Art 2014

Art and Visual Studies New Titles and Key Backlist

2014 www.ashgate.com/art

ASHGATE

Art and Visual Studies 2014 Over the past 40 years, Ashgate has grown to become one of the world’s leading publishing houses. We understand the value of academic research and scholarship, and we are proud of our responsiveness, flexibility, independence and global reach.

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ebooks Over 3500 Ashgate titles are now available as ebooks in both ePDF and ePUB formats, with many new titles added each month. Whether you are a library or an individual we hope that the diverse array of partners we work with will enable you to enjoy our books in the format of your choice and in the way you want to access them. For libraries we offer a flexible range of access models through key library suppliers and aggregators, including: ProQuest, EBSCOhost, EBL, Myilibrary and Dawsonera. Individuals can find our ebooks quickly and easily through vendors such as: Amazon, Kobo, Google Play and ebooks.com.

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Contents Classical, Byzantium and Medieval

2

Early Modern and Renaissance

6

Eighteenth-Century 13 NIineteeth-Century 14 Twentieth-Century 17 Contemporary

23

Architecture 25 Museums, Collecting, and Material Culture

27

Print-on-demand (POD) Print-on-demand technology enables us to keep more of our books in print for longer. All our POD books are printed individually to order.

Print-on-demand titles are identified in the catalogue by POD.

Cover illustration: Verres, Journal et Bouteille de Vin, Collage, Gris, Juan (1887-1927) / Private Collection / Photo © Christie’s Images / The Bridgeman Art Library

Series Publications of the Society for the Promotion of Byzantine Studies 5 Transculturalisms, 1400–1700

9

Visual Culture in Early Modernity

10

At the time of compilation, prices, publication dates and other details in this catalogue are correct to the best of our knowledge, but are subject to change. Up-to-date information is available by searching for the book on our website.

Women and Gender in the Early Modern World

12

Studies in Art Historiography

16

Ashgate Publishing is committed to being an environmentally-friendly publisher. All of our books and marketing materials are produced using sound environmental practices and printed on sustainable paper sources.

Ashgate Studies in Surrealism

17

Ashgate Studies in Architecture

25

Place an order

Handbooks in International Art Business

28

UK / Rest of World

The Histories of Material Culture & Collecting, 1700–1950

2 9

Index

31

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Inside Back Cover

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Inside Back Cover

Classical, Byzantium and Medieval Approaches to Byzantine Architecture and its Decoration

Between Constantinople and Rome

Byzantine Images and their Afterlives

Studies in Honor of Slobodan Curcic

An Illuminated Byzantine Gospel Book (Paris gr. 54) and the Union of Churches

Essays in Honor of Annemarie Weyl Carr

Edited by Mark J. Johnson, Brigham Young University, USA, Robert Ousterhout, University of Pennsylvania, USA and Amy Papalexandrou, University of Texas at Austin, USA

Kathleen Maxwell ‘...Her keen visual analysis of the processes of Paris 54’s production and the codex from which its miniatures were copied is matched here by a comparably detailed analysis of its Greek Gospel text and the manuscript from which it was copied. Her demonstration that Paris 54’s text has a genealogy as independent and revealing as its codicology and illumination is a signal achievement, and it opens a challenging new chapter in the study of illuminated books.’

‘… the editors have done an admirable job in pulling together from disparate sources a coherent collection of essays that provides much food for thought. Beyond the specific issues dealt with in each contribution, the book is a valuable overview of many current and traditional methodological approaches…’

Bryn Mawr Classical Review

Annemarie Weyl Carr, Southern Methodist University, USA

Includes 109 b&w illustrations January 2012 Hardback

330 pages 978-1-4094-2740-7 £70.00

This is a study of the artistic and political context that led to the production of Bibliothèque Nationale de France, codex grec 54, one of the most ambitious and complex manuscripts of the Byzantine era. Kathleen Maxwell’s multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West.

$119.95

www.ashgate.com/isbn/9781409427407

Architecture and Pilgrimage, 1000–1500 Southern Europe and Beyond Edited by Paul Davies, University of Reading, UK, Deborah Howard, St John’s College, Cambridge University, UK and Wendy Pullan, Cambridge University, UK

Includes 33 colour and 54 b&w illustrations March 2014 Hardback

348 pages 978-1-4094-5744-2

£70.00

$119.95

www.ashgate.com/isbn/9781409457442

This volume synthesizes the work of a distinguished international group of scholars. It takes a broad view of architecture, to include cities, routes and ritual topographies, as well as specific buildings and shrines, and considers how these were perceived, represented and remembered. The essays explore both the ways in which the physical embodiment of pilgrimage cultures is shared, and what we can learn from the differences.

Byzantine Art and Renaissance Europe Edited by Angeliki Lymberopoulou, Open University, UK and Rembrandt Duits, The Warburg Institute, University of London, UK

Includes 79 b&w illustrations October 2013 Hardback

304 pages 978-1-4724-1083-2

£70.00

Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine East and Western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. The book offers new perspectives and insights and re-positions late- and post- Byzantine art in a broader European cultural context.

$119.95

www.ashgate.com/isbn/9781472410832

The Arma Christi in Medieval and Early Modern Material Culture With a Critical Edition of ‘O Vernicle’ Edited by Lisa H. Cooper, University of WisconsinMadison, USA and Andrea Denny-Brown, University of California-Riverside, USA

Includes 16 colour, 45 b&w illustrations, and 5 maps March 2013 Hardback

This book explores the multiple resonances and representations of the Arma Christi, the “instruments of the Passion,” in medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architecture. The verbal and visual representations that accrued from these holiest of relics, and the practices they in turn inspired, are relevant to a wide variety of critical fields and theoretical approaches. This collection capitalizes on recent work on these most central of medieval “objects,” and produces, through its interdisciplinary and intergenerational scholarly collaboration, a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages. It also includes a new edition of the English Arma Christi poem known as “O Vernicle” from previously unpublished manuscripts.

236 pages 978-1-4094-2038-5

www.ashgate.com/isbn/9781409420385

£60.00

$104.95

Edited by Lynn Jones, Florida State University, USA The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr’s interests and the equally wide impact of her career. They are linked by Carr’s expansive body of work, which ties together issues of patronage, production and influence across the medieval Mediterranean.

The volume examines influences in manuscript production and reception, imperial patronage, relics and reliquaries, form and style in Cypriot architecture and icons, and the relationship between original and copy in medieval art.

Includes 15 colour and 70 b&w illustrations April 2014 Hardback

300 pages 978-1-4094-4291-2

£65.00

$109.95

www.ashgate.com/isbn/9781409442912

The Celebration of the Saints in Byzantine Art and Liturgy Nancy Patterson Ševčenko Variorum Collected Studies Series: CS975

The studies in this volume all deal with images and texts that relate to the veneration of the saints in Byzantium after the 9th century. Some papers are devoted to the church calendar and the annual commemorations of hundreds of saints through liturgical poetry and sequences of isolated images in fresco, icon painting and illuminated manuscripts.

Others are concerned with the longer and rarer, narrative cycles devoted to the life of a single saint, cycles found mainly in fresco and on the so-called vita icons that first appear in the East in the late 12th century. Additional studies deal with the developing role of icons in liturgical ceremonies, and with images of a saint being approached by a supplicant or patron. A final section is devoted to places made holy by the saints, and to their holy relics.

Includes 190 b&w illustrations January 2013 Hardback

376 pages 978-1-4094-1160-4

£100.00 $180.00

www.ashgate.com/isbn/9781409411604

The Geometry of Creation Architectural Drawing and the Dynamics of Gothic Design Robert Bork, University of Iowa, USA ‘This is an exceptional book that casts new light on the design processes of medieval architects. Bork has taken the radical and novel step of looking at surviving medieval drawings in the hope of finding the geometrical logic behind their structures and decorations. The results have been spectacular...’

Professor Paul Crossley, The Courtauld Institute of Art, UK Includes 240 b&w illustrations September 2011 484 pages Hardback 978-0-7546-6062-0 £75.00

$129.95

www.ashgate.com/isbn/9780754660620

Includes 29 b&w and 29 colour illustrations January 2014 Hardback

448 pages 978-1-4094-5676-6

£85.00

$149.95

www.ashgate.com/isbn/9781409456766

2

Art and Visual Studies 2014

ASHGATE

Classical, Byzantium and Medieval Iconoclasm from Antiquity to Modernity

Imagining the Human Condition in Medieval Rome

The Meanings of Nudity in Medieval Art

Edited by Marina Prusac, University of Oslo, Norway and Kristine Kolrud, Stockholm University, Sweden

The Cistercian fresco cycle at Abbazia delle Tre Fontane

Edited by Sherry C.M. Lindquist

The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ‘iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.

Kristin B. Aavitsland, University of Oslo, Norway

Includes 29 b&w illustrations

Includes 14 colour and 105 b&w illustrations

February 2014 Hardback

248 pages 978-1-4094-7033-5

£60.00

$109.95

The first monograph on the Vita Humana cycle at Tre Fontane, this book includes an overview of the medieval history of the Roman Cistercian abbey and its architecture, as well as a consideration of the political and cultural standing of the abbey both within Papal Rome and within the Cistercian order. It considers the commission of the fresco cycle, the circumstances of its making and its position within the art historical context of the Roman Duecento. Examining the unusual blend of images in the Vita Humana cycle, this study offers a more nuanced picture of the iconographic repertoire of medieval art.

November 2012 Hardback

370 pages 978-1-4094-3818-2

£75.00

$129.95

www.ashgate.com/isbn/9781409438182

Icons in Time, Persons in Eternity

The Islamic Villa in Early Medieval Iberia

Orthodox Theology and the Aesthetics of the Christian Image

Architecture and Court Culture in Umayyad Córdoba

Cornelia A. Tsakiridou, La Salle University, USA

Glaire D. Anderson, University of North Carolina at Chapel Hill, USA

Andrew Louth, Durham University, UK Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Byzantine Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to nonrepresentational art. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.

Includes 8 colour and 40 b&w illustrations February 2013 Hardback ebook PDF ebook ePUB

378 pages 978-1-4094-4767-2 978-1-4094-5273-7 978-1-4094-7233-9

£75.00

Marcus Milwright, University of Victoria, Canada Exploring the aristocratic villas and court culture of Córdoba during its ‘golden age’ under the reign of the Umayyad dynasty (r. 756-1031 AD), this study illuminates a key facet of the secular architecture of the court and its relationship to the well-known Umayyad luxury arts. Based on textual and archaeological evidence, it offers a detailed analysis of the estates’ architecture and gardens within a synthetic socio-historical framework.

Includes 16 colour and 82 b&w illustrations

$129.95

258 pages 978-1-4094-4943-0

www.ashgate.com/isbn/9781409449430

£65.00

March 2012 Hardback

382 pages 978-1-4094-2284-6

£75.00 $129.95

Memory and Commemoration in Medieval Culture Edited by Elma Brenner, Wellcome Library, UK, Meredith Cohen, UCLA, USA and Mary Franklin-Brown, University of Minnesota, USA

‘Anderson’s meticulous study illustrates the ways in which the country residences (munya) located in the region of Córdoba formed an integral part of the political, cultural and economic life of the Umayyad dynasty...This book makes a major contribution to our understanding of the culture of the villa in the Medieval Mediterranean.’

August 2013 Hardback

Parergon Includes 8 colour and 149 b&w illustrations

www.ashgate.com/isbn/9781409422846

www.ashgate.com/isbn/9781409470335

‘In this learned and profound work, Tsakiridou returns again to the challenge of modernism to religious art and, drawing on the concept of enargeia, vividness, and the Byzantine theology of the divine light, develops an understanding of the icon as drawing the beholder into the experience of deification. Bold and original.’

‘...a comprehensive and comprehensible overview of the historiography of medieval art, carefully developing the argument for a wider understanding of nudity in this period that encompasses an interdisciplinary approach.

Each contributor builds a convincing case for Lindquist’s claim, presenting varied topics and using interdisciplinary approaches like gender studies, literary studies, and the medieval body. The result is a collection of careful and nuanced analyses of selected medieval nude case studies.’

$109.95

‘The editors are to be commended for their excellent introductory essay which clearly articulates a coherent vision for the volume as a whole.’

Sehepunkte Focusing on France but incorporating studies from further afield, this collection of essays marks an important new contribution to the study of medieval memory and commemoration. Arranged thematically, each part highlights how memory cannot be studied in isolation, but instead intersects with many other areas of medieval scholarship, including art history, historiography, intellectual history, and the study of religious culture. Key themes in the study of memory are explored, such as collective memory, the links between memory and identity, the fallibility of memory, and the linking of memory to the future, as an anticipation of what is to come.

Includes 59 b&w illustrations March 2013 Hardback ebook PDF ebook ePUB

374 pages 978-1-4094-2393-5 978-1-4094-2394-2 978-1-4094-6343-6

£75.00 $129.95

www.ashgate.com/isbn/9781409423935

Precinct, Temple and Altar in Roman Spain Studies on the Imperial Monuments at Mérida and Tarragona

www.ashgate.com/isbn/9781409447672

Duncan Fishwick, University of Alberta, Canada

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You can follow us on Twitter, find us on Facebook and read or comment on the Ashgate blog. www.twitter.com/Ashgatevisualst www.facebook.com/ashgatepublishing blog.ashgate.com

The studies included in this volume focus on the monuments of two cities in Roman Spain, Emerita (now Mérida) and Tarraco (now Tarragona). Duncan Fishwick provides historiographic surveys of the monuments before discussing the architectonic significance of the provincial forum at Emerita, the influence of the provincial governor in its construction, and the evidence for an Ara Providentiae and a templum minus. He investigates the discovery of the ‘Temple of Augustus’ in Tarragona and turns his attention to present opinion on the successive stages of construction and design.

Includes 130 b&w illustrations July 2014 Hardback

320 pages 978-1-4724-1265-2 £75.00

$129.95

www.ashgate.com/isbn/9781472412652

ebooks Over 3500 Ashgate and Gower titles are available as ebooks.

We do not sell directly, however there are several, easy to use, purchase options available to libraries and individuals.

Visit www.ashgate.com/ebooks for more information.

Order online at www.ashgate.com/art and receive a 10% discount

3

Classical, Byzantium and Medieval Pseudo-Kodinos and the Constantinopolitan Court: Offices and Ceremonies

Reuse Value

Ruth Macrides, J.A. Munitiz and Dimiter Angelov, all at University of Birmingham, UK Birmingham Byzantine and Ottoman Studies

The work known as Pseudo-Kodinos, the fourteenth-century text which is one of two surviving ceremonial books from the Byzantine empire, is presented here for the first time in English translation. With facing page Greek text and the first in-depth analysis in the form of commentary and individual studies on the hierarchy, the ceremonies, court attire, the Blachernai palace, lighting, music, gestures and postures, this volume makes an important new contribution to the study of the Byzantine court, and to the history and culture of Byzantium more broadly.

Includes 17 colour and 8 b&w illustrations and 1 map December 2013 Hardback ebook PDF

578 pages 978-0-7546-6752-0 978-1-4724-1805-0

£85.00

$149.95

www.ashgate.com/isbn/9780754667520

Reading the Reverse Façade of Reims Cathedral Royalty and Ritual in Thirteenth-Century France Donna L. Sadler, Agnes Scott College, USA A Yankee Book Peddler UK Core Title for 2012 ‘Those who have anticipated the publication of Donna Sadler’s appraisal of the verso sculpture at Reims Cathedral will be delighted with this book, especially for its elucidation of the reverse façade sculpture within the contexts of the sculpture program of the entire building and of the western painted stained glass program. Her integrated interpretation considers not only Reims but also related monuments from throughout the Christian West. Skillfully connecting context to literature and to images, this study synthesizes previous readings of the material and it explicates the Latin texts associated with the building, its history, and its ceremonial use.’

Janet E. Snyder, West Virginia University, USA Includes 4 colour and 66 b&w illustrations September 2012 298 pages Hardback 978-1-4094-3243-2 £65.00

Construction, Transformation, and Subversion, 600–1530 Edited by Elizabeth L’Estrange, University of Birmingham, UK and Alison More, Radboud University, Netherlands Engaging with current academic debates over the complexities and pluralities of gender identity in the Middle Ages, this volume is one of the first collections to show how the themes of gender construction, subversion and transformation are applicable to a wide range of fields.

The methodologies used in this volume are relevant both to specialists of the Middle Ages and early modern periods, and to scholars working more broadly in fields that draw on contemporary gender studies. £60.00

‘Richard Brilliant and Dale Kinney, as indefatigable pioneers in the field of spolia-studies, have inspired many colleagues to think and rethink their positions and notions; this collection of essays attests to that inspiration...the book is well-sized, with black-and-white illustrations of good quality.’

Reviews in History Includes 39 b&w illustrations November 2011 Hardback ebook PDF ebook ePUB

284 pages 978-1-4094-2422-2 978-1-4094-3518-1 978-1-4094-8684-8

£65.00

$109.95

$109.95

Essays on Medieval Fonts, Settings and Beliefs Edited by Harriet M. Sonne de Torrens and Miguel A. Torrens both at the University of Toronto, Canada This collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation.

This book shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.

Includes 84 b&w illustrations August 2013 Hardback

www.ashgate.com/isbn/9781409424222

Rome and Religion in the Medieval World Studies in Honor of Thomas F.X. Noble Edited by Valerie L. Garver, Northern Illinois University, USA and Owen M. Phelan, Mount Saint Mary’s Seminary and University, USA

250 pages 978-1-4094-5675-9

£60.00

$109.95

www.ashgate.com/isbn/9781409456759

Women, Manuscripts and Identity in Northern Europe, 1350–1550 Joni M. Hand, Southeast Missouri State University, USA

Church, Faith and Culture in the Medieval West

The original essays in this volume build upon Thomas F.X. Noble’s interest in Rome, especially his landmark contributions to the origins of the Papal States and early medieval image controversies, thus providing a panoramic and interdisciplinary exploration of Rome and religious culture. Drawing upon a wide range of sources, including manuscripts, relics, historical and normative texts, theological tracts, and poetry, the authors illuminate the complexities of medieval Christianity and deepen scholarly appreciation of Rome in the rich and varied religious culture of the medieval world.

Includes 6 colour and 5 b&w illustrations May 2014 Hardback ebook PDF ebook ePUB

386 pages 978-1-4724-2112-8 978-1-4724-2113-5 978-1-4724-2114-2

£80.00

$139.95

www.ashgate.com/isbn/9781472421128

Representing Medieval Genders and Sexualities in Europe

218 pages 978-1-4094-0987-8 978-1-4094-0988-5 978-1-4094-8688-6

Edited by Richard Brilliant, Columbia University, USA and Dale Kinney, Bryn Mawr College, USA

$109.95

www.ashgate.com/isbn/9781409432432

December 2011 Hardback ebook PDF ebook ePUB

The Visual Culture of Baptism in the Middle Ages

Spolia and Appropriation in Art and Architecture from Constantine to Sherrie Levine

‘The area of medieval women’s literacy, patronage, and engagement with books and visual culture more broadly is one that warrants continued expansion, and Joni M. Hand’s book undoubtedly makes an important contribution to this field. Furthermore, it also stands as a worthy model of scholarly work that straddles medieval and Renaissance or Early Modern studies. Especially in art history, these fields remain surprisingly and unfortunately distanced from one another, and projects like this one are key to alleviating this gap.’

Sehepunkte Author Joni M. Hand sheds light on the reasons women of the Valois courts from the mid-fourteenth to the mid-sixteenth century commissioned devotional manuscripts. Visually interpreting the non-text elements - portraits, coats of arms, and marginalia – as well as the texts, Hand explores how the manuscripts were used to express the women’s religious, political, and/or genealogical concerns. This study is arranged thematically according to the method in which the owner is represented.

Striking Images, Iconoclasms Past and Present

Includes 51 b&w illustrations

Edited by Stacy Boldrick, The Fruitmarket Gallery, Edinburgh, UK, Leslie Brubaker and Richard Clay, both at University of Birmingham, UK

www.ashgate.com/isbn/9781409450238

This study explores how and why people have made and modified images and other cultural material from pre-history into the twenty-first century. By juxtaposing objects and places usually considered in isolation, provocative questions are raised about our understandings of cross-cultural differences and the value of representational objects.

The book examines themes such as violence, punishment, memory and intentionality, and breaks new ground by including contributions from archaeologists, curators, and museum conservators as well as from historians of art, literature and religious studies.

Includes 4 colour and 48 b&w illustrations September 2013 254 pages 978-1-4724-1367-3 Hardback www.ashgate.com/isbn/9781472413673

www.ashgate.com/isbn/9781409409878

£65.00

$109.95

February 2013 Hardback

266 pages 978-1-4094-5023-8

£65.00

$109.95

Wounds in the Middle Ages Edited by Anne Kirkham and Cordelia Warr, both at University of Manchester, UK The History of Medicine in Context

This book focuses on the representation, perception and treatment of wounds in the Middle Ages. Contributors situate wounds within the context of religious belief before turning to theory, symbolism, and more grounded spheres involving the law and the battlefield. Adopting an innovative approach to the subject, this book will appeal to all those interested in how past societies regarded health, disease and medicine as well as the ethical, religious and cultural dimensions that structured social perception.

Includes 11 b&w illustrations May 2014 Hardback ebook PDF ebook ePUB

220 pages 978-1-4094-6569-0 978-1-4094-6570-6 978-1-4094-6571-3

£70.00

$124.95

www.ashgate.com/isbn/9781409465690

4

Indexes

Book reviews

Indexes from Ashgate titles can be downloaded from our website at www.ashgate.com or by using the unique URL at the end of each book entry.

To request a review copy, please visit www.ashgate.com/reviews

Art and Visual Studies 2014

Please name the publication the review will be for.

ASHGATE

Classical, Byzantium and Medieval

Series

www.ashgate.com/spbsseries

Publications of the Society for the Promotion of Byzantine Studies

Experiencing Byzantium

Series editor: Rowena Loverance, Chair, Publications Committee

From the reception of imperial ekphraseis in Hagia Sophia to the sounds and smells of the back streets of Constantinople, the sensory perception of Byzantium is an area that lends itself perfectly to an investigation into the experience of the Byzantine world. The theme of experience embraces all aspects of Byzantine studies and the Experiencing Byzantium symposium brought together archaeologists, architects, art historians, historians, musicians and theologians in a common quest to step across the line that divides how we understand and experience the Byzantine world and how the Byzantines themselves perceived the sensual aspects of their empire and also their faith, spirituality, identity and the nature of ‘being’ in Byzantium. Experiencing Byzantium is volume 18 in the series published by Ashgate on behalf of the Society for the Promotion of Byzantine Studies.

The 43rd Spring Symposium of Byzantine Studies in 2010 drew together historians, art historians, and scholars of literature, religion and philosophy, who discussed shared and discipline-specific approaches to the theme of subversion. The present volume presents a selection of the papers delivered at the symposium enriched with specially commissioned contributions. Most papers deal with the period after the eleventh century, although early Byzantium is not ignored. Theoretical questions about the nature, articulation and limits of subversion are addressed within the frameworks of individual disciplines and in a larger context. The volume comes at a timely junction in the development of Byzantine studies, as interest in subversion and nonconformity in general has been rising steadily in the field.

Includes 39 b&w illustrations

Includes 29 b&w illustrations

This series, Publications of the Society for the Promotion of Byzantine Studies, publishes a selection of papers delivered at the annual British Spring Symposium of Byzantine Studies, now held under the auspices of the Society for the Promotion of Byzantine Studies. These meetings began more than thirty years ago in the University of Birmingham and have built an international reputation. Themes cover all aspects of Byzantine history and culture, with papers presented by chosen experts. Selected papers from the symposia have been published regularly since 1992 in a series of titles which have themselves become established as major contributions to the study of the Byzantine world.

For more information on this series please visit www.ashgate.com/spbsseries

Papers from the 44th Spring Symposium of Byzantine Studies, Newcastle and Durham, April 2011 Edited by Claire Nesbitt, Durham University, UK and Mark Jackson, Newcastle University, UK

October 2013 Hardback ebook PDF ebook ePUB

406 pages 978-1-4724-1229-4 978-1-4724-1670-4 978-1-4724-1671-1

www.ashgate.com/isbn/9781472412294

£85.00

$154.95

Power and Subversion in Byzantium Papers from the 43rd Spring Symposium of Byzantine Studies, Birmingham, March 2010 Edited by Dimiter Angelov and Michael Saxby, both at University of Birmingham, UK

October 2013 Hardback ebook PDF ebook ePUB

316 pages 978-1-4724-1228-7 978-1-4724-1668-1 978-1-4724-1669-8

£75.00

$134.95

www.ashgate.com/isbn/9781472412287

Wonderful Things: Byzantium through its Art Papers from the 42nd Spring Symposium of Byzantine Studies, London, 20-22 March 2009 Edited by Antony Eastmond, Courtauld Institute of Art, UK and Liz James, University of Sussex, UK The essays collected in this book were delivered at the XLII Spring Symposium of Byzantine Studies, held in London in 2009 to accompany the exhibition Byzantium 330-1453, at the Royal Academy. The exhibition was one of the most ambitious and complex exhibitions ever mounted at the Royal Academy, as well as one of the most popular, and the overall aim of the book is to reflect on the exhibition of Byzantine art, both as an academic and popular exercise, and through the choice and discussion of individual objects.

Includes 88 b&w illustrations August 2013 Hardback

348 pages 978-1-4094-5514-1

£70.00 $119.95

www.ashgate.com/isbn/9781409455141

Order online at www.ashgate.com/art and receive a 10% discount

5

Early Modern and Renaissance Animals and Early Modern Identity

Art as Politics in Late Medieval and Renaissance Siena

Edited by Pia F. Cuneo, University of Arizona, USA

Edited by Timothy B. Smith, Birmingham-Southern College, USA and Judith B. Steinhoff, University of Houston, USA

‘...provides a wealth of new work in early modern animal studies, ranging across Europe and into the non-European world of exploration and colonial encounters and in the process engaging such varied topics as pedagogy, animal husbandry, the visual arts, trade and travel, court culture, philosophy, and sport… Should attract the attention of a wide scholarly audience interested in the early modern period and its various appropriations of animals and animality.’

Bruce Boehrer, Florida State University, USA What roles did animals play in the construction of early modern identities? In this volume, international scholars working in the disciplines of history, art history and literature provide suggestive and probing answers. Their essays investigate how animals – horses, dogs, pigs, fish, cattle, sheep, birds, rhinoceroses, even sea-monsters and other creatures – served people in Europe, England, the Americas and Africa to defend, contest or transcend the boundaries of early modern identities.

‘… valuable for expanding, or perhaps even changing, the lens through which Sienese art is viewed.’

CAA Reviews Clearly establishing uniquely Sienese artistic agendas and vocabulary, the essays collected here broaden our understanding of the intersection of art, politics and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture and urban design, the volume challenges the still-prevalent myth of Siena’s cultural and artistic conservatism after the mid-fourteenth century.

Includes 63 b&w illustrations November 2012 Hardback

248 pages 978-1-4094-0066-0

£60.00

$104.95

www.ashgate.com/isbn/9781409400660

Includes 61 b&w illustrations September 2014 400 pages Hardback 978-1-4094-5743-5

£75.00

$129.95

The Art of Religion

The Ashgate Research Companion to Women and Gender in Early Modern Europe Edited by Allyson M. Poska, University of Mary Washington, USA, Jane Couchman, York University, Canada and Katherine A. McIver, University of Alabama, USA ‘This is an excellent introduction to a fast-moving field.

Uniting theoretical and practical approaches, a series of essays ranges across the mind, body and spirit of women in early modern Europe, illuminating differences of culture, religion, age and status. It provides an essential handbook for researchers in the field and a wonderful introduction to the range of women’s experience.’

Laura Gowing, King’s College London, UK This Companion presents an authoritative review of the current research on women and gender in early modern Europe from a multidisciplinary perspective. The authors examine women’s lives, ideologies of gender and the differences between ideology and reality through the recent research across many disciplines, including history, literary studies, art history, musicology, history of science and medicine and religious studies.

Includes 24 b&w illustrations & 25 commissioned essays

www.ashgate.com/isbn/9781409457435

Sforza Pallavicino and Art Theory in Bernini’s Rome

The Antonio II Badile Album of Drawings (c. 1500)

Maarten Delbeke, Ghent University, Belgium and University of Leiden, The Netherlands

The Origins of Collecting in Early Modern Northern Italy

‘… we owe a scholarly debt of gratitude to Delbeke for having undertaken with such success the herculean task of retrieving and analyzing the art theory of one of the most prominent intellectuals of Seicento Italy. This book will be an important point of reference for all future discussions of art theory in Bernini’s Rome.’

