PROFESSIONAL PORTFOLIO NO 1
KEVIN DSOUZA SELECTED WORKS 2011 - 2017 1
2
COVER NOTE THIS PORTFOLIO COMBINES SELECTED AC ADEMIC AS WELL AS SELECTED PROFESSIONAL WORK . FURTHER EXAMPLES OF MY PROFESSIONAL WORK C AN BE SHARED WHENEVER REQUIRED. MY WORK STEMS FROM THE POTENT CONTEXT I LIVE IN, MUMB AI HAS SERVED AS A TREASURE CHEST OF PARADOXIC AL QUESTIONS AND MEANINGLESS ANSWERS . AND YET I FIND MY SELF PREPARING A PORTFOLIO FOR THE FURTHER INQUERY OF WHAT OTHERS HAVE TO OFFER . THE THRILL OF BEING WITH NEW PEOPLE THE JOYS OF HELPING SOLVE A PROBLEM AND THE SMILES OF ANSWERS THAT WILLL BECOME LESSONS OF LIFE ARE ALL ENCOMPASED IN MY MIND AS I PARTAKE TO JOIN YOUR FIRM. ////////////////////////////////////////////
3
*
4
CONTENTS
01101101 01110101 01101101 01100010 01100001 01101001 00100000 01100001 01101110 01100100 00100000 01110100 01101000 01100101 00100000 01100011 01110010 01101111 01110111
ACADEMIC WORK
THESIS
ONTOLOGY OF A VOID : THE MAKING OF A HYPER COMMODITY
A. ENGINEERING CAMPUS B. THE HOUSE THAT GREW C. GREEN OVER GRAY
*
D. A RESORT OF SORTS E. GAUDI BOX
PROFESSIONAL WORK
// 1. JAIN MUSEUM
*
3.SMART CITIES GHABOR AND SWENTRI
ONE OF MANY LIVES
4.MAHARASHTRA NATURE PARK
///
*
2.IIFLW INTERIORS
*
1. mythical politics 2. scripts and stones
THE CROW , AN URBAN ANIMAL AS DEPICTED BY MY ENCOUNTERS WITH THEM
5
DEVELOPMENT PLAN 2014 (WARD - E)
WESTERN INDIA MILL COMPOUND
ONTOLOGY OF A VOID THE MAKING OF A
MUMBAI.
ONTOLOGICAL CONFLICT
DIAGRAM OF 11 DAYS OF LALBAUG
DAY 6 DAY 5 DAY 4 DAY 3 DAY 2 DAY 1 DAY 11
DAY 10
DAY 9
DAY 8
DAY 7
SITE
THE FESTIVAL OF THE LORD GANESH HAS BEEN A RATHER
HYPERCOMMODITY
LALBAUGCHA RAJA
FACINATING ONE. FUELD BY THE QUESTIONS OF ITS SIMULATION AND SIMULACRA , THE OBJECT THAT IS THE IDOL HAS TAKEN THE FORM OF A HYPERCOMMODITY AND URGES THE ARCHITECTURE AND BUILT ENVIRONMENT TO CHANGE ITS ONTOLOGICAL APPEARENCE FOR THE ELEVEN DAYS OF ITS FESTIVITIES.
THE AIM OF THE THESIS WAS TO PREDICT WHAT infrastructure WOULD A HYPERCOMMODITY SUCH AS THE IDOL OF LALBAUG WOULD REQUIRE AND SPECULATE A FUTURE FOR THE FIRST LALBAUG CHA RAJA IDOL CIRCA 1934
6
ITS FESTIVITIES , ITS POLITICS AND ITS ONTOLOGICAL EXPLORATIONS.
2016
DAY 3
DAY 4
DAY 6
DAY 7
DAY 8
DAY 11
SIMULATION
7
0
1
2
3
4
5
6
7
8
9
10
L A L B AU G C H A R A J A 2 0 1 6
DAY 10
P O P U L AT I O N V I S I T I N G 1 . 5 M I L L I O N P E R D AY
PROGRAM
DAY 2
M A P P I N G T H E 1 1 D AY S
DAY 1
DAY 5
DAY 9
DOCUMENTING THE IDOL
8
DOCUMENTING THE IDOL
NG TI EN M L CU IDO DO E TH 9
MAPPING THE FESTIVAL
10
11
12
G R I D S , P RO G R A M S A N D M OV E M E N T
An intergral part of any project is the mapping of its context , in the case of lalbaug the mappng of its 11 days of festivities. The mapping intervention takes place from the first day till the 11th, analysing the governance structure , flow of people and architectural as well as urban transformations. One such analysis found below is the festive analysis of splitting the ganpati days into the the ethos of a festival 1- Euphoria 2- Consumption 3- Reversibility
A CHART DEPICTING CONSUMPTION , MONEY AND SPIRITUALITY.
