K T
Kevin Turner
Undergraduate Portfolio University at Buffalo School of Architecture and Planning
C O N TA C T
Kevin Turner 8125 Centre Lane East Amherst, NY, 14051 m: 716-289-1048 h: 716-741-7762 email: kevinturner728@me.com
CONTENTS 1-3
A R C H I T E C T U R E // L A N D S C A P E SPRING 2014 - INSTRUCTOR: L AURA GAROFALO-KHAN
4
P A R A M E T R I CSPRING FA B R I C AT I O N 2015 - INSTRUCTOR: NICK BRUSCIA 5-6
F O U N D S PAC E S
SPRING 2013 - INSTRUCTOR: MAT THE W HUME
7-8
F O R M // M O R P H O L O G Y
FALL 2013 - INSTRUCTOR: GEORG RAFAILIDIS
9-10
B O D Y/ / B U I L D I N G / / C I T Y FALL 2014 - INSTRUCTOR: ANNE DAFCHIK
11-12
WORK CLOUD
SPRING 2015 - INSTRUCTOR: JULIA JAMROZIK
13-14
DETROIT RIAD
FALL 2015 - GHANA THINK TANK - SUN Y PURCHASE - SUN Y NE W PALT Z SUN Y AT BUFFALO - NICK BRUSCIA, LI YAO CHEN, SADICHCHHA DHAKHWA
15-18
CORNER ART
FALL 2015 - INSTRUCTOR: BRAD WALES PARTNER: ASHWINI K ARVE
19-20
CONSTRUCTION TECHNOLOGIES SPRING 2015 - INSTRUCTOR: ANNE T TE LECU Y ER
A R C H I T E C T U R E // L A N D S C A P E SPRING 2014 - INSTRUCTOR: L AUR A GAROFALO-KHAN
Integrating a project with its surrounding context is important to any building. Interweaving the landscape within a set of rules, outlined by a field, is how this project was developed. Situated alongside the Villa Emo, by Andrea Palladio in Italy, the program is a culinary institute, housing restaurants, teaching centers, and on-site living.
The wings of the Villa Emo are partitioned into rooms that have a common base denominator proportion.
Larger rooms can be sub divided into the smaller moduels.
Rooms are divided until they reach the base component.
Analysis of the villa itself, and of its surrounding landscape led to field development (pg1). Palladio concentrated on proportionality within structures. A Field drawing (pg 1, middle) was based off of these relations of room sizes within wings of villa, with smaller rooms being nested within larger rooms. This led to the development of a Field model (pg 1, lower), which added the vertical dimension to field in form of suspended planes, from the base, un-dividable nested rooms from field drawing.
Macro wings are then placed adjacently, with outer wall line removed to create cohesive spaces.
Using these Field strategies, the project itself uses the banding ideas developed in the field drawing and model, along with the ideas of elevated planes to create roof and floor structures, supported by “base� columns. Roofs form physical, connected bands, while columns aligned to create figural bands that Renderings cut across the central axis. These banding elements become more specified based on their location and programing. Some columns are solid, while others are hollow and allow light penetration and ventilation, others are skeletal trellises that support plant growth over structure. Some even go so far as to become inhabitable columns within program spaces create cooking stations or tables. All of these banding ideas correlate with the architecture of the existing villa, and make a connection of similar ideas from the landscape surrounding the building.
1
Site Plan 1/32” = 1’
2
A R C H I T E C T U R E // L A N D S C A P E SPRING 2014 - INSTRUCTOR: L AUR A GAROFALO-KHAN
Renderings
3
P A R A M E T R I CSPRING FA B R I C AT I O N 2015 - INSTRUCTOR: NICK BRUSCIA Exploration in the use of parametric modeling software (grasshopper) to create a structured form with patterned exterior. Emphasis on designing for digital fabrication process. All items except metal studs designed in grasshopper and cut from laser cutter. These studs were aligned with normal lines to tangent of egg shape to create post to hang exterior panels
Kevin Turner Garrett Brown KelseyLiz Habla Kimberly Taracena Stephen Jeffrey
4
F O U N D S PAC E S
SPRING 2013 - INSTRUCTOR: MAT THE W HUME
Using the environment to inform design choices is crucial in creating cohesive structures and installations. In this project, explorations in form, materiality, and context were used to develop a form. The project is made of a paper pulp, casted over a 10’x30’ wall to make one “sheet” of paper. The concept of an “Inhabitable Drawing” grew from this, with a thickening of the paper at the base of the wall used to structure a folded form. The folds are derived from key points along the wall, such as columns and studs. As folding occurred, cracks and inconsistencies in the material showed unique lighting conditions on the interior of the created space.
