K evin Turner P ort fol io
of
Wor k
Contents Flexible Architecture
4–9
Drawing Inhabited
10–11
Detroit Riad
12–13
Temporal Overkill 14–15
Landscape//Architecture
16–19
Corner Art 20–23
Working Futures
24–25
Cultivate
26–27
Retrofitting Suburbia
28–31
Flexible A rchitecture L
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The project explored the development and use of flexible materials in an architectural H 126.90° L context, and how to represent and design these complex materials in an architectural manner. Specifically, the new advances of composite materials and the use of functionally graded H 125.17° materiality, which allows for a blended mix of L 123.45° properties from one material or object. L
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This idea was combined with Ali’s explorations into corrugation folds to develop a prototype panel – able to flex and link with adjacent panels to absorb and dissipate load forces.
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Inspired by natural biomechanical structure H of sharkskin, the project extrapolated the complex weaving pattern of collagen strands into a parametric system by which to organize reinforcement.
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All structures, while typically engineered to be H 130.34° rigid, are flexible. Most of us harbor the notion that buildings are not supposed to move, butL nothing, according to physics, can be infinitely rigid. Structural flexibility, therefore, is a design H element for which the designer can harness 128.62° L and utilize.
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Research Stuido – Fall 2017
Partner: Nida Ali
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Faculty: Nicholas Bruscia
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Term:
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fig. 5 – Annotation Detail of fig. 6; indicates angle of intersection, direction of helical twining (High/Low z-axis connections)
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fig. 6 – (Opposite) Orthagonal Annotated drawings of System, configured with gradient transition of fiber systems via angle of incidence
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fig. 2 – Helical Collagen Fiber of Shark Dermis
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fig. 3 – Sectional View of Dermal Collagen Fibers
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fig. 1 – Dorsal Propulsion in Shark
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fig. 4 – Parametric Systemization of Fiber system; a visual representation of the overlapping and intertwining collagen fibers found in sharkskin. Colors represent differences in fiber direction
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fig. 7
Reinforcement Fibers
Matrix Material
Post Tensioning Wires
fig. 8
fig. 7 – Corrugation Mold Plans, Version A and B fig. 8 – Corrugation Mold Schematics, Version A and B fig. 9 – Composite Assembly Process; diagram of component layers of proposed composite material to be pressed in corrugation molds fig. 9
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fig. 12
fig. 10 – Flex sequence of composite panel; flexibility is controlled and reinforced at corrugation joints fig. 11 – Arrayed molds, demonstrating casting modularity for larger panel systems fig. 12 – Alternate corrugation configurations fig. 11
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High Folding/Deformation
Slight Deformation
Stable Corrugated Form
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fig. 13 – Representational model; fiber material is shown via alternating newsprint strips, pressed with a wire mesh core of matrix material fig. 14 – Diagram of strain and forces inherent to panel system fig. 15 – Location and intersection of post-tensioning cables, able to induce a flexing force or restrain one fig. 16 – Matrix Material: composite woven fibers functionally graded to reinforce high strain areas and efficiently cover static regions fig. 17 – Reinforcement Fibers: bonding substrate for composite matrix material fig. 18 – (Opposite) Sectional Oblique drawing of panel; equally of interest to the project was how to represent these materials. The drawing demonstrates the transition of material depth, density, and concentration along the form
8
Section 01
Section 02
fig. 18
Key Plan
9
Drawing Inhabited Term:
A
Southeast Elevation 3/4” = 1’ - 0”
Design Studio – Spring 2013
Faculty: Matthew Hume
Architecture, in almost every case, is influenced by its context. The surrounding form, axes, and alignments all generate a framework from which to build from. ‘Drawing Inhabited’ is a project which grew out of an application of drafting to the contextual surroundings. Installed in a warehousing bay, the form is actually derived from folding a drawing, at the scale of the bay’s wall. The wall was measured, then drawn upon to identify fold edges and creases that would curl it into an enclosed structure. Using a paper materiality, paper pulp is combined with adhesive paste to ‘cast’ a sheet of paper covering the full scale wall. The life-size drawing is then folded along the determined lines, now transfered to the skin of the cast paper, into the final form. The folds are derived from key points along the wall, such as columns and studs. As folding occurred, cracks and inconsistencies in the material showed unique lighting conditions on the interior of the created space.
