37 minute read
SECRET IDENTITY by Alex Segura
secret identity
SECRET IDENTITY
Segura, Alex Flatiron Books (368 pp.) $27.99 | March 15, 2022 978-1-250-80174-6
A secretary at a comic book company tries to track down a co-worker’s killer in this taut thriller. For nearly as long as she can remember, Carmen Valdez has loved comic books. The superhero stories sustained her during her rough childhood in Miami—they were “an intangible thing that got her through her own day-to-day.” When she moves to New York in 1975 and finds a job at Triumph Comics, she sees a chance to get her big break in the industry, but it doesn’t turn out well—her co-workers turn out to be “a squad of over-the-hill assholes,” and her boss has no interest in letting her try her hand at a writing gig. When a writer named Harvey Stern approaches her to collaborate with him on a project, unbeknownst to their boss, she warily accepts; they come up with an idea they think will surely be a hit. And it is, but Harvey is murdered, and Carmen finds out that he failed to credit her for her work before his bloody demise. So she sets out to track down his killer, all the while trying to figure out how to be recognized for her work by her oblivious, sexist boss. Meanwhile, she’s forced to deal with the sudden reappearance of her ex-lover, who’s shown up in New York under mysterious circumstances. Segura’s book works on so many levels, it’s almost hard to keep track—as a love letter to comic books, it’s as powerful as anything since Michael Chabon’s The Amazing Adventures of Kavalier & Clay (2000). And as a thriller, it’s smart, perfectly paced, and wonderfully atmospheric—Segura captures the intense, grimy milieu of 1970s New York with aplomb. You don’t have to be a comics fan to love this novel; it’s a masterful book filled with real heart and soul.
A triumph.
VIOLETS
Shin, Kyung-sook Trans. by Anton Hur Feminist Press (218 pp.) $15.95 paper | April 12, 2022 978-1-558612-90-7
The English translation of an early work by the author of The Girl Who Wrote Loneliness (2015) and Please Look After Mom (2011). One of South Korea’s most celebrated writers, Shin captured the attention of Anglophone readers when she won the Man Asian Literary Prize. This slender novel begins in the early 1970s with the birth of a baby girl— unwanted because of her sex—in a small village. Oh San’s family has little social status, and she and her mother move deeper into the margins after San’s father disappears. As a young woman, San moves to Seoul. Her real dream is to become a writer or just work at a publishing house, but she is willing to settle for work as a word processor operator. When even this modest goal proves unattainable, San starts working in a flower shop. She meets a woman named Su-ae—who is as bold and impetuous as San is cautious and reserved—and falls for an unnamed photographer. Shin is known for revealing the ways in which her culture oppresses and isolates people—especially women. With San, she has created a protagonist who is professionally thwarted and incapable of forming attachments. San accepts Su-ae’s friendship, but she also pushes the other woman away. San becomes obsessed with a man she barely knows because he offers her a couple of compliments. At the same time, her desire for him is tangled up with the still-raw feelings she has from being rejected by her only childhood friend after a brief intimate moment. Throughout these travails, though, San remains something of a cypher—inaccessible not just to the people around her, but also to the reader. The violent phantasmagoria of the story’s climax reinforces the sense that San is more a symbol of modern alienation than a fully developed character.
Overly reliant on sentimentality and shock.
MY VOLCANO
Stintzi, John Elizabeth Two Dollar Radio (330 pp.) $17.99 paper | March 22, 2022 978-1-953387-16-5
A genre-bending novel that circles a volcano mysteriously rising from the Central Park Reservoir. On June 2, 2016, a jogger observes a geological protrusion slowly emerging in Central Park. Three weeks later, the formation, now determined to be a volcano, has grown to 2 1/2 miles tall and is upending life in New York City. Around the story of the volcano’s appearance Stintzi weaves the lives of the novel’s diverse characters, including a folklore professor, a Mongolian shepherd, a White trans science-fiction writer, a manager at the “emotionmanaging service” startup Easy-Rupt, and an 8-year-old Mexican boy who is thrust back in time to Tenochtitlan in 1516. As the characters’ lives intersect, run parallel, and mirror each other, they experience an array of transformations: One slowly becomes a green network that incorporates all life in its path, while another discovers that she is turning to stone. In the background lurk the Otherwise, otherworldly beings capable of numerous rebirths. Among the narrative sections, Stintzi intersperses the dates and victims of real-world violence in 2016, including the Pulse nightclub shooting and the shooting of Alton Sterling by police officers in Baton Rouge. At times, this ambitious novel can feel unwieldy, with its weighty subject matter and complex, formal innovation. However, Stintzi has a gift for meticulously crafted worldbuilding and captures the tender drama of human (and, in this novel, extrahuman) relationships. Patient readers will be rewarded by their arrival at the book’s dazzling conclusion.
A vibrant ecosystem of a novel that deals honestly with the beauty and horror of human and ecological connectedness.