A BRIEF HISTORY OF LALB AUG CHA RAJA ( THE KING OF
EUPHORIA
LALB AUG) . THE FESTIVAL BEGAN IN 1934 AS A REVOULT TO CELERAB ATE OR RATHER GATHER AS A COMMUNITY IN BRITISH
DATA MAP OF LALBAUG SITE DURING THE FESTIVITIES WITH GREEN AS THE REACH OF THE POLICE AND THE ORANGE AS THE FESTIVE REACH WITH THE WHITE DOTS AS RULED INDIA. SUCH A GATHERING WAS
CONDEMED BY THE BRITISH COLONISTG . THE
FESTIVAL
OUT
THE
OF
YEARS
LALB AUG
HAS
ALMOST
CHANGED
FROM
THROUGHA
REA-
SON TO GATHER FOR DEVOTION TO A REASON TO GATHER
TO
CELEBRATE
THE
HYPERCOMMODITY.
THE MAPPING OF THIS GEOGRAPHY HAVE BROUGHT ABOUT THE PRIMARY 3 FACTORS OF THE FESTIVAL ARE AS FOLLOWS. 1
-
CONSUMPTION
THE
URB AN
TIVAL
AS
,
THE
WELL
:
THE
NEED
ARCHITECTURE
AS
THE
TO ,
CONSUME
THE
HYPERCOMMODITY.
CO
ITY
FES-
ER
V
RE
NS
IL SIB
2 - EUPHORIA : THE NEED TO EXPRESS ONES DESIRE OR
UM
PT
ION
THRESHOLD DIAGRAM.
EMOTION IN A GATHERING AND EXPRESS IT THROUGH THE MEDIA OF ARCHITECTURE (PERMINENT /TEMPORARY) , ILLUSTRATIONS , ORNIMENTS , FOOD ,AND THE COMMODITY. 3 - REVERSIBILITY : THE PROCESS TO RETAIN THE SC ANTITY OF THE “PLACE” POST FESTIVITIES .RETURNING IT B ACK TO
SPIRITUALITY
A STATE OF URB AN LIVING.
FESTIVAL MOTIVES VENN DIAGRAM
MONEY
SIMULATION
13
MISSING
the mill owner
the architect and planner
characters of the festival
the organizer
14
MISSING
the mill worker
FESTIVAL MOTIVES VENN DIAGRAM
OPTIMUM efficiency TOWARDS FESTIVAL
the urban pervert
the beliver
characters of the festival
the shopkeeper
the politician
FESTIVAL MOTIVES VENN DIAGRAM
OPTIMUM efficiency TOWARDS FESTIVAL
15
LALB AUGCHA R A J A F E S T I VA L 2016
16
A N A LY S I S O F S I T E M O V E M E N T surveillance , S E C U R I T Y AND AMINITIES L A L B A U G C H A R A J A F E S T I VA L 2016
P O P U L AT I O N
VISITING
1.5
MILLION
PER
DAY.
O L D E S T R U N N I N G U R B A N F E S T I VA L I N M U M B A I . BUDGET OF (120 MILLION
OV E R 12 C RO R E DOLLARS) FOR 11
RUPEES DAY S .
B R I D G E S A N D L I N E S B U I LT T H AT S PA N 1 2 K M S T E M P O R A RY INFRASTRUCTURE R E M OV E D W I T H I N 1 2 H O U R S O F L A S T DAY O F F E S T I VA L . LARGEST
D I S P L AY
OF
IDOLS
IN
THE
URBAN.
F O L L OW E R S WA I T U P TO 5 - 6 DAY S F O R W O R S H I P
17
ELEVATION RETURN OF THE OBJECT AS THE POST INDUSTRIAL INDIA DECAYED INTO FASTER AND MORE EFFICIENT METHODS OF PRODUCTION IT LEFT BEHID THE RUINS AND STORIES OF THE MILLS AND THEIR URBAN RITUALS , THUS REVIVING THE FORM OF THE MILL WAS THE RETURN OF THE OBJECT.