Northwest Elevation 3/4” = 1’- 0”
Northeast Elevation 3/4” = 1’ - 0”
Section A
Section B
Section C
fig. 1
The Hive
Zack McCabe, Kevin Turner, Eliana Drier, Jonah Lunden, Alyssa Bennett, Rong Chen, Kei Onodera, Manuel Rodrigez
Southwest Elevation 3/4” = 1’ - 0”
fig. 2
The interior space is experienced in a compressive manner, starting from an open entry, and terminating in a close, confined apse for repose.
Southwest Elevation 3/4” = 1’ - 0”
fig. 1 – Formal drawings of folded structure fig. 2 – Elevational view of structure, juxtaposed with casting wall (unfolded fold lines drawn on wall to transfer in casting process)
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Southeast Elevation 3/4” = 1’ - 0”
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fig. 3 – Front Elevational View Southeast Elevation 3/4” = 1’ - 0”
fig. 4 – (Opposite) Process diagram of casting and erection
fig. 3
fig. 5 – (Opposite) Various views of errected structure. The interior took on a suprising lighting quality due to imperfections in casting process
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ARC 102 Spring 2013
Northwest Elevation 3/4” = 1’- 0”
Northeast Elevation 3/4” = 1’ - 0”
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fig. 5
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Detroit R iad Term:
Independent Project – Fall 2018
Faculty: Nicholas Bruscia, Jordan Geiger Partners: Ghana Think Tank SUNY New Paltz SUNY Purchase Team:
Dan Avilan, Liyao Chen, Sadichchha Dhakhwa, Chris Gomez Quincy Koczka, Marius Laurinkus, Karim Mahmoud
DETROIT RIAD
“Oakland Row” 8326 Oakland Ave. Detroit, MI 48211
A collaboration between universities, the Detroit Riad Project sought to renovate and rehabilitate an existing commercial/apartment building into a community center, using a mix between modern parametric modeling, digital fabrication, and the typology of a Moroccan Riad. A proposition of Ghana Think Tank, the typology of a Riad was suggested by group members in ‘third world’ countries as a means to solve ‘first world’ problems – namely the eroding and deterioration of community space in poor neighborhoods. An umbrella scheme was derived from traditional and modern islamic architecture, and developed to create a canopy over the back lawn of the building – connecting two edges of the block together. The spaces formed beneath vary from sunlight spots to cool, shrub-filled niches. The “umbrellas” are designed to be digitally fabricated as modular pieces and are linked together to form the overall structure.
In Collaboration
State University of New Yor Buffalo New Paltz Purchase + Ghana Think Tank Students, Buffalo: Daniel Avilan Liyao Chen Sadichchha Dhakhwa Chris Gomez Quincy Koczka Karim Mahmoud Marius Laurinkus Kevin Turner
fig. 1
Faculty, Buffalo: Nicholas Bruscia Jordan Geiger Omar Khan Ghana Think Tank: Christopher Robbins John Ewing
Umbrella Scheme as of 12.21.15
Drafted: L.C., S.D., K.T.
S1_03
fig. 2
East Elevation (not to scale)
fig. 1 – Axonometric of building, block, and interventio fig. 2 – Side Elevation fig. 3 – Sectional Cut fig. 4 – Conceptual Render of perfforated umbrella columns, providing both shade and filtered light to the space beneath
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fig. 3
fig. 4
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Temporal Overkill Term:
Design Studio – Fall 2014
Faculty: Georg Rafailidis
Exterior Perspectives
The temporal forces on a building are constantly changing. Devising responsive forms to changes in program over time affects not only the utility of the building, but also morphs the original architecture to become a new identity. Beginning from a study of sterotomic Romanesque architecture, massivity and permanence became defining characteristics, as the buildings site emerges from a stone cliff into a park-scape. The structure is created through the intersection of tectonic members to generate a matrix. Exterior openings in the matrix are glazed to create a continuous skin around the building. This matrix provides the sense of massivity, while the space between members is able to contradict this, and provide a sense of permeability and openness to the interior inhabitants. This matrix-grid of intersecting members is changeable over time, expandable through the subtraction of members from the grid, and contractible via the reverse process. In this way, the form of the building is constantly being evaluated, and can be changed to suit the needs at hand.