FINDING GRACE
Thomas, Janis Blackstone Publishing (320 pp.) $28.99 | April 12, 2022 978-1-79992-141-7
Thomas follows All That’s Left of Me (2018) with another thriller that mixes hints of the paranormal with definite indications of imminent danger. Twelve-year-old Melanie isn’t crazy about her current foster parents, Ray and Delilah James, but although they have their quirks—Delilah, for instance, repeatedly bakes pans of brownies she throws into the trash—she wouldn’t want to do anything to undermine her life with them. That’s why she’s never told them about Penny, the girl who lives in her hand and writes her messages like “Somebody’s coming for you.” Someone is indeed coming for Melanie: Grace Daniels, a nonpracticing nurse who’s been languishing in Bellevue Hospital, and Louise, the adult daughter who’s so daunted by the mental illness of her mother, who’s heard voices for many years, that she put her own out-of-wedlock daughter up for adoption shortly after birth to protect baby Edie from Grace’s influence and to protect Louise herself from the possibility of having to deal with two disturbed relatives at once. Learning that Grace wants to see her, Louise steels herself to visit her mother and finds herself signing the discharge papers that will make her responsible for Grace on their long trip to find Edie. All the while, Melanie is repeatedly promised acceptance by her schoolmates and foster parents, but every promise is thwarted or, worse, traumatically misconstrued. As Louise learns against the odds to trust the mother she’s spent half her lifetime denying, Penny keeps warning Melanie about impending doom. Even though most readers will figure out the relations among the characters long before Thomas reveals them, few will predict either the perpetrator or the victim of the climactic act of violence that brings them all together.
An authentically creepy tale for anyone who cares to look beyond, or into, those voices.
REPTILE MEMOIRS
Ulstein, Silje Trans. by Alison McCullough Grove (400 pp.) $26.00 | March 15, 2022 978-0-8021-5886-4
In this debut novel from Norway, an 11-year-old girl goes missing more than a decade after connected events involving a troubled young woman who sleeps with her pet python.
The little girl, Iben, disappears from a supermarket in 2017 after her mother, Mariam, refuses to buy her a zombie comic book. Mariam, who is married to a politician, responds strangely to the disappearance, which is investigated, along with Mariam’s behavior, by an aging cop with a checkered past. Back in 2003, Liv, who was abused by her older brother when they were kids (she was then known as Sara—not her last name change), finds solace—and sexual gratification—in the scaly company of her demanding python, Nero, who must be fed with ever larger living things. Her human friend Anita, a new mother beaten by her husband, turns to Liv for help. Mariam later becomes part of this vicious cycle when she is raped, resulting in the birth of her daughter. Ulstein’s provocative treatment of brutal male behavior, including an approving reference to female spiders devouring their male partners, can be powerful. But populated by many unpleasant characters doing unpleasant things, the novel loses focus at critical times. It’s not enough that the increasingly large and hungry Nero commits an unmentionable nasty incident that upstages everything. Ulstein also feels compelled to include periodic first-person commentary from the python, who ironically but not inaccurately calls Liz “the cold woman.”
An original but flawed thriller that never rises to the level of chilly.
THE MATCHMAKER
Vidich, Paul Pegasus Crime (352 pp.) $25.95 | Feb. 1, 2022 978-1-64313-865-7
A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama. In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and
a previous life
“deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.
Intrigue, murder, and vengeance make for a darkly enjoyable read.
SOMETHING TO DO WITH PAYING ATTENTION
Wallace, David Foster McNally Editions (136 pp.) $18.00 | April 5, 2022 978-1-946022-27-1
The final finished work by the late, widely influential novelist and essayist. The present novel, which clocks in at 136 pages, was first published as part of Wallace’s unfinished book, The Pale King. Unlike much of the larger work, it is a finished whole, an onrushing confessional set in an IRS processing center in Peoria, Illinois. The narrator, named Chris Fogle in The Pale King but unnamed here, begins his saga as an aimless young adult who lives at home in Libertyville, a North Side suburb of Chicago. His frustrated father tells his mother that their son “couldn’t find [his] ass with both hands,” and though dad has a point, Chris waxes analytical in classic Wallace form: “From what I understand of basic psychology, this is a fairly typical dynamic—son is feckless and lacks direction, mother is sympathetic and believes in son’s potential and sticks up for him, father is peeved and endlessly criticizes and squeezes son’s shoes but still, when push comes to shove, always ponies up the check for the next college.” Chris eventually comes around and signs up to join “the Service,” the IRS become a quasi-religious institution, driven to do so in part out of remorse for a grisly accident that kills his father. Wallace, as Chris’ interviewer, is really a stenographer, recording his subject’s every offhand remembrance of his early years in the 1970s: “Acapulco Gold versus Colombia Gold,” disco, the bankruptcy of New York, the “Uncola,” and other cultural touchstones of an unsettled time. Much can be read as roman à clef, with mental illness, drugs, and misdirection at the heart of the book, brimming over with irony and obsessive attention to the tiniest detail (“the Advanced Tax students had multiple pencils lined up on their desks, all of which were extremely sharp”). Not much happens outside Chris’ head, but what’s going on there is darkly fascinating.
