冲到街道上。所有的街道设 施，运动设备，以及“场地管理”的建筑都是 根据情况特别设计的。在形式层次上，每个细 节都必须遵循该广场历史上有关城市化背景的 规定，同时更要符合孩子们的需求和愿望。
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ART + SCAPE! • Cultural Zone
Kindergarden Griechische Allee Berlin The essential issue of the overall project for the new kindergarten in Berlin-Schöneweide is open space concept.
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TOPOTEK 1
Kindergarden Griechische Allee Berlin
3,600 m2
2007
Hanns Joosten
Berlin, Borough of Treptow-Köpenick
Berlin, Germany
The open space concept is an essential issue in the overall project for the new kindergarten in Berlin-Schöneweide. The architecture and the exterior synergetically create a place that literally stands for its name. The Kinder-Garten’s indoor and outdoor relationship goes beyond simple apertures. As a start point a small town square creates a connection between the kindergarten and the surrounding quarter. Here, the painted asphalt gives a greeting welcome into the building. Optimizing the originally small garden part, an almost sculptural ramp doubles outdoor space, as it leads from the upper storey into the garden. It frames the site, dividing it from the street, and assembles all play-equipment in one place—on two levels. The ramp, which structurally connects the outside to the inside of the building, grants easy access into the building and to the play elements, which seem to emerge from out of it. They all reach out into the garden space: a bridge under which there are two swings and a seesaw, a broad slide, a climbing pole, and a play fountain. All of the objects are kept in black and white, in order to have the colours of play be created by the children themselves. While the playful elements are all integrated in the ramp along the site’s edge, the centre of the garden features a set of venerable old trees. Jump, play, hide and seek!
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ART + SCAPE! • Cultural Zone
Floor/Walking paths: in situ concrete, concrete slabs, asphalt, block pavement. Sand on the playground area; Furniture: concret bench
开放空间的概念是整个柏林Schöneweide新 幼儿园项目的关键所在。建筑风格和外形共同 打造一处名副其实的地方。幼儿园室内和室外 紧密相联。小型的城镇广场作为幼儿园的起始 点，把幼儿园和附近住宅连接起来。彩色的沥 青地面引领着人们进入幼儿园的建筑区。 该项目充分利用原来的小型花园，雕刻般的户 外扶梯给整个场地镶上框架，可以从上面通过 直接进入乐园，它使场地与街道分隔开，并把 两层所有的游乐设施整合在一起。扶梯在结构 上连接建筑物的外部和内部，方便人们走进楼 房及走向游乐设施，这一点从斜坡道之外就可 以看出来。它们都可以通向园内空间：下面有 两个秋千和一个翘翘板的桥、宽阔的滑梯、爬 杆以及喷泉。所有的物体都是黑白两色，以便 孩子们在游玩的过程中自己创造缤纷的色彩。 所有的游乐元素都在扶梯的内部，沿着场地的 边缘，乐园中心最突出的是一颗古老庄严地大 树。跳跃，玩耍，捉迷藏，孩子们，尽情的玩 吧！
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ART + SCAPE! • Cultural Zone
Medea ed Edipo a Colono Scenography The element of reflection and inspiration for the set design was the horizon.
Siracusa, Italy
Design / 设计:
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Massimiliano e Doriana Fuksas
Geek theatre of Siracusa
7,500 m2
2011
Moreno Maggi
INDA Istituto Nazionale Dramma Antico Sovrintentende: Fernando Balestra
Massimiliano and Doriana Fuksas have designed the facility for the dramatic 2009 season of the National Institute of Ancient Drama. An extraordinary debut for the two architects in the sign of the classic scenes have created for the 45th Cycle Classic Performances, scheduled at the Greek Theater in Siracusa from May 9 to June 21 2009. Reality is what we see in the mirror or what is reflected? The design team did not want or thought ever to resolve the dilemma. They thought there is always time to acquire the necessary alchemy to understand the origins and the heart of the emotions. For the architects, the element of reflection and inspiration for the set design was the horizon. "A very simple horizon can speak of what is the landscape, place, and action, for the conscience of the spectators, not today but yesterday." As the landscape and the scenery have changed over time, the intention contained in the set design is the reconstruction of a lost horizon, staged by a "concave blade" that reflects what is going around, which involves the public, which reflects and invites reflection.
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ART + SCAPE! • Cultural Zone
Material: A Concave Mirror Metal Blade; A Hill Made Of Salt
Massimiliano和Doriana Fuksas 为2009年国家古 代戏剧研究所的戏剧节设计了一项建筑设施。 首次为经典剧目表演做布景设计对于两位建筑 师来说拥有非凡的意义，这些经典剧目计划于 2009年5月9日到6月21日在锡拉库萨的希腊剧 院上演。 现实到底是我们在镜中所看到的事物还是经大 脑思考的结果？设计团队并不想就这个进退两 难的问题一直纠缠下去，认为总有一天他们会 获得破解起源、深入情感的魔力。 对于建筑师来说，本案布景设计的相关思考和 创作灵感均来源于视野。“一个简单的视野便 可以清楚地向观众们展示那些属于昨天的舞台 布景、占位和表演。”自然景观和舞台布景会 随着时间的流逝而改变，本案就是一次对于消 失了视野的重新建构，通过这个凹面的叶片装 置，追溯过去，鼓舞人们思考。
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ART + SCAPE! • Cultural Zone
NICOLAI
The new schoolyard has not got a central space but has many points of view.
Design / 设计:
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Arkitekt Kristine Jensens Tegnestue,
NICOLAI
3,800 m2
2007
Simon Høgsberg, Bjarne Frost
The Municipality of Kolding
Kolding, Denmark
Sct Nicolai School Centre from the 1850s is a continuous reincarnation of everything from the traditional Danish school with gyms and schoolyards. With five art houses as the new function the possibility of a new typology of creative and dynamic culture centre emerges. The project evolves with the idea of the schoolyard as the centre, joining the different functions together, an active free space in a more cheerful schoolyard, than the historical version. A yard, creating a base of the different house programs, movies, literature, house of children, craftsmanship and music. Along the west side a continuous wall of corten steel is built along two terraces and a stage/ tribune also made in corten steel. Furthermore different outdoor activity spaces are added to the schoolyard: The Garden of Tales, The City Garden, The Market Square and the Plaza, opening up towards Katrinegade. The tilting terrain in the schoolyard is prevailed and a new enclosing surface of black asphalt is laid out, on which patterns are drawn with thermo plastic and street paint. The schoolyard is designed with a big white drawing on a new layer of black asphalt- as a new drawing board. The project development has been theme based and five groups of users have during the design process participated in concretizing the programming and the future schedule of utilization and maintenance.
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ART + SCAPE! • Cultural Zone
Floor:Asphalt with thermo plastic and white paint decoration; Wall and Tribune: Corten steel; Furniture/bench: Wood Trees: Magnolia
尼古拉教育中心由一所拥有悠久历史的传统丹 麦学校全新改造而成，教育中心设有体育馆和 运动场。五间艺术房的建造促使尼古拉成为一 个充满创意和活力的新型文化中心。与传统学 校相比，尼古拉教育中心更像是一个令人愉悦 的自由空间，集电影院、文学教室、儿童房、 手工教室和音乐教室等教室为一体的多功能中 心。 教育中心的西侧是一排耐候钢铁墙，拥有两片 平地和一个露天舞台（也由耐候钢制成）。此 外，运动场还增设了多个面向Katrinegade的 室外活动空间，如：故事园、城市花园、集市 广场和购物中心等。运动场的地面采用了流行 的倾斜地形，地面铺着黑色的沥青，上面用热 塑性塑料和街面颜料绘画着各种图案。一幅白 色图画同黑色地面形成截然不同的两个层次， 仿佛一个崭新的画板。本案的设计主题明确， 五组不同的使用者参与到整个的设计过程，为 项目规划和日后使用和维修提出具体可行的意 见。
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ART + SCAPE! • Cultural Zone
PAUL-BRUCHÉSI SCHOOLYARD A strong coloured scheme organizes and structures a diverse play program
Design / 设计:
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Client / 客户:
NIPpaysage
PAUL-BRUCHÉSI SCHOOLYARD
1,500 m2
2007
NIPpaysage
PAUL-BRUCHÉSI SCHOOL
Montreal, Canada
This project involved the complete redesign and redevelopment of Montreal’s Paul-Bruchési Elementary School yard. Originally entitled “Blue Yard”, the project is located in the trendy Plateau-Mont-Royal neighbourhood, but was built with very a limited budget. For economic reasons, the school decided to keep the existing asphalt paving and build a new project on top. NIPpaysage decided to work within this requirement by exploring large patches of painted colors and softer surfaces to give the site a well-deserved landscape makeover. The result was achieved by implementing a strong coloured scheme to organise and structure different uses and programmed activities. Using circulation patterns and building volumes, a grid of white lines was established, defining and organizing play and other leisure spaces. The white lines become the site’s mains structure. The oblique outlines of this “white frame” are determined by the architectural elements of the school’s heritage building, such as the entrances or general built volume. Within the white grid, bright blue areas provide various programs. This net of white lines and blue surfaces becomes the texture of play for the entire project. Furthermore, the blue asphalt surface comes alive by the introduction of vegetation (native trees, shrubs, perennial groundcovers, etc.) and the addition of an odd-shaped sculptural earthwork covered with diversely coloured recycled rubber surfaces. This project was built within a neighborhood-scale pilot project to reduce the heat island effects in the downtown area.
