FASHION & DESIGN LEEDS COLLEGE OF ART 2009 - 2012
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Course Philosophy Tutor Quote
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Danielle Robinson Alysia Baker Sam Bond Samantha Haythorne Jo Bowden Zara Parmar Anna Moutafis Gemma Thurling Elousie Norris
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Hannah Wakeford Vanessa Gate Hannah Lambon Jennifer Palmer Roisin Allum Lauren Carande Georgina Lewin Jennifer Harding Bryony Longden
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Kim Howe Danielle Goodwin Winnie Ip Nicole Higson Becky Connolly Nichola Harding Jilly Cornthwaite Amelia Braxton Ben Goodyear
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Sophie Gray Lorin Shepherdson Rose Holohan Naomi Pullan Tiffany Leonard Beth Sarchfield Lucy Sharrock Hannah Pickles Sarah Hayward
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Susan Dillon Acknowledgements
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Contents
Students studying fashion at Leeds College of Art (LCA) graduate with a degree in Fashion, but will have specialised in one of the following pathways: Fashion and Design or Fashion and Innovation The students select their fashion pathway at the interview stage after presentation on the content from the fashion team. Discussion and guidance is offered to the students in order for them to make an informed decision about the route they would like to pursue and the pathway they feel will enable them to develop their work with an informed professional awareness.
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This will be achieved by addressing the visual, practical, intellectual and cultural demands of an ever-changing society and fashion audience. This will be achieved by addressing the visual, practical, enter intellectual demands of an Students Level and 5 oncultural their selected ever-changing society fashion audience. Pathway (Fashion and and Design or Fashion and Innovation). Level 5 students will work through pathway specific modules and level 6 students will graduate with a degree in Fashion with a portfolio of work that is individual to them and reflects the pathway they have chosen.
Course Philosophy
Students will engage in generic modules during Level 4 with a pathway specific focus according to their selected pathway on entry. Level 4 briefs accommodate both pathways through the embedding of different approaches to fashion in the design and content of the brief. All modules during the first year will provide a solid grounding in the skills and knowledge required for the development of Fashion and Design or Fashion and Innovation through pathway focused briefs.
The course philosophy is to foster a creative and open learning environment in which innovation and originality are encouraged and supported. Where talented self-motivated students can become confident, excellent, visually literate designers, with the creativity to design fashion garments, products and experiences that promote and reflect the brands, people, products and companies to whom they belong.
Gemma Moran and Caroline Riches
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Tutor Quote
“ We would like to wish all the fashion and design 3rd year students the very best for their futures. You have all shown tremendous determination and a hard working approach to your 3rd year of study. Your creativity and passion for the subject has been a joy to observe and although your 3rd year is challenging, you have overcome many obstacles to come out with fantastic bodies of work at the end. We have enjoyed teaching you all and are so excited for your futures however diverse they may be. Good Luck and keep being inspired �.
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DaniELLE Robinson
DLR
dani-r-89@hotmail.com
Colour blocking is used to define the playful and contemporary style of this collection.
+44 (0)7515962351
The DLR graduate collection brand consists of a range of minimalistic yet sophisticated garments inspired by geometric architecture and contemporary furniture.
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ALYSIA BAKER
alysiamichelle.com
Designs were developed by playing with the juxtaposition of draped forms with structured angular pieces.
alysiamichelle@hotmail.co.uk
The impact of the black and white collection will add emphasis and focus on bold silhouettes, distinguishing structured garments that hold a moulaged twist.
+44 (0)7983709053
GEOMETRIC PUZZLE ‘Geometric Puzzle’ is inspired by form, line and structure taken from geometric shapes to create the Womenswear collection SS13.
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SAM BOND
samuel.bond@hotmail.co.uk
The inspiration comes from the movement and form of muscle groups in the body, a key focus on the development of sportswear.
+44 (0)7875581244
The collection aims to create a new perspective of designer sportswear for men. The developed approach conquers interesting shapes and features found in both sportswear and tailoring, all whilst holding onto a subtly graphic nature, supported by the simplicity of colour.
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SAMANTHA HAYTHORNE
TRIGONOMETRIC A strong interest in tailoring and pattern-cutting, especially for women’s-wear, is clearly represented throughout the collection.
samanthahaythorne@gmail.com
This work focuses on blurring the lines of gender and the ever-changing seasons with androgynous styles and contemporary methods of applying texture and manipulating fabric.