5
D
Plan A
C
B
Studio Floor Plan 1/2” = 1’ -0”
Southwest Elevation 3/4” = 1’ - 0”
A
Southeast Elevation 3/4” = 1’ - 0”
Roof Plan 1” = 1’ - 0”
Axonometric
Zack McCabe, Kevin Turner, Eliana Drier, Jonah Lunden, Alyssa Bennett, Rong Chen, Kei Onodera, Manuel Rodrigez
The Hive
Northwest Elevation 3/4” = 1’- 0”
ARC 102 Spring 2013
Northeast Elevation 3/4” = 1’ - 0”
Section A
Section B
The Hive
Section C
Zack McCabe, Kevin Turner, Eliana Drier, Jonah Lunden, Alyssa Bennett, Rong Chen, Kei Onodera, Manuel Rodrigez
ARC 102 Spring 2013
6
F O R M // M O R P H O L O G Y FALL 2013 - INSTRUCTOR: GEORG R AFAILIDIS
The temporal forces on a building are constantly changing. Devising responsive forms to changes in program over time affects not only the utility of the building, but also morphs the original architecture to become a new identity. Programed as a fitness center in Williamsville, NY, the structure is created through the intersection of tectonic members to generate a matrix. Exterior openings in the matrix are glazed to create a conExterior Perspectives tinuous skin around the building. This matrix provides a sense of massivity, while the space between members provide a sense of permeability and openness. This matrix-grid of intersecting members is changeable over time, expandable through the subtraction of members from the grid, and contactable via the reverse process. In this way, the form of the building is constantly being evaluated, and can be changed to suit the needs at hand.
7
Interior Perspectives Circulation
Circulation Path
Cardio
Park Entrance First Aid
Refresment Bar
Custodial
Tanning Salon
Men’s Locker
Woman’s Locker
Weights
Administration
Yoga Studio
Washroom
Reception Course Room
Street Entrance
Interior Perspectives Ground Floor Plan
Street Circulation Park Circulation
Circulation Diagram
Middle Floor Plan
Upper Floor Plan
8
B O D Y/ / B U I L D I N G / / C I T Y FALL 2014 - INSTRUCTOR: ANNE DAFCHIK
BASE HEXAGON TESSELATION
This project was an exploration of the urban environment context, and the interaction of community. Programed as a wellness center, the building creates a cultural community gathering place, a destination for members of the surrounding neighborhoods to gather for various activities. The Ground floor contains community programing, such as market stalls, daycare facility, cafe, and market stalls for local vendors and small businesses. Fitness-oriented spaces, such as a pool and jogging track, are linked with these community spaces. Integration with the existing NFTA-Metro subway station on site connects the building to the greater city context, and truly makes the project a community center. Site Plan
SECTIONAL ADAPTATION OF
HEXAGON
3-DIMENSIONAL ARRAY
Transit Plan STRUCTRUAL BEAMS TRACE ARRAY
1’ = 1/256” N
NFTA-METRO STOP MAJOR TRAFFIC ROUTE
1’ = 1/256”
MINOR TRAFFIC ROUTE
N
FLOORS AND WALLS
FILL BETWEEN BEAMS METRO-RAIL PATH
BUS ROUTE
Transit Plan N-2P
N-2R
N-2C
N-2P
N-2C
D-RS
C-M
D-RS
N-1C
1’ = 1/256”
N-3O
D-C
N-1C
N
N-2P
N-1C
N-2C
NFTA-METRO STOP MAJOR TRAFFIC ROUTE
1’ = 1/256”
MINOR TRAFFIC ROUTE
N
N-2P
METRO-RAIL PATH
Primary Neighborhood Center
Traditional mixed-use centers with significant scale and a high diversity of uses; building types with consistent, ground-floor frontages
N-3O
BUS ROUTE
Open Secondary Neighborhood Center
Medium lot, medium intensity. Streets with mix of residential and commercial. Pedestrian frontages inconsistent in design and engagement of the street.