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ART + SCAPE! • Cultural Zone
Floor : coloured asphalt, coloured rubber burm, 3m stickers for white dots; Walking paths : asphalt, wood deck; Furniture : wood terrace, bolder benches, attached ball on post; Plants : bush-honeysuckle, white ash
本案有关蒙特利尔Paul-Bruchési小学校园完 整的重新设计和重新开发。最初以“蓝色校 园”命名，位于时尚的布拉托皇家山区附近， 但建设投入资金非常有限。经济上的原因是因 为学校决定保留原来的铺路沥青，只需在上面 建一个新的项目。NIP景观设计公司按照学校的 要求，以地表的着色和软化来实现与原来相匹 配的景观大转变。强烈的色彩组合适用于各种 用途和活动，取得了良好的效果。根据循环模 式和建筑物体积，一条条白线界定了玩耍和其 他休闲空间的范围。 白线是场地的主体结构。学校古建筑的建筑元 素，例如学校入口处和综合建筑的体积，决定 了白色框架倾斜的轮廓。在白色格子内，明亮 的蓝色区域为孩子们提供了多种游戏项目。白 色网格和蓝色地表构成整个项目的游戏框架。 此外，植被（土生树木、灌木、长年的地被植 物等）的介入和奇特的雕塑土方（以多彩的可 回收橡胶覆盖其上），给蓝色的沥青表面带来 勃勃生机。本案是附近地区的试点项目，目的 在于减轻市中心城市热岛效应。
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ART + SCAPE! • Cultural Zone
School, Library And Reading Park
By creating a new topography and incorporating an open-air park, the complex is an integrative space with multiple elements.
Torre Pacheco, Spain
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Martín Lejarraga
Our Lady of The Rosary Public School, Municipal Library and Reading Park
18,500 m2
2010
David Frutos
Ayuntamiento de Torre Pacheco
'Pulic School, Municipal Library and Reading Park in Torre Pacheco' by Spanish architect Martin Lejarraga has received the first prize in the built category at the 2010 Urban Intervention Award Berlin. By creating a new topography from the architecture itself and incorporating an open air park within the built program, the complex is an integrative urban space with social, cultural and design elements. The U-shaped library carves out a central public access which features a skate park, green space and bike park. The outward facing perimeter of the library seemingly pulls up the surrounding landscape to create a new terrain which accommodates new public zones including a gallery, flora gardens, numerous sporting facilities and a school. Housed in a building shape similar to that of the library, the school lines the west end of the site and bends around to meet the raised topography. The courtyard features a covered hall with 330 seats and is capable of hosting performances and lectures. To continue the facade language between the school and the library, both buildings share a paneled look with colour-blocking.
082 - 083
ART + SCAPE! • Cultural Zone
Floor/Walking Paths: Smoothed concrete slabs, green coloured asphalt, Rober clinker paving stone, Artificial grass, Coloured rubber flooring, Resin floor finish over concrete slab Furniture: Perimetral concrete defences (banks, lounge banks, etc) hand worked on site; Old deposit recycled and transformed into new icons and external symbol of the library; a “soup of letters”, “containing” words Illumination: Projector + post, L steel profile with fluorescent lights inside, Floor washlights, Park-posts, Fireworks Plantings: Artificial grass, Prefabricated concrete paving blocks in mixed grass plantation; Lime trees, Elms, Almond trees, Pine trees, Orange trees, Aromatic plants
西班牙建筑师Martin Lejarraga 所设计的公共 学校、市图书馆和阅读公园位于穆尔西亚（西 班牙一个自治区）的托雷帕切科，荣登2010年 柏林都市形象塑造大赛（已建类）的榜首。新 建筑和露天公园打造了一个全新地形，该区成 为一个融合了若干设计元素的集文化和社交为 一体的综合性都市空间。 图书馆布局呈U型，主要的公共通路包含一个 溜冰场、一个绿色空间和一个自行车存放处。 建筑物自身形成一个坡面，与周围景观完美地 融合在一起，打造了一个全新的公共区域，包 含一个画廊、若干植物园、许多体育设施以及 公共学校。 公共学校的地形与图书馆相似，弯曲的布局恰 好符合该区的凸起地形。庭院里设有一个可容 纳330人的有顶礼堂，可以举行各种表演和演 讲活动。为了让图书馆和学校的外观看起来更 加协调一致，两处建筑物均采用彩色嵌板外 壁。
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ART + SCAPE! • Cultural Zone
086 - 087
ART + SCAPE! • Cultural Zone
Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
088 - 089
ART + SCAPE! • Cultural Zone
Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
090 - 091
ART + SCAPE! • Cultural Zone
ST-PAUL-DE-LA-CROIX SCHOOLYARD Pictograms, synthetic grass berm and long wooden benches for a dynamic play space
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
NIPpaysage
ST-PAUL-DE-LA-CROIX SCHOOLYARD
1,500 m2
2008
NIPpaysage
ST-PAUL-DE-LA-CROIX SCHOOL
Montreal, Canada
The landscape project was for the complete renovation and revitalization of major exterior spaces for the St-Paul-de-la-Croix primary school, in the northern neighborhood of Montreal called Ahuntsic. By using the existing topography as a dynamic activity anchor, destination and viewing point, NIPpaysage created diverse opportunities for school activities, including relaxation, informal and structured play. To emphasize the importance of sports and student movement through the site, the schoolyard landscape is circumscribed by a zigzagging contemporary running track that follows and unifies the two main levels of the schoolyard space. Colorful pictograms and thick lines painted on the pavement animate the dark asphalt surfaces and create a dialog with the children running around the space. Slopes are used to a maximum as a design tool, half of which is sculpted into a comfortable berm of synthetic grass and half of which is built into a wooden seating area. Densely framed with native planting zones at both extremities of the site, the relationship to the urban fabric beyond is improved and the impact of street traffic and noise are reduced. The addition of a cool and shaded green classroom area near mature street trees allows students and teachers to also use the site in spring and autumn for academic purposes. The overall project combines students’ ever-present energy with a playful design intent.
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ART + SCAPE! • Cultural Zone
Floor: coloured asphalt, synthetic grass, wood; Walking paths: coloured asphalt; Furniture: wooden amphitheater, wooden benches; Plants: redosier dogwood, dwarf artic willow, dwarf wiged euonymus, shademaster thornless common honey-locust
该景观项目位于蒙特利尔北部的Ahuntsic区， 是St-Paul-de-la-Croix小学外部空间的整体 翻新和复兴。 把原有的地势用作动态的锚点、目的地和观察 点，NIP景观设计公司为学校活动创建多种多样 的机会，包括休闲的、日常的和有组织的游戏 活动。路面上涂饰的彩色象形图和粗线条给灰 暗的沥青表面带来勃勃生机，同时也与在场地 上东奔西跑的孩子们有所交流。 斜坡作为设计工具得到了充分的利用，一半塑 造成舒适的人造草坡道，另一半建成木质座椅 区。场地两端浓密的原生植物带给场地架上框 架，有助于改进与外部城市结构之间的关系， 同时减小街道交通的影响和噪音。 凉爽荫蔽的绿色教学区与成熟的街道树毗邻， 学生和老师们无论在春天还是夏天都可以利用 场地来达到教学目的。整个项目把学生们无时 不在的活力和娱乐性的设计意图紧密结合在一 起。
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098-127
1.4
Exhibition & Festival ART +SCAPE!
ART + SCAPE! • Exhibition & Festival
BeatWave
This is an ambivalent structure that offers seating areas as a meeting point and a place for contemplation.
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Name of Project / 项目名称:
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Juergen Mayer H, Jonathan Busse
Beatwave
33 m2
2007
J. Mayer H.
PULSE Contemporary Art Fair, Miami
Miami, USA
Beat.Wave is an entry gate to PULSE Miami with an undulating arch that is about 11 feet high. Cantilevering, split and sliced, this ambivalent structure offers seating areas as a meeting point and a place for contemplation. The architect, designer and artist Jürgen Mayer H. focuses on works at the intersection of architecture, communication and new technology. From urban planning schemes and buildings to installation work and objects with new materials, the relationship between the human body, technology and nature form the background for a new production of space. Inhis art work, Mayer strategically chooses to bypass architecture and to use art as an operative platform. In close interaction with our built environment his work highlights the relationship between the human body and the architectural space.
098 - 099
ART + SCAPE! • Exhibition & Festival
Material: Styrofoam covered with polyurethane
Beat.Wave是一座波浪形的拱门，近11英尺高， 是迈阿密PULSE的入口大门。这个悬臂的、裂 开的、扇形的雕塑充满矛盾性，为人们提供集 合地点的座椅，同时也是适合沉思的场所。 建筑师、设计师也是艺术家Jürgen Mayer H 着重于建筑、沟通和新技术的集合点。从城市 规划的方案和建筑到安装工作和运用新材料的 物质，人体、技术以及自然之间的关系为新 的空间生产提供了背景。在他的艺术作品中， Mayer在战略上选择忽视建筑的存在，以艺术 作为操作平台。他的作品与建筑环境紧密作 用，强调了人体与建筑空间的关系。
100 - 101
ART + SCAPE! • Exhibition & Festival
Impression of Infinity
Design / 设计:
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metamorphOse
Impression of Infinity
6,000 m2
2010
metamorphOse
Association Lezigno
The question of scale and sustainability does not define the architecture itself rather that stimulates different facets.
