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The intersection of art and architecture.

DE YOUNG MUSEUM DESIGNED BY HERZOG & DE MEURON ZAHNER PROVIDED METAL & GLASS | BUILDING ENVELOPE | FACADE & ROOF The intersection of art and architecture.

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MISSION ์ฐจ์›์„ ๋›ฐ์–ด๋„˜๋Š” ๊ธฐ์ˆ ๋ ฅ ๋ฐ ์ œํ’ˆ ๊ตฌํ˜„ ์žฌ์ด๋„ˆ๋Š” ์„ค๊ณ„์—์„œ๋ถ€ํ„ฐ ์‹œ๊ณต์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ๊ณ ๊ฐ์˜ ๊ธฐ๋Œ€๋ฅผ ๋›ฐ์–ด๋„˜๋Š” ๊ธฐ์ˆ ๊ณผ ์ œํ’ˆ์„ ๊ตฌํ˜„ํ•˜๊ฒ ๋‹ค๋Š” ์‚ฌ๋ช…๊ฐ์œผ๋กœ ์ž„ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์—์„œ ๊ฐœ๋ฐœํ•œ ์ƒˆ๋กœ์šด ๊ณต์ • ๊ด€๋ฆฌ ๊ธฐ์ˆ , ํ‘œ๋ฉด ๊ตฌํ˜„ ๋Šฅ๋ ฅ, ํ˜์‹ ์€ ๊ธฐ๋Œ€ ์ด์ƒ์˜ ์„ฑ๊ณผ๋ฅผ ๊ฐ€์ ธ๋‹ค ์ค„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์˜ ์„ค๊ณ„์ธ๋ ฅ ๋ฐ ์—”์ง€๋‹ˆ์–ด๋“ค์€ ๊ธฐ์กด ์„ค๊ณ„ ์˜๋„์— ์ž…๊ฐํ•˜์—ฌ ์ƒ์„ธ ์„ค๊ณ„๋ฅผ ํšจ๊ณผ์ ์œผ๋กœ ๋ฐœ์ „์‹œํ‚ค๋ฉฐ, ์ด๋กœ์จ ์—ฌ๋Ÿฌ๋ถ„์€ ํ•œ ์ฐจ์› ๋›ฐ์–ด๋„˜๋Š” ๋น„์ „๊ณผ ์ž‘ํ’ˆ์„ ๊ฒฝํ—˜ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š”

Zahner Headquarters 1400 E. 9th Street Kansas City, Missouri 64106 United States of America p +1 (816) 474-8882 f +1 (816) 474-7994 www.azahner.com

์—ฌ๋Ÿฌ๋ถ„์˜ ๋น„์ „๊ณผ ํ•จ๊ป˜ํ•จ๊ณผ ๋™์‹œ์— ๊ทธ ๋น„์ „์„ ํ•œ ๋‹จ๊ณ„ ๋Œ์–ด์˜ฌ๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค. ํ•˜๋‚˜์˜ ํ”„๋กœ์ ํŠธ๊ฐ€ ์™„์„ฑ๋˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์ˆ˜๋ฐฑยท์ˆ˜์ฒœ ๊ฐ€์ง€์˜ ๋ถ€ํ’ˆ์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์—์„œ์˜ ์ œ์ž‘ ๊ธฐ๊ฐ„ ๋™์•ˆ ์ด๋“ค ๋ถ€ํ’ˆ์€ ์ „์ž ์‹œ์Šคํ…œ์„ ํ†ตํ•ด ๊ด€๋ฆฌ๋˜๋ฉฐ ๊ณต์‚ฌ ์ผ์ •์— ๋งž์ถ”์–ด ํ˜„์žฅ์œผ๋กœ ์šด์†ก๋ฉ๋‹ˆ๋‹ค. ์„ค์น˜ ๊ณต์ •์—๋„ ์ฒด๊ณ„ํ™”๋œ ๊ณผ์ •์„ ๋„์ž…ํ•˜์—ฌ ์กฐ์ง์ ์œผ๋กœ ๊ณต์‚ฌ๋ฅผ ๊ด€๋ฆฌยท์ง„ํ–‰ํ•ฉ๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์˜ ํ˜„์žฅ ์—”์ง€๋‹ˆ์–ด๋“ค์€ ์ตœ๊ณ ์˜ ๊ธฐ์ˆ ๋ ฅ์„ ๋ฐ”ํƒ•์œผ๋กœ ์ •ํ™•ํ•œ ์‹œ๊ณต์„ ์œ„ํ•ด ๋Š์ž„์—†์ด ๋…ธ๋ ฅํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ณ ๊ฐ์˜ ๊ธฐ๋Œ€์— ๋ถ€์‘ํ•˜๊ณ  ์ด๋ฅผ ๋„˜์–ด์„ ๋‹ค๋Š” ๊ฒƒ์€ ์ฐจ๋ณ„ํ™”๋œ ์ž‘ํ’ˆ ๊ตฌํ˜„์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์ „๋ฌธ์„ฑ์„ ๋ฐ”ํƒ•์œผ๋กœ ๋น„์šฉ ์ ˆ๊ฐ๊ณผ ํ’ˆ์งˆ ๋ณด์žฅ์„ ๋™์‹œ์— ์‹คํ˜„ํ•˜๊ณ , ๊ณ ๊ฐ์˜ ๋น„์ „์„ ์ดํ•ดํ•จ๊ณผ ๋™์‹œ์— ์šฐ๋ฆฌ์˜ ๊ฒƒ์„ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด ์‹œ๊ฐ„๊ณผ ๋…ธ๋ ฅ์„ ์•„๋ผ์ง€ ์•Š๋Š”๋‹ค๋Š” ๋œป์ž…๋‹ˆ๋‹ค. ์ด๊ฒƒ์ด ๋ฐ”๋กœ ์žฌ์ด๋„ˆ๊ฐ€ ํƒ€์‚ฌ์™€ ์ฐจ๋ณ„ํ™”๋˜๋Š” ์ด์œ ์ž…๋‹ˆ๋‹ค.

์„œ์šธํŠน๋ณ„์‹œ ์†กํŒŒ๊ตฌ ์†กํŒŒ๋Œ€๋กœ 381 (์„์ดŒ๋™, ์˜คํผ์Šค๋นŒ๋”ฉ 7์ธต) 7FI., Opus Bldg., Songpa-daero Songpa-Gu, Seoul, Korea

p +82 (2) 3401-1100 f +82 (2) 3420-6144 www.azahner.co.kr JANUARY 2014 2

This is Design Assist. The intersection of art and architecture.

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Design Assist๋Š” 1999๋…„ EMP ๋ฐ•๋ฌผ๊ด€(Experience Music Project Museum)์„ ์„ค๊ณ„ํ•˜๋ฉด์„œ ์ฒ˜์Œ ๋„

๋น„์šฉ์ ˆ๊ฐ

์ž…๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์˜ ์—”์ง€๋‹ˆ์–ด๋“ค์€ ํ”„๋žญํฌ ๊ฒŒ๋ฆฌ์˜ ์„ค๊ณ„ํŒ€๊ณผ ๋ณต์žกํ•œ ์™ธ์žฅ ์„ค๊ณ„ ๋ฐฉ์•ˆ์„ ํ•จ๊ป˜ ๋…ผ์˜ํ•˜์˜€์Šต

๋งค ํ”„๋กœ์ ํŠธ์˜ ์ดˆ๊ธฐ ๋‹จ๊ณ„์— ์ž๋™ํ™” ์ „๋žต, ๋ถ„์„์  ๊ณต์ • ์ง„ํ–‰, ์ „๋ฌธ์  ์—ญ๋Ÿ‰ ๋ฐœํœ˜๋ฅผ ํ†ตํ•ด ๋น„์šฉ ์ ˆ๊ฐ ๋ฐฉ์•ˆ์„ ๊ฐ•

๋‹ˆ๋‹ค. ๋””์ž์ธ ์–ด์‹œ์ŠคํŠธ(Design Assist)๋Š” ๋ณต์žกํ•œ ๊ฑด์ถ•๋ฌผ์„ ์„ค๊ณ„ํ•  ๋•Œ ํšจ๊ณผ์ ์ธ ํ˜‘๋ ฅ๊ณผ์ •์ด๋ฉฐ ์ตœ์ƒ์˜ ์ œํ’ˆ์œผ๋กœ ๊ณ 

๊ตฌํ•ฉ๋‹ˆ๋‹ค.

๊ฐ์˜ ๊ธฐ๋Œ€๋ฅผ ์ถฉ์กฑ์‹œํ‚ค๊ธฐ ์œ„ํ•œ ์šฐ๋ฆฌ์˜ ๋…ธ๋ ฅ์ž…๋‹ˆ๋‹ค.

๊ณต์ •๋‹จ์ถ• Design Assist๋ฅผ ํ†ตํ•ด ๊ณ ๊ฐ์€ ํ’ˆ์งˆ, ๋น„์šฉ, ๊ณต์ •์„ ์ง์ ‘ ๊ด€๋ฆฌํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์˜ ๊ธฐ์ˆ ์ž๋“ค

์žฌ์ด๋„ˆ ์‹œ์Šคํ…œ์€ ํ˜„์žฅ ์ž‘์—…๋Ÿ‰์„ ์ค„์ด๋Š” ๊ฒŒ ๋ชฉํ‘œ์ž…๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์˜ ์„ค์น˜ ํ˜‘๋ ฅ์‚ฌ๋“ค์€ ๊ณต์ • ๋‹จ์ถ•์„ ์œ„ํ•œ ์žฌ์ด

์€ ๋น„์šฉ์„ ์ ˆ๊ฐํ•˜๋ฉด์„œ๋„ ์ตœ๊ณ  ํ’ˆ์งˆ์˜ ์„ค๊ณ„๋ฅผ ์–ด๋–ป๊ฒŒ ์ด๋Œ์–ด๋‚ด์•ผ ํ• ์ง€ ์ œ๋Œ€๋กœ ์ดํ•ดํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ์™€ ํ•จ

๋„ˆ์˜ ์‹œ์Šคํ…œ ํ™œ์šฉ ๋ฐฉ์•ˆ์„ ์ œ๋Œ€๋กœ ์ดํ•ดํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

๊ป˜๋ผ๋ฉด ๋…ํŠนํ•œ ๊ฑด์ถ•๋ฌผ์„ ์„ค๊ณ„, ์‹œ๊ณตํ•  ๋•Œ ๋ฐœ์ƒํ•˜๋Š” ์—ฌ๋Ÿฌ ๊ฐ€์ง€ ๋ฌธ์ œ๋ฅผ ํšจ๊ณผ์ ์œผ๋กœ ํ•ด๊ฒฐํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.

