Kindall Stephens
Architecture is a tool to create experiences. Learning this tool continues to be an evolving process I eagerly pursue. I am and will always be a student. My love of learning compels me to seek new experiences and challenges and expand my view of architecture. I work to enhance the lives of those I work for and with through intentional acts in my designs. A final product of an object is not enough to be called architecture. It is the use and experience of the product that gives life to a piece. Before humanity is entered into the process, the product lies stagnant, without purpose and without life. My goal with every project rests within the human experience in its creation process and in its use. One quote I relate to in my thoughts on the power of architecture as a tool follows: “My passion and great enjoyment for architecture, and the reason the older I get he more I enjoy it is because I believe we- architectscan effect the quality of life of the people.� -Richard Rogers
CONTENT
Fall 2010
T e x a s
A & M
U n i v e r s i t y
Wh i t e & Bla c k Co n f i n e d P a s s i o n Bre a k i n g O u t
Spring 2011
T e x a s
A & M
U n i v e r s i t y
An a l y z i n g M e i s
Fall 2011
T e x a s
A & M
U n i v e r s i t y
M u g l e r: T h i erry Mugl er F ashi on Pav ilion
Spring 2012
T e x a s
A & M
U n i v e r s i t y
Re n e w i n g H o m e : A IA S & S A G E Foundation Com petition
Fall 2012
B a r c e l o n a
A r c h i t e c t u r e
C e n t e r
Ch a n g i n g M a r k e t : A Test on the Conv er tibility of an Ex is ting Space
Spring 2013
T e x a s
A & M
U n i v e r s i t y
Bu i l d Co n n e c t S u s t a i n : D esi gn Char ette Com petition RE JUV: L a n gford A rch i tecture B uilding
Fall 2013
T e x a s
A & M
U n i v e r s i t y
PRAXI : C h i l d ren’s Th eater
Spring 2014
T e x a s
A & M
U n i v e r s i t y
Ja v a Ga rd en s C a f e : West Li ber ty M ov ing For war d De s i g n Bu il d : In terdi sci pl i n ary Wor k
Fall 2014
C l e m s o n
U n i v e r s i t y
214 Re b e c c a S t r e e t : Youn g R es idence Gre e n F o res t P a r k : B ui l d i ng C o m m unity + Gr owing fr om Ex is ting Conditi o ns G r a p h i c s P h o t o g r a p h y
T e x a s
A & M
F a l l
J O H N
U n i v e r s i t y
2 0 1 0
F A I R E Y
The project, a study of 2D space, was explored through the use of positive and negative space in a black ink project. The goal of the project was not only to learn the functioning of space but to be able to portray an adjective that was set for the semester’s work. This project was based around passion. The mixture of shapes and color portray the different emotions that are associated with passion, both bold and smooth.
WHITE + BLACK
CONFINED PASSION Continuing the semester’s theme of passion, the study of space moved to the 3 dimensional with the cube project. Pure white forms were placed in the cube in a way to play with positive and negative space with the movement of light. The requirements for the cube included making the cube feel larger than the actual size. The space could not have a focal point and had to move the eye and light through all three dimensions of the space.
BREAKING OUT The objective of the rendering was to portray passion through an interpretive drawing of the cube project. It was an opportunity to enhance and expand the design of the cube as the design was altered in the process of the rendering. Aspects within the cube were changed to better fit the passion that was intended in the cube.
T
e
x
a
s
A
&
M
S p r i n g
J U L I E
U
n
i
v
e
r
s
i
t
y
2 0 1 1
R O G E R S
The shadow box project was used to encourage the analysis of famous architecture so that themes and key elements of design could be used by themselves to portray an abstraction of the building. The Farnsworth House by Mies van der Rohe was the inspiration for this analysis. The building’s elevated design revealed a floating theme that was carried throughout the elevation of the house. This theme was utilized in the design by floating the pieces within the shadow box, allowing light and shadows to travel into the space just as the structure of the house allows natural light into the home. The colors implemented in the design were chosen to portray the different materials and colors of the structure itself as well as the colors the structure absorbs and reflects from the surrounding area.