Béziers, France
An installation does not necessarily involve building new volumes or making a largescale construction. It can include the notion of modifying a point of view, which has an impact on the way the architects perceive a given area; a simple gesture which does not modify the landscape itself but rather the way the architects see it. This is exactly the approach taken by Impression of Infinity : that of organizing an installation through which dreams and fantasies can emerge. Impression of Infinity approaches the concept of abstraction, purity and the immaterial, transparence and reflection, rigidity and fluidity. The installation takes on the appearance of a cloud of particles, a sort of mist floating just above the floor. It seems to undulate within its space tracing the contours of an artificial cloud. Positioned like morning dew on artificial blades of grass, each drop’s mirrored surface returns a deformed image of its environment. By representing the environment in this way, a 360 degrees mirror which also reflects the images reflected by the other globes, generates infinite reflections in a series of multiple, yet concomitant worlds. At twilight, the mirrors dim and small phosphorescent balls light up in quick succession, getting gradually brighter as the atmosphere becomes progressively darker.
102 - 103
ART + SCAPE! • Exhibition & Festival
Drop’s mirrored: 25 spheres PVC Ø 40 cm, 55 spheres PVC Ø 29 cm, 65 spheres PVC Ø 19.5 cm; Small phosphorescent balls: 120 balls PVC Ø 10 cm; Rod: 60 rods aluminum Ø 25 mm
一件好的景观艺术作品并不一定需要构建崭新 的建筑或进行大规模的建设，可以体现修饰一 种观点的概念，这对建筑师理解既定区域的方 式产生影响；简单的姿态不能够修饰景观本 身，却会对建筑师看待景观的方式产生影响。 建筑师组织现场装置，通过这些布置，梦想与 幻想出现。 Impression of
Infinity体现抽象、纯粹与非
物质性、透明与反射、刚性与流动性的概念。 本案在外观上呈现许多粒子，一丝薄雾在地面 上空漂浮。该空间波动起伏描摹着人造云彩的 轮廓。犹如朝露般被设置在人造的草叶上，每 一滴粒子的镜像曲面将周围环境呈现为扭曲 的形象。通过这种方式呈现环境，360度的镜 面，反射经过其他球体反射的影像，在多样、 共存的世界中形成无限的反射。 在黄昏时，镜面变暗，在周围的氛围渐渐变暗 时，小磷光球体相继明亮起来，逐渐变亮。
104 - 105
ART + SCAPE! • Exhibition & Festival
Intensified Reflections
The design posits that a dream is often a reflection of reality, intensified to such an extent that it becomes a distortion of reality.
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
Ants of the Prairie
Intensified Reflections
19 m2
2008
Joyce Hwang, Sergio Lopez-Pineiro
FIGMENT Festival, New York
New York, USA
INTENSIFIED REFLECTIONS is a nine-hole miniature golf course constructed and installed as part of the FIGMENT Festival during the summer of 2008. If there is any ‘sport’ that is emblematic of the spirit of democracy it is Miniature Golf. In 1867, when it was considered ‘unacceptable’ for women to swing golf clubs back past their shoulders, the Ladies Putting Club was formed in Scotland. During the period of the Great Depression, when American Society looked toward inexpensive forms of leisure, Miniature Golf took on the status as a form of entertainment for the masses, with the first corporate miniature golf franchise established in 1929. By the early 1930s, over 25,000 miniature golf courses were in existence in the United States. Today miniature golf is conceived of as a form of entertainment for the masses; inclusive of all, regardless of age, gender, or socio-economic status; equally enjoyed by jocks and nerds alike. This project addresses ideas of how mass entertainment can reflect the ideals of inclusivity today. The staging of temporal installations and events on Governors Island -- a former military base that is transitioning into a place for public leisure -- also speculates on productive ways of activating “unprogrammed” public spaces. Responding to the course’s theme, “City of Dreams,” Intensified Reflections posits that a dream is often a reflection of reality, intensified to such an extent that it becomes a distortion of reality.
106 - 107
ART + SCAPE! • Exhibition & Festival
Floor: Exterior carpet on wood structure; Others: Columns and wall are mirrored plexiglass on wood lumber
INTENSIFIED REFLECTIONS是一个9洞迷你高尔 夫赛场，于2008年夏天构思并安置而成，是 FIGMENT Festival的一部分。如果有一项运动 最能体现民主精神，那一定就是迷你高尔夫。 1867年，Ladies Putting Club成立，而当时它 并不受女性欢迎。在经济大萧条时期，美国社 会崇尚廉价的休闲方式，迷你高尔夫承担了这 个重任，成为大众的娱乐方式，第一家迷你高 尔夫球专营公司成立于1929年。30年代初，美 国有超过25000个迷你高尔夫球场。 今天，迷你高尔夫仍是一种大众的娱乐休闲方 式，包括所有人，无论年龄、性别、社会经济 地位，甚至运动员和书呆子也很喜欢。该项目 表达出“大众娱乐如何反映出当今世界的包容 性”的概念。暂时性装置艺术和项目的展示使 总督岛——曾经的军事基地已转变成为公共休 闲的场所，也考虑以多样化的方式鼓励“计划 之外”的公共空间。 Intensified Reflections响应了“梦幻城市” 的大赛主题：梦想常常是现实的反映，如此激 烈化的反映也会使现实失真。
108 - 109
ART + SCAPE! • Exhibition & Festival
Le Bon Arbre Au Bon Endroit An iconic oversized table creates an electrifying garden
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
NIPpaysage
Le bon arbre au bon endroit
200 m2
2010
NIPpaysage
RefordGardens, Hydro-Québec
Métis, Canada
Temporary garden presented by NIPpaysage, a Montréal landscape architects in collaboration with Hydro-Québec for the Métis International Garden Festival. “le bon arbre au bon endroit” (The right tree at the right place) reminds us that planting the right tree in the right place makes good sense. Above, thousands of birds perched on dozens of cables surround the garden. On the ground, the project has evolved over a three year period: 2008-wire reel garden, 2009-hammock garden and 2010-giant picnic table garden. In the garden “le bon arbre au bon endroit”, NIPpaysage has created an electrifying garden. Thousands of birds congregate on lines help to illustrate the many uses of hydro wires in the landscape. And by planting the right tree in the right place, wires and gardens can happily cohabit the same space. The table is an ideal meeting space, a festive place like no other. To exchange bites or speeches, nothing else matters than the diner evolving around the altar of greed. Here, it is an iconic oversized table, crossing a landscape dominated by a large chandelier, which invites visitors to the feast. Surrounded by wired walls and full of birds, that are fully guests, the installation enhances the earth’s pleasures making them the best paradise of all.
110 - 111
ART + SCAPE! • Exhibition & Festival
Floor: compacted stone dust; Walking paths: compacted stone dust; Furniture : wooden table (2010) - hammock and orange plastic mesh (2009) - painted wire reel (2008) - iron wires, bird shape clothesline pins and hydro post (2008-2010); Plants: Jerusalem artichoke and paper birch (2010)
为庆祝马蒂斯国际花园节，蒙特利尔景观设 计公司NIPpaysage与Hydro-Québec联手打造 了一个临时花园，名为le bon arbre au bon endroit（意为：在对的地方载对的树），试图 提醒人们只有在合适地方栽种对的植物才有意 义。花园四周被电缆线环绕，上面挂着成千上 万只小鸟造型，仿佛在那里栖息。花园分三部 分，历时三年完工，包括2008年完工的钢丝盘 卷花园、2009年的吊床花园和2010年的大型野 餐桌花园。 花园的设计十分有趣，振奋人心。聚集在电缆 线上的小鸟展现了海德鲁缆线在景观中所具备 的众多用途。正是因为这里满足“对的地方栽 种对的树木”，缆线和花园才能够在同一空间 幸福的生活在一起。 野餐桌花园的设计别具一格，充满欢乐，为人 们提供了一个理想的聚会空间。如果可以在晚 餐中一边品尝美食、一边闲聊家常，恐怕其他 什么也都无关紧要了吧。在野餐桌花园中，一 张超大型的桌子横跨整个区域，殷切地邀请访 客享受盛宴。野餐桌四周被挂满小鸟的缆线墙 环绕，宾客满堂，充满乐趣，简直是地球上最 美好的人间天堂。
112 - 113
ART + SCAPE! • Exhibition & Festival
lightsail
In this project, the lightsails are used to to guide the visitors around the different exhibitions.
