Kevin Turner - Portfolio of Undergraduate Work

K T

Kevin Turner

Undergraduate Portfolio University at Buffalo School of Architecture and Planning

C O N TA C T

Kevin Turner 8125 Centre Lane East Amherst, NY, 14051 m: 716-289-1048 h: 716-741-7762 email: kevinturner728@me.com

CONTENTS 1-3

A R C H I T E C T U R E // L A N D S C A P E SPRING 2014 - INSTRUCTOR: L AURA GAROFALO-KHAN

4

P A R A M E T R I CSPRING FA B R I C AT I O N 2015 - INSTRUCTOR: NICK BRUSCIA 5-6

F O U N D S PAC E S

SPRING 2013 - INSTRUCTOR: MAT THE W HUME

7-8

F O R M // M O R P H O L O G Y

FALL 2013 - INSTRUCTOR: GEORG RAFAILIDIS

9-10

B O D Y/ / B U I L D I N G / / C I T Y FALL 2014 - INSTRUCTOR: ANNE DAFCHIK

11-12

WORK CLOUD

SPRING 2015 - INSTRUCTOR: JULIA JAMROZIK

13-14

DETROIT RIAD

FALL 2015 - GHANA THINK TANK - SUN Y PURCHASE - SUN Y NE W PALT Z SUN Y AT BUFFALO - NICK BRUSCIA, LI YAO CHEN, SADICHCHHA DHAKHWA

15-18

CORNER ART

FALL 2015 - INSTRUCTOR: BRAD WALES PARTNER: ASHWINI K ARVE

19-20

CONSTRUCTION TECHNOLOGIES SPRING 2015 - INSTRUCTOR: ANNE T TE LECU Y ER

A R C H I T E C T U R E // L A N D S C A P E SPRING 2014 - INSTRUCTOR: L AUR A GAROFALO-KHAN

Integrating a project with its surrounding context is important to any building.

Interweaving the landscape within a set of rules, outlined by a field, is how this project was developed.

Situated alongside the Villa Emo, by Andrea Palladio in Italy, the program is a culinary institute, housing restaurants, teaching centers, and on-site living.

The wings of the Villa Emo are partitioned into rooms that have a common base denominator proportion.

Larger rooms can be sub divided into the smaller moduels.

Rooms are divided until they reach the base component.

Analysis of the villa itself, and of its surrounding landscape led to field development (pg1). Palladio concentrated on proportionality within structures. A Field drawing (pg 1, middle) was based off of these relations of room sizes within wings of villa, with smaller rooms being nested within larger rooms. This led to the development of a Field model (pg 1, lower), which added the vertical dimension to field in form of suspended planes, from the base, un-dividable nested rooms from field drawing.

Macro wings are then placed adjacently, with outer wall line removed to create cohesive spaces.

Using these Field strategies, the project itself uses the banding ideas developed in the field drawing and model, along with the ideas of elevated planes to create roof and floor structures, supported by “base� columns.

Roofs form physical, connected bands, while columns aligned to create figural bands that Renderings cut across the central axis. These banding elements become more specified based on their location and programing. Some columns are solid, while others are hollow and allow light penetration and ventilation, others are skeletal trellises that support plant growth over structure. Some even go so far as to become inhabitable columns within program spaces create cooking stations or tables. All of these banding ideas correlate with the architecture of the existing villa, and make a connection of similar ideas from the landscape surrounding the building.

1

Site Plan 1/32” = 1’

2

A R C H I T E C T U R E // L A N D S C A P E SPRING 2014 - INSTRUCTOR: L AUR A GAROFALO-KHAN

Renderings

3

P A R A M E T R I CSPRING FA B R I C AT I O N 2015 - INSTRUCTOR: NICK BRUSCIA Exploration in the use of parametric modeling software (grasshopper) to create a structured form with patterned exterior. Emphasis on designing for digital fabrication process. All items except metal studs designed in grasshopper and cut from laser cutter. These studs were aligned with normal lines to tangent of egg shape to create post to hang exterior panels

Kevin Turner Garrett Brown KelseyLiz Habla Kimberly Taracena Stephen Jeffrey

4

F O U N D S PAC E S

SPRING 2013 - INSTRUCTOR: MAT THE W HUME

Using the environment to inform design choices is crucial in creating cohesive structures and installations. In this project, explorations in form, materiality, and context were used to develop a form.