Renaissance Quarterly

Canines in Cervantes and Velázquez

Includes 20 b&w illustrations

John Beusterien, Texas Tech University, USA

Evelyn Karet, Clark University, USA Tracing the provenance of the earliest known album of drawings from its assemblage in the late 1530s to its dismantling in the 1950s, this book fills a critical gap in the study of northern Italian drawings and explores the historic tradition of collecting drawings and humanist collections in northern Italy before Vasari for which the album provides a new point of reference. The study includes a reconstruction of the original album and a page-by-page guide to its contents, providing insight into an overlooked subject.

Histories of Vision

August 2012 Hardback ebook PDF ebook ePUB

258 pages 978-0-7546-3485-0 978-1-4094-5884-5 978-1-4094-5885-2

260 pages 978-0-7546-6571-7

£65.00

$109.95

www.ashgate.com/isbn/9780754665717

$119.95

www.ashgate.com/isbn/9781409458845

The Ashgate Research Companion to Giorgio Vasari Edited by David J. Cast, Bryn Mawr College, USA

Architecture, Art and Identity in Venice and its Territories, 1450–1750 Essays in Honour of Deborah Howard Edited by Nebahat Avcioglu, Hunter College, CUNY, USA and Emma Jones, University of Cambridge, UK

‘David Cast ably introduces the multi-talented Vasari, fully setting the stage for the sixteen essays that follow analyzing individual biographies or Vasari’s account of a city’s artistic production...The span is comprehensive and yet comprised of specialized essays that primarily focus on Vasari as a writer, a choice that makes sense as the biographies are his major legacy.

Like Cast, the essay writers are leading authorities in the field, making this an indispensable analysis of Vasari’s contribution.’

Sarah Blake McHam, Rutgers University, USA

‘Reflecting Deborah Howard’s own scholarly signature, this volume brings different fields of research – architecture, urban planning, landscape, art, music, politics, religion, society, and gender – into fruitful discussion. The essays collected here testify to the profound influence of Howard’s work on our understanding of architecture in Venice and its empire.

Furthermore, they re-interrogate the complex issues that lie at the heart of her writings: interactions of power and culture, of arts and politics, of the transmission of ideas to and from Venice.’

Giorgio Gianighian, Università IUAV di Venezia, Italy Inspired by Deborah Howard’s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays here examine the connections and rapports between art and identity through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond.

Includes 16 colour and 72 b&w illustrations December 2013 Hardback

326 pages 978-1-4724-1082-5

www.ashgate.com/isbn/9781472410825

The Ashgate Research Companion to Giorgio Vasari brings together the world’s foremost experts on Vasari as well as up-and-coming scholars to provide, at the 500th anniversary of his birth, a comprehensive assessment of the current state of scholarship on this important – and still controversial – artist and writer. Contributors examine the life and work of Vasari as an artist and architect and as a biographer of artists, and explore his legacy.

Includes 32 b&w illustrations January 2014 Hardback ebook PDF ebook ePUB

354 pages 978-1-4094-0847-5 978-1-4724-1391-8 978-1-4724-1392-5

www.ashgate.com/isbn/9781409408475

572 pages 978-1-4094-1817-7 978-1-4094-1818-4 978-1-4094-7427-2

£90.00

$149.95

www.ashgate.com/isbn/9781409418177

An Animal Studies Reading of Early Modern Spain New Hispanisms: Cultural and Literary Studies

£65.00

Includes 39 colour and 114 b&w illustrations March 2014 Hardback

April 2013 Hardback ebook PDF ebook ePUB

£85.00 $144.95

Classified as ‘Research Essential’

by Baker & Taylor YBP Library Services ‘...views the history of early modern Spain through the lens of species difference, providing a dog’s-eye view of the period’s rich literary, visual, and dramatic achievements. A learned and intriguing study.’

Bruce Boehrer, Florida State University, USA To date, no scholarly history of early modern Spanish dogs has been published. Aside from carrying out this task, this book evaluates the representation of dogs in the work of the artist Diego Velázquez and the author Miguel de Cervantes.

In general, this study highlights the importance of Animal Studies in providing readers a fresh approach to the historical, artistic and literary complexity of early modern Spain.

Includes 10 b&w illustrations April 2013 Hardback ebook PDF ebook ePUB

162 pages 978-1-4094-5713-8 978-1-4094-5714-5 978-1-4724-0515-9

£60.00 $104.95

www.ashgate.com/isbn/9781409457138

Crosscurrents in Illustrated Religious Texts in the North of Europe, 1500-1800 Edited by Feike Dietz, Universiteit Utrecht, Netherlands, Adam Morton, University of York, UK, Els Stronks, Universiteit Utrecht, Netherlands and Marc Van Vaeck, Catholic University of Leuven, Belgium This volume provides a new perspective on the role of visual imagery in the Reformation period by focusing on international forms of collaboration: and make a significant contribution to ongoing debates concerning the history of the book by focusing on the ideological as well as practical side of international contacts.

Includes 72 b&w illustrations

£70.00

$119.95

June 2014 Hardback

278 pages 978-1-4094-6751-9

£70.00 $119.95

www.ashgate.com/isbn/9781409467519

6

Art and Visual Studies 2014

ASHGATE

Early Modern and Renaissance Dynastic Marriages 1612/1615 A Celebration of the Habsburg and Bourbon Unions Edited by Margaret M. McGowan, University of Sussex, UK

Fate, Glory, and Love in Early Modern Gallery Decoration

Jeremias Drexel’s ‘Christian Zodiac’

Visualizing Supreme Power

Seventeenth-Century Publishing Sensation.

A Critical Edition, Translated and with an Introduction & Notes

Margaretha Rossholm Lagerlöf, Stockholm University, Sweden

European Festival Studies: 1450–1700

‘This collection of fourteen essays by scholars representing different disciplines illuminates brilliantly and uniquely the multi-faceted significance of dynastic marriages in early seventeenth-century Europe, especially France and Spain.’

Robert Knecht, University of Birmingham, UK The union of the two royal houses – the Habsburgs and the Bourbons – in the early seventeenth century illustrates the extent to which marriage was a tool of government in Renaissance Europe, and festivals a manifestation of power and cultural superiority. With contributions from scholars representing a range of disciplines, this volume provides an all-round view of the sequence of festivals and events surrounding the dynastic marriages which were agreed upon in 1612 but not celebrated until 1615 owing to the constant interruption of festivities by protestant uprisings.

‘…Significant and original … Lagerlof assembles here a group of monuments from France, Rome, and Stockholm, which allows for a synchronic interpretation and reading of significant issues of visuality and content across power regimes and the long time period of the Baroque style in Europe … it is the first comprehensive examination in the history of art of these galleries, and as such makes an important scholarly contribution from which others may draw further conclusions.’

Catherine M. Soussloff, University of British Columbia, Canada Analyzing the decorative programmes of the most opulent European palaces of the time, Margaretha Lagerlöf investigates how meaning was conveyed through display and visual effects. She explores the visual meaning inherent in the scheme of spatial relations; in effects of scale, perspective, lighting, figures’ positions and postures; and in relations among image types.

Includes 62 b&w illustrations

Includes 30 colour and 112 b&w illustrations

April 2013 Hardback ebook PDF ebook ePUB

September 2013 320 pages Hardback 978-1-4094-3154-1

324 pages 978-1-4094-5725-1 £75.00 978-1-4094-5726-8 978-1-4724-0490-9

$129.95

£70.00

$119.95

www.ashgate.com/isbn/9781409431541

www.ashgate.com/isbn/9781409457251

The Emblem in Early Modern Europe Contributions to the Theory of the Emblem Peter M. Daly, McGill University, Canada The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process.

Includes 63 b&w illustrations May 2014 Hardback

£70.00

$124.95

Edited by Francesca Leoni, Ashmolean Museum, UK and Mika Natif, The George Washington University Dedicated to the topic of eroticism and sexuality in the visual production of the medieval and early modern Muslim world, this volume offers new insights and methodological models that extend our understanding of erotic and sexual subjects in the Islamic tradition. The essays shed light on the diverse socio-cultural milieus of erotic images, on the motivations underlying their production, and on the responses generated by their circulation.

Includes 8 colour and 56 b&w illustrations

www.ashgate.com/isbn/9781409464389

The first focussed study of Vasari’s original contributions to museum formation, this collection presents a crossdisciplinary overview of Vasari’s approaches to collecting and display, and his impact and legacy with respect to the museum institution. Vasari specialists unite with scholars of historical museology to address the subject from the full range of aspects – collecting, installation, conceptualhistorical – in which his influence is strongly felt.

Includes 16 b&w Illustrations March 2013 Hardback ebook PDF ebook ePUB

February 2014 Hardback

296 pages 978-1-4094-5684-1

162 pages 978-1-4094-5212-6 978-1-4094-5213-3 978-1-4094-6483-9

£65.00

$119.95

www.ashgate.com/isbn/9781409452126

Landscape and Religion from Van Eyck to Rembrandt Boudewijn Bakker, University of Amsterdam, The Netherlands ‘… a powerful and comprehensive interpretation not just of landscape pictures, but perhaps even more compelling, of an enduring theological mentality operating throughout these centuries...This condensed English edition, beautifully illustrated and carefully translated, is especially welcome as it offers the rich results of Bakker’s combined theological and art historical research to a wider circle of scholars and will, as a result, continue to inspire further thinking in the broad field of Netherlandish studies.’

Journal of the Northern Renaissance

Includes 72 b&w illustrations £65.00

$109.95

www.ashgate.com/isbn/9781409456841

Imperial Augsburg Renaissance Prints and Drawings, 1475–1540

Eros and Sexuality in Islamic Art

272 pages 978-1-4094-6438-9

Edited by Maia Wellington Gahtan, Istituto Lorenzo de’ Medici (Marist-LdM), Italy

First published in 1622, Jeremias Drexel’s ‘Zodiacus christianus’ (or ‘Christian Zodiac’) was a remarkable work of religious iconography and spiritual self-help. Offering the first modern translation into English since the early seventeenth century, this critical edition re-acquaints Anglophone audiences with a sample of the spiritual and philosophical writings of a figure whose significant publication record made him a bestseller during his lifetime and for many decades afterwards. As well as addressing issues of spiritual iconography with relation to ‘signs of predestination’, the book also has much to say about authorship, publishing and the dissemination of ideas.

Includes 31 colour and 86 b&w illustrations December 2012 Hardback

394 pages 978-1-4094-0486-6

£75.00

$129.95

www.ashgate.com/isbn/9781409404866

255 pages 978-1-4724-3013-7

www.ashgate.com/isbn/9781472430137

October 2013 Hardback

Giorgio Vasari and the Birth of the Museum

Translated by Nicholas J. Crowe, Centre for Medieval & Renaissance Studies, Oxford, UK

£65.00

$109.95

Gregory Jecmen and Freyda Spira ‘Includes an exhibition checklist, index to works selected for reproduction, and extensive bibliography…Recommended.

Lower- and upper-level undergraduates; graduate students.’

Choice Includes 48 colour illustrations August 2012 Hardback

120 pages 978-1-84822-122-2

£25.00

www.lundhumphries.com/isbn/9781848221222

$40.00

New Approaches to Naples c.1500–c.1800 The Power of Place Edited by Melissa Calaresu, Gonville and Caius College, Cambridge, UK and Helen Hills, University of York, UK Early modern Naples has been characterized as a marginal place on the fringes of the European world. In recent historiography it has often been regarded as a city bypassed by the Renaissance and an emblem of cultural and political decline. Yet, as this volume makes plain, Naples is a city that deserves serious study. Contributions illuminate the historiographical pressures that have marginalized Naples and showcase important new developments in Neapolitan cultural and art history.

Includes 7 colour and 38 b&w illustrations October 2013 Hardback ebook PDF ebook ePUB

286 pages 978-1-4094-2943-2 978-1-4094-2944-9 978-1-4094-7441-8

£70.00

$119.95

www.ashgate.com/isbn/9781409429432

Order online at www.ashgate.com/art and receive a 10% discount

7

Early Modern and Renaissance The Painted Closet of Lady Anne Bacon Drury

The Religious Paintings of Hendrick ter Brugghen

H.L. Meakin, University of South Florida, USA

Reinventing Christian Painting after the Reformation in Utrecht

Prize: Awarded a Paul Mellon Centre Publication and Author Grant Classified as ‘Research Essential’

by Baker & Taylor YBP Library Services Lady Anne Bacon Drury (1572-1624) devised dozens of panels comprised of pictures and Latin mottoes for the walls of her closet or study. The panels functioned as a ‘book’ of meditations to enable her – well-connected, wealthy, and well-educated as she was – to cope with the disappointments of her life. For the first time in 400 years, Meakin thoroughly investigates the personal, social, and intellectual contexts of Lady Drury’s closet.

Includes 64 colour and 31 b&w illustrations October 2013 Hardback

410 pages 978-0-7546-6397-3

£75.00

Livio Pestilli, Trinity College, Rome Campus, Italy ‘Livio Pestilli has given us more than a monograph on the second of the two major Neapolitan painters who bridged the seventeenth and eighteenth centuries. He shows that Paolo De Matteis was a figure of European stature who, like his contemporary Francesco Solimena, involved himself in every aspect of contemporary culture. Few art historians can match Pestilli’s knowledge of the literary scene, the international politics, the natural science and classical scholarship of the period. Pestilli manages to give full attention to De Matteis’ professional aspirations, to the subject matter of his paintings, to his pictorial technique and preparatory drawings, while also illuminating the complex historiographical legacy that has long obscured the artist’s reputation.’

Thomas Willette, University of Michigan, USA A long overdue re-assessment of the Neapolitan painter Paolo de Matteis, this volume examines the artist’s most significant works and shows how posterity’s impression of him has been conditioned by a biased biographical and literary tradition. More than just a novel approach to de Matteis, however, the book serves as a window into early eighteenth-century art and cultural history, not only in Naples but in Paris, Vienna, Genoa, and Rome.

Includes 108 colour and 112 b&w illustrations £70.00

$119.95

www.ashgate.com/isbn/9781409446200

Parody and Festivity in Early Modern Art

Includes 4 colour and 69 b&w illustrations and 1 map August 2012 Hardback

194 pages 978-1-4094-3495-5

£60.00 $104.95

The fourteen articles in this volume bring together some of the latest research on the cultural, intellectual and commercial interactions during the Renaissance between Western Europe and the Middle East, with particular reference to the Ottoman Empire. The articles contribute to an exciting cross-cultural and inter-disciplinary scholarly dialogue that explores elements of continuity and exchange between the two areas, and positions the Ottoman Empire as an integral element of the geo-political and cultural continuum within which the Renaissance evolved.

October 2013 Hardback

352 pages 978-1-4724-0991-1

£75.00 $129.95

www.ashgate.com/isbn/9781472409911

Edited by John Hendrix, University of Lincoln, UK and Rhode Island School of Design and Roger Williams University, USA and Charles H. Carman, University at Buffalo, USA Visual Culture in Early Modernity

‘This is a rich and innovative collection. The sum of its parts confidently asserts that there is an underlying correspondence between philosophical and theological concepts, their transformation into images by visual mechanisms and the linguistic mechanisms which read and interpret the images in Renaissance culture. Such correspondence is certainly mirrored in the exciting interdisciplinary writing of this collection.’

258 pages 978-1-4094-0024-0 £65.00 $119.95 978-1-4094-2399-7 978-1-4094-8651-0

We won!

Renaissance Quarterly Includes 50 b&w illustrations $104.95

Winner, Paul Mellon Centre Publication Grant ‘… this book’s greatest contribution is that it prompts historians of Baroque art and architecture to look again at the term and its implications, and with the aid of Deleuze’s ‘fold’ reassess the period through the prism of its very construction and history as an archive worthy of study.’

The Burlington Magazine Includes 25 colour and 34 b&w illustrations August 2011 Hardback

286 pages 978-0-7546-6685-1

£65.00

$109.95

www.ashgate.com/isbn/9780754666851

Roman Antiquities in Renaissance France, 1515–65 Richard Cooper, Oxford University, UK Making use of new and original material based on first-hand sources, this book interrogates the vogue for collecting, discussing, depicting and putting to political and cultural use Roman antiquities in the French Renaissance. It surveys a range of activity from the labours of collectors and patrons to royal entries, considers attacks on the craze for the antique, and sets literary instances among a much wider spectrum of artistic endeavour.

Includes 53 b&w illustrations September 2013 450 pages 978-1-4094-5265-2 £80.00 Hardback ebook PDF 978-1-4094-5266-9 ebook ePUB 978-1-4724-0040-6

$144.95

www.ashgate.com/isbn/9781409452652

Rubens, Velázquez, and the King of Spain Aneta Georgievska-Shine and Larry Silver

Renaissance Theories of Vision

www.ashgate.com/isbn/9781409400240

‘...this diverse collection of essays makes a stimulating contribution to the study of humor in visual culture.’

Edited by Helen Hills, University of York, UK

Includes 43 colour and 39 b&w illustrations

Journal of European Studies

Edited by David R. Smith, University of New Hampshire, USA

220 pages 978-1-4094-3030-8 £60.00

Edited by Anna Contadini, SOAS, University of London, UK and Claire Norton, St Mary’s University College, UK

December 2010 Hardback ebook PDF ebook ePUB

Essays on Comedy as Social Vision

www.ashgate.com/isbn/9781409430308

Art & Christianity

The Renaissance and the Ottoman World

Neapolitan Painting and Cultural History in Baroque Europe

May 2012 Hardback

‘Seamen discusses each [of the paintings] with exceptional clarity, historical depth and acute awareness of the theological cross-currents that pervaded both post-reformation Utrecht, and the artist himself, described by one contemporary as “a man of profound but melancholy thoughts”.’

$129.95

Paolo de Matteis

502 pages 978-1-4094-4620-0

Visual Culture in Early Modernity

www.ashgate.com/isbn/9781409434955

www.ashgate.com/isbn/9780754663973

May 2013 Hardback

Natasha T. Seaman, Rhode Island College, USA

Rethinking the Baroque

For more information and to see a list of Ashgate’s most recent, prize-winning titles, go to www.ashgate.com/prizewinners

‘This ambitious study deals with two of the most complex artists of the seventeenth century, who, moreover, represent two different artistic traditions. Habsburg myth making, the emblematic tradition, the mythographic tradition, and innumerable ancient texts are adduced by the authors to build a set of associative meanings around the mythological paintings created for the Torre de la Parada. The authors treat intention and reception with subtlety and deftness, and offer up a rich range of possible meanings for this intriguing pictorial ensemble.’

Giles Knox, Indiana University, USA Analyzing the decorative mythological imagery of the hunting lodge of King Philip IV of Spain, this study illuminates the dialogical nature of a painted program, designed largely by Peter Paul Rubens, and supplemented

by Diego Velázquez. Careful examination of surviving images in their broader intellectual context reveals their literary, rhetorical, and philosophical underpinnings, and elucidates the complementary perspectives of these two great artists.

Includes 48 colour and 112 b&w illustrations February 2014 Hardback

362 pages 978-1-4094-6233-0 £70.00

$119.95

www.ashgate.com/isbn/9781409462330

Sculpture Collections in Early Modern Spain Kelley Helmstutler Di Dio, University of Vermont, USA and Rosario Coppel Firmly grounded in archival research, Sculpture Collections in Early Modern Spain transforms our knowledge regarding the presence of sculpture in the country during the period, which until now has been erroneously characterized as close to non-existent. This study reveals the importance of sculpture as a status symbol among nobles, humanists and artists, thus redefining the socio-political and art historical significance of the medium in the culture.

Includes 20 b&w illustrations December 2013 Hardback ebook PDF ebook ePUB

480 pages 978-1-4094-6904-9 £85.00 978-1-4094-6905-6 978-1-4094-6906-3

$149.95

www.ashgate.com/isbn/9781409469049

8

Art and Visual Studies 2014

ASHGATE

Early Modern and Renaissance Şehrengiz, Urban Rituals and Deviant Sufi Mysticism in Ottoman Istanbul B. Deniz Çaliş-Kural, Istanbul Bilgi University, Turkey ‘...thrillingly bold, demonstrating that the Ottoman sehrengiz were a function of the Melami sufi order. This is as breathtaking as to say that performances at the Globe Theater of Elizabethan England were a function of a secret mystical order penetrating the highest levels of government. Yet in this author’s hands the exposition proceeds at a calm, comfortable pace, rigorously supported and comfortably thorough.’

Victoria Holbrook, author of The Unreadable Shores of Love: Turkish Modernity and Mystic Romance Examining the urban culture and landscapes of Istanbul through Şehrengiz, a genre of Ottoman poetry written in honor of various cities and provincial towns, this book questions the space culture of the Ottoman world in relation to practices of orthodox and heterodox Islam and imperial politics. The author traces how a sixteenth-century marginal protest movement evolved, by the early eighteenth century, into a movement of urban space reform.

Includes 29 b&w illustrations

Series

www.ashgate.com/transculturalisms

Transculturalisms, 1400–1700 Series editors: Mihoko Suzuki, University of Miami, USA, Ann Rosalind Jones, Smith College, USA and Jyotsna Singh, Michigan State University, USA This series presents studies of the early modern contacts and exchanges among the states, polities and entrepreneurial organizations of Europe; Asia, including the Levant and East India/Indies; Africa; and the Americas. Books investigate travellers, merchants and cultural inventors, including explorers, mapmakers, artists and writers, as they operated in political, mercantile, sexual and linguistic economies. We encourage authors to reflect on their own methodologies in relation to issues and theories relevant to the study of transculturism/translation and transnationalism.

For more information on this series please visit www.ashgate.com/transculturalisms

Early Modern Dutch Prints of Africa

Military Ethos and Visual Culture in Post-Conquest Mexico

Elizabeth A. Sutton, The University of Northern Iowa, USA

Mónica Domínguez Torres, University of Delaware, USA

www.ashgate.com/isbn/9781472427090

Sexualities, Textualities, Art and Music in Early Modern Italy

‘Sutton’s book makes an important contribution to the debate about European views of African people in the early modern period, while also providing a very valuable account of De Marees, Claesz and the illustration of travel writing.’

May 2014 Hardback ebook PDF ebook ePUB

272 pages 978-1-4724-2709-0 978-1-4724-3226-1 978-1-4724-3227-8

£65.00

$109.95

Historians of Netherlandish Art

Playing with Boundaries Edited by Melanie L. Marshall, New York University, USA, Linda L. Carroll, Tulane University, USA and Katherine A. McIver, The University of Alabama at Birmingham, USA The essays in this interdisciplinary collection draw on visual art, theatre, music, history and literature, in sacred and secular contexts, to explore the cultural fashioning of sexualities in early modern Italy. Approaching the topic from the point of view of both visual and auditory media, the essays demonstrate the role played by artistic production in fashioning, policing, and challenging early modern sexual boundaries.

Includes 22 b&w illustrations and 7 music examples 208 pages 978-1-4094-6468-6

May 2014 Hardback

£60.00

$104.95

www.ashgate.com/isbn/9781409464686

St. Catherine of Alexandria in Renaissance Roman Art Case Studies in Patronage Cynthia Stollhans, Saint Louis University, USA ‘Situated within the evolution and tradition of St. Catherine scholarship and offering a tightly-focused examination of the cult in a specific time and place, Stollhans delves deeply into the issue of artistic patronage in Renaissance Rome, examining the ways in which various patrons used and referenced Catherine’s cult to forward their own agendas and formulate their public identities … a fascinating study of the uses and applications of the Catherine cult.’

Scott B. Montgomery, University of Denver, USA How and why did a medieval female saint from the Eastern Mediterranean come to be such a powerful symbol in early modern Rome? This study provides an overview of the development of the cult of Catherine of Alexandria in Renaissance Rome, and explores how her imagery was used to support the religious, political, and/or social agendas of individual patrons and religious orders.

212 pages 978-1-4094-4751-1

www.ashgate.com/isbn/9781409447511

£55.00

December 2012 Hardback

296 pages 978-1-4094-3970-7

£65.00

$109.95

www.ashgate.com/isbn/9781409439707

Islam, Christianity and the Making of Czech Identity, 1453–1683

Charlene Villaseñor Black, UCLA, USA

Laura Lisy-Wagner, San Francisco State University, USA ‘Dr Lisy-Wagner draws on an array of Czech texts by significant cultural, diplomatic and intellectual figures of the early modern Bohemian Kingdom to explore fascinating themes of cultural contact and conflict, image shaping and re-shaping, border defining and erasing. Challenging, engaging, and accessible … makes a significant contribution to the study of early modern Bohemia, and Europe’s interactions with the Ottoman world next door.’

Hugh Agnew, George Washington University, USA Working through the descriptive and ethnographic texts produced by Czech speakers about Islam and the Ottoman Empire, this study brings to light how they used this discourse to create Czech identities. Rather than simply constructing identity in opposition to the Islamic Other, Laura Lisy-Wagner investigates how the authors played the Holy Roman and Ottoman Empires off of each other, creating a culturally autonomous space for themselves in between.

Includes 6 colour and 5 b&w illustrations September 2013 214 pages Hardback 978-1-4094-3165-7 ebook PDF 978-1-4094-3166-4 ebook ePUB 978-1-4724-0143-4 www.ashgate.com/isbn/9781409431657

£70.00

‘Carefully researched and theoretically sophisticated, this study examines the emergency of new military imagery in the context of competing military ideologies – Spanish and Pre-Columbian – in colonial New Spain. From the creation of new heraldic devices with indigenous elements, to the colonial transformation of European heraldry, ruler portraits in Mexican codices, and military imagery in monastic complexes, as well as the martial symbolism of atrial crosses, Domínguez’s important study documents the fashioning and refashioning of images associated with two different military cultures in an era of conquest.’

Bringing to bear her extensive knowledge of the cultures of Renaissance Europe and sixteenth-century Mexico, Mónica Domínguez Torres here investigates the significance of military images and symbols in postConquest Mexico. She shows how the ‘conquest’ in fact involved dynamic exchanges between cultures; and that certain interconnections between martial, social and religious elements resonated with similar intensity among Mesoamericans and Europeans, indeed creating cultural bridges between these diverse communities.

Includes 8 colour and 68 b&w illustrations September 2013 308 pages 978-0-7546-6671-4 Hardback

$99.95

£60.00

$99.95

www.ashgate.com/isbn/9780754666714

Seeing Across Cultures in the Early Modern World Edited by Dana Leibsohn, Smith College, USA and Jeanette Favrot Peterson, University of California, Santa Barbara, USA.

$119.95 ‘The latest entry from Ashgate in one of the most innovative and stimulating new art history publication series, ‘Transculturalisms 1400-1700,’ this collection of essays takes up the complex issue of what some scholars are calling ‘visuality,’ a conception of vision itself in a given culture… a fascinating collection…’

Cassone Includes 18 colour and 64 b&w illustrations June 2012 Hardback

Includes 8 colour and 38 b&w illustrations January 2014 Hardback

Includes 6 colour and 47 b&w illustrations

Awarded a Wyeth Foundation for American Art Publication Grant from the College Art Association, 2011

302 pages 978-1-4094-1189-5

£70.00

$119.95

www.ashgate.com/isbn/9781409411895

The Turk and Islam in the Western Eye, 1450–1750 Visual Imagery before Orientalism Edited by James G. Harper, University of Oregon, USA Includes 70 b&w illustrations June 2011 Hardback

342 pages 978-0-7546-6330-0

£70.00

$124.95

www.ashgate.com/isbn/9780754663300

Order online at www.ashgate.com/art and receive a 10% discount

9

Early Modern and Renaissance Visual Rhetoric and Early Modern English Literature Katherine Acheson, University of Waterloo, Canada Material Readings in Early Modern Culture

‘...breathtaking in its scope, taking a material, spatial, and visual approach to early modern literature. Theoretically sophisticated, the lucidly written text and lavish illustrations illuminate contemporary meanings behind the non-pictorial image in early modern texts, while at the same time developing a language for evaluating and describing them.

Acheson maps this new language and knowledge onto some of the central canons of English literature, leading to some rich new interpretations of well-known works by John Milton, Andrew Marvell, and Aphra Behn. This book is a delight to read and will certainly be of use to any student or scholar of early modern mentalities.’