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
Söhne & Partner Architekten, Karl Sodek
Ligthsail
7 m2
2008
Gisela Erlacher
Competition
Carinthia, Austria
The lighthouse - a point of orientation, to be seen from far, was long time used for shipping throughout day and night. Nowadays the lighthouse is used as a symbol for holidays, for the sea, for adventures and water. Light sails are used as guiding symbols for the state exhibition around the Millstaetter Lake, Austria. The idea to design the seven light sails comes out of that old and very well known lighthouses. For the project, the light sails are used to guide the visitors around the different exhibitions. The objects are abstract sails and are orientated to the lake. The Millstaetter Lake is getting a tribune out of water, because the energy of the lake is trapped, converted and reflected as light. Therefore, the sails are working as a transmitter and receiver at the same time. The illumination of the light sails itself is reacting to the surrounding - the more people approaching the sails the more vibrate light. The illumination is also reacting to the temperature they are constantly changing their colours. The colder the temperature the warmer the colour of light is getting. This project is designed by Söhne & Partner Architekten in association with Karl Sodek.
114 - 115
ART + SCAPE! • Exhibition & Festival
Illumination: Acrylic glass with LED panels
灯塔从远处看来为人们指引方向，一直在日以 继夜的海运中发挥重要作用。而如今，灯塔成 为假日、海洋、探险及水的象征。 光帆被用作奥地利Millstaetter湖附近国家展示 活动的指引象征。设计7个光帆的构思源于古 老及被人们所熟知的灯塔。在本案中，光帆被 用来指引访客参观不同的展示。 本案物体为指向Millstaetter湖抽象的帆形物 体。建筑师在水外建立一个看台。湖的能量以 光的形式被收集、转换、反射。因此，帆同时 发挥着发射器与接收器的的作用。 光帆照明对周围区域作出反应-人们越接近光 帆，光越颤动。照明也对温度作出反应-光帆 在不断地变换自身的颜色。温度越低，光色变 得越温暖。 本案由Söhne & Partner Architekten同Karl Sodek联合打造而成。
116 - 117
ART + SCAPE! • Exhibition & Festival
Melbourne Convention Center Integration of the public realm with large scale buildings and facilities is the key for ths design.
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
ASPECT Studios Ltd.
Melbourne Convention Exhibition Centre
1,500 m2
2009
Simon Woods
Plenary Group, Multiplex and Contexx
Melbourne, Australia
Aspect Studios was commissioned by the Plenary Group, Multiplex and Contexx to undertake the design and documentation of the new public realm for the Melbourne Convention Centre and South Wharf Precinct. The Melbourne Convention Centre is the first convention centre in the world to achieve a 6 Star Green Star environmental rating. The landscape design for public realm places include: Convention Centre, Hotel, Retail, Residential, Public forecourts\ promenades and laneways, Refurbishment of the existing Exhibition Centre Park and Heritage Landscapes. There are mainly six principles of the Public Realm: 1, 24 hour public access throughout the precinct. 2, Clear and direct pedestrian and cyclist routes. 3, An attractive Yarra River Promenade. 4, Interesting spaces with the precinct for residents, pedestrians, visitors, shoppers and delegates. 5, Connection of the precincts areas to the Yarra River. 6, Incorporate of all heritage elements Public Realm Surfaces: The primary pavement surface is “bluestone” pavers, with secondary pavements of reconstituted granite pavers and “bluestone” matching high quality concrete pavers. Other surface material will be used in smaller and periphery areas such as fine gravel, granite sets, permeable paving surrounding trees, coloured concrete and asphalt. Throughout the commercial development tactile pavements will be used as required to mark hazards, level changes, and pedestrian crossing points. And the vegetation principles are: 1, Continuity of species along Yarra Promenade. 2, Low water use plants. 3, High canopy species for shade. 4, Summer shade and winter sun in confined spaces.
118 - 119
ART + SCAPE! • Exhibition & Festival
Paving: “bluestone” pavers as primary surface; secondary pavements of reconstituted granite pavers and “bluestone” matching high quality concrete pavers; other surface material used in smaller and periphery areas: fine gravel, granite sets, permeable paving surrounding trees, coloured concrete and asphalt; Plants: continuity of species along Yarra Promenade, low water use plants, high canopy species for shade, summer shade and winter sun in confined spaces
应Plenary Group集团，Multiplex公司及 Contexx公司的邀请，澳派景观规划公司为墨 尔本会议中心及南码头公共区域提供景观设 计。墨尔本会展中心是全球第一个六星级的绿 色建筑。公共区域景观设计的范围包括：会展 中心、酒店、零售区、住宅区，公共广场\滨水 人行道、会展中心公园的改造与重建，以及历 史景观的利用与重建 公共空间景观设计的主要原则有：1，保证地 块内全天侯的便捷通行。2，设立清晰的人行 道和自行车道系统。3，打造雅拉河畔滨河景 观。4，为居民、游客、购物者以及参观代表 等不同的人群提供不同的功能设施。5，处理 会展中心至雅拉河的连接与通道。6，利用与 重建历史景观,。 公共区域铺地：路面主要的铺装材质是青石 （墨尔本当地材料），其次是再生花岗岩铺 地，以及高档混凝土铺地。其他小型区域和周 边地区采用不同的铺地材料，如小鹅卵石，花 岗岩格，乔木周围可渗透铺地，彩色混凝土铺 地和沥青等。整个商业区使用的可触知的铺 地，标出危险区域，上下台阶和过街人行道， 方便盲人的使用。植被选用原则：1，延续雅 拉河林荫道使用的植物类型。2，采用对水量 吸收少的植物。3，大树冠，可遮荫的植物。 4，采用夏日遮荫，冬日透光的植物。
120 - 121
ART + SCAPE! • Exhibition & Festival
122 - 123
ART + SCAPE! • Exhibition & Festival
Oursins
Explosive sea urchin silhouettes celebrate a garden festival's 10th anniversary.
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
NIPpaysage
Oursins, Métis-sur-Montréal
300 m2
2009
NIPpaysage
Reford Gardens, Musée du Château Ramezay
Montreal, Canada
In this year of jubilee, the gardens of Métis are overflowing. The waters of the Saint Lawrence River flow insuppressibly, whether along the shores of Métis-sur-Mer, where the far bank of the river can hardly be seen, or along the piers of Old Montreal where the port once gave birth to the city - the waters are one and the same. With that in mind, a sea creature (the sea urchin) was the inspiration when the International Gardens Festival decided to celebrate its 10th anniversary further upstream. Curious beast and hybrid, the sea urchin has an extraordinary form that translates into an intricate sculpture within the gardens. Far from its original context, the sea urchins’ explosive silhouettes dominate the public plaza like a group of strangers on the grass. Designed to be built of wood, the Place de la Dauversière’s new colony would freely spread just like they simply landed there and decided to stay for a while. Simple in the layout on the public plaza, the design searches to preserve flexibility and better space efficiency as well as to allow the budget to be adapted according the client’s needs. The project preserves the space’s multi-functionality while also joyfully inhabiting it. The form of the urchin also invokes images of fireworks - in effect, these objects whose arms point in all directions like so many sparks lend themselves quite well to night lighting making the space all the more festive.
124 - 125
ART + SCAPE! • Exhibition & Festival
Floor: turf ; Walking paths: turf; Furniture: sculpture made with 38mm x 38mm timber; Illumination: pink projectors; Plants: yellow tagetes
在今年的Jubilee年，马蒂斯花园节充满各式各 样的花园设计。 无论是在遥远的、甚至看不到河的那一岸的小 村庄Métis-sur-Mer，还是在孕育了蒙特利尔 城的老码头上，人们所能看到的圣罗伦斯河永 远都是一个样子：湍流不息。 景观设计公司NIPpaysage将这一点时刻牢记在 心。当国际花园节准备庆祝十周年纪念日时， 海洋生物海胆成了他们设计的灵感来源。海胆 是一种古怪复杂的海底生物，NIPpaysage利用 其奇特的外形，打造了一系列错综复杂的雕 塑，融入到花园中。这些爆裂的海胆造型雕塑 是木制的，仿佛刚刚着陆、准备在这里稍作停 留的外来者，自由地散落在各个角落，将公共 广场的原始面貌完全颠覆。 公共广场的布局简单明了，设计团队试图保留 空间原有的灵活性，提高效率，并在预算的范 围内满足客户各种需求。广场具备多种功能、 氛围欢快。海胆雕塑的形状让人们联想到烟 花，那些指向各个方向的手臂就仿佛无数的火 花，让夜晚灯火更加璀璨，空间的节日气氛也 愈发浓厚了。
126 - 127
130-149
1.5
Hospitality ART +SCAPE!
ART + SCAPE! • Hospitality
Hilton Pattaya
A simple curve defines the shape of the pool, making the design neat and exquisite.
Pattaya, Thailand
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
T.R.O.P. Company Limited Design Director: Pok Kobkongsanti Project designer: Pakawat Varaphakdi Bun asai
Hilton Central Pattaya Hotel
Area1st floor =1,252m2 Area16th floor =2,538m2. Area16Mth =408.51m2.