The project is made of a paper pulp, casted over a 10’x30’ wall to make one “sheet” of paper. The concept of an “Inhabitable Drawing” grew from this, with a thickening of the paper at the base of the wall used to structure a folded form. The folds are derived from key points along the wall, such as columns and studs. As folding occurred, cracks and inconsistencies in the material showed unique lighting conditions on the interior of the created space.

5

D

Plan A

C

B

Studio Floor Plan 1/2” = 1’ -0”

Southwest Elevation 3/4” = 1’ - 0”

A

Southeast Elevation 3/4” = 1’ - 0”

Roof Plan 1” = 1’ - 0”

Axonometric

Zack McCabe, Kevin Turner, Eliana Drier, Jonah Lunden, Alyssa Bennett, Rong Chen, Kei Onodera, Manuel Rodrigez

The Hive

Northwest Elevation 3/4” = 1’- 0”

ARC 102 Spring 2013

Northeast Elevation 3/4” = 1’ - 0”

Section A

Section B

The Hive

Section C

Zack McCabe, Kevin Turner, Eliana Drier, Jonah Lunden, Alyssa Bennett, Rong Chen, Kei Onodera, Manuel Rodrigez

ARC 102 Spring 2013

6

F O R M // M O R P H O L O G Y FALL 2013 - INSTRUCTOR: GEORG R AFAILIDIS

The temporal forces on a building are constantly changing. Devising responsive forms to changes in program over time affects not only the utility of the building, but also morphs the original architecture to become a new identity.

Programed as a fitness center in Williamsville, NY, the structure is created through the intersection of tectonic members to generate a matrix. Exterior openings in the matrix are glazed to create a conExterior Perspectives tinuous skin around the building. This matrix provides a sense of massivity, while the space between members provide a sense of permeability and openness.

This matrix-grid of intersecting members is changeable over time, expandable through the subtraction of members from the grid, and contactable via the reverse process.

In this way, the form of the building is constantly being evaluated, and can be changed to suit the needs at hand.

7

Interior Perspectives Circulation

Circulation Path

Cardio

Park Entrance First Aid

Refresment Bar

Custodial

Tanning Salon

Men’s Locker

Woman’s Locker

Weights

Administration

Yoga Studio

Washroom

Reception Course Room

Street Entrance

Interior Perspectives Ground Floor Plan

Street Circulation Park Circulation

Circulation Diagram

Middle Floor Plan

Upper Floor Plan

8

B O D Y/ / B U I L D I N G / / C I T Y FALL 2014 - INSTRUCTOR: ANNE DAFCHIK

BASE HEXAGON TESSELATION

This project was an exploration of the urban environment context, and the interaction of community. Programed as a wellness center, the building creates a cultural community gathering place, a destination for members of the surrounding neighborhoods to gather for various activities.

The Ground floor contains community programing, such as market stalls, daycare facility, cafe, and market stalls for local vendors and small businesses.

Fitness-oriented spaces, such as a pool and jogging track, are linked with these community spaces.

Integration with the existing NFTA-Metro subway station on site connects the building to the greater city context, and truly makes the project a community center.

Site Plan

SECTIONAL ADAPTATION OF

HEXAGON

3-DIMENSIONAL ARRAY

Transit Plan STRUCTRUAL BEAMS TRACE ARRAY

1’ = 1/256” N

NFTA-METRO STOP MAJOR TRAFFIC ROUTE

1’ = 1/256”

MINOR TRAFFIC ROUTE

N

FLOORS AND WALLS

FILL BETWEEN BEAMS METRO-RAIL PATH

BUS ROUTE

Transit Plan N-2P

N-2R

N-2C

N-2P

N-2C

D-RS

C-M

D-RS

N-1C

1’ = 1/256”

N-3O

D-C

N-1C

N

N-2P

N-1C

N-2C

NFTA-METRO STOP MAJOR TRAFFIC ROUTE

1’ = 1/256”

MINOR TRAFFIC ROUTE

N

N-2P

METRO-RAIL PATH

Primary Neighborhood Center

Traditional mixed-use centers with significant scale and a high diversity of uses; building types with consistent, ground-floor frontages

N-3O

BUS ROUTE

Open Secondary Neighborhood Center

Medium lot, medium intensity. Streets with mix of residential and commercial.

Pedestrian frontages inconsistent in design and engagement of the street.

D-RS

Retail Strip

One or more single use retail buildings located along an arterial street and primarily accessed by automobile.