Angela McShane, Victoria & Albert Museum, UK Considering the variety of charts, diagrams and other kinds of images with which early modern printed books are copiously illustrated, this volume interrogates how visual rhetoric affected verbal expression. The genres of illustration considered include military strategy and tactics, garden design, instrumentation, Bibles, scientific schema, drawing instruction, natural history, comparative anatomy and Aesop’s Fables. The book develops novel methods of using printed images as evidence in the interpretation of the rich, strange and beautiful literature of early modern England.

Includes 40 b&w illustrations August 2013 Hardback

186 pages 978-0-7546-6283-9

£60.00

$104.95

www.ashgate.com/isbn/9780754662839

Waterborne Pageants and Festivities in the Renaissance Essays in Honour of J.R. Mulryne Edited by Margaret Shewring and Linda Briggs, both at University of Warwick, UK European Festival Studies: 1450–1700

Includes 8 colour and 42 b&w illustrations 474 pages 978-1-4094-0023-3 978-0-7546-9876-0 978-1-4724-0042-0

www.ashgate.com/isbn/9781409400233

www.ashgate.com/vcem

Visual Culture in Early Modernity Series editor: Allison Levy A forum for the critical inquiry of the visual arts in the early modern world, Visual Culture in Early Modernity promotes new models of inquiry and new narratives of early modern art and its history. We welcome proposals for both monographs and essay collections that consider the cultural production and reception of images and objects. The range of topics covered in this series includes, but is not limited to, painting, sculpture and architecture as well as material objects, such as domestic furnishings, religious and/or ritual accessories, costume, scientific/medical apparata, erotica, ephemera and printed matter.

We seek innovative investigations of western and non-western visual culture produced between 1400 and 1800.

For more information on this series please visit www.ashgate.com/vcem

Apostolic Iconography and Florentine Confraternities in the Age of Reform Douglas N. Dow, Kansas State University, USA Focusing on artists and architectural complexes which until now have eluded scholarly attention, this study examines three different confraternal organizations in sixteenthcentury Florence. Douglas Dow explores how, through the emphasis on the apostles within their art programs, these corporate groups adapted existing iconography to their own purposes. He argues that their willful engagement with apostolic themes reveals the complex interaction between these organizations and the church’s program of reform.

Includes 5 colour and 80 b&w illustrations February 2014 Hardback

240 pages 978-1-4094-4054-3 £60.00

$104.95

www.ashgate.com/isbn/9781409440543

As the first book-length study of waterborne festivities in Renaissance and early modern Europe, this collection of essays draws on a rich array of sources, many previously un-researched, to explore aspects of scenography, choreography, music, fashion, painting, sculpture, architecture, stage – and personnel – management and urban planning as evinced in spectacles staged on water.

Often taking the form of re-enactments of naval battles or legendary seaborne quests, these festivals seek to buttress civic and national pride, make claims to mastery over the sea and landscape, and explore the imaginative as well as practical life of performance space which has been a hallmark of the research and publication of this volume’s honorand, J.R. (Ronnie) Mulryne.

November 2013 Hardback ebook PDF ebook ePUB

Series

£85.00

$149.95

Art and the Relic Cult of St. Antoninus in Renaissance Florence Sally J. Cornelison, The University of Kansas, USA

Caravaggio Reflections and Refractions Edited by Lorenzo Pericolo, University of Warwick, UK and David Stone, University of Delaware, USA ‘This is a distinguished collection of original essays by wellestablished scholars of Italian Baroque art and Caravaggio in particular. It is remarkable for the diversity of questions asked and methodological resources deployed in answering them.

Such is the sureness of scholarship that underpins each essay, however, that there is little to no contradiction among them. Each essay contributes to a fuller understanding of Caravaggio that is greater than the sum of its excellent parts.’

Charles Dempsey, The Johns Hopkins University, USA As this collection makes clear, the paths to grasping the complexity of Caravaggio’s art are multiple and variable.

Offering new or recently updated interpretations of the works of Caravaggio and the Caravaggisti, this book deals with all the major aspects of Caravaggio’s paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception and new hermeneutical trends.

Includes 15 color and 109 b&w illustrations March 2014 Hardback

432 pages 978-1-4094-0684-6

£80.00

$139.95

www.ashgate.com/isbn/9781409406846

Includes 13 colour and 88 b&w illustrations September 2012 386 pages Hardback 978-0-7546-6714-8

£70.00

$129.95

www.ashgate.com/isbn/9780754667148

Beholding Violence in Medieval and Early Modern Europe Edited by Allie Terry-Fritsch and Erin Felicia Labbie, both at Bowling Green State University, USA Includes 46 b&w illustrations November 2012 Hardback

298 pages 978-1-4094-4286-8

www.ashgate.com/isbn/9781409442868

£65.00

$109.95

The Cult of St Clare of Assisi in Early Modern Italy Nirit Ben-Aryeh Debby, Ben-Gurion University of the Negev, Israel ‘…The author demonstrates tremendous erudition encompassing a wide-ranging exploration of the visual as well as textual material. The material will be important to historians of hagiography and its cultural contexts as well as to art historians interested in tracing the changing iconography of an important medieval saint into modern times.’

Anita Moskowitz, Stony Brook University, USA (Emerita), author of Italian Gothic Sculpture c. 1250-1400 Through an examination of such diverse visual images as prints, drawings, panels, sculptures, minor arts, and frescoes, this book, a significant contribution to research in art history, sermon studies, gender studies, and theology, examines the representations of St Clare of Assisi in the Italian visual tradition from the thirteenth to the midseventeenth century. Debby highlights the role of women saints in the reform movements of the Osservanza and the Catholic Reformation, and in the face of Muslim-Christian encounter of the early modern era.

Includes 10 colour and 51 b&w illustrations May 2014 Hardback

200 pages 978-1-4724-2057-2

£65.00

$104.95

www.ashgate.com/isbn/9781472420572

SEE ALSO Renaissance Theories of Vision See page 8

10

Art and Visual Studies 2014

ASHGATE

Early Modern and Renaissance The Early Modern Italian Domestic Interior, 1400–1700

Performativity and Performance in Baroque Rome

Objects, Spaces, Domesticities

Edited by Peter Gillgren and Mårten Snickare, Stockholm University, Sweden

Edited by Erin J. Campbell, the University of Victoria, Canada, Stephanie R. Miller, Coastal Carolina University, USA and Elizabeth Carroll Consavari, San Jose State University, USA Adopting a broad chronological framework and expanding the regional scope beyond Florence and Venice to include domestic interiors from less studied centers such as Urbino, Ferrara, and Bologna, this collection offers new perspectives on the home in early modern Italy. The volume’s dual emphasis is on reconstructing the material culture of specific residences, and on how particular domestic objects reflect, shape, and mediate family values and relationships within the home.

Includes 21 b&w illustrations December 2013 Hardback ebook PDF ebook ePUB

282 pages 978-1-4094-6811-0 £65.00 978-1-4724-1135-8 978-1-4724-1136-5

$109.95

www.ashgate.com/isbn/9781409468110

Festive Funerals in Early Modern Italy

Includes 84 b&w illustrations

280 pages 978-1-4094-2099-6 £65.00

Minou Schraven, Amsterdam University College, The Netherlands

Claudia Goldstein, William Paterson University, USA winner of the joop witteveen prize, 2013 ‘...a fascinating and important topic...Goldstein contextualizes some of Bruegel’s paintings by examining patronage, intellectual history and the history of food and feasts.

Goldstein explores fine art and material culture, letters and books, inventories and archives. Her research is thorough, her conclusions sound, her writing style is clear and lively, and she crosses disciplinary boundaries to contribute original ideas to the study of early modern Europe.’

Claudia Goldstein mines a rich, interdisciplinary mix of sources to shed new light on the cultural history of sixteenth-century Antwerp. Recontextualizing some of Bruegel’s work within the cultural nexus of the dining room, she offers a critical and entirely original examination of the function of early modern images for the people who owned and viewed them.

188 pages 978-0-7546-6732-2

£60.00

$109.95

www.ashgate.com/isbn/9780754667322

November 2011 Hardback

268 pages 978-0-7546-6816-9

£65.00 $109.95

www.ashgate.com/isbn/9780754668169

February 2014 Hardback

256 pages 978-1-4094-6206-4 £60.00

$109.95

www.ashgate.com/isbn/9781409462064

Inganno – The Art of Deception Imitation, Reception, and Deceit in Early Modern Art Edited by Sharon Gregory, St Francis Xavier University, Canada and Sally Anne Hickson, University of Guelph, Canada Includes 21 b&w illustrations July 2012 Hardback

216 pages 978-1-4094-3149-7 £60.00

www.ashgate.com/isbn/9781409431497

276 pages 978-1-4094-0004-2

£65.00

$119.95

www.ashgate.com/isbn/9781409400042

Vasari and the Renaissance Print Sharon Gregory, St Francis Xavier University, Canada Prize: Honorable Mention for the IFPDA Book Award, 2013 A Yankee Book Peddler US Core Title for 2012 Includes 12 colour and 140 b&w illustrations July 2012 Hardback

460 pages 978-1-4094-2926-5

£85.00

$149.95

www.ashgate.com/isbn/9781409429265

Andrea Bubenik, The University of Queensland, Australia A Yankee Book Peddler US Core Title for 2013 ‘… thoroughly researched, well organized, and performs an important function in incorporating information from the latest publications, as well as from earlier ones by Czech and Polish scholars difficult of access. Bubenik relates the whole to modern reception theory in convincing fashion.’

Jane Campbell Hutchison, University of Wisconsin-Madison, Emerita Focusing on the ways his art and persona were valued and criticized by writers, collectors, and artists subsequent to his death, this book examines the reception of the works of Albrecht Dürer. The author traces carefully how Dürer’s paintings, prints, drawings and theoretical writings traveled widely, and were appropriated into new contexts and charged with different meanings. The volume includes illustrations of numerous imitative works after Dürer.

282 pages 978-1-4094-3847-2

www.ashgate.com/isbn/9781409438472

Ann Marie Borys presents northern Italian architect Vincenzo Scamozzi (1548–1616) as a traveler and an observer, the first Western architect to respond to the changing shape of the world in the Age of Discovery. Pointing out his familiarity with the expansion of knowledge in both natural history and geography, she highlights his truly unique contribution: to make geography and cartography central to the knowledge of the architect.

£65.00

260 pages 978-1-4094-5580-6 £65.00

$109.95

www.ashgate.com/isbn/9781409455806

The Appropriation of Art, 1528–1700

February 2013 Hardback

Vincenzo Scamozzi and the Chorography of Early Modern Architecture

March 2014 Hardback

Reframing Albrecht Dürer

Includes 13 colour and 81 b&w illustrations $104.95

June 2012 Hardback

Includes 92 b&w illustrations

Diana Hiller

Includes 8 colour and 36 b&w illustrations

Includes 49 b&w illustrations

Ann Marie Borys

Art Discourse in the Sixteenth-Century Netherlands Includes 8 colour and 86 b&w illustrations

The first monograph to appear in English on the Last Supper frescoes in Quattrocento Florence, this study examines the effect of gender on the contextualized perceptions of the male and female religious who viewed the Florentine Last Supper images. Using archival, literary and cultural sources, and by examining a wide range of contexts, Diana Hiller argues that the religious viewers’ perceptions of the refectory frescoes were gendered.

Edited by Alice E. Sanger and Siv Tove Kulbrandstad Walker

Includes 69 b&w illustrations

Todd M. Richardson, University of Memphis, USA

Gendered Perceptions of Florentine Last Supper Frescoes, c. 1350–1490

$144.95

Sense and the Senses in Early Modern Art and Cultural Practice

Pieter Bruegel the Elder

www.ashgate.com/isbn/9780754665243

£80.00

Pieter Bruegel and the Culture of the Early Modern Dinner Party

Includes 52 b&w illustrations £70.00 $124.95

402 pages 978-1-4094-2558-8

www.ashgate.com/isbn/9781409425588

May 2013 Hardback

330 pages 978-0-7546-6524-3

May 2012 Hardback

www.ashgate.com/isbn/9781409420996

Interdisciplinary in scope, this book constitutes the first overview of the development of early modern papal funeral apparati, the temporary decorations used during the funeral masses in St Peter’s. Drawing from a range of unpublished sources, the author shows how the papal apparati functioned within the funerary liturgy and how the apparati compared to those of cardinals and princes on the stages of early modern Rome, Theatre of the World.

March 2014 Hardback

$119.95

Diane Wolfthal, Minter Chair in the Humanities and Professor of Art History, Rice University

The Art and Culture of Conspicuous Commemoration

The Culture of the Visual Arts in Early Sixteenth-Century Rome Edited by Jill Burke, University of Edinburgh, UK

Includes 8 colour and 60 b&w illustrations April 2012 Hardback

Rethinking the High Renaissance

$109.95

Writing Fashion in Early Modern Italy From Sprezzatura to Satire Eugenia Paulicelli, Queen’s College, USA ‘...a convincing argument for the crucial significance of clothing and fashion in the mentalities of early modern Europe; her book is richly informed by the research of economic, social, and feminist historians, historians of dress, and by her own alertness to the links between past and present in the ways that dress is presented today. Her narrative incorporates close readings of a wide and interesting array of early modern writings, and offers a wealth of intriguing examples...’

Ann Rosalind Jones, Smith College, USA The first comprehensive study on the role of Italian fashion and Italian literature, this book emphasizes the centrality of Italian literature and culture for understanding modern theories of fashion and gauging its impact in the shaping of codes of civility and taste in Europe and the West. Using literature to uncover what has been called the ‘animatedness of clothing,’ the author explores the political meanings that clothing produces in public space.

Includes 8 colour and 48 b&w illustrations June 2014 Hardback ebook PDF ebook ePUB

300 pages 978-1-4724-1170-9 978-1-4724-3603-0 978-1-4724-3604-7

£65.00 $109.95

www.ashgate.com/isbn/9781472411709

Order online at www.ashgate.com/art and receive a 10% discount

11

Early Modern and Renaissance

Series

www.ashgate.com/wgemw

Women and Gender in the Early Modern World

Picturing the ‘Pregnant’ Magdalene in Northern Art, 1430-1550

Series editors: Allyson Poska and Abby Zanger

Addressing and Undressing the Sinner-Saint

Women and Gender in the Early Modern World has served as a forum for presenting fresh ideas and original approaches to the field. Interdisciplinary and multidisciplinary in scope, this Ashgate series strives to reach beyond geographical limitations to explore the experiences of early modern women and the nature of gender in Europe, the Americas, Asia and Africa.

For more information on this series please visit www.ashgate.com/wgemw

Penny Howell Jolly, Skidmore College, USA ‘...With a sharp eye and a thorough understanding of the rich and complex cult of the Magdalen, Jolly analyzes visual imagery to successfully explain the broad appeal of the Magdalen, a prostitute who became a saint.’

Diane Wolfthal, Rice University, USA

Art, Gender and Religious Devotion in Grand Ducal Tuscany

Isabella d’Este and Francesco Gonzaga

Alice E. Sanger

Power Sharing at the Italian Renaissance Court

‘...there is a lot of excellent new material here. The focus on rituals, on pilgrimage, on display of relics, gives this study a broader set of issues to consider than simply art patronage; and the emphasis on the visual character of events such as weddings, entries, festivals, processions, and funerals is especially welcome.’

Ann Roberts, Lake Forest College, USA Positing Medici women’s patronage as a network of devotional, entrepreneurial and cultural activities that depended on seeing and being seen, Alice Sanger focuses on the intersection of the visual and the sacred at the Medici court of the later sixteenth to early seventeenth centuries.

By examining the religious dimensions of the Medici grand duchesses’ art patronage and collecting activities alongside their visually resonant devotional and public acts, this book adds a new dimension to the current scholarship on women’s patronage in early modern Italy.

Includes 4 colour and 19 b&w illustrations January 2014 Hardback

180 pages 978-1-4094-0079-0

£60.00

$104.95

www.ashgate.com/isbn/9781409400790

Early Modern Habsburg Women

Sarah D.P. Cockram, University of Edinburgh, UK ‘...this is pathbreaking work. Taking as her primary source the three thousand letters exchanged between this dynastic ruling couple, Cockram makes a very strong case for a profoundly revisionary view of the operating functions of this court and, importantly, of the gender relations that made it work so effectively.’

Deanna Shemek, University of California, Santa Cruz, USA In this first full length scholarly study of Isabella d’Este and Francesco Gonzaga, Sarah Cockram casts new light on a long misunderstood relationship and shows the couple’s strategic teamwork in action. Drawing on largely unpublished archival material, she illuminates tactics of collaboration and double-dealing. She reveals sharing of authority; behind-the-scenes diplomatic activity; epistolary practices and dissimulation; network-building; sexual politics and seduction; court rivalries; Machiavellian intrigues and assassinations.

Includes 11 b&w illustrations and 2 maps September 2013 274 pages Hardback 978-1-4094-4831-0 ebook PDF 978-1-4094-4832-7 ebook ePUB 978-1-4724-0637-8

£70.00

www.ashgate.com/isbn/9781409448310

Edited by Anne J. Cruz and Maria Galli Stampino, both at University of Miami, USA

Medieval and Renaissance Lactations

Barbara Weissberger, University of Minnesota, USA Through archival documents, pictorial and historical accounts, literature, and correspondence, as well as cultural artefacts such as paintings, jewellery, and garments, this volume examines the impact of Habsburg royal women in the broader historical, political, and cultural contexts of early modern Europe. Contributors explore the national and transnational aspects of both Spanish and Austrian Habsburg women through their biographies; and show how, as the women moved from one court to another, they transferred their cultural, religious, and political traditions.

Includes 29 b&w illustrations December 2013 Hardback ebook PDF ebook ePUB

312 pages 978-1-4724-1164-8 978-1-4724-1165-5 978-1-4724-1166-2

£75.00

$129.95

Includes 18 colour and 55 b&w illustrations January 2014 Hardback

290 pages 978-1-4724-1495-3

£65.00

$109.95

www.ashgate.com/isbn/9781472414953

Wives, Widows, Mistresses, and Nuns in Early Modern Italy Making the Invisible Visible through Art and Patronage Edited by Katherine A. McIver, University of Alabama at Birmingham, USA January 2012 Hardback

286 pages 978-0-7546-6953-1 £65.00

$109.95

www.ashgate.com/isbn/9780754669531

Transnational Contexts, Cultural Conflicts, Dynastic Continuities

‘... [a] rich and multifaceted study that examines the real power of early modern Habsburg women, a subject traditionally ignored or undervalued by historians. It focuses on the social, cultural, and political contributions of six Habsburg women, as queens, duchesses, vicereines or in one fascinating case, a nun.’

Examining innovations in Mary Magdalene imagery – including her dress – in northern art 1430 to 1550, Penny Jolly explores how the saint’s widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet. Analyzing paintings by Rogier van der Weyden, Quentin Massys, and others, Jolly investigates artists’ and audiences’ responses to increasing religious tensions, expanding art markets, and changing roles for women.

$119.95

Women, Art and Architectural Patronage in Renaissance Mantua Matrons, Mystics and Monasteries Sally Anne Hickson, University of Guelph, Canada

Images, Rhetorics, Practices

March 2012 Hardback ebook PDF ebook ePUB

Edited by Jutta Gisela Sperling, Hampshire College, USA The premise of this volume is that the ubiquity of lactation imagery in early modern visual culture and the discourse on breastfeeding in humanist, religious, medical, and literary writings is a distinct cultural phenomenon that deserves systematic study. Chapters by art historians, social and legal historians, historians of science, and literary scholars explore ambiguities and contradictions surrounding the issue, and offer tools to support further research on the topic.

204 pages 978-1-4094-2752-0 978-1-4094-2753-7 978-1-4094-8694-7

£60.00

$109.95

www.ashgate.com/isbn/9781409427520

Includes 30 b&w illustrations August 2013 Hardback ebook PDF ebook ePUB

336 pages 978-1-4094-4860-0 978-1-4094-4861-7 978-1-4094-6988-9

£75.00

$129.95

www.ashgate.com/isbn/9781409448600

www.ashgate.com/isbn/9781472411648

12

Art and Visual Studies 2014

ASHGATE

Eighteenth–Century Addiction and British Visual Culture, 1751–1919 Wasted Looks

The Concept of the ‘Master’ in Art Education in Britain and Ireland, 1770 to the Present

Julia Skelly

Edited by Matthew C. Potter, Northumbria University, UK

This book investigates and problematizes the long-held belief that addiction is legible from the body, thus positioning visual images as unreliable sources in attempts to identify alcoholics and drug addicts. Examining paintings, graphic satire, photographs, advertisements and architectural sites, Skelly explores such issues as on-going anxieties about maternal drinking; the punishment and confinement of addicted individuals; the mobility of female alcoholics through the streets and spaces of nineteenth-century London; and soldiers’ use of addictive substances such as cocaine and tobacco to cope with traumatic memories following the First World War.

A novel investigation into art pedagogy and constructions of national identities in Britain and Ireland, this collection explores the student-master relationship in case studies ranging chronologically from 1770 to 2013, and geographically over the national art schools of England, Ireland, Scotland and Wales. Essays explore the manner in which the Old Masters were deployed in education; fueled the individual genius of art teachers and students; were used as a rhetorical tool for promoting cultural projects in the core and periphery of the British Isles; and united as well as divided opinions in response to changing expectations in discourse on art and education.

Includes 33 b&w illustrations

Includes 26 b&w illustrations

March 2014 Hardback

October 2013 Hardback

192 pages 978-1-4094-3556-3

£60.00

$109.95

312 pages 978-1-4094-3555-6 £70.00

Living with the Royal Academy Artistic Ideals and Experiences in England, 1768–1848 Edited by Sarah Monks, University of East Anglia, UK, John Barrell, University of London, UK and Mark Hallett, Paul Mellon Centre for Studies in British Art, UK British Art: Global Contexts

Living with the Royal Academy directs attention to the textures of artists’ relationships with the Royal Academy in late-eighteenth- and early-nineteenth-century Britain. This essay collection considers the Academy as a lived organism, one whose most effective role was as a reference point around which artists operated in their relationships with each other and with artistic practice itself.

Includes 8 colour and 50 b&w illustrations December 2013 Hardback

278 pages 978-1-4094-0318-0 £65.00

$109.95

www.ashgate.com/isbn/9781409403180 $124.95

www.ashgate.com/isbn/9781409435563

www.ashgate.com/isbn/9781409435556

Art, Theatre, and Opera in Paris, 1750-1850

Framing the Ocean, 1700 to the Present

Exchanges and Tensions

Envisaging the Sea as Social Space

Winner, Paul Mellon Centre Publication Grant

Edited by Sarah Hibberd and Richard Wrigley, both at University of Nottingham, UK

Edited by Tricia Cusack

‘This book’s thick-textured narrative, abounding with theory and informed by a wealth of current and contemporary source material, will please specialist readers… Highly recommended.’

This book maps the interrelation between art, theatre and opera in a time of dramatic historical change and political contestation in eighteenth- and nineteenth-century Paris.

Contributions to the volume trace the creative connections and clashes fostered by the sharing of new types of subject matter throughout the period. Scholars from art history, theatre studies and musicology take as their subjects a variety of protagonists from theatre, opera, literature and history in order to make visible the intimately interwoven and entangled world of Parisian arts.

Includes 38 b&w illustrations and 7 music examples April 2014 Hardback

276 pages 978-1-4094-3947-9

£65.00

$109.95

www.ashgate.com/isbn/9781409439479

Biography, Identity and the Modern Interior Edited by Anne Massey, Middlesex University, UK and Penny Sparke, Kingston University, UK Through a series of case studies from the mid-eighteenth century to the start of the twenty-first, this collection of essays considers the historical insights that ethno/auto/biographical investigations into the lives of individuals, groups and interiors can offer design and architectural historians.

Established scholars and emerging researchers shed light on the methodological issues that arise from the use of these sources to explore the history of the interior as a site in which everyday life is experienced and performed, and the ways in which contemporary architects and interior designers draw on personal and collective histories in their practice.

Includes 35 b&w illustrations October 2013 Hardback

234 pages 978-1-4094-3944-8 £60.00

$104.95

J.M.W. Turner and the Subject of History Leo Costello, Rice University, USA

‘...a thoughtful, richly detailed, and engagingly organized series of essays on the unique confluences between oceanic studies and the history of the visual arts. The range of subjects is exemplary: Romantic oceanscapes, shipwrecks, and travel narratives, yes, but also Indian Ocean dhows and mutineer typologies. Literature, painting, and sculpture link together iconographic studies of ocean liners and plastic pollution, natural histories, and coral collections, all rendered with ingenious scholarly imagination.’

Matt K. Matsuda, Rutgers University, USA Before the eighteenth century, the ocean was regarded as a repulsive and chaotic deep. Despite reinvention as a zone of wonder and pleasure, it continued to be viewed in the West and elsewhere as ‘uninhabited’, empty space. This collection, spanning the eighteenth century to the present, recasts the ocean as ‘social space’, with particular reference to visual representations. This engaging and erudite volume will interest a range of scholars in humanities and social sciences, including art and cultural historians, cultural geographers, and historians of empire, travel, and tourism.

Includes 16 color and 29 b&w illustrations April 2014 Hardback

242 pages 978-1-4094-6568-3

£60.00 $104.95

www.ashgate.com/isbn/9781409465683

Gilbert Stuart and the Impact of Manic Depression Dorinda Evans, Emory University, USA ‘This lavishly illustrated book is written in accessible language and should be of interest to academics and undergraduate students of art and psychology. It is an area of disciplinary overlap that continues to throw up interesting historical cases that often act to illuminate our understanding.’

Cassone

www.ashgate.com/isbn/9781409439448

This groundbreaking study demonstrates that Gilbert Stuart suffered from a hereditary form of manic depression, leading him to create pictures that contain peculiar lapses characteristic of a manic-depressive, or bipolar, artist. Using documentary and empirical evidence – from diaries and letters to x-radiographs of paintings – Evans fills important gaps in our knowledge of Stuart, and connects the strange visual effects in some of Stuart’s paintings with cognitive deficits attendant with the disorder.

Includes 17 colour and 82 b&w illustrations January 2013 Hardback

238 pages 978-1-4094-4164-9

www.ashgate.com/isbn/9781409441649

£60.00

$104.95

Choice Includes 31 colour and 102 b&w illustrations June 2012 Hardback

306 pages 978-0-7546-6922-7

£70.00

$119.95

www.ashgate.com/isbn/9780754669227

William Blake and the Productions of Time Andrew M. Cooper, University of Texas at Austin, USA Challenging the idea that a writer’s work reflects his experiences in time and place, Cooper locates the action of William Blake’s major illuminated books in the ahistorical present, an impersonal spirit realm beyond the threedimensional self. Historicist attempts to place Blake’s vision in perspective, Cooper argues, involve a self-contradictory denial of his performativity as a poet-artist of multiple geometrical dimensions.

Includes 36 b&w illustrations August 2013 Hardback

362 pages 978-1-4094-4441-1 £70.00

$119.95

www.ashgate.com/isbn/9781409444411

The Writings of James Barry and the Genre of History Painting, 1775–1809 Liam Lenihan, University College Cork, Ireland Examining the literary career of the eighteenth-century Irish painter James Barry, 1741-1806 through an interdisciplinary methodology, The Writings of James Barry and the Genre of History Painting, 1775-1809 is the first full-length study of the artist’s writings. Liam Lenihan critically assesses the artist’s own aesthetic philosophy about painting and printmaking, and reveals the extent to which Barry wrestles with the significant stylistic transformations of the pre-eminent artistic genre of his age: history painting. Lenihan’s book delves into the connections between Barry’s writings and art, and the cultural and political issues that dominated the public sphere in London during the American and French Revolutions.

Includes 15 b&w illustrations January 2014 Hardback

218 pages 978-1-4094-6752-6

£60.00

$109.95

www.ashgate.com/isbn/9781409467526

Order online at www.ashgate.com/art and receive a 10% discount

13

Nineteenth–Century Architecture and the Historical Imagination

Cosmo Innes and the Defence of Scotland’s Past c. 1825-1875

Darwin and Theories of Aesthetics and Cultural History

Eugène-Emmanuel Viollet-le-Duc, 1814–1879

Richard A. Marsden, Cardiff University, UK

Edited by Barbara Larson, University of West Florida, USA and Sabine Flach, School of the Visual Arts, USA

Martin Bressani, McGill University, Canada ‘This is a magnum opus, in more than one sense of the term. An important work, the product of vast research and dedicated scholarship, Bressani’s biographical study is a timely contribution not only to architectural studies but also to the field of historical culture in general. Through tracing Viollet-le-Duc’s achievement in relation to the broad transition from Romanticism to Modernity, Bressani succeeds in bringing out his wider significance as an artist and thinker, and as a major figure in French Romanticism.’

