“Taddeo makes her fiction debut with a propulsive, erotic, emotional thriller.” animal
boys are told to sleep on the floor. Meanwhile, the stern Presbyterian father and alcoholic Jewish mother wage their own war. Told by the adult Graham, who becomes a cop like Swinson did, the novel occasionally gets caught between a coming-of-age story and a mystery. But this stand-alone follow-up to Swinson’s Frank Marr mysteries—most recently Trigger (2019)—unfolds with cool understatement and entertaining period details (prepare for an onslaught of Jethro Tull) and builds to a satisfying climax. An absorbing take on Middle East conflict as seen through the eyes of an American boy.
ANIMAL
Taddeo, Lisa Avid Reader Press (336 pp.) $27.99 | Jun. 8, 2021 978-1-982122-12-6
Thomson, Rupert Other Press (272 pp.) $15.99 paper | Jun. 1, 2021 978-1-63542-042-5 Three people navigate love and heartbreak in early-21st-century Catalonia. The latest novel from English author Thomson is made up of three interconnected stories. The first follows Amy, an Englishwoman who meets Abdel, a much younger Moroccan immigrant sex worker, after he’s been raped by a client. The two begin an affair that’s brought to an end after one of the woman’s neighbors assaults the young man; the incident has tragic consequences that upend the lives of both Amy and Abdel. The second section tells the heartbreaking story of Nacho, a businessman who lives with his girlfriend, Cristiani, and her young son, Aristides, in the Barcelona suburb of Castelldefels. Nacho favors the area for its “low-level buzz, a foxiness, a slightly sleazy cool.” He spends most of his time drinking at a club until he meets the soccer star Ronaldinho, who asks Nacho to teach him Spanish. As he spends time with the legendary midfielder, Cristiani and Aristides start drifting away from him; the section ends in an almost unbearably heartbreaking way, causing the reader to question everything that came before. The final installment follows Jordi, a translator who forms an unlikely friendship with his neighbor, a mysterious and sleazy businessman who’s convinced a piece of furniture he bought is possessed. The relationship causes strain with a childhood friend on whom the translator’s always had a crush. The stories are loosely connected—a character named Montse is Amy’s best friend, Nacho’s ex-wife, and a publisher who works with Jordi, and a few characters from certain sections pop up in others. Thomson’s prose is unadorned but effective—at one point, Amy muses of Abdel, “He made me feel younger just by being himself. Sometimes I felt younger than he was.” He writes with a cleareyed compassion and never forces moments; everything in the novel feels organic. Thomson inhabits the voices of his characters perfectly; each section is narrated in the first person, and each perspective feels unique. It’s a quiet and unassuming novel even in its most dramatic moments—fans of Thomson and of literary fiction are likely to find this trip to Barcelona well worth taking. A reserved but powerful effort from the accomplished British novelist.
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kirkus.com
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fiction
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1 april 2021
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y o u n g a d u lt
An alluring, sophisticated, sexually voracious, and emotionally ruined woman moves to California to track down a connection to her tragic past. After finding critical and popular nonfiction success with Three Women (2019), Taddeo makes her fiction debut with a propulsive, erotic, emotional thriller focusing on a 37-year-old woman. Joan is fleeing New York after having watched her married lover shoot himself while she was out to dinner with his replacement, but this horrific experience is the tip of a very large iceberg with layers of trauma that began when she lost both parents at age 10. As Joan puts it, “If someone asked me to describe myself in a single word, depraved is the one I would use.” She rents a little house in Topanga Canyon on a large piece of property that is also home to a well-known rapper, a hot guy in a yurt, and a wealthy older man who has recently lost his wife. Once unpacked, she almost immediately runs into the person she went there looking for—a young woman named Alice, who she believes can help her understand what happened to her parents. Taddeo balances the sex, violence, and melodrama of her plot with insightful character development. Joan is almost impossible to look away from on every page. “When I saw boys in the streets with their lowslung backpacks, I thought of the girls they liked, the girls who got to be eleven and twelve and thirteen, with unicorn stickers and slap bracelets. I did not get to be any of those ages. I was ten and then I was thirty, and then I was thirty-seven.” Or this: “I knew the precise color I wanted my coffee and how to have an orgasm in under thirty seconds. I needed everybody in the world—including waiters—less than they needed me.” If the story goes off the rails in the final chapters, the burning questions driving it are satisfyingly answered. As full of sensuality, amorality, and drama as its riveting narrator.
BARCELONA DREAMING
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