N-2P

9

N-2R

N-2C

N-2C D-RS

C-M

N-1C

N-1C

D-C

N-2C

Mixed-Use Center

Mixed-use walkable corridor within a compact neighborhood.

N-1C

Mixed-Use Core

Edge of downtown core, facilitates mid-rise development with

N-2R

Residential

D-C

Flex Commercial

C-M

Metro Rail

Ground Floor Plan

First Floor Plan SUNLIGHT PATH: MID- DAY VIEW ANGLES HYDRONIC HEATING/COOLING SYSTEM RAINWATER RECAPTURE SYSTEM SOLAR PANEL ARRAY COOL AIR CIRCULATION PATH HOT AIR EXHAUST PATH

10

WORK CLOUD

SPRING 2015 - INSTRUCTOR: JULIA JAMROZIK

Kevin Turner

Professor: Julia Jamrozik

ARC 302

Ground Ground FloorDouble Floor Skin Facade

The Work Cloud is the office space for an architectural firm.

The building is based around a standard office environment, encapsulated within an ETFEpillow skin. This arrangement allows for the building to use minimal energy in conditioning itself, relying on passive heating and cooling strategies at different times of year. This double skin is developed further to include an interstitial space in which circulation and occupation is possible. The connection between work space and the skin creates an elevated feeling, levitating above the surrounding context. fessor: Julia Jamrozik

kin Facade

ARC 302

Summer Configuration

1st Floor 1st Floor

are

s to air nair , ack r arm m

levation

onfiguration Summer Performance - Vents Open

11

Bottom vents are open during warm seasons to circulate fresh air into cavity. Sunlight heats the air and as it rises, causes the Stack Effect to occur and siphon warm exhaust air from main space.

Spring 2015

2nd Floor 2nd Floor

Vents are closed during cold seasons, and create a buffer zone to better insulate main space. Radiant heating provides a heat source, and warm exhaust air is channeld through planking system to be exhausted to buffer zone and cooled.

Winter Configuration Winter Performance - Vents Closed

Spring 2015

Cross Section

Kevin Turner Professor: Julia Jamrozik Kevin Turner Professor: Julia Jamrozik

ARC 302

ARC 302 Spring 2015 Spring 2015

Egress Egress Kevin Turner

Professor: Julia Jamrozik

ARC 302

Spring 2015

Sections

Egress Path Egress Path

Cross Section

Daylight Exposure Daylight Exposure Longitudinal Section

Longitudinal Section Daylight Penetration Analysis

Interior Daylight Penetration Map Interior Daylight Penetration Map

Facade Irradiance Analysis

Facade Irradiation Exposure Map Facade Irradiation Exposure Map

12

DETROIT RIAD

FALL 2015 - GHANA THINK TANK - SUNY PURCHASE - SUNY NE W PALT Z

SUNY AT BUFFALO - NICK BRUSCIA, LIYAO CHEN, SADICHCHHA DHAKHWA



A collaboration between universities, the Detroit Riad Project sought to renovate and rehabilitate an existing commercial/apartment building into a community center, using a mix between modern parametric modeling, digital fabrication, and the typology of a Moroccan Riad.   An umbrella scheme was developed to create a canopy over the back lawn of the building, and to connect two edges of the block together.

The “umbrellas” are designed to be fabricated individually, either from mesh or solid materials, and are linked together to form the overall structure. The spaces formed benieth vary from sunlight spots to cool, shrub-filled niches.

13

Detroit, MI

In Collabo

State University Buffa New Pa Purcha + Ghana Thin

Students, B Daniel A Liyao C Sadichchha Chris Go Quincy K Karim Mah Marius Lau Kevin Tu

Faculty, B Nicholas B Jordan G Omar K

DETRO

Ghana Thin Christopher John Ew

“Oaklan 8326 Oak Detroit, M

Umbrella S

as o 12.21.

Drafted: L.C., In Collab

State Universi Buf New Purc + Ghana Th

Students Daniel Liyao Sadichchha Chris G Quincy S1_0 Karim M Marius L East Elev Kevin (not to s

 



Faculty, Nicholas Jordan Omar



Ghana Th Christophe John

Umbrella

as 12.2

Drafted: L.C

S1_

Sect (not to

14

CORNER ART

t

Art is the heart and lungs of Buffalo, especially now as the city grows to reach the splendor it once was.