2009
Photography / 摄影:
Client / 客户:
Adam Brozzone Charkhrit Chartarsa
Central Pattana (CPN)
The scope of Hilton Pattaya includes the hotel drop off area (ground floor) and the hotel garden (16th floor). Three important elements were noticed when the TROP first visited the site: 1, There is a gigantic skylight in the middle of the roof and this skylight is to bring Sunlight down to the Mall. It can't bear any load on it, so it can't be used as part of the garden. To make it worse, the client didn't have budget to decorate this skylight at all, so it is half glass and half concrete . 2, The left-over areas: because the skylight is right in the middle of the roof, what left for the design team are only small and narrow areas around it for the garden. Within the alreadylimited areas, the design team must locate gym and toilets somewhere as well. 3, The irregular edge of the roof: the mall has an interesting in and out facade. However, the edge made it so hard for TROP to design the clean and simple garden they want. Their first move is to deal with the area around the skylight and used the resort design principle to divide and organize the roof into three main garden parts: Arrival court: once the guests get out of the elevators, this arrival court will be the first thing they see. This area is closed since no one walking around in Bikinis wants to see others here. Sun deck: there is no much space left around the skylight for gym and toilets, so idea of adding another layer of garden on top came out. What the designers got is the reasonable-size deck with a direct access from 18th floor. Ocean pool: because of the irregular edge of the mall and the limited space, so the designers only use one simple curve to define the pool in order to avoid adding another complicate design here. 130 - 131
ART + SCAPE! • Hospitality
Floor: Hard wood floor plank, terrazzo, marble stone granite stone; Furniture: Artificial rattan, fiber glass; Plants: Syzygium cinereum, Cerbera odollam, Plumeria acuminata, Washingtonia robusta, Crescentia cujete, Areca catechu; Others: fiber glass, acrylic
泰国芭提雅希尔顿酒店的景观设计范围涵盖一 楼下客区以及位于十六楼的酒店花园。。 当设计团队初次考察现场时，三个重要因素引 起了他们的注意： 首先，屋顶中央有一个巨大的天窗，阳光通过 这里进入商场。因为天窗无法承受任何重量， 所以设计师无法在设计花园时将其囊括其中。 更糟糕的是，客户根本没有为装饰天窗做任何 预算。天窗区域由混凝土和玻璃组成，并不美 观，设计团队最终的解决方案是在其上方铺一 层假草坪。 其次，余下区域：由于天窗恰好位于屋顶中 央，因此留给设计团队建造酒店花园的只剩下 一些狭小、细长的区域。同时，设计团队还必 须将健身房以及厕所安插在这有限的区域内。 再次，不规则的屋顶边缘：商场建筑外观无论 里外都是很有趣，但同时，其不规则的形状也 给TROP想要设计一个干净简约的花园带来不小 的难度。为解决这一难题，设计团队从天窗周 围区域着手，将屋顶划分为三个主要区域： 抵达区：当客人们走下电梯时，首先看到的便 是这里了。多数穿着比基尼走动的客人都不会 想在这里看到其他人，因此该区被关闭了。阳 光甲板：由于天窗附近用来安置健身房和厕所 的空间有限，因此TROP萌生了在花园中增设 一层的想法。设计团队打造一个大小适中的甲 板，从这里可以直接通往18楼。海水泳池：由 于商场屋顶形状的不规则以及空间有限，所以 设计团队再处理泳池形状时选择了最简洁的曲 线，避免设计过于繁杂。
133 - 133
ART + SCAPE! • Hospitality
Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
135 - 135
ART + SCAPE! • Hospitality
Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
137 - 137
ART + SCAPE! • Hospitality
Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
139 - 139
ART + SCAPE! • Hospitality
Saffire Freycinet
An iconic destination resort inspires its stunning natural surroundings.
Design / 设计:
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Completion Date / 竣工时间:
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Client / 客户:
Circa Architecture
Saffire Resort
119,000 m2
2010
Peter Whyte, George Apostolidis
The Federal Group
Freycinet, Australia
The site is located at Coles Bay on the east coast of Tasmania, and overlooks Great Oyster Bay and the Freycinet Peninsula. The architects’ brief was for an intimate luxury resort, of 20 private suites that was intended to be a destination mainly cater to interstate or international guests. It also provides and possibly creates a new high-end tourist market in the state. What was important to the client was that the project had an iconic, highly recognizable form that also related to the natural landscape. Although the resort is located within what is extensively a natural coastal landscape, the project site was scarred from its previous use as a disused caravan park. The project became as much about repairing the site and interpreting its unique qualities as it was about creating a space from which it could be experienced. One of the main challenges of the design was to reconcile the client’s perception of luxury and still capture elements of the unique Tasmanian context. The view is important, however, materials, colours, scale and form also contribute strongly.
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ART + SCAPE! • Hospitality
Walls Internal: Timber veneer panels, texture rendered masonry, celery-top timber battening, leather paneling; Walls External: Stained solid hardwood timber boarding, texture rendered masonry; Ceiling: Celery-top timber battens; Roof: Sika sarnafil fabric membrane; Flooring: Modwood (silver gum) timber decking, recycled timber, tascot carpets, custom made carpets and rugs, marble tiles (sandblasted and honed finish) ; Furniture: Eclectic mix of freestanding designer furniture from AH Beard, Chairmans Rest, Country Design, Dickson Avenue, Interstudio, Jardan, KE-ZU, Living Edge, Plantation Group; Lighting: Custom pendants by Judith Abell / Futago. Other lighting from Bretnall Lighting, Diffuse Glass Lightworks, Gineico, Hub, ISM and Lightforce.
本案位于塔斯马尼亚岛东海岸的科尔斯湾，可 以俯瞰到牡蛎湾和弗雷西内半岛的景色。 建筑师构思气氛融合、奢华的度假村。建筑师 为本案设计20套私人套房，为国内外宾客提供 休息空间。同时提供并可能创造国内新的高端 旅游市场。对于客户来说很重要的一点是本案 设计中融入自然景观，是具有形象感、受到高 度认可的设计项目。 尽管本案选址辽阔的自然沿海地带，仍具有之 前被用作废弃的旅行车停车场的痕迹。建筑师 将场址进行修复，诠释其独特的特征，打造为 宾客带来别样体验的空间。 本案设计的主要挑战是调节客户对奢华的看 法，捕捉独特的塔斯马尼亚环境元素。景观很 重要，然而，材料、色彩、规模及形式也扮演 着很重要的角色。
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ART + SCAPE! • Hospitality
WELLNESS ORHIDELIA
New wellness center is consecutively designed rather like a landscape arrangement
Podčetrtek, Slovenija
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Matej Kučina, Urban Švegl, Eva Prosen, Tanja Maljevac / BRUTO
WELLNESS ORHIDELIA
9,600 m2
2009
Miran Kambi
Terme Olimia d.d.
The new wellness centre is suited in the densely built-up area of the health resort and hotel complex Olimia. The colossal facility is entirely built below ground; therefore the whole area of the new complex is arranged as an urban park. The luxuriant facility efficiently defines the space, as it is through slopes, stairs and terraces linked to the surrounding area of other hotels and baths. The main elements of the arrangement are the paved entrance squares, the lush pathway that leads across the roof of the underground building, the wooden terraces that sweep gently to the open-air pools and the green areas of the roof complex. The arrangement is simple and functional, as with the unified vegetation and the selection of materials and equipments it incorporates the architectural design. Main goal while designing the building was to diminish as much as possible its presence in the surroundings. Since the demanded program of wellness center is very extensive and in parts it demands overcoming great spans and big heights of inner spaces， putting up classically conceived building on central green plot would fill up last remaining open area in thermal complex and largely degraded its spatial quality. New wellness center is consecutively designed rather like a landscape arrangement than a building. Folded elevations appear like supporting walls dividing different levels of landscape surfaces. Central walking path is now stretched over the roof and enables visitors completely new, different experience of the site. On both ends, where strolling path connects with passing inner roads, it forms two smaller public squares to control the speed of vehicles and ultimately gives advantage to pedestrians over the traffic.
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Floor: pavement, wooden floor, pebbles, rubber pavement; Walking Paths: concrete pavement, wooden stand, concrete steps; Furniture: wooden benches, iron fence, children playground; Illumination: lighting pole; Plants: grass, Pine bush, Birch tree
新建的健康中心位于Olimia疗养胜地和综合酒 店密集的区域。大型设施完全建造在地下，因 此新综合设施的整体区域布置像一个城市公 园。豪华的设施有效地定义了空间的格调，整 个空间通过斜坡、楼梯和梯田与附近区域其他 的宾馆和浴场连接起来。 空间布置的主要元素在于入口处的铺装广场， 青翠的道路横跨地下建筑的屋顶，木质阶梯延 伸到屋顶综合区的户外泳池和绿化区。布置简 单且具有功能性，统一的植被、材料和设备的 选择与建筑设计融为一体。 设计目的是尽可能的缩小建筑出现在周边环境 中的范围。由于健康中心要求的程序非常广 泛，要求克服巨大的室内空间跨度以及室内高 尺度空间，将经典的概念建筑展现在绿色场地 中央，这可以填补剩余的开放空间，并且大幅 度提升空间质量 新健康中心连续的设计不仅是一座建筑，更像 一处景观布置。折叠的高度空间看起来像景观 表面分割成不同层次的支承墙。中心的步行路 一直延伸到屋顶，让游客们感受到全新、不同 的体验。路的两端，散步路与内部通道连在一 起，形成了两处小型广场，可以控制车速，从 根本上为路上的行人带来方便。
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Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
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1.6 Office Zone ART +SCAPE!
ART + SCAPE! • Office Zone
Citylounge
The haptically pleasant, cosy carpet allows the covering to create a convivial atmosphere.