OMNIPRESENT SCREENS THESE SCREENS MAKE THEIR APPEARENCE THROUGHOUT THE BUILDING , PRESENTING THEMSELVES WITH THE OPPOURTINITY TO MERGE WITH TEH ONTOLOGIES OF TWO OR MORE DISTINCT PROGRAMS PLACED WITHIN THE BUILDING.
FUNCTIONALITY OF THE OBLIQUE TAKING OFF FROM THE THEORIES OF CLAUDE PARENT , AND EXPLORING A NEW EXPERIENCE IN MOVEMENT . THE THESIS CHOOSES TO EXPAND THE NEW WAYS OF SITUATITING MOVEMENT IN A SITE AND CONTEXT THAT HAS ALWAYS PRESENTED ITSELF AWAY FROM CONVENTIONAL URBAN FUNCTIONALITY.
18
ISOMETRIC EXPLODED VIEW
ROOF PLAN
GROUND FLOOR PLAN
SECTION
19
SECTION
1
2
4
5
7
8
13
12 15
20
6
3
9
10 14
16
17
11
THE CRAFTSMENS ENVIRONMENT/
4 SHOP AND PRODUCTION AREA.
LOCAL / ANCIENT /
5 LOCALITY AND POTTERS
1 THE SIMULATION ENVIRONMENT. 2 ENREPRENEUR’S ENVIRONMENT.
THE ARTS / ENTERTAINMENT /
3 CULTURAL ENVIRONMENT.
POTTERS AND Sculptor’S WORK-
6 CO WORKING SPACES.
ADMINISTRATION OFFICES OF
7 MUD WRESTLING AND GYM.
IDOL MAKING DISPLAY / LARGE
8 STORAGE AMINITIES
12 SCALE IDOL MAKING AREA.
FLOWER / GARLAND INDUSTRY /
STORY TELLING DISPLAY SCREENS
13 AND BALLON DISPLAYS.
STORY TELLING DISPLAY SCREENS
14 AND BALLON DISPLAYS. ENTRY / EXIT POINTS
9 LEARNING CENTER AND PARK
15 SIMULATION STATION. 10 ART GALLERIES. THEATRE / DRAMA / PERFOMANCE 17 BASED AREA. 11 RESTURANTS
16 MEDIA INSTITUTE
GROUND FLOOR PLAN
21
POPULARITY
22
PROGRAM AVILABILITY AROUND SITE
PROGRAM - SPACE DIAGRAM
COMMUNITY BASED PROGRAM
SKILLED BASED PROGRAM
ARTS AND LEASURE
COMMUNITY DEVELOPMENT PROGRAM
COMMUNITY BASED ANCIENT PROGRAMS
EXPLODED VIEW
SIMULATIONS
23
2016
01. FIRM: _OPOLIS PROJECT : JAIN MUSEUM COMPETITION STATUS : WINNER . DUTIES : PREPARATION OF CD , DD AND SD DRAWINGS , 3D MODELLING. PREPARATION OF DIAGRAMS PREPARATION OF ARCHITECTURAL DRAWINGS.
24
25
26
MUSEUM LOCATION
BROAD ZOANING
RAIN WATER DRAIN CHANNELS
LANDSCAPE SCHEME
27
MODEL PHOTOGRAPHS
SUN PATH DIAGRAM
CIRCULATION DIAGRAM
28
SITE PLAN
OPEN SPACES
MUSEUM ZONING
VIEWS AND OPEN SPACE DIAGRAM
SECTIONS
29
30
MUSEUM VIEWS
2016
02. FIRM: _OPOLIS PROJECT : High end office Interiors CLIENT : IIFLW , Mumbai. STATUS : Ongoing DUTIES : PREPaRATION OF CONSTRUCTION DRAWINGS , DESIGN DRAWINGS , SCHEMATIC DRAWINGS, MOCKUP DRAWINGS , 3D MODELLING AND VISUALIZATION
31
FIRST FLOOR
THIRD FLOOR
6TH , 7TH 8TH FLOORS
32
FLOOR PLANS WITH RCP AND HVAC PLANS
SECOND FLOOR
6TH FLOOR ELEVATION OF OFFICES
SELECTED DETAILS / SECTIONS AND ELEVATIONS
2ND FLOOR SECTION OF 6 SEATER MEETING ROOM
2ND AND 3RD FLOOR SECTION OF CUT OUT MADE WITH STAIRCASE CONNECTION AND DETAILS
33
DOOR DETAILS AND SCHEDULE
34
2ND & 3RD FLOOR CONNECTION SKYLIGHT DETAILS
SELECTED DETAILS / SECTIONS AND ELEVATIONS
1ST FLOOR 10 SEATER MEETING ROOM DETAILS AND SECTION
SELECTED RENDERED VISUALIZATION FOR PRESENTATIONS
35
2015
03. FIRM: studio pod PROJECT :UNITED STATES TRADE AND DEVELOPMENT AGENCY (USTDA) STATUS : ONGING DUTIES : INTERN PREPARATION UDPFI report AND DRC BOOKLET , DIAGRAMMING, PREPARATION OF EDGE CONDITIONS. PREPARATION OF URBAN PLANNING DRAWINGS.