There are an abundance of many different galleries and performance spaces throughout Buffalo, from well known establishments like the Abright Knox and the Burchfield Penney Art Center, to less known galleries like Indigo Gallery, Essex St. and B.A.S. Each one of these galleries share the idea of First Fridays.

They all open their personal space to the public to view the work inside, free of charge.

This idea of the integration of public and private with multiple different mediums of art led to the concept: Live-work units for low- to midincome starting professionals in fine and performing arts.

Resident units are integrated with public programming of gallery and performance spaces. The building itself showcases residents’ work to casual public viewers as well as to more specific crowds during planned events.

DELAWARE

FALL 2015 - INSTRUCTOR: BR AD WALES

- PARTNER: ASHWINI K ARVE

CHIPPEWA

Feet 0 1

15

3

6

12

24

DELAWAR

Art is the heart and lungs of Buffalo, especially now as the city grows to reach the splendor it once was. There are an abundance of many different galleries and performance spaces throughout Buffalo, from well known establishments like the Abright Knox and the Burchfield Penney Art Center, to less known galleries like Indigo Gallery, Essex St. and B.A.S.

Dance Kitchen

Each one of these galleries share the idea of First Fridays. They all open their personal space to the public to view the work inside, free of charge.

art

NER

Dance Dorm

a

b

Dance Studio

DELAWARE

This idea of the integration of public and private with multiple different mediums of art led to the concept: Live-work units for low- to mid-income starting professionals in fine and performing arts. ally now as the city grows units are integrated with public programming of gallery Resident re are an abundance of and performance spaces. The building itself showcases residents’ ance spaces throughout work to casual public viewers as well as to more specific crowds ke the Abright Knox and during planned events. nown galleries like Indigo allery, Essex St. and B.A.S.

Dance Kitchen

FLOOR 1

b

a of First Fridays. They all view the work inside, free of charge.

a

Buffalo Arts Studio Tri-Main Center

b

and private with multiple of art led to the concept: arting professionals in fine and performing arts. programming of gallery self showcases residents’ to more specific crowds during planned events.

Dance Studio

Feet

0 1

Essex St Art Center Big Orbit Dance Kitchen

Hallwalls

Buffalo Arts Studio Tri-Main Center

Dance Dorm

First Niagara Center CHIPPEWA Dance Dorm

3

6

12

Sculpture

Sculpture Media Artists

Feet

Floor 22 FLOOR

FLOOR 1

Total Units: 8 FLOOR 2 Bedrooms: 8 Total

FLOOR 6

12

6

12

FLOOR

Feet

Sculpture

Painters and Drawers

Painters and Drawers

and Drawers

7

Total Units: 8 Ambient light makes bedroom private and TotalAmbient Bedrooms: light makes 8 bedroom private and comfortable

Artists and Dancers

Performance Artists and Dancers

Performance Artists and Dancers Communal Studios

Bedroom units allow for larger shared spaces in which to perform together in

Floor 3 FLOOR

3

Communal Studios

Large shared studio and performance area

Performance Artists and Dancers

Total Units: 4 Performance Total Bedrooms: Artists 7 and

ISOMETRIC

public studio

Indirect south eastern light brightens the entire studio Performance with ambient light that will not ruin artwork while still Artists providing light

Circulation and Windows facing away from the street give the unit Dancers

Public viewing of artwork happens from the building

Total Units: 7 Total Bedrooms: 10

rightens the entire studio ot ruin artwork while still

the street give the unit ON ISOMETRIC blic view

ba

ppens from the building ouble height space for art

Painters and Drawers Private Spatial Apartments

Outer facade are used formeant projection art off installations Exposed, two panels level studio space to show to the SECTION public public Private vs Public Balconies merge unit space with the outdoor Unit has entrance onlythe onindoor studio level, creating seperation Private vs Public facade by creating viewing platforms unique to each unit Balconies merge the indoor unitand space the studio outdoor between the private residence thewith public facade by creating viewing platforms unique to each unit Large south facing windows create dynamic day to night programming of the space

Windows facing away from the street give the unit

.