A N A LY Z I N G M E I S
NEW YORK CITY NEW YORK
T e x a s
A & M
F a l l p r o f e s s o r
U n i v e r s i t y
2 0 1 1
G A B R I E L
E S Q U I V E L
MUGLER
THIERY MUGLER FASHION PAVILION
I N D I V I D U A L f u l l
A C A D E M I C
s e m e s t e r
p r o j e c t
FASHION PAVILION The fashion pavilion was a semester long digital project that used the techniques and ideas behind fashion designers as inspiration for a pavilion for the designer Thierry Mugler. The virtual site was located in New York City between Renwick and Hudson streets near Canal Street. The location embodies the ideas of the importance of fashion and the pavilion was designed to emphasize the importance of both fashion and architecture as cultural forces in society. The cantilevered form of the structure encompasses the pedestrian as they move through the space, inviting them into the building to experience the sensation of high fashion and architectural design. During the process of the project, fashion techniques and concepts were analyzed for inspiration. The project began with analog models using different techniques found in the works by Mugler and then were articulated digitally as the project progressed. The final outcome was a space that incorporated fashion, art and design to showcase the unique design aesthetic of Thierry Mugler.
prosthetic inspiration
stretching inspiration
line work inspiration
sensibility model
During the project, inspiration was drawn from many forms of design. Fashion and prosthetics were analyzed alongside architecture to see design on a multitude of scales. Coco Chanel once said that fashion and architecture are similar in function but differ in scale. The pavilion was designed to emphasize this by taking formal inspiration from fashion. The surface sensibility which was found by midterm in the above models drew inspiration from the Martha Graham photo. The functioning of the building in relation to the adjacent skyscraper acts as a prosthetic as it wishes to exist in combination with the existing structure but inherently has an element of addition and separation. The model directly to the right was used to work with the program requirements of the project.
I N S P I R AT I O N &
Dressing rooms
Women’s couture
Men’s Couture
Gallery
Dressing rooms Restrooms
Women’s
Men’s
Cafe/Bar
Gallery Accessories
Public Space
STUDY MODELS
JACKSONVILLE FLORIDA
T
e
x
a
s
A
&
M
S p r i n g p r o f e s s o r
D R .
U
n
i
v
e
r
s
i
S U S A N
R O D I E K
AIAS + SAGE FOUNDATION COMPETITION
t e n
w e e k
y
2 0 1 2
RENEWING HOME
P A R T N E R E D
t
A C A D E M I C p r o j e c t
“The partners and sponsors of this competition challenged students to learn about skilled nursing home design, specifically the urgent need to break from the model of acute-care design, to one that supports long term residency. Participants' designs were evaluated on compliance with all competition objectives, the accommodation for 60 residents within the built space of no more than 45,000 sq ft, clear and comprehensive design, response to the explicit healthcare use of the building within a residential typology, and originality of design.� - http://www.aias.org/website/article.asp?id=2217
AIAS & SAGE FOUND path through courtyard
common lounge and library
AT I O N C O M P E T I T I O N master plan
view to chapel
AMENITIES community space
My partner Kevin Marek and I were blessed to be awarded the Top Design Award by the AIAS and SAGE Foundation review board. We were ecstatic to hear people were interested in our project and the ideas we have for long term care. The competition was an amazing experience for us both and has opened many doors. I would like to thank the AIAS and SAGE Foundation honoring us with this award and thinking so highly of the work we did on the project. It was also my pleasure to serve on the jury for the 2013 Reinventing Home competition by the AIAS and SAGE Foundation as they continue to search for new innovative solutions to long-term living.
PROJECT RECOGNITION
http://www.ltlmagazine.com/article/competition-yields-fresh-ideas-senior-housing-design
BARCELONA
B a r c e l o n a
A r c h i t e c t u r e
F a l l
p r o f e s s o r
C e n t e r
2 0 1 2
T O N I
M O N T E S
CHANGING MARKET
A Test on the Convertibility of an Existing Space
I N D I V I D U A L f u l l
A C A D E M I C
s e m e s t e r
p r o j e c t
E x i s t i n g S i t e v i e w f r o m a p a r t m e n t
E x i s t i n g i n t e r i o r
S i t e v i e w
SITE + PROGRAM
E i x a m p l e
D i s t r i c t
P a r k i n g
G a r a g e
The main attraction of markets is the social aspect. Art, food, clothing and antiques can all be found at markets, but are also available elsewhere. The difference between these places is the social energy that comes with markets. Locals are able to build relationships with vendors and tourists are able to feel a part of the culture as they interact with everyone in the market. Due to the nature of a market, being purely an area for the exchanging of goods and ideas, the site is able to house a variety of programs with a simple intervention. The proposal consists of a market that respects the existing car park program while utilizing the space and structure that already exists by adding an intermediate for to the garage. The space will not hinder the existing program, but will be able to coexist in the space. The market level intervention will be able to house the program of: a market for art, food, antiques, clothing, etc; a theater; a concert hall; an exhibition hall and a greenhouse on top of the roof.