fig. 1
fig. 2
fig. 1 – Model of proposal fig. 2 – Sectional Hybrid Drawing, drafting imposed over photography fig. 3 – Winter render of proposal built on site fig. 4 – Series of Floor Plans, Hybrid Drawings, drafting imposed over model photography fig. 5 – Interior view of programed yoga studio fig. 6 – Interior view of interior corridor
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fig. 3
Ground Floor Plan
fig. 5
Middle Floor Plan
Upper Floor Plan
fig. 4
fig. 6
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Landscape // A rchitecture Term:
Design Stuio – Spring 2014
The wings of the Villa Emo are partitioned into rooms that have a common base denominator proportion.
Faculty: Laura Garofalo-Khan Larger rooms can be sub divided into the smaller moduels.
Integrating a project with its surrounding context is important to any building. Interweaving the landscape within a set of rules, outlined by a field, is how this project was developed.
Rooms are divided until they reach the base component.
Situated alongside the Villa Emo, by Andrea Palladio in Italy, the program is a culinary institute, housing restaurants, teaching centers, and on-site living.
Macro wings are then placed adjacently, with outer wall line removed to create cohesive spaces.
Analysis of the villa itself, and of its surrounding landscape led to field development (fig. 1). Palladio concentrated on proportionality within structures, and so a logic was developed which concentrated on proportion and concentrated nesting.
fig. 1
Roofs form physical, connected bands, while columns aligned to create figural bands that cut across the central axis. These banding elements become more specified based on their location and programing. Some columns are solid, while others are hollow and allow light penetration and ventilation, others are skeletal trellises that support plant growth over structure. Some even go so far as to become inhabitable columns within program spaces. All of these banding ideas correlate with the architecture of the existing villa, and make a connection of similar ideas from the landscape surrounding the building. fig. 1 – Diagrammatic comparison of room dimensions and proportions within the wings of the villa. Nesting of smaller-celled rooms within larger creates an overlapping logic of planes fig. 2 – 3 dimensional representation of wings. The smallest scale unit is transitioned from an overlapping plane instead to a sterotomic element, with multi-cell planes suspended at different levels therefrom fig. 3 – Aeiral render view of proposal fig. 4 – Site plan of Proposal; suspended ceiling planes dissapate and break around monumental axis of existing site
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fig. 3
fig. 2
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fig. 5
fig. 7
fig. 6
fig. 8
fig. 5 – Overhead Model View of ceiling plane; the plane correlates with the Villa’s piano nobile, extending the influence of the home out into the landscape
fig. 7 – Model view at ground level
Renderings
fig. 6 – Site plan; proposal follows the axial alignment of the villa with the landscape, and corresponds with the wings, which generated the geometry of planes
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fig. 8 – Axial render of proposal, framing mountains in landscape fig. 9 – (Opposite) Overhead Model View of proposal
fig. 9
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DELAWARE
and of Buffalo, lungs of especially Buffalo, especially now as the now cityas grows the city grows or heitsplendor once was. it once Therewas. are There an abundance are an abundance of of ferent eries and galleries performance and performance spaces throughout spaces throughout Term: wn well establishments known establishments like the Abright likeDesign the Knox Abright andStudio Knox and rt Penney Center, Art toCenter, less known to less galleries knownlike galleries Indigolike Indigo Faculty: St. Brad Wales Gallery, Essex Gallery, and Essex B.A.S. St. and B.A.S.