ํ’ˆ์งˆํ–ฅ์ƒ ๋น„์šฉ์ ˆ๊ฐ๊ณผ ๊ณต์ •๋‹จ์ถ•์€ ํ’ˆ์งˆ์„ ์ €ํ•˜์‹œํ‚ค๋Š” ๊ฒƒ์ด ์•„๋‹Œ, ์˜คํžˆ๋ ค ๊ณ ํ’ˆ์งˆ ๊ฒฐ๊ณผ๋ฌผ์„ ์™„์„ฑ์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ์ด์œ ๊ฐ€ ๋ฉ๋‹ˆ๋‹ค. ๋ฏธ์  ๊ธฐ์ค€์„ ํ›ผ์†ํ•˜์ง€ ์•Š์œผ๋ฉด์„œ๋„ ํšจ์œจ์ ์ธ ๋ฐฉ์•ˆ์„ ์ฐพ๋Š” ๋Šฅ๋ ฅ์ด ๋ฐ”๋กœ ์žฌ์ด๋„ˆ์˜ ์ „๋ฌธ์„ฑ์ž…๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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Artisans work on the Liverpool Department Store (opposite top) at the Zahner Headquarters ์žฌ์ด๋„ˆ๋Š” ๋›ฐ์–ด๋‚œ ๊ธฐ์ˆ ์ž์™€ ์žฅ์ธ๋“ค์„ ์˜์ž…ํ•˜๋ฉด์„œ ๊พธ์ค€ํžˆ ์„ฑ์žฅํ•˜์˜€๊ณ  ํ”„๋กœ์ ํŠธ ์ˆ˜ ํ–‰ ์—ญ๋Ÿ‰์— ๋Œ€ํ•œ ์‹ ๋ขฐ๋ฅผ ๊ตฌ์ถ•ํ•˜์˜€์Šต๋‹ˆ๋‹ค. 2009์—๋Š” ํ…์‚ฌ์Šค ์ฃผ(ๅทž) ๋Œˆ๋Ÿฌ์Šค์— ์ œ์ž‘ ๊ณต์žฅ์„ ๊ฑด๋ฆฝํ•˜์˜€์œผ๋ฉฐ, ์ด๋Š” ๋ฏธ๊ตญ ๋‚จ๋ถ€์—์„œ ๊ฐ€์žฅ ๊ฑฐ๋Œ€ํ•œ ๋ฉ”ํŠธ๋กœํด๋ฆฌ์Šค ์ง€์—ญ์ธ ํฌํŠธ์›Œ์Šค ๋ฉ”ํŠธ๋กœํ”Œ๋ž™์Šค (Fort Worth metroplex)์— ์œ„์น˜ํ•œ ์‹ญ์ˆ˜ ๊ฐœ์˜ ์‹ ๊ทœ ํ”„๋กœ์ ํŠธ๋ฅผ ์ถ”์ง„ํ•˜๋Š” ์ „๋žต์  ๊ฑฐ์ ์ด ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

2011๋…„์—๋Š” ๋ฏธ๊ตญ๋™์„œ๋ถ€์—์„œ ๊ฐ€์žฅ ํฐ CNC ์žฅ๋น„๋ฅผ ๋„์ž…ํ•˜์—ฌ V-cut ๋“ฑ์˜ ๊ณต์ •์ด ๊ฐ€๋Šฅํ•˜๋„๋ก ์„ค ๋น„๋ฅผ ์ฆ๊ฐ•์‹œ์ผฐ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ์•ผ์™ธ์ž‘์—…์žฅ ๋ฐ 9300 ํ‰๋ฐฉ๋ฏธํ„ฐ์— ๋‹ฌํ•˜๋Š” ๊ณต์žฅ ์„ค๋น„๋ฅผ ๊ฐ–์ถ”๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

Zahner Dallas, Texas

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Zahner Headquarters and Campus, Kansas City, Missouri

The intersection of art and architecture.

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โ€œZahner provides exemplary craftsmanship in everything they undertake, and are seriously and extremely committed to Architecture, with a capital A.โ€ โ€” Frank Gehry, letter to the Architects Institute of America, 2007

Zahner Headquarters, Kansas City, Missouri

์žฌ์ด๋„ˆ๋Š” ๊ธˆ์† ๋ฐ ๋””์ง€ํ„ธ ์ œ์ž‘ ๋ถ€๋ฌธ์—์„œ ํ˜์‹ ์„ ์ฃผ๋„ํ•˜๋ฉฐ ์„ธ๊ณ„์  ๋ช…์„ฑ์„ ์ž๋ž‘ํ•ฉ๋‹ˆ๋‹ค. ์•ฝ 250๋ช…์ด ๋Œˆ๋Ÿฌ์Šค์™€ ๋ฏธ์ฃผ๋ฆฌ ์ฃผ(ๅทž) ์บ”์ž์Šค์‹œํ‹ฐ ๋ณธ์‚ฌ์—์„œ ์ผํ•˜๊ณ  ์žˆ์œผ๋ฉฐ ํ”„๋กœ์ ํŠธ ๋ณ„๋กœ ํŒ€์„ ์ด๋ค„ ์‹œ์ž‘๋ถ€ํ„ฐ ๋งˆ๋ฌด๋ฆฌ๊นŒ์ง€ ์ „ ๊ณผ์ •์„ ๊ด€๋ฆฌํ•ฉ๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ์ƒˆ๋กญ๊ณ  ์ง€์†๊ฐ€๋Šฅํ•œ ๊ธˆ์†์˜ ๊ฑด์ถ•๋ฌผ ์ ์šฉ, ํŒŒํ‹ฐ๋‚˜ ๋“ฑ ๋‹ค์–‘ํ•œ ํ‘œ๋ฉด ๋ฐ ํ˜•ํƒœ ๊ตฌํ˜„ ๊ธฐ์ˆ ์„ ๊ฐœ๋ฐœํ•จ์œผ๋กœ์จ ์—…๊ณ„๋ฅผ ์ด๋Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์„ฑ์‹คํ•˜๊ณ  ๋›ฐ์–ด๋‚œ ๊ธฐ์ˆ ์ž์™€ ์žฅ์ธ์€ ๊ณ ๊ฐ์˜ ๊ธฐ๋Œ€๋ฅผ ๋›ฐ์–ด๋„˜๋Š” ์ตœ๊ณ ์˜ ์„ฑ๊ณผ๋ฌผ์„ ์ œ๊ณตํ•˜๋Š” ์›์ฒœ์ž…๋‹ˆ๋‹ค. L. ์œŒ๋ฆฌ์—„ ์žฌ์ด๋„ˆ๋Š” ๋‹น์‚ฌ์˜ CEO์ด์ž ํšŒ์žฅ์œผ๋กœ์„œ ๊ฑด์ถ• ๊ธˆ์† ๋ถ€๋ถ„์—์„œ ์ €๋ช…ํ•œ ์ „๋ฌธ๊ฐ€์ž…๋‹ˆ๋‹ค. ๋ฏธ๊ตญ๊ฑด์ถ•๊ฐ€ํ˜‘ํšŒ(American Institute of Architects)๋Š” 2007๋…„, ๊ฑด์ถ•์  ์ „๋ฌธ์„ฑ๊ณผ ๊ธˆ์†์— ๋Œ€ํ•œ ์ง€์‹ ์ „ํŒŒ๋ฅผ ํ–ฅํ•œ ์—ด์ •, ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ๊ฑด์ถ•๋ฌผ์— ๋Œ€ํ•œ ๋…ธ๊ณ ๋ฅผ ์น˜ํ•˜ํ•˜๋ฉฐ ๋ช…์˜ˆํšŒ์›์ง์„ ์ˆ˜์—ฌํ•˜์˜€์Šต๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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ZEPPSรข„ห˜ + DESIGN ASSIST

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The intersection of art and architecture.

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โ€œWhenever we design a building with a complex metal skin, our first thought is to call Zahner to make sure they are interested in bidding the job.โ€œ

โ€” Paul Fehlau Executive Senior Associate,

Antoine Predock Architect PC

Museum of Science & Industry (MOSI), Tampa, Florida

ํ”Œ๋กœ๋ฆฌ๋‹ค ์ฃผ(ๅทž) ํƒํŒŒ ์‹œ์— ์œ„์น˜ํ•œ ๊ณผํ•™์‚ฐ์—…๋ฐ•๋ฌผ๊ด€(Museum of Science and Industry)์€ ๊ณก์„ ์œผ๋กœ ์ด๋ฃจ์–ด์ง„ ๊ฑด๋ฌผ์— ์‹œํŠธ ๊ธˆ์†์ด ๋ฎ์ธ ํ˜•ํƒœ๋กœ, ์—”์ง€๋‹ˆ์–ด๋ง ๋ฐ ์„ค๊ณ„ ๋‚œ์ด๋„๊ฐ€ ๋งค์šฐ ๋†’์€ ํ”„๋กœ์ ํŠธ์ž…๋‹ˆ๋‹ค. ์•ฝ 20๋…„ ์ „์— ์™„๊ณต๋œ ์ด ๊ฑด๋ฌผ์€ ์žฌ์ด๋„ˆ๋ฅผ ์ผ๋ฐ˜์ ์ธ ์‹œํŠธ ๊ธˆ์† ํšŒ์‚ฌ์—์„œ ์„ธ๊ณ„์ ์ธ ํŒŒ์‚ฌ๋“œ ์—…์ฒด๋กœ ๊ฑฐ๋“ญ๋‚˜๊ฒŒ ํ•œ ๋ถ„์ˆ˜๋ น์ด ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์‹œํŠธ ๊ธˆ์†์€ ์ข…์ด์™€ ๋น„์Šทํ•˜๊ฒŒ ์–‘๋ฐฉํ–ฅ์œผ๋กœ ๋™์‹œ์— ํœ˜์ง€ ์•Š์œผ๋ ค๋Š” ์„ฑ์งˆ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ํ•œ ๋ฒˆ์— ์–‘๋ฐฉํ–ฅ์œผ๋กœ ๊ธˆ์†์„ ํœ˜๊ฒŒ ํ•˜์—ฌ ๊ตฌ ๋ชจ์–‘์˜ ๋”์„ ์™„์„ฑํ•˜๊ธฐ ์œ„ํ•ด ๋งž์ถคํ˜• ์‹œ์Šคํ…œ์„ ๊ฐœ๋ฐœํ•˜์˜€์œผ๋ฉฐ, ์ด๋Š” ํ–ฅํ›„

ZEPPSโ„ข ํ”„๋กœ์„ธ์Šค๋ผ๋Š” ์ด๋ฆ„์œผ๋กœ ์ œํ’ˆ์„ ์ƒ์‚ฐํ•˜๊ฒŒ ๋˜๋Š” ์ดˆ์„์ด ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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METAL

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GLASS

CERAMIC

BEYOND

The intersection art and Building, architecture. McCoyofFederal Jackson, Mississippi

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McCoy Federal Building, Jackson, Mississippi

๋ฏธ์‹œ์‹œํ”ผ ์ฃผ(ๅทž) ์žญ์Šจ ์‹œ์— ์œ„์น˜ํ•œ ๋ฏธ์—ฐ๋ฐฉ๋ฒ•์›, ๋ฏธ์—ฐ๋ฐฉ์กฐ๋‹ฌ์ฒญ ๊ฑด๋ฌผ์€ ์œ ๋ฆฌ์™€ ์ฒ , 300~750cm ๊ธธ์ด์˜

์ต์ŠคํŠธ๋ฃจ์ ผ 260๊ฐœ๊ฐ€ ZEPPSโ„ข ์‹œ์Šคํ…œ์— ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค. ZEPPSโ„ข ์‹œ์Šคํ…œ์ด ๋งŒ๋“ค์–ด๋‚ด๋Š” ๊ณก๋ฉด์„ ๋”ฐ๋ผ 1,078๊ฐœ์˜ ์œ ๋ฆฌํŒ์ด ์•ฝ2์ฒœ๊ฐœ์˜ ์ง€์ง€๋ฌผ์— ๊ณ ์ •๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค. ์„ค๊ณ„๋Š” ์Šˆ์™ˆ์ธ  +์‹ค๋ฒ„(Schwartz+Silver Architects)๊ฐ€ ๋‹ด๋‹นํ•˜์˜€์œผ๋ฉฐ, ์žฌ์ด๋„ˆ์˜ ์—”์ง€๋‹ˆ์–ด๋ง ๋ฐ ํ”„๋กœ๊ทธ๋ž˜๋ฐ ์ „๋ฌธ๊ฐ€๋“ค์€ ์„ฑ๊ณต์ ์œผ๋กœ ์ œ๊ฐ๊ธฐ ๋‹ค๋ฅธ ์œ ๋ฆฌํŒ์„ ์ •ํ™•ํ•˜๊ฒŒ ์ œ์ž‘ํ•ด ๋ƒ„์œผ๋กœ์จ ๋…ํŠนํ•œ ๊ฑด์ถ•๋ฌผ์˜ ํƒ„์ƒ์— ๊ธฐ์—ฌํ•˜์˜€์Šต๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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Mockup for Sol Lewittโ€™s 1 3 5 7 9 11

์†” ๋ฅด์œ—(Sol Lewitt)์ด ๋„ฌ์Šจ์•„ํŠธํ‚จ์Šค ๋ฏธ์ˆ ๊ด€(Nelson-Atkins Museum of Art) ์˜๋ขฐ๋กœ ์ž‘ํ’ˆ <1, 3, 5, 7, 9, 11>์„ ์ œ์ž‘ํ•  ๋‹น์‹œ ๋ฏธ์ˆ ๊ด€์€ ๊ธฐํ•˜ํ•™์  ํ”ผ๋ผ๋ฏธ๋“œ์˜ ์ œ์ž‘์„ ์žฌ์ด๋„ˆ์—๊ฒŒ ์˜๋ขฐํ•  ๊ฒƒ์„ ๊ถŒํ•˜์˜€์Šต๋‹ˆ๋‹ค.