A valediction for Wallace’s fans. Accountants will enjoy it, too.
BEAT THE DEVILS
Weiss, Josh Grand Central Publishing (368 pp.) $28.00 | March 22, 2022 978-1-5387-1944-2
In the alternative late-1950s America of Weiss’ first novel, Commie-hater Joseph McCarthy is president, undesirables are being rounded up and deported, and it’s open warfare on “individual[s] of Judaic Origins”—including LA police detective Morris Baker.
A Holocaust survivor of Czech origins, Baker is hooked on peach schnapps, has dingy sex with an aspiring actress, and suffers from recurring concentration camp nightmares. His life perks up when he’s assigned to the celebrity double murder of rising TV journalist Walter Cronkite and forcibly retired film director John Huston. The investigation leads him to partner up with sexy Soviet spy Sophia Vikhrov, with whom he cutely uncovers a bomb plot involving imported German scientists, including Werner von Braun. For his troubles, Baker gets his front teeth knocked out by thugs from the House Un-American Activities Committee and, in a subsequent torture scene, has more teeth pulled (no subsequent signs of dental distress are evident). Edward R. Murrow makes a surprise appearance, Humphrey Bogart a decidedly un-Bogielike one, reduced to propagandist in films like It Came From Planet Communist! Fidel Castro and Che Guevera have been publicly executed. All the pieces for an edgy piece of speculative fiction are in place. But Weiss, no Philip Roth, falls into the trap of using collective trauma as a cheap backdrop for Baker’s shenanigans, and there’s something creepy about his treatment of Cronkite and Huston (whose film Beat the Devil inspired the book’s title). In his acknowledgments, Weiss writes, “The story is, first and foremost, about Baker and his journey of adopting a new worldview.” Second and secondmost would have worked a lot better.
A reimagined America that is short on fresh ideas and long on misplaced humor.
A PREVIOUS LIFE
White, Edmund Bloomsbury (288 pp.) $26.00 | Jan. 25, 2022 978-1-63557-727-3
A septuagenarian musician and his 30-year-old wife break their silence about the past and share a series of episodic confessions. White’s latest begins in the year 2050, when Sicilian musician Ruggero Castelnuovo and his American wife, Constance, decide to break a vow they had made to keep their pasts in the dark. Ruggero has already had a slew of marriages and love affairs with men and women alike, while Constance has had two brief marriages.
When the couple determines that silence is no longer serving them, they begin to write a series of “confessions” in the form of episodic memoirs, which they take turns reading aloud. Ruggero shares memories of his aristocratic upbringing, his early sexual experiences, and the beginnings of his music career. Along with these reminiscences spill Ruggero’s anxieties about his reputation, which has been compromised by a dramatic and wellpublicized affair with the writer Edmund White. Constance, on the other hand, details her parents’ tragic deaths and her subsequent upbringing by her nanny’s family. When she is continuously molested by an uncle figure, she becomes determined to pursue an education at an elite university and never return. For Ruggero, this foundational trauma explains her attraction to significantly older men, including one who robbed her of everything she had and another who humiliated her deeply. Traveling to various locations in Europe and the United States, the couple make life-altering decisions about their relationship as their memoirs address large questions about aging, death, and desire. In crisp but erotically charged prose, White provides a compelling character study that presses on the boundaries of sexuality and romance, polyamory and marriage. The memoirs give the book a unique and immersive structure as the secrets Ruggero and Constance reveal cast light on enigmatic parts of their internal lives and as they negotiate the terms of their marriage.
A delightful metafictional novel that examines conventions of marriage and love.
THE NEW NEIGHBOR
Wilson, Carter Poisoned Pen (400 pp.) $14.49 paper | April 12, 2022 978-1-72824-752-6
Wilson returns to Bury, New Hampshire, where a painfully widowed millionaire takes up residence in a house even more troubled than he is. In the middle of his wife Holly’s memorial service after she’s died of an aneurysm at 34, Baltimore bartender Aidan Marlowe learns that the numbers he’s been playing twice a week for many years have hit a $29.8 million Powerball jackpot. Marlowe, a dissociative type who can sense energies most people can’t, though he often fades out of the picture for hours on end, decides to move to upscale Bury and buy a house that was owned by investment banker Logan Yates before he vanished along with several members of his family. He soon begins to get insinuatingly creepy letters welcoming him to Bury and signed “WE WHO WATCH.” His questions to Abril, the longtime Yates housekeeper, net just enough information to make him feel that he and his 7-year-old twins, Maggie and Bo, need more protection, but his visit to Police Chief Walter Sike produces nothing but bland assurances, and he’s unwilling to provide Sike’s friend and security consultant Owen Brace with the personal information required to take the wholesale measures Brace urges. Soon after a housewarming party flushes out the news that Marlowe’s won the lottery, a secret he’s been determined to keep, WE WHO WATCH make it clear that they’re interested in Marlowe’s money, that they’re not going away, and that the violence they threaten won’t end with him. The big reveal, which goes on forever, strains credulity, but there’s no denying Wilson’s power to weave a dark web and keep making it darker and darker.