b
DELAWARE
Corner CORNER CORNER Aart rtart
– Fall 2015
Dance Kitchen
Dance Dorm
Art is the heart and lungs of Buffalo, especially now as the city grows to reach the splendor it once was. There are an abundance of many different galleries and performance spaces throughout Buffalo, from well known establishments like the Abright Knox and the Burchfield Penney Art Center, to lesser known b b galleries like Indigo Gallery, Essex St. and B.A.S.
a
egration of the integration of public and of public private and with private multiple with multiple ifferent mediums different of mediums art led to of the art led concept: to the concept: ts tofor mid-income low- to mid-income starting professionals starting professionals in fine in fine and performing and performing arts. arts. grated ts are integrated with public with programming public programming of gallery of gallery ces. ance The spaces. building Theitself building showcases itself showcases residents’ residents’ ual viewers public asviewers well as as to well moreasspecific to morecrowds specific crowds during planned duringevents. planned events.
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Viewing Balcony
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Anderson Gallery Black Rock
FLOOR
2
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Each one of these galleries share the idea of First Fridays. They all open their personal space to the public to view the work inside, free of charge.
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Buffalo Arts Studio Buffalo Arts Studio Tri-Main Center Tri-Main Center
Dance Kitchen
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Dance Kitchen
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Art Space Lofts Art Space Lofts Allentown Allentown Kleinhans Music Hall Kleinhans Music Hall
a
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This idea of the integration of public and private with multiple different mediums of art led to the concept: Live-work units for low- to mid-income starting professionals in fine and performing arts. Dance Dorm
a
Dance Studio
Dance Studio
Painting
Circulation
Dance Dorm
Hallwalls Hallwalls Waiting Room Waiting Room Shea’s Performing Arts Shea’s Performing Arts Town Ballroom Town Ballroom CEPA Gallery CEPA Gallery Queen City Gallery Queen City Gallery Squeaky Wheel Squeaky Wheel Site Site
Viewing Balcony
Media
Sculpture Artists
Performance Artists and Dancers
Painters and Drawers
d c Total
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24
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fig. 1 –
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Total Units: Total 7 Units: 7 Total Bedrooms: Total Bedrooms: 10 10
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Outer facade panels Outer facade are usedpanels for projection are usedart forinstallations projection art installations
Unit has entrances Unitonly has entrances on studio level, only on creating studio level, creating seperation between seperation the private between residence the private and the residence and the public studio public studio
Unit has entrance Unitonly hason entrance studio level, only on creating studio seperation level, creating seperation between the private between residence the private and the residence public and studio the public studio
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Series of Floor Plans, colored by unit type (see fig. b4)a
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Private vs Public Private vs Public Balconies merge Balconies the indoor merge unit space the indoor with unit the space outdoor with the outdoor facade by creating facade viewing by creating platforms viewing unique platforms to eachunique unit to each unit
ba
Public viewing of Public artwork viewing happens of artwork from the happens building from the building
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fig. 3 – Render view from across the street, showcasing projection facade fig. 2
20
Circulation
Circulation
Total Units: Total 4 Units: 4 Total Bedrooms: Total Bedrooms: 7 7
display Performance Performance Artists and Artists Dancers and Dancers display fig. 2 – Render view from across the intersection, highlighting UNIT AGGREGATION UNIT AGGREGATION ISOMETRICISOMETRIC Communal Studios Communal Studios Traditional Traditional PaintersPainters and Drawers and Drawers the public stairway anchoring the corner of the Private Spatial Apartments Private Spatial Apartments proposal. This stair doubles as a resident artist exhibition gallery
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Chippewa FlatsChippewa Flats
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Private vs PublicPrivate vs
Sculpture Sculpture Artists Artists Delaware Apartments Delaware Apartments
1 CHIPPEWACHIPPEWA ELEVATIONELEVATION
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21
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Total Units: 7 Total Bedrooms: 10
Unit has entrance only on studio level, creating seperation between the private residence and the public studio
Indirect south eastern light brightens the entire studio with ambient light that will not ruin artwork while still providing light
.