M e t r o L i n e s n e a r t h e s i t e
B u s n e a r
R o u t e s t h e s i t e
POTENTIAL USERS neighborhood
world
area
P r o g r a m A n a l y s i s o f p o t e n t i a l u s e r s
P e d e s t r i a n A n a l y s i s o f s u r r o u n d i n g b l o c k
The program of the building reacts directly to the community that surrounds the site. With the international and local communities closely tied to the site, the area is able to open up to a multitude of programs. This produces the opportunity to insert new structure into the space. The intervention will be capable of housing multiple programs simultaneously and capable of changing throughout the year.
C o n c e r t
H a l l
M a r k e t
R o o f t o p
Market Space Storage Concert Space Stage
Concert Space
intervention
function
INTERVENTION G a r d e n
Permanent Garden Hanging Garden
E x h i b i t i o n
H a l l
T h e a t e r
Public Spaces
Exhibition Space
Seating Stage
Exhibition Space
Theater Events
ACTIVITIES
ROOF DEVELOPMENT
COLLEGE STATION TEXAS
T
e
x
a
s
A
&
M
U
n
S p r i n g h o s t e d
b y
i
v
e
r
s
i
t
y
2 0 1 3
D e s i g n
W o r k s h o p
BUILD CONNECT SUSTAIN DESIGN CHARETTE COMPETITION
T E A M o n e
A C A D E M I C
w e e k
p r o j e c t
B U I L D a community & business district
Design Workshop
C ONNECT a community together
S USTAIN a healthy budget & environment
Texas A&M University
Design Workshop came to College Station to work with students from the departments of Environmental Design, Landscape Architecture, Urban Planning and Land Management Development at Texas A&M University. The team project was a master plan project located in College Station adjacent to the university campus. The site was an opportunity to connect different regions of College Station and Bryan, Texas as well as establish a central area for congregation which it previously lacked. Connection and through site was crucial and street-scape and traffic were looked into for safe and beautiful solutions.
CHARETTE
Street design and traffic control challenges were solved by implementing a contraflow system on university and lowering the number of vehicular traffic lanes to implement a boulevard street scape that is more efficient and safe for the community.
AWARDED
BEST
OVERALL
PROJECT
The selection was based on 4 day team design work and final presentation to Design Workshop and members of Bryan/College Station community.
LIVE
recreation PLAY +passive _museum district
_public art park _amphitheater +active recreation _bike and running trails _disc golf _monthly programs _seasonal competition runs restaurants
business WORK +commercial local and out of area companies +restaurants
+retail _service, shopping, & markets
commercial shopping
Increased Economic Opportunity
+mixed use apartments & town homes +low dense apartment living _duplex urban neighborhood +high rise apartment living
PROPOSAL
Increase in Taxes Decrease in Commute Times
Decrease in Crime bus only lane
Increase in Home Sales new bus routes
Increase in Property Value
Increase in Health active recreation program
Increased Green Space
increased wooded area green-scape street development
bike lanes
Improved Commuting System
Decrease in Vacancies
Increase in Use of Public Space
pedestrian corridor
Increase in Air Quality
wider walkways
Implementation Results
COLLEGE STATION TEXAS
T
e
x
a
s
A
&
M
U
n
S p r i n g p r o f e s s o r
i
v
e
r
s
O D O M
REJUV
LANGFORD ARCHITECTURE BUILDING
s i x
w e e k
t
y
2 0 1 3
M A R K
I N D I V I D U A L
i
A C A D E M I C p r o j e c t
WHAT WE NEED...