D-RS
Retail Strip
One or more single use retail buildings located along an arterial street and primarily accessed by automobile.
N-2P
9
N-2R
N-2C
N-2C D-RS
C-M
N-1C
N-1C
D-C
N-2C
Mixed-Use Center
Mixed-use walkable corridor within a compact neighborhood.
N-1C
Mixed-Use Core
Edge of downtown core, facilitates mid-rise development with
N-2R
Residential
D-C
Flex Commercial
C-M
Metro Rail
Ground Floor Plan
First Floor Plan SUNLIGHT PATH: MID- DAY VIEW ANGLES HYDRONIC HEATING/COOLING SYSTEM RAINWATER RECAPTURE SYSTEM SOLAR PANEL ARRAY COOL AIR CIRCULATION PATH HOT AIR EXHAUST PATH
10
WORK CLOUD
SPRING 2015 - INSTRUCTOR: JULIA JAMROZIK
Kevin Turner
Professor: Julia Jamrozik
ARC 302
Ground Ground FloorDouble Floor Skin Facade
The Work Cloud is the office space for an architectural firm. The building is based around a standard office environment, encapsulated within an ETFEpillow skin. This arrangement allows for the building to use minimal energy in conditioning itself, relying on passive heating and cooling strategies at different times of year. This double skin is developed further to include an interstitial space in which circulation and occupation is possible. The connection between work space and the skin creates an elevated feeling, levitating above the surrounding context. fessor: Julia Jamrozik
kin Facade
ARC 302
Summer Configuration
1st Floor 1st Floor
are
s to air nair , ack r arm m
levation
onfiguration Summer Performance - Vents Open
11
Bottom vents are open during warm seasons to circulate fresh air into cavity. Sunlight heats the air and as it rises, causes the Stack Effect to occur and siphon warm exhaust air from main space. Spring 2015
2nd Floor 2nd Floor
Vents are closed during cold seasons, and create a buffer zone to better insulate main space. Radiant heating provides a heat source, and warm exhaust air is channeld through planking system to be exhausted to buffer zone and cooled.
Winter Configuration Winter Performance - Vents Closed
Spring 2015
Cross Section
Kevin Turner Professor: Julia Jamrozik Kevin Turner Professor: Julia Jamrozik
ARC 302
ARC 302 Spring 2015 Spring 2015
Egress Egress Kevin Turner
Professor: Julia Jamrozik
ARC 302
Spring 2015
Sections
Egress Path Egress Path
Cross Section
Daylight Exposure Daylight Exposure Longitudinal Section
Longitudinal Section Daylight Penetration Analysis
Interior Daylight Penetration Map Interior Daylight Penetration Map
Facade Irradiance Analysis
Facade Irradiation Exposure Map Facade Irradiation Exposure Map
12
DETROIT RIAD
FALL 2015 - GHANA THINK TANK - SUNY PURCHASE - SUNY NE W PALT Z SUNY AT BUFFALO - NICK BRUSCIA, LIYAO CHEN, SADICHCHHA DHAKHWA
A collaboration between universities, the Detroit Riad Project sought to renovate and rehabilitate an existing commercial/apartment building into a community center, using a mix between modern parametric modeling, digital fabrication, and the typology of a Moroccan Riad. An umbrella scheme was developed to create a canopy over the back lawn of the building, and to connect two edges of the block together. The “umbrellas” are designed to be fabricated individually, either from mesh or solid materials, and are linked together to form the overall structure. The spaces formed benieth vary from sunlight spots to cool, shrub-filled niches.
13
Detroit, MI
In Collabo
State University Buffa New Pa Purcha + Ghana Thin
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Faculty, B Nicholas B Jordan G Omar K
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14
CORNER ART
t
Art is the heart and lungs of Buffalo, especially now as the city grows to reach the splendor it once was. There are an abundance of many different galleries and performance spaces throughout Buffalo, from well known establishments like the Abright Knox and the Burchfield Penney Art Center, to less known galleries like Indigo Gallery, Essex St. and B.A.S. Each one of these galleries share the idea of First Fridays. They all open their personal space to the public to view the work inside, free of charge. This idea of the integration of public and private with multiple different mediums of art led to the concept: Live-work units for low- to midincome starting professionals in fine and performing arts. Resident units are integrated with public programming of gallery and performance spaces. The building itself showcases residents’ work to casual public viewers as well as to more specific crowds during planned events.