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Entrance on only lower floor of unit allows for stricter CHIPPEWA ELEVATION separation between private and public areas
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24
Private vs Public
Delaware Apartments
Circulation
SECTION c 01 3
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DELAWARE ELEVATION
.
Private vs Public
Delaware Apartments
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01 3
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12
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fig. 6
01 3
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DELAWARE ELEVATION
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t
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fig. 4 – Unit mix3and typology FLOOR
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Private vs Public
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Delaware Apartments
fig. 5 – Model view from across the street
01 3
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24
SECTION d
Feet
01 3
DELAWARE ELEVATION
1
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fig. 7 – Model view of main entrance, beneath exhibition stair fig. 8 – Aerial view through internal courtyard/atrium fig. 9 – Ground Floor Plan fig. 7
22
SECT
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ippewa Flats
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Large south facing windows create dynamic day to night programming of the space
Digital and Media Artists
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ters and Drawers
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m the building ght space for art
ON
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OMETRIC
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Large south facing windows create dynamic day to night programming of the space
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fig. 5
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Private vs Public Balconies merge the indoor unit space with the outdoor public facade by creating viewing platforms unique to each unit
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23 Feet 0 1
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lgia sta No
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Faculty: Mark Shepard
al
Ph ys
M
Ph ys
Virtual
ng uli
Work Experience
d he Sc
Research Studio – Spring 2018
t en
M
Term:
rsh ip
Working Futures
m
A future-visioning project, Working Futures examined the state of the workplace of Hudson Yards in 2043. As this mega development comes online in a fast changing market, the question of how to adapt existing built space to our new way of living and working implicates a huge swath of built space and invested capital.
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Portayed through the use of short films, Artificial Intelligence technologies are imagined to become an ubiquitous layer of infrastructure in the year 2043. The co-working space of the future is managed and controlled by AI. This AI office manager will monitor in real-time the office environment, who is occupying it, and how they are utilizing the space.
y
Mobilit
Scale
rie pe Ex
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ing ild Bu
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roup
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al
Digit
Network Hardware
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Workspaces of the past have suffered from inflexibility of use. Even in modern open-office concepts, which try to combat this inflexibility, instead replace it with a new problem of generalization and lack of specificity.
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alo
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fig. 1
The AI exerts its control over the physical environment by dynamically adjusting the rental rates, on a square foot basis, for occupying space. This adjustment is exhibited in the ceiling array, with hot colors denoting higher rates, and cold colors denoting lower rates. The office AI interfaces with your personal AI to identify which space is most appropriate for both your work among the workspace types available. Through this system, demand for space can be monitored, exhibited, and predicted without human intervention, and dynamically adjusted for optimum utilization. fig. 1 – Workplace Influence Graph; a synthesis of studio research into topics affecting and dictating workplace design. The interplay between these forces yields both design challenges and opportunities fig. 2 – .Use Map–Daytime; hot colors denote increased demand for the space, for which the managing AI dynamically adjusts rental rates on an hourly basis for co-working members
24
fig. 2
fig. 3
fig. 3 – Use Map–Night Time; alternate work schedules produce different demand patterns; off-peak availability also entices startups and low-capital renters to utilize the space during off hours, thus increasing workspace usable hours
fig. 4 – Video Still , showing cowworking member within the dynamic matrix. Each member is identified on the ceiling interface, showing them their position relative to the dynamic pricing of space, while also informing other members of their presence and availability
fig. 4
25
Cultivate Term:
ULI Hines Competition 2019
Faculty: Hiro Hata, Ken MacKay, David Stebbins Team:
Maria Bautista, Laura Carless, Marie Myres-Shearing, Vita Wu
People from all over the world require a common essential: food. Cultivate is a new culinary cross point for Cincinnati, that fosters connection across citizens of all background by conjoining Cincinnati’s rich, diverse food culture to the center of the City and the OKI region. A strategy of fine-grained urbanism allows the development to come alive in a different way than large-scale developments. At the core, Cultivate is centered on pedestrian mobility. The varied scale of the buildings provides a multitude of destinations and activities that give liveliness to the development. By encouraging walkability and exploration, there is more activity on the streets around the clock, providing a safer environment for visitors and residents alike. In addition, the promenade provides resiliency against flooding with terraces of absorbent native vegetation. These wide swaths of green allow the city fabric to step down gradually as you approach the shoreline.