Digital and Media Artists

Chippewa Flats Exposed, two level studio space meant to show off to the public Chippewa Flats

Traditional Painters and Drawers Floor 44

d c

Private vs Public Balconies merge the indoor unit space with the outdoor facade by creating viewing platforms unique to each unit

Digital and Media Artists

Total Units: 6 Sculptor/Painter Total Bedrooms: 12 Large, two level studio spaces

Chippewa Flats

CHIPPEWA ELEVATION

d c

1

Fully accessible unit with access to bathroom, bedroom, and kitchen on entrance level (Type B Unit)

Large south facing windows create dynamic day to night programming of the space

Indirect northern light provides strong ambient light to build and sculpt in

Exposed, two level studio space meant to show off to the public

Entrance on only lower floor of unit allows for stricter Circulation separation between private and public areas

d c

Large, two level studio spaces

SECTION d

between the private residence and the public studio

Large south facing windows create dynamic day to night programming of the space

Indirect northern light provides strong ambient light to build and sculpt in

Exposed, two level studio space meant to show off to the public

Entrance on only lower floor of unit allows for stricter separation between private and public areas

a

SECTION a

Private vs Public Balconies merge the indoor unit space with the outdoor facade by creating viewing platforms unique to each unit

Digital and Media Artists

CHIPPEWA ELEVATION

01 3

FLOOR 3

1 Sculpture Artists

01 3

6

12

24

Feet

CHIPPEWA ELEVATION

6

SECTIO 12

12

24

24

Feet

Feet

.

Privateb vs Public SECTION

D

SECTIO

Delaware Apartments

1

12

SECTION 01 3

01 3

Chippewa Flats

SECTION a

6

SECTION b

1

SECTION d

CHIPPEWA ELEVATION

6

Delaware Apartments

d c

Chippewa Flats

01 3

Sculpture Artists

FLOOR 3

Artists

Fully accessible unit with access to bathroom, bedroom, and kitchen on entrance level (Type B Unit)

SECTION Private Spatial Apartments

s

Digital and Media Artists

Traditional Painters and Drawers

Total Units: 6 Digital and Media Total Bedrooms: 12

I

a

Windows facing away from the street give the unit Private Spatial Apartments FLOOR more privacy from street public view Circulation ba Private Spatial Apartments Public viewing of artwork happens from the building interior, use of the double height space for art FLOORmaking 1 display

L

db cE

Exposed, two level studio space meant to show off to the

UNIT AGGREGATION ISOMETRIC providing light

Unit has entrances only on studio level, creating more privacy from street public view the unit Windows facing away from the street give b a and the seperation between the private residence more privacy from street public view Public viewing of artwork from the building Media public studio ahappens interior, making use ofb the double height space for art FLOOR Public viewing of1artwork happens from the building display Indirect south brightens entire studio interior, making uselight of the doublethe height space for art FLOOR 1eastern with display ambient light that will not ruin artwork while still providing light

T T

dd cc

Total Units:facing 7 windows create dynamic day to night Large south HVAC -windows Systems create dynamic day to night Large south facing programming of the space Total Bedrooms: programming of the space 10

Unit has entrance only on studio level, creating seperation between the private residence and the public studio

Traditional Painters and Drawers Unit has entrance only on studio level, creating seperation

GREGATION ISOMETRIC

Circulation

entrance on studio level, creating seperation Unit Unit has has entrance onlyonly on studio level, creating seperation between private residence and public studio between the the private residence and thethe public studio

with ambient light that will not ruin artwork while still with ambient lightlight that will not ruin artwork while still providing Large, two level studio spaces

SECTION a

Outer facade panels are used for projection art installations

udio level, creating ate residence and the

Total Units: 4 Indirect south eastern Total Bedrooms: 7 light brightens the entire studio Indirect south eastern light brightens the entire studio

Outer facade panels are used for projection art installations

interior, making use of the double height space for art FLOOR 1 display

d c

Private vs Public Balconies merge the indoor unit space with the outdoor facade by creating viewing platforms unique to each unit

more privacy from street public view

Circulation

Outer facade panels used projection installations Outer facade panels areare used for for projection artart installations

split

Private Spatial Apartments

Dancers

ba

display

Painting

Total Units: 7 Traditional Painters and Drawers Total Bedrooms: 10

UNIT AGGREGATION Artists Unit has entrancesand only on studio level, creating Dancers seperation between the private residence and the

Ba fa

FLOOR 4 Traditional Painters and Drawers Private Spatial Apartments Total Units: 7 7 Total Units: Media Artists Total Bedrooms: 1010 Total Bedrooms: Circulation

Communal Studios

Performance Large, two level studio spaces

Ex pu

.