Stuck at home because of the pandemic? This is cheaper than moving, and it’ll make you feel better about staying put.
THE DARKEST WEB
Wright, Kristin Thomas & Mercer (319 pp.) $15.95 paper | April 12, 2022 978-1-5420-2635-2
A civil attorney fearful of standing trial for killing her detestable boss sees her only hope in hiring a defense lawyer whose life is nearly as chaotic as her own. Once the funeral is over, no one in the Charlottesville office of Blackwood, Payne & Vivant, the “unmarked Honda Accord of law firms,” has a nice word to spare for Raymond V. Corrigan Jr., who was shot to death in his office sometime after midnight. When impossibly beautiful Jane Knudsen, a Blackwood associate hungry for a partnership, finds Ray’s body upon her customary pre-dawn arrival, her first reaction is relief at not having to deal with him anymore. That’s swiftly followed by certainty that the police will consider her a prime suspect whether or not she notifies them of her discovery, since everyone at the firm, from managing partner Greg Dombrowski to fellow associates Josh Gardner and Amir Burhan to longtime administrator Irene Robinson, will know better if Jane says she wasn’t there at 6 a.m. Helpless to avoid the glare of suspicion, Jane asks her old UVA law school roommate Allison Barton, who made quite a splash in The Darkest Flower (2021), to defend her. The two were never friends, and their salt-and-pepper relationship is the main attraction in Allie’s second case. But Wright, presenting her story again in alternating chapters, narrated by Allison and her client, also piles on complications, from a poisonous widow to importunate and unwelcome romantic pursuits of both Allison and Jane, from sexual harassment to domestic abuse, from a hidden past to child pornography, until even the most hardbitten readers will beg, like Jane, for release.
Overplotted and overwrought but as immersive as a serious addiction.
THIS MIGHT HURT
Wrobel, Stephanie Berkley (336 pp.) $9.99 paper | Feb. 22, 2022 978-0-593-10011-0
With her second novel, the author of Darling Rose Gold (2020) brings more multi-point-of-view fun to thriller fans. When a mysterious emailer threatens to reveal her darkest secret, Natalie Collins journeys from Boston to an isolated island off the Maine coast to confess the truth to her flighty younger sister, Kit. Kit has spent the last six months at Wisewood, a self-improvement retreat that requires attendees to give up all connections, including contact with friends and family and all forms of physical affection. When Nat shows up, the other residents of Wisewood refuse to give Nat any information about Kit, citing rules which prevent friends or family members from attending together. While her sister turns out to be an elusive presence on the island, Nat can’t shake the feeling that someone is tailing her. With a blizzard coming in to prevent all travel back to the mainland and Wisewood staff growing increasingly hostile toward her, Nat’s racing against a ticking clock to accomplish her mission and get back to her normal life. Although the genresavvy will see the twists coming from miles away, Wrobel manages to keep the lines of her narrative pulled taut here. The narrator’s torch passes among Natalie, Kit, and a third woman who goes unidentified until the novel’s midpoint. Through flashbacks to a childhood and adolescence spent trapped in her abusive father’s unhinged training regimen— one designed to purge fear and self-doubt from the girl and her sister—this third narrator’s story quickly proves to be the novel’s most captivating thread. Unfortunately, because neither Nat nor Kit shares her story with the same immediacy or intimacy as this counterpart, readers will inevitably feel a deeper connection to the long-unnamed woman. Once her identity is revealed, however, they’ll be left to wonder if that wasn’t the point all along.
A taut thriller that examines the twin legacies of trauma and grief.
mystery
PAY DIRT ROAD
Allen, Samantha Jayne Minotaur (304 pp.) $27.99 | April 19, 2022 978-1-2508-0427-3
A gritty, down-home exploration of murder and dysfunction in a Texas town. Upon her college graduation, Annie McIntyre returns home to Garnett, Texas, thinking about law school but with no clear path in sight. She’s living with her cousin Nikki and waitressing at a diner, where she meets young mother Victoria Merritt. Attending Justin Schneider’s bonfire party takes Annie right back to high school, as beer flows and a volatile combination of jocks, mean girls, and outof-town roughnecks mix. Victoria turns up apparently bombed out of her mind; it’s the last time Annie sees her alive. When Victoria’s disappearance and a fatal hit-and-run roil the town, Annie, whose dysfunctional family has a long history in law enforcement, feels pulled to investigate. Mary-Pat, who runs a private investigation firm with Annie’s grandfather Leroy, hires her to do office work that may lead to an internship. Annie and Nikki’s many visits to bars in search of Victoria end when her body is discovered in a shallow grave on Annie’s family land. The experience brings on a bout of PTSD from a traumatic experience Annie had at a fraternity party during her senior year in high school. When Fernando, a high school friend who works at the diner, is arrested, Annie gets Leroy and Mary-Pat to investigate for his lawyer. A gas company that sought to lease Victoria’s land gives her husband a financial motive for her murder; the environmental problems the company is hiding give it a powerful motive as well.