Design / 设计:
Name of Project / 项目名称:
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Client / 客户:
Carlos Martinez Architekten mit Pipilotti Rist
Citylounge
4,600 m2
2005
Hannes Thalmann, Marc Wetli
Raiffeisenbanken und Stadt St. Gallen
St. Gallen, Switzerland
City Lounge is an outdoor (living) space in the center of St. Gallen, Switzerland. It is designed by Carlos Martinez in collaboration with Pipilotti Rist as a result of a design competition to create a public living room. The project features a red carpet that flows all around the buildings. The spaces are good for relaxing, conversing and playing. Visitors can find sofas and dining areas there which are good for family bonding. Parking places are provided to those who will bring along their cars and bikes. There are also fake cars on red ground where both children and adults can climb on. The red surface is covering everything in its path, creating a red landscape in the centre of the city. With its soft, pleasing material haptics, the amorphous silhouettes of the furniture present a deliberate contrast to the hard precision of the built surroundings. The relation between interior and exterior seems to be inverted since the external fronts of the buildings may at the same time be understood as internal façades or wallpapers of the lounge. At this point at the latest, the concept breaks with common notions of public space – which are all too often limited to graspable categories such as ‘street’, ‘square’ and ‘park’ - by blurring them with a homogeneous covering.
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Floor: red gum granulate; Furniture: red covered benches, couches, tables, cars, bins and planters; Illumination: pending luminous GRP elements, bubbles shining in a skylike color spectrum; Plants: a new Gingko Biloba and existing plants; Others: road signs and markings
City Lounge是位于瑞士圣加伦市中心位置的一 个室外“休息室”，由设计师Carlos Martinez 和Pipilotti Rist为一场公共生活空间设计大赛 联手打造的作品。 项目的主要特色是一张围绕在建筑物四周的巨 大红毯，为人们提供舒适的休息、交流和玩耍 的空间。“休息室”还设有沙发和用餐区，家 庭成员可以到这里度过美好的时光。为方便那 些骑自行车和开车的访客，“休息室”特别设 有停车区。几辆假轿车停在地毯中，大人小孩 都可以爬上去玩耍。地毯所到之处的一切都 被覆盖，在城市中心形成了一个夺目的红色 景观。“休息室”景观家具均采用了柔软的材 料，令人愉悦，同周围硬朗的建筑物形成有趣 的对撞。 室内和室外的关系仿佛被逆转，建筑物的外壁 很容易被误以为是“休息室”的内壁或是墙 纸。本案的设计理念完全颠覆了人们对公共空 间的传统观念，这些传统观念无一例外地过度 强调了公共空间应该被划分为街道、广场以及 公园等几类，Stadtlounge将这些分类模糊，将 他们统一起来。
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Fogo Studios
The design creates an elemental place of subtle and abiding beauty.
Newfoundland, Canada
Design / 设计:
Name of Project / 项目名称:
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Client / 客户:
Saunders Architecture
Fogo Island Artist Studios
220 m2
2011
Saunders Architecture, Bent Rene Synnevag
The Fogo Island Arts Corporation, Shorefast Foundation
Fogo Island lies outside of Newfoundland, Canada and is home to a gentle, independent people who have lived for centuries between wind and waves in pursuit of fish. Fogo Islanders live in the untamed landscape of the North Atlantic. The people are subtle and unpretentious yet have seen their traditional way of life by threatened by forces largely beyond their control. The concept of the long studio responds to the transition of the seasons. The studio is organized in a linear from that consists of three different spaces. An open but covered area representing the spring marks the entrance to the studio and the beginning of the seasonal activity. The central portion is left open and mostly exposed to be fully immersed in all that is offered by the long summer days on Fogo Island. The end and main body of the studio is fully enclosed to provide an area of protection and solitude from the outside environment while still providing a connection to the landscape through a strategically framed view of the dramatic surrounding. The long linear structure of this artist studio maximizes the amount of open wall and floor space. Large windows at either end and a skylight on the roof of the studio allows the maximum amount of natural light to flood the space. The studios are placed on pillars at the end towards the sea, while the entrance area has a small concrete foundation for anchoring the construction to the landscape. With this type of construction, the studios can be placed in almost any place on the island. In addition, this allows the studios to be pre-fabricated in a local workshop during the winter months, and then placed in the landscape in the spring.
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Floors, wall, ceilings, and exterior cladding: Newfoundland spruce wood; Walking Paths: Natural landscape and/or existing foot paths; Furniture: Locally built furniture designed by Saunders Architecture (still in progress)
福戈岛位于加拿大纽芬兰省的边界上，岛上住 着一群温和、与世隔绝的人们。几个世纪以 来，他们都在风浪中以捕鱼为生。岛上展现了 典型的北大西洋的自然风景，充满了野性之 美。 狭长工作室的设计理念和四季的变迁有关。工 作室按照线性布局，由三个不同的空间组成。 一个开阔却带有遮盖的空间代表了春季，这是 工作室的入口所在，而春天是四季的开始。建 筑的中间部分长而开阔，象征着福戈岛上长长 的夏日。建筑的末端和工作室的主体采用完全 封闭式的设计，在受保护的独立的情况下，同 时又保持了和外界景色的联通，这象征着一年 最终的两个季节。 本案狭长线性的结构布局令墙壁和楼层面积呈 现最大化。两端的大型窗户和屋顶的天窗让室 内拥有尽可能多的自然光线。 工作室近海一端是建造在柱子上的，入口区则 有一个小型混凝土地基，让建筑和地形结合在 一起。这种设计方法，使得工作室可以放置于 岛上的任何一个地方。除此之外，也令工作室 可以在冬季当地工厂得到预先制造，春季时被 放置在岛上。
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Myrtus Convention Center
Myrtus was created as a unique space for conventions, seminars and banquets supporting up to a thousand people.
Design / 设计:
Name of Project / 项目名称:
Area / 占地面积:
Completion Date / 竣工时间:
Photography / 摄影:
Client / 客户:
Ramon Esteve
Myrtus Convention Center
5,700 m2
2009
Eugeni Pons
Inmuebles Altia, SL
Valencia, Spain
The proposal of the building is to generate a construction that will be used for conventions, seminars and banquets supporting up to a thousand people. The program is solved in three levels. The main floor holds the assembly halls and the kitchen, on the second floor are the offices and a restaurant with its private kitchen for daily service. The garage is at the underground level with the store rooms. The organic geometry plan lay out the exterior in three areas, two main areas with porches which will hold outside celebrations and one for the service activities. The exterior is also planned, setting a connection with the nature, designing a particular vegetal environment. The garden works like a green edge with trees, grass, white flowers... The circular fountains add calmness to the whole. The natural light is an important feature of the project. The light shines through the big vertical holes in the edge of the building and covers the central area filtered through big glass lamps of the skylights. At nightfall the lighting becomes subtle and suggestive enhancing the atmosphere. The building is a recreational space where, despite its size, the right combination of its elements makes it kind and evocative. Features that belong to the architecture, like geometry, landscape, light, sound, texture... are mixed to form a suggestive group.
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Floor: Continuous pavement of white micro-terrazzo; Others: White wood slats and white paint on the walls, Steel structure ( columns and three-dimensional tubular shaped mesh ), Ceiling of circular pieces with different diameters, from 0.5 m to 3 m, White concrete and glass
该项目意在建造一处可用于会议、研讨及宴 请，容纳1000人左右的楼房建筑。 楼房规划为三层。主楼层有礼堂和厨房，二层 是办公室和带有私人厨房的餐厅以供日常服 务。车库和储藏室位于地下楼层。 室外布置三处有机几何图形的区域，带有门廊 的两处主要区域可用于举办户外庆典，另一区 域用于服务活动。 室外空间同样经过仔细规划，设计为一个独特 的绿色环境，与自然紧密相连。树木、草坪和 白色花朵等为花园的边缘镶上一圈绿色。圆形 喷泉为整体空间增添了宁静的氛围。 天然采光是本案的主要特色。光线通过建筑边 缘竖直的大孔射进来，透过天窗上大型玻璃灯 从而覆盖整个中心区域。晚上，光线渐渐暗淡 而含蓄，更增强了空间的氛围。 该建筑是娱乐休闲的场所，忽略它的大小，各 种元素的完美结合使它显得柔和而且令人难 忘。建筑更个特色，比如几何、景观、灯光、 声音、结构等混合在一起组成一个充满韵味的 整体。
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Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
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ART + SCAPE! • Office Zone
Noble Cube
Being inspired by paper collage painting, the design team arrange different materials into a nicer 2D composition.
Bangkok, Thailand
Design / 设计:
Name of Project / 项目名称:
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Client / 客户:
T.R.O.P. Company Limited Design Director: Pok Kobkongsanti
Noble Cube
86,300 m2
2009
Pok Kobkongsant
Noble Development
Noble Cube is one of the first projects for TROP. The client asked them to design their sales office first. The site is quite small and the design team had a very limited budget for the Landscape. However, Noble Group is quite an interesting client. They really encourage design and love to try new things as long as it is good and fun. Because of the limited budget, there are not many choices for the materials for the designers. For this reason, they gathered a list of affordable materials and tried to figure out a way to make them more interesting. The concept of this project is inspired by paper collage paintings. Instead of color paper, TROP use different materials with different colors. Concrete, shipped rocks, lawn, some shrubs and other materials are chosen as "Colors". At the first beginning, the designers arranged the materials into a nicer 2D composition, like a painting, and then they started to transform the design into 3D by raising some pieces of materials here and there. Some of those become the main steps into the sales office, while others become garden elements. As the result, they managed to build the garden, with a very little budget, as an interesting piece of green area. Since the location is right at the main traffic junction of the district, local people and the passerby also love the project. Its green landscape helps them reducing stresses from the congested traffic around the area. And for the customers of the project, mostly young professionals, they love the distinguished look of the garden.