์†” ๋ฅด์œ—์˜ ์ด์ „ ์กฐ๊ฐ ์ž‘ํ’ˆ์€ ์œ ๋Ÿฝ์‚ฐ ์ œํ’ˆ์„ ์‚ฌ์šฉํ•œ ๊ฒƒ์œผ๋กœ, ํ‹ฐ๊ทธ(TIG) ์šฉ์ ‘์„ ํ•˜์˜€๊ธฐ์— ๋ชจ์„œ๋ฆฌ ๋ถ€๋ถ„์ด ๋‘ฅ๊ธ€๊ฒŒ ๋งˆ๋ฌด๋ฆฌ๋  ์ˆ˜๋ฐ–์— ์—†์—ˆ์Šต๋‹ˆ๋‹ค. ๋ฐ˜๋ฉด์— ์žฌ์ด๋„ˆ๋Š” ์ธํ„ฐ๋ฝํ‚น ์ด์Œ์„ ํ†ตํ•ด ์šฉ์ ‘๋ถ€๊ฐ€ ์ „ํ˜€ ๋“œ๋Ÿฌ๋‚˜์ง€ ์•Š๋Š” ๋””์ž์ธ ์†”๋ฃจ์…˜์„ ์ œ์•ˆํ•˜์˜€์Šต๋‹ˆ๋‹ค(์‚ฌ์ง„ ์œ„). ์ด๋ ‡๊ฒŒ ์ œ์ž‘๋œ ์•Œ๋ฃจ๋ฏธ๋Š„

The artist cannot imagine art, and cannot perceive it until it is complete.

๊ณจ์กฐ๋Š” ์†” ๋ฅด์œ—์˜ ์‹œ๊ทธ๋‹ˆ์ฒ˜ ์žฌ๋ฃŒ์ธ ๋ฐฑ์ƒ‰ ์—๋‚˜๋ฉœ๋กœ ๋งˆ๊ฐํ•œ ํ›„ ์บ”์ž์Šค์‹œํ‹ฐ์— ์œ„์น˜ํ•œ ๋„ฌ์Šจ์•„ํŠธํ‚จ์Šค ๋ฏธ์ˆ ๊ด€์— ์ „์‹œ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

โ€” Sol Lewitt, from Sentences on Conceptual Art, January 1969

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The intersection of art and architecture.

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WORLD

CURVES

Liverpool Flagship Department Store, Mexico City, Mexico

Visualized schedule of panel section exports for The Liverpool Flagship Department Store ๋ฆฌ๋ฒ„ํ’€ ํ”Œ๋ž˜๊ทธ์‹ญ ๋ฐฑํ™”์  ํŒจ๋„ ์„ค์น˜ ๊ณต์ •ํ‘œ 2011๋…„๋ถ€ํ„ฐ ์žฌ์ด๋„ˆ๋Š” ZEPPSโ„ข ๊ธฐ์ˆ  ์ˆ˜์ถœ์„ ์‹œ์ž‘ํ•˜์˜€์Šต๋‹ˆ๋‹ค. ZEPPSโ„ข๋Š” ๊ธˆ์†, ์œ ๋ฆฌ, ์„ธ๋ผ๋ฏน ๋“ฑ์œผ๋กœ ์ด๋ฃจ์–ด์ง„ ๋น„์„ ํ˜•์˜ ๋ณต์žกํ•œ ์™ธ์žฅ ๊ฑด์ถ•์„ ๋‹จ์ˆœํ™”ํ•  ์ˆ˜ ์žˆ๋Š” ํŠนํ—ˆ๊ธฐ์ˆ ์ž…๋‹ˆ๋‹ค. ZEPPSโ„ข๋ฅผ ๊ตฌ์„ฑํ•˜๋Š” ๋ถ€ํ’ˆ์€ ์‚ฌ์ „ ์กฐ๋ฆฝ๋˜์–ด ๋ฐ˜์ œํ’ˆ ํ˜•์‹์œผ๋กœ ํ•ด๋‹น ์œ„์น˜์— ์šด์†ก๋˜๋ฉฐ, ์ดํ›„ ์žฌ์ด๋„ˆ์˜ ๊ฐ๋… ํ•˜์— ํ˜„์žฅ ์„ค์น˜๊ฐ€ ์ด๋ฃจ์–ด์ง‘๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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โ€œEven though we had never collaborated with them before, Zahnerโ€™s credentials and experience clearly indicated that they were the ideal candidate for this project. The design and fabrication process we went through has been one of the most rewarding collaborations we have had in recent years.โ€œ โ€” Gerardo Salinas, Partner, Rojkind Arquitectos

Liverpool Flagship Department Store, Mexico City, Mexico

๋ฆฌ๋ฒ„ํ’€ ํ”Œ๋ž˜๊ทธ์‹ญ ๋ฐฑํ™”์ ์€ ๊ทœ๋ชจ ๋Œ€๋น„ ์ตœ๋‹จ์‹œ๊ฐ„์— ์™„์„ฑํ•œ ๊ฑด์ถ•๋ฌผ์ด์—ˆ์œผ๋ฉฐ, ๋””์ž์ธ์–ด์‹œ์ŠคํŠธ(Design Assist) ๊ณ„์•ฝ์„ ํ† ๋Œ€๋กœ ํ•œ ์žฌ์ด๋„ˆ์˜ ์ œํ’ˆ ๋ฐ ์ž๋™ํ™” ์‹œ์Šคํ…œ์œผ๋กœ ํƒ„์ƒํ•  ์ˆ˜ ์žˆ๋Š” ๊ฑด์ถ•๋ฌผ์˜ ๋ชจ๋ฒ” ์‚ฌ๋ก€๊ฐ€ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. 2011๋…„ ๊ฐ€์„ ๊ฐœ๊ด€ ์ผ์ •์— ๋งž์ถ”์–ด 1๋…„ ๋งŒ์— ๋ชจ๋“  ์ž‘์—… ๋ฐ ์„ค์น˜๊ฐ€ ์™„๋ฃŒ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๋””์ž์ธ ์–ด์‹œ์ŠคํŠธ ๊ณ„์•ฝ์„ ํ†ตํ•ด ์žฌ์ด๋„ˆ๋Š” ๋กœ์ฆˆํ‚จ๋“œ ์•„ํ‚คํ…ํ† (Rojkind Arquitectos) ์„ค๊ณ„ํŒ€๊ณผ ํ•จ๊ป˜ ์ผํ–ˆ์Šต๋‹ˆ๋‹ค. ํ’ˆ์งˆ ๋ฐ ์„ค๊ณ„ ์˜๋„๋ฅผ ์œ ์ง€ํ•˜๋ฉด์„œ๋„ ์ด‰๋ฐ•ํ•œ ์ผ์ •์„ ์ค€์ˆ˜ํ•˜๊ธฐ ์œ„ํ•ด์„œ ๋””์ž์ธ์–ด์‹œ์ŠคํŠธ๋Š” ํ•„์ˆ˜ ์š”๊ฑด์ด์—ˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ๊ณ„์•ฝ์— ๋”ฐ๋ฅธ ์„ค๊ณ„ ์ง€์›, ์—”์ง€๋‹ˆ์–ด๋ง, ์ œ์ž‘, ์šด์†ก์„ ๋‹ด๋‹นํ–ˆ์Šต๋‹ˆ๋‹ค. ํŒจ๋„์€ ์ผ์ฒดํ˜•์œผ๋กœ ์‚ฌ์ „ ์ œ์ž‘๋˜์–ด ๋ฉ•์‹œ์ฝ”์‹œํ‹ฐ๋กœ ์šด์†ก๋œ ํ›„ ํ˜„์žฅ ์„ค์น˜๋กœ ๋งˆ๋ฌด๋ฆฌ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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The intersectionArt ofGallery art andofarchitecture. Alberta, Edmonton, Canada

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โ€œAGA membership increased dramatically from 1,600 to nearly 5,300. At our first year anniversary celebration, Mayor Stephen Mandel praised our accomplishments and Lindsay Blackett, Minister of Culture and Community Spirit, told us that the investment in the AGA was the best $27 million the Government of Alberta has ever spent.โ€

โ€” Barry Zalmanowitz, Chairman, Art Gallery of Alberta

Art Gallery of Alberta, Edmonton, Canada

์บ๋‚˜๋‹ค ์—๋“œ๋จผํ„ด์— ์œ„์น˜ํ•œ ์•จ๋ฒ„ํƒ€ ์•„ํŠธ๊ฐค๋Ÿฌ๋ฆฌ(Art Gallery of Alberta)๋Š” ZEPPSโ„ข ์‹œ์Šคํ…œ์œผ๋กœ ํƒ„์ƒํ•œ ๋ถ€๋“œ๋Ÿฌ์šด ๊ณก๋ฉด์ด ๊ฑด๋ฌผ ์ „์ฒด๋ฅผ ๊ฐ์‹ธ๋Š” ์•„๋ฆ„๋‹ค์šด ๊ฑด๋ฌผ์ž…๋‹ˆ๋‹ค. ๋žœ๋‹ฌ ์Šคํƒ€์šฐํŠธ(Randall

Stout Architects)๋Š”

์žฌ์ด๋„ˆ์˜ ๋””์ž์ธ ์–ด์‹œ์ŠคํŠธ

ํ”„๋กœ๊ทธ๋žจ์„ ํ™œ์šฉํ•˜์—ฌ 3D ๋ชจ๋ธ๋ง์„ ํ†ตํ•œ ๋ณต์žกํ•œ ํ˜•ํƒœ์˜ ๊ตฌ์กฐ๋ฌผ ์—”์ง€๋‹ˆ์–ด๋ง ๋ฐ ์„ค๊ณ„๋ฅผ ์„ฑ๊ณต์ ์œผ๋กœ ์ˆ˜ํ–‰ํ–ˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ๋””์ž์ธ ์–ด์‹œ์ŠคํŠธ, ์—”์ง€๋‹ˆ์–ด๋ง, ์ œ์ž‘, ์šด์†ก์„ ๋‹ด๋‹นํ–ˆ์Šต๋‹ˆ๋‹ค. ์ธํ„ฐ๋ฝํ‚น ํŒจ๋„ ๋ฐ ์Šคํ…Œ์ธ๋ฆฌ์Šค ์™ธ์žฅ์žฌ์˜ ์„ค์น˜๋Š” ์บ๋‚˜๋‹ค ํ”„๋กœ์ ํŠธ๋ฅผ ์œ„ํ•œ ์žฌ์ด๋„ˆ์˜ ์ „๋žต์  ํŒŒํŠธ๋„ˆ์‚ฌ์ธ ํ”Œ๋ฆฐ ์บ๋‚˜๋‹ค(Flynn Canada)๊ฐ€ ์ˆ˜ํ–‰ํ•˜์˜€์Šต๋‹ˆ๋‹ค.

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The intersectionArt ofGallery art andofarchitecture. Alberta, Edmonton, Canada

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์žฌ์ด๋„ˆ ๊ณต์žฅ์—์„œ ์‹œ์Šคํ…œ ํ…Œ์ŠคํŠธ์šฉ์œผ๋กœ ์‚ฌ์ „ ์กฐ๋ฆฝ๋œ ZEPPSโ„ข๊ฐ€ ๊ณก์„ ์„ ๊ทธ๋ฆฌ๋ฉฐ ํœ˜์–ด์ ธ ์žˆ๋‹ค.

์นดํƒ€๋ฅด ๋„ํ•˜ ํ˜„์žฅ ์ž‘์—…์ž๋“ค์˜ ํŒจ๋„ ์กฐ๋ฆฝ ๋ชจ์Šต. ์„ธ๋ผ๋ฏน ์™ธ์žฅ์žฌ๋ฅผ ZEPPSโ„ข์— ์กฐ๋ฆฝํ•˜๊ณ  ์žˆ๋‹ค.