A dark picture of hardscrabble Texas juiced by the heroine’s angst makes for a great debut. Here’s hoping for a follow-up.
THE KING ARTHUR CASE
Bannalec, Jean-Luc Minotaur (384 pp.) $27.99 | April 26, 2022 978-1-2507-5308-3
An office retreat goes horribly wrong. It’s been two years since the team at the Commissariat de Police Concarneau has gone on an outing together. So when Nolwenn, Commissaire Georges Dupin’s redoubtable assistant, bids to turn an unavoidable trip to the Forêt de Brocéliande into a group venture, even the taciturn Inspector Kadeg seems pleased. Riwal, Dupin’s other inspector, is downright jubilant. Brocéliande is famous throughout Europe as the seat of Celtic-Breton folklore,
bitter roots
including the tales of King Arthur and his Round Table, and he relishes the chance to introduce Paris-born Dupin to the Church of the Holy Grail, Merlin’s Steps, and Lake Lancelot. And Dupin’s far more eager to explore Brocéliande than to carry out the errand pressed on him by his old Paris comrade Jean Odinot. After all, wasn’t it the Paris police who supported his expulsion to Brittany, as far from Paris as he could be sent, after he publicly insulted the mayor? But when Dupin arrives at the Parc de l’Imagination Illimitée, run by Odinot’s friend Dr. Fabien Cadiou, and finds the academic lying dead on the floor, what was supposed to be a pleasure trip turns into one of the most vexing cases of the Commissaire’s career. Cadiou is just the first of a band of quarrelsome King Arthur academics to breathe his last, and as the body count rises, Dupin has reason to fear that it may come to include even members of his team.
Another tense puzzle from Bannalec, with the Breton landscape once more the star of the show.
WITNESS FOR THE PERSECUTION
Copperman, E.J. Severn House (240 pp.) $28.99 | April 5, 2022 978-0-7278-5076-8
Solving a murder is the ultimate distraction for a Jersey girl gone West. Prosecutor Sandy Moss hardly expected to start a career as a defense attorney when she crossed the country to join a Los Angeles–based firm specializing in family law. But as her boss, Holly Wentworth, reminds her, Seaton, Taylor created a criminal division just for her after she successfully defended two murder trials. So when film director Robert Reeves is accused of sabotaging the equipment that sent stuntman Jim Drake to his death, his demand to have Sandy defend him seems almost reasonable. What makes Sandy most inclined to take on the uncooperative Reeves, however, is that her first client, actor Patrick McNabb, now her boyfriend, has just made an offer she’d prefer to refuse. Her charming but impulsive beau wants her to move into his magnificent home. Sandy’s seen all too often that once Patrick wins the object of his pursuit, he tends to lose interest. So preparing a defense for the stubborn Reeves, who won’t come clean about any of the facts of the case, within the nine-week timeline Judge Franklin has allowed provides Sandy with the excuse she needs to put off a decision about McNabb’s proposal. As the evidence against Reeves mounts, Sandy draws on all her Garden State grit to clear a defendant who practically defies her best attempts to defend him while putting on pause the man who wants to woo her.
Crafty and zany, with a well-clued solution.
BITTER ROOTS
Crosby, Ellen Severn House (240 pp.) $28.99 | April 5, 2022 978-0-7278-9102-0
A much-anticipated wedding is threatened by weather and murder. The marriage of Lucie Montgomery, owner of the Montgomery Estate vineyard in Virginia, to winemaker Quinn Santori has been planned to the last detail by Francesca Merchant, who runs the retail side of the business. Their attention is diverted from the nuptials by a plot of Cabernet Franc grapes that are dying of unknown causes. Lucie and several other vineyard owners are furious with Jackson Landau, Eve Kerr, and Dr. Richard Brightman, who developed, heavily promoted, and sold the failing vines but deny any responsibility. Lucie calls in her own expert, Josie Wilde, who’s sure the vines are suffering from black goo. Only a few very wealthy owners, like Lucie’s new neighbor, former NBA star Sloane Everett, can shrug off the threat of bankruptcy. The beautiful Eve tries to charm the distraught owners, but Landau digs in, blaming the problem on climate change. Seeking peace, Quinn tries to meet with Eve, a fellow Californian, arousing Lucie’s suspicions and launching him onto the suspect list when Lucie and her bestie, Kit, find Eve dead in a creek. The list, which includes plenty of people who were angry with Eve, is extended even further by the news of her pregnancy. Meanwhile, a vicious storm hits the area, ruining the wedding and leaving the place with no power. But the ill wind does blow some good, uncovering a crucial clue.
Crosby’s reliable character-driven series once more offers a good mystery and relevant social commentary.