Z
Z
Z
From the students... “I think sleep pods would be cool...”
-Timothy Erb, Construction Science Class of 2014
“I like the sleep/study pod idea - some kind of division of the space for those who want privacy. Also, definitely more outlets! Lol it's always a challenge finding an outlet. I will let you know if I think of anything else:) Best of luck with the project!” -Amy Albright, Urban Planning Class of 2014
“how about an auto-mat?”
“I think having presentation space and sleeping/ study pods would be ideal for the atrium in Langford A. Something that might be interesting to incorporate would be greenwalls to divide the space.” -Aaron Kotwal, Landscape Architecture, Class of 2014
-Chris Chappell, Construction Science Class of 2014
I n s p i r a t i o n
REST POD FORM LOGIC
Geometry is based off of the rotation of ergonomic back support.
Hostel Pods Allow opportunity to have parties Overloading could easily occur Privacy is lacking Hanky Panky issues to consider
Capsule Coffin Pods Clostraphobic Difficult to access Space can’t be personalized for user
REJUV01 Pods No relation to context Futon-like interiors lack support Accessibility is limiting due to edge condition
G l i m p s e
@ R
E
J
U
V
DESIGN PROCESS
REJUV03
Sites respond to program Exterior panels allow for change Site specificity & change is possible Stantoinary seating is personalized
01
01
02
03
03
02
THE POD
BRYAN TEXAS
T e x a s
A & M
F a l l p r o f e s s o r
U n i v e r s i t y
2 0 1 3
M A R C E L
E R M I N E Y
PRAXI
CHILDREN’S THEATER
P A R T N E R E D f u l l
A C A D E M I C
s e m e s t e r
p r o j e c t
Praxi dream explore discover
C H I L D R E N ’ S T H E AT E R
D E TA I L S
SECTION 4" C-CHANNEL STUD INTERIOR GYPSUM BOARD 1/2"
C o r t e n
W
o
o
d SPLIT PLAN 4" C-CHANNEL STUD INTERIOR GYPSUM BOARD 1/2" OVERHEAD BEAM W SECTION COLUMN
G y p s u m
G
l
a
s
s
INTERIOR GYPSUM BOARD 1/2" 1/4" SEALANT CHANNEL GLASS ATRIUM WALL
C o n c r e t e
WELDED PLATE FOR BOLT CONNECTION 1/2" RIGID INSULATION 1/4" PERFORATED CORTEN STELL FACADE
SECTIONAL FUNCTION
WEST LIBERTY KENTUCKY
T
e
x
a
s
A
&
M
U
S p r i n g p r o f e s s o r
n
i
v
e
r
s
i
t
y
2 0 1 4
G R E G O R Y
L U H A N
JAVA GARDENS CAFE WEST LIBERTY MOVING FORWARD
P A R T N E R E D f u l l
A C A D E M I C
s e m e s t e r
p r o j e c t
JAVA GARDENS CAFE The diagram to the upper right depicts the connections between Java Gardens Cafe and the other buildings in West Liberty, both built and under design development. The gray buildings of the site plan depict as built West Liberty, Kentucky while the blue buildings are those currently under design. The green site is that of our clients. The red lines show the opportunities for connection within the city. The lines drawn from the connections helped drive the levels of transparency within the restaurant. The higher areas of connectivity are the locations of higher transparency as an objective of the project is to create stronger connections between the people. With these connections, we are able to strengthen the community in a subtle way as to not force anything upon the people during their period of large growth.