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Floor: concrete, pebble stone; Furniture: Artificial rattan, fiber glass ; Plants: Plumeria acuminata, Washingtonia robusta, Crescentia cujete, Areca catechu; Others: fiber glass
Noble Cube是景观建筑公司TROP早期的作品之 一。客户要求TROP先设计其旗下销售办公室周 围景观。虽然面积狭小，可以支配的预算也十 分有限，但是，对于设计团队来说，Noble集团 却是十分有趣的客户，他们真诚地鼓励TROP尝 试任何一切好的、可以带来欢乐的新事物。 由于预算有限，在材料的选择方面，设计团队 并没有许多选择性。因此，他们总结了一个实 惠材料列表，努力寻找一个恰当的方式令这些 材料更加有趣。 本案的设计理念灵感来源于纸制拼贴画。取代 彩色纸，TROP选择了一系列具有不同色彩的材 料。因此混凝土、延时、草坪、灌木以及其他 的一些材料拼接在一起，汇成不同“色彩”。 首先，设计团队将基本的材料汇聚到一起，宛 如一幅二维效果的图画，然后逐步增添其他材 料元素，令设计更有立体感。这些材料有的成 为进入销售办公室的主要路径，有的则成为花 园中重要的设计元素。最终，TROP终于在预算 紧张的情况下，完成了一片非常有趣的绿色景 观区域。 由于项目所在地恰好位于该区主要交叉路口， 因此本案也获得了许多当地人和行人们的喜 爱。清新的绿色景观缓解了该区拥堵的交通给 人们带来的压力。而本案以年轻专业人才为主 的客户群，也十分热爱这个别具一格的花园。
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Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
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ART + SCAPE! • Office Zone
TECNOPARQUE
Tecnoparque represents an interesting participation of private enterprise in conjunction with urban strategies
Design / 设计:
Name of Project / 项目名称:
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Grupo de Diseño Urbano
TECNOPARQUE
155,000 m2
2005
Francisco Gómez Sosa, Jorge Almanza
Inmuebles Francia, Isaac Askenazi
Mexico City, Mexico
The Tecnoparque High Tech Office Campus, located in Azcapotzalco, in the northern area of Mexico City, is a 15.5 hectare complex geared to satisfy new office space requirements in the city. In conjunction with authorities, the objective is to improve the area, creating new jobs in the tertiary sector, integrating energy saving systems, rain water collection and infiltration and recycling of vital resources such as water. The intention is to reactivate a post- industrial area in continuing transformation with existing infrastructure, roads, public transportation (metro); housing and near-by higher education institutions in order to establish a new hightech office complex (call centers, service center and data centers) with international standards. The complex incorporates landscape architecture through contemporary green open spaces, plazas, gardens and water features which help provide areas for workers to relax and communicate in a high quality working environment. The ecological concepts which were adopted incorporate through technology: rain water collection from roofs and plazas, on-site water harvesting cells, re-infiltration of storm water into the aquifer by a system of deep wells and the treatment of gray and toilet waters onsite incorporating the effluent into a series of landscape pools and into the irrigation of planted and forested areas. Tecnoparque represents an interesting participation of private enterprise in conjunction with urban strategies to reactivate Mexico City in its post-industrial role, within an ecological vision and ethic.
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Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
墨西哥高科技公园区位于墨西哥城的北部地 区——阿斯卡帕萨科，这个面积15公顷的综合 区满足了城市新办公地点的要求。 本项目的宗旨在于恢复后工业化地带的活力， 在现存的公共设施、道路、交通（地铁）、住 房以及附近高等教育体系的基础之上继续转 变，以国际化标准为主导，建立一处新的综合 性高科技办公区（客服中心、服务区和数据中 心）。综合区的景观建筑包含了一系列现代绿 色公共空间、广场、花园、和水景，为工作人 员在优质的工作环境中提供了放松和交流的空 间。 生态概念的采用通过工艺技术体现出来：屋顶 和广场雨水的收集、回收水的就地利用，通过 深井系统雨水渗透进蓄水层中， 该项目代表了一种有意义的参与——私企与城 市战略的和谐发展，以生态视野和道德规范来 恢复墨西哥城的活力，进入后工业化的角色之 中。
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ART + SCAPE! • Office Zone
Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
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ART + SCAPE! • Office Zone
Floor/ Walking Paths: Concrete slabs with brushstrokes, some concrete slabs have weatherproof steel strips and/or washed out patterns and letters; Furniture: wooden benches, weatherproof steel and wooden fences and stairs; Illumination: Lamppost with spots
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1.7
Park
ART +SCAPE!
ART + SCAPE! • Park
Bat Tower
BAT TOWER aims to explore strategies for increasing public awareness of bats as a critical component of our ecosystem.
New York, USA
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Ants of the Prairie
Bat Tower
11 m2
2010
Joyce Hwang, Albert Chao, Nellie Niespodzinski, Angela Wu
Griffis Sculpture Park
BAT TOWER is the first built prototype in the “Pest Architecture” project series, exploring strategies for increasing public awareness of bats as a critical component of our ecosystem. Bats are effective as natural pesticides, pollinators, and mosquito abatement. Yet they are often considered as a kind of urban pest, and are frequently exterminated by human-run 'pest control' services. Their very survival is also being challenged by White Nose Syndrome, a disease which has inexplicably been wiping out large bat populations in northeastern United States. In order to bring visibility to bats, BAT TOWER challenges notions of the typical off-the-shelf bat house. Rather than innocuously fading into the background, the tower stands as a prominently visible outdoor sculpture. Drawing from the idea of a vertical cave, the installation has a heavy and intense presence, contrasting the lightness and invisibility associated with do-it-yourself bat house constructions. BAT TOWER is sited and designed to attract and facilitate bat inhabitation. Located adjacent to a pond, the site boasts an abundance of mosquitoes and other bat-attracting insects. Chives, oregano and other bat-attracting herbs are planted within the base of the tower. To help facilitate entry, the project's ribbed construction includes a series of 'landing pads' near the top of the tower. A pattern of grooves on both vertical and horizontal surfaces allows bats to more easily climb into the tower and cling to its 'ceilings.' To provide a suitably warm interior for bat roosting, dark wood panels cover the tower's inhabitation zone in order to absorb sunlight.
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ART + SCAPE! • Park
Plants: Oregano, Chives, Garlic Chives, Marjoram Others: Exterior-grade plywood tower with steel cables and hardware, Wood lumber structure and planters at the ground
蝙蝠塔是“昆虫建筑”系列项目的第一个建筑 原型，意在采取策略提高公众意识：蝙蝠是生 态系统中关键性的组成元素。蝙蝠作为天然农 药、传粉者和蚊子杀手是非常有效的。然而它 们经常被看作是城市害虫，并常常被人类所建 立的“害虫防治服务”所消灭。它们的生存也 受到White Nose Syndrome（美国东北部一种难 以解释的大量残害蝙蝠数量的疾病）的挑战。 为了增强蝙蝠的可见度，蝙蝠塔向现有的、典 型的观念做出挑战。蝙蝠塔以明显的户外雕塑 形式竖立，而不是无害化地逐渐隐蔽在背景当 中。这种绘图的灵感来自于直立的岩洞，整个 装置巨大而紧密，和轻盈、可见度低、自行安 装的蝙蝠住宅建筑形成鲜明对比。 蝙蝠塔选址和设计都为了吸引蝙蝠的栖息。该 塔位于池塘附近，场地周围有大量的蚊子和其 他吸引蝙蝠的昆虫。塔的底部种植了香葱、牛 至叶以及其他蝙蝠喜欢的草和植物。为了促使 蝙蝠进入塔内，该项目的棱形结构在塔顶附近 安置了一系列“降落场”。垂直和水平面上都 有可以抓的凹槽，让蝙蝠能够轻松地爬到塔内 并倒挂在“天花板”上。为了提供适合蝙蝠栖 息的内部温度，塔顶部的居住区覆盖着深色的 木材嵌板，以便吸收阳光。
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ART + SCAPE! • Park
Duinpark
Design / 设计:
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Carve
Public Park Duinpark
2,500 m2
2007
Carve
municipality Velsen
Dunepark consists of three appealing play objects: the skate-stage, dune-towers and concrete pedestal.
