was necessary in the slums due to the rampant nanotech available. Bullets didn’t kill people with the same finality they used to.” Gradually, their storylines converge, as Marzuk learns of a plot involving the upgraded remains of the International Space Station and a group of djinn working on creating an AI more powerful than anything that exists on Earth. That also leads to denouements that play out in both the physical realm and within the game that Marzuk is so fond of. The tonal whiplash between the novel’s irreverent teen protagonist and the dense plotting can sometimes be disconcerting, but the layered narrative feels assembled with care. An unpredictable exploration of an expansive future world.
WHERE THE DROWNED GIRLS GO
McGuire, Seanan Tordotcom (160 pp.) $19.99 | Jan. 4, 2022 978-1-250-21362-4
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DIGGING UP LOVE
Blumberg, Chandra Montlake Romance (345 pp.) $12.95 paper | Jan. 1, 2022 978-1-5420-3390-9 A determinedly single small-town baker and a paleontologist recovering from heartbreak cross paths in highly unlikely circumstances, proving that love always finds a way. Tucked away in a nondescript corner of rural Illinois with her grandparents, Alisha Blake yearns for the sights and sounds of urban life. Even as she helps her grandfather run their well-loved family-owned barbecue joint, she’s secretly working toward opening her own bakery in Chicago. She finally builds up the nerve to tell her family about her plans, but she’s forced to defer her announcement when a large dinosaur bone gets dug up in her grandparents’ backyard. Although the find throws a wrench in Alisha’s plans, it’s a dream come true for Quentin Harris. He hopes that the bone will pave the path to academic prestige and finally vindicate his career choice in the eyes of his father. Quentin needs to focus on the dig, but his presence in Alisha’s backyard unearths long-buried desires in both of them. Quentin, who was once jilted at the altar, is leery of committing to Alisha, and the talented baker is struggling to strike a balance between her family’s needs and her own dreams. While Quentin’s presence comforts and excites Alisha, the paleontologist’s sermons about her life choices often cut too close to the bone. To make their relationship work, both must quit digging in their heels and focus on rooting out old apprehensions and worries instead. Replete with instantly likable characters and relatable pop-culture references, Blumberg’s debut is warm, engaging, and emotionally honest. Alisha and Quentin’s gradual movement toward companionship hits all the right notes, and their interactions are both meaningful and fun. While the external obstacles and issues keeping them apart are quite real, their internal battles seem to reach too pat a resolution. A sweet romance that would have improved with a little more heat.
kirkus.com
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romance
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15 november 2021
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y o u n g a d u lt
In the seventh Wayward Children tale, students plan to escape from a brutal institution designed to crush the magic out of them. Cora, a strong swimmer constantly tormented by her peers for her weight, went through an underwater door to the Trenches, a magical undersea world where she was a mermaid and a hero, valued for her bulk and her strength. But a whirlpool spat her out again into our world, leaving her bereft. Eleanor West’s Home for Wayward Children brought her among other young people who had traveled through a door and returned here, often unwillingly. Cora then passed through another door leading to the creepy world of the Moors, where the sinister Drowned Gods claimed her for their own. Even back at the school, Cora can’t block out their voices or deny their marks on her skin, so she makes the desperate choice to switch to the Whitethorn Institute, which, rather than helping children while they wait for their doors to reappear, encourages them to reject their magical pasts and accept this world as home. Sadly, Cora almost immediately understands that Whitethorn’s philosophy is less about giving its students the strength to move on with their lives and more about breaking their spirits and ruthlessly molding them into a miserable conformity. But dropping out isn’t an option the school offers, and Cora and her friends realize that Whitethorn has more than mundane means at its disposal to keep them there. McGuire’s themes— let people be themselves and don’t treat being fat as some kind of moral failing or physical issue that’s easily addressed—won’t surprise readers of this series and her other works, but her usual arguments remain sound, and she tells a good story. There are also some deeply chilling moments in the experiences of the other students, particularly in the case of a girl cursed by the Rat King to shrink into a nameless rat. A journey into familiar territory with a skilled guide; but here’s hoping that future trips head into the unknown.
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