8
5
9
793’
10
COURT STREET
817’
4
7
805’
6
3
MAIN STREET
2
817’
LEGEND 1 WAITING AREA | 78 sf 2 DINING AREA | 1113 sf 3 BAR | 160 sf 4 RESTROOM (W) | 108 sf 5 RESTROOM (M) | 108 sf 6 KITCHEN | 1131 sf 7 DRY STORAGE | 104 sf 8 MECHANICAL | 670 sf 9 EXTERIOR DINING | 866 sf
1 9
CANT STRIP ROOF DRAIN FLASHING RIGID INSULATION AIR SPACE
TIMBER STRUCTURE
BEAM POCKET POURED CONCRETE METAL DECKING TIMBER STRUCTURE
HVAC
WOOD SOFFIT FACE BRICK THERMAL AIR GAP RIGID INSULATION SITE-CAST CONCRETE SITE-CAST FOUNDATION
CONCRETE FLOOR METAL DECKING TIMBER STRUCTURE STEEL PLATE W/ SHEAR STUDS HVAC 5/8” GYP BOARD WOOD STUD SEALED CONCRETE METAL DECKING POURED CONCRETE CONCRETE PILARS
LONGITUDINAL
RESTAURANT + CAFE DINING
9
8
5
7 6
4
3
2
1 9
BRYAN, TEXAS to DALLAS, TEXAS
T
e
x
a
s
A
&
M
U
S p r i n g p r o f e s s o r
B E N
n
i
v
e
r
s
B I G E L O W
INTERDISCIPLIANRY WORK
f u l l
A C A D E M I C
s e m e s t e r
t
y
2 0 1 4
DESIGN BUILD
T E A M
i
p r o j e c t
FINAL DESIGN
The Design Build course established at Texas A&M University combines Construction Science and Environmental Design majors in real-life projects. The Spring of 2014 project consisted of the design and construction of a playhouse for CASA Dallas. These projects were designed for the first 6 weeks and then constructed with the remaining part of the semester. The team consisted of two boys in construction science and two girls in environmental design. The project’s design was intended to be engaged with from every surface and be accessible to children of varying ages as well as parents. The neutral exterior color allows the project to function well in any back yard while the color interior climbing tube heightens the excitement of the experience moving between the levels. During construction, I learned how to weld as well as worked on my wood working skills. Detailing in the design process was also a strong learning point. At the completion of the project, professors brought their children to explore the play area and the project was a huge success.
CONSTRUCTION WORK
IMAGES top WORK SITE IN PROGRESS | steel frame
and wood preparation
right COMPLETED PROJECT | side view of climbing tube
opposite TEAM | Landen Ehlers,
Alyssa Johnston, Kindall Stephens, Philip Welch
NICHOLTOWN GREENVILLE,SC
C l e m s o n
F a l l
U n i v e r s i t y
2 0 1 4
p r o f e s s o r s D U S T I N A L B R I G H T D R . U F U K E R S O Y D A V I D F R A N C O U L R I K E H E I N E
214 REBECCA STREET Young Residence
I N D I V I D U A L s e v e n
w e e k
A C A D E M I C p r o j e c t
site plan of 214 Rebecca Street
RAIN GARDEN
EXISTING TREE
The development of the project reflects Ms. Young’s history and future focused thoughts as the site respects the footprint of the house her father built with a porous ground cover of slate chips with a border accentuated by raised vegetable garden beds. The idea from growth from the past also is seen in the use of the slate chips as the ground cover continues out to the west of the site to develop the property as a cohesive project. A gable roof, horizontal green siding, and the reuse of existing red brick all support the respect of history as they reference of the previous house as well as the community.
EXISTING TREE
RAIN GARDEN
1/8”=1’
elevations
SOUTH
WEST
NORTH
LEVELS OF CONTROL N
The levels of control allow for spaces to save money by using the natural conditions for the internal spaces. The construction of the project is geared for the cost reduction and public engagement as it utilizes small standard components that allow for easy non-professional work. The goal of the construction is to engage the community as the labor in a similar manner to a barn-raising. This will allow for the cost of construction to decrease and the community to be involved as they learn about new building techniques. The advanced framing system allows for the builder to work with traditional components as the construction moves to a more efficient modern building system.
NORTH
EAST
EAST
Due to her history in the neighborhood, Ms. Young has a strong connection with the public. This connection is reflected in the control levels within the building and the construction methods. The public and private spaces are layered from the innermost private space of her bedroom to the public space of her yard. Each area has different control levels in both lighting and air conditioning. The most private spaces have the highest manual control as the control eases and the influence of the external conditions increases with the publicity of the space.