Placements: Markus Lupfer Framework Cothing Co.
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JO BOWDEN
ARCHITEKT
joannebowden@hotmail.co.uk
Combining this with street style observation, urban Britain is represented in a vibrant and gritty colour palette. Clashing architectural prints and carefully constructed panelling and silhouettes.
+44 (0)7977868620
This collection draws inspiration from British urban landscape, specifically the raw, irregular layering of architectural periods within cities. It also focuses on overlooked details such as connecting bridges, lampposts and graffiti.
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Zara Parmar
The Lost Piece
zaraparmar.co.uk
Placements: Ages of Elegance
my-secret-smile@hotmail.co.uk
Eighteenth century menswear pattern cutting, eliminating side seams, inspires the cut and shape for womenswear, using traditional hand sewn elements.
+44 (0)7880881611
A Maritime based collection with a multipurpose and functional concept, using waterproof fabrics, giving wearable options. Inspiration taken from sailing ships and historical French architectural arches defines the collection.
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Anna Moutafis
Sports Luxe Work Placement Dewhirst Ladieswear
anna.moutafis@hotmail.com
The collection plays with proportions of print and texture inspired by hip hop fashion and urban street wear.
+44 (0)7892703785
Inspired by the volume and silhouette of the parachute and its function, the collection contrasts sports fashion with a hip hop edge. It combines elements of the classic oversized silhouettes of hip hop style with delicate feminine sheers.
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gemma thurling
+44 (0)7877508090
This collection is about having fun with shapes which define the figure. The geometric print is inspired by the architecture of the Pompedu Centre in Paris which has give this ready to wear collection it’s own unique individuality.
gemma.thurling@talktalk.net 27 26
Elouise Norris
Hypo-metric
elouisenorris@gmail.com
Chemical and mathematical aspects directly influence the collection, through shape, cut, colour and fabric: including a bright graphic print derived from the periodic table.
+44 (0)7842850994
The collection concentrates on structured silhouettes and geometric shapes to create powerful garments with an added androgynous feel.
elouisenorris.co.uk 29 28
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HANNAH WAKEFORD
Work Placement Felder Felder Louis Vuitton
hannahjwakeford@live.co.uk
By playing with classic silhouettes such as peplums, this collection aims to create a contemporary look for the female figure.
+44 (0)7714674955
This AW 13/14 collection encapsulates nature and its protective elements. Ready-to-Wear womenswear collection features organic silhouttes, bright colours and interesting textures.
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VANESSA GATE
vanessa.gate1@gmail.com
Also inspired by the adorned Alhambra palace in Granada my collection is a contemporary take on my perception of beauty and elegance.
+44 (0)7845643980
A threshold question is what exactly do we mean by “attractive�? This is the main focus of my collection; experimenting with following and braking the rule of symmetry through pattern cutting becomes a personal reaction to this question.
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Hannah Victoria Lambon
HANNAH VICTORIA A S/S 2013 collection inspired by contemporary paper art and influenced by growth in nature. Bold Silhouttes are created by innovative pattern cutting.
+44 (0)7530754568
Work Placement Bijou Boudoir.
hannah.victoria.lambon@gmail.com 37 36
Jennifer Palmer
Concealed Purity
jen_312@hotmail.com
An emphasis on the environment resulted in a passion for providing garments with a longer life cycle and minimisal impact on the environment. However with this focus still creating elegant, feminine and simplistic garments.
+44 (0)7711222177
The womenswear collection is inspired by natural and human forms of armour found within the environment; in particular coral reefs and mechanisms used to encase and protect natural forms.
Work Placements Alexander McQueen Westcott Design Cath Kidston ITV Studios Jaeger
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ROISIN ALLUM
roisin.maria@hotmail.co.uk
Focussing on the detail and incorporating these elements creates a modern relaxed tailored collection.
+44 (0)7514338346
The main themes addressed in this collection are androgyny, relaxed deconstructed tailoring and contemporary floral digital print. The fabric direction is mainly coated cottons and linens and also transparent fabrics.
roisinmariaallum.blogspot.com 41 40
LAUREN CARANDE
ELECTROSTATIC
l.carande@hotmail.co.uk
This A/W 13/14 Ready-to-Wear womenswear collection is a contemporary and environmentally responsible range.
+44 (0)7724292937
Electrostatic fuses the organic shapes of artichokes with the colour of electricity on a minimalist silhouette. The mix of subtle organic shapes with the straight lines of the seams, elicits a tailored feel.