Stephen Bann, Bristol University, UK The importance of Eugène-Emmanuel Viollet-le-Duc (18141879) within modern architecture cannot be overstated. Key theoretician of modernism, renowned restoration architect, medieval archaeologist and champion of Gothic revivalism, he also published some of the most influential texts in the history of modern architecture. Martin Bressani expertly traces Viollet-le-Duc’s complex intellectual development, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenthcentury historicism.

Includes 64 colour and 86 b&w illustrations April 2014 Hardback

616 pages 978-0-7546-3340-2

£85.00

$149.95

www.ashgate.com/isbn/9780754633402

Includes 30 b&w illustrations June 2014 Hardback ebook PDF ebook ePUB

394 pages 978-1-4094-5593-6 978-1-4724-3512-5 978-1-4724-3513-2

£80.00 $144.95

Includes 20 b&w illustrations January 2013 Hardback

188 pages 978-1-4094-4870-9

£60.00

$104.95

www.ashgate.com/isbn/9781409448709

Funerary Arts and Tomb Cult – Living with the Dead in France, 1750–1870 Suzanne Glover Lindsay, University of Pennsylvania, USA

www.ashgate.com/isbn/9781409455936

Crafting the Woman Professional in the Long Nineteenth Century

Picturing Authenticity in Gilded Age America Katie Kresser, Seattle Pacific University, USA The Art and Thought of John La Farge offers an unprecedented portrait of one of the most celebrated artists of the Gilded Age and opens a window onto nineteenth-century American culture. The book reveals how the work of John La Farge contributed to a rich philosophical dialogue concerning the trustworthiness of human perception. In his struggle against a ‘common truth’ of iconic symbols presented by a new mass visual culture, La Farge developed a subversive approach to visual representation that focused attention not on the artwork itself, but on the complex, real encounter of artist, subject and medium from which the artwork came.

Includes 8 colour and 61 b&w illustrations 236 pages 978-1-4094-2615-8

Stefan Berger, Ruhr-Universitaet Bochum, Germany The antiquary Cosmo Innes (1798-1874) was a prolific editor of medieval and early modern documents relating to Scotland’s parliament, legal system, burghs, universities, aristocratic families and pre-Reformation church. This book, which analyses Innes’s work and provides sources, opens a window onto the ways in which Scottish identity and ideas about the ‘national past’ were perceived in Scotland during the nineteenth century, a period when union with England was all but unquestioned.

Darwin and Theories of Aesthetics and Cultural History is a significant contribution to the fields of theory, Darwin studies, and cultural history. This collection of eight essays is the first volume to address, from the point of view of art and literary historians, Darwin’s intersections with aesthetic theories and cultural histories from the eighteenth century to the present day. Among the philosophers of art influenced

by Darwinian evolution and considered in this collection are Alois Riegl, Ruskin, and Aby Warburg. This stimulating collection ranges in content from essays on the influence of eighteenth-century aesthetic theory on Darwin and nineteenth-century debates circulating around beauty to the study of evolutionary models in contemporary art.

Includes 44 b&w illustrations

The Art and Thought of John La Farge

July 2013 Hardback

‘This is a masterly scholarly monograph that fills an important gap in the literature on Cosmo Innes and Scottish antiquarianism and its long afterlife in the nineteenth century. Situating Innes in an older antiquarian tradition, the author is able to convincingly demonstrate the importance of Innes’ work with primary sources in making him such an accepted authority of Scottish national history.

Marsden’s historiographical discussion of Innes and his contextualisation of him in the wider Scottish, British and European scenarios are extremely lucid and helpful.’

£60.00

$104.95

Edited by Kyriaki Hadjiafxendi, Bath Spa University, UK and Patricia Zakreski, University of Exeter, UK ‘This exciting, insightful and thoughtful collection complicates the concept of the professional woman artist, blurring the boundaries between the so-called domestic crafts and art production.’

Janice Helland, Queen’s University, Canada Over the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour.

How women faced the pragmatics of their own creative labour as they pursued vocations, trades and professions in the domestic handicraft movements, music, design, commercial illustration, china painting, and authorship reveals the different ideological positions surrounding the transition of women from industrious amateurism to professional artistry.

October 2013 Hardback ebook PDF ebook ePUB

Art in the Time of Colony Khadija von Zinnenburg Carroll Empires and the Making of the Modern World, 1650–2000

‘...an absorbing, experimental interrogation of colonial art and encounter in Australia. The book is notable on many grounds, not least for its fresh research on the intriguing mid-nineteenth century scientific traveller Blandowski, almost forgotten until very recently, but above for its perspective on art history, from the vantage point of contemporary art.

Khadija von Zinnenberg Carroll’s voice is distinctive and compelling.’

Nicholas Thomas, University of Cambridge, UK It is often assumed that the verbal and visual languages of indigenous people had little influence upon the classification of scientific, legal, and artistic objects in the metropolises and museums of nineteenth-century colonial powers. However, as this book demonstrates, it is a fallacy that colonized locals merely collected material for interested colonizers. Through an analysis of particular language notations and drawings hidden in colonial documents and a reexamination of cross-cultural communication, the book writes biographies for five objects that exemplify the tensions of nineteenth century history.

£65.00

$109.95

www.ashgate.com/isbn/9781409422617

Artistry and Industry in Britain

Includes 35 b&w illustrations

www.ashgate.com/isbn/9781409426158

September 2012 276 pages Hardback 978-1-4094-2261-7

306 pages 978-1-4724-0896-9 978-1-4724-0897-6 978-1-4724-0898-3

www.ashgate.com/isbn/9781472408969

£70.00

$124.95

German Art History and Scientific Thought Beyond Formalism Edited by Mitchell B. Frank, Carleton University, Canada, and Daniel Adler, York University, Canada Includes 28 b&w illustrations August 2012 Hardback

208 pages 978-1-4094-4023-9 £60.00

$109.95

www.ashgate.com/isbn/9781409440239

Iron, Ornament and Architecture in Victorian Britain Myth and Modernity, Excess and Enchantment Paul Dobraszczyk, University of Manchester, UK In the half century after the building of the Crystal Palace (1851), some architects, engineers, manufacturers and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. This book studies the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation, and the contexts in which it flourished. As such, it offers new ways of understanding the notion of modernity in Victorian architecture.

Includes 12 colour and 153 b&w illustrations June 2014 Hardback

330 pages 978-1-4724-1898-2

£70.00

$124.95

www.ashgate.com/isbn/9781472418982

Includes 62 colour and 63 b&w illustrations March 2014 Hardback

240 pages 978-1-4094-5596-7

£70.00

$119.95

www.ashgate.com/isbn/9781409455967

14

Art and Visual Studies 2014

ASHGATE

Nineteenth–Century Manet, Wagner, and the Musical Culture of Their Time

Max Klinger and Wilhelmine Culture

Painting Labour in Scotland and Europe, 1850-1900

Therese Dolan, Temple University, USA

On the Threshold of German Modernism

John Morrison, University of Aberdeen, UK

Marsha Morton, Pratt Institute, USA

British Art: Histories and Interpretations since 1700

Classified as ‘Research Essential’

by Baker & Taylor YBP Library Services In the first full-length book dedicated to the study of Edouard Manet and music, Therese Dolan explores the influence of Wagner’s controversial Tannhäuser on Manet’s Music in the Tuileries, widely considered to be the first modernist work of art. Incorporating studies of the major artistic, literary, and musical figures of nineteenth-century France, it represents an important contribution to an understanding of French culture in the third quarter of the nineteenth century.

Includes 4 colour and 84 b&w illustrations October 2013 Hardback

288 pages 978-1-4094-4670-5

Includes 141 b&w illustrations £65.00

$109.95

www.ashgate.com/isbn/9781409446705

Edited by Daniel Maudlin and Robin Peel, both at University of Plymouth, UK Ashgate Series in Nineteenth-Century Transatlantic Studies

‘...significantly expands our understanding of transatlantic cultural exchange between the U.S. and Britain, both by challenging the U.S.-centeredness of North American Studies and by extending its consideration of cross-cultural transatlantic influence well into the nineteenth century.

This book inaugurates a new critical vantage point for reinterpreting the cultural connections between the two countries. It is especially attractive for the way it situates literary readings firmly within material culture contexts...’

Phillip H. Round, University of Iowa, USA Taking a multidisciplinary approach to the complex cultural exchanges that took place between Britain and America from 1750 to 1900, this collection examines material and visual cultures alongside literary studies. Intended for researchers in literature and in visual and material cultures, this collection challenges single-subject boundaries by redefining transatlantic studies as the collective examination of the complex and interrelated cultural transactions that crisscrossed the Atlantic through the eighteenth and nineteenth centuries.

Includes 20 b&w illustrations 242 pages 978-1-4094-6243-9 978-1-4094-6244-6 978-1-4094-6245-3

www.ashgate.com/isbn/9781409462439

May 2014 Hardback

450 pages 978-1-4094-6758-8

£80.00

$139.95

www.ashgate.com/isbn/9781409467588

The Materials of Exchange between Britain and North East America, 1750-1900

July 2013 Hardback ebook PDF ebook ePUB

In this book, the first full-length study of its kind in English, Marsha Morton argues that no artist represented the shift from tradition to innovation in the Wilhelmine Empire (1870s–1880s) more compellingly than Max Klinger. Morton makes an interdisciplinary examination of Klinger’s early prints and drawings within the context of Wilhelmine transformations, coming to the conclusion that the artist’s work revealed the psychological and biological underpinnings of modern rational man whose drives and passions undermined bourgeois constructions of society.

Includes 20 colour and 50 b&w illustrations April 2014 Hardback

Nineteenth-Century Photographs and Architecture Documenting History, Charting Progress, and Exploring the World Edited by Micheline Nilsen, Indiana University, South Bend, USA Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with an interest in the fields of art history, urban geography, history of travel and tourism.

230 pages 978-1-4724-1519-6

£60.00 $109.95

www.ashgate.com/isbn/9781472415196

Persistent Ruskin Studies in Influence, Assimilation and Effect Edited by Keith Hanley, Lancaster University, UK and Brian Maidment, Liverpool John Moores University, UK The Nineteenth Century Series

‘This enterprising and authoritative collection of essays provides a stimulating overview of Ruskin’s multiple legacies, challenging readers to think about his wide-ranging influence in fresh ways.’

Dinah Birch, University of Liverpool, UK

Painted Men in Britain, 1868–1918

Examining the wide-ranging and abiding implications of Ruskin’s engagement with his contemporaries and followers into the present, this collection is organized around three related themes. This book studies the dissemination of Ruskin’s intellectual legacy to working men and women, especially through education, collections and museums, and popular print culture, and the range of his following in literary culture, theatre and design. The volume also studies the extent to which Ruskin’s work has informed a global network of aesthetic, social and political movements which, to a greater or lesser extent, acknowledge his authority and inspiration.

Royal Academicians and Masculinities

Includes 15 b&w illustrations

Includes 58 b&w illustrations March 2013 Hardback

292 pages 978-1-4094-4833-4

£65.00 $109.95

www.ashgate.com/isbn/9781409448334

Jongwoo Jeremy Kim, University of Louisville, USA Includes 4 colour and 66 b&w illustrations September 2012 194 pages Hardback 978-1-4094-0008-0 £60.00

£60.00 $109.95

Painting Labour in Scotland and Europe, 1850-1900 sets out systematically to discuss the Scottish rural painting in relation to its particular Scottish historical context, both sociological and aesthetic and its English and European counterparts. Alongside canonical Scottish images by major figures such as James Guthrie, the book explores many under researched and unconsidered paintings by nineteenth century Scottish artists, and considers them in relation to major English and Continental Realist and Romantic painters. The juxtaposition of J.F. Millet with W.D. McKay, and Edwin Landseer with George Reid makes for a volume that will appeal both to an academic audience and to one interested in European art history more generally.

$104.95

February 2013 Hardback ebook PDF ebook ePUB

232 pages 978-1-4094-0076-9 978-1-4094-0077-6 978-1-4094-7425-8

£60.00

$109.95

www.ashgate.com/isbn/9781409400769

www.ashgate.com/isbn/9781409400080

Pre-Raphaelite Masculinities Constructions of Masculinity in Art and Literature To place a standing order for a Edited by Serena Trowbridge, Birmingham City University, UK and Amelia Yates, Liverpool Hope series, please visit University, UK www.ashgate.com/standingorder

Standing Orders

The Nineteenth Century Series

In UK/Rest of World contact: Paying particular attention to the representation of Sharon Heathcote non-normative or alternative masculinities, the contributors to Pre-Raphaelite Masculinities examine the works of Dante at sheathcote@ashgatepublishing.com Gabriel Rossetti, William Morris, Edward Burne-Jones, In USA contact: William Bell Scott, William Holman Hunt, among others, to show how the ideas and models of masculinity were Suzanne Sprague constructed in the work of artists and writers associated at ssprague@ashgate.com with the Pre-Raphaelite movement.

Includes 18 b&w illustrations June 2014 Hardback

240 pages 978-1-4094-5558-5

£60.00

$109.95

www.ashgate.com/isbn/9781409455585

How to order Order online at www.ashgate.com and receive a 10% discount, or contact us: In the UK/Rest of World by email: ashgate@bookpoint.co.uk or phone: +44 (0)1235 827730 In the USA by email: orders@ashgate.com or phone (800) 535 9544

Order online at www.ashgate.com/art and receive a 10% discount

15

Nineteenth–Century Suffering and Sentiment in Romantic Military Art Philip Shaw, University of Leicester, UK ‘Beautifully written, lucid, and theoretically sophisticated, Philip Shaw’s study of Romantic military art is a consistently illuminating account of an enormously significant but often overlooked subject.’

Christopher Rovee, Stanford University, USA In a moving intervention into Romantic-era depictions of the dead and wounded, Philip Shaw’s timely study directs our gaze to the neglected figure of the common soldier. He examines a wide range of print and visual media, including paintings, political prose, anti-war poetry, early photographs, and the letters and journals of soldiers and surgeons, uncovering a history of changing attitudes that qualify notions of suffering on and off the battlefield as noble or heroic.

Includes 43 b&w illustrations June 2013 Hardback

260 pages 978-0-7546-6492-5 £65.00

$109.95

www.ashgate.com/isbn/9780754664925

Series

www.ashgate.com/arthistoriography

Studies in Art Historiography Series editor: Richard Woodfield, University of Birmingham, UK The aim of this series is to support and promote the study of the history and practice of art historical writing focussing on its institutional and conceptual foundations, from the past to the present day in all areas and all periods. Besides addressing the major innovators of the past it also encourages re-thinking ways in which the subject may be written in the future. It ignores the disciplinary boundaries imposed by the Anglophone expression ‘art history’ and allows and encourages the full range of enquiry that encompasses the visual arts in its broadest sense as well as topics falling within archaeology, anthropology, ethnography and other specialist disciplines and approaches. It welcomes contributions from young and established scholars and is aimed at building an expanded audience for what has hitherto been a much specialised topic of investigation.

It complements the work of the Journal of Art Historiography.

For more information on this series please visit www.ashgate.com/arthistoriography

Text, Image, and the Problem with Perfection in Nineteenth-Century France

Alois Riegl in Vienna 1875–1905 An Institutional Biography

Victorian Perceptions of Renaissance Architecture

Utopia and Its Afterlives

Diana Cordileone, Point Loma Nazarene University, USA

Katherine Wheeler, University of Miami, USA

Daniel Sipe, University of Missouri, USA

In Alois Riegl in Vienna 1875-1905, Diana Cordileone applies standard methods of cultural and intellectual history for close readings of Riegl’s published texts, several of which are still unavailable in English. Using archival and other primary sources this study also illuminates the institutional conflicts and imperatives that shaped Riegl’s oeuvre. The result is a multi-layered philosophical, cultural and institutional history of this art historian’s work of the fin-de-siècle that demonstrates his close relationship to several of the significant actors in Vienna at the end of the nineteenth century.

In the mid-1880s, an influential British architectural journal published an article characterizing Renaissance architecture as a corruption of classical architecture. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the ‘Christopher Columbus of modern architecture.’ Relevant for architectural historians, literary scholars and those in Victorian studies, this book examines the conflicting late nineteenth-century characterizations of Renaissance architecture and reassesses them within the formation of a modern, British architectural profession.

Includes 19 b&w illustrations

Includes 19 b&w illustrations

Daniel Sipe focuses on the persistent afterlife of utopias in works by artists and writers who include François-René de Chateaubriand, Etienne Cabet, J.J. Grandville, Charles Barbara, Auguste Villiers de l’Isle-Adam, Victor Hugo, Gustave Courbet, and Charles Baudelaire. By juxtaposing these works with those of social scientists such as Charles Fourier, Sipe provides the historical context for comprehending the significance and implications of this phenomenon in nineteenth-century utopian art and literature.

Includes 18 b&w illustrations February 2013 Hardback ebook PDF ebook ePUB

228 pages 978-1-4094-4776-4 978-1-4094-6215-6 978-1-4724-0459-6

£60.00

$104.95

February 2014 Hardback

326 pages 978-1-4094-6665-9

www.ashgate.com/isbn/9781409466659

£70.00

$119.95

April 2014 Hardback

176 pages 978-1-4724-1882-1

£60.00 $104.95

www.ashgate.com/isbn/9781472418821

www.ashgate.com/isbn/9781409447764

Women Readers in French Painting 1870–1890 A Space for the Imagination Kathryn Brown, Tilburg University, The Netherlands A Yankee Book Peddler UK Core Title for 2012 Includes 60 b&w illustrations August 2012 Hardback

254 pages 978-1-4094-0875-8

www.ashgate.com/isbn/9781409408758

£65.00

$119.95

Catalogue Downloads Lund Humphries new Spring 2014 catalogue is now available!

Visit our website to download a PDF www.lundhumphries.com/cataloguedownload Or simply click on the cover image at www.lundhumphries.com

16

Art and Visual Studies 2014

ASHGATE

Twentieth–Century Across the World with the Johnsons Visual Culture and American Empire in the Twentieth Century Prue Ahrens, Griffith University, Australia, Lamont Lindstrom, University of Tulsa, USA and Fiona Paisley, Griffith University, Australia Empires and the Making of the Modern World, 1650–2000

During the interwar period Osa and Martin Johnson became famous for their films that brought exotic and far-off locations to the American cinema. Before the advent of mass tourism and television, their films played a major part in providing the means by which large audiences in the US and beyond became familiar with distant and ‘wild’ places across the world. Taking the celebrity of the Johnsons as its case study, this book investigates the influence of these new forms of visual culture, showing how they created their own version of America’s imperial drama. Bringing together research in the fields of film and politics – including gender and empire, historical anthropology, photography and visual studies – this book provides a comprehensive evaluation of the Johnsons, their work and its impact.

Series

www.ashgate.com/studiesinsurrealism

Ashgate Studies in Surrealism Series editor: Gavin Parkinson, Courtauld Institute of Art, UK With scholarly interest in Surrealism greater than ever, the Ashgate Studies in Surrealism series serves as a forum for key areas of Surrealist inquiry today. This series extends the ongoing academic and popular interest in Surrealism, evident in recent studies that have rethought established areas of Surrealist activity and engagement, including those of politics, the object, photography, crime, and modern physics. Expanding and adding various lines of inquiry, books in the series examine Surrealism’s intersections with philosophical, social, artistic, and literary themes. Potential subjects to be examined in the context of Surrealism include but are not limited to: nature; queer studies; humor and play; science; theory in the 1950s and 1960s; the New Novel; Surrealist activities beyond Paris.

For more information on this series please visit www.ashgate.com/studiesinsurrealism

www.ashgate.com/isbn/9781409423294

Found Sculpture and Photography from Surrealism to Contemporary Art

After Francis Bacon

Edited by Anna Dezeuze, Ecole Supérieure d’Art et de Design Marseille-Méditerranée, France and Julia Kelly, University of Hull, UK

Includes 44 b&w illustrations October 2013 Hardback

248 pages 978-1-4094-2329-4

£65.00 $109.95

Synaesthesia and Sex in Paint Nicholas Chare, University of Melbourne, Australia A Yankee Book Peddler US Core Title for 2012 ‘...an intellectually engaging and rich theoretical analysis of the work of Francis Bacon … a significant contribution and in many respects an important and necessary intervention in the art historical literature on the artist. Chare’s particular focus on issues of sex and sexuality in Bacon’s life and work not only extends the prevailing discussion in new and interesting directions, but also makes evident some other ways in which to think about sense and aesthetics - a topic of considerable interest in art history, cultural studies and contemporary philosophy.’

John Paul Ricco, University of Toronto, Canada, author of The Logic of the Lure and The Decision Between Us Includes 6 b&w illustrations July 2012 Hardback

210 pages 978-1-4094-1170-3 £60.00

Taking its name and its departure point from the 1933 Surrealist photographs of Brassaï and Dalí, Found Sculpture and Photography from Surrealism to Contemporary Art brings a unique Surrealist inflection to the rethinking of the sculptural object. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found.

Includes 40 b&w illustrations April 2013 Hardback

216 pages 978-1-4094-0000-4 £60.00

$109.95

Art and the Second World War Monica Bohm-Duchen ‘[a] well-researched, clear-eyed assessment of art’s relationship to [the Second World War]. [...] Focused on painting, sculpture, drawings and prints, the book is particularly impressive for the obscure work it covers, such as that by German and Austrian refugees interned on the Isle of Man, sketches from Japanese-Americans interned in the U.S., and drawings by Italian Partisans in combat. [...] Brimming with chilling, full-color images, this handsome volume reaffirms the importance of WWII in relation to the fine arts.’

Publishers Weekly

Ludics in Surrealist Theatre and Beyond

Art and the Second World War is the first book in English to provide a comprehensive and detailed international overview of the complex and often disturbing relationship between war and the fine arts during this crucial period of modern history.

This generously illustrated volume starts by examining the art produced in reaction to the Spanish Civil War (often viewed as ‘the first battle of World War II’), and then looks at painting, sculpture, prints, and drawing in each of the major combatant nations, including Japan and China. Breathtaking in scope, this scholarly yet accessible publication places wartime art within its broader cultural, political, and military contexts while never losing sight of the power and significance of the individual image and the individual artist.

‘Rapti (classics, Harvard) offers a dense, erudite argument that surrealist drama is not mimetic but methectic…

Summing Up: Recommended.’

Choice This study reconsiders Surrealist theatre specifically from the perspective of ludics – a poetics of play and games – an ideal approach to the Surrealists, whose games blur the boundaries between the ‘playful’ and the ‘serious.’

Beginning with the Surrealists’ ‘one-into-another’ game and its illustration of Breton’s ludic dramatic theory, Rapti examines the traces of this kind of game in the works of a wide variety of Surrealist and Post-Surrealist playwrights and stage directors.

Includes 10 b&w illustrations 210 pages 978-1-4094-2906-7 £60.00 978-1-4724-1226-3 978-1-4724-1227-0

The first monograph on a groundbreaking Surrealist masterpiece, Reading Claude Cahun’s Disavowals offers a comprehensive account of Cahun’s most important published work, Aveux non avenus (Disavowals). This study pays careful attention to the complex interrelationship between the photomontages and writings of Aveux non avenus, and explores how Cahun’s work calls into question both the dominant culture of interwar France and the avantgarde of the era.

Includes 63 b&w illustrations December 2013 Hardback

246 pages 978-1-4094-0787-4

£60.00

$104.95

$104.95

www.ashgate.com/isbn/9781409400004

April 2013 Hardback ebook PDF ebook ePUB

Jennifer L. Shaw, Sonoma State University, USA

www.ashgate.com/isbn/9781409407874

Vassiliki Rapti, Harvard University, USA

www.ashgate.com/isbn/9781409411703

Reading Claude Cahun’s Disavowals

Surrealism and Photography in Czechoslovakia On the Needles of Days Krzysztof Fijalkowski, Norwich University of the Arts, UK, Michael Richardson, Centre for Cultural Studies, Goldsmiths’ College, University of London, UK and Ian Walker, University of Wales, UK Surrealism and Photography in Czechoslovakia sheds much-needed light on the location of the single greatest concentration of Surrealist photography – the Czech Republic – and examines the culture and tradition of Surrealist photography that has taken root and flourished there. This volume explores a rich and important artistic output, from 1934 to the present, very little of which has been seen outside of the Czech Republic.

Includes 72 b&w illustrations August 2013 Hardback

214 pages 978-1-4094-0628-0

£60.00

$104.95

www.ashgate.com/isbn/9781409406280 $104.95

www.ashgate.com/isbn/9781409429067

Includes 185 colour and 30 b&w illustrations November 2013 Hardback

288 pages 978-1-84822-033-1

£40.00 *

www.lundhumphries.com/isbn/9781848220331 LUND HUMPHRIES *Note: This title is not available in North or South America

Order online at www.ashgate.com/art and receive a 10% discount

17

Twentieth–Century The Art Book Tradition in Twentieth-Century Europe Edited by Kathryn Brown, Tilburg University, The Netherlands Exploring various ways in which a range of twentieth-century European artists and writers challenged the boundary between visual and linguistic expression in the content, production and physical form of books, these essays challenge the roles played by visual and bodily sensation in recent histories of literary modernism. The collection argues that examples of the art book tradition both test and celebrate vision, while contextualizing it among other sensory experiences.

Includes 23 b&w illustrations October 2013 Hardback

212 pages 978-1-4094-2065-1

£60.00

$109.95

www.ashgate.com/isbn/9781409420651

The Art of Peter Prendergast Richard Cork with an introduction by Mike Knowle Peter Prendergast (1946-2007), painter of bold, expressionist landscapes, seascapes and self-portraits, was an outstanding artist – as celebrated in this important new publication. Complementing The Painter’s Quarry (2006), this beautifully illustrated book will enhance our understanding of a significant painter and as such is an essential purchase for all those interested in modern British art.

Includes 92 colour and 9 b&w illustrations August 2013 Hardback

120 pages 978-1-84822-125-3

£35.00

A Century of Israeli Art

Displaced Visions

Yigal Zalmona

Emigré Photographers of the 20th Century

‘...compelling, scholarly, well nuanced – some Palestinian artists are included – beautifully produced and, in Zalmona’s far-reaching approach tracing how a nation’s history is both echoed and challenged by its art, of broad political as well as aesthetic significance.’

Financial Times A Century of Israeli Art presents the story of modern Israel’s visual culture, beginning with the pre-state years of Zionist art in the early 20th century and extending to the present day, as a new generation of Israeli artists rises to international prominence in the 21st century. Author Yigal Zalmona describes the many ways in which Israel’s art has been influenced by its social and political history, surveying the early days of the Bezalel School, founded in 1906 in the spirit of the Arts and Crafts movement; Land-of-Israel art during an era of nation-building; the pre-eminence of international modernism and Lyrical Abstraction after 1948; social-activist and conceptual art in the 1970s; and the recent embrace of photography and video.

Includes 350 colour and 50 b&w illustrations June 2013 Hardback

512 pages 978-1-84822-127-7

£45.00

$80.00

$70.00

The Ashgate Encyclopedia of Literary and Cinematic Monsters Edited by Jeffrey Andrew Weinstock, Central Michigan University, USA

Cléo de Mérode and the Rise of Modern Celebrity Culture ‘A good read, a critical frolic through virtually forgotten chapters of the history of performance and celebrity, this wonderfully illustrated book models techniques for the critical sustained investigation of ephemeral popular imagery. It is a serious study that illuminates celebrity culture, from Hollywood to Andy Warhol to the online personae of today’s virtual celebrities. A resource for those interested in visual culture, French culture, performance history (especially dance), and the history and psychology of celebrity… Highly recommended. All readers.’

Choice

Includes 40 b&w illustrations This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as ‘ghost’ and ‘vampire’ are cross-listed with important specific manifestations of that monster. This book is an invaluable resource for all students and scholars and an essential addition to library reference shelves.

October 2012 Hardback

Includes 40 b&w illustrations

‘This beautifully written, generously illustrated book is essential for anyone involved in making art which reflects their own times and is thus relevant for all time.’

The Artist

January 2014 Hardback ebook PDF ebook ePUB

640 pages 978-1-4094-2562-5 £100.00 $175.00 978-1-4094-2563-2 978-1-4724-0060-4

www.ashgate.com/isbn/9781409425625

The Bay Area School Californian Artists from the 1940s, 1950s and 1960s Thomas Williams with a foreword by Michael Peppiatt ‘Part history, part catalogue of selected works indicative of the Bay Area School’s anti-style, this is a handsome, engaging and beautifully illustrated book that reminds us that Abstract Expressionism, not unlike the Beats, was always a national rather than a provincial phenomenon.’

