Kylie R. Harper a landscape architecture portfolio
Kylie R. Harper
Fifth Year Non-Baccalaureate Master of Landscape Architecture Graduate Student Department of Landscape Architecture/Regional and Community Planning College of Architecture, Planning & Design Kansas State University krharper@ksu.edu 620.200.4226
Tagged Topography
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Manhattan Mennonite Congregation 11
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Sunset Zoo Butterfly Garden
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Hand Graphics
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Table of Contents
Main Plaza Montage, Denver Metropolitan Studio Project, Arapahoe Square, Denver, Colorado
Tagged Topography
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Arapahoe Plaza is a design proposal for the intersection of 21st Street and Broadway in the Arapahoe Square district in Denver, Colorado. The plaza design includes a pedestrian bridge that gives an identity to the area and serves as a gateway into Denver’s central business district. The design concept of Arapahoe Plaza draws inspiration from nearby graffiti murals or “tags” that represent the existing culture. A series of earthmounds symbolize this graffiti concept three dimensionally and provide various degrees of spatial enclosure. Orange lighting elements represent the bold colors in graffiti art and create an exciting nightlife experience. Arapahoe Plaza is a spatially diverse design that captures the existing culture while strengthening the future potential growth of the Arapahoe Square district.
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street design
existing traffic condition
proposed spacing strategy and pedestrian bridge
land use diagrams Massing Diagram new buildings renovated/repurposed buildings
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Civic and Social Services
Mixed Use Development
civic
entertainment
transitional housing
retail, office and residential
low income housing
retail and office
Green Spaces green roofs turf and street trees
22nd street
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oa
dw
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california street
ch a m pa
arapahoe plaza
stout street
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r st
curtis street
arapahoe street
21st festival street
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light rail
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illustrative plan The proposed land uses for Arapahoe Square are primarily influenced by the existing site context. The placement of retail, office, and residential buildings is concentrated in the western portion of the district because of the proximity
to Denver’s central business district and Coor’s Field. Proposed low income residential and social welfare buildings are located to the east near the existing neighborhoods. Parking is located adjacent to the existing light rail station,
civic buildings, and along the Festival Street. Additionally, green spaces create points of interest that guide visitors along the Festival Street which terminates at Coor’s Field. 05
linework overlays
derived forms and program
spatial hierarchy My Inspiration, Photograph of Graffiti, Arapahoe Square, Denver, Colorado final design 06
process
A framework was established by drawing lines that illustrate existing relationships and connections to the site context. The relative size and location of the shapes created by the lines suggest spatial hierarchy and ultimately drove programmatic development. The rapid overlaying of graffiti and brick linework establishes another framework that guides forms.
The forms derived from the graffiti and brick linework overlays were originally envisioned as being raised planters of dense vegetation. However, after considering the pedestrian bridge landing on top of one of these two dimensional forms, the idea of earthmounds seemed more congruent with the plaza design concept, emulating graffiti three dimensionally.
The earthmounds symbolically represent the bold, organic strokes of graffiti and activate the vertical space of the plaza design. However, the “strokes” were lacking vivid colors, which are commonly used in graffiti art. This issue was resolved with the exploration of various lighting features.
With the inclusion of lighting features, a new concept of light and shadow manifested within the plaza. A light wall, inspired by Peter Walker’s Kiel Plaza, separates the main plaza space from a forest of light sticks that represents fragments of color in graffiti. These lighting elements create a “light walk” on the southern half of the site that contrast the shadows on the northern half of the plaza.
Exploration of Lighting Elements
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illustrative plan 21st street
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amphitheater seating
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Office, Retail, and Residential Buildings
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pe lk
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elevator
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diagrams Circulation
Lighting Elements primary
landforms
secondary
amphitheater
tertiary
light wall
Program
Vegetation light walk
landforms
amphitheater
trees
pedestrian bridge intimate rest area
section illustrating spatial qualities pedestrian bridge
light walk
stage
amphitheater seating
intimate rest area
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Irrigation Plan, Manhattan Mennonite Congregation Project, Poyntz Avenue, Manhattan, Kansas
Manhattan Mennonite Congregation The Manhattan Mennonite Congregation was a planting design project for the proposed Mennonite Church facility to be located on the 800th block of Poyntz Avenue, Manhattan, Kansas. Given only a building footprint, Angela Mayer and I were required to detemine the most suitable locations for the church facility and other various program elements after a series of site visits. After the site elements were conceptually laid out, plants were then used to define and accentuate the spaces.