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Georgina Lewin
Georgina Lewin
glewin04@hotmail.com
Fabrics and surface pattern have been used to create interesting details on classically simple shapes.
+44 (0)7803311590
An interpretation of florals in a toughened up way. The beading and studding come together to create an edgy take on a feminine style, inspired by antique chests found in old manor houses.
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JENNIFER HARDING
jenelizabeth.co.uk
The collection fuses this with intricate lace trims and appliquÊd finishing’s inspired by the cities of Florence, Pisa, Paris, and Vinci town; balanced with masterful elegance and femininity.
+44 (0)7773013476
TUTTO BIANCO FOR S/S 2013 Protest against the mainstream hype with a neutral and transparent expression of individualism. Taking the structure and significant line detail from modern architecture.
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Bryony Longden
Work Placement House of Fraser
Elements of hand craft are a key theme; screen printing, embroidery and lace are also used, creating an elaborate textured effect.
bryonylongden@hotmail.co.uk
The collection is heavily knitwear focussed. Hand knit is used as well as finer manufactured knitted fabrics.
+44 (0)7528585594
Looking into concepts of deterioration discovered lots of interesting textures and shapes which lead to ideas of an eclectic fusion of textures and oversized rounded silhouettes.
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KIM HOWE
+44 (0)7912687403
AU BORD DE LA MERE Combining water and structure inspire this designer, using draping to create new shape on the body.
kjh_2004@hotmail.com
Boats and parasols inspire different shapes created relating to designers such as Iris Van Herpen and Hussein Chalayan.
Work Placements Izzy Lane Zine UK
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DANIELLE GOODWIN
star2810@hotmail.co.uk
Also includes the use of french seams and hand stitching every bead separately.
+44 (0)7845395234
The collection focuses on detailed embellishment and hand beading, It experiments and utilises transparent fabric and trims such as chiffon, net and lace.
thesecondyear2.blogspot.com 55 54
WINNIE IP
+44 (0)7528773511
MODERN ROCOCO The inspiration behind the collection has come from modern curved architecture combined with Parisian Baroque style interiors. It is about soft tailoring and femininity exploiting a young and sophisticated style.
winnieip@hotmail.co.ukÂ
Work Placements Matthew Williamson
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NICOLE HIGSON
nicolehigson@hotmail.com
It raises contemporary issues via fashion’s innovative manner; offering luxe Womenswear intended for the harsh, urban environment.
+44 (0)7745583505
HARD NUT TO CONKER Stemmed from the London riots 2011. The ‘conker’ represents the impersonation of poverty by middle-class looters; a protective, threatening shell conceals the ‘wealth’ inside.
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REBECCA CONNOLLY
+44 (0)7794055218
The collection looks into ethereal subjects and focuses on nature and natural architecture. It encmopasses complimentary colours and includes embellishment and clean designs.
connolly897@aol.com 61 60
NICHOLA HARDING
nicolaalexandra@hotmail.co.uk
Garments take on a sustainable theme through multifunctional and interchangeable fashion, a garment for life, not just for today.
+44 (0)7792495865
ALVICTO WOMENSWEAR A/W12/13: An inspired new luxury takes nature’s natural beauties and combines the influence of modern architecture, line and structure to engage in a hedonistic behaviour to form the collection.
nicolaalexandra.com 63 62
JILLY CORNTHWAITE
KEKSIÄ
+44 (0)7577447433
Taking inspiration from natural form and organic architecture, the collection is made from a variety of sustainable materials.
jillycornthwaite@hotmail.com
‘Flat packed Fashion’ allows the consumer to create their own look by choosing from a selection of garment components all of which are interchangeable; creating a durable, timeless collection.
jillycornthwaite.carbonmade.com 65 64
AMELIA BRAXTON
The final collection takes inspiration from antiquities of the regency period, and the decorations of the Venetian churches.
Focusing on the wealth and detail in design, contrasted with simplistic moral integrity and natural processes of light and decay that the church embodies.
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BEN GOODYEAR
ROGUE BRITAILOR
benjamin.goodyear@hotmail.co.uk
Incorporating soft-tailoring whilst playing around with the structure to create up to date, stylish, affordable clothing.
+44 (0)7817491719
Menswear design inspired by the quirky, British style of Paul Smith. Designed with modern twists, on a more traditional silhouette, the collection uses contrasting stitching and intricate details.