Times Literary Supplement Tracing the development of Abstract Expressionism and the counter-blast of Figurative art on the West Coast of America during a decisive period, this important publication marks a milestone in the ongoing understanding of the post-war art scene in the United States.

Includes 166 colour and 21 b&w illustrations May 2013 Hardback

240 pages 978-1-84822-123-9

£35.00

278 pages 978-1-4094-0603-7

£65.00

Displaced Visions reconsiders the work and influence of key figures in modernist photography from the point of view of their status as immigrants, considering how this condition affected their vision and creativity and enhanced the development of the photographic language in general.

It features the work of nearly 100 photographers, including André Kertesz, Brassai, Bill Brandt, Man Ray, Robert Frank, the New York School photographers, the Photo League Photographers, Lisette Model, Moholy Nagy, Erich Salomon, Weegee, William Klein, Tina Modotti, Inge Morath and many more. It accompanies a major touring exhibition opening at The Israel Museum, Jerusalem in Spring 2013.

Includes 200 colour illustrations July 2013 Hardback

240 pages 978-1-84822-130-7

£40.00

$80.00

www.lundhumphries.com/isbn/9781848221307 LUND HUMPHRIES

Edward Burra Simon Martin, with contributions by Andrew Lambirth and Jane Stevenson

www.lundhumphries.com/isbn/9781848221277 LUND HUMPHRIES

Michael D. Garval, North Carolina State University, USA

www.lundhumphries.com/isbn/9781848221253 LUND HUMPHRIES

Nissan N. Perez

$109.95

www.ashgate.com/isbn/9781409406037

Edward Burra (1905-76) was an English painter who is best known for his paintings of the seedy underworld of urban life. Yet, as this fascinating new monograph on his work reveals, his interests were much broader, incorporating landscape and still-life paintings, stage designs and book illustration. Somewhat neglected by histories of modern art because his singular vision was often at odds with the mainstream art world, his work is now due for an appraisal. This important book represents the first full-scale monograph on Edward Burra and reproduces 100 key paintings alongside drawings and a range of fascinating contextual material.

Includes 120 colour and 30 b&w illustrations October 2011 Hardback

176 pages 978-1-84822-090-4

£40.00

$80.00

www.lundhumphries.com/isbn/9781848220904 LUND HUMPHRIES

Edward Seago James Russell with a foreword by His Royal Highness The Prince of Wales

Cyril Power Linocuts A Complete Catalogue Philip Vann

Cyril E. Power (1872-1951) was a leading member of the Grosvenor School of Modern Art in London in the 1920s and 1930s under the inspirational leadership of Claude Flight. This book, now reprinted in hardback due to popular demand, is the first to establish Power as an extraordinarily creative printmaker in his own right, cataloguing and illustrating in colour for the first time all 46 of his linocuts.

It is an essential resource for all those with a specialist or amateur interest in the vibrant prints of this period.

This is the definitive account of the life and work of Edward Seago (1910-1974), the highly popular, versatile and talented British painter whose work was inspired by John Sell Cotman, John Constable and Alfred Munnings.

Includes 220 colour and 15 b&w illustrations June 2014 Hardback

192 pages 978-1-84822-147-5

£40.00

$80.00

www.lundhumphries.com/isbn/9781848221475 LUND HUMPHRIES

Elisabeth Frink Catalogue Raisonné of Sculpture 1947-93 Edited by Annette Ratuszniak, with a Foreword by Lin Jammet and contributions by Leo A. Daly, Arie Hartog, Michael Morpurgo and Julian Spalding

Includes 82 colour and 20 b&w illustrations April 2013 Hardback

112 pages 978-1-84822-140-6 £30.00

www.lundhumphries.com/isbn/9781848221406 LUND HUMPHRIES

$60.00

Elisabeth Frink (1930-93) was a leading British sculptor and printmaker whose work is distinguished by her commitment to naturalistic forms and themes. This new edition of the catalogue raisonné of her sculpture documents her complete sculptural output in a single volume for the first time, and includes new texts by a range of critics and writers.

Includes 203 colour and 212 b&w illustrations February 2013 Hardback

208 pages 978-1-84822-113-0

£100.00 $200.00

www.lundhumphries.com/isbn/9781848221130 LUND HUMPHRIES

$70.00

www.lundhumphries.com/isbn/9781848221239 LUND HUMPHRIES

18

Art and Visual Studies 2014

ASHGATE

Twentieth–Century Eric Ravilious

A Fine Regard

Artist and Designer

Essays in Honor of Kirk Varnedoe

Alan Powers

Edited by Patricia G. Berman, Wellesley College, USA and Gertje R. Utley

Sculpture, Space, and the Cultural Value of Urban Imagery

This volume celebrates the scholarly and curatorial vision of Kirk Varnedoe (1946-2003), one of the most distinguished curators in the United States, and as Professor of Fine Arts at New York University’s Institute of Fine Arts, a famously dynamic teacher.

The nineteen essays, written by Varnedoe’s most distinguished doctoral students (now noted art historians in their own right), highlight the wide range of subjects in nineteenth and twentiethcentury art introduced in his pedagogy.

Peter Muir, Open University, UK

‘Despite his erudition, Dr Powers wears his learning lightly and writes elegantly and concisely [...]. This new study of Ravilious is a pleasure to read, besides being packed with unexpected insights and detailed analysis. Dr Powers goes straight to the heart of Ravilious’ art [... and] is particularly good on technical information straightforwardly phrased. [...] There have been a number of Ravilious publications in recent years, but this is by far the most informative and well-crafted account of all aspects of this remarkable artist’s achievement.’

Andrew Lambirth, Country Life

Includes 65 colour and 64 b&w illustrations

More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. This new survey of his work by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media – watercolour, illustration, printmaking, graphic design, textiles, mural-painting and ceramics – and positions Ravilious firmly as a significant figure in the history of early 20th-century British art.

December 2008 Hardback

Includes 163 colour and 52 b&w illustrations

Rina Arya

October 2013 Hardback

216 pages 978-1-84822-111-6 £35.00

$70.00

www.lundhumphries.com/isbn/9781848221116 LUND HUMPHRIES

Erik Satie: Music, Art and Literature

356 pages 978-0-7546-6217-4

£30.00

$59.95

www.ashgate.com/isbn/9780754662174

Francis Bacon

May 2014 Hardback

Painting in a Godless World

www.ashgate.com/isbn/9781472411730

‘[This] was a brave subject for Rina Arya to tackle. She has done a good job in breaking down the different aspects of Bacon’s work which are potentially engaged by her subject and analysing them in a clear and readable fashion. Not all writers about Bacon have been able to write so clearly. She has also incorporated previous writers’ work. As the years have passed, the body of that work has grown enormously, and so her achievement in synthesising it is not to be underestimated.’

British Art Journal Includes 52 colour and 22 b&w illustrations

music and Literature

Exploring the many aspects of Erik Satie’s creativity, the contributors to this edited collection examine his philosophy and psychology revealed through his music; Satie’s interest and participation in visual and literary artistic media; and his collaborations with other artists. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place Satie at the centre of French musical life. This book is essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth centuries.

Includes 13 b&w illustrations and 26 musical examples £65.00 $109.95

www.ashgate.com/isbn/9781409434214

Eye hEar The Visual in Music Simon Shaw-Miller, University of Bristol, UK ‘By claiming boldly that music is a subject for art historians, Simon Shaw-Miller has laid down the gauntlet for musicologists in this remarkable book. Rich with references to historical and philosophical discussions on the links between music and visual art, Shaw-Miller has produced a work that is also replete with profound aphorisms and sharp insights into specific case studies. Seminal in its contribution to our understanding of the interlocking relationship between the visual and the musical, this book is no less than a manifesto for future scholarship.’

Alan Davison, University of New England, Australia

In this in-depth analysis, Peter Muir argues that Gordon Matta-Clark’s Conical Intersect (1975) is emblematic of Henri Lefebvre’s understanding of art’s function in relation to urban space. By engaging with Lefebvre’s theory in conjunction with the perspectives of other writers, such as Michel de Certeau, Jacques Derrida, and George Bataille, the book elicits a story that presents the artwork’s significance, origins and legacies. Muir argues that Conical Intersect is much more than an ‘artistic hole.’ Due to its location at Plateau Beaubourg in Paris, it is simultaneously an object of art and an instrument of social critique.

Includes 10 b&w illustrations

Edited by Caroline Potter, Kingston University, UK

September 2013 368 pages Hardback 978-1-4094-3421-4 978-1-4094-3422-1 ebook PDF ebook ePUB 978-1-4724-0277-6

Gordon Matta-Clark’s Conical Intersect

February 2012 Hardback

176 pages 978-1-84822-044-7 £40.00

$80.00

www.lundhumphries.com/isbn/9781848220447 LUND HUMPHRIES

‘From There to Here’: The Art of Michael Buhler Mary Rose Beaumont, Jane England and John Mack ‘With an informative chronology, several essays and abundant illustrations - reminding us how meticulous a draughtsman and imaginative a colourist he was - this volume is an excellent compendium of [Buhler’s] work.’

The Jackdaw ‘From There to Here’: The Art of Michael Buhler is the first book to focus in depth on the varied and in some ways enigmatic art of Michael Buhler (1940-2009). It brings together images of Buhler’s work in a range of media with writings by the artist and introductory essays by three noted art historians. The carefully selected images and wellresearched texts make this book the perfect introduction to an artist who, despite regular exhibitions, never quite achieved the renown he merited during his lifetime. For those already familiar with Buhler’s work, the book provides an opportunity to discover some of his lesser-known pieces and read the artist’s own reflections on his practice.

Includes 152 colour and 3 b&w illustrations August 2013 Hardback

180 pages 978-1-84822-141-3

184 pages 978-1-4724-1173-0

£60.00

$109.95

Hans Hofmann Catalogue Raisonné of Paintings Edited by Suzi Villiger with essays by Juliana Kreinik, Paul Moorhouse, Peter Morrin, Marcelle Polednik and Karen Wilkin Hans Hofmann (1880-1966) was a pivotal figure in Abstract Expressionism and stands as one of the most important characters of post-war American art. This ground-breaking catalogue raisonné of paintings, which has been painstakingly researched over sixteen years, is both an invaluable scholarly resource and a celebration of Hofmann’s remarkable artistic achievements.

Includes 1725 colour and 37 b&w illustrations October 2014 Hardback

944 pages 978-1-84822-126-0

£170.00 $295.00

www.lundhumphries.com/isbn/9781848221260 LUND HUMPHRIES

Heidegger and the Work of Art History Edited by Amanda Boetzkes, University of Guelph, Canada and Aron Vinegar, University of Exeter, UK Heidegger and the Work of Art History explores the impact and future possibilities of Heidegger’s philosophy for art history and visual culture in the twenty-first century.

Scholars from the fields of art history, visual and material studies, design, philosophy, aesthetics and new media pursue diverse lines of thinking that have departed from Heidegger’s work in order to foster compelling new accounts of works of art and their historicity.

Includes 12 colour and 33 b&w illustrations March 2014 Hardback

334 pages 978-1-4094-5613-1 £70.00

$124.95

www.ashgate.com/isbn/9781409456131

£35.00 $70.00

www.lundhumphries.com/isbn/9781848221413 LUND HUMPHRIES

Eye hEar The Visual in Music employs the concept of the visual in proximate relation to music, producing a tension: ‘is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.’ Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision.

The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music’s multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians.

Includes 8 colour, 40 b&w illustrations and 3 music examples November 2013 Hardback

232 pages 978-1-4094-2644-8

£60.00 $104.95

www.ashgate.com/isbn/9781409426448

Order online at www.ashgate.com/art and receive a 10% discount

19

Twentieth–Century The Image of Christ in Modern Art

Joan Eardley Christopher Andreae

Richard Harries, Professor Lord Harries of Pentregarth ‘The art of our age is by no means as secular as some think, and in this fascinating and finely documented study, Richard Harries traces some of the ways in which the image of Christ has tunnelled its way back into the central territory of the imagination in the work of some surprising modern artists.

A fascinating and fresh survey.’

Rowan Williams, Magdalene College, Cambridge, UK The Image of Christ in Modern Art explores the challenges, presented by the radical and rapid changes of artistic style in the twentieth century, to artists who wished to relate to traditional Christian imagery. In this highly illustrated book, Richard Harries looks at artists associated with the birth of modernism, such as Epstein and Rouault, as well as those with a highly distinctive understanding of religion such as Chagall and Stanley Spencer. Through a beautiful range of images and insightful text, Harries suggests that the modern movement in art has turned out to be a friend not a foe of Christian art, and that which is visual can in some way indicate the transcendent.

Includes 82 colour illustrations October 2013 Paperback Hardback ebook PDF ebook ePUB

186 pages 978-1-4094-6382-5 978-1-4094-6381-8 978-1-4094-6383-2 978-1-4094-6384-9

‘Mr Andreae’s enjoyably well-written text draws heavily on previously unpublished letters, and offers an admirably clear picture of this Northern Expressionist artist and her times.’

Andrew Lambirth, Country Life Joan Eardley (1921-63) is considered to be one of the most influential Scottish painters of her generation. Her paintings and drawings reflect urban and rural Scotland in an expressive visual language unlike any other artist’s. This new, highly illustrated survey of her painting does renewed justice to the range, scale and power of her work.

Includes 176 colour and 15 b&w illustrations with a colour fold-out March 2013 Hardback

£19.99 £60.00

$39.95 $104.95

‘...written from the best motives and the most constructive point of view. He had the benefit of ten years of talking to and corresponding with the artist, watching him paint and seeing his places of work. Although he conveys his enthusiasm for the pictures, to a great extent he lets Hitchens speak for himself.’

Times Literary Supplement Ivon Hitchens (1893-1979) is widely regarded as the outstanding English landscape painter of the 20th century.

Immediately recognisable by its daring yet subtle use of colour and brushmark to evoke the spirit of place, his work is to be found in public and private collections throughout the world. Newly available in paperback, this is the definitive study of Hitchens’ life and work. Peter Khoroche draws on the painter’s published writings, correspondence and conversation to create a critical reappraisal of Hitchens’ theory and practice.

Includes 110 colour and 40 b&w illustrations 208 pages 978-1-84822-149-9 £25.00 $50.00 978-0-85331-936-8 £50.00 $100.00

www.lundhumphries.com/isbn/9781848221499 LUND HUMPHRIES

James Dickson Innes (1887-1914) John Hoole and Margaret Simons James Dickson Innes was a Welsh painter who is best known for his Post-Impressionist landscape paintings of Wales.

His burgeoning artistic career was tragically cut short by his death aged 27 from tuberculosis, but his output of paintings was nevertheless prolific. This is the first book to provide an overview of his art and life and is published to coincide with an exhibition marking the centenary of his death.

Includes 166 colour and 12 b&w illustrations 184 pages 978-1-84822-139-0 £45.00

www.lundhumphries.com/isbn/9781848221390 LUND HUMPHRIES

20

Landscape Imagery, Politics and Identity in a Divided Germany, 1968-1989 explores the communicative relationship between German landscape painting and the viewing public that developed in the wake of the student revolutions of the late 1960s. The book demonstrates that, contrary to some historical thinking, more similarities than differences characterized the sociopolitical concerns of East and West Germans during the late Cold War Era, and that it was these shared issues that were reflected in the revival of the Romantic painting genre.

December 2013 Hardback

280 pages 978-1-4094-4998-0 £65.00

Julian Trevelyan

Leonora Carrington

Picture Language ‘This affectionate and nuanced portrait of Trevelyan adds considerably to our knowledge and understanding of a remarkable man who lived in interesting times and places, and whose response to both, in his art, his writings and his relationships, was always quickly sensitive and committed.’

Art and Visual Studies 2014

The working life of Julian Trevelyan (1910-88) spanned more than 65 years. In that time he exhibited alongside Picasso, Miró and Dali, was a member of the British Surrealist group, an active participant in the Mass Observation Movement, taught both at Chelsea School of Art and the Royal College of Art, and wrote a number of books. After the Second World War his work was mainly concerned with depicting scenes around his Hammersmith home and the River Thames, where he lived with his wife Mary Fedden, as well as his travels around the world. Philip Trevelyan, Julian’s son, takes us on a pictorial journey through Julian’s life and presents here his personal view, offering insights from his researches and first-hand knowledge of life in Trevelyan’s studio at Durham Wharf in London.

Includes 270 colour and 120 b&w illustrations April 2013 Hardback

256 pages 978-1-84822-112-3

£40.00

Surrealism, Alchemy and Art Susan L. Aberth ‘... full of stunning colour reproductions of Carrington’s visionary art, whose hybrid forms borrow from nature, culture and religion in order to take themselves beyond all three. A beautiful book, and one that has had far too little attention.’

Ali Smith, The Sunday Telegraph March 2010 Paperback

160 pages 978-1-84822-056-0

£22.50 $45.00

www.lundhumphries.com/isbn/9781848220560 LUND HUMPHRIES

London Underground Maps Art, Design and Cartography Claire Dobbin, With a foreword by Peter Barber from The British Library ‘This beautifully designed and produced volume...stands...as a valuable introduction not only to transport maps of London but also to the role of transport authorities...in commissioning highly decorative as well as purely functional maps of the metropolis.’

The Journal of Transport History April 2012 Hardback

136 pages 978-1-84822-104-8 £35.00

$70.00

www.lundhumphries.com/isbn/9781848221048 LUND HUMPHRIES

Philip Vann and Gerard Hastings Keith Vaughan occupies a unique position in British art owing to his desire to marry eroticism with ‘permanent, formal, classical values’. A complex, conflicted character, he dismissed Bacon’s “spiv-existentialist outlook” and instead stripped down the human figure in such a way as to bring out man’s dignity and self-possession. This book will contribute to the growing interest in this artist, while Gerard Hastings’s essay on the gouaches draws attention to a previously overlooked aspect of Vaughan’s work.’

Frances Spalding Includes 174 colour and 12 b&w illustrations 184 pages 978-1-84822-097-3 £40.00

Includes 95 colour and 25 b&w illustrations

Includes 107 colour and 27 b&w illustrations

Keith Vaughan

www.lundhumphries.com/isbn/9781848220973 LUND HUMPHRIES $90.00

$80.00

www.lundhumphries.com/isbn/9781848221123 LUND HUMPHRIES

October 2012 Hardback

$109.95

www.ashgate.com/isbn/9781409449980

Mel Gooding in his Foreword to the book

Peter Khoroche

November 2013 Hardback

$80.00

www.lundhumphries.com/isbn/9781848221147 LUND HUMPHRIES

Ivon Hitchens

Catherine Wilkins, Edison State College, USA

Includes 19 colour and 4 b&w illustrations £40.00

Philip Trevelyan, with a Foreword by Mel Gooding

www.ashgate.com/isbn/9781409463825

January 2014 Paperback Hardback

198 pages 978-1-84822-114-7

Landscape Imagery, Politics, and Identity in a Divided Germany, 1968–1989

$80.00

Lynn Chadwick Michael Bird Lynn Chadwick is the definitive monograph on a leading Modern British sculptor. Lynn Chadwick (1914-2003) achieved world-wide recognition after winning the International Prize for Sculpture at the 1956 Venice Biennale. He became the most famous member of a generation of young British sculptors whose work captured the essence of the Cold War epoch. Michael Bird draws on fresh research to create the first full-scale art-historical appraisal of Chadwick’s oeuvre, including a compelling account of the sculptor’s artistic personality and working methods.

Includes 120 colour and 40 b&w illustrations May 2014 Hardback

192 pages 978-1-84822-135-2

£45.00

$90.00

www.lundhumphries.com/isbn/9781848221352 LUND HUMPHRIES

ASHGATE

Twentieth–Century Lynn Chadwick Sculptor With a Complete Illustrated Catalogue 1947-2003 Dennis Farr and Eva Chadwick Lynn Chadwick (1914-2003) was one of the leading British sculptors of his generation. This essential illustrated catalogue raisonné of his sculpture is published in a new, fourth edition to coincide with Chadwick’s centenary in 2014 and incorporates a new illustrated listing of his lithographs and jewellery, new reproductions of many of his sculptures (including some in colour), a completely new page design, and the most up-to-date catalogue information on his work.

Includes 80 colour and 965 b&w illustrations May 2014 Hardback

456 pages 978-1-84822-150-5

£120.00 $240.00

www.lundhumphries.com/isbn/9781848221505 LUND HUMPHRIES

Mikhail Larionov and the Cultural Politics of Late Imperial Russia Sarah Warren, Purchase College, USA In the turbulent atmosphere of early twentieth-century Tsarist Russia, avant-garde artists took advantage of a newly pluralistic culture in order to challenge orthodoxies of form as well as social prohibitions. Very few did this as effectively, or to as broad an audience, as Mikhail Larionov.

This groundbreaking study examines the complete range of his work (painting, book illustration, performance, and curatorial work), and demonstrates that Larionov was taking part in a broader cultural conversation that arose out of fundamental challenges to autocratic rule.

Includes 8 colour and 24 b&w illustrations April 2013 Hardback

214 pages 978-1-4094-4200-4 £60.00

S.J. Peploe Guy Peploe ‘Capturing also the spirit of the man, S. J. Peploe provides the definitive account of one of Scotland’s most important artists.’

The Artist Includes 160 colour and 25 b&w illustrations 192 pages 978-1-84822-115-4 £40.00

October 2012 Hardback

$80.00

www.lundhumphries.com/isbn/9781848221154 LUND HUMPHRIES

Prunella Clough Regions Unmapped

$104.95

Frances Spalding

www.ashgate.com/isbn/9781409442004

Winner, Paul Mellon Centre Publication Grant

Malevich

Modernism on Stage

Painting the Absolute

The Ballets Russes and the Parisian Avant-Garde

‘Spalding is a patient guide; she draws out the significance of the artist’s choices and provides sensitive readings of individual paintings.’

Andréi Nakov ‘…readers will find much of interest in this examination of Malevich’s creativity and its multiple levels of thought…The many illustrations are lavishly reproduced…the encyclopedic approach presented in this set of books is especially well suited for research libraries… Recommended. Graduate students and researchers/faculty.’

Choice Includes 361 colour and 790 b&w illustrations November 2010 Hardback

1656 pages 978-1-84822-046-1

£350.00 $700.00

www.lundhumphries.com/isbn/9781848220461 LUND HUMPHRIES

Mary Fedden Enigmas and Variations Christopher Andreae ‘ ... this is a book to delight Fedden’s many friends and admirers ... [Andreae’s] sensitive, intelligent book deepens our understanding of the subtleties of [Fedden’s] art – and its unexpected variety.’

House & Garden Mary Fedden (1915-2012) is one of Britain’s most popular artists. The focus of this acclaimed book, newly available in paperback in celebration of her life’s achievement, is the artist’s creative process in various different media – oil, gouache, pencil and collage. In an engaging text, which draws on numerous conversations with the artist during her final years, Christopher Andreae considers why Fedden has always had such a popular following, looks at the English quality of her work, and talks about the commercialisation of her art and her attitudes to the art market. Fedden is shown to be an original, serious and prolific artist, a draftsman of unusual sensitivity and prowess, and a colourist of power and subtlety.

Includes 201 colour illustrations March 2014 Paperback Hardback

176 pages 978-1-84822-154-3 £19.99 $40.00 978-0-85331-953-5 £45.00 $90.00

www.lundhumphries.com/isbn/9781848221543 LUND HUMPHRIES

Nancy Campbell, Times Literary Supplement Includes 110 colour and 30 b&w illustrations

Juliet Bellow, American University, USA Elegantly written and sumptuously illustrated, this wonderful book offers a fascinating journey through the rich intersections between music, painting, the decorative arts, and performance on the Ballets Russes stage. What is at stake here is no less than a rethinking of the concept of modernism from an intermedial perspective. Modernism on Stage is a tour de force not to be missed by anyone interested in the Ballets Russes and the Parisian avant-garde.’

French Studies Modernism on Stage restores the Ballets Russes to its central role in the Parisian art world of the 1910s and 1920s, and includes close readings of ballets designed by Picasso, Delaunay, Matisse, and de Chirico. Dance is brought to bear upon modernist art history as more than a source of imagery, but as part of the avant-garde’s articulation of the idea of a total work of art.

Includes 18 colour and 68 b&w illustrations February 2013 Hardback

314 pages 978-1-4094-0911-3

£70.00

$119.95

$80.00

Reading Photography A Sourcebook of Critical Texts Edited by Sri-Kartini Leet, University of Northampton, UK A Choice Outstanding Academic Title for 2012 ‘This is an important collection of photography’s seminal texts from early photographic modernism through the beginning of the digital era…A chronology and time line of photographic events, along with a very useful bibliography on the history of photography for each chapter, contribute to this volume’s excellence as a photographic resource. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers.’

Choice

The first English-language monograph on Il Fronte Nuovo delle Arti, this study explores the rise and fall of this postwar Italian artists’ group as a representative instance of the tensions facing Italian painting during the transition out of two decades of Fascism and into the global divisions of the Cold War. Adrian Duran argues that the binary structures of the era – realism vs. abstraction, Communism vs. democracy, conformism vs. freedom – have monopolized the discourse surrounding the Fronte Nuovo and, with it, the historiography of Italian painting during this period, 1944-50.

Includes 37 b&w illustrations 196 pages 978-1-4094-2691-2 £60.00

$104.95

www.ashgate.com/isbn/9781409426912

Paul Nash

£130.00

$260.00

Scotland, CEMA and the Arts Council, 1919-1967 Background, Politics and Visual Art Policy Euan McArthur, University of Dundee, UK As a case study of the relationship between arts and cultural policy and nationalism, this book examines the overlooked significance of Scotland in the development of British arts policy and institutions. Euan McArthur provides a clear account of the background to and evolution of the Council for the Encouragement of Music and the Arts (CEMA) and the Arts Council of Great Britain (ACGB) in Scotland up to the formation of the Scottish Arts Council (SAC) in 1967.

Based on extensive archival research, this book brings to light previously unavailable material, not covered in existing accounts of CEMA/ACGB. April 2013 Hardback ebook PDF ebook ePUB

Landscape and the Life of Objects Andrew Causey Paul Nash (1889-1946) created an individual pathway through English art in the first half of the twentieth century, shaping a body of work that recognised the importance of the modern movement and stimulated him to evolve his own English landscape-based Surrealism. Within a narrative that is both chronological and thematic, Andrew Causey, the leading authority on Paul Nash, teases out the character of Nash’s vision and unravels his personal mythology.

Includes 100 colour and 42 b&w illustrations £35.00

408 pages 978-0-85331-976-4

www.lundhumphries.com/isbn/9780853319764 LUND HUMPHRIES

Adrian R. Duran, University of Nebraska-Omaha, USA

168 pages 978-1-84822-096-6

£40.00

www.lundhumphries.com/isbn/9781848220119 LUND HUMPHRIES

November 2011 Hardback

Painting, Politics, and the New Front of Cold War Italy

May 2013 Hardback

240 pages 978-1-84822-011-9

Includes 12 colour and 80 b&w illustrations

www.ashgate.com/isbn/9781409409113

February 2014 Hardback

February 2012 Hardback

$70.00

240 pages 978-1-4094-3160-2 978-1-4094-6508-9 978-1-4094-6509-6

£60.00

$109.95

www.ashgate.com/isbn/9781409465089

Sample Chapters

All published Ashgate books have at least one sample chapter on our website for you to read. www.ashgate.com

www.lundhumphries.com/isbn/9781848220966 LUND HUMPHRIES

Order online at www.ashgate.com/art and receive a 10% discount

21

Twentieth–Century Scotland’s Shrine

Shock of the News

The Scottish National War Memorial

Judith Brodie with Sarah Boxer, Janine Mileaf, Christine Poggi and Matthew Witkovsky

Duncan Macmillan First mooted in 1917, The Scottish National War Memorial was opened by Edward, Prince of Wales, on 14th July 1927. Paid for by public subscription, this remarkable architectural and artistic achievement articulated a nation’s grief. Designed by Sir Robert Lorimer, who led a team of artists and craftsmen, it is one of the most ambitious and successful pieces of public art of it is time. Intended to make the Memorial accessible to a wide audience, this unique and beautiful publication will give an account of its fascinating history.

