“A woman, dying of cancer, reflects on her unhappy childhood.” nancy
NANCY
Lloret, Bruno Trans. by Jones, Ellen Two Lines Press (156 pp.) $19.95 | Apr. 13, 2021 978-1-949641-12-7 A woman, dying of cancer, reflects on her unhappy childhood. The first novel to be published in English by Chilean author Lloret opens on a sunny morning, but there’s not much light in this lovely yet tragic book. It follows the title character, who is dying of cancer, as she reflects on her singularly unhappy childhood. Nancy was raised by a feckless father and a mother who subjected her and her brother, Pato, to horrific abuse, savagely beating them and telling Nancy things like “I wish you’d been born dead dead dead….Not even Pato came out as big and ugly as you, you little bitch.” Her brother later disappeared outside of a nightclub, leaving Nancy to bear
the brunt of her mother’s viciousness. Nancy’s mother eventually abandoned her family, and her father converted to the Church of Jesus Christ of Latter-day Saints; they lived together, almost always on the brink of poverty, at one point resorting to grave robbing to find jewelry to sell. Nancy later married Tim, a man several years her senior, but he had problems of his own; Nancy notes that “rum and Teletrak betting took my husband from me.” Still, she loved him, and was distraught after he was killed in a work accident while drunk. Recalling the long-term trauma that was her childhood, Nancy reflects on the disease that’s quickly killing her: “Knowing you’re going to die is horrible not just because you don’t want to die, but also because there’s always some residual, surviving doubt.” Lloret’s novel is obviously bleak beyond measure, but it’s also quite beautiful thanks to his selfassured and ethereal prose—after Nancy tells Tim that she’s dying, the two “[stare] at each other like divers underwater, sunk in uncertainty.” Lloret employs unusual typography, punctuating the book with a series of bold X’s; the effect is jarring but powerful, reminding the reader of Nancy’s impending fate. This is a gorgeous novel from a writer unafraid to consider the darkness; it’s hard to read but beyond rewarding. Bleak, beautiful, and incredibly powerful.
CAGES
Mark, David Severn House (256 pp.) $28.99 | Jun. 1, 2021 978-0-7278-9091-7 A creepy psychological thriller from a specialist in bone-chilling suspense such as The Burying Ground (2020). Annabeth Harris, a rising star at her job in the British prison system, has a secret: As a teenager, she killed her sexual abuser with a snow globe after he impregnated her. Now, looking for ways to make an impression at work, she asks author Rufus Orton to give a series of creative writing classes at HMP Holderness. Orton, struggling to produce a successful novel, agrees because he’s desperate for money. Meanwhile, the National Crime Agency is striving to pin a series of probable murders on convicted child kidnapper Griffin Cox, a Holderness inmate. Wealthy and brilliant, he’s suspected of a number of abduction/murders, but no bodies have been found. The manipulative Cox talks his way into Orton’s creative writing class, from which he’d been barred as an inmate in danger from the rest of the prison population. Annabeth is unhappy with this turn of events, but the class goes remarkably well even though Cox baits Orton and the other class members. But then Cox doodles a snow globe on his class paper, and Annabeth is terrified. When Orton stays overnight with Annabeth and her son, Ethan, she learns that among the prison stories Orton’s reading is one Cox has written about her. The next class becomes a pitched battle, as Cox is stabbed and Annabeth waits in fear of what he will require from her to keep her secret. A grisly thriller with a shocking climax few readers will see coming. 28
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1 april 2021
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fiction
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kirkus.com
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