Velsen, the Netherlands
Dunepark is part of a foothill of the Northsea dunes, running deep into a 1960’s social-housing area. Recently parts of the park had been redeveloped as building sites for urban-villas. Due to damage done to the natural landscape by this development, and a long lasting lack of maintenance, the park needed complete renovation. The landscaping was done by the city of Velsen. Carve was asked to create three appealing play objects, attracting a wide age range and offering a sculptural contribution to the park. Our proposal consisted of three interventions. By adding steel benches to an intimate area surrounded with old typical dune vegetation we introduced the skate-stage. Meant as a meeting-place for the neighborhood’s youth, the oval and raised stage (with edges and banks) can also function as a small skate park. It also gives place to open air performances as asked for by the primary schools close to the site. Three big twisted towers, Dune-towers, are mutually connected with bridges, and cladded with diagonal beams of inland oak. As they are lowered into the surface, their immense size is easily overlooked. The banked sides provide an intimate place to sit and watch. Almost twenty aluminum masts are placed on an inclined concrete pedestal, twelve meters in diameter. Engraved with a circular equivalent of sand ripples as found on the beach and formed by the wind, the pedestals guide the water back to the recollection basin. Altogether the masts and pedestal provide for water play with surprising effects.
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ART + SCAPE! • Park
Floor: precast concrete; Furniture: hot dip galvananized steel construction ;stainless steel, wood constructions inland oak, netting, poly ferro ropes
沙丘公园是北海沙丘丘陵地带的一部分，深入 到1960年的社会住宅区。最近，公园的部分区 域重建为城市别墅建筑区。由于这次改建对原 有自然景观造成破坏，而且长久以来缺乏维修 保养，该公园需要一次彻底的翻修。费尔森市 负责景观美化。Carve公司受邀设计三处娱乐 设施，以便广泛吸引的不同年龄层，并为公园 植入雕塑元素。该事务所提议包括三次改造。 在一个由古老的特有的沙丘植被环绕的内部区 域加一个钢质长凳，由此通向滑板场。作为一 个附近年轻人的聚会地点，这个椭圆形的凸起 的场地（带沿和斜坡）也可以用作一个小型的 轮滑公园。它也为附近小学的露天表演提供舞 台。三座扭曲的塔楼——沙丘塔，通过几座桥 连接起来，掩映于内陆橡树斑驳的树影之中。 由于它们低于地面，所以它们的巨大体型很容 易被忽略。塔楼坡面给人们提供了小坐和观赏 的地方。混凝土基座呈圆形，直径为12米，其 上安置大约20根倾斜的桅杆。基座上镶嵌着一 圈圈等距的波纹，好像是沙滩上由于风力而自 然形成的，波纹可以把水引至水槽。所有的桅 杆和基座为水上游戏带来了意想不到的效果。
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ART + SCAPE! • Park
Fukuoka Bank
Design / 设计:
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EARTHSCAPE
Fukuoka Bank
1,500 m2
2008
EARTHSCAPE
Fukuoka Bank
A Place to Watch Over the City
Fukuoka, Japan
EARTHSCAPE has planned this project for a long time in a central location, in front of Fukuoka Castle. Although the location is in the middle of a particularly diverse environment, it belongs to no other entity; it is neutral, with the personality of a mid-region. An ambient environment that enjoys its proximity to the healthy green environment of Ohori Park, one of the city's largest parks, it also serves as the junction between the city center and the new urban area. EARTHSCAPE felt that one of the most prominent features of this location was how it maintained a relationship with its surroundings where it provides surveillance of the city, and how it watches over the city. In this project, the design team combined landscape design with architecture, landscape and art to invoke both the city of Fukuoka, and Fukuoka Bank, which has contributed so much to the development of the city. The basis of the landscape, which draws from the word "weave," is a floor embellished like a weave with fine designs inspired by hakataori, a traditional textile of Fukuoka City. The designers created five axis lines using the geography and environment of Fukuoka, the five presentation colors of hakataori, as well as the management principles of Fukuoka Bank, and wove them together as special threads into the piece of cloth (the landscape), in order to construct the identity of this location. This landscape is a space of rich greenery designed to beckon the neighboring Ohori Park into the city, through the entrance plaza that, through various programs, serves as a point of communication with the region. At the same time, it has become an index for Fukuoka, stored with information to help visitors learn a little more about Fukuoka. 190 - 191
ART + SCAPE! • Park
Floor/ Walking Paths: Concrete, Black granite; Furniture: Black granite; Illumination: Metal panels
本案位于福冈城遗址前侧一个重要的位置，由 景观设计公司EARTHSCAPE经过长久的酝酿打造 而成。虽然所处地理环境错综复杂，但这里依 然保持了独立性，不受任何实体干涉。由于毗 邻该城最大的公园之一大濠公园，因此这里的 环境健康宜人。同时，本案还是承担着连接城 市中心和新城区纽带的责任。 在EARTHSCAPE看来，能够和周围环境和谐统一 并能守护其所处的城市，是本案最显著的特色 之一。因此，在对本案的设计中，设计团队将 景观设计与建筑、艺术融合到一起，为福冈城 以及为福冈的发展做出卓越贡献的福冈海岸重 新注入活力。 精巧的编织地面是本案的设计核心，该设计 源于“编织”一词，受到福冈城一种名为 “hakataori”传统纺织品的启发。综合福冈 地形和环境，设计师打造了五条中轴线，着上 hakataori最具代表性的五种颜色，然后遵照福 冈海岸的管理准则，将这些元素编织成一块巨 大的景观编织物。这样的景观设计更帮助当地 形成属于自己的独特品格。 本案提供丰富的绿色空间，为附近的大濠公园 融入城市空间开辟道路。入口处广场以及其他 几个项目的实施，更将这里变成该区重要的集 合地。同时，如果把福冈比作是一本书，那么 这里就是书的索引，承载了关于福冈的许多信 心，帮助访客更好地人士福冈。
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ART + SCAPE! • Park
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ART + SCAPE! • Park
Jarry Playground
Design / 设计:
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NIPpaysage
Jarry playground
7,800 m2
2008
NIPpaysage
Montreal City
Interactive urban adventure through improvised play
Montreal, Canada
The design of a new play area in one of Montreal’s larger public parks was an interesting experience. In the case of Jarry Park, many people coming from the diverse surrounding communities and neighborhoods use the green space for a wide range of recreation activities throughout the year. To design the playground, a contemporary and experiential approach was used to create a modern urban adventure path, preserving existing trees and keeping all excavated materials on site to create topography. An interactive timber footpath, inspired by the space’s topography, vegetation and materials, meanders through a grove of maple trees, allowing seating for parents, lounging for teenagers and a diversity of improvised play opportunities for younger adventurers. This project also proposes an ecological approach to surface runoff and water management through the ornamental grasses, native shrubs and hardy perennials. To add colour and interest, bird houses were carefully placed close to the play area for the enjoyment of parents and children alike. The birdhouses emphasize the richness of the local bird community and overall biodiversity within this large park.
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ART + SCAPE! • Park
Floor : coloured asphalt, turf, cedar mulch under play equipment; Walking paths : coloured asphalt and wooden path in forest Furniture : play equipment, boulders, wooden path/bench; Plants: red maple, Canadian hemlock, japanese tree lilac, dogwood, dwarf bush-honeysuckle, common ninebark, flowering raspberry, spirea, American elder, hydrangea, lilac dwarf arctic willow and indigenous plant mix for rain garden basin.
在蒙特利尔比较大的一个公共公园，设计一个 崭新的游乐区为建筑师带来有趣的体验。在 Jarry公园里，许多来自周围不同社区及居民区 的人们利用公园的绿地空间在一年四季进行各 种不同的娱乐活动。 为设计本案场地，建筑师运用现代、有经验的 方式打造一条现代的城市探险道路，保留现有 的树木，并将所有的挖出物保存完好来营造地 形。 建筑师受到选址地形、植物、材料的启发，设 计一条交互式的木质小径，蜿蜒于枫树丛中， 为父母营造座位区，为青少年提供休息区，为 年纪较小的探险者创造各种各样的临时玩乐机 遇。 该地具有装饰性草地、原生灌木及耐寒性多年 生植物，本案运用生态学方法对地表径流及水 进行管理。建筑师将鸟屋精心布置在游乐区附 近，为空间增添色彩及趣味性，也为父母及孩 子们带来别样享受。鸟屋突出当地丰富的鸟群 文化及公园内的总体生物多样性。
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ART + SCAPE! • Park
Palace Garden
Functions as a public park for the youngest of age, in the green lacking city centre of The Hague.
Design / 设计:
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Completion Date / 竣工时间:
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Client / 客户:
Carve
Palace Gardens
250 m2
2007
Carve
municipality The Haque, district Centrum
the Hague, the Netherlands
The Palacegarden in The Hague is a historical royal garden, situated behind the royal stables of “Paleis Noordeinde”.The garden with its wide lawns, water features and majestic old trees was once owned by the royal Dutch family. Today it functions as a public park, in the green lacking city centre of The Hague. Carve was asked by the city council to design a playground especially for the youngest of age (children between 1-6 years old). A sculptural character and the preservation of the authenticity of the garden were specific requirements for this design to meet. The design involves a simple play structure of several white spheres, which are connected by curved tubes. Swinging, sliding, rocking. Together with the sloping safety surface the pearls form an adventurous play area, providing various play functions and an atmosphere where children might find their imagination stimulated. Meant as an appeal to the sense of touch, the different materials give a different tactile sensation. The stainless steel tubes change temperature easily and have a hard, shiny polished surface, while the rubber coating of the pearls feels warm and has a softer surface. Placed in a corner of the park, the structure keeps clear of the broad lawns of the old garden.
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