Includes 125 colour and 25 b&w illustrations June 2014 Hardback

192 pages 978-1-84822-156-7

£40.00

$80.00

www.lundhumphries.com/isbn/9781848221567 LUND HUMPHRIES

Sculpting Doughboys Memory, Gender, and Taste in America’s World War I Memorials Jennifer Wingate, St Francis College, USA Redressing the neglect of World War I memorials in art history scholarship, this volume shows why sculptures of ‘doughboys’ (US soldiers during World War I) were in such demand during the 1920s, and how their functions and meanings have evolved.

Jennifer Wingate recovers and interprets the circumstances of the doughboy sculptures’ creation, and offers a new perspective on the complex culture of interwar America and on present-day commemorative practices.

244 pages 978-1-4094-0655-6 £60.00

$104.95

www.ashgate.com/isbn/9781409406556

Edited by John C. Welchman, University of California, San Diego, USA Subject/Object: New Studies in Sculpture

Classified as ‘Research Essential’

by Baker & Taylor YBP Library Services Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton’s Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and raises key questions about the nature and implications of vitrinous space.

Includes 100 b&w illustrations 304 pages 978-1-4094-3527-3

£70.00

$119.95

www.ashgate.com/isbn/9781409435273

The Sculpture of Charles Wheeler Sarah Crellin The British Sculptors and Sculpture Series

‘Sarah Crellin’s text is perceptive and thoughtful in its critical analysis of Wheeler, and the complete catalogue of his sculpture that follows is exemplary. Good photography is crucial for the success of a sculpture monograph, and here the high production values are just what are needed.’

Apollo This is the first book to document the work of Sir Charles Wheeler PRA (1892-1974), a major figure in British figurative sculpture whose work has been unduly marginalised.

Featuring a comprehensive catalogue of works, The Sculpture of Charles Wheeler is essential reading for all those interested in the history of modern British sculpture, architectural history and patronage and public art and civic life in the twentieth century.

Includes 278 b&w illustrations December 2012 Hardback

200 pages 978-0-85331-986-3 £45.00

www.lundhumphries.com/isbn/9780853319863 LUND HUMPHRIES

22

Art and Visual Studies 2014

Stanley Spencer

Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily

by Spaniards on city walls, in print, and in exhibitions. The book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.

Art as a Mirror of Himself

Includes 20 colour and 51 b&w illustrations

Andrew Causey

January 2014 Hardback

Stanley Spencer (1891-1959) explored fundamental issues of life with an urgency and persistence unique among British artists of his generation. His art comments on religion, love, sexuality, fraternity and community. Covering all aspects of Spencer’s paintings, this original publication provides a comprehensive analysis of the artist’s entire oeuvre.

www.ashgate.com/isbn/9781409464815

Includes 85 colour and 30 b&w illustrations

Lindsay J. Twa, Augustana College, Sioux Falls, USA

Includes 102 colour and 30 b&w illustrations October 2012 Hardback

168 pages 978-1-84822-121-5

£45.00 $70.00

www.lundhumphries.com/isbn/9781848221215 LUND HUMPHRIES

February 2014 Hardback

192 pages 978-1-84822-146-8

£45.00

$90.00

www.lundhumphries.com/isbn/9781848221468 LUND HUMPHRIES

Painter of Light and Landscape S.B. Kennedy with a foreword by Seamus Heaney

340 pages 978-1-4094-6481-5

£70.00

$119.95

Visualizing Haiti in U.S. Culture, 1910–1950 From the 1910s until the 1950s the Caribbean nation of Haiti drew the attention of many U.S. literary and artistic luminaries, yet while significant studies have been published on Haiti’s history, none analyze visual representations with any depth. This book argues that choosing Haiti as subject matter was a highly charged decision by American artists to use their artwork to engage racial, social, and political issues. Twa scrutinizes photographs, illustrations, paintings, and theatre as well as textual and archival sources.

Includes 16 colour and 54 b&w illustrations

Sculpture and the Vitrine

August 2013 Hardback

Miriam M. Basilio, New York University, USA

‘...tackles a rich but underexplored subject...The three essays that conclude the book will be most rewarding to readers looking for more in-depth information...Both general readers and academics will appreciate the intelligent essays and excellent illustrations.’

Library Journal Reviews

T.P. Flanagan

Includes 50 b&w illustrations July 2013 Hardback

Visual Propaganda, Exhibitions, and the Spanish Civil War

$90.00

‘A fascinating biography of a singular artist, Seamus Heaney dubs it “a virtual catalogue raisonné”. The illustrations are plentiful, and good.’

Irish Arts Review This is the first comprehensive assessment of the career of T.P. Flanagan (1929-2011), generally regarded as the major landscapist working in Ireland in the second half of the twentieth century and the most significant watercolourist of his generation in Ireland.

Includes 100 colour and 50 b&w illustrations September 2013 200 pages Hardback 978-1-84822-128-4

£40.00

$80.00

www.lundhumphries.com/isbn/9781848221284 LUND HUMPHRIES

Uproar: The First 50 Years of The London Group 1913-63 Edited by Rachel Dickson and Sarah MacDougall with a Foreword by Wendy Baron and essays by Denys Wilcox and David Redfern Uproar: The First 50 Years of The London Group 1913-1963 offers the first up-to-date overview and critical assessment of The London Group’s turbulent early history and an equally important period in British art. Published in the Group’s centenary year, this book draws on fascinating archival material and historical press reports to explain the importance of these first 50, highly experimental years, painting a vivid picture of the various disputes between artists and the press/ public, the jostling of various artists’ movements or groups, and the internecine warfare that often erupted between them. As well as providing an overview of the Group’s early history and subsequent development, this essential reference book showcases and illustrates 50 works by 50 artists representative of the Group’s first 50 years, drawn from public and private collections throughout the UK (with captions compiled by relevant experts in the field); biographies for each artist illustrated; a full bibliography; a timeline; and a listing of all the artists who exhibited with the Group, with the year of exhibition and number of works illustrated.

Includes 74 colour and 10 b&w illustrations October 2013 Hardback

224 pages 978-1-84822-144-4

£40.00

www.lundhumphries.com/isbn/9781848221444 LUND HUMPHRIES

$80.00

May 2014 Hardback

324 pages 978-1-4094-4672-9

£70.00

$119.95

www.ashgate.com/isbn/9781409446729

William Reid Dick, Sculptor Dennis Wardleworth William Reid Dick (1878-1961) was one of a generation of British sculptors air-brushed out of art history by the modernist critics of the late twentieth century. This longoverdue monograph adds to the recent revival of interest in this group of forgotten sculptors, by describing the life and work of arguably the leading figure of the group in unprecedented depth. This study draws upon a wealth of previously unpublished material, including over 2000 letters, and press cuttings and photographs in the Tate Archive, as well as letters and photographs held by Reid Dick’s family.

The first monograph on Reid Dick since 1945, the book also includes images of over 40 of his works and a listing of over 200 works identified by the author.

Includes 50 b&w illustrations April 2013 Hardback

230 pages 978-1-4094-3971-4

£60.00

$109.95

www.ashgate.com/isbn/9781409439714

World Art and the Legacies of Colonial Violence Edited by Daniel J. Rycroft, University of East Anglia, UK How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativity and historical/curatorial interpretation? World Art and the Legacies of Colonial Violence – comprised of ten essays by an international roster of art historians, curators, and anthropologists – forges innovative approaches to post-colonial studies, Indigenous studies, critical heritage studies, and the new museology. This volume probes the degree to which global histories of conflict, coercion and occupation have shaped art historical approaches to intercultural knowledge and representation. These debates are relevant to contemporary artists and scholars of visual, material and museological culture in their attempts to negotiate imperial and colonial legacies.

Includes 43 b&w illustrations November 2013 Hardback

280 pages 978-1-4094-5588-2

£65.00

$119.95

www.ashgate.com/isbn/9781409455882

ASHGATE

Contemporary The Art of Jeremy Gardiner Unfolding Landscape Wendy Baron, Ian Collins, Peter Davies, Simon Martin, Christiana Payne and William Varley Providing a comprehensive assessment of Jeremy Gardiner’s career to date, this monograph, the first of its kind, explains how this distinctive artist has taken the exploratory landscape vision of mid-century St Ives modernists like Ben Nicholson, Peter Lanyon and John Tunnard into a new post-millennial era.

Includes 140 colour and 21 b&w illustrations January 2013 160 pages Hardback 978-1-84822-100-0 £35.00 $70.00 Limited Edition Hardback

978-1-84822-101-7 £300.00 $600.00 www.lundhumphries.com/isbn/9781848221000 LUND HUMPHRIES

A Strange Utility

John Potvin, Concordia University, Canada

Empire of the Senses

Edited by Isabelle Loring Wallace, University of Georgia, USA and Nora Wendl, Portland State University, USA Contemporary Art About Architecture is the first to take up its topic in a sustained and explicit manner and the first to advance the idea that contemporary art increasingly functions as a form of architectural history, theory and analysis. It examines a diverse group of artists – including Iñigo Manglano-Ovalle, Matthew Barney, Monika Sosnowska, Pipo Nguyen-duy, Paul Pfeiffer and Mies van der Rohe – in conjunction with the vernacular, canonical, and fantastical structures engaged by their work.

Includes 16 colour and 69 b&w illustrations 368 pages 978-1-4094-3286-9

£75.00

The first monograph to do so, Giorgio Armani: Empire of the Senses examines the visual, material, phenomenological, spatial, discursive, and economic culture of Giorgio Armani and his lifestyle empire. The book explores how Armani’s designs and decisions provide a surface on and through which to mediate acts of translation: from East to West; from fashion to art; from one gendered identity to another; and from two-dimensional image to three-dimensional object.

Includes 183 b&w illustrations January 2013 Hardback

410 pages 978-1-4094-0668-6

£70.00

$119.95

www.ashgate.com/isbn/9781409406686 $129.95

www.ashgate.com/isbn/9781409432869

John Byrne Art and Life

With texts by Bill Hare, Andrew Lambirth and Gareth Wardell ‘This is a strong, well-designed monograph ... The book traces the painter’s career through all its phases and shows how direct observation, lingering memories and studio strategies have all contributed to her art. The authors deserve praise for their thorough and engaging writing and the illustrations brilliantly convey the power of paintings.’

The Art Book Includes 200 colour and 20 b&w illustrations 192 pages May 2008 Hardback 978-0-85331-990-0 £45.00 $90.00 Limited Edition Hardback 978-0-85331-991-7 £350.00 $700.00

www.lundhumphries.com/isbn/9780853319900 LUND HUMPHRIES

Georgina Adam This highly readable and timely book explores the transformation of the modern and contemporary art market in the 21st century from a niche trade to a globalised operation worth an estimated $50 billion a year. Drawing on her personal experience, the author describes in fascinating detail the contributions made by a range of actors and institutions to these recent developments. The author’s engaging style makes this informative text ideal for collectors, students, and anyone interested in learning more about the evolution of the unprecedented market for art which exists today. £16.99

Defining Digital Humanities

Robert Hewison

A Reader

‘As a monograph, this book will take its place in any library of Scottish art...Robert Hewison’s excellent book gives us new access to this brilliant and mercurial modern Scot.’

Edited by Melissa Terras and Julianne Nyhan, both at University College London, UK and Edward Vanhoutte, Royal Academy of Dutch Language and Literature – KANTL, Belgium ‘This definitive collection captures the intense activity and sheer energy in digital humanities for over more than a decade.

Charting its emergence and expansion as an academic field in its own right, this work provides a map and guide to the past, the present and the future of digital humanities. An indispensable resource for teaching and research.’

Paul Arthur, University of Western Sydney, Australia

Big Bucks: The Explosion of the Art Market in the 21st Century

192 pages 978-1-84822-138-3 978-1-84822-159-8 978-1-84822-158-1

Giorgio Armani

May 2013 Hardback

Barbara Rae

June 2014 Paperback ebook PDF ebook ePUB

Contemporary Art About Architecture

$35.00

This reader brings together the essential readings that have emerged in Digital Humanities. It provides a historical overview of how the term ‘Humanities Computing’ developed into the term ‘Digital Humanities’, and highlights core readings which explore the meaning, scope, and implementation of the field. To contextualize and frame each included reading, the editors and authors provide a commentary on the original piece. There is also an annotated bibliography of other material not included in the text to provide an essential list of reading in the discipline.

December 2013 Paperback Hardback ebook PDF ebook ePUB

330 pages 978-1-4094-6963-6 978-1-4094-6962-9 978-1-4094-6964-3 978-1-4094-6965-0

£25.00 £70.00

$44.95 $119.95

www.ashgate.com/isbn/9781409469636

Colin Reid Glass Sculpture Edited by Clare Beck and Kathleen Slater with essays by Jennifer Hawkins Opie and Diane C. Wright Colin Reid Glass Sculpture explores the work of internationally renowned contemporary glass artist Colin Reid (b.1953). This richly illustrated monograph, with essays by leading glass experts Jennifer Hawkins Opie and Diane C. Wright, charts the course of Reid’s career from an international perspective. An insightful book, beautifully illustrated with 100 images including specially commissioned photography, Colin Reid Glass Sculpture provides a glimpse into the creation of Reid’s cast glass sculpture. It will appeal to established collectors and followers of both Colin Reid and sculpture in general.

John Byrne (b.1940) grew up on the Ferguslie Park housing scheme in Paisley. He escaped work in a carpet factory to study at the Glasgow School of Art, and has since carved out a successful dual career as an artist and a writer. This is the first monograph to explore Byrne’s remarkable artistic journey in both the visual and literary fields, and celebrates his contribution to contemporary Scottish cultural identity.

Includes 98 colour and 18 b&w illustrations June 2011 144 pages Hardback 978-1-84822-047-8 £40.00 $80.00 Limited Edition Hardback

978-1-84822-080-5 £500.00 $1000.00 www.lundhumphries.com/isbn/9781848220478 LUND HUMPHRIES

Judy Chicago Edited by Rachel Dickson, with contributions

by Judy Batalion, Frances Borzello, Diane Gelon, Alexandra Kokoli and Andrew Perchuk ‘…The five scholarly essays, by curators, art historians, and critics, are well written and perceptive. The essays lend insight into the artist’s themes of female sexuality and vulnerability. This large-format book is lavishly illustrated and beautifully designed…

Recommended. Lower-level undergraduates and above.’

Choice

Dictionary of Visual Discourse

Includes 120 colour illustrations

A Dialectical Lexicon of Terms

November 2012 Hardback

Barry Sandywell, University of York, UK

www.lundhumphries.com/isbn/9781848221383 LUND HUMPHRIES

Scottish Review of Books

‘...a storming intellectual intervention into the field of visual studies. It will be difficult for anyone working within this arena in the future to avoid reference to this outstanding work.’

208 pages 978-1-84822-120-8

£40.00

$80.00

www.lundhumphries.com/isbn/9781848221208 LUND HUMPHRIES

Professor Chris Jenks, Vice Chancellor and Principal, Brunel University, UK March 2011 722 pages Hardback 978-1-4094-0188-9 £125.00 $225.00 ebook PDF 978-1-4094-0189-6 ebook ePUB 978-1-4094-8662-6 www.ashgate.com/isbn/9781409401889

Includes 80 colour and 20 b&w illustrations October 2013 Hardback

144 pages 978-1-84822-137-6

£40.00

$80.00

www.lundhumphries.com/isbn/9781848221376 LUND HUMPHRIES

Order online at www.ashgate.com/art and receive a 10% discount

23

Contemporary Kurt Jackson

Patrick Caulfield

The Sculpture of Bill Woodrow

A New Genre of Landscape Painting

Paintings

Julia Kelly and Jon Wood

Mark Cocker, Helen Dunmore, Bill Hare, Howard Jacobson, Richard Mabey, Philip Marsden, Bel Mooney, William Packer, John Russell Taylor, Tim Smit and Mike Tooby

Marco Livingstone

‘... the next best thing to actually owning a Kurt Jackson painting, it should be on the shelf of all admirers of landscape painting in general but those of Kurt’s paintings in particular.’

Cornishman

‘This is a beautiful book on a great artist. Marco Livingstone has been writing with unfailing intelligence and perceptiveness on Caulfield’s work for many years, and with an ever-deepening understanding of its meanings. Bringing together earlier texts with new essays, including several on individual paintings, superbly illustrated and handsomely designed, this is the monographic survey the artist has long deserved.’

Mel Gooding, The World of Interiors

Includes 90 colour and 40 b&w illustrations August 2010 Paperback Hardback

144 pages 978-1-84822-102-4 978-1-84822-041-6

Includes 190 colour and 20 b&w illustrations £19.99 £35.00

$40.00 $70.00

www.lundhumphries.com/isbn/9781848221024 LUND HUMPHRIES

Includes 117 colour and 40 b&w illustrations

Xin Wu, College of William & Mary, USA

Includes 23 colour and 63 b&w illustrations September 2012 332 pages Hardback 978-1-4094-2613-4 £70.00

$119.95

Scale in Contemporary Sculpture Enlargement, Miniaturisation and the Life-Size Rachel Wells, Newcastle University, UK

Impeccably researched and richly detailed, this book addresses the issue of translation between visual arts and landscape design in the 50-year career of American painter and environmental artist Patricia Johanson. Exploring the artist’s search for an ‘art of the real’ as a member of the postwar New York art world, it demonstrates that visual translation cannot be understood solely through the works of art, instead attention must be paid to the process of creation. This book is an insightful attempt to confront a crucial question in the history of art through the work of a contemporary artist.

Includes 64 colour and 48 b&w illustrations

Art and Visual Studies 2014

‘This book is highly recommended for library purchase, as it offers wide appeal and insight into areas of art history not often covered. Although students and faculty researching feminism and women’s issues will be particularly interested, the range of authors and artists represented will appeal to a broad range of scholars, as will the unique perspective gained from a compilation of writing by both art historians and artists.’

www.ashgate.com/isbn/9781409426134

Patricia Johanson and the Re-Invention of Public Environmental Art, 1958–2010

24

Includes 200 colour and 25 b&w illustrations October 2013 Hardback

ARLIS, USA $40.00 $70.00

www.lundhumphries.com/isbn/9781848221550 LUND HUMPHRIES

www.ashgate.com/isbn/9781409435440

$50.00

224 pages 978-1-84822-060-7 £40.00

$80.00

www.lundhumphries.com/isbn/9781848220607 LUND HUMPHRIES

Edited by Rachel Epp Buller, Bethel College, USA

The paintings executed by Kurt Jackson (b.1961) do not reveal his day-to-day working practice. Behind his finished canvases are hundreds of sketchbooks borne out of his continual routine of making drawings, marks, notes, poems and scribbles. This book, newly available in paperback, examines the importance of the sketchbook to Jackson.

334 pages 978-1-4094-3544-0 £70.00

£25.00

Reconciling Art and Mothering

Alan Livingston and Kurt Jackson

March 2013 Hardback

288 pages 978-0-85331-929-0

www.lundhumphries.com/isbn/9780853319290 LUND HUMPHRIES

Kurt Jackson Sketchbooks

September 2012 144 pages Paperback 978-1-84822-155-0 £19.99 Hardback 978-184822-110-9 £35.00

February 2007 Paperback

Bill Woodrow (b.1948) has been one of the most influential and prolific sculptors working in Britain over the last 35 years. A crucial part of the ‘New British Sculpture’ group of the 1980s, which also included Tony Cragg, Richard Deacon, Antony Gormley, Anish Kapoor and Richard Wentworth, Woodrow’s work was seen as succeeding the ‘New Generation’ sculpture of Anthony Caro and others by reintroducing narrative into sculpture through the incorporation and re-shaping of found materials. This book is the first comprehensive study of Woodrow’s sculpture, and provides a full visual survey of his work from the late 1960s to the present, making use of unpublished interviews conducted by Jon Wood.

Winner, Henry Moore Foundation Grant The first book to devote serious attention to questions of scale in contemporary sculpture, this study considers the phenomenon within the interlinked cultural and socio-historical framework of the legacies of postmodern theory and the growth of global capitalism. In particular, the book traces the impact of postmodern theory on concepts of measurement and exaggeration, and analyses the relationship between this philosophy and the sculptural trend that has developed since the early 1990s.

Tradition, Culture and Aesthetics in Contemporary Asian Cinema Peter C. Pugsley, University of Adelaide, Australia ‘A major scholarly achievement, demonstrating not only the contours of Asian cinema, but also its significant aesthetic underpinnings, major auteurs and the manner in which it was marketed and received in the West. A long-awaited text for classroom use, but one which should be read by anyone who speaks of “Asian” cinema in global contexts.’

David Desser, Emeritus, University of Illinois, USA From the critically acclaimed Malaysian film Sepet to the on-going box office successes of the films created by Hong Kong director Wong Kar Wai, cinematic texts from the nations of Asia are increasingly capturing audiences beyond their national boundaries. Tradition, Culture and Aesthetics in Contemporary Asian Cinema explores the rise of popular Asian cinema and provides an understanding of the aesthetic elements that mark these films as ‘Asian cinema’. Incorporating examples of contemporary films from China, Japan, Hong Kong, Korea, Singapore, Malaysia and India, Pugsley gives readers a fresh insight into the rapidly developing discourse on popular Asian media.

Includes 14 colour illustrations June 2013 Hardback ebook PDF ebook ePUB

176 pages 978-1-4094-5313-0 978-1-4094-5314-7 978-1-4724-0454-1

£60.00

$109.95

www.ashgate.com/isbn/9781409453130

Includes 60 colour illustrations $119.95

January 2013 Hardback

282 pages 978-1-4094-3194-7 £65.00

$109.95

www.ashgate.com/isbn/9781409431947

ASHGATE

Architecture

Series

www.ashgate.com/studiesinarchitecture

Ashgate Studies in Architecture Series editor: Eamonn Canniffe, Manchester School of Architecture, Manchester Metropolitan University, UK The discipline of Architecture is undergoing subtle transformation as design awareness permeates our visually dominated culture. Technological change, the search for sustainability and debates around the value of place and meaning of the architectural gesture are aspects which will affect the cities we inhabit. This series seeks to address such topics, both theoretically and in practice, through the publication of high quality original research, written and visual.

For more information on this series please visit www.ashgate.com/studiesinarchitecture

The Architectural Capriccio Memory, Fantasy and Invention Edited by Lucien Steil, University of Notre Dame, School of Architecture, USA and Rome Bringing together leading writers and practicing architects including Jean Dethier, David Mayernik, Massimo Scolari, Robert Adam, David Watkin and Leon Krier, this volume provides a kaleidoscopic, multilayered exploration of the Architectural Capriccio. It not only explains the phenomena within a historical context, but moreover, demonstrates its contemporary validity and appropriateness as a holistic design methodology, an inspiring pictorial strategy, an efficient rendering technique and an optimal didactic tool.

The book shows and comments on a wide range of historic masterworks and highlights contemporary artists and architects excelling in a modern updated, refreshed and original tradition of the Capriccio.

Includes 445 colour illustrations January 2014 Hardback

548 pages 978-1-4094-3191-6

The Collaborators: Interactions in the Architectural Design Process Gilbert Herbert, Emeritus Professor of Architecture and Town Planning, Technion, Israel Institute of Technology, Israel, and Mark Donchin, Architect and City Planner, Los Angeles, USA ‘“Do I have some good stories for you!” While reading The Collaborators I found myself mentally swapping war tales with Gil Herbert (my first studio critic) and Mark Donchin. This joy of recognition will be shared by all architects who find their own experience dissected on its pages, and by many clients. Yet our accounts cannot be as insightful or enlightening as the careful analyses and theoretical formulations of the authors. Clients and architects could see this book as a flagship for “Project Psychology and Management,” a course that each feels the other should take. And both would be right.’

Denise Scott Brown, Venturi, Scott Brown and Associates

£90.00

$154.95

www.ashgate.com/isbn/9781409431916

The Challenge of Emulation in Art and Architecture Between Imitation and Invention David Mayernik, University of Notre Dame, USA Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.

Illustrated by critical analyses of significant buildings, including examples by such eminent architects as Adler and Sullivan, Erich Mendelsohn, and Louis Kahn, this book examines collaboration in the architectural design process over a period ranging from the mid-nineteenth century to the late 1960s. The examples chosen, located in England, the United States, Israel and South Africa, are of international scope. Ultimately, in five different ways, in five different epochs, and in five different circumstantial and cultural contexts, this book shows how the dialogue between the players in the design process resonates upon the works of architecture that their collaboration engenders.

Recto Verso: Redefining the Sketchbook Edited by Angela Bartram and Douglas Gittens, both at University of Lincoln, UK and Nader El-Bizri, the American University of Beirut, Lebanon This volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications.

Includes 46 b&w illustrations May 2014 Hardback ebook PDF ebook ePUB

240 pages 978-1-4094-6866-0 £60.00 978-1-4094-6867-7 978-1-4094-6868-4

$109.95

www.ashgate.com/isbn/9781409468660

Includes 81 b&w illustrations August 2013 Hardback ebook PDF ebook ePUB

262 pages 978-1-4094-5504-2 978-1-4094-5505-9 978-1-4094-7465-4

£65.00

$119.95

www.ashgate.com/isbn/9781409455042

Includes 30 colour and 70 b&w illustrations November 2013 Hardback ebook PDF ebook ePUB

296 pages 978-1-4094-5767-1 £65.00 978-1-4094-5768-8 978-1-4724-0752-8

$109.95

www.ashgate.com/isbn/9781409457671

Order online at www.ashgate.com/art and receive a 10% discount

25

Architecture Marcel Duchamp and the Architecture of Desire

Pevsner: The Complete Broadcast Talks

Penelope Haralambidou, Bartlett School of Architecture, UCL, UK

Architecture and Art on Radio and Television, 1945-1977

Design Research in Architecture

Edited by Stephen Games, University of Kent, UK

Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp’s work.

By employing design, drawing and making – the tools of the architect – Haralambidou’s work performs an architectural analysis of Duchamp’s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas… demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes – allegory, visuality and desire – the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.

Includes 46 colour and 225 b&w illustrations December 2013 Paperback

350 pages 978-1-4094-4345-2

£35.00

$59.95

www.ashgate.com/isbn/9781409443452

Ornament and Order Graffiti, Street Art and the Parergon Rafael Schacter, University College London, UK Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual.

Includes 8 colour and 139 b&w illustrations April 2014 Hardback ebook PDF ebook ePUB

304 pages 978-1-4724-0998-0 £70.00 978-1-4724-0999-7 978-1-4724-1000-9

www.ashgate.com/isbn/9781472409980

$124.95

‘Conversational, spontaneous, wide-ranging, and often responding to recent travels and encounters, Pevsner’s broadcasts reveal a side that does not appear in his more scholarly writings. Reading the transcripts today, they show him reaching beyond the circle of professionals and academics, as part of his mission to bring informed discussion of architecture into the orbit of everyday life.’

Adrian Forty, The Bartlett School of Architecture, University College London, UK This book brings together the surviving texts of the 113 talks on art and architecture that we know of, given by the art historian Sir Nikolaus Pevsner on radio and television over a 37-year period between 1945-1977. These talks are important as an example of the attempt by the BBC in particular to provide intellectual programming for the mass population and what they reveal about changing tastes in the treatment of the arts as a broadcast topic, as well as offering a case study of the development of one particular historian’s approach to a subject that was gaining ground in universities as a direct result of his popularisation of it.

March 2014 Hardback ebook PDF ebook ePUB

600 pages 978-1-4094-6197-5 £85.00 978-1-4094-6198-2 978-1-4724-0764-1

$149.95

www.ashgate.com/isbn/9781409461975

Place-making for the Imagination: Horace Walpole and Strawberry Hill Marion Harney, University of Bath, UK Drawing together landscape, architecture and literature, Strawberry Hill, the celebrated eighteenth-century ‘Gothic’ villa and garden beside the River Thames, is an autobiographical site, where we can read the story of its creator, Horace Walpole. This beautifully illustrated book reveals the Gothic villa and associated landscape to be inspired by theories that stimulate ‘The Pleasures of the Imagination’ articulated in the series of essays by Joseph Addison (1672-1719) published in the Spectator (1712).

Linked to this argument, it proposes that the concepts behind the designs for Strawberry Hill are not based around architectural precedent but around eighteenth-century aesthetics theories, antiquarianism and matters of ‘Taste’.