N
plan
1/8” CORRUGATED METAL SHEETS 1/8” CORRUGATED PLASTIC SHEETS
2 X 6 CUSTOM WOOD TRUSS 2 X 8 WOOD JOIST
CONSTRUCTION DETAILS 3 1/2” BATT INSULATION
1/4” VIVNYL SIDING
TYVEK WATER BARRIER
2 X 6 WOOD SUBSTRUCTURE 1/2” PLYWOOD SHEATHING (SEALED)
1/2” PLYWOOD SHEATHING 3 1/2” BATT INSULATION
1/2” GYPSUM BOARD (WHITE PAINT FINISH)
1
2
1/8” CORRUGATED METAL SHEETS
1/8” CORRUGATED METAL SHEETS 1/8” CORRUGATED PLASTIC SHEETS
2 X 6 CUSTOM WOOD TRUSS 2 X 8 WOOD JOIST 3 1/2” BATT INSULATION
2 X 6 WOOD SUBSTRUCTURE 1/2” PLYWOOD SHEATHING (SEALED) 1/2” GYPSUM BOARD (WHITE PAINT FINISH)
1/2” PLYWOOD FLOORING
1/4” VIVNYL SIDING TYVEK WATER BARRIER 1/2” PLYWOOD SHEATHING 3 1/2” BATT INSULATION
SATIN NICKEL THRESHOLD CYPRESS PORCH
SATIN NICKEL THRESHOLD
1/2” PLYWOOD FLOORING (SEALED)
TYVEK 2 X 10 SOLID WOOD FLOOR JOIST
CYPRESS PORCH DECKING 2 X 6 CUSTOM WOOD TRUSS
TYVEK TYVEK
TYVEK
1/2” PLYWOOD SHEATHING (SEALED)
TYVEK TYVEK CMU RETAINING WALL TO BE FILLED AND FINISHED WITH BOND BEAM
22X X68WOOD SOLID WOOD SUBSTRUCTURE CYPRESS JOIST 3 1/2” BATT INSULATION
TYVEK TYVEK
1/2” GYPSUM BOARD (WHITE PAINT FINISH)
1/8” C META
1/8” CORRUGATED METAL SHEETS
1/8” CORRUGATED METAL SHEETS
2 X 6 CUSTOM WOOD TRUSS
2 X 6 CUSTOM WOOD TRUSS
2 X 6 WOOD SUBSTRUCTURE 3 1/2” BATT 3 1/2” BATT VEK INSULATION INSULATION
1/2” PLYWOOD SHEATHING (SEALED) 2 X 6 WOOD TYVEK 1/2” GYPSUM BOARD SUBSTRUCTURE (WHITE PAINT FINISH) 1/2” PLYWOOD EK SHEATHING (SEALED) TYVEK 1/2” GYPSUM BOARD (WHITE PAINT FINISH)
1/8” CORRUGATED PLASTIC SHEETS 1/8” CORRUGATED PLASTIC SHEETS
1
2X6 WOO
2 X 8 WOOD JOIST 1/4” VIVNYL SIDING 2 X 8 WOOD JOIST TYVEK WATER BARRIER 1/4” VIVNYL SIDING 1/2” PLYWOOD SHEATHING TYVEK WATER
BARRIER 3 1/2” BATT INSULATION 1/2” PLYWOOD SHEATHING 2 X 6 HEADER 3 1/2” BATT INSULATION
TYVEK TYVEK TYVEK
2X6 SUBS TYVEK
3 1/2” INSUL
1/2” P SHEA
TYVEK TYVEK TYVEK
1/2” G (WHI
TYVEK
2” SOLID CYPRESS FRONT DOOR
1/2” PLYWOOD FLOORING (SEALED)
2 X 10 SOLID WOOD FLOOR JOIST 1/2” PLYWOOD FLOORING (SEALED)
2 X 10 SOLID WOOD FLOOR JOIST CMU RETAINING WALL TO BE FILLED AND FINISHED WITH BOND BEAM
SATIN NICKEL THRESHOLD CYPRESS PORCH DECKING
2 X 8 SOLID WOOD SATIN NICKEL CYPRESS JOIST THRESHOLD CYPRESS PORCH DECKING
2 2 X 8 SOLID WOOD CYPRESS JOIST
CMU RETAINING WALL TO BE FILLED AND FINISHED WITH BOND BEAM Clean Space BASIC CRAWL SPACE ENCAPSULATION
8” CONCRETE FOOTING
1/2” P (SEAL
2 X 10 FLOO
CMU TO BE WITH
Clean SPAC
NICHOLTOWN GREENVILLE,SC
C l e m s o n
F a l l
U n i v e r s i t y
2 0 1 4
p r o f e s s o r s D U S T I N A L B R I G H T D R . U F U K E R S O Y D A V I D F R A N C O U L R I K E H E I N E
GREEN FOREST PARK
Building Community + Growing from Existing Efforts
P A R T N E R E D s e v e n
w e e k
A C A D E M I C p r o j e c t
phase_2
phase_1
CRITICAL INT
CRITICAL INTERSECTI
DEVELOPMENT PLANNING phase_1
ENLIVING PARK SOFT CHANGES & GROUND CLEARANCE GROUND WORK
HARD CHANGES & COVER PAVILLION CONGREGATIONAL SEATING GRILLS