KILL HER TWICE
Fredrickson, Jack Severn House (224 pp.) $28.99 | April 5, 2022 978-0-7278-5063-8
A Chicago shamus probes a high-profile murder for a sketchy client. A distraught Martin Tripp calls police in the middle of the night from suburban Weston to report that an intruder has attacked his live-in girlfriend, Sara Jansen. She lies brutally stabbed to death, near a hidden cache of jewelry. Veteran police detective Harry Slage quickly concludes that Martin is lying, and guilty. When savvy defense attorney Reginald “Apples” Aplon argues that his client’s not guilty by reason of temporary insanity, a hung jury sets him free. The distraught Tripp, a ruined man, appeals to private eye Vlodek “Dek” Elstrom, who unloads on him before reluctantly agreeing to look into Sara’s murder. Like most of the city, Dek thinks Tripp is a coldblooded killer and takes the case more to nail than to exonerate him. But he finds several unsavory details of
bank teller Sara’s past and, more significantly, corroboration for several of Tripp’s claims. Neighbors, co-workers, and colorful Aplon are among the first people Dek questions. Secretive neighbor Julianna Wynton, who took a powder shortly after the murder, seems key to unraveling the tangled truth. Fredrickson’s Chicago is reminiscent of Chandler’s Los Angeles, and the dearth of modern detail suggests an appealing timelessness; it could as easily be 1930 as 2020. Hard-boiled Dek’s eighth case is long on crackling dialogue and atmosphere, with another suspicious character seemingly lurking around every corner.
A sleek Windy City noir with a distinctly retro feel.
THE WILD LIFE
Gordon, David Mysterious Press (332 pp.) $25.95 | April 26, 2022 978-1-61316-277-4
When a professional thief falls for an FBI agent, what could go wrong? Joe Brody is exploring his options. Childhood friend Gio Caprisi’s network of illegal gambling dens provides a steady income not only for him, but for his shrewd grandma Gladys, who’s employed to spot cheaters. And occasional side jobs, like the heist at Club Rendezvous, have enabled him to put aside a nice nest egg for the future. But the shootout that ended the heist reminds him of the risks his employment holds of his ending up dead. Plus, the raid that led to the shootout introduced him to Special Agent Donna Zamora, whose life is dedicated to stopping careers like Gio’s. He’s intrigued by Donna’s dedication, but it’s her sexy smile that hooks him in the end. And Donna knows that her relationship with Joe is a potential career killer, which is why he’s never entered her apartment through the front door. While Joe ponders a career change, Gio has an ask that would put him on the same side as his secret lover. Gio’s pals have noticed that some of their working girls have disappeared without a trace. Although their main concern is more loss of revenue than loss of life, Joe sees the chance to do the right thing, so he agrees to investigate on behalf of the mob. Meanwhile, Donna is tasked with busting up the human trafficking ring that’s taking a toll on New York’s sex workers. Watching Donna and Joe compete, unwittingly, to solve the same case brings a novel and zany twist to the old game of cops and robbers.
One wild ride.
WHEN BLOOD LIES
Harris, C.S. Berkley (368 pp.) $26.00 | April 5, 2022 978-0-593-10269-5
A son searches for his mother’s killer on the cusp of Napoleon’s triumphant return to Paris. March 1815 finds Sebastian St. Cyr, Viscount Devlin, in Paris with his wife, Hero, searching for the mother he’d long thought dead. Sebastian was born to Sophia, Countess of Hendon, and is the heir of the Fifth Earl of Hendon, but he’s not the earl’s natural son. For years he thought his mother was lost at sea only to learn she’d actually left his father and her children behind. His search for her has been made more difficult by the war raging across Europe, but with Napoleon in exile, he’s finally learned that she’s returned from Vienna to Paris using the alias Sophia Cappello. He’s crushed to find her bloody body near the home he’s renting, stabbed and thrown off the Pont Neuf. She dies before they can speak, and he vows to find the killer. Sophia has lately been mistress to Alexandre McClellan, formerly one of Napoleon’s marshals. The Bourbons are back in power, and France is restless under their rule, which is returning to the fanaticism of the monarchy before the revolution. The authorities seem determined to call Sophia’s death an accident, but Sebastian suspects politics are involved when he learns that Sophia had visited Elba before returning to Paris. A painting of McClellan inside her house, which he’s inherited, makes Sebastian wonder if the subject is his real father. The discovery of his mother’s reticule and then a jeweled leather bag sets him on a tortuous and dangerous search for the truth played out against the turmoil of Napoleon’s attempt to regain control of France.
The detailed historical narrative blends seamlessly with a complex, fast-paced mystery.