Sidra Medical Center, Doha, Qatar

์‹œ๋“œ๋ผ ๋ฉ”๋””์ปฌ ๋ฆฌ์„œ์น˜ ์„ผํ„ฐ(Sidra Medical and Research Center)๋Š” ์นดํƒ€๋ฅด ๋„ํ•˜์— ์œ„์น˜ํ•œ ๊ณผํ•™, ๋ณด๊ฑด ๋ถ„์•ผ์˜ ํ•ต์‹ฌ ์‹œ์„ค๋ฌผ๋กœ์„œ, ํŽ ๋ฆฌ ํด๋ผ๋ฅด์ผ€ ํŽ ๋ฆฌ(Pelli Clarke Pelli)์˜ ์„ธ์ž๋ฅด ํŽ ๋ฆฌ(Cesar Pelli)์™€ ์บ”์ž์Šค์‹œํ‹ฐ์˜ ์—˜๋ ˆ๋ฒ  ๋ฒ ์ผ“(Ellerbe Becket)๊ณผ์˜ ํ˜‘์—…์œผ๋กœ ์™„์„ฑ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ๋ณธ ํ”„๋กœ์ ํŠธ๋ฅผ ์œ„ํ•ด โ€˜์ˆ˜์ถœ์šฉ ZEPPSโ„ข ์‹œ์Šคํ…œโ€™์ด๋ผ๋Š” ์ด๋ฆ„์œผ๋กœ ZEPPSโ„ข๋ฅผ ์ตœ์ดˆ ์ˆ˜์ถœํ•˜์˜€์œผ๋ฉฐ, ์ด๋กœ์จ ํ•˜๋Š˜์„ ํ–ฅํ•ด์žˆ๋Š” ์„ธ ๊ฐœ์˜ ๊ฑฐ๋Œ€ํ•œ โ€˜๋‚ ๊ฐœโ€™๋ฅผ ํƒ„์ƒ์‹œ์ผฐ์Šต๋‹ˆ๋‹ค. ๋ถ€๋“œ๋Ÿฌ์šด ๊ณก์„ ์ฒ˜๋ฆฌ๋ฅผ ์œ„ํ•ด์„œ๋Š” ์ •๋ฐ€ํ•œ ์—”์ง€๋‹ˆ์–ด๋ง ๋ฐ ๋ถ€ํ’ˆ์˜ ํšจ์œจ์  ๊ด€๋ฆฌ๊ฐ€ ํ•ต์‹ฌ์ด์—ˆ์Šต๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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โ€œZahner held to our budget, schedule, safety, and quality standards. The ribbon will indeed be the feature remembered by all who visit the NASCAR Hall of Fame. I highly recommend A. Zahner Company for any project which demands the qualities referenced above.โ€

โ€” Tom Barnett, BE&K Turner Construction Company

๋…ธ์Šค์บ๋กค๋ผ์ด๋‚˜ ์ฃผ(ๅทž) ์ƒฌ๋กฏ ์‹œ์— ์œ„์น˜ํ•œ ๋‚˜์Šค์นด ๋ช…์˜ˆ์˜ ์ „๋‹น(NASCAR Hall of Fame) ๊ฑด๋ฌผ์„ ํœ˜๊ฐ๊ณ  ์žˆ๋Š” ๊ฒƒ์€ ๋‹ค๋ฆ„ ์•„๋‹Œ ์Šคํ…Œ์ธ๋ฆฌ์Šค ์Šคํ‹ธ ํŒจ๋„์ž…๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ ๊ธฐ์ˆ ์ž๋“ค์€ ZEPPSโ„ข ์‹œ์Šคํ…œ์„ ๋„์ž…ํ•˜์—ฌ ๋‹จ์ˆœํ•˜๋ฉด์„œ๋„ ๋ช…์พŒํ•œ ์†”๋ฃจ์…˜์„ ์ ์šฉํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋ฆฌ๋ณธ ๋ชจ์–‘์˜ ์™ธ์žฅ์€ Angel Hairโ„ข ํ‘œ๋ฉด์ฒ˜๋ฆฌ๊ธฐ๋ฒ•์„ ์ ์šฉํ•œ ์Šคํ…Œ์ธ๋ฆฌ์Šค ์Šคํ‹ธ๋กœ, ๊ท ์ผํ•œ ์ƒˆํ‹ด ๋งˆ๊ฐ์„ ๊ตฌํ˜„ํ•˜๋ฉด์„œ๋„ ๋ˆˆ๋ถ€์‹ฌ๊ณผ ๋ฐ˜์‚ฌ๋ฅผ ์ค„์ผ ์ˆ˜ ์žˆ๋Š” ์žฌ์ด๋„ˆ๋งŒ์˜ ๊ธฐ์ˆ  ์ œํ’ˆ์ž…๋‹ˆ๋‹ค. ์ผ๋ฐ˜ ๋งˆ๊ฐ๊ณผ ๋น„๊ตํ•  ๋•Œ ํ‘œ๋ฉด ๋ฐ˜์‚ฌ๋„๊ฐ€ ๋‚ฎ์•„ ๋ฐ์€ ํ–‡๋น› ์•„๋ž˜์—์„œ ํšจ๊ณผ์ ์ž…๋‹ˆ๋‹ค. ๋ณธ ํ”„๋กœ์ ํŠธ์—์„œ ์žฌ์ด๋„ˆ๋Š” ๋””์ž์ธ ์–ด์‹œ์ŠคํŠธ, ์—”์ง€๋‹ˆ์–ด๋ง, ์ œ์ž‘, ์„ค์น˜๋ฅผ ๋‹ด๋‹นํ•˜์˜€์Šต๋‹ˆ๋‹ค.

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The intersection artof and architecture. NASCARofHall Fame, Charlotte, North Carolina

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Rendering of Basra Sports City, Courtesy 360 Architects, Basra, Iraq

Construction photo of Basra Sports City, Iraq

๋ฐ”์Šค๋ผ ์Šคํฌ์ธ  ์‹œํ‹ฐ ์Šคํƒ€๋””์›€(Basra Sport City Stadium)์€ Solanumโ„ข ๊ฐ•์ฒ ํŒ์„ ํ™”๋ คํ•œ ๋ฌธ์–‘์œผ๋กœ ์žฌ๋‹จํ•˜์—ฌ ํฐ์ƒ‰ ๊ตฌ๋ฆ„ ๋ชจ์–‘์˜ ์ž์žฌ๋ฅผ ์ˆ˜์ง์œผ๋กœ ๊ฐ€๋กœ์ง€๋ฅด๊ฒŒ ์„ค๊ณ„ํ•œ ๋ฉ‹์ง„ ์™ธ๊ด€์„ ์ž๋ž‘ํ•˜๋Š” ์ด๋ผํฌ์˜ ์˜ฌ๋ฆผํ”ฝ ์ถ•๊ตฌ ๊ฒฝ๊ธฐ์žฅ์ž…๋‹ˆ๋‹ค. 360์•„ํ‚คํ…์ธ  (360 Architects)์™€ ํ•จ๊ป˜ ์ง„ํ–‰ํ•œ ํ”„๋กœ์ ํŠธ๋กœ์„œ ๋ฐ”์Šค๋ผ๋ฅผ ์ค‘๋™์ง€์—ญ์˜ ์Šคํฌ์ธ  ๊ฑฐ์ ์œผ๋กœ ๊ฑฐ๋“ญ๋‚˜๊ฒŒ ํ•  ๊ฑฐ๋Œ€ ์Šคํฌ์ธ  ์ฝคํ”Œ๋ ‰์Šค์˜ ์ผ๋ถ€๋ฅผ ๊ตฌ์„ฑํ•˜๊ณ 

์žˆ์Šต๋‹ˆ๋‹ค.

์žฌ์ด๋„ˆ๋Š” ๋‚ดํ›„์„ฑ ๊ฐ•ํŒ์˜ ์ˆ˜์ง ํƒ€๊ณต ํŒจ๋„ ์ œ์ž‘, ๋””์ž์ธ ์–ด์‹œ์ŠคํŠธ, ์—”์ง€๋‹ˆ์–ด๋ง, ์šด์†ก์— ์ฐธ์—ฌํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์‚ฐํ™”๊ณผ์ •(Preweathering)์„ ๊ฑฐ์นœ Solanumโ„ข ํŒจ๋„์€ ๋งˆ๊ฐ์˜ ์•ˆ์ •์„ฑ๊ณผ ๋ฏธ๋‹ˆ๋ฉ€ํ•œ ์ธ์ ‘ ์ž์žฌ์™€์˜ ๋Œ€์กฐ๋ฅผ ์œ„ํ•œ ํƒ์›”ํ•œ ์„ ํƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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Millennium Park, Chicago, Illinois

Design Assist, Engineering, Fabrication, Installation. ์ผ๋ฆฌ๋…ธ์ด ์ฃผ(ๅทž) ์‹œ์นด๊ณ  ๋ฐ€๋ ˆ๋‹ˆ์—„ ํŒŒํฌ์˜ ํ”„๋ฆฌ์ธ ์ปค ํŒŒ๋นŒ๋ฆฌ์˜จ(Pritzker Pavilion)์€

๋›ฐ์–ด๋‚œ ์—”์ง€๋‹ˆ์–ด๋ง๊ณผ ์‹œ๊ณต๊ธฐ์ˆ ์˜ ์‚ฐ๋ฌผ์ž…๋‹ˆ๋‹ค. ๊ฑด์ถ•๋ฌผ ์ฝ˜์…‰ํŠธ์˜ ์‹คํ˜„์€ ์‹œ๊ณต ๊ณผ์ • ๋ฐ ํ•˜๋ถ€ ๊ตฌ์กฐ์˜ ๋‹จ์ˆœํ™”๋ฅผ ๊ฐ€๋Šฅ์ผ€ ํ•œ

ZEPPSโ„ข ๋•๋ถ„์ด์—ˆ์Šต๋‹ˆ๋‹ค. ํ”„๋žญํฌ ๊ฒŒ๋ฆฌ(Frank Gehry) ์„ค๊ณ„. 2004๋…„ ์ค€๊ณต.

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The intersection of art and architecture.

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The intersectionMiami of art and architecture. Intermodal Center, Miami, Florida

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CRAFT WITH INTELLIGENCE 38

The intersectionBurberry of art and architecture. Flagship Store, Chicago, Illinois

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CRAFT WITH INTELLIGENCE

์ฃผ์ฐจ๊ฑด๋ฌผ์˜ ์˜ˆ์ˆ ํ™” ๊ฑด์ถ•๊ฐ€๋“ค์€ ๋•Œ๋กœ ์ฃผ๋ณ€ ๊ฒฝ๊ด€์„ ๋ณ€ํ™”์‹œํ‚ค๋Š” ์—ญํ• ์„ ๋‹ด๋‹นํ•˜๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. 10์ธต ๋†’์ด์˜ UCSF ์ฃผ์ฐจ๊ฑด๋ฌผ์€ WRNS ์ŠคํŠœ๋””์˜ค(WRNS Studio)์—์„œ ์„ค๊ณ„ํ•˜์˜€์œผ๋ฉฐ 2012๋…„ ์™„์„ฑ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ์„ค๊ณ„ํŒ€๊ณผ ๊ธด๋ฐ€ํžˆ ํ˜‘๋ ฅํ•˜์—ฌ ์ €๋น„์šฉ ๊ณ ํšจ์œจ์˜ ๋›ฐ์–ด๋‚œ ์‹œ๊ฐ์  ํšจ๊ณผ๊ฐ€ ์žˆ๋Š” ํŒŒ์‚ฌ๋“œ๋ฅผ ๊ฐœ๋ฐœํ•˜์˜€์œผ๋ฉฐ, ํ˜„์žฌ ์‹ค๋ฆฌ์ฝ˜ ๋ฐธ๋ฆฌ์— ์œ„์น˜ํ•  ์œ ์‚ฌ์‹œ์„ค์„ ๋˜ ์ค€๋น„ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ œํ•œ๋œ ์˜ˆ์‚ฐ ๋ฒ”์œ„ ๋‚ด์—์„œ ๋Šฅ๋ ฅ์žˆ๋Š” ์„ค๊ณ„ํŒ€๊ณผ ํ˜‘์—…ํ•  ๋•Œ ํƒ„์ƒํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒฐ๊ณผ๋ฌผ์€ ๋งŽ์€ ๊ฐœ๋ฐœ์‚ฌ๋“ค์˜ ํฅ๋ฏธ๋ฅผ ๋ถˆ๋Ÿฌ์ผ์œผ์ผฐ์Šต๋‹ˆ๋‹ค.