+525’ +505’ +480’
fig. 1
fig. 2
fig. 3
The fine grain master plan allows for strategic, sustainable development of the neighborhood over time, while fostering and growing a community.
fig. 1 – Site Section, showing stepdown from CBD to river fig. 2 – Diagram of fine grain urbanism, derived from cultivated plots of agricultural land fig. 3 – Proposed development build-out fig. 4 – View of main public alley behind food hall fig. 5 – View of resiliency promenade fig. 6 – (Opposite) Aerial view of development master plan
26
fig. 4
fig. 5
fig. 6
27
MIXED USE
APAR TMEN TS
PARKWAY
DAY PARK
PARKWAY
ACTIVE PARK PAVILLION
KA CA YAK BIN
RESIDENTIAL
WUNERF
MIXED USE
PUBLIC ART WALK
RESIDENTIAL STRUCTURED PARKING ROOFTOP PARK
RESIDENTIAL
STRUCTURED PARKING ROOFTOP PARK
SCULPTURE SEATING
HOTEL
MIXED USE
RESIDENTIAL
CHILD PLAY AREA
PICK-UP SPORTS
FLEX FIELD
STRUCTURED PARKING ROOFTOP PARK
RETAIL
MIXED USE
RETAIL
STRUCTURED PARKING ROOFTOP PARK
RETAIL STRUCTURED PARKING ROOFTOP PARK
COMMUNITY CENTER
RESIDENTIAL
BASKETBALL
WATER PARK
SKATE PARK
SHERID AN DR.
MIXED US E
STRUCTURED PARKING REFLECTION POND
STRUCTURED PARKING ROOFTOP PARK
RETAIL
RESIDENTIAL
300’x300’ 2 ACRES
DOG RUN
APARTMENTS
PARKWAY CLARENCE
MIXED USE
300’x300’ 2 ACRES
OUTDOOR GYM CALETHETICS
STRUCTURED PARKING ROOFTOP PARK
RETAIL
ARCADE
SERVICES
300’x300’ 2 ACRES
STRUCTURED PARKING ROOFTOP PARK
INDOOR OUTDOOR
ISLAND
RANSOM PAVILLION
1080’x150’ 3.7 ACRES
MIXED USE
RETAIL
MIXED USE
RESIDENTIAL
MIXED USE
RETAIL
RETAIL
300’x360’ 2.5 ACRES
300’x300’ 2 ACRES
INDOOR
OPEN FIELD
LEISURE PARK
SERVICES SECURITY
320’x150’ 1.2 ACRES
300’x300’ 2 ACRES
REINVENTED ARCADE
SECONDARY EVENT SPACE
MIXED USE
G
300’x300’ 2 ACRES
410’x234’ 2.2 ACRES
AL
UN
M
M
CO
COMMUNITY PLAZA
R ST
NEXUS
RESIDENTIAL
F
300’x360’ 2.5 ACRES
274’x234’ 1.5 ACRES
MIXED USE
IP
DROP OFF
E
280’x234’ 1.5 ACRES
RETAIL
AMPHITHEATER
SECONDARY EVENT SPACE
MAIN ENTRACE
D
STRUCTURED PARKING
E
FIC
OF
NDS
LA WET
PARKWAY
MIXED USE
WIFFLE BALL
OFFICE OFFICE
3.5 ACRES
ND
400’x310’ 2.2 ACRES
NATURE WALK
RAIN GARDEN
N PO
DAY PARK
TOWNHOMES
SCULPTURE GARDEN
NTIO
MIXED USE
DAY PARK 14 ACRES
RESIDENTIAL
RETE
OFFICE
TM AR AP
RESIDENTIAL
TOWNHOMES
380’x274’ 2.4 ACRES
TS
EN
RESIDENTIAL
RETAIL
OFFICE
C
RETAIL
TTON STRA AND NT BYA
fig. 1
fig. 2
WEST
EAST WEST
SOUTH
fig. 3
This public space serves to generate a sustainable development infrastructure, but also kickstart a new community gathering place. fig. 1 – Lot Size plan of Site fig. 2 – Site Program Breakdown fig. 3 – Site sections, showing urban form ratios and guidelines fig. 4 – Aerial view of built proposal
28
400’x310’ 2.8 ACRES
360’x122’ 1 ACRES
This project focuses on utilizing outdoor public space as a catalyst for development. An extensive parks network crosses the site, borrowing from the Olmstead parkways of the City of Buffalo. These parks are intertwined with programming – each being focused on a specific type of activity.