Time Matter(s): Invention and Re-Imagination in Built Conservation The Unfinished Drawing and Building of St. Peter’s, the Vatican Federica Goffi, Carleton University, Canada ‘Time Matter(s) is a unique and timely scholarly study of Tiberio Alfarano’s mysterious drawing of St Peter’s Basilica from the late 16th century...the author examines with great acumen and scholarly insight. At the same time, the author argues that the artifact provides a rich and fertile source of ideas about broader issues of building conservation today, providing a critical point of reference for re-evaluating the nature and meaning of historical and cultural continuity as a problem of architectural representation. The book would be of interest to both practitioners and academics, challenging conventional assumptions of an unmediated relationship between history and creativity that has become endemic in architectural conservation today.’

Nicholas Temple, University of Huddersfield, UK This book fills in a blind spot in current architectural theory and practice, looking into a notion of conservation as a form of invention and imagination, offering the reader a counter-viewpoint to a predominant western understanding that preservation should be a ‘still shot’ from the past.

Through a micro-historical study of a Renaissance concept of restoration, this book provides a theoretical framework to question the issue of conservation as a possible creative endeavour, when a mnemic building is concerned, entailing conservation of memory within changes. It focuses on Tiberio Alfarano’s 1571 ichnography of St. Peter’s Basilica in the Vatican, into which was woven a complex body of religious, political, architectural and cultural elements.

Includes 11 colour and 87 b&w illustrations September 2013 286 pages Hardback 978-1-4094-4301-8 £65.00 ebook PDF 978-1-4094-4302-5 ebook ePUB 978-1-4724-0123-6

$109.95

www.ashgate.com/isbn/9781409443018

Includes 115 colour illustrations December 2013 Hardback ebook PDF ebook ePUB

326 pages 978-1-4094-7004-5 978-1-4094-7005-2 978-1-4094-7006-9

£55.00

$99.95

www.ashgate.com/isbn/9781409470045

Exclusive rewards for subscribers New for 2014, e-mail subscribers can take advantage of exclusive discounts, promotions and access to free content.

We will also tell you about every new book published in your subject area.

Visit www.ashgate.com/updates or email ashgateupdates@ashgatepublishing.com to sign up for our free monthly email update, (letting us know which subject area/s you are interested in).

26

Art and Visual Studies 2014

ASHGATE

Museums, Collecting and Material Culture Art and Authenticity Edited by Megan Aldrich and Jos Hackforth-Jones, with essays by Megan Aldrich, David Bellingham, Jonathan Clancy, Lis Darby, Natasha Degen, Anthony Downey, Sophie von der Goltz, Jos Hackforth-Jones, Barbara Lasic, Noël Riley, Bernard Vere and Morgan Wesley November 2012 Hardback

208 pages 978-1-84822-098-0

£39.95

$80.00

www.lundhumphries.com/isbn/9781848220980 LUND HUMPHRIES

Challenging History in the Museum International Perspectives Edited by Jenny Kidd, Cardiff University, UK, Sam Cairns, Cultural Learning Alliance, UK, Alex Drago, Historic Royal Palaces, UK, Amy Ryall, University of Sheffield, UK and Miranda Stearn, Orleans House Gallery, UK ‘This timely and highly stimulating book offers muchneeded critical examination and reflection on issues that are increasingly relevant to museums of all kinds. The rich mix of voices and disciplinary perspectives brought together in this volume generates significant new insights that will enrich the work of practitioners and researchers alike.’

Art as an Investment?

A Survey of Comparative Assets Melanie Gerlis

Richard Sandell, University of Leicester, UK

‘No one is better able than Melanie Gerlis to discuss the pros and cons of art as an investment. In this groundbreaking book she has brought her financial expertise and first-hand knowledge of art and its markets to bear on a topic that has excited considerable debate over the last decade.

This insightful book is a must for anyone seeking to really understand the nature of the art commodity.’

Dr Iain Robertson, Head of Art Business Studies, Sotheby’s Institute of Art Aimed at collectors and investors, this user-friendly guide explains art’s value as an asset through comparisons with more familiar investments, including property, shares and gold. It draws on extensive research and interviews with key players in these other markets, as well as the author’s own experience, to clarify the specifics of art as an asset class.

January 2014 Hardback ebook PDF ebook ePUB

192 pages 978-1-84822-134-5 978-1-84822-153-6 978-1-84822-152-9

£30.00

$60.00

Challenging History in the Museum explores work with difficult, contested and sensitive heritages in a range of museum contexts. It is based on the Challenging History project, which brings together a wide range of heritage professionals, practitioners and academics to explore heritage and museum learning programmes in relation to difficult and controversial subjects.

Includes 6 b&w illustrations February 2014 Hardback ebook PDF ebook ePUB

262 pages 978-1-4094-6724-3 978-1-4094-6725-0 978-1-4094-6726-7

$109.95

www.ashgate.com/isbn/9781409467243

Cultural Heritage in the Arabian Peninsula

Australian Artists in the Contemporary Museum

‘The contributors capture precisely that which is different about heritage in the UAE. It is not about the past; it is about the present and the future. Emirati heritage is being created now and those of us working in the UAE appreciate just how dynamic and often politically charged the process of creation can be.’

In Australia, the artist’s engagement with the museum is traditionally regarded as having an important role in the colonial project but, as times have changed, the postcolonial viewpoint has come to the fore. The authors of Australian Artists and the Museum propose that the artists’ engagement has moved from politically informed critique taking place in museums of fine art, towards a critique of the creation of knowledge taking place in non-art museums, assuming new forms, including the artist acting as curator, art interventions that highlight the use of taxonomic modes of display and categorization, and the engagement with the aesthetics of collections to suggest different readings of objects and artefacts.

Includes 65 colour and 8 b&w illustrations May 2014 Hardback

240 pages 978-1-4094-4249-3

www.ashgate.com/isbn/9781409442493

£30.00

$54.95

Jane Bristol-Rhys, Zayed University, UAE Heritage projects in the Arabian Peninsula are developing rapidly. Museums and heritage sites are symbols of shifting national identities, and a way of placing the Arabian Peninsula states on the international map. Global, i.e.

Western, heritage standards and practices have been utilised for the rapid injection of heritage expertise in museum development and site management and for international recognition.

The use of Western heritage models in the Arabian Peninsula inspires two key areas for research which this book examines: the obscuring of indigenous concepts and practices of heritage and expressions of cultural identity; and the tensions between local/community concepts of heritage and identity and the new national identities being constructed through museums and heritage sites at a state level.

Includes 12 b&w illustrations May 2014 Hardback ebook PDF ebook ePUB

‘In this engaging and thought-provoking work, the author enlivens the recent history of pedagogically motivated artists’ interventions and offers significant insights into the “curious lessons” they provide to museum and gallery learning departments.’

Julie Sheldon, Liverpool John Moores University, UK Amongst recent contemporary art and museological publications, there have been relatively few which direct attention to the distinct contributions that twentieth and twenty-first century artists have made to gallery and museum interpretation practices. There are fewer still that recognise the pedagogic potential of interventionist artworks in galleries and museums. This book fills that gap and demonstrates how artists have been making curious but, none-the-less, useful contributions to museum education and curation for some time. This valuable book will be essential reading for students and scholars of museum studies, as well as art and cultural studies.

224 pages 978-1-4094-7007-6 £60.00 978-1-4094-7008-3 978-1-4094-7009-0

August 2013 Hardback ebook PDF ebook ePUB

260 pages 978-1-4094-3617-1 £65.00 978-1-4094-3618-8 978-1-4094-7099-1

$109.95

Eighteenth-Century Thing Theory in a Global Context

Edited by Karen Exell and Trinidad Rico, both at UCL Qatar, Qatar

Nicholas Thomas, University of Cambridge, UK

Claire Robins, Institute of Education, University of London, UK

www.ashgate.com/isbn/9781409436171

Debates, Discourses and Practices

‘Museums have changed profoundly over the last twenty years, and one of the most vital symptoms and drivers of change has been the engagement of contemporary artists with them. Artists’ interventions have been predictably controversial and much debated. It is time for a more balanced analysis and this book offers one, along with an overview of the distinctive and important history of contemporary engagement with institutions in Australia.’

The Pedagogic Potential of Artists’ Interventions

Includes 9 colour and 26 b&w illustrations £60.00

www.lundhumphries.com/isbn/9781848221345 LUND HUMPHRIES

Jennifer Barrett and Jacqueline Millner, both at University of Sydney, Australia

Curious Lessons in the Museum

$109.95

From Consumerism to Celebrity Culture Edited by Ileana Baird, University of Virginia, USA and Christina Ionescu, Mount Allison University, Canada Exploring Enlightenment attitudes toward things and their relation to human subjects, this collection offers a geographically wide-ranging perspective on what the eighteenth century looked like beyond British or Britishcolonial borders. In highlighting trends, fashions, and cultural imports of truly global significance, the contributors celebrate the logic of serendipity that transforms the object into some-thing else when it is placed in a new locale.

Includes 14 colour and 27 b&w illustrations January 2014 Hardback ebook PDF ebook ePUB

386 pages 978-1-4724-1329-1 978-1-4724-1330-7 978-1-4724-1331-4

£75.00

$129.95

www.ashgate.com/isbn/9781472413291

Everyday Objects Medieval and Early Modern Material Culture and its Meanings Edited by Tara Hamling, University of Birmingham and Catherine Richardson, University of Kent, UK September 2010 Hardback

378 pages 978-0-7546-6637-0

£75.00 $134.95

www.ashgate.com/isbn/9780754666370

www.ashgate.com/isbn/9781409470076

Marketing Art in the British Isles, 1700 to the Present A Cultural History Edited by Charlotte Gould, University Paris 3-Sorbonne Nouvelle, France, and Sophie Mesplède, University of Rennes 2, France November 2012 Hardback

302 pages 978-1-4094-3669-0 £70.00

$124.95

www.ashgate.com/isbn/9781409436690

Order online at www.ashgate.com/art and receive a 10% discount

27

Museums, Collecting and Material Culture Museums and Silent Objects: Designing Effective Exhibitions Francesca Monti and Suzanne Keene, both at University College London, UK ‘...the authors have broken new ground by focusing not on the spectacular and iconic items on display, but the less significant ones which nevertheless have fascinating stories. Through detailed research using examples from three museum galleries, underpinned by a range of theoretical perspectives, they produce practical advice for museum professionals on how to give these silent objects a new voice.’

Nick Merriman, The Manchester Museum, UK In museums, visitors are immediately drawn to striking or iconic objects, but there are many less conspicuous but important items which illustrate cultural contexts and content and are equally deserving of their attention.

The authors of Museums and Silent Objects, offer a methodology for judging the quality of museum exhibitions from the visitor’s perspective, and offer practical tools for museum professionals to evaluate displays, and design new galleries and exhibits. Fully illustrated and based on studies of world-famous galleries, this book is essential reading for those creating effective museum displays.

Includes 89 b&w illustrations January 2013 Hardback ebook PDF ebook ePUB

354 pages 978-1-4094-0703-4 £60.00 978-1-4094-0704-1 978-1-4094-7199-8

$109.95

Series

Handbooks in International Art Business Series editors: Derrick Chong, Royal Holloway, University of London, UK and Iain Robertson, Sotheby’s Institute of Art, London, UK Published in association with Sotheby’s Institute of Art The art market is now a multi-billion-dollar industry employing hundreds of thousands of professionals worldwide. Working within the art market brings a specific set of challenges, which are distinct from those of the conventional business world.

Aimed at art-world professionals and those working within the many sectors of art business, as well as those preparing for careers in the commercial art world, the Handbooks in International Art Business provide a series of authoritative reference guides to the structure and working of the international art market, incorporating core topics such as Art Law and Ethics as well as guides to different market sectors.

The Handbooks are written by experts in their field, many of whom teach at, or are graduates of, the MA in Art Business at Sotheby’s Institute of Art at its London and New York campuses. Sotheby’s Institute of Art has pioneered the field of art business as both a professional and an academic discipline. Its MA in Art Business was established in 1999.

For more information on this series please visit www.lundhumphries.com/artbusiness

www.ashgate.com/isbn/9781409407034

The Art Collector’s Handbook

New Collecting: Exhibiting and Audiences after New Media Art

A Guide to Collection Management and Care

Edited by Beryl Graham, University of Sunderland, UK ‘This is essential reading for artists, curators, art historians, students and anyone else interested in creating, commissioning, collecting, exhibiting and documenting new media art. The authors provide an excellent overview of the challenges involved in dealing with 21st century artworks that are “not easy to collect”.’

Douglas Dodds, Victoria and Albert Museum, UK New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor’s extensive research and the authors’ expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.

Includes 50 b&w illustrations March 2014 Hardback ebook PDF ebook ePUB

250 pages 978-1-4094-4894-5 978-1-4094-4895-2 978-1-4724-0643-9

www.ashgate.com/isbn/9781409448945

Mary Rozell With the rapid and unprecedented global expansion of the art market, new collectors are emerging every day. When buying art, whether for pure enjoyment, for investment or some other motive, few art collectors consider the practical and financial implications of owning and maintaining art, and many do not have a plan for how they might eventually dispose of it. This book, probing a number of resources and incorporating advice from top experts in the field, offers guidance on collection management and care, and serves as an important reference guide for collectors and those charged with managing collections.

Includes 20 colour illustrations April 2014 Hardback ebook PDF ebook ePUB

240 pages 978-1-84822-099-7 £30.00 978-1-84822-143-7 978-1-84822-142-0

Art and Visual Studies 2014

$60.00

www.lundhumphries.com/isbn/9781848220997 LUND HUMPHRIES

Chinese Antiquities An Introduction to the Art Market

£60.00

$104.95

Audrey Wang April 2012 Hardback ebook PDF ebook ePUB

Corporate Art Collections A Handbook to Corporate Buying Charlotte Appleyard and James Salzmann

192 pages 978-1-84822-065-2 £30.00 978-1-84822-107-9 978-1-4094-5545-5

www.lundhumphries.com/isbn/9781848220652 LUND HUMPHRIES

28

www.lundhumphries.com/artbusiness

$60.00

August 2012 Hardback ebook PDF ebook ePUB

160 pages 978-1-84822-071-3 978-1-84822-109-3 978-1-4094-6410-5

£30.00

$60.00

www.lundhumphries.com/isbn/9781848220713 LUND HUMPHRIES

Visual Arts and the Law A Handbook for Professionals Judith B Prowda This essential handbook offers art professionals and collectors an accessible legal analysis of important principles in art law, as well as a practical guide to legal rights when creating, buying, selling and collecting art in a global market. Although the book is international in scope, there is a particular focus on the US as a major art centre and the site of countless key international court cases.

This authoritative but accessible and wide-ranging volume is essential reading for arts advisors, collectors, dealers, auction houses, museums, investors, artists, attorneys and students of art and law.

July 2013 Hardback ebook PDF ebook ePUB

280 pages 978-1-84822-086-7 978-1-84822-133-8 978-1-84822-132-1

£30.00

$60.00

www.lundhumphries.com/isbn/9781848220867 LUND HUMPHRIES

ASHGATE

Museums, Collecting and Material Culture

Series

www.ashgate.com/hmcc

The Histories of Material Culture and Collecting, 1700–1950 Series editors: Michael Yonan, University of Missouri-Columbia, USA The Histories of Material Culture and Collecting provides a forum for the broad study of object acquisition and collecting practices in their global dimensions from 1700 to 1950. The series seeks to illuminate the intersections between material culture studies, art history, and the history of collecting. It takes as its starting point the idea that objects both contributed to the formation of knowledge in the past and likewise contribute to our understanding of the past today. The human relationship to objects has proven a rich field of scholarly inquiry, with much recent scholarship either anthropological or sociological rather than art historical in perspective. Underpinning this series is the idea that the physical nature of objects contributes substantially to their social meanings, and therefore that the visual, tactile, and sensual dimensions of objects are critical to their interpretation.

For more information on this series please visit www.ashgate.com/hmcc

Craft, Community and the Material Culture of Place and Politics, 19th-20th Century Edited by Janice Helland and Alena Buis, both at Queen’s University, Canada and Beverly Lemire, University of Alberta, Canada With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls’ Friendly Society of twentieth-century England.

The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.

Includes 46 b&w illustrations February 2014 Hardback

246 pages 978-1-4094-6207-1 £60.00

$104.95

www.ashgate.com/isbn/9781409462071

Hooked Rugs Encounters in American Modern Art, Craft and Design Cynthia Fowler, Emmanuel College, USA Through a close look at the history of the modernist hooked rug, this book raises important questions about the broader history of American modernism in the first half of the twentieth century. Although hooked rugs are not generally associated with the avant-garde, this study demonstrates that they were a significant part of the artistic production of many artists engaged in modernist experimentation.

Includes 17 colour and 38 b&w illustrations September 2013 226 pages Hardback 978-1-4094-2614-1 £60.00 www.ashgate.com/isbn/9781409426141

Manufacturing the Modern Patron in Victorian California

The Museum of French Monuments 1795–1816

Cultural Philanthropy, Industrial Capital, and Social Authority

‘Killing art to make history’

John Ott, James Madison University, USA Prize: Winner of a College Art Association Wyeth Foundation for American Art Publication Grant ‘This is the most important book on Gilded Age art patronage written in years. This fascinating book offers a much-needed alternative perspective on American art and patronage of the late 19th century. By exploring how the Gilded Age unfolded in the land of gold – California – John Ott mines a rich history indeed, at once regional and cosmopolitan. Ott brilliantly illuminates the emergence of a broader, national network of corporate culture-brokering, to which artists often tailored their work or had it tailored for them, in some cases seriously complicating assumptions about artistic authorship and originality. Ott’s study is social art history at its best.’

Alan C. Braddock, Ralph H. Wark Associate Professor of Art History & American Studies, College of William & Mary Through the example of Central Pacific Railroad executives, Manufacturing the Modern Patron in Victorian California redirects attention from the usual art historical protagonists – artistic producers – and rewrites narratives of American art from the unfamiliar vantage of patrons and collectors. This book addresses not only readers in the art history and visual and material cultures of the United States, but also scholars of patronage studies, American Studies, and the sociology of culture. It tells a story still relevant to this new Gilded Age of the early twenty-first century, in which wealthy collectors dramatically shape contemporary art markets and institutions.

Includes 4 colour and 73 b&w illustrations January 2014 Hardback

330 pages 978-1-4094-6334-4

£70.00 $119.95

Alexandra Stara, Kingston University, UK The first volume in two centuries on Alexandre Lenoir’s Museum of French Monuments in Paris, this study presents a comprehensive picture of a seminal project of French Revolutionary cultural policy, one crucial to the development of the modern museum institution. The book offers a new critical perspective of the Museum’s importance and continuing relevance to the history of material culture and collecting, through juxtaposition with its main opponent, the respected connoisseur and theorist Quatremère de Quincy. This innovative approach highlights the cultural and intellectual context of the debate, situating it in the dilemmas of emerging modernity, the idea of nationhood, and changing attitudes to art and its histories.

Includes 40 b&w illustrations October 2013 Hardback

198 pages 978-1-4094-3799-4

£60.00 $104.95

www.ashgate.com/isbn/9781409437994

Photojournalism and the Origins of the French Writer House Museum (1881–1914) Privacy, Publicity, and Personality Elizabeth Emery, Montclair State University, USA ‘Emery’s work is groundbreaking for its scholarly focus on the historical context and formation of these museums. It makes for an absorbing read and should inspire us not only to revisit writer museums as sites that celebrated writers’ lives, but also, more importantly, as sites for critical study.’

www.ashgate.com/isbn/9781409463344

Nineteenth Century French Studies Includes 37 b&w illustrations

$104.95

The Materiality of Color The Production, Circulation, and Application of Dyes and Pigments, 1400–1800 Edited by Andrea Feeser, Clemson University, USA, Maureen Daly Goggin, Arizona State University, USA, and Beth Fowkes Tobin, University of Georgia, USA ‘...a remarkable collection of essays on the meaning of color as found in social and cultural contexts. While the aesthetics of color is duly taken into account, the focus is on color production – technology transfer, monopolies, labor regimes, and economies of exchange. The authors make clear that the substances of color production, such as arsenic, mercury, urine, and dung, are as important as the dazzling colors they produced. Blending the histories of technologies and commodities as well as cultural and literary history, the volume makes a distinctive contribution to understanding of the global context in which the modern world of color was born.’

Robert Finlay, University of Arkansas, USA Includes 45 colour and 16 b&w illustrations and 2 maps November 2012 Hardback

390 pages 978-1-4094-2915-9

www.ashgate.com/isbn/9781409429159

£75.00

$129.95

August 2012 Hardback

274 pages 978-1-4094-0877-2

£65.00 $109.95

www.ashgate.com/isbn/9781409408772

Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris Ting Chang, University of Nottingham, UK Travel, Collecting, and Museums of Asian Art in NineteenthCentury Paris examines transnational relations and intercultural exchange between modern Europe and Asia.

At the core of the study are three major collectors: Enrico (Henri) Cernuschi, Emile Guimet, and Edmond de Goncourt, whose practices are analyzed to illuminate a larger history of East-West contact. The book takes an original approach that includes such overlooked issues as the impact of monetary histories and theories on European collections of Asian objects; the somatics of travel; collecting, writing, and display as polymorphous narratives of identity.

Includes 40 b&w illustrations September 2013 210 pages 978-1-4094-3776-5 Hardback

£60.00 $104.95

www.ashgate.com/isbn/9781409437765

Order online at www.ashgate.com/art and receive a 10% discount

29

Museums, Collecting and Material Culture The Postcolonial Museum

Travel, Tourism and Art

The Arts of Memory and the Pressures of History

Edited by Tijana Rakic, Edinburgh Napier University, UK and Jo-Anne Lester, University of Brighton, UK

Edited by Iain Chambers, Alessandra De Angelis, Celeste Ianniciello, Mariangela Orabona and Michaela Quadraro all at Università degli Studi di Napoli ‘L’Orientale’, Italy

Current Developments in the Geographies of Leisure and Tourism

‘Long overdue, here is a volume that updates and reconfigures the intersection of postcolonial critique with multiple interpretations of the museum and social praxis in globalisation. The Postcolonial Museum charts gaps, achievements and prospects in 20 chapters that re-interpret the connection of past and current imperialisms. Introducing a wealth of new voices, this is essential reading for anyone interested in curatorial practice and theory, modern and contemporary art, ethnography, museology and the interventionist potential of research in the humanities overall.’

Angela Dimitrakaki, University of Edinburgh, UK Transformation of museums from physical places to cultural spaces provides the opportunity to re-examine and reassess histories, sounds, voices, images, memories, bodies, expression and cultures previously repressed by the historical and traditional frames of Occidental thought.

Developing the ‘postcolonial’ museum in an age of mass migrations, the internet and digital technologies requires new strategies and critical approaches which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of ‘modernity’ in a so-called globalised and multicultural world.

‘Rakic and Lester have brought together a timely compendium of resources. In fifteen disciplinarily-diverse essays, the reader will learn about the historical, theoretical, and aesthetic dimensions of travel and culture. The anthology demonstrates that tourism and the arts are inextricably linked. A must-have for anyone interested in understanding how leisure is both meaningful and meaning making.’

Laurie Beth Clark, University of Wisconsin, USA Focusing on the representations of ‘touristic’ places, locals, travellers and tourists in artworks; the role of travel and tourism in inspiring artists; as well as the role of art and artwork in imagining, experiencing and remembering places and motivating travel and tourism; this edited volume provides a space for an exploration of both historical and contemporary relationships between travel, tourism and art.

Bringing together scholars from a wide range of disciplines and fields of study, this volume discusses a range of case studies across different art forms and locales.

Includes 43 b&w illustrations December 2013 Hardback ebook PDF ebook ePUB

254 pages 978-1-4724-1039-9 978-1-4724-1040-5 978-1-4724-1041-2

£65.00

$119.95

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Includes 22 b&w illustrations March 2014 Hardback ebook PDF ebook ePUB

272 pages 978-1-4724-1567-7 £65.00 978-1-4724-1568-4 978-1-4724-1569-1

$119.95

The Image of Selling Edited by Louisa Iarocci, University of Washington, USA

www.ashgate.com/isbn/9781472415677

Re-imagining Heritage Interpretation Enchanting the Past-Future Russell Staiff, University of Western Sydney, Australia ‘Eschewing contemporary orthodoxy about the educational presentation of heritage, Staiff compellingly argues for personal, sensory, emotional, dialogic engagement with cultural sites so as to generate a far more meaningful, intense and memorable experience of place – with or without the products of professional heritage interpreters. The book will fascinate the entire heritage management field.’

Helaine Silverman, University of Illinois at Urbana-Champaign, USA

This book challenges traditional approaches to heritage interpretation and offers an alternative theoretical architecture to the current research and practice. Russell Staiff suggests that the dialogue between visitors and heritage places has been too focused on learning outcomes, and so heritage interpretation has become dominated by psychology and educational theory, and over-reliant on outdated thinking. Using his background as an art historian and experience teaching heritage and tourism courses, Russell Staiff weaves personal observation with theory in an engaging and lively way. He recognizes that the ‘digital revolution’ has changed forever the way that people interact with their environment and that a new approach is needed.

This book will be of interest not only to students in heritage management, heritage tourism, heritage interpretation and museum studies, but also to museum professionals responsible for interpretation programmes.

January 2014 Hardback ebook PDF ebook ePUB

202 pages 978-1-4094-5550-9 978-1-4094-5551-6 978-1-4724-0735-1

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Visual Merchandising

$109.95

Firmly situated at the crossroads of visual culture and consumerism, this essay collection examines visual merchandising as the art and business of selling, seeking to overcome traditional scholarly ambivalence that celebrates the spectacle but denies the agenda of consumerism. The volume considers strategies in the representation and presentation of retail goods, in terms of the visual interaction that occurs between the commodity and the consumer.

Includes 63 b&w illustrations June 2013 Hardback

270 pages 978-1-4094-2697-4

£65.00

$109.95

www.ashgate.com/isbn/9781409426974

Women and the Material Culture of Death Edited by Maureen Daly Goggin, Arizona State University, USA and Beth Fowkes Tobin, University of Georgia, USA ‘...is a book that is at once ambitious, compelling and poignant. The nineteen, cross-disciplinary, generously illustrated essays that comprise this collection reveal the hidden history of women’s role in mourning the dead through a range of material practices from the early modern period to the present. As such, this book offers a vital contribution to the fields of gender and material culture studies as well as to the history of death. More than that, in an age in which the business of dying has been thoroughly commercialized, its analysis of the lives of women of the past offers us new ways of imagining our responses to death in the future.’

Jennie Batchelor, University of Kent, UK Examining the compelling and often poignant connection between women and the material culture of death, this collection looks at the objects women make, the images they keep, the practices they use or are responsible for, and the places they inhabit and construct through ritual and custom. Women’s material practices are explored as well as women’s affective responses and sentimental labor that mark their expected and unexpected participation in the social practices surrounding death and the dead.