LIGHT
organize & prep work
ASSESS
WAYFINDING & SIGNAGE
phase_2
ENRICHING ACTIVITIES organize & prep work
FUNDING | APPROVAL
UNITED WAY PARTNERSHIP SIGNAGE UPKEEP
SWAMP RABBIT TRAIL PARTNERSHIP MAINTENANCE FUNDING
UNITED WA PARTNERSH SIGNAGE UPKEEP SOFT CHANGES & GROUND CLEARANCE GROUND WORK
HARD CHANGES & COVER
WAYFINDING & SIGNAGE
ASSESS
SWAMP RAB PARTNERSH MAINTENAN FUNDING
phase_3
24 months
ENCOURAGING COMMUNITIY organize & prep work 5 months
4 months
8 months
2 weeks 4 months
4 months
6 months
GROWING FROM EXISTING EFFORTS
2 weeks
6 months
studio HUTCHINSON + STEPHENS
SOFT C & GRO CLEAR GROUN
2
CRITICAL INTERSECTION
2
2
3
TERSECTION
1
ION
The development plan focuses on the use of existing efforts to build up the Green Forest Park and establish an architectural language to be adopted by the Swamp Rabbit Trail and United Way for further development.
phase_2 continued
AY HIP
ENRICHING ACTIVITIES
organize & prep work
BBIT TRAIL HIP NCE
CHANGES OUND RANCE ND WORK
SOFT CHANGES & GROUND CLEARANCE GROUND WORK
HARD CHANGES & COVER
WAYFINDING & SIGNAGE
phase_1 HARD CHANGES & COVER SPORT COURT SUPPORT STRUTCTURES SEATING
WAYFINDING ASSESS
15 months
3 weeks
SOFT CHANGES & GROUND CLEARANCE GROUND WORK
ASSESS
phase_2
HARD CHANGES & COVER
WAYFINDING & SIGNAGE ASSESS
phase_3
LIGHT ASSESS
15 months 4 months
3 weeks
6 months... 4 months
6 months
2 weeks
4 months
6 months
2 weeks
GREEN FOREST PARK MASTER DEVELOPMENT PLAN
Cleveland Forest Neighborhood
Reedy River
phase_1
At the start of the project, my partner and I looked first to the community. The people we were working for began and stayed the focus of our project throughout the design process. Details from funding opportunities to community involvement were explored. The following is a record of the designed process for the Green Forest Park redevelopment. Each step of the process focuses to develop a language to enable the community to continue to grow. The details of the structures are kept consistent, yet flexible to allow for unity and site specificity as the project progresses down the Swamp Rabbit Trail. This language is to be used at existing intervention sites to start as a move to bring together previous efforts for a strong push to community enrichment. Alameda Street
phase_2 + phase_3
0’
10’
20’
LIGHT FRAMED WOOD STRUCTURE + frequency of members creates rhythm + warm material + natural: connects to surrounding
STRUCTURAL DEVELOPMENT STEEL TREE STRUCTURE + thin profiles allow for structure to “float” above the ground + strength of materials allows for greater height variance
D4
D2 D3
D3 D2
S1
E1
S1
PAVILION SECTION
P1
1/4”=1’
PAVILION ROOF PLAN 1/4”=1’
3 S2
WOOD SLATS
STEEL TUBE
D1
1' - 11"
CONTINUOUS STEEL BRACING
6"
STEEL TUBE FRAME
E1
ENLARGED ELEVATION 3/4”=1’ CONTINUOUS STEEL BRACING
D1
1/2"
STEEL STAND-OFF, WELD TO COLUMN 1X4 TREATED
LINE OF STEEL TUBE (BELOW)
1X4 TREATED, STAIN