ํ…Œ์‹ค๋ ˆ์ดํŠธโ„ข ๋กœ ํƒ„์ƒํ•˜๋Š” ์•„๋ฆ„๋‹ค์šด ์ž…๋ฉด

์žฌ์ด๋„ˆ์˜ ํˆด์„ ์—ฌ๋Ÿฌ๋ถ„์˜ ์† ์•ˆ์—

์–ด๋Œ‘ํ‹ฐ๋ธŒ ๋นŒ๋”ฉ ์ธ์Šคํ‹ฐํŠœํŠธ(Adaptive Building institute)์™€ ๋‰ด์š• ํ˜ธ๋ฒ„๋งŒ

2013๋…„ ์žฌ์ด๋„ˆ๋Š” ์ž…๋ฉด ๊ตฌํ˜„์„ ์œ„ํ•œ ์„œ๋น„์Šค๋ฅผ ์ถœ๋ฒ”์‹œ์ผฐ์Šต๋‹ˆ๋‹ค. ์ƒˆ๋กœ์šด

(Hoberman)์‚ฌ์™€

ํ•จ๊ป˜ ์žฌ์ด๋„ˆ๋Š” ์„ธ๊ณ„ ์ตœ์ดˆ๋กœ ์›€์ง์ด๋Š” ํŒŒ์‚ฌ๋“œ,

์ƒตํ”Œ๋กœ์–ดโ„ข(ShopFloorโ„ข) ํ”Œ๋žซํผ์„ ํ†ตํ•ด ์ด์ œ๋Š” ์žฌ์ด๋„ˆ ๋‚ด๋ถ€์—์„œ๋งŒ

ํ…Œ์‹ค๋ ˆ์ดํŠธ(Tessellateโ„ข)๋ฅผ ํƒ„์ƒ์‹œ์ผฐ์Šต๋‹ˆ๋‹ค. ๋ช‡ ๊ฐœ์˜ ๊ธˆ์† ํƒ€๊ณต ํŒจ๋„์ด

์“ฐ๋˜ ๋„๊ตฌ๋ฅผ ์™ธ๋ถ€ ์„ค๊ณ„์ž๋“ค๋„ ์ด์šฉํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ƒตํ”Œ๋กœ์–ด

์„œ๋กœ ๊ฒน์ณ์ง€๋ฉฐ ๋†€๋ผ์šด ํŒจํ„ด์„ ๋งŒ๋“ค์–ด๋ƒ…๋‹ˆ๋‹ค. ๋น›๊ณผ ํƒœ์–‘์—ด ํก์ˆ˜๋ฅผ

โ„ข ํ”Œ๋žซํผ์—์„œ ์ œ๊ณตํ•˜๋Š” ์ฒซ ๋ฒˆ์งธ ์„œ๋น„์Šค๋Š” ํด๋ผ์šฐ๋“œ์›”โ„ข(CloudWallโ„ข)

์กฐ์ ˆํ•˜๋Š” ํƒ€๊ณต ์Šคํฌ๋ฆฐ์€ ์ค‘๋™์˜ ๊ฑฐ๋Œ€ ํ”„๋กœ์ ํŠธ์— ์ ์šฉ๋  ๊ณ„ํš์ž…๋‹ˆ๋‹ค.

์ž…๋‹ˆ๋‹ค. ์บ”์ž์Šค์‹œํ‹ฐ์˜ ์žฌ์ด๋„ˆ ๋ณธ์‚ฌ ๊ฑด๋ฌผ์— ์‚ฌ์šฉํ–ˆ๋˜ ์œ ๋ฆฌ ์•Œ๋ฃจ๋ฏธ๋Š„

2014๋…„์„ ๋ชฉํ‘œ๋กœ ์›์Šค๋ทฐ๋กœ(WORKSBUREAU)์‚ฌ๋Š” ๋‘ ๊ฐœ์˜ ๊ณ ๊ธ‰ ์ŠคํŒŒ

ํŒŒ์‚ฌ๋“œ ์‹œ์Šคํ…œ์ธ ํด๋ผ์šฐ๋“œ์›”โ„ข์„ ํ†ตํ•ด ์ด๋ฏธ์ง€, ๊ทธ๋ž˜ํ”ฝ, ํŒจํ„ด์„

์ƒ์„ธ์„ค๊ณ„๋ฅผ ์ง„ํ–‰ ์ค‘์ž…๋‹ˆ๋‹ค. ์ด ํ”„๋กœ์ ํŠธ๋Š” ์‚ฌ์šฐ๋””์•„๋ผ๋น„์•„ ์ˆ˜๋„

์—…๋กœ๋“œํ•˜์—ฌ ์ž์‹ ๋งŒ์˜ ๋…ํŠนํ•œ ์ž…๋ฉด์„ ์ฐฝ์กฐํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์˜

๋ฆฌ์•ผ๋“œ์— ์œ„์น˜ํ•œ ํ‚น ์••๋‘˜๋ผ ํŒŒ์ด๋‚ธ์…œ ๋””์ŠคํŠธ๋ฆญํŠธ(King Abdullah

์ž‘์—…์žฅ์„ ์—ฌ๋Ÿฌ๋ถ„์˜ ์† ์•ˆ์œผ๋กœ ์˜ฎ๊ฒจ ์ƒˆ๋กœ์šด ๊ฑด์ถ•์  ๊ฐ€๋Šฅ์„ฑ์„

Financial District)์˜

๊ฒฝํ—˜ํ•ด๋ณด์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.

๊ด€๋ฌธ์ด ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.

azahner.com/wrns

์˜ˆ์ˆ ๊ฐ€์™€์˜ ํ˜‘๋ ฅ ์žฅ ํ—จ๋“œ๋ฆญ์Šค(Jan Hendrix)๋Š” ์ตœ๊ทผ 2013๋…„ ์žฌ์ด๋„ˆ์™€ ํ•จ๊ป˜ ๊ฐœ์ธ ์ฝœ๋ ‰ํ„ฐ๊ฐ€ ์˜๋ขฐํ•œ ์˜ˆ์ˆ  ์ž‘ํ’ˆ์„ ์™„์„ฑํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๊ฐœ์ธ ์†Œ์œ  ๋ถ€์ง€ ๋‚ด์— ์˜๊ตฌ ์ „์‹œ๋˜๋Š” ํœด๋จผ ์Šค์ผ€์ผ์˜ ์กฐ๊ฐํ’ˆ์œผ๋กœ, ๊ด‘ํƒ์ด ๋‚˜๋Š” ์•Œ๋ฃจ๋ฏธ๋Š„์„ ์‚ฌ์šฉํ•œ ์กฐ๋ช… ์‹œ์Šคํ…œ์ž…๋‹ˆ๋‹ค. ์žฅ ํ—จ๋“œ๋ฆญ์Šค๋Š” ์žฌ์ด๋„ˆ์˜ ์ œ์ž‘ ์—ญ๋Ÿ‰์„ ํ™œ์šฉํ•˜๋Š” ์ŠคํŠœ๋””์˜ค๋ฅผ ๊พธ๋ฆฌ๊ณ  ๋งค๋…„ ๋‘์–ด ๊ฐœ์˜ ํ”„๋กœ์ ํŠธ๋ฅผ ์žฌ์ด๋„ˆ์™€ ํ•จ๊ป˜ ์ง„ํ–‰ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์ง€๋‚œ 10๋…„๊ฐ„ ๊ธˆ์†์„ ํ™œ์šฉํ•œ ์‹ญ์—ฌ ๊ฐœ์˜ ํ”„๋กœ์ ํŠธ๊ฐ€ ์™„์„ฑ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

azahner.com/shopfloor ์ƒˆ๋กœ์šด ์ œ์ž‘๋„๊ตฌ ๋ฐ ๋ฐฉ๋ฒ•๋ก ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๊ฐœ๋ฐœ

ํ”Œ๋ž˜๊ทธ์‹ญ ์Šคํ† ์–ด

R&D๋Š” ์žฌ์ด๋„ˆ๋ฅผ ์•ž์„œ๋‚˜๊ฐ€๊ฒŒ ํ•˜๋Š” ํ•ต์‹ฌ ์›๋™๋ ฅ์ž…๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์—์„œ ์ฐฝ

๋ฒ„๋ฒ„๋ฆฌ ํ”Œ๋ž˜๊ทธ์‹ญ ์Šคํ† ์–ด๋Š” ์–ด๋‘์šด ์ƒ‰์˜ ํ‘œ๋ฉด ๋ฐ˜์‚ฌ์žฌ๋ฅผ ์‚ฌ์šฉํ•œ

์กฐ๋˜๋Š” ์ตœ์‹  ์ œํ’ˆ ๋ฐ ์‹œ์Šคํ…œ์„ ๋งŒ๋‚˜๋ณด์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ์ƒˆ๋กœ

ํ”Œ๋ž˜๊ทธ์‹ญ ์Šคํ† ์–ด ์ค‘ ๋‘ ๋ฒˆ์งธ ํ”„๋กœ์ ํŠธ์ž…๋‹ˆ๋‹ค. ์ฒซ ๋ฒˆ์งธ๋Š” ์ค‘๊ตญ์˜ ์ง€์—ญ

์šด ์ฒญ๋™ ๊ฐ€๊ณต๋ฒ•์œผ๋กœ ๋‘๊บผ์šด ๊ธˆ์†์˜ ๊ฐ€๊ณต ๋ฐฉ์‹์— ๋ณ€ํ™”๋ฅผ ๊ฐ€์ ธ์™”์Šต๋‹ˆ๋‹ค.

์ œ์กฐ์—…์ฒด๊ฐ€ ์ง„ํ–‰ํ•œ ๊ฒƒ์œผ๋กœ ์ƒํ•˜์ด์— ์œ„์น˜์— ์žˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ์˜ ์„ค๊ณ„ ๋ฐ ์—”์ง€๋‹ˆ์–ด๋งํŒ€์€ ์ƒˆ๋กœ์šด ์ ‘๊ทผ๋ฒ•์œผ๋กœ ๋ฒ„๋ฒ„๋ฆฌ์—์„œ ์ œ์•ˆํ•œ ์ตœ์ดˆ ์„ค๊ณ„์•ˆ์„ ํ•œ ๋‹จ๊ณ„ ๋ฐœ์ „ ์‹œ์ผฐ์Šต๋‹ˆ๋‹ค. ๋‘๊บผ์šด ์Šคํ…Œ์ธ๋ฆฌ์Šค ์Šคํ‹ธ ํŒจ๋„ ๊ฐ€์žฅ์ž๋ฆฌ๋ฅผ V-cuttingํ•˜๊ณ  ํšจ์œจ์  ์„ค์น˜๋ฅผ ์œ„ํ•ด ์ธํ„ฐ๋ฝํ‚น ์‹œ์Šคํ…œ์„ ์ ์šฉํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋˜ํ•œ ํŒจ๋„ ์‚ฌ์ด์— ๊นŠ์ด๋ฅผ ์ฃผ์–ด ์กฐ๊ฐ์  ๋Š๋‚Œ์„ ์ž์•„๋‚ด๋Š” ๊ฐ•๋ ฌํ•œ ์‹œ๊ฐ์  ํšจ๊ณผ๋ฅผ ๋‹ฌ์„ฑํ•˜์˜€์Šต๋‹ˆ๋‹ค.

azahner.com/flagships 40

azahner.com/tessellate The intersection of art and architecture.