CLEOPATRA’S DAGGER
Lawrence, Carole Thomas & Mercer (364 pp.) $15.95 paper | April 1, 2022 978-1-5420-1430-4
Lawrence introduces a new character-based series set in 1880s New York City. Elizabeth van den Broek may come from an old Dutch family, but she’s a rebel. Her father is a judge; her beautiful mother is a talented pianist and a bit of a snob; and her beloved sister resides in a psych ward in Bellevue Hospital. At the New York Herald, where her father’s influence got her a job, Elizabeth is fed up with writing society puff pieces. On her way to work on the L, she spots a dangerous opportunity for a story: a woman being choked in a third-floor apartment over a butcher shop. She tells her editor, who annoyingly sends her
the fool dies last
off to cover Mrs. Astor’s garden party instead. Returning to the apartment, she learns from an old woman that the girl who lived there has vanished. Back home in the Stuyvesant, Elizabeth makes the acquaintance of Carlotta Ackerman, an artist who rents a studio in the building. They agree to meet at the Metropolitan Museum early the next day to walk Carlotta’s dog, Toby, in the park and introduce her to bagels. Toby’s discovery of a body dressed as a mummy in the hole dug for the obelisk known as Cleopatra’s Needle catapults Elizabeth into opportunity and danger. After her editor reluctantly agrees to let her cover the story, more murders follow, and Elizabeth discovers a pattern linked to Egyptian gods. Along the way, she suffers prejudice and physical attacks in a world not meant for ambitious women. Since the corrupt police actively hinder her work, she’s on her own.
The complex, intrepid feminist heroine bodes well for future installments.
THE FOOL DIES LAST
Miller, Carol Severn House (224 pp.) $28.99 | April 5, 2022 978-0-7278-2303-8
Miller debuts a series about things that go bump in the day. Hope Bailey and her sister, Summer, own Bailey’s Boutique, an Asheville store specializing in things paranormal. Hope lives with their Gram in a haunted brownstone; Summer’s married to Gary Fletcher, who’s been absent a lot lately, allegedly working overtime. Hope’s in the middle of a palm reading when a handsome stranger enters the shop and accuses the sisters of trying to kill a woman. He’s interrupted in turn by Gram calling for help from the community center, where she’s lunching with her boyfriend, Dr. Morris Henshaw. Roberta King, one of her friends, has died in agony with a tarot card near her body. The handsome stranger from the shop turns out to be Dr. Dylan Henshaw, Morris’ son, and he also turns up at the community center, telling Detective Phillips the cause of Roberta’s death seems to be anaphylaxis and accusing the sisters of giving Roberta an herbal concoction that killed her. Meanwhile, the sisters’ friend Megan, who works in a hotel, tells Hope that Gary’s checked in with someone named Misty Monique. Then the same tarot card is discovered with another woman found dead at the hotel spa, tamping down Hope and Dylan’s obvious attraction for each other because of his suspicions and the sisters’ needs to cover up the ghosts in their attics. Though Hope hasn’t done tarot readings since the accidental death of her fiance, she’s still an expert on the subject. So when Gram admits to being in a tontine with the dead women, Hope braves the ghosts to find the mysterious killer.
Pleasing characters spark the first entry in an often amusing mystery/romance series.
’TIL DEATH
Perry, Carol J. Kensington (384 pp.) $8.99 paper | April 26, 2022 978-1-4967-3143-2
A program director for a TV station just can’t leave her days as an investigative journalist behind. Lee Barrett likes being on the production end of things at WICH-TV in Salem, Massachusetts. It gives her access to a wide variety of program material, from Ranger Rob’s Rodeo to Tarot Time With River North to Cooking With Wanda the Weather Girl. It gives her an in with local celebrities like Fabulous Fabio, an aspiring magician whose day job involves baking the tastiest cakes in town. It allows her to score one of Fabio’s fabulous creations for her upcoming wedding to police detective Pete Mondello in return for giving Fabio a chance to showcase his sleight of hand on Ranger Rob’s. And it gives her time to order flowers, have her dress altered, pick out invitations, and buy a new home, tasks her old schedule as a reporter would never have allowed. Lee’s ready to leave the home she’s shared with her Aunt Isobel since her parents’ tragic deaths in a plane crash on Pirate’s Island when she was almost 5. Unfortunately, the tenant first in line to take her place in Aunt Ibby’s newly renovated bedand-breakfast is Fenton Bishop, a mystery writer who learned his craft in the slammer after pleading guilty to the murder of his wife. With Pete’s help, Lee looks into Bishop’s past. At the same time, station manager Bruce Doan wants her to do a piece on Pirate’s Island while she and Pete are stopping there during their honeymoon to visit her aunt and uncle. Perry teases readers long and hard with the mystery of which puzzle Lee will try to unravel before she lets her heroine get down to the actual unraveling.
Just what all proper brides should have: something old and something new.