DELAWARE
FALL 2015 - INSTRUCTOR: BR AD WALES - PARTNER: ASHWINI K ARVE
CHIPPEWA
Feet 0 1
15
3
6
12
24
DELAWAR
Art is the heart and lungs of Buffalo, especially now as the city grows to reach the splendor it once was. There are an abundance of many different galleries and performance spaces throughout Buffalo, from well known establishments like the Abright Knox and the Burchfield Penney Art Center, to less known galleries like Indigo Gallery, Essex St. and B.A.S.
Dance Kitchen
Each one of these galleries share the idea of First Fridays. They all open their personal space to the public to view the work inside, free of charge.
art
NER
Dance Dorm
a
b
Dance Studio
DELAWARE
This idea of the integration of public and private with multiple different mediums of art led to the concept: Live-work units for low- to mid-income starting professionals in fine and performing arts. ally now as the city grows units are integrated with public programming of gallery Resident re are an abundance of and performance spaces. The building itself showcases residents’ ance spaces throughout work to casual public viewers as well as to more specific crowds ke the Abright Knox and during planned events. nown galleries like Indigo allery, Essex St. and B.A.S.
Dance Kitchen
FLOOR 1
b
a of First Fridays. They all view the work inside, free of charge.
a
Buffalo Arts Studio Tri-Main Center
b
and private with multiple of art led to the concept: arting professionals in fine and performing arts. programming of gallery self showcases residents’ to more specific crowds during planned events.
Dance Studio
Feet
0 1
Essex St Art Center Big Orbit Dance Kitchen
Hallwalls
Buffalo Arts Studio Tri-Main Center
Dance Dorm
First Niagara Center CHIPPEWA Dance Dorm
3
6
12
Sculpture
Sculpture Media Artists
Feet
Floor 22 FLOOR
FLOOR 1
Total Units: 8 FLOOR 2 Bedrooms: 8 Total
FLOOR 6
12
6
12
FLOOR
Feet
Sculpture
Painters and Drawers
Painters and Drawers
and Drawers
7
Total Units: 8 Ambient light makes bedroom private and TotalAmbient Bedrooms: light makes 8 bedroom private and comfortable
Artists and Dancers
Performance Artists and Dancers
Performance Artists and Dancers Communal Studios
Bedroom units allow for larger shared spaces in which to perform together in
Floor 3 FLOOR
3
Communal Studios
Large shared studio and performance area
Performance Artists and Dancers
Total Units: 4 Performance Total Bedrooms: Artists 7 and
ISOMETRIC
public studio
Indirect south eastern light brightens the entire studio Performance with ambient light that will not ruin artwork while still Artists providing light
Circulation and Windows facing away from the street give the unit Dancers
Public viewing of artwork happens from the building
Total Units: 7 Total Bedrooms: 10
rightens the entire studio ot ruin artwork while still
the street give the unit ON ISOMETRIC blic view
ba
ppens from the building ouble height space for art
Painters and Drawers Private Spatial Apartments
Outer facade are used formeant projection art off installations Exposed, two panels level studio space to show to the SECTION public public Private vs Public Balconies merge unit space with the outdoor Unit has entrance onlythe onindoor studio level, creating seperation Private vs Public facade by creating viewing platforms unique to each unit Balconies merge the indoor unitand space the studio outdoor between the private residence thewith public facade by creating viewing platforms unique to each unit Large south facing windows create dynamic day to night programming of the space
Windows facing away from the street give the unit
.
