Khaled Riad work samples by Khaled Riad

Khaled M. Riad work samples

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Design Architect: Robert A.M. Stern Architects Interior Designer: Daniel Roumaldez Architects Architect of Record: Ismael Leyva Architects Client: Related Companies Building Typology: Residential

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The 14 storey condominium building designed by Robert A.M. Stern Architects, is located in Tribeca with limestone exterior and blackened edge steel windows. With 46 units, the distribution varies from 6 units per floor on the lower levels, 3 units per floor on the middle levels, and 2 units per floor on the upper levels. Setbacks occur in the levels above the 6th floor, creating a tiered building and carving out terraces on all sides of the building with the west side overlooking the Hudson River. Condominiums vary in size ranging from 1,700 square feet up to 7,000 square feet. Responsibilities in this project were during design development and construction documentation phases. Outlined in the following pages are drawings highlighting participation in floor plans, sections, elevations in varying scales and details.

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LEFT: East-West Section - Duties include: Setting up a graphic template for the section Adjusting and coordinating window heights RIGHT: Detail Section of Water Wall - Duties include: Drawing the construction assembly of the slab and wall Coordinating the location of the coursing with RAMSA and landscape designer

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LEFT: Lobby Finish Plan- Duties include: Coordinating finishes with interior designer in regards to materials and dimensioning Resolving any architectural conflicts within the means of the design intent

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TOP: Lobby North Elevation - Duties include: Finalizing location of light fixtures Combining exterior and interior design intent into the drawings BOTTOM: Lobby Perspective Rendered by The Boundary

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RIGHT: Callout of South East Corner Detail - Duties include: Drawing, dimensioning and labeling in more details the assembly of construction Highlighting corner condition of the building and resolving any conflicts Coordinating with RAMSA on the positioning of the pilaster with respect to corners Translating the means and methods of construction via the exterior wall consultants Providing the drawings to the precast manufacturer to produce shop drawings

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TOP LEFT TO RIGHT: Door Schedule - Duties include: Creating and maintaining doors schedules for various types of doors Coordinating with hardware, security and spec consultants to produce a complete package Highlighting typical and unique doors at residential, amenities, exterior, and back of house Typical Exterior and Apartment Jamb Details - Duties include: Articulating details to match design condition Referencing details to door schedule MIDDLE LEFT TO RIGHT: Typical Exterior and Apartment Saddle Details - Duties include: Developed detail to suit design condition while maintaining required finish thickness Typical Apartment Jamb Detail at Shear Wall - Duties include: Refining detail to keep design intent but adhere to the conditions established by the shear wall BOTTOM: Typical Apartment Corridor Elevation - Duties include: Drawing, dimensioning and labeling materials in the corridor Maintaining door and ceiling heights

45 park place Design Architect: SOMA Architects Interior Designer: Piero Lissoni Architect of Record: Ismael Leyva Architects Client: Soho Properties Building Typology: Residential

BAY

E-01G E-02G E-03G E-01F E-02F E-03F

W-03C E-01E E-02E E-03E

W-03A W-02C

W-02D

E-01C E-02C S-02D

E-03C E-03D

S-05B S-06C

N-05A N-04A N-03A N-02A

W-03A

N-01A E-01B E-02B E-03B

E-01A E-02A E-02C

N-03C

S-01B S-02B S-03B S-04B S-05C

E-03A

E-05C W-03B W-02E W-01F

S-02A S-03A S-04A

The 43 storey high-rise residential building is located in Tribeca on a small footprint and narrow street. All sides of the building have set backs to allow for multiple vantage points over the city, with unobstructed views and full floor units after a certain level. The silhouette of the building is in contrast to the surrounding to distinguish itself as a residential building. Responsibilities in this project revolved around the elevations, particularly creating curtain wall panels schedules and outlining them along the building.