Includes 79 b&w illustrations November 2013 Hardback

406 pages 978-1-4094-4416-9

www.ashgate.com/isbn/9781409444169

£80.00

$139.95

A Aavitsland, Kristin B...............................................................3 Aberth, Susan L.................................................................... 20 Acheson, Katherine............................................................. 10 Across the World with the Johnsons................................. 17 Adam, Georgina.................................................................... 23 Addiction and British Visual Culture, 1751-1919.............. 13 Adler, Daniel.......................................................................... 14 After Francis Bacon............................................................... 17 Ahrens, Prue.......................................................................... 17 Aldrich, Megan..................................................................... 27 Alois Riegl in Vienna 1875-1905.......................................... 16 Anderson, Glaire D..................................................................3 Andreae, Christopher.................................................... 20, 21 Angelis, Alessandra De...................................................... 30 Angelov, Dimiter................................................................. 4, 5 Animals and Early Modern Identity......................................6 Antonio II Badile Album of Drawings (c. 1500), The .........6 Apostolic Iconography and Florentine Confraternities in the Age of Reform.......................................................... 10 Appleyard, Charlotte............................................................ 28 Approaches to Byzantine Architecture and its Decoration..............................................................................2 Architectural Capriccio, The................................................ 25 Architecture and Pilgrimage, 1000-1500...............................2 Architecture and the Historical Imagination................... 14 Architecture, Art and Identity in Venice and its Territories, 1450-1750................................................................................6 Arma Christi in Medieval and Early Modern Material Culture, The...........................................................................2 Art and Authenticity............................................................. 27 Art and the Relic Cult of St. Antoninus in Renaissance Florence .............................................................................. 10 Art and the Second World War............................................. 17 Art and Thought of John La Farge, The............................. 14 Art as an Investment............................................................ 27 Art as Politics in Late Medieval and Renaissance Siena.....6 Art Book Tradition in Twentieth-Century Europe, The.... 18 Art Collector’s Handbook, The........................................... 28 Art, Gender and Religious Devotion in Grand Ducal Tuscany ............................................................................... 12 Art in the Time of Colony..................................................... 14 Art of Jeremy Gardiner, The................................................. 23 Art of Peter Prendergast, The.............................................. 18 Art of Religion, The..................................................................6 Art, Theatre, and Opera in Paris, 1750-1850...................... 13 Arya, Rina.............................................................................. 19 Ashgate Encyclopedia of Literary & Cinematic Monsters...18 Ashgate Research Companion to Giorgio Vasari, The.......6 Ashgate Research Companion to Women and Gender in Early Modern Europe, The...............................................6 Australian Artists in the Contemporary Museum........... 27 Avcioglu, Nebahat...................................................................6

B Baird, Ileana.......................................................................... 27 Bakker, Boudewijn..................................................................7 Barbara Rae............................................................................ 23 Barber, Peter.......................................................................... 20 Baron, Wendy.................................................................. 22, 23 Barrell, John.......................................................................... 13 Barrett, Jennifer.................................................................... 27 Bartram, Angela................................................................... 25 Basilio, Miriam M................................................................. 22 Batalion, Judy....................................................................... 23 Bay Area School, The............................................................ 18 Beaumont, Mary Rose........................................................ 19 Beck, Clare............................................................................ 23 Beholding Violence in Medieval & Early Modern Europe ............................................................................... 10 Bellingham, David............................................................... 27 Bellow, Juliet......................................................................... 21 Berman, Patricia G............................................................... 19 Between Constantinople and Rome....................................2 Beusterien, John.....................................................................6 Big Bucks .............................................................................. 23 Biography, Identity and the Modern Interior.................... 13 Bird, Michael......................................................................... 20 Boetzkes, Amanda............................................................... 19 Bohm-Duchen, Monica....................................................... 17 Boldrick, Stacy.........................................................................4 Bork, Robert.............................................................................2 Borys, Ann Marie................................................................. 11 Borzello, Frances.................................................................. 23 Boxer, Sarah.......................................................................... 22 Brenner, Elma...........................................................................3 Bressani, Martin................................................................... 14 Briggs, Linda......................................................................... 10 Brilliant, Richard.....................................................................4 Brodie, Judith....................................................................... 22 Brown, Kathryn.............................................................. 16, 18 Brubaker, Leslie.......................................................................4 Bubenik, Andrea.................................................................. 11 Buis, Alena............................................................................ 29 Buller, Rachel Epp................................................................ 24 Burke, Jill............................................................................... 11 Byzantine Art and Renaissance Europe ..............................2 Byzantine Images and their Afterlives ................................2

C Cairns, Sam........................................................................... 27 Calaresu, Melissa....................................................................7 Çalis-Kural, B. Deniz...............................................................9

30

Art and Visual Studies 2014

ASHGATE

Index Campbell, Erin J................................................................... 11 Canines in Cervantes and Velázquez...................................6 Canniffe, Eamonn................................................................ 25 Caravaggio............................................................................. 10 Carman, Charles H..................................................................8 Carroll, Khadija von Zinnenburg....................................... 14 Carroll, Linda L.........................................................................9 Cast, David J............................................................................6 Causey, Andrew.............................................................. 21, 22 Celebration of the Saints in Byzantine Art and Liturgy.....2 Century of Israeli Art, A........................................................ 18 Chadwick, Eva....................................................................... 21 Challenge of Emulation in Art and Architecture, The..... 25 Challenging History in the Museum................................. 27 Chambers, Iain..................................................................... 30 Chang, Ting........................................................................... 29 Chare, Nicholas.................................................................... 17 Chinese Antiquities.............................................................. 28 Chong, Derrick...................................................................... 28 Clancy, Jonathan.................................................................. 27 Clay, Richard............................................................................4 Cléo de Mérode & the Rise of Modern Celebrity Culture..... 18 Cocker, Mark......................................................................... 24 Cockram, Sarah D.P............................................................. 12 Cohen, Meredith......................................................................3 Colin Reid Glass Sculpture.................................................. 23 Collaborators, The................................................................. 25 Collins, Ian............................................................................. 23 Concept of the ‘Master’ in Art Education in Britain and Ireland, 1770 to the Present, The..................................... 13 Consavari, Elizabeth Carroll............................................... 11 Contadini, Anna.......................................................................8 Contemporary Art About Architecture.............................. 23 Cooper, Andrew M............................................................... 13 Cooper, Lisa H..........................................................................2 Cooper, Richard ......................................................................8 Cordileone, Diana................................................................ 16 Cork, Richard........................................................................ 18 Cornelison, Sally J............................................................... 10 Corporate Art Collections.................................................... 28 Cosmo Innes and the Defence of Scotland’s Past c. 1825-1875......................................................................... 14 Costello, Leo.......................................................................... 13 Couchman, Jane.....................................................................6 Craft, Community and the Material Culture of Place and Politics, 19th-20th Century....................................... 29 Crafting the Woman Professional in the Long Nineteenth Century ............................................................................... 14 Crellin, Sarah........................................................................ 22 Crosscurrents in Illustrated Religious Texts in the North of Europe, 1500-1800.............................................................6 Crowe, Nicholas J...................................................................7 Cruz, Anne J.......................................................................... 12 Cult of St Clare of Assisi in Early Modern Italy, The........ 10 Cultural Heritage in the Arabian Peninsula..................... 27 Cuneo, Pia F..............................................................................6 Curious Lessons in the Museum....................................... 27 Cusack, Tricia........................................................................ 13 Cyril Power Linocuts............................................................. 18

Eric Ravilious......................................................................... 19 Erik Satie: Music, Art and Literature.................................. 19 Eros and Sexuality in Islamic Art...........................................7 Evans, Dorinda...................................................................... 13 Everyday Objects.................................................................. 27 Exell, Karen............................................................................ 27 Experiencing Byzantium.........................................................5 Eye hEar The Visual in Music.............................................. 19

D

Hackforth-Jones, Jos.......................................................... 27 Hadjiafxendi, Kyriaki........................................................... 14 Hallett, Mark.......................................................................... 13 Hamling, Tara........................................................................ 27 Hand, Joni M............................................................................4 Hanley, Keith......................................................................... 15 Hans Hofmann..................................................................... 19 Haralambidou, Penelope.................................................... 26 Hare, Bill ......................................................................... 23, 24 Harney, Marion..................................................................... 26 Harper, James G......................................................................9 Harries, Richard................................................................... 20 Hartog, Arie........................................................................... 18 Hastings, Gerard.................................................................. 20 Heaney, Seamus................................................................... 22 Heidegger and the Work of Art History.............................. 19 Helland, Janice..................................................................... 29 Hendrix, John...........................................................................8 Herbert, Gilbert..................................................................... 25 Hewison, Robert................................................................... 23 Hibberd, Sarah...................................................................... 13 Hickson, Sally Anne...................................................... 11, 12 Hiller, Diana........................................................................... 11 Hills, Helen.......................................................................... 7, 8 Hooked Rugs......................................................................... 29 Hoole, John........................................................................... 20 Howard, Deborah....................................................................2

Daly, Leo A............................................................................. 18 Daly, Peter M............................................................................7 Darby, Lis ............................................................................... 27 Darwin & Theories of Aesthetics & Cultural History....... 14 Davies, Paul..............................................................................2 Davies, Peter......................................................................... 23 Debby, Nirit Ben-Aryeh....................................................... 10 Defining Digital Humanities............................................... 23 Degen, Natasha.................................................................... 27 Delbeke, Maarten....................................................................6 Denny-Brown, Andrea............................................................2 Dezeuze, Anna...................................................................... 17 Dickson, Rachel.............................................................. 22, 23 Dictionary of Visual Discourse........................................... 23 Dietz, Feike................................................................................6 Dio, Kelley Helmstutler Di.....................................................8 Displaced Visions.................................................................. 18 Dobbin, Claire....................................................................... 20 Dobraszczyk, Paul................................................................ 14 Dolan, Therese...................................................................... 15 Donchin, Mark...................................................................... 25 Dow, Douglas N.................................................................... 10 Downey, Anthony................................................................. 27 Drago, Alex............................................................................ 27 Duits, Rembrandt....................................................................2 Dunmore, Helen................................................................... 24 Duran, Adrian R.................................................................... 21 Dynastic Marriages 1612/1615...............................................7

E Early Modern Dutch Prints of Africa.....................................9 Early Modern Habsburg Women........................................ 12 Early Modern Italian Domestic Interior, 1400-1700......... 11 Eastmond, Antony..................................................................5 Edward Burra......................................................................... 18 Edward Seago........................................................................ 18 Eighteenth-Century Thing Theory in a Global Context.... 27 El-Bizri, Nader....................................................................... 25 Elisabeth Frink Catalogue Raisonné of Sculpture 1947-93 ............................................................................... 18 Emblem in Early Modern Europe, The.................................7 Emery, Elizabeth................................................................... 29 England, Jane....................................................................... 19

F Farr, Dennis............................................................................ 21 Fate, Glory, & Love in Early Modern Gallery Decoration.......7 Feeser, Andrea...................................................................... 29 Festive Funerals in Early Modern Italy............................... 11 Fijalkowski, Krzysztof.......................................................... 17 Fine Regard, A........................................................................ 19 Fishwick, Duncan....................................................................3 Flach, Sabine........................................................................ 14 Found Sculpture and Photography from Surrealism to Contemporary Art.......................................................... 17 Fowler, Cynthia..................................................................... 29 Framing the Ocean, 1700 to the Present........................... 13 Francis Bacon........................................................................ 19 Franklin-Brown, Mary.............................................................3 Frank, Mitchell B.................................................................. 14 ‘From There to Here’: The Art of Michael Buhler............. 19 Funerary Arts and Tomb Cult Living with the Dead in France, 1750-1870........................................................... 14

G Gahtan, Maia Wellington.......................................................7 Games, Stephen................................................................... 26 Garval, Michael D................................................................. 18 Garver, Valerie L.......................................................................4 Gelon, Diane.......................................................................... 23 Gendered Perceptions of Florentine Last Supper Frescoes, c. 1350-1490......................................................................... 11 Geometry of Creation, The.....................................................2 Georgievska-Shine, Aneta.....................................................8 Gerlis, Melanie...................................................................... 27 German Art History and Scientific Thought..................... 14 Gilbert Stuart and the Impact of Manic Depression....... 13 Gillgren, Peter....................................................................... 11 Giorgio Armani...................................................................... 23 Giorgio Vasari and the Birth of the Museum.......................7 Gittens, Douglas................................................................... 25 Goffi, Federica....................................................................... 26 Goggin, Maureen Daly.................................................. 29, 30 Goldstein, Claudia................................................................ 11 Goltz, Sophie von der.......................................................... 27 Gooding, Mel......................................................................... 20 Gordon Matta-Clark’s Conical Intersect........................... 19 Gould, Charlotte................................................................... 27 Graham, Beryl....................................................................... 28 Gregory, Sharon.................................................................... 11

H

I Ianniciello, Celeste............................................................... 30 Iarocci, Louisa....................................................................... 30 Iconoclasm from Antiquity to Modernity............................3 Icons in Time, Persons in Eternity........................................3 Image of Christ in Modern Art, The................................... 20 Imagining the Human Condition in Medieval Rome........3 Imperial Augsburg...................................................................7 Inganno - The Art of Deception.......................................... 11 Ionescu, Christina................................................................ 27 Iron, Ornament and Architecture in Victorian Britain..... 14 Isabella d’Este and Francesco Gonzaga............................ 12 Islam, Christianity and the Making of Czech Identity, 1453-1683................................................................................9 Islamic Villa in Early Medieval Iberia, The............................3 Ivon Hitchens........................................................................ 20

J Jackson, Kurt........................................................................ 24 Jackson, Mark..........................................................................5 Jacobson, Howard............................................................... 24 James Dickson Innes (1887-1914)..................................... 20 James, Liz.................................................................................5 Jammet, Lin........................................................................... 18 Jecmen, Gregory.....................................................................7 Jeremias Drexel’s ‘Christian Zodiac’.....................................7 J.M.W. Turner and the Subject of History.......................... 13 Joan Eardley.......................................................................... 20 John Byrne............................................................................. 23 Johnson, Mark J......................................................................2 Jolly, Penny Howell.............................................................. 12 Jones, Ann Rosalind...............................................................9 Jones, Emma...........................................................................6 Jones, Lynn...............................................................................2 Judy Chicago......................................................................... 23 Julian Trevelyan..................................................................... 20

K Karet, Evelyn............................................................................6 Keene, Suzanne.................................................................... 28 Keith Vaughan....................................................................... 20 Kelly, Julia........................................................................ 17, 24 Kennedy, S.B......................................................................... 22 Khoroche, Peter.................................................................... 20 Kidd, Jenny............................................................................ 27 Kim, Jongwoo Jeremy........................................................ 15 Kinney, Dale.............................................................................4 Kirkham, Anne.........................................................................4 Knowle, Mike........................................................................ 18 Kokoli, Alexandra................................................................. 23 Kolrud, Kristine........................................................................3 Kreinik, Juliana..................................................................... 19 Kresser, Katie........................................................................ 14 Kurt Jackson.......................................................................... 24 Kurt Jackson Sketchbooks.................................................. 24

L Labbie, Erin Felicia............................................................... 10 Lagerlöf, Margaretha Rossholm...........................................7 Lambirth, Andrew.......................................................... 18, 23 Landscape and Religion from Van Eyck to Rembrandt....... 7 Landscape Imagery, Politics, and Identity in a Divided Germany, 1968-1989........................................................... 20 Larson, Barbara.................................................................... 14 Lasic, Barbara....................................................................... 27 Leet, Sri-Kartini..................................................................... 21 Leibsohn, Dana........................................................................9 Lemire, Beverly..................................................................... 29 Lenihan, Liam....................................................................... 13 Leoni, Francesca......................................................................7 Leonora Carrington............................................................... 20 Lester, Jo-Anne..................................................................... 30 L’Estrange, Elizabeth...............................................................4 Levy, Allison........................................................................... 10 Lindquist, Sherry C.M............................................................3 Lindsay, Suzanne Glover..................................................... 14 Lisy-Wagner, Laura..................................................................9 Livingston, Alan.................................................................... 24 Livingstone, Marco.............................................................. 24 Living with the Royal Academy.......................................... 13 London Underground Maps............................................... 20 Loverance, Rowena.................................................................5 Ludics in Surrealist Theatre and Beyond.......................... 17 Lymberopoulou, Angeliki......................................................2 Lynn Chadwick...................................................................... 20 Lynn Chadwick Sculptor...................................................... 21

M Mabey, Richard..................................................................... 24 MacDougall, Sarah.............................................................. 22 Mack, John............................................................................ 19 Macmillan, Duncan............................................................. 22 Macrides, Ruth........................................................................4 Maidment, Brian.................................................................. 15 Malevich ............................................................................... 21 Manet, Wagner, & the Musical Culture of Their Time..... 15 Manufacturing the Modern Patron in Victorian California............................................................................. 29 Marcel Duchamp and the Architecture of Desire........... 26 Marketing Art in the British Isles, 1700 to the Present..... 27 Marsden, Philip.................................................................... 24 Marsden, Richard A............................................................. 14 Marshall, Melanie L................................................................9 Martin, Simon................................................................. 18, 23 Mary Fedden.......................................................................... 21 Massey, Anne........................................................................ 13 Materiality of Color, The....................................................... 29 Materials of Exchange between Britain and North East America, 1750-1900, The................................................... 15 Maudlin, Daniel.................................................................... 15 Max Klinger and Wilhelmine Culture................................. 15 Maxwell, Kathleen..................................................................2 Mayernik, David.................................................................... 25 McArthur, Euan..................................................................... 21 McGowan, Margaret M..........................................................7 McIver, Katherine A..................................................... 6, 9, 12 Meakin, H.L...............................................................................8 Meanings of Nudity in Medieval Art.....................................3 Medieval and Renaissance Lactations.............................. 12

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31

Index R

T Taylor, John Russell............................................................. 24 Terras, Melissa...................................................................... 23 Terry-Fritsch, Allie................................................................ 10 Text, Image, and the Problem with Perfection in Nineteenth-Century France............................................... 16 Time Matter(s)....................................................................... 26 Tobin, Beth Fowkes........................................................ 29, 30 Tooby, Mike............................................................................ 24 Torrens, Harriet M. Sonne de................................................4 Torrens, Miguel A....................................................................4 Torres, Mónica Domínguez...................................................9 T. P. Flanagan......................................................................... 22 Tradition, Culture and Aesthetics in Contemporary Asian Cinema..................................................................... 24 Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris................................................ 29 Travel, Tourism and Art......................................................... 30 Trevelyan, Philip................................................................... 20 Trowbridge, Serena.............................................................. 15 Tsakiridou, Cornelia A............................................................3 Turk and Islam in the Western Eye, 1450-1750, The............9 Twa, Lindsay J....................................................................... 22

Nakov, Andréi........................................................................ 21 Natif, Mika.................................................................................7 Nesbitt, Claire..........................................................................5 New Approaches to Naples c.1500-c.1800...........................7 New Collecting...................................................................... 28 Nilsen, Micheline................................................................. 15 Nineteenth-Century Photographs and Architecture.......15 Norton, Claire...........................................................................8 Nyhan, Julianne................................................................... 23

Rakic, Tijana.......................................................................... 30 Rapti, Vassiliki....................................................................... 17 Ratuszniak, Annette............................................................ 18 Reading Claude Cahun’s Disavowals............................... 17 Reading Photography.......................................................... 21 Reading the Reverse Façade of Reims Cathedral...............4 Reconciling Art and Mothering.......................................... 24 Recto Verso: Redefining the Sketchbook.......................... 25 Redfern, David...................................................................... 22 Reframing Albrecht Dürer................................................... 11 Re-imagining Heritage Interpretation............................... 30 Religious Paintings of Hendrick ter Brugghen, The..........8 Renaissance and the Ottoman World, The..........................8 Renaissance Theories of Vision.............................................8 Representing Medieval Genders and Sexualities in Europe ..................................................................................4 Rethinking the Baroque..........................................................8 Rethinking the High Renaissance..................................... 11 Reuse Value...............................................................................4 Richardson, Catherine........................................................ 27 Richardson, Michael............................................................ 17 Richardson, Todd M............................................................. 11 Rico, Trinidad........................................................................ 27 Riley, Noël.............................................................................. 27 Robertson, Iain...................................................................... 28 Robins, Claire........................................................................ 27 Roman Antiquities in Renaissance France, 1515-65..........8 Rome and Religion in the Medieval World...........................4 Rozell, Mary........................................................................... 28 Rubens, Velázquez, and the King of Spain..........................8 Russell, James...................................................................... 18 Ryall, Amy.............................................................................. 27 Rycroft, Daniel J................................................................... 22

O

S

Memory and Commemoration in Medieval Culture.........3 Mesplède, Sophie................................................................ 27 Mikhail Larionov and the Cultural Politics of Late Imperial Russia................................................................... 21 Mileaf, Janine........................................................................ 22 Military Ethos & Visual Culture in Post-Conquest Mexico.... 9 Miller, Stephanie R............................................................... 11 Millner, Jacqueline............................................................... 27 Modernism on Stage............................................................ 21 Monks, Sarah........................................................................ 13 Monti, Francesca.................................................................. 28 Mooney, Bel........................................................................... 24 Moorhouse, Paul.................................................................. 19 More, Alison.............................................................................4 Morpurgo, Michael.............................................................. 18 Morrin, Peter.......................................................................... 19 Morrison, John...................................................................... 15 Morton, Adam..........................................................................6 Morton, Marsha.................................................................... 15 Muir, Peter.............................................................................. 19 Munitiz, J.A...............................................................................4 Museum of French Monuments 1795-1816, The............. 29 Museums and Silent Objects............................................. 28

N

Opie, Jennifer Hawkins...................................................... 23 Orabona, Mariangela........................................................... 30 Ornament and Order............................................................ 26 Ott, John ............................................................................... 29 Ousterhout, Robert.................................................................2

P Packer, William..................................................................... 24 Painted Closet of Lady Anne Bacon Drury, The..................8 Painted Men in Britain, 1868-1918...................................... 15 Painting Labour in Scotland and Europe, 1850-1900....... 15 Painting, Politics, & the New Front of Cold War Italy...... 21 Paisley, Fiona......................................................................... 17 Paolo de Matteis......................................................................8 Papalexandrou, Amy..............................................................2 Parkinson, Gavin.................................................................. 17 Parody and Festivity in Early Modern Art.............................8 Patricia Johanson and the Re-Invention of Public Environmental Art, 1958-2010.......................................... 24 Patrick Caulfield.................................................................... 24 Paulicelli, Eugenia................................................................ 11 Paul Nash............................................................................... 21 Payne, Christiana................................................................. 23 Peel, Robin............................................................................. 15 Peploe, Guy............................................................................ 21 Peppiatt, Michael................................................................. 18 Perchuk, Andrew.................................................................. 23 Perez, Nissan N.................................................................... 18 Performativity and Performance in Baroque Rome........ 11 Pericolo, Lorenzo.................................................................. 10 Persistent Ruskin.................................................................. 15 Pestilli, Livio.............................................................................8 Peterson, Jeanette Favrot......................................................9 Pevsner: The Complete Broadcast Talks........................... 26 Phelan, Owen M......................................................................4 Photojournalism and the Origins of the French Writer House Museum (1881-1914)............................................ 29 Picturing the ‘Pregnant’ Magdalene in Northern Art, 1430-1550............................................................................. 12 Pieter Bruegel and the Culture of the Early Modern Dinner Party........................................................................ 11 Pieter Bruegel the Elder....................................................... 11 Place-making for the Imagination...................................... 26 Poggi, Christine.................................................................... 22 Polednik, Marcelle............................................................... 19 Poska, Allyson.................................................................... 6,12 Postcolonial Museum, The................................................. 30 Potter, Matthew C................................................................. 13 Potter, Caroline..................................................................... 19 Potvin, John........................................................................... 23 Power and Subversion in Byzantium...................................5 Powers, Alan......................................................................... 19 Precinct, Temple and Altar in Roman Spain........................3 Pre-Raphaelite Masculinities.............................................. 15 Prowda, Judith B.................................................................. 28 Prunella Clough.................................................................... 21 Prusac, Marina.........................................................................3 Pseudo-Kodinos and the Constantinopolitan Court........4 Pugsley, Peter C.................................................................... 24 Pullan, Wendy..........................................................................2

Q Quadraro, Michaela............................................................. 30

32

Art and Visual Studies 2014

Sadler, Donna L.......................................................................4 Salzmann, James................................................................. 28 Sandywell, Barry.................................................................. 23 Sanger, Alice E................................................................ 11, 12 Saxby, Michael.........................................................................5 Scale in Contemporary Sculpture...................................... 24 Schacter, Rafael.................................................................... 26 Schraven, Minou.................................................................. 11 Scotland, CEMA and the Arts Council, 1919-1967........... 21 Scotland’s Shrine.................................................................. 22 Sculpting Doughboys.......................................................... 22 Sculpture and the Vitrine..................................................... 22 Sculpture Collections in Early Modern Spain.....................8 Sculpture of Bill Woodrow, The........................................... 24 Sculpture of Charles Wheeler, The..................................... 22 Seaman, Natasha T.................................................................8 Seeing Across Cultures in the Early Modern World...........9 Sehrengiz, Urban Rituals and Deviant Sufi Mysticism in Ottoman Istanbul.............................................................9 Sense and the Senses in Early Modern Art & Cultural Practice ............................................................................... 11 Ševcenko, Nancy Patterson..................................................2 Sexualities, Textualities, Art & Music in Early Modern Italy..........................................................................................9 Shaw, Jennifer L................................................................... 17 Shaw-Miller, Simon.............................................................. 19 Shaw, Philip........................................................................... 16 Shewring, Margaret............................................................. 10 Shock of the News................................................................ 22 Silver, Larry...............................................................................8 Simons, Margaret................................................................ 20 Singh, Jyotsna.........................................................................9 Sipe, Daniel........................................................................... 16 S.J. Peploe.............................................................................. 21 Skelly, Julian......................................................................... 13 Slater, Kathleen.................................................................... 23 Smith, David R....................................................................... 8 Smith, Timothy B....................................................................6 Smith, Tim............................................................................. 24 Snickare, Mårten.................................................................. 11 Spalding, Frances................................................................ 21 Spalding, Julian.................................................................... 18 Sparke, Penny....................................................................... 13 Sperling, Jutta Gisela.......................................................... 12 Spira, Freyda............................................................................7 Staiff, Russell........................................................................ 30 Stampino, Maria Galli.......................................................... 12 Stanley Spencer..................................................................... 22 Stara, Alexandra................................................................... 29 St. Catherine of Alexandria in Renaissance Roman Art.......9 Stearn, Miranda.................................................................... 27 Steil, Lucien........................................................................... 25 Steinhoff, Judith B..................................................................6 Stevenson, Jane................................................................... 18 Stollhans, Cynthia...................................................................9 Stone, David.......................................................................... 10 Striking Images, Iconoclasms Past and Present................4 Stronks, Els...............................................................................6 Suffering and Sentiment in Romantic Military Art.......... 16 Surrealism and Photography in Czechoslovakia............. 17 Sutton, Elizabeth A.................................................................9 Suzuki, Mihoko........................................................................9

U Uproar: The First 50 Years of The London Group 1913-63....22 Utley, Gertje R........................................................................ 19

V Vaeck, Marc Van......................................................................6 Vanhoutte, Edward............................................................... 23 Vann, Philip..................................................................... 18, 20 Varley, William....................................................................... 23 Vasari and the Renaissance Print....................................... 11 Vere, Bernard........................................................................ 27 Victorian Perceptions of Renaissance Architecture........ 16 Villiger, Suzi........................................................................... 19 Vincenzo Scamozzi and the Chorography of Early Modern Architecture......................................................... 11 Vinegar, Aron......................................................................... 19 Visual Arts and the Law........................................................ 28 Visual Culture of Baptism in the Middle Ages, The...........4 Visualizing Haiti in U.S. Culture, 1910-1950..................... 22 Visual Merchandising........................................................... 30 Visual Propaganda, Exhibitions, & the Spanish Civil War.....22 Visual Rhetoric and Early Modern English Literature..... 10

W Walker, Ian............................................................................. 17 Walker, Siv Tove Kulbrandstad.......................................... 11 Wallace, Isabelle Loring...................................................... 23 Wang, Audrey........................................................................ 28 Wardell, Gareth..................................................................... 23 Wardleworth, Dennis........................................................... 22 Warr, Cordelia...........................................................................4 Warren, Sarah....................................................................... 21 Waterborne Pageants & Festivities in the Renaissance..... 10 Weinstock, Jeffrey Andrew................................................ 18 Welchman, John C............................................................... 22 Wells, Rachel......................................................................... 24 Wendl, Nora........................................................................... 23 Wesley, Morgan.................................................................... 27 Wheeler, Katherine.............................................................. 16 Wilcox, Denys....................................................................... 22 Wilkin, Karen......................................................................... 19 Wilkins, Catherine................................................................ 20 William Blake and the Productions of Time...................... 13 William Reid Dick, Sculptor................................................. 22 Williams, Thomas................................................................ 18 Wingate, Jennifer................................................................. 22 Witkovsky, Matthew............................................................. 22 Wives, Widows, Mistresses, and Nuns in Early Modern Italy.......................................................................................12 Women and the Material Culture of Death....................... 30 Women, Art and Architectural Patronage in Renaissance Mantua ............................................................................... 12 Women, Manuscripts and Identity in Northern Europe, 1350-1550................................................................................4 Women Readers in French Painting 1870-1890................ 16 Wonderful Things: Byzantium through its Art....................5 Woodfield, Richard.............................................................. 16 Wood, Jon.............................................................................. 24 World Art and the Legacies of Colonial Violence.............. 22 Wounds in the Middle Ages...................................................4 Wright, Diane C.................................................................... 23 Wrigley, Richard................................................................... 13 Writing Fashion in Early Modern Italy................................ 11 Writings of James Barry and the Genre of History Painting, 1775-1809, The................................................... 13 Wu, Xin ............................................................................... 24

Y Yeates, Amelia....................................................................... 15 Yonan, Michael..................................................................... 29

Z Zakreski, Patricia.................................................................. 14 Zalmona, Yigal...................................................................... 18 Zanger, Abby......................................................................... 12

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