SMART CITIES INTEGRATED PLANNING
36
SWENTRI Sawentri currently has a population of approximately 2.000 persons and is anticipated to grow to over 4.000 in 2040. Sawentri is an important religious town and hosts the Annakuta Mahotsav Mela. Jai Jhoolni Mela and Phagotsav Mela annually festivals which attracts over one lakh visitors annually. For the village. a comprehensive prepared Development Plan has been created considering a 25 year horizon period. The Development Plan includes a environmentally sensitive land use plan that identifies developable and Eco-sensitive parcels of land in and around the village that require to be preserved. Plans for efficient and environmentally sustainable management of civic infrastructure considering the existing and 25 year horizon period has been planned. A transportation plan has also been developed that considers improves connectivity within the village and the surrounding areas and also makes special provisions for the movement of visitors/tourists during the festival.
MASTER PLAN
37
38
39
40
GARBHOR Garbhor currently has a population of approximately 4.000 persons and is anticipated to grow to over 8.000 in 2040. Garbhor is an important religious town and hosts the Jai Jhulni festival annually which attracts over one lakh visitors over the festival period. For the village. a comprehensive prepared Development Plan has been created considering a 25 year horizon period. The Development Plan includes a environmentally sensitive land use plan that identifies developable and Eco-sensitive parcels of land in and around the village that require to be preserved. Plans for efficient and environmentally sustainable management of civic infrastructure considering the existing and 25 year horizon period has been planned. A transportation plan has also been developed that considers improves connectivity within the village and the surrounding areas and also makes special provisions for the movement of visitors/tourists during the festival.
GHABOR
41
42
43
2015
04. FIRM: studio pod PROJECT :maharashtra nature park international competition collaborators: studio pod , mumbai cbt architects , boston dumontjanks , boston Matt Carter & Santosh Tungar DUTIES : PREPARATION OF DESIGN DRAWINGS , SCHEMATIC DRAWINGS , RESEARCH , 3D MODELLING ,VISUALIZATION. PREPARATION OF DIAGRAMS
maharashtra nature park
44
45
46
A.