LEFT: Exterior Rendering: Rendering by SOMA and Soho Properties RIGHT: Building Axonometric - Duties include: Graphically highlighting the edges of the building and mullions Indicating location of the curtain wall panels and referencing to the schedule

16'-0"

17'-0"

SHADOW BOX, NO BACKPAN AT TYPE P201B ONLY

1'-6 3/8"

5' - 2" 4' - 4" 4' - 10" 5' - 0" 5' - 0" 4' - 3" 4' - 6" 5' - 1" 4' - 7" 5' - 4" 4' - 9"

29 SF

53 SF 53 SF 45 SF 47 SF 54 SF 48 SF 57 SF

Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ

29 SF 24 SF 27 SF 28 SF 28 SF 24 SF 25 SF 25 SF 30 SF 27 SF

Window

2'-11 5/8"

20 GAUGE GALVANIZED STEEL BACK PAN 16 GA. ALUMINIUM SHEET WITH WHITE BAKED ENAMEL PAINT, TYP.

3'-0"

Window

5' - 2"

FRIT A

WINDOW AT TYPE P208W ONLY

6 1/8"

3'-0 3/8"

1'-6"

7'-0"

WINDOW AT TYPE P201W ONLY

25 SF 31 SF 27 SF 27 SF

Elevation Bay Width Light Air Count S-02B 5' - 0" 28 SF 6 S-02D 5' - 0" 28 SF 1 208: 7 7 S-02B 5' - 2" 61 29 SF 3 Ɣ SF S-02D 4' - 8" 55 26 SF 1 Ɣ SF 208W: 4 4 Grand total 11

16'-0"

1'-6"

16 GA. ALUMINIUM SHEET WITH WHITE BAKED ENAMEL PAINT, TYP.

1'-6"

16 GA. ALUMINIUM SHEET WITH WHITE BAKED ENAMEL PAINT, TYP.

4 lites, 3 mullions (not including stack joints)

7'-0"

1'-10"

FOIL FACED INSULATION. NO BACKPAN

Count 4 2 9 27 9 6 9 18 1 11 9 2 1 1 1 1 1 4 10 1 1 16 8 152 4 4 2 18 1 2 1 1 1 5 1 1 16 49 205

1'-6"

FOIL FACED INSULATION. NO BACKPAN

Air 31 SF 31 SF 24 SF 26 SF 27 SF 29 SF 6 SF 24 SF 26 SF 27 SF 31 SF 32 SF 28 SF 31 SF 24 SF 26 SF 27 SF 27 SF

1'-6 3/8"

20 GAUGE GALVANIZED STEEL BACK PAN

3'-0"

20 GAUGE GALVANIZED STEEL BACK PAN

Width Light 5' - 5" 5' - 6" 4' - 4" 4' - 9" 4' - 10" 5' - 2" 1' - 6" 4' - 4" 4' - 8" 4' - 10" 5' - 6" 5' - 7" 5' - 0" 5' - 6" 4' - 4" 4' - 7" 4' - 11" 4' - 10" 5' - 1" 4' - 6" 5' - 5" 4' - 9" 4' - 10"

FRIT A

Elevation Bay E-02B E-02B N-02 N-02 N-02 N-02 N-05 N-05 N-05 N-05 N-05 N-05 S-02B S-02B S-03B S-03B S-03B S-04B S-04B S-05B S-05C W-03B W-03B 201: 152 N-02 201B: 4 N-02 N-05 N-05 N-05 S-02B S-03B S-04B S-04B S-05B S-05C W-03B 201W: 49 Grand total

6 1/8"

FRIT B

3'-7 5/8"

6 1/8"

FRIT A

5 lites, 4 mullions (not including stack joints)

PANEL SCHEDULE (P208)

FRIT B

Width Light Air Count 5' - 1" 57 SF 28 SF 2 2 4' - 6" 51 SF 25 SF 1 5' - 1" 58 SF 29 SF 1 2 4

P208: 16' Tall Panels

6 1/8"

FRIT C

1'-5 5/8"

5 lites, 4 mullions (not including stack joints)

Elevation Bay S-04B 101: 2 S-04B S-04B 101W: 2 Grand total

PANEL SCHEDULE (P201)

P201: 16' Tall Panels

PANEL SCHEDULE (P101)

6 1/8"

P101: 17' Tall Panels

P302: 12' Tall Panels

FRIT B

1'-9 5/8"

6 1/8"