STEEL TUBE COLUMN EDGE OF STEEL PLATE (BEYOND)
D1
P L A N D E TA I L 3”=1’ 1/2"
2"
1/2"
STEEL TUBE WITH ANTICORROSION COATING
5V CRIMP METAL ROOFING 6"
STEEL TUBE (BEYOND)
WOOD PURLIN BREAK METAL FLASHING STEEL ANGLE
S2
S E C T I O N D E TA I L 3”=1’
STEEL TUBE (BEYOND)
D2 D3
ROOF EDGE DETAIL METAL FLASHING, WRAP SIDES OF STEEL TUBE FRAMING
3”=1’
VALLEY FLASHING 2"
5V CRIMP METAL ROOFING
METAL FLASHING 5V CRIMP METAL ROOFING
BREAK METAL FLASHING, WRAP LAST PURLIN
1X4 WOOD PURLIN
1X4 WOOD PURLIN STEEL TUBE ROOF STRUCTURE
1/4"
1/4"
STEEL TUBE FRAMING
STEEL PLATE, WELD TO TOP OF COLUMN STEEL COLUMN
D3 D2
R O O F V A L L E Y D E TA I L 3”=1’
WOOD SLATS
D4
R O O F E D G E D E TA I L
1
0’
10’
20’
30’
PHASE_1
2
flexible furniture
grill area storage benches
splash pad Swamp Rabbit Trail
2
pavilion outlook
1
Reedy River
N
3/64�
existing condition
new activity areas
long term development plan_United Way Partnership
PHASE_2
mechanical room + storage
men’s restrooms
women’s restrooms
public restrooms
bike racks
new trail N
PUBLIC RESTROOMS + ACTIVITIES
0’
10’
20’
30’
activity park
Swamp Rabbit Trail
covered benches activity area
basketball court
public restrooms
built-in ground seating 3
N
3/64�
PHASE_3
PLAY at the Court
The neighborhood basketball court serves a large number of people and programs could be expanded with The Green Forest Park project.
LEARN at Workshops
Inspired by the Guggenheim BMW Lab, the area can house Annie’s House seminars as well as events for the Greenville area.
GATHER at a Market
During unscheduled times, the Green Forest Park hopes to house community started gathering.
ANNA
STOCKDALE STOCKDALE
ANNA STOCKDALE ALBUM COVER
The graphic for Anna Stockdale is used for her online music release. Anna is an aspiring musician, playing the acustic guitar in the image above. She has worked on ranches before and draws much of her inspiration from her time living in Wyoming. The setting in the background of the image was taken by Anna during a ride the Northwestern scenery.
JOE
EICHMAN
JOE
TEICHMAN
JOE
TEICHMAN
JOE TEICHMAN MUSICIAN
123.456.7890 JOE@EMAIL.COM
JOE TEICHMAN JOE TEICHMAN
JOE
MUSICIAN
TEICHMAN
123.456.7890 JOE@EMAIL.COM
LOGO PERSONAL BRANDING
JOE
TEICHMAN
The branding for Joe Teichman, a Texas musician, references both his physical feature and use of a guitar as his primary instrument. Joe mainly plays at venues in Texas, but has also toured Colorado with plans to venture to the Southeast United States. This project helped Joe establish a personal brand that JOE can be expanded for merchandise use and was a for-hire project.
JOE
TEICHM
TEICHMAN
JOE TEICHM MUSICIAN
123.456.7890 JOE@EMAIL.CO
W E I L
A M
R H E I N ,
G E R M A N Y
V
A
L
E
N
C
I
B
R
E
N
H
A
M
A ,
,
S T
E
P X
A A
I
N S
B
A V
R A
C L
E E
L N
O C
N I
A A
, ,
S S
P P
A A
I I
N N
V L
A
K
A E
T
I C
C I
A T
N Y
,
,
I C
T O
A L
L O
Y R
A
D
O
TEXAS A&M UNIVERSITY + CLEMSON UNIVERSITY