ENGINEERING CAMPUS LOCATION TALA, MAHARASHTRA INDIA
2015 4th YEAR 47
1 5
2
4
3 6 7
8
13 12 9
1. PARKING 2. ADMIN 3. MAIN CAMPUS 4. CLASSES 5. LAWN 6. LIBRARY 7. LAWN 8. FABRICATION LAB 9. GIRLS DORM 10. BOYS DORM 11. STAFF QUARTERS 12. POND 13. AMPHITHEATER
48
10 11 north
ADMIN DORMS FABLAB STAFF QUARTERS LIBRARY MAIN CAMPUS
ADMIN
DORMS
STAFF FABLAB QUARTERS LIBRARY
MAIN CAMPUS
CLASSES
active
inactive
CLASSES
SITE DEVELOPMENT / TERRAIN / CONTOUR DEVELOPMENT
time
8
10
12
14
16
18
20
22 pm
49
SECTION
AD
E
5M
WID
RO
.5
L
K
OC
IN
LV
93
+
BL
M
AD
AD
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5M
WID
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1 SE MM M CA 200 00M AIR = 3 ST ER D = A RIS RE TH
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IN
RK
PA
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93
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M
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+
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RO
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WAY
PATH
AD
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5M
WID
RO
WAY
PATH
+90.5 M
plan of main campus at ground level
+90.5 M
AD
E
5M
WID
RO
3 SE MM M CA 200 00M AIR = 3 ST ER D = A RIS RE TH F.E EXTC PHYSICS LAB 70 SQ M
TRANSACTIONAL SPACES / SLOPE
3.5
M
+9
ID
F.E EXTC CHEMISTRY LAB 70 SQ M
F.E EXTC ELECTRONIC LAB 70 SQ M
F.E EXTC COMPUTER SCIENCE LAB 70 SQ M
EXP ROOM 11 31 SQM
EXP ROOM 9 31 SQM
EXP ROOM 10 31 SQM
VO
S.E. MECH LAB 1 300 SQ.M
S.E. MECH LAB 2 300 SQ.M
T.E CLASSROOM 100 SQ.M
EXP ROOM 8 31 SQM
EXP ROOM 12 31 SQM
AD
E
TUTORIAL ROOM +95.5 M 3.5
5M
M
+9
PATHWAY
+90.5 M
ID
VO
+95.5 M
F.E EXTC COMPUTER SCIENCE LAB 70 SQ M
T.E CIVIL LAB 1 100 SQ.M
EXP ROOM 7 31 SQM
STAIRCASE 2 RISER = 200MM THREAD = 300MM
EXP ROOM 6 31 SQM
CANTEEN SPACE SEATING
M
70 SQ M STAFF
F.E EXTC ELECTRONIC LAB 70 SQ M
TRANSACTIONAL SPACES / SLOPE
EXP ROOM 5 31 SQM
S.E. MECH LAB 3 100 SQ.M
3.5
T.E CIVIL LAB 2 100 SQ.M
FIRST FLOOR LVL +95.5
ID
VO
F.E EXTC PHYSICS LAB 70 SQ M
113 SQ M TOILETS GIRLS 40 SQ.M
STAIRCASE 3 RISER = 200MM THREAD = 300MM 3.5
M
+9
+95.5 M
TOILETS BOYS 40 SQ.M
EXP ROOM 4 31 SQM
EXP ROOM 3 31 SQM
EXP ROOM 2 31 SQM
B.E MECH CLASSROOM 100 SQ.M
M
OO
SQ
LIBRARY
PATHWAY
+90.5 M
M
7 13
F.E EXTC CHEMISTRY LAB 70 SQ M
T.E CIVIL LAB 3 100 SQ.M
+9
STAIRCASE 1 RISER = 200MM THREAD = 300MM +95.5 M
EXP ROOM 1 31 SQM
FIRST FLOOR LVL +95.5 CANTEEN 190 SQM
TRANSACTIONAL SPACES / SLOPE
QM
+90.5 M
7S
M
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13
SR
ID
VO
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3.5
M
+9
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PA
3.5
M
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S
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LS
NA
TIO
AC
NS
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P LO
50
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+86
+86.5 M
+90.5 M
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M
AS
WAY
PATH
plan of main campus typical floor plan WAY PATH
E SPAC AL SKY ON EATI N TO RECRMI OPE / SE .5 M
+80
PATHWAY 2.5 M WIDE
WID
RO
AD
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5M
WID
G
IN
RK
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+
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5M
WID
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HW
PAT
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WID
5M
+90.5 M
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HW
PAT
+90.5 M
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VO
3.5
TRANSACTIONAL
M
SPACES / SLOPE
F.E EXTC CHEMISTRY LAB 70 SQ M
F.E EXTC ELECTRONIC LAB 70 SQ M
M
M
EXP ROOM 12 31 SQM
TUTORIAL ROOM +95.5 M
M
S.E. MECH LAB 2 300 SQ.M
EXP ROOM 9 31 SQM
T.E CLASSROOM
100 SQ.M
AD
+95.5 M
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EXP ROOM 7 31 SQM
STAIRCASE 2 RISER = 200MM
WID
5M
THREAD = 300MM
TRANSACTIONAL
SPACES / SLOPE
FIRST FLOOR LVL +95.5
70 SQ M
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+93
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EXP ROOM 6 31 SQM
T.E CIVIL LAB 2 100 SQ.M
M
F.E EXTC COMPUTER SCIENCE LAB 70 SQ M
VO
S.E. MECH LAB 1 300 SQ.M