FRIT A

Light 69 SF 49 SF 59 SF 48 SF 49 SF 52 SF 55 SF

Air 33 SF 35 SF 24 SF 29 SF 24 SF 24 SF 26 SF 27 SF

Count 2 1 3 1 1 1 1 1 11 11

4 lites, 3 mullions (not including stack joints)

FRIT A

20 GAUGE GALVANIZED STEEL BACK PAN

Width 5' - 9" 6' - 1" 4' - 4" 5' - 3" 4' - 3" 4' - 4" 4' - 7" 4' - 11"

3'-8"

FOIL FACED INSULATION. NO BACKPAN

20 GAUGE GALVANIZED STEEL BACK PAN

16 GA. ALUMINIUM SHEET WITH WHITE BAKED ENAMEL PAINT, TYP.

1'-5 5/8"

Elevation Bay E-03D E-03D N-04 N-04 S-03B S-03B S-03B S-03B 104: 11 Grand total

5 lites, 4 mullions (not including stack joints)

6 1/8"

PANEL SCHEDULE (P104)

7'-6" 8"

1'-6 3/8" 6 1/8"

FRIT C

6 1/8"

1'-6 3/8"

1'-6"

7'-0"

12'-0"

17'-0"

3'-0"

16 GA. ALUMINIUM SHEET WITH WHITE BAKED ENAMEL PAINT, TYP.

Elevation Bay N-02 N-04 N-04 N-05 N-05 N-05 S-02B S-02B S-02D S-03B S-03B S-03B S-04B S-04B S-04B S-05B S-05C S-05C S-05C W-02D W-03A W-03A 302: 119 N-02 N-04 N-05 N-05 S-02B S-02D S-03B S-03B S-04B S-04B S-05B S-05C W-02D W-03A 302W: 60 Grand total

Width Light 5' - 2" 4' - 4" 5' - 3" 4' - 8" 4' - 10" 5' - 7" 5' - 0" 5' - 6" 5' - 0" 4' - 4" 4' - 7" 4' - 11" 4' - 6" 4' - 10" 5' - 1" 4' - 6" 4' - 8" 5' - 2" 5' - 5" 4' - 8" 4' - 9" 4' - 10" 5' - 2" 4' - 4" 4' - 10" 5' - 0" 5' - 0" 4' - 8" 4' - 3" 4' - 11" 4' - 6" 5' - 1" 4' - 7" 5' - 4" 5' - 1" 4' - 9"

Window

PANEL SCHEDULE (P302)

P104: 17' Tall Panels

Air 26 SF 32 SF 28 SF 29 SF 34 SF 31 SF 34 SF 30 SF 26 SF 28 SF 30 SF 27 SF 29 SF 31 SF 27 SF 28 SF 32 SF 33 SF 28 SF 29 SF 29 SF

Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ Ɣ

32 SF 26 SF 29 SF 30 SF 30 SF 28 SF 25 SF 30 SF 27 SF 31 SF 27 SF 33 SF 31 SF 29 SF

Count 27 2 1 4 6 6 3 3 5 9 9 2 1 2 11 6 3 3 9 1 4 2 119 9 1 4 6 3 5 9 3 1 1 6 9 1 2 60 179

ON THIS PAGE: Sample of Curtain Wall Panel Schedule - Duties include: Drawing elevations, sections and axonometrics of each type of curtain panel Annotating and dimensioning indicating each type of frit and necessary assembly Creating schedule indicating location, size, type, count, and totals of all panels

the indeterminate construct

Worldviews shape an understanding of our reality and provide a foundation to how societies think and implement. It is no question that the scientific revolution sculpted the framework of our environment throughout the industrial revolution up till the early stages of modernism. However, the current scientific model does not match the mindset of todayâ&#x20AC;&#x2122;s society. There is comfort in seeking order and regulation yet our reality is much more complex than that. Quantum theory is seen as neither a realist, causal, nor deterministic ideology. It corresponds to a higher degree of intricacy; one that does not have the rational mentality of classical theory. This indeterminate construct looks into how scientific theory, specifically through the philosophy behind quantum physics, can serve as a model to embody an architectural design and provide a means to express our indeterminate reality. It challenges notions of a prescribed program and site, and seeks to investigate ideas of uncertainty in design through manipulation of architectural form, light, material, and experience. TOP: Folded Surface Iteration RIGHT: Superimposing Vantage Points