Digital and Media Artists
Chippewa Flats Exposed, two level studio space meant to show off to the public Chippewa Flats
Traditional Painters and Drawers Floor 44
d c
Private vs Public Balconies merge the indoor unit space with the outdoor facade by creating viewing platforms unique to each unit
Digital and Media Artists
Total Units: 6 Sculptor/Painter Total Bedrooms: 12 Large, two level studio spaces
Chippewa Flats
CHIPPEWA ELEVATION
d c
1
Fully accessible unit with access to bathroom, bedroom, and kitchen on entrance level (Type B Unit)
Large south facing windows create dynamic day to night programming of the space
Indirect northern light provides strong ambient light to build and sculpt in
Exposed, two level studio space meant to show off to the public
Entrance on only lower floor of unit allows for stricter Circulation separation between private and public areas
d c
Large, two level studio spaces
SECTION d
between the private residence and the public studio
Large south facing windows create dynamic day to night programming of the space
Indirect northern light provides strong ambient light to build and sculpt in
Exposed, two level studio space meant to show off to the public
Entrance on only lower floor of unit allows for stricter separation between private and public areas
a
SECTION a
Private vs Public Balconies merge the indoor unit space with the outdoor facade by creating viewing platforms unique to each unit
Digital and Media Artists
CHIPPEWA ELEVATION
01 3
FLOOR 3
1 Sculpture Artists
01 3
6
12
24
Feet
CHIPPEWA ELEVATION
6
SECTIO 12
12
24
24
Feet
Feet
.
Privateb vs Public SECTION
D
SECTIO
Delaware Apartments
1
12
SECTION 01 3
01 3
Chippewa Flats
SECTION a
6
SECTION b
1
SECTION d
CHIPPEWA ELEVATION
6
Delaware Apartments
d c
Chippewa Flats
01 3
Sculpture Artists
FLOOR 3
Artists
Fully accessible unit with access to bathroom, bedroom, and kitchen on entrance level (Type B Unit)
SECTION Private Spatial Apartments
s
Digital and Media Artists
Traditional Painters and Drawers
Total Units: 6 Digital and Media Total Bedrooms: 12
I
a
Windows facing away from the street give the unit Private Spatial Apartments FLOOR more privacy from street public view Circulation ba Private Spatial Apartments Public viewing of artwork happens from the building interior, use of the double height space for art FLOORmaking 1 display
L
db cE
Exposed, two level studio space meant to show off to the
UNIT AGGREGATION ISOMETRIC providing light
Unit has entrances only on studio level, creating more privacy from street public view the unit Windows facing away from the street give b a and the seperation between the private residence more privacy from street public view Public viewing of artwork from the building Media public studio ahappens interior, making use ofb the double height space for art FLOOR Public viewing of1artwork happens from the building display Indirect south brightens entire studio interior, making uselight of the doublethe height space for art FLOOR 1eastern with display ambient light that will not ruin artwork while still providing light
T T
dd cc
Total Units:facing 7 windows create dynamic day to night Large south HVAC -windows Systems create dynamic day to night Large south facing programming of the space Total Bedrooms: programming of the space 10
Unit has entrance only on studio level, creating seperation between the private residence and the public studio
Traditional Painters and Drawers Unit has entrance only on studio level, creating seperation
GREGATION ISOMETRIC
Circulation
entrance on studio level, creating seperation Unit Unit has has entrance onlyonly on studio level, creating seperation between private residence and public studio between the the private residence and thethe public studio
with ambient light that will not ruin artwork while still with ambient lightlight that will not ruin artwork while still providing Large, two level studio spaces
SECTION a
Outer facade panels are used for projection art installations
udio level, creating ate residence and the
Total Units: 4 Indirect south eastern Total Bedrooms: 7 light brightens the entire studio Indirect south eastern light brightens the entire studio
Outer facade panels are used for projection art installations
interior, making use of the double height space for art FLOOR 1 display
d c
Private vs Public Balconies merge the indoor unit space with the outdoor facade by creating viewing platforms unique to each unit
more privacy from street public view
Circulation
Outer facade panels used projection installations Outer facade panels areare used for for projection artart installations
split
Private Spatial Apartments
Dancers
ba
display
Painting
Total Units: 7 Traditional Painters and Drawers Total Bedrooms: 10
UNIT AGGREGATION Artists Unit has entrancesand only on studio level, creating Dancers seperation between the private residence and the
Ba fa
FLOOR 4 Traditional Painters and Drawers Private Spatial Apartments Total Units: 7 7 Total Units: Media Artists Total Bedrooms: 1010 Total Bedrooms: Circulation
Communal Studios
Performance Large, two level studio spaces
Ex pu
.