KNIT OR DYE TRYING
Pleiter, Allie Berkley (304 pp.) $7.99 paper | April 5, 2022 978-0-593-20180-0
Maryland’s See More Than Sea Food Festival is marred by murder. Mayor Gavin Maddock’s clever plan to increase tourism to Collinstown depends on many different moving pieces, including Libby Beckett’s promotion at her knitting shop, Y.A.R.N. Since returning to her hometown after a divorce, Libby has renewed old acquaintances, including Gavin Maddock, her high school love, and made new ones. Although she knows that Julie Wilson, whom she’s invited to give a workshop, is an advocate for plant-based fibers for yarn, she’s shocked when local sheep farmers stage a protest
by driving flocks of sheep down the main street, accusing Julie of trying to ruin their livelihood. Knowing of the amazing colors Julie has achieved in her yarns, Libby’s rented a space in a warehouse for her fiber-dyeing workshop. Also in town for the festival is Chef Monica Wilson, Julie’s sister, and the two fight like cats and dogs. After trading insults with Monica at the festival’s opening reception, Julie goes off to start dyeing fibers in preparation for the workshop. At the same time, a fire in the kitchen where Monica is cooking looks like arson. When the police try to question Julie, they find the warehouse locked and the exhaust fans not running. Inside, Julie is dead from the fumes, the door and fans blocked with shepherd’s crooks. Of course the local shepherds are suspects, but since Julie had plenty of other enemies, Libby must work with the sheriff and her friends to uncover a killer.
Keeps the small-town charm of the series debut while adding more mystery.
THE DARKEST GAME
Schneider, Joseph Poisoned Pen (336 pp.) $16.99 paper | April 5, 2022 978-1-72824-504-1
A cunning killer cuts a murderous swath through the LA art world. A brief, brooding prologue, in which the narrator describes a murky murder and muses over the savagery of a Hollywood night, ignites a simmering undercurrent for LAPD Detective Tully Jarsdel’s third noir appearance as it rolls slowly into the centerpiece crime. The learned Tully, dubbed the “professor detective” by the LA Times, and Morales, his rough, righteous partner, commiserate over the unjustly light sentence for the killing of a young child before leaving the courtroom to return to Hollywood Station, where they’re soon sent back out to the scene of a brutal murder. Dean Burken, a curator at the Huntington Library and Museum, has been shot several times and, in a telling display of overkill, brutally beaten. The leisurely plot unfolds along traditional lines, with methodical interviews of the handful of “persons of interest” broken up by elaborate banter between the two detectives. The rogues’ gallery of suspects is as quirky and colorful as anything in Hammett or Chandler, and Schneider’s plot, while linear, is full of surprises. Tully’s poignant backstory follows his efforts as caretaker to Baba, his brilliant but declining old father. The murder of a prime suspect at first seems to complicate the case until a witness steps forward to name the killer, only to meet the same fate. Throughout, Morales’ brusque, slangy dialogue plays nicely against Tully’s stylish, erudite speech. Schneider’s choice of backdrop gives him carte blanche to pepper his tale with historic and artistic tidbits about both the collection and the institution itself.
Juicy prose redolent of classic noir, with contemporary twists.
THE BURNING PAGES
Shelton, Paige Minotaur (304 pp.) $26.99 | April 5, 2022 978-1-2507-8948-8
An American expatriate learns to love Robert Burns. Delaney Nichols took a job organizing a warehouse full of treasures for the owner of the Cracked Spine bookstore in Edinburgh, Scotland, married a Scot, and became involved in solving a series of crimes. But none has cut closer to home than the mystery associated with a birth certificate she’s found. The certificate might be that of her friend and fellow worker Hamlet, who was found wandering the streets as a young child and, years later, unofficially adopted by her boss, Edwin, and bookstore doyenne Rosie. When Delaney’s invited to a special Burns dinner, she asks Hamlet to join her, knowing he’s a passionate fan, though Edwin warns her there may be an ulterior motive to the invitation. Partway through the traditional dinner, after attorney Clarinda Creston has introduced Delaney and Hamlet to Charles Lexon, Malcolm Campbell, and Neil Watterton, Edwin is mentioned as the group’s founder, and Malcolm calls him a scoundrel. Telling the others that she and Hamlet work for Edwin, Delaney asks why she was invited and then leaves. Later that night, the club building burns to the ground, and Watterton’s body is found in the rubble. Delaney’s old friend Inspector Winters questions Hamlet, who was seen that night in the company of Watterton. When Hamlet vanishes, she resolves to explore his antecedents and his possible connections to the club members in order to clear his name.
Historical Burns references add spice to a complex series of intertwined mysteries.
WHEN THE CROW’S AWAY
Wallace, Auralee Berkley (304 pp.) $8.99 paper | April 5, 2022 978-0-593-33585-7
The good witches of Connecticut get another chance to use their distinctive individual talents. Evenfall has long been the home of the Warren family, which currently includes young widow Brynn, her aunts Izzy and Nora, and her uncle Gideon, who together run the Ivywood Hollow Bed and Breakfast. Izzy is a gourmet cook whose recipes contain a little extra something in the way of spells. Imperious Nora has a talent for growing all types of plants. Gideon keeps to himself in the attic, and Brynn can see ghosts. When Mortimer Sweete, from the Sweetes’ Shoppe, appears to her, claiming to have been murdered, she’s forced to get involved since he’s heard the witchy rumors and knows that she’s solved a murder. Unfortunately, the little he