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illustrative plan
poyntz avenue
law office
church
8th street
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playground
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ph it h
9th street
plaza
parking lot bioswale
the great lawn private residence
houston street 0
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seasonal diagrams
winter
spring
summer
autumn
woody plant palette
betula nigra/ river birch juniperus davurica ‘parsonii’/ parson’s juniper acer griseum/ paperbark maple acer freemanii ‘autumn blaze’/ autumn blaze maple thuja occidentalis/ eastern arborvitae
berberis thunbergii ‘crimson pygmy’/ crimson pygmy barberry gleditsia triacanthos/ honeylocust viburnum carlesii/ korean spice viburnum ligustrum vicaryi/ golden privet
zelkova serrata/ zelkova
ostrya virginiana/ american hophornbeam
ginkgo biloba/ maidenhair tree
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planting plan
poyntz avenue
law office church
ea te
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playground
am
ph it h
9th street
plaza
parking lot bioswale
private residence
the great lawn
houston street 14
construction documents The Manhattan Mennonite Congregation project was not only my first planting design project, but was also my first construction project as well. The illustrative plan that I made for studio was transcribed into a series of construction documents; the planting and grading plans were drawn first and followed by earthwork estimation. Earthwork estimation was calculated using the Averge Depth, End Area, and Contour Area methods. I also completed dimensioning, construction details, irrigation, and lighting/electrical drawings for the site design.
grading plan
average end area plan
deck detail 15
Terrace Perspective, Sunset Zoo Bioretention Project, Sunset Zoological Park, Manhattan, Kansas
Sunset Zoo Butterfly Garden The Sunset Zoo Butterfly Garden was a design proposal submitted by Katy Molaskey and I for a rain garden project at Sunset Zoological Park in Manhattan, Kansas. During the Spring 2011 semester, zoo officials chose the Butterfly Garden project to be implemented within Sunset Zoo. The design transforms a stretch of several existing parking stalls into a terraced rain garden that captures and cleanses stormwater runoff from the adjacent service street. The planting design consists of native, water tolerant plants that attract butterflies. Additionally, informative signage about native butterfly species, life cycles, and migration patterns is used as an educational tool for zoo visitors.
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service street
recycled concrete
limestone check dam
fire hydrant
power line
service area
illustrative plan
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The majority of the materials used in the design, excluding the streambed gravel, are recycled materials from prior sidewalks and other precedent projects in the Sunset Zoological Park. Inspired by the pattern of a butterfly wing, each terrace has a low point in the center which allows shallow pooling of stormwater. The terraces gradually step down half a foot from south to north which directs excess stormwater into the next, lower terrace, essentially creating an appealing effect during rain events.
cross-sectional layers
slope stabilizing gravel service street
existing drain
4 inch soil layer streambed
3 inch gravel layer
sub-soil
longitudinal section layers
4 inch soil layer existing access sidewalk
streambed 3 inch gravel layer
limestone check dam
sub-soil
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site photos
Prior Site Conditions
Design Implementation 20
Water Tolerant Plants Placed in Low Point of Terrace
Student Volunteers Helping with Planting 21
Ink and Marker Sketch, Eco-revelatory Project, Wildcat Creek, Manhattan, Kansas 22
Hand Graphics Art is my passion. Growing up, my mother always encouraged me to draw and paint after school rather than watch television or play video games. Being an artist herself, I am inspired by my mother’s creativity. Every time I visit home, I discover something new that she has made, whether it is a clothes dresser covered in papiermâché book pages or a mirror frame crafted from sticks that were collected from the front yard. Because of her, I am constantly searching for new ways to artfully express myself and my studio work.
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ink drawing
This ink drawing was my response to the disappearance of the eco-revelatory project that Rachel Barth, Aaron Johnson, and I were supposed to document for the entire Fall 2009 semester. I drew in a comic style because I thought that our misfortune (two weeks into the semester) was rather funny, especially since our professor stated that rebuilding is discouraged. Assuming that flood waters snapped the limb in two, my teammates and I continued to sketch the surrounding context. However, shortly after this drawing, we met an elderly man who, upon our inquiry, informed us that he “deleted” our project from the scenery.
L’Arbre Comic, Eco-revelatory Project, Wildcat Creek, Manhattan, Kansas 24
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charcoal sketches
These charcoal sketches were drawn in October 2009 at one of my favorite places, Anneberg Park, which lies on the western fringe of Manhattan, Kansas. Located in the Flint Hills, the park is surrounded by a two mile trail loop that meanders among the rolling cuestas that define the geographical region. Whenever I get a chance to exercise, I enjoy jogging along this trail.
Anneberg Park, Manhattan, Kansas 26
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graphite renderings
Entrance into The Big Well Museum 28
These graphite renderings were produced for the Greensburg Identity Project in my Site Design Studio during the Spring 2010 semester. The Greensburg Identity Project involved the redevelopment of the two city blocks that surround the Big Well Museum in Greensburg, Kansas. The final products were given to the City of Greensburg for design inspiration.
AllĂŠe Perspective Greensburg Identity Project, Greensburg, Kansas 29
thank you.
Blake Belanger, rla, asla Assistant Professor Department of Landscape Architecture/Regional and Community Planning College of Architecture, Planning & Design Kansas State University belanger@ksu.edu 785.532.1096
Jessica Canfield Assistant Professor Department of Landscape Architecture/Regional and Community Planning College of Architecture, Planning & Design Kansas State University jesscan@ksu.edu 785.532.7083
Chip Winslow Professor Department of Landscape Architecture/Regional and Community Planning College of Architecture, Planning & Design Kansas State University chipwin@ksu.edu 785.341.0229