F.E EXTC ELECTRONIC LAB 70 SQ M
+90.5 M
EXP ROOM 11 31 SQM
WID
EXP ROOM 8 31 SQM
T.E CIVIL LAB 1 100 SQ.M
PATHWAY
ID
F.E EXTC COMPUTER SCIENCE LAB 70 SQ M
CANTEEN SPACE SEATING EXP ROOM 5 31 SQM
STAFF
.5 +93
5M
3 E M AS 0M M RC 20 0M AI = 30 ST R = SE RI READ TH
F.E EXTC PHYSICS LAB 70 SQ M
+9
TOILETS GIRLS 40 SQ.M
STAIRCASE 3 RISER = 200MM THREAD = 300MM
M
+95.5 M
M
M M .5 SROO +95 AS CL H
7 SQ
13
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+90.5 M
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EXP ROOM 3 31 SQM
EXP ROOM 2 31 SQM
TOILETS BOYS 40 SQ.M
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B.E MECH CLASSROOM
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F.E EXTC PHYSICS LAB 70 SQ M
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113 SQ M LIBRARY
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100 SQ.M
+90.5 M
7 SQ
13
F.E EXTC CHEMISTRY LAB 70 SQ M
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53
54
WORKING DRAWINGS - PLAN AT -91.4M
WORKING DRAWINGS - SECTION
55
B.
HOUSING COMPLEX
LOCATION BHOPAL , MAHADAYAPRADESH , INDIA
2014 3RD YEAR
56
The problem of housing is complex and boring All the architects are now tired and snoring What is an architect to do When
you
leave
him
with
no
clue.
One stood up and said i have been up 3 days , now lets go but another wise one came up with a solution to the ever complex housing illusion He said why dont we just let them decide If they dont th etrees are where they will reside.
POETRY EXCRIPTS FROM PROJECT BOOKLET
57
58
HAND DRAFTED SHEETS
EXCRIPTS FROM PROJECT BOOKLET
59
the
essence
of
housing
starts with the problem of the
word
incremental
.
one often seeks to find meaning
in
architectural
ele-
ments and create almost a gestaltian answer of summing up the parts . each the whole is greater than the sum of its parts , exploring such answers in architectural tectonics has become a major driving force in housing projects .the value for the economic and value based
construction
has
taken over . sustainability has taken over. we seem to be loosing the essence of the problem and mixing the free willingness perceptions of ones own place once placed in an housing project
of architectural elements to create a house.
the planning aspect of the project are divided into pre 3 . opinion and conflict
1 . connection
defined symbolic notations for living in set housing community . 1 . connection 2 . de-centralization 3 . opinion and conflict
60
2 . de centralization
section
on growth INSPIRATION STRIKES AT THE MOST UNUSUAL OF SITUATIONS . THE MAJOR CONCEPT OF “GROWTH” WAS DEVELOPED AS AN INITIAL CONCEPT. THE IDEA WAS SIMPLE . WHY NOT LET THE TENANTS HOUSES
GROW LIKE
EXTENSIONS
BIOMORPHING
TO
THEIR
THEIR HOUSES.
THE TREES GROWN AS ARCHITECTURE WOULD NOT ONLY PROVIDE A STRUCTURAL ELEMENT BUT ALSO AN ELEMENT THAT WILL SERVE PURPOSE TO THE MICRO CLIMATE AROUND THE HOUSE . ELEMENTS SUCH AS INDOOR FURNITURE CAN THEN BE GROWN ALONG SIDE STRUCTURAL ELEMENTS.
61
62
ISOMETRIC VIEWS
63
c.
GREEN OVER GRAY LOCATION MUMBAI, MAHARASHTRA , INDIA
2014 3RD YEAR 2ND PRIZE WINNER OF LANDSCAPE JOURNAL DESIGN COMPETITION
64
On developing the concept of patterns over landscape the approach applied was that of situating the elemts of the mill , its history and the nature of the context around it . The Mills vs History vs The Context The Mills A vactant land that holds memories , an object that is far to familiar as itself than an intervention. maintaining its essence and using its rustic nature , it was decided that the building and its objects be preserved keeping the it as a part of the heritage and adding lighting for the emphisis of the building . The History The History of the mills is both filled with joy and sadness , events from the histori nature of the mills was translated to landscaps both hard and soft in nature. elements such as the garden 130 resonate the idea of 130 mills being present during its peak , 130 rocks for 130 mills. The Context A joggers park as well as a recreational park has been created in order to populate the once isolated and dererted landscape of the mills making it safe and creating a sense of community.