fig. 5 – (Opposite) Plan Diagram of parks network across site; the parks work together to foster wellness for residents and visitors, and activity across the site
380’x274’ 2.4 ACRES
STRUCTURED PARKING
PARKING
PARKING
AFFORDABLE
TOWNHOMES
B
SURFACE
OFFICE
MIXED USE
410’x170’ 1.6 ACRES
RESIDENTIAL
The development studio used this site as a case study, and generated proposals that satisfied not only the design goals of stakeholders, but also analyzed the market feasibility and phased development of various programs.
SURFACE
A
MIXED USE
The Eastern Hills Mall, located in Clarence, NY, is one such development. Through a joint effort with local developers, and the Town of Clarence, the 100 acre site will be redeveloped as a new center for town and community life.
4
RESIDENTIAL
As the infrastructural and economic tolls of Urban Sprawl continue to mount in suburban America, the built form of vehicle centric development is waining in demand. The mall has become an icon of slow decline, and even decay, across the country. As online retailers absorb more and more transactions, dedicated malls and shopping centers has become obsolete.
3
TOWNHOMES
Jesse Barry, Austin Cassleberry, Juweria Dahir, Traven Tong, Doug Wessels
2
TRANSIT ROAD
Faculty: Hiro Hata, Mark Foerster Team:
1
Development Studio – Fall 2018
ROCK CLIMBING
Term:
MIXED US E
R etrofitting Suburbia
fig. 4
EAST
NORTH SOUTH
NORTH
PASSIVE LEISURE RELAXATION
BALANCE INTIMATE UNIFY
ACTIVE PROGRESSIVE LIVELY
N
HEALTH AND WELLNESS
RANSOM TERRACE PAVILLION NATURE WALK OFF ROAD SCULPTURAL SEATING PUBLIC ART WALK
OPEN FIELD EVENT SPACE
CHILD PLAY AREA SCULPTURE PARK
MOVABLE FURNITURE WC / EQUIPTMENT
COMMUNAL ZONE
PICK-UP SPORTS BASKETBALL
FLEX FIELR SOCCER YOGA WIFFLE BALL OFF-LEASH DOG RUN INTERACTIVE FOUNTAIN
SKATE PARK OUTDOOR GYM CALISTHENICS
DAY PARK
ROCK CLIMBING
PARKWAY AMPHITHEATRE
fig. 5
29
TRANSIT ROAD
fig. 6
SITE PLAN
SCALE: 1”=5000”
fig. 7
fig. 8
fig. 6 – Existing Site Plan fig. 7 – Site-wide sustainability and water management plan; wetlands to the east of the site pose a challenge and opportunity when considering runoff and mitigation
PV PANELS
GREEN WALL
fig. 8 – Parks overlay and integration with master plan fig. 9 – Section of sustainability guidelines and goals fig. 10 – Rendered views at various points throughout the project. Fostering year-round community engagement was a crucial part of designing public open space
30
RETENTION POND
GREYWATER
TRANSIT RD.
fig. 9
BIOSWALE
MIXED-USE
PARKING GARAGE
MIXED-USE
BIOSWALE
fig. 10
31