To experience uncertainty within a space, explorations on surfaces, its materials, and light shining on it were conducted. The direction moved towards manipulating folded surfaces to provide multiple understandings of a space due to a personâ&#x20AC;&#x2122;s vantage point. Different types of light were reflected, refracted, diffused, and absorbed through its interaction with opaque, translucent, clear, and mirrored materials. Investigations of the movement of light -particularly through means of film projections - were conducted. The connection to film provides a peculiar experience that can enhance uncertainty within a space, and provide a loosely based program for the building construct; one that is not limited or rigid, and one that allows for spontaneous interactions to occur within spaces.

TOP: Site Axonometric LEFT: Site Construct

savannah conservatory of music The aim behind the Savannah Conservatory of music is to bring forth an awareness, on an urban level, to the intricacies behind music education and all that it entails. It creates an emphasis on what occurs behind the scenes, and demonstrates the rigorous training by the students trying to reach their desired goal. It is meant to celebrate the musicians that inhabit the building. To achieve this, the â&#x20AC;&#x153;practice room wallâ&#x20AC;? - a series of practice rooms that are adjoined to one another - becomes an important feature to the building. The wall faces the main river front in Savannah, GA. and thus allows the opportunity for the students to indirectly or directly interact with the outside environment in various ways; either visual through their movement or audible through their music. It also allows the outside environment to gain a glimpse of the everyday life of a musician as the public can see silhouettes of them practicing.

1. Main River Street Entrance 2. Performer Entrance 3. Rehearsal Studio 4. Library 5 Classrooms 6. Greenroom 7. Group Dressing Room 8. Individual Dressing Room

9. Prop Storage 10. Costume Storage 11. Instrument Storage 12. Mechanical Room 13. Office 14. 400 Seat Concert Hall 15. 200 Seat Recital Hall 16. Practice Rooms

12 3

6 12

16 14

TOP RIGHT TO BOTTOM RIGHT: Ground Floor Plan Second Floor Plan

17. Music Studio 18. Bay/Emmet Entrance 19. Ticket office 20. Recording Studio 21. Balcony for Students

TOP: Development of Theater and Practice Room Sketch

21 19

TOP: Third Floor Plan BOTTOM: North and River Front Elevation

cellular wall panel

As part of a Rhino 3d class, a wall panel was designed and fabricated in order to exhibit characteristics that focused on the continuity, blending, articulation and smooth aggregation of surfaces, voids and details. The result comprised of breaking up a continuous surface with a cellular structure. Even though the cells are spaced in a random manner, it still depicts the curvature of the original unbroken surface, and this is because the tops of each cell has the smoothness of the original surface intact. This is effectively demonstrated in the bigger cellular structures on the panel. The project developed skills and techniques on working with complex surfaces in Rhino 3d, and envisioning the fabrication of the design through a CNC router with 3 axis. It also required some slight manipulation to the material used as a lot of sanding and spackling was required to attain a certain degree of smoothness.

TOP TO BOTTOM: Wall Panel Axonometric CNC in Progress RIGHT: Cellular Wall Panel

the dancing harps

RiadArchitectureâ&#x20AC;&#x2122;s Dancing Harps is a design attempt to create an abstract form that emulates the elegant fluid motion and curving gestures of Ballroom Dancing. The two sets of strings embrace, interlock, and move around together - similarly to a typical dancing routine. It is a prototype of a large musical instrument that seeks to challenge the notion of musical and visual performances in the 21st century. This project has won the YAF 10up challenge in 2013, and was funded by the AIA Atlanta Chapter. It is comprised of wooden frames, steambended wood members that are painted green, and nylon strings connected between the two members that are painted white. My contribution to Dancing Harps was in the construction process and the documentation of the installation. Duties included, stringing the instrument, tuning a portion of the strings, painting the strings and the wooden members, and photographing the installation.

TOP LEFT TO RIGHT: Photos of Dancing Harp Prototype and its Construction Rendering by RiadArchitecture BOTTOM: Axon of Dancing Harp by RiadArchitecture

in the midst of absurdity