65
66
67
D.
RESORT OF SORTS
LOCATION MUMBAI, MAHARASHTRA , INDIA
2014 3RD YEAR
68
VIEW
69
B
A
B
C
D
EVENTS / PARTIES
NATURE TRAILS / STAR GAZING/ CAMPING
RESORT TYPOLOGY
ADMIN AND PARKING
A
POPULARITY PROGRAM AVILABILITY AROUND SITE
13
14
15
12 PLAN
70
11
9 10
C
D ROOF PLAN
COMMON MESS / KITCHEN / DIN-
1 PARKING
5 ING HALL
9 GARDEN
13 LOUNGE / SPA
2 APARTMENT TYPOLOGY ROOMS
6 SPA
10 THINK TANK
14 RESTURANT
SINGLE OR DOUBLE OCCUPANCY
7 COMMON KITCHEN MESS
11 MULTI PURPOSE HALL
15 ROCK GARDEN
SINGLE OR DOUBLE OCCUPANCY
8 POOL
12 POOL
3 ROOMS
4 ROOMS WITH GARDEN
4 8
7
6
1
5 3
2
71
SECTION
LIVING
COOKING/DINING
THINKING
VIEWS
CLOSURE
IDEATING
LIVING AND GROWING
RESTING
SHELTER isometric view
72
There once was the problem of a resort , Where landscape was plenty and architecture needed a thought. What is the narrative we must find to create utopia or something sublime , could it possibly be between these lines. If people come from the city what should they find , the farmers aesthetic or what post- modernism defined. What is the function we must define, should we make a new beginning or wait for the proper time, Is playing safe a modern necessity or is it the curse of what we call commodity. Who are the people that need to rest, Is that important or just an advertisement crest, What if I did not want people to have “typical fun� ,What else could then be done. Circumstance is a commodity that we must notice , before the world puts it up as a cash cow and milks it unnoticed. I hear a man with an ailing back , I hear an old women with a stick and a knitting bag , I see a mother tired and needing rest , and I see a family tired of the modernist crest If circumstance is the need of the hour , then why not built a resort using these powers. The site is a wave of many shore lines , each hits the shore with a new story to define. We create then a new type of resort , to help circumstantial needs and commodity ignore. Ignore we cant commodity , but decrease we can its power , to stop what is mediocrity and explore.
73
E.
GAUDI BOX Antoni gaudis works could be considered as an unusual formal transformation of grids and structural logics of nature. His bone gothic structures bring about an interesting way of segmenting grids. Many a times he refered to the onset of nature as the driver of from and not a higher entity. His trust in natural ways of form finding would lead him down a path which could allow him to perform transformations in form to an extent that his structures seemed to be grown. The project involved the formal movement of grids to attain a form. This form was to be then worked upon further by adding the factorts of pulling or pushing certain points on set grid. This kind of excercise when applied to clay led to the creation of a “gaudiesque� structure.
74
CONFIGU CONFIGU
CONFIGURA CONFIGU
CONFIGURA
GURATION 1
FIGURATION 1
STRUCTURAL TRANSFORMATIONS
75
THE Gaudi box THE GAUDI BOX IS A SPECULATIVE PROJECT THAT AIMS TO QUESTION THE VERY AUTHORITY OF ARCHITECTURE ON ITS OWN OBJECTS , AS ANTANIO GAUDI ONCE DEFIneD THAT HIS ARCHITECTURE WAS CREATED BY NATURE AND NOT GOD . tHIS PROJECT AIMS TO INVESTIGATE THE SPATIAL AUTHORITY OF ARCHITECTURE WHEN A SECOND INTERIOR IS INTRODUCED IN THE FORM OF INFLATING MEDIA BUBBLES . The expansion of the media bubbles within the box create a second interiors . taking a picture or recording a memory near or around the box can turn fatal . Skylights and walls start to now depict the world around it leaving the creation of the second interior and the second skin not in the hands of the architecture but the social life we live.