41


THE POWER OF PATINA 42

The intersection of art and architecture. University of Toronto Mississauga Instructional Centre, Toronto, Canada

43


Star Blue Copper

โ„ข

Patinated Copper Panels

Hunter SolanumZinc Steelโ„ข โ„ข

Patinated Zinc Panels

์Šคํƒ€ ๋ธ”๋ฃจ ์นดํผโ„ข(Star Blue Copperโ„ข)๋Š” ์‚ฐํ™”๊ณผ์ •์„ ๊ฑฐ์นœ ์ฒญ๋ก์ƒ‰์˜ ์–ผ๋ฃฉ์ง„ ํ‘œ๋ฉด์˜ ๊ตฌ๋ฆฌ

ํ—Œํ„ฐ ์ง•ํฌโ„ข(Hunter Zincโ„ข)๋Š” ์ฒญํšŒ์ƒ‰์˜ ์ง•ํฌ ํ‘œ๋ฉด์— ์•”์„๊ณผ ํ† ์–‘์˜ ๋Š๋‚Œ์„ ๋‹ด์€ ์งˆ๊ฐ์„

์ œํ’ˆ์ž…๋‹ˆ๋‹ค. ๋Œ€ํ‘œ ํ”„๋กœ์ ํŠธ๋กœ๋Š” ์บ”์ž์Šค์‹œํ‹ฐ ์Šคํƒ€(Kansas City Star) ๊ฑด๋ฌผ, ํ™์ฝฉ ์นญ์ด(Tsing Yi) ํ„ฐ๋ฏธ๋„์˜

์ž…ํžŒ ๊ฒƒ์œผ๋กœ, ์†์˜ ๊ธฐ๋ฆ„๊ธฐ์™€ ์˜ค์—ผ์— ๊ฐ•ํ•œ ์‚ฐํ™” ์ฒ˜๋ฆฌ๋œ ์ž์—ฐ ํŒŒํ‹ฐ๋‚˜ ์ œํ’ˆ์ž…๋‹ˆ๋‹ค. ๋ณธ

์นด์šฐ๋กฑ ์—ญ(Kowloong Station) ์ง€๋ถ•(์‚ฌ์ง„ ์•„๋ž˜), ์บ๋‚˜๋‹ค์˜ ๋ฏธ์‹œ์‚ฌ๊ฐ€ ๋Œ€ํ•™(University of Mississauga(์ด์ „ ํŽ˜์ด์ง€)

์ž์žฌ๋Š” ์•”์„์˜ ๋Š๋‚Œ์ด ์š”๊ตฌ๋˜๋Š” ํ”„๋กœ์ ํŠธ์— ๊ด‘๋ฒ”์œ„ํ•˜๊ฒŒ ์‚ฌ์šฉ๋˜์—ˆ์œผ๋ฉฐ, ๋Œ€ํ‘œ ํ”„๋กœ์ ํŠธ๋กœ๋Š” ์บ๋‚˜๋‹ค

๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ์‚ฐํ™” ์ฒ˜๋ฆฌ๋œ ๊ณ ์„ฑ๋Šฅ์˜ ์—”ํ‹ฑ ํ‘œ๋ฉด์€ ํด๋ž˜์‹ํ•˜๋ฉด์„œ๋„ ํ˜„๋Œ€์ ์ธ ๋Š๋‚Œ์„ ์ค๋‹ˆ๋‹ค.

์—๋“œ๋จผํ„ด์— ์œ„์น˜ํ•œ ์•จ๋ฒ„ํƒ€ ์•„ํŠธ ๊ฐค๋Ÿฌ๋ฆฌ, ํ—Œํ„ฐ ๋ฐ•๋ฌผ๊ด€(Hunter Museum of American Art, ์‚ฌ์ง„ ์™ผ์ชฝ)์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์ œํ’ˆ์˜ ์ด๋ฆ„์€ ํ—Œํ„ฐ ๋ฐ•๋ฌผ๊ด€ ํ”„๋กœ์ ํŠธ์˜ ์ด๋ฆ„์—์„œ ๋นŒ๋ ค์˜จ ๊ฒƒ์ž…๋‹ˆ๋‹ค.

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The intersection of art and architecture.

45


Roano Zinc

โ„ข

Patinated Zinc Panels

Baroque Zinc Solanum Steel

โ„ข

โ„ข

Patinated Zinc Panels

ํ’๋ถ€ํ•˜๊ณ  ๋”ฐ๋œปํ•œ ๋Š๋‚Œ์˜ ์ง•ํฌ ์‚ฐํ™” ํ‘œ๋ฉด์œผ๋กœ ํŒจ๋„์—์„œ ํŒจ๋„๋กœ ์ด์–ด์ง€๋Š” ํˆฌ๋ฐ•ํ•œ ๋กœ์•„๋…ธ

๊ณ ๊ธ‰์Šค๋Ÿฝ๊ณ  ์ค‘ํ›„ํ•œ ๋Š๋‚Œ์„ ๋‚ด๋Š” ์ง•ํฌ ํŒŒํ‹ฐ๋‚˜ ์ œํ’ˆ์œผ๋กœ ์‹ค๋‚ด, ์‹ค์™ธ์— ๋ชจ๋‘ ์ ํ•ฉํ•ฉ๋‹ˆ๋‹ค.

์ง•ํฌโ„ข(Roano Zincโ„ข)ํ‘œ๋ฉด์€ ์—”ํ‹ฑ, ํ˜„๋Œ€์‹ ๊ฑด๋ฌผ์— ๋ชจ๋‘ ์ž˜ ์–ด์šธ๋ฆฝ๋‹ˆ๋‹ค. ๋žœ๋‹ฌ ์Šคํƒ€์šฐํŠธ

๋กœ์•„๋…ธ ์ง•ํฌโ„ข(Roano Zincโ„ข)์™€๋Š” ๋‹ค๋ฅธ ๊ณต๋ฒ•์„ ์‚ฌ์šฉํ•˜๋ฉฐ ๋‚ด๊ตฌ์„ฑ์ด ๊ฐ•ํ•˜๋ฉด์„œ๋„ ํ†ค์˜ ๋ณ€ํ™”๊ฐ€ ์€์€ํ•˜์—ฌ

์„ค๊ณ„ํ•œ ํ„ฐ๋ธŒ๋งŒ ๋ฏธ์ˆ ๋ฐ•๋ฌผ๊ด€(Taubman Museum of Art)์— ์“ฐ์˜€์œผ๋ฉฐ, Angel

์‹ค๋‚ด ๊ณต๊ฐ„์— ํ™œ์šฉ๋„๊ฐ€ ํŠนํžˆ ๋†’์Šต๋‹ˆ๋‹ค. ๋ฐ”๋กœํฌ ์ง•ํฌโ„ข(Baroque Zincโ„ข)๊ฐ€ ์‚ฌ์šฉ๋œ ๋Œ€ํ‘œ ํ”„๋กœ์ ํŠธ๋กœ๋Š”

(Randall Stout Architects)์—์„œ

Hairโ„ข ์Šคํ…Œ์ธ๋ฆฌ์Šค ์Šคํ‹ธ ํŒจ๋„๊ณผ ํ•จ๊ป˜ ZEPPSโ„ข ์‹œ์Šคํ…œ์œผ๋กœ ์‹œ๊ณต๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

๊ฐ ์Šฌ๋Ÿฌ(Gensler Architects)์—์„œ ์„ค๊ณ„ํ•œ ๋ฉ”๋ฆด๋žœ๋“œ ์ฃผ(ๅทž) ๋ฒ ๋ฐ์Šค๋‹ค์— ์œ„์น˜ํ•œ ๋ง‰์Šค ๋ธŒ๋ ˆ๋„ˆ ์‡ผ์ฝœ๋ผํ‹ฐ์— ํ”Œ๋ž˜๊ทธ์‹ญ ์ˆ(Max Brenner Chocolatier Flagship Shoppe)์ด ์žˆ์Šต๋‹ˆ๋‹ค.

46

The intersection of art and architecture.

47


Dirty Penny

โ„ข

Patinated Copper Panels

48

Angel Hair

โ„ข

Stainless Steel

์ง™์€ ์ž์ฃผ์ƒ‰๊ณผ ๊ฐˆ์ƒ‰์— ๋…น์ƒ‰์ด ์„ž์—ฌ ์žˆ์–ด ๋ณด๋Š” ๊ฐ๋„์— ๋”ฐ๋ผ ๋‹ค์ฑ„๋กœ์šด ๋Š๋‚Œ์ด ๋‚˜๋Š” ์‚ฐํ™” ์ฒ˜๋ฆฌ๋œ ํ‘œ๋ฉด์˜ ๊ตฌ๋ฆฌ

์˜ค๋ฆฌ๊ฑด ์ฃผ(ๅทž) ์œ ์ง„ ์‹œ์— ์œ„์น˜ํ•œ ๋ชจ์Šค ๋ฒ•์›(Morse Courthouse) ๊ฑด๋ฌผ์—์„œ์ฒ˜๋Ÿผ ์—”์ ค ํ—ค์–ด

์ œํ’ˆ์ž…๋‹ˆ๋‹ค. ์ฝœ๋กœ๋ผ๋„ ์ฃผ(ๅทž) ํ‘ธ์—๋ธ”๋กœ์— ์žˆ๋Š” ํ˜ธ๊ทธ ๋กœ์šธ๋ง ๋„์„œ๊ด€(Hoag Rawling Library)์— ์ฒ˜์Œ ์‚ฌ์šฉ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๋”ํ‹ฐ ํŽ˜๋‹ˆโ„ข(Dirty

โ„ข(Angel Hairโ„ข) ์Šคํ…Œ์ธ๋ฆฌ์Šค ์Šคํ‹ธ ์ œํ’ˆ์—์„œ ๋งŒ๋“ค์–ด์ง€๋Š” ๋น›์˜ ์‚ฐ๋ž€์€ ๋ฉ€๋ฆฌ์„œ ๋ณผ ๋•Œ ํŠนํžˆ

Pennyโ„ข) ์ œํ’ˆ์€ ์‹œ๊ฐ„์ด ์ง€๋‚ ์ˆ˜๋ก ์ƒ‰์ด ๊นŠ์–ด์ง‘๋‹ˆ๋‹ค. ๋˜ํ•œ ์„ธ์›”์ด ํ๋ฅด๋ฉฐ ์‚ฐํ™”๊ฐ€ ๊ณ„์†๋ ์ˆ˜๋ก ์‚ฐํ™” ํ”ผ๋ง‰์€ ์‚ด์•„์žˆ๋Š” ๋ณดํ˜ธ๋ง‰์œผ๋กœ์„œ ๋”์šฑ

์ž”์ž”ํ•˜๊ณ  ์€์€ํ•œ ํšจ๊ณผ๋ฅผ ๋ƒ…๋‹ˆ๋‹ค. ์—”์ ค ํ—ค์–ดโ„ข ํ‘œ๋ฉด์€ ๊ฐ•๋„๋ฅผ ์กฐ์ ˆํ•˜๋ฉฐ ๊ธฐ๊ณ„ ์—์นญ ๊ณผ์ •์„ ๊ฑฐ์น˜๋Š”

๊ฐ•๋ ฅํ•œ ๋‚ด๊ตฌ์„ฑ์„ ๋ฐœํœ˜ํ•ฉ๋‹ˆ๋‹ค. ์‹œ๊ฐ„์— ๋”ฐ๋ผ ๋ฒ—๊ฒจ์ง€๋Š” ์ผ๋ฐ˜ ๋„์žฅ๊ณผ๋Š” ๋‹ฌ๋ฆฌ ๋”ํ‹ฐ ํŽ˜๋‹ˆโ„ข ํŒŒํ‹ฐ๋‚˜ ์ œํ’ˆ์€ ๋นˆํ‹ฐ์ง€ ์™€์ธ์ฒ˜๋Ÿผ ์„ธ์›”์— ๋”ฐ๋ผ

์žฌ์ด๋„ˆ์˜ ๊ธฐ์ˆ  ํŠนํ—ˆ ์ œํ’ˆ์ž…๋‹ˆ๋‹ค. ์„ธ๊ณ„์—์„œ ๊ฐ€์žฅ ์ •๊ตํ•˜๊ณ  ๋ถ€๋“œ๋Ÿฌ์šฐ๋ฉฐ ๊ฐ€์žฅ ๊ท ์ผํ•˜๊ฒŒ ๋น›์„ ์‚ฐ๋ž€์‹œํ‚ค๋Š”

์ˆ™์„ฑ๋˜๋ฉฐ ๋”์šฑ ๊ฐ•๋ ฅํ•œ ๋ณดํ˜ธ ์„ฑ๋Šฅ์„ ๋ฐœํœ˜ํ•ฉ๋‹ˆ๋‹ค.