interior, making use of the double height space for art FLOOR 1

has entrances on studio level, creating Unit hasUnit entrances only ononly studio level, creating seperation between the private residence and the seperation between the private residence and the public studio Performance public studio

Ambient light makes bedroom private and comfortable

es

OMETRIC

d c

comfortable Intimate, private bedroom unitsallow with for shared kitchen Bedroom units larger shared spaces in which and community to perform together Bedroom area units allow for larger in shared spaces in which to performLarge together in studio and performance area shared Fully accessible unit with access to bathroom, Large studio and performance area bedroom andshared kitchen on entrance level

ture sts Painters

ba

and community area

Fully accessible unit with to bathroom, Fully accessible unit with access toaccess bathroom, bedroom and kitchen on entrance level bedroom and kitchen on entrance level HVAC - Systems

La pr

Indirect south eastern light brightens the entire studio with ambient light that will not ruin artwork while still providing light

ba

Large, two level spaces studio spaces Large, two level studio

Intimate, private bedroom with shared kitchen Intimate, private bedroom units with units shared kitchen

b a and community area

Un be

Public viewing of artwork happens from the building

TotalTotal Units:Units: 4 4 TotalTotal Bedrooms: 7 7 Bedrooms:

Total Units: Total 8Units: 8 Total Bedrooms: 8 Total Bedrooms: 8

Ou

Media

Communal Studios

Performance Artists and Dancers

To To

d c

art

CORNER

Windows facing away from the street give the unit more privacy from street public view

Performance Artists and Dancers

3

split

Large, two level studio spaces

Bedroom units allow for larger shared spaces in which to perform together in

24

3

Unit has entrances only on studio level, creating seperation between the private residence and the public studio

Performance Artists and Dancers

Large shared studio and performance area

2

F

Communal Studios

Total Units: 4 Drawing/Photography Total Bedrooms: 7 FLOOR 3

d c

ba Ambient light makes bedroom private and comfortable

24

Painting

3

FLOOR

Fully accessible unit with access to bathroom, bedroom and kitchen on entrance level

Feet

3

2

Performance Artists and ba Dancers HVAC Intimate, - Systems private bedroom units with shared kitchen ba and community area

Sculpture Artists

F

Performance Artists and Dancers

FLOOR

Media

FLOOR

Painters and Drawers

Media

24

0 1

3

Bedroom units allow for larger shared spaces in which to perform together in Large shared studio and performance area

CHIPPEWA

12

d

dc c

HVAC - Systems Ambient light makes bedroom private and comfortable HVAC - Systems

Feet

FLOOR 1

0 1

Fully accessible unit with access to bathroom, bedroom and kitchen on entrance level

24

Floor 11 FLOOR

Hallwalls Waiting Room Shea’s Performing Arts Town Ballroom CEPA Gallery Queen CityCHIPPEWA Gallery Squeaky Wheel Site Viewing CHIPPEWA First Niagara Center Balcony

d c

Intimate, private bedroom units with shared kitchen HVAC - Systems and community area ba

Painters and Drawers

Media

Art Space Lofts Allentown Kleinhans Music Hall

FL

Total Units:Dancer 8 Communal

Viewing Balcony

Viewing Balcony

Essex St Art Center Big Orbit

6

FLOOR 2 Sculpture Sculpture

Viewing Balcony

Elmwood Village 0 1

Media

Total Bedrooms: 8

Dance Studio

Dance Studio

24

12

FLOOR 1

a

a

6

Sculpture

Shea’s Performing Arts Town Ballroom CEPA Gallery Queen City Gallery Squeaky Wheel Site

Dance Studio

3

Art Space Lofts Allentown Kleinhans Music Hall Dance Kitchen

Waiting Dance Dorm Room

a

3

Viewing Balcony

Elmwood Village Dance Kitchen

Anderson Gallery Black Rock

0 1

CHIPPEWA

Dance Dorm

Anderson Gallery Black Rock

b

SECTION b

16

6

12

24

Feet

CORNER ART

FALL 2015 - INSTRUCTOR: BR AD WALES

- PARTNER: ASHWINI K ARVE

17

18

CONSTRUCTION TECHNOLOGIES SPRING 2015 - INSTRUCTOR: ANNE T TE LECUYER

Axonometric drawings drafted from construction plans and details. p17 - Croffead House: Clark and Menefee Architects p18 - Conibear Shellhouse: Miller Hull Partnership

19

20