ELEVATION
76
plan
ELEVATION
ELEVATION
77
taking a picture or recording a memory near or around the box can turn fatal . Skylights and walls start to now depict the world around it leaving the creation of the second interior and the second skin not in the hands of the architecture but the social life we live.
changing interiors caused by media bubbles
78
MYTHICAL POLITICS
2016
COSMIC consequence ART WORK FOR FAIRY TALES ARCHITECTURE INTERNATIONAL COMPETITION. EXHIBITED IN TWO GALLERY EVENTS AND ONE RESIDENCY. COSMIC consequence IS A TALE ABOUT THE CITY AND THE UNUSUAL OBJECTS THAT INHERATE ITS GEOGRAPHY.THE STORY STARTS WITH THE DAILY ROUTINE OF A DOMESTIC MAID AND HOW SHE VIEWS LIFE AS A COSMIC consequence RIGHT FROM HER IMAGINED COSMIC BIRTH TO HER COSMIC TAKE OVER . THEMES OF BECOMING A RELIGIOUS FIGURE , GENDER POLITICS , OBJECT ORIENTED ONTOLOGY AS WELL AS THEMES OF MYTHOLOGY ARE EXPLORED TO REALIZE THE COSMIC consequence. THE STORY BREACHES THE FABRIC OF UNDERSTANDING THAT WE HAVE BECOME THE ONTOLOGY OF THE OBJECTS AROUND OUR GEOGRAPHY , WE HAVE BECOME THE IDEOLOGIES OF OUR URBAN. IN A SEARCH FOR OURSELVES WE HAVE GIVEN A REASON TO BELIEVE IN MYTH. MAYBE ARCHITECTURE SHOULD EXPLORE THESE MYTHS OR WHAT WE CALL COSMIC consequence.
79
COSMIC BIRTH
THE FORM / THE GODMANS MASTERBATION
80
COSMIC ONTOLOGY AND URBAN ONTOLOGY
IMAGINED UTOPIAS
model for exhibition
pictures from exhibition
81
SCRIPTS AND STONES
2016
SCRIPTS - THE CONTEXT BEFORE THE OBJECT EVERY CONTEXT / GEOGRAPHY DESERVES ITS WAY OF REPRESENTATION. CURRENT STATES OF POLITICAL AND ONTOLOGICAL HAPPENINGS IN INDIA DEMAND WE CREATE NARRATIVES AND CONTEXT BEFORE WE APPROACH OBJECTS. THIS FORM OF STORY TELLING IS SOMETHING ANCIENT TO OUR CULTURE AND SOMETHING RALELY USED IN THE PEDAGOGY OF ARCHITECTURAL PRACTICE AND THEORY IN INDIA.
82
SCRIPTS AND STONES
2016
STONES - ONTOLOGICAL MEMORIES OF ARCHITECTURE architecture embeds its essence into its materials and its objects , one such object that would go on tO affect the memories of most middle class indian families is the story of the terrazo tile . its rampant and wide spread use in housing projects and government housing projects from the late 80’s to the early 90’s have left a significant mark on its users and occupants. most recall its texture , and some even its visual property . this stone has become a memory of architectural narratives of the indian context and remains emboided in our architectural throughts.
the STONE
Not once not twice but several times has the stone tried to mould and twist my eyes. Visions of landscapes , perfect pastel composites my solace. Do you see it too ? The kite tied to a door . gringe
of the
The comming of the end is definitely anthropocene , the liberation of the objects is something
of roughness and smoothness soothe
The
the ritual
of a dream . If you truley want to liberate the object then liberate the tile . but
stone
rubbing
through your eyes . The greens of the dying eminent end , Within a rigid geometry of an 8 sided - lense. The digital world it throws so many notions , how is it that the stone stays untouched? Every tiresome day brings me closer to my gene
before you start , there are a few ingedrients you must find. 1- Surrealist 3 - Virgin Existentalist poets 1 - Lesbian writer 1 - communist chef 2 - Architect
the purpose of my architecture and the learned stone.
Note : Use gender roles appropriately
83
84
FOR THE ANTICIPATION OF THANKING
TO THOSE WHO HAVE EVER BEEN IN A SITUTATION MOST FAVOURABLE AND ALIKE, SEEING THE IS
THAT PLEASURE
THE
THE TO
PLEASURE
WORLD THANK OF
WILL
EVENTUALLY
SOMEONE THOSE
MAKE
BEFORE
WHO
AN
TRULY
EVERYTHING EVENT WANT
RIGHT
OCCURS TO
, ,
LEARN.
///// 85