ํ‘œ๋ฉด ์ฒ˜๋ฆฌ ์ œํ’ˆ์ž…๋‹ˆ๋‹ค.

The intersection of art and architecture.

49


Solanum Steel

โ„ข

Patinated Weathering Steel

์„ธ์›”์˜ ํ”์ ์ด ๋…น์•„์žˆ๋Š” ํด๋ž˜์‹ํ•œ ํ‘œ๋ฉด์„ ๊ตฌํ˜„ํ•œ ์ตœ์ฒจ๋‹จ ์Šคํ‹ธ ์ œํ’ˆ์œผ๋กœ ๊ฐ•์ฒ ์—์„œ ๋ฐœ์ƒํ•˜๋Š”

50

Glass Bead

โ„ข

Stainless Steel

2002๋…„ ์• ํ”Œ์˜ ์ฒซ ๋ฒˆ์งธ ํ”Œ๋ž˜๊ทธ์‹ญ ์Šคํ† ์–ด(Apple Store)๊ฐ€ ๋‰ด์š•์‹œ ์†Œํ˜ธ ๊ตฌ์—ญ ํ”„๋ฆฐ์Šค ์ŠคํŠธ๋ฆฌํŠธ์—

๋…น์ด ์ฃผ๋ณ€ ํ‘œ๋ฉด์— ์˜ํ–ฅ์„ ์ฃผ์ง€ ์•Š๋Š” ๊ฐ•๋ ฅํ•œ ์‚ฐํ™”์ฒ  ํ‘œ๋ฉด์ž…๋‹ˆ๋‹ค. ์†”๋ผ๋„˜ ์Šคํ‹ธโ„ข(Solanum Steelโ„ข)์€

๋ฌธ์„ ์—ด์—ˆ์Šต๋‹ˆ๋‹ค. ๊ฑด๋ฌผ์€ ์Šคํ…Œ์ธ๋ฆฌ์Šค ์Šคํ‹ธ๋กœ ๊พธ๋ช„์œผ๋ฉฐ ์žฌ์ด๋„ˆ R&D ํŒ€์—์„œ ๊ฐœ๋ฐœํ•œ ๋ฐ˜ํˆฌ๋ช…์˜ ํ‘œ๋ฉด์„

A606-4์ด๋‚˜ Corten๊ณผ ๊ฐ™์€ ์ผ๋ฐ˜ ๋‚ดํ›„์„ฑ ๊ฐ•์žฌ๋ณด๋‹ค ๋” ๊ฐ•๋ ฅํ•œ ๋‚ด๊ตฌ์„ฑ์„ ์ž๋ž‘ํ•ฉ๋‹ˆ๋‹ค. ๊ฐœ์ธ ์ฃผํƒ๋ถ€ํ„ฐ ์˜ˆ์ˆ ํ’ˆ,

์ ์šฉํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๊ธ€๋ผ์Šค๋น„๋“œ(Glass Bead)์—์„œ ์ด๋ฆ„์„ ๋นŒ๋ฆฐ GB-60โ„ข ์Šคํ…Œ์ธ๋ฆฌ์Šค ์Šคํ‹ธ ์ œํ’ˆ์€ ๊ท ์ผํ•œ ๋งˆ๊ฐ์˜

ํŒŒ์‚ฌ๋“œ ๋“ฑ ์—ฌ๋Ÿฌ ์šฉ๋„์— ์ ์šฉ๋˜์—ˆ์œผ๋ฉฐ ๋Œ€ํ‘œ ํ”„๋กœ์ ํŠธ๋กœ๋Š” ๋‰ด๋ฉ•์‹œ์ฝ”์˜ ์ŠคํŽ˜์ด์ŠคํฌํŠธ ์•„๋ฉ”๋ฆฌ์นด(Spaceport

๋›ฐ์–ด๋‚œ ๋‚ด๊ตฌ์„ฑ์„ ์ž๋ž‘ํ•˜๋Š” ํ‘œ๋ฉด์œผ๋กœ ์‹ค๋‚ดยท์‹ค์™ธ์— ๋ชจ๋‘ ์ ํ•ฉํ•˜๋ฉฐ ๋ˆˆ๋ถ€์‹ฌ์ด ์—†๋Š” ํŒŒ์‚ฌ๋“œ ๊ตฌํ˜„์— ํƒ์›”ํ•ฉ๋‹ˆ๋‹ค.

America)๊ฐ€

์žˆ์Šต๋‹ˆ๋‹ค(์‚ฌ์ง„ ์™ผ์ชฝ).

The intersection of art and architecture.

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The intersection of art and architecture. Rendering of Petersen Automotive Museum, Los Angeles, California

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ํž˜์ด ๋„˜์น˜๋Š” ๊ฑด์ถ•๋ฌผ์˜ ์™ธํ”ผ๋Š” ์ž๋™์ฐจ๋ฅผ ๋‹ฌ๋ฆฌ๊ฒŒ ํ•˜๋Š” ํ„ฐ๋ณด ์—”์ง„์ด์ž ๋™๋ ฅ์„ ๊ณต๊ธ‰ํ•˜๋Š” ์—ฐ๋ฃŒ์™€๋„ ๊ฐ™์Šต๋‹ˆ๋‹ค. KPF์˜ ํŠธ๋ ŒํŠธ ํ…Œ์ธ (Trent Tesch)๋Š” ๊ธฐ์กด์˜ ํ”ผํ„ฐ์Šจ ์ž๋™์ฐจ ๋ฐ•๋ฌผ๊ด€(Petersen Automotive Museum)์— ํ˜์‹ ์„ ๋ถˆ์–ด ๋„ฃ์—ˆ์Šต๋‹ˆ๋‹ค. ZEPPSโ„ข๋Š” ๊ฑด์ถ•๋ฌผ ์™ธ๋ฒฝ๊ณผ ์ง€๋ถ• ๋ ˆ์Šคํ† ๋ž‘์„ ํœ˜๊ฐ์œผ๋ฉฐ ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ํ๋ฅด๋Š” ์•„๋ฆ„๋‹ต๊ณ  ์ •๊ตํ•œ ๊ณก๋ฉด์˜ ํŒŒ์‚ฌ๋“œ๋ฅผ ๋งŒ๋“ค์–ด ๋‚ด๋Š” ๋ฐ ๊ฐ•๋ ฅํ•œ ์žฅ์น˜๋กœ์„œ ๋น›์„ ๋ฐœํ–ˆ์Šต๋‹ˆ๋‹ค. ์บ˜๋ฆฌํฌ๋‹ˆ์•„ ๋กœ์Šค์•ค์ ค๋ ˆ์Šค์— ์œ„์น˜ํ•  ๋ณธ ํ”„๋กœ์ ํŠธ๋Š” ํ˜„์žฌ ์ œ์ž‘๋‹จ๊ณ„์— ์žˆ์œผ๋ฉฐ 2014๋…„ ์ค€๊ณต๋ฉ๋‹ˆ๋‹ค. 2013๋…„ 8์›”, ๋ฐœ์ฃผ์ฒ˜, ์„ค๊ณ„ํŒ€, ์‹œ๊ณตํŒ€์„ ๋Œ€์ƒ์œผ๋กœ Mock-up ๊ฒ€์ˆ˜๋ฅผ ์™„๋ฃŒํ•˜์˜€์Šต๋‹ˆ๋‹ค(์‚ฌ์ง„ ์™ผ์ชฝ).

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The intersection of art and architecture.

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IMAGE

METAL Ovitz Residence, Los Angeles, California

ํŠนํ—ˆ ์ œํ’ˆ์ธ ZIRAโ„ข Visualizer๋ฅผ ํ†ตํ•ด์„œ๋ผ๋ฉด ์— ๋ณด์‹ฑ, ์ปคํŒ…, ํƒ€๊ณต ๋“ฑ ๋‹ค์–‘ํ•œ ๊ณต๋ฒ•์„ ์ด์šฉํ•ด ์›ํ•˜๋Š” ์ด๋ฏธ์ง€, ์‚ฌ์ง„, ๋“œ๋กœ์ž‰, ๊ทธ๋ž˜ํ”ฝ ๋””์ž์ธ์„ ๊ธˆ์†๋ฉด์— ๊ทธ๋Œ€๋กœ ๊ตฌํ˜„ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์บ˜๋ฆฌํฌ๋‹ˆ์•„์— ์œ„์น˜ํ•œ ์˜ค๋น„์ธ  ๋ ˆ์ง€๋˜์Šค(Ovitz Residence, ์‚ฌ์ง„ ์œ„)๋Š” ๋งˆ์ดํด ๋ง์ฐฌ (Michael Maltzan)์ด

์„ค๊ณ„ํ•œ ์ž‘ํ’ˆ์ž…๋‹ˆ๋‹ค. ์‚ฌ๊ฐ ๋ฌธ์–‘์˜ ํƒ€๊ณต์ด ํŒจ๋„์„ ๊ฐ€๋กœ์งˆ๋Ÿฌ ๋ฐฐ์—ด๋˜๋ฉด์„œ ํŒŒ์‚ฌ๋“œ ์ „์ฒด์— ๋˜ ๋‹ค๋ฅธ ํŒจํ„ด์„ ๋งŒ๋“ค์–ด๋ƒ…๋‹ˆ๋‹ค. ZIRAโ„ข

Visualizer๋ฅผ ํ†ตํ•ด ํŒจ๋„์˜ ๊ฐ€์žฅ์ž๋ฆฌ์—์„œ ๋Š๊ธฐ์ง€ ์•Š๊ณ  ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ํ๋ฅด๋Š” ํŒจํ„ด์ด ์™„์„ฑ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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7,600๊ฐœ์˜ ๋…ํŠนํ•œ ๋”คํ”Œ, ํƒ€๊ณต ์ฒ˜๋ฆฌ๋œ ์™ธ๋ฒฝ ํŒจ๋„์ด ์ƒŒํ”„๋ž€์‹œ์Šค์ฝ”์— ์œ„์น˜ํ•œ ๋“œ์˜ ๋ฐ•๋ฌผ๊ด€(de Young Museum)์˜ ํ‘œ๋ฉด์„ ์žฅ์‹ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ํ—ค๋ฅด์กฐ๊ทธ & ๋“œ ๋ฉ”๋ฃฌ(Herzog & de Meuron)์—์„œ ์„ค๊ณ„ํ•œ ํ˜์‹ ์  ์™ธ์žฅ์€ ๋‚˜๋ญ‡์žŽ ์‚ฌ์ด๋กœ ์Ÿ์•„์ง€๋Š” ํ–‡์‚ด์˜ ์ด๋ฏธ์ง€๋ฅผ ๋ฒฝ๋ฉด ํŒจํ„ด์„ ํ†ตํ•ด ํ˜•์ƒํ™”์‹œํ‚ค๊ณ ์ž ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ด๋Š” ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€๋ฅผ ๊ธฐ๊ณ„์–ธ์–ด๋กœ ๋ฐ”๊พธ๋Š” ZIRAโ„ข Visualizer๋กœ ๊ฐ€๋Šฅํ–ˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ๋””์ž์ธ ์–ด์‹œ์ŠคํŠธ, ๋ฒจ๋ฅ˜ ์—”์ง€๋‹ˆ์–ด๋ง, ๊ณต์ •๊ด€๋ฆฌ, ์ œ์ž‘, ํŒŒ์‚ฌ๋“œ ๋ฐ ์™ธ์žฅ ์‹œ๊ณต์„ ๋‹ด๋‹นํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๊ฑด์ถ•์ฃผ์˜ ์˜๋„๋Š” ์„ธ์›”์ด ํ๋ฅด๋ฉฐ ๋ฐ•๋ฌผ๊ด€ ์ž์ฒด๊ฐ€ ๊ณจ๋“ ๊ฒŒ์ดํŠธ ํŒŒํฌ๋ฅผ ๋‘˜๋Ÿฌ์‹ผ ์ฃผ๋ณ€ ์ž์—ฐ์˜ ์ผ๋ถ€๊ฐ€ ๋˜์–ด ์ ์ฐจ ์‚ฌ๋ผ์ง€๊ฒŒ ๋งŒ๋“œ๋Š” ๊ฒƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์˜๋„๋Œ€๋กœ ๋ฐ๊ฒŒ ๋ฐ˜์‚ฌ๋˜๋˜ ๋ถ‰์€์ƒ‰ ๋™ํŒ ํ‘œ๋ฉด์— ์„œ์„œํžˆ ํŒŒํ‹ฐ๋‚˜๊ฐ€ ํ˜•์„ฑ๋˜๋ฉด์„œ ์ ์ฐจ ํ‘ธ๋ฅธ๋น›์„ ๋ ๋ฉฐ ๋ณ€ํ•ด๊ฐ€๋Š” ๊ฒƒ์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค(์‚ฌ์ง„ ์•„๋ž˜).