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SOPHIE GRAY
+44 (0)7920523397
sophiegray@mail.com
The collection considers classic tailoring techniques whilst exploring the oddity of Henri Michaux’s poetry to create juxtaposition through the use of colour and design.
“I Paint To Decondition Myself” Ready-to-wear womenswear for A/W 13/14.Using initial research inspired by mens tailoring, particularly ‘the gentlemen of bacongo’.
Work Placement 4DMAX
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lorin shepherdson
Work Placement Antiform Industries
lorinshepherdson@googlemail.com
Using luxurious details, hand embellishments and beautiful materials.
+44 (0)7807070706
The collection goes back to the idea of extravagance in fashion, aiming to invoke the femininity of fashion eras gone by and bringing it up to date for the 21st century.Â
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ROSE HOLOHAN
R BY HOLOHAN Work Placement Baartmans and Siegel
roseholohan@googlemail.com
The collection traditional tailoring techniques and conform to a modular clothing system that means the whole range is interchangeable and adaptable.
+44 (0)7875196839
One, smart/casual tailored menswear for A/W 13/14. The collection focuses on garment function and the emotional and physical need for clothing to act as protection and shelter for the body.
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Lucy sharock
+44 (0)7899082891
OPTICAL WONDERLAND, A/W The collection contours around the body to create new silhouettes, pushing and pulling the curves of the figure. Pushing the power of optical illusion to its limits.
luciaso@luciaso.com 79 78
Naomi Pullan
naomipullan.com
Work Placements Hussein Chalayan Schwarz Modes
naomipullan@hotmail.com
The theme is integration and connection and focuses on linking elements of garments.
+44 (0)7972027511
This S/S 2013 collection is mainly inspired by blank sheets, which have been cut apart, shaped and developed into garment ideas.
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Tiffany Rose Leonard
PURE REFLECTION Work Placement Waltons Fabric Specialists
tiffanyrose_model@hotmail.co.uk
The collection combines print and vibrant colours, and creates a unique exaggerated silhouette with a girlish flare.
+44 (0)7963480599
A collection inspired by modern, robotic architecture, with a twist of dispersed human cells reflected in the print.
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bethany sarchfield
The collection explores the techniques of creating something new from vintage clothing.
bjsarchfield@gmail.com
bethanyjsarchfield.blogspot.com
The processes practice include making simple yet detailed garments through hand cut flowers and embellishment.
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Hannah Pickles
Clean and simple silhouettes with the main focus on dart manipulation and pleated detail.
hannah.pickles@btconnect.com
This collection is mainly all white, using colour blocking to give the garments a modern and playful feel.
+44 (0)7837w784867
FRAGMENTED REALITY Inspiration has been taken from samurai armour with the use of leather and studs to give the garments a harshness which contrasts the silhouette.
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SARAH HAYWARD
BROKEN DOLL The collection consists of feminine silouettes, quirky fabrics; as an Alice in Wonderland print sourced form Japan. Focussing on careful attention to detail from lace zips to handcrafted buttons.
+44 (0)1226380708
‘Broken Doll’ is the first collection by Black Candy Alternative Fashion; influenced by a combination of Japanese street style and Victorian dress with a gothic palette; together creating a ‘Broken Doll’ concept.
These exclusive designs are aimed at a boutique level of the alternative/ gothic market.
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Students studying fashion at Leeds College of Art (LCA) graduate with a degree in Fashion, but will have specialised in one of the following pathways: Fashion and Design or Fashion and Innovation.
Susan Dillon 90
Tutor SusanQuote Dilon
The students select their fashion pathway at the interview stage after a presentation on the content from the fashion team. Discussion and guidance is offered to the students in order for them to make an informed decision about the route they would like to pursue and the pathway they feel will enable them to develop their work with an informed professional awareness.
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Tutors
Designed by
Gemma Moran Caroline Riches Paul Luke Nicola Knight Susan Dilon
Kim Sandford kimsandford@sky.com +44 (0)7715655137
Technicians
Rebecca Tipping hello@miss-rt.co.uk +44 (0)7842790422
Adrian Thornton Lynne Bennett Janne Beresford Andrew Bradley
Ellis Thynne el_ee@hotmail.com +44 (0)7966705652
Charlotte Warren charlottelouisewarren@hotmail.com +44 (0)7859059097
Visiting Professionals Republic Paul Young Hawes and Curtis
Acknowledgements
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