interior, making use of the double height space for art FLOOR 1
has entrances on studio level, creating Unit hasUnit entrances only ononly studio level, creating seperation between the private residence and the seperation between the private residence and the public studio Performance public studio
Ambient light makes bedroom private and comfortable
es
OMETRIC
d c
comfortable Intimate, private bedroom unitsallow with for shared kitchen Bedroom units larger shared spaces in which and community to perform together Bedroom area units allow for larger in shared spaces in which to performLarge together in studio and performance area shared Fully accessible unit with access to bathroom, Large studio and performance area bedroom andshared kitchen on entrance level
ture sts Painters
ba
and community area
Fully accessible unit with to bathroom, Fully accessible unit with access toaccess bathroom, bedroom and kitchen on entrance level bedroom and kitchen on entrance level HVAC - Systems
La pr
Indirect south eastern light brightens the entire studio with ambient light that will not ruin artwork while still providing light
ba
Large, two level spaces studio spaces Large, two level studio
Intimate, private bedroom with shared kitchen Intimate, private bedroom units with units shared kitchen
b a and community area
Un be
Public viewing of artwork happens from the building
TotalTotal Units:Units: 4 4 TotalTotal Bedrooms: 7 7 Bedrooms:
Total Units: Total 8Units: 8 Total Bedrooms: 8 Total Bedrooms: 8
Ou
Media
Communal Studios
Performance Artists and Dancers
To To
d c
art
CORNER
Windows facing away from the street give the unit more privacy from street public view
Performance Artists and Dancers
3
split
Large, two level studio spaces
Bedroom units allow for larger shared spaces in which to perform together in
24
3
Unit has entrances only on studio level, creating seperation between the private residence and the public studio
Performance Artists and Dancers
Large shared studio and performance area
2
F
Communal Studios
Total Units: 4 Drawing/Photography Total Bedrooms: 7 FLOOR 3
d c
ba Ambient light makes bedroom private and comfortable
24
Painting
3
FLOOR
Fully accessible unit with access to bathroom, bedroom and kitchen on entrance level
Feet
3
2
Performance Artists and ba Dancers HVAC Intimate, - Systems private bedroom units with shared kitchen ba and community area
Sculpture Artists
F
Performance Artists and Dancers
FLOOR
Media
FLOOR
Painters and Drawers
Media
24
0 1
3
Bedroom units allow for larger shared spaces in which to perform together in Large shared studio and performance area
CHIPPEWA
12
d
dc c
HVAC - Systems Ambient light makes bedroom private and comfortable HVAC - Systems
Feet
FLOOR 1
0 1
Fully accessible unit with access to bathroom, bedroom and kitchen on entrance level
24
Floor 11 FLOOR
Hallwalls Waiting Room Shea’s Performing Arts Town Ballroom CEPA Gallery Queen CityCHIPPEWA Gallery Squeaky Wheel Site Viewing CHIPPEWA First Niagara Center Balcony
d c
Intimate, private bedroom units with shared kitchen HVAC - Systems and community area ba
Painters and Drawers
Media
Art Space Lofts Allentown Kleinhans Music Hall
FL
Total Units:Dancer 8 Communal
Viewing Balcony
Viewing Balcony
Essex St Art Center Big Orbit
6
FLOOR 2 Sculpture Sculpture
Viewing Balcony
Elmwood Village 0 1
Media
Total Bedrooms: 8
Dance Studio
Dance Studio
24
12
FLOOR 1
a
a
6
Sculpture
Shea’s Performing Arts Town Ballroom CEPA Gallery Queen City Gallery Squeaky Wheel Site
Dance Studio
3
Art Space Lofts Allentown Kleinhans Music Hall Dance Kitchen
Waiting Dance Dorm Room
a
3
Viewing Balcony
Elmwood Village Dance Kitchen
Anderson Gallery Black Rock
0 1
CHIPPEWA
Dance Dorm
Anderson Gallery Black Rock
b
SECTION b
16
6
12
24
Feet
CORNER ART
FALL 2015 - INSTRUCTOR: BR AD WALES - PARTNER: ASHWINI K ARVE
17
18
CONSTRUCTION TECHNOLOGIES SPRING 2015 - INSTRUCTOR: ANNE T TE LECUYER
Axonometric drawings drafted from construction plans and details. p17 - Croffead House: Clark and Menefee Architects p18 - Conibear Shellhouse: Miller Hull Partnership
19
20