โ€œSeldom has an architectural project been talked about so much in the world media. In the new age of folded, textured, and curvaceous buildings, Zahner has become a clinic for twisting and treating metal. Their list of projects is impressive, reaching a pinnacle with the completion of the widely praised copper facade on the de Young Museum in San Francisco.โ€ โ€” Salvatore Orlando, President KME-Group

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The copper material ages over time.

The intersection of art and architecture.

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โ€œ์žฌ์ด๋„ˆ๋Š” ์œ ๋Ÿฝ ๊ฑด์ถ•๊ฐ€๋“ค์˜ ์—ฐ๋ฝ์ฒ˜์—์„œ ๋น ์ง€์ง€ ์•Š๋Š” ํšŒ์‚ฌ์ž…๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ์˜๋„๋œ ์ด๋ฏธ์ง€๋ฅผ ๊ธˆ์† ํ‘œ๋ฉด์— ๊ตฌํ˜„ํ•˜๊ธฐ ์œ„ํ•ด ๋‹ค์–‘ํ•œ ๊นŠ์ด์˜ ๋ดํŠธ๊ฐ€ ์ด˜์ด˜ํžˆ ๋‚˜์—ด๋œ 3์ฒœ๊ฐœ์˜ ํŒจ๋„ ์ œ์ž‘ ๋ฐฉ๋ฒ•์„ ๊ณ ์•ˆํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์กฐ๋ฅด์ฃผ ์‡ ๋ผ๋„ ๊ฐ๋™ํ–ˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.โ€

โ€” New York Times ยญ- Julie V. Lovine on the de Young Museum in San Francisco

de Young Museum, San Francisco, California

โ€œ๋ชจ๋”๋‹ˆ์ฆ˜์  ์ด๋ฐ์˜ฌ๋กœ๊ธฐ์™€ ๋น„์šฉ ๋ฌธ์ œ ๋•Œ๋ฌธ์—๋ผ๋„ ๋Œ€ํ˜•๊ฑด๋ฌผ์—์„œ๋Š” ์žฅ์ธ์ •์‹ ์ด ๋ฐœํœ˜๋˜๊ธฐ ์–ด๋ ค์šด ๋ฒ•์ž…๋‹ˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์ด ๊ฑด๋ฌผ์ด ๋งํ•ด์ฃผ๋Š” ๊ฒƒ์€ ์–ด์ฉŒ๋ฉด ์žฅ์ธ์ •์‹ ์ด ๋ฏธ๋ž˜์˜ ์ตœ์ฒจ๋‹จ ๊ธฐ์ˆ ์ด ๋ ์ง€๋„ ๋ชจ๋ฅธ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.โ€

์–ด๋ฆฐ์ด๋ฅผ ์œ„ํ•œ ๊ณต๊ฐ„ ์ž…๊ตฌ์— ์„ค์น˜๋œ ์ฒœ์žฅ์„ ํ†ตํ•ด ์ž์—ฐ์˜ ํ–‡์‚ด์ด ์Ÿ์•„์ ธ ๋“ค์–ด์˜ต๋‹ˆ๋‹ค. ๋‚˜๋ญ‡์žŽ ๋ฌธ์–‘์œผ๋กœ ํƒ€๊ณต๋œ ๋™ ํŒจ๋„์€ ๊ฑด๋ฌผ์— ๋“œ๋ฆฌ์šด ๋‚˜๋ฌด๊ฐ€ ๋งŒ๋“ค์–ด๋‚ด๋Š” ๊ทธ๋Š˜๊ณผ ์กฐํ™”๋ฅผ ์ด๋ฃน๋‹ˆ๋‹ค. ์„ค๊ณ„ํŒ€์—์„œ ์ œ์‹œํ•œ ์ด๋ฏธ์ง€(์‚ฌ์ง„ ์™ผ์ชฝ)๋ฅผ ์‚ฌ์šฉํ•ด ์žฌ์ด๋„ˆ์—์„œ๋Š” ZIRAโ„ข

Visualizer๋กœ ๊ฑด์ถ•๊ฐ€์˜ ๋น„์ „์„ ๊ตฌํ˜„ํ•˜์˜€์Šต๋‹ˆ๋‹ค.

โ€” Time Magazine - Richard Lacayo on the de Young

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๊ฑฐ๋Œ€ํ•œ ์•Œ๋ฃจ๋ฏธ๋Š„ ํŒจ๋„(2.5mX6m)์ด ์นดํƒ€๋ฅด ๋„ํ•˜๋Œ€ํ•™์˜ ํ•™์ƒ์„ผํ„ฐ ์ค‘์ • ๊ณต๊ฐ„์„ ์ด๋ฃจ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ์•ฝ 13mm ๋‘๊ป˜์˜ ์•Œ๋ฃจ๋ฏธ๋Š„ ํŒจ๋„์— ์–€ ํ•ธ๋“œ๋ฆญ์Šค(Jan Hendrix)๊ฐ€ ์†์ˆ˜ ๊ทธ๋ฆฐ ๋ณต์žก๋‹ค๋‹จํ•œ ํŒจํ„ด์„ ๊ทธ๋Œ€๋กœ ์žฌ๋‹จํ•˜์˜€์Šต๋‹ˆ๋‹ค. ๋ณธ ํ”„๋กœ์ ํŠธ๋Š” 2010๋…„ ์ค€๊ณต๋˜์—ˆ์œผ๋ฉฐ ์„ค๊ณ„๋Š” ๋ ˆ๊ณ ๋ ˆํƒ€+๋ ˆ๊ณ ๋ ˆํƒ€(Legorreta+Legorreta) ์—์„œ ๋‹ด๋‹นํ•˜์˜€์Šต๋‹ˆ๋‹ค. ์•Œ๋ฃจ๋ฏธ๋Š„ ํŒจ๋„์€ ๋„์žฅ ํ›„ ํ•˜๋ถ€ ๊ตฌ์กฐ์™€ ์‚ฌ์ „ ์กฐ๋ฆฝ๋˜์–ด ์ผ์ฒดํ˜•์œผ๋กœ ๋„ํ•˜๋กœ ์šด์†ก๋˜์—ˆ๊ณ , ๊ฑด๋ฌผ ๋‚ด์™ธ๋ถ€ ๋Œ€ํ˜• ๊ธˆ์†ํŒจ๋„ ์„ค์น˜๋Š” ํ˜„์ง€ ์ž‘์—…์ž๋“ค์ด ๋‹ด๋‹นํ•˜์˜€์Šต๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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Artwall at Doha, Qatar

์•Œ๋ฃจ๋ฏธ๋Š„ ํŒจ๋„ ์‚ฌ์ด์— ์„  ์–€ ํ•ธ๋“œ๋ฆญ์Šค (์‚ฌ์ง„ ์™ผ์ชฝ, ์žฌ์ด๋„ˆ ์ž‘์—… ๊ณต์žฅ, ์บ”์ž์Šค์‹œํ‹ฐ / ์นดํƒ€๋ฅด, ๋„ํ•˜๋กœ ์„ ์  ์ง์ „ ๊ฒ€์ˆ˜์ค‘) ์˜ˆ์ˆ ๊ฐ€๊ฐ€ ์ง์ ‘ ๊ทธ๋ฆฐ ํŒจํ„ด์ด ๊ฑด๋ฌผ์˜ ๋‚ด์™ธ๋ถ€๋ฅผ ๊ตฌ์„ฑํ•˜๋Š” ์„ค์น˜๋ฌผ๋กœ ์™„์„ฑ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ํŒŒ๋ผ๋ฉ”ํŠธ๋ฆญ ๊ธฐ๋ฒ•์„ ์‚ฌ์šฉํ•˜์—ฌ ๊ฐ๊ฐ์˜ ํŒจ๋„์ด ๋Š์–ด์ง ์—†์ด ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ์—ฐ๊ฒฐ๋˜๋ฉฐ ๋งŒ๋“œ๋Š” ์œ ๋ คํ•œ ์„ ์˜ ๋ฏธํ•™์ด ์™„์„ฑ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ด๋Š” ZIRAโ„ข ๊ธฐ์ˆ ์˜ ์‚ฐ๋ฌผ๋กœ์จ, ๊ธฐ์ˆ ์ž๋Š” ์ง์ ‘ ์กฐ์ ˆํ•  ์ˆ˜ ์žˆ๋Š” ๋„๊ตฌ๋ฅผ ์ด์šฉํ•˜์—ฌ ์„ค๊ณ„์ž์˜ ๋…์ฐฝ์  ์ด๋ฏธ์ง€๋ฅผ ์žฌ์ฐฝ์กฐํ•ฉ๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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White Chapel, Terre Haute, Indiana

๋กœ์ฆˆํ—๋งจ ๊ณตํ•™๋Œ€ํ•™(Rose-Hulman Institute of Technology, ํ…Œ๋Ÿฌํ˜ธํŠธ, ์ธ๋””์• ๋‚˜ ๅทž) ์บ ํผ์Šค ์•ˆ์— ์ž๋ฆฌํ•œ ํ•˜์–€ ์˜ˆ๋ฐฐ๋‹น์€ VOA ์–ด์†Œ์‹œ์—์ด์ธ (VOA Associates)๊ฐ€ ์„ค๊ณ„ํ•œ ์ž‘ํ’ˆ์œผ๋กœ 2005๋…„ ์ค€๊ณต๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์žฌ์ด๋„ˆ๋Š” ๋งž์ถคํ˜•์œผ๋กœ ์žฌ๋‹จ๋œ ์ง€๋ถ• ๋ฐ ์ฐฝํ˜ธ ์‹œ์Šคํ…œ์„ ์„ค๊ณ„, ์ œ์ž‘, ์„ค์น˜ํ•˜์˜€์Šต๋‹ˆ๋‹ค. 3D ์˜คํ† ์บ๋“œ ๊ธฐ์ˆ ๋กœ ๋ชจ๋ธ๋งํ•˜์˜€์œผ๋ฉฐ ์›๋ฟ” ๋ชจ์–‘์˜ ๋…ํŠนํ•œ ์™ธ๊ด€์— ๋งž์ถ”์–ด ๋งž์ถคํ˜• ๋ถ€ํ’ˆ์„ ์ƒ์‚ฐํ•˜์˜€์Šต๋‹ˆ๋‹ค. ํ‘œ๋ฉด์€ ์Šคํ…Œ์ธ๋ฆฌ์Šค ์Šคํ‹ธ์— No. 4 ์ƒˆํ‹ด ๋งˆ๊ฐ ์ฒ˜๋ฆฌ๋ฅผ ํ•œ ๊ฒƒ์ด๋ฉฐ ํ‰์ด์Œ ๋ ˆ์ธ ์Šคํฌ๋ฆฐ ์‹œ์Šคํ…œ์„ ์ ์šฉํ•˜์˜€์Šต๋‹ˆ๋‹ค.

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The intersection of art and architecture.

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Zahner Headquarters 1400 E. 9th Street Kansas City, Missouri 64106 United States of America p +1 (816) 474-8882 f +1 (816) 474-7994 www.azahner.com

์„œ์šธํŠน๋ณ„์‹œ ์†กํŒŒ๊ตฌ ์†กํŒŒ๋Œ€๋กœ 381 (์„์ดŒ๋™, ์˜คํผ์Šค๋นŒ๋”ฉ 7์ธต) 7FI., Opus Bldg., Songpa-daero Songpa-Gu, Seoul, Korea

p +82 (2) 3401-1100 f +82 (2) 3420-6144 www.azahner.co.kr JANUARY 2014


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