THE WORK WIFE by Alison B. Hart

Writes Hamid in a characteristically onrushing sentence, “The mood in town was changing, more rapidly than its complexion, for Anders could not as yet perceive any real shift in the number of dark people on the streets...but the mood, yes, the mood was changing, and the shelves of the stores were more bare, and at night the roads were more abandoned.” Anders returns to work at a local gym, where he finds that the few remaining White people are looking at him with “quick, evasive stares,” no longer trusting the man they called “doc” for his sore-muscle healing powers. When Anders’ father—the last White man of Hamid’s title—dies, there are no more of the “pale people who wandered like ghosts” in the town, and as time passes those who are left slowly lose their “memories of whiteness.” Hamid’s story is poignant and pointed, speaking to a more equitable future in which widespread change, though confusing and dislocating in the moment, can serve to erase the divisions of old as they fade away with the passing years.

A provocative tale that raises questions of racial and social justice at every turn.

THE WORK WIFE

Hart, Alison B. Graydon House (368 pp.) $26.99 | July 19, 2022 978-1-525-89976-8

Inside the perfectly curated fortress of privilege that is the estate of a Hollywood billionaire, threatening tremors of a #MeToo earthquake are felt. “Ted Stabler—the wunderkind who’d directed The Starfighter trilogy...was a late riser, but once he began his day he worked tirelessly, often until one or two in the morning. Teeing up the conditions he needed to task-shift seamlessly without squandering a minute would take all of Zanne’s focus.” Hart’s knowing, ripped-from-theheadlines debut takes us behind the scenes of Ted’s world on a day of reckoning—the day the Stablers host a “Bump and Pump” benefit for low-income women. Things get off to an inauspicious start when the party monkey pisses on the computer server, and sure enough, this is the day each of Ted’s three wives (first wife, second wife, work wife) will watch the ugly truths of her position explode. Zanne Klein—described by her girlfriend as “Snow White, if Snow White was a daddy”—is the work wife, a queen bee in the hive of workers that includes everything from Ivy League graduates to a retired NFL star. Thanks to this group of people, Holly Stabler, Ted’s second wife, spends her days in what looks like glamorous ease but is actually infantilized hell. “Joe paid her bills, Flora made her bed, Erin made her doctor’s appointments and filled her prescriptions, Ilya and James drove her children to school, Katya packed their lunches, Mark hired and fired her household staff, Lauren tried on her clothes, Erin signed her name and impersonated her voice, Dawn and Zanne delivered her messages to Ted when he ducked her calls.” Holly is one of the few who know that Ted was previously married to a Korean American woman named Phoebe Lee, now an English teacher in the Bay Area. Phoebe was co-producer of the first two Starfighter flicks, but the couple split up before following through on their plan to produce her passion project, and she dropped out of sight. Now, after 20 years, she’s back in town. This book flies on a magic carpet of seamless, intricate detail, much of it from work experience the author acknowledges in an afterword. Whether we’re dropping in on Holly with her glam squad or watching in wonder as headset-wearing assistants track the movements of their bosses like world leaders, there’s never a moment’s slip in authenticity or momentum.

Riveting details of a fascinating hidden world support a ruthless takedown of misogyny and entitlement. One hell of a debut.

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Heathcock, Alan MCD/Farrar, Straus and Giroux (304 pp.) $27.00 | Aug. 2, 2022 978-0-3741-0023-0

Same hunger, subtler games. Heathcock’s dystopian tale, set in a near-future America decimated by the ravages of climate change, conjures a haunting mood despite an abundance of familiar tropes. These primarily derive from Suzanne Collins’ Hunger Games series: Both follow the tribulations of a tough, competent young woman from an impoverished family struggling to survive in a hostile natural setting, plucked from obscurity by a totalitarian system eager to exploit her as a symbol to sway the hearts and minds of a desperate populace. Our protagonist, Mazzy Goodwin, like Katniss Everdeen, is motivated by concern for a younger sister and assisted by a stalwart boy from back home as she navigates the treacherous schemes of an oppressive governing body that cloaks its atrocities in the rhetoric of freedom and salvation. Also like Katniss, who took on the mantle of the Mockingjay, Mazzy embodies an avian theme: She’s called the Seraphine, named for the angelic wings that grow from her back. This is where the two works diverge: Where Collins concentrates on realistic worldbuilding and grounds her heroine in a wealth of naturalistic detail, Heathcock crafts something closer to a fable; Mazzy’s wings are desultorily explained late in the narrative, and the workings of the sinister Novae Terrae, a militaristic cult led by the enigmatic visionary Jo Sam, are conveyed in fleeting glimpses and evoked in poetically vague descriptions. Miraculous technological wonders and climatological disasters buffet the suffering multitudes who, as ever, are subject to the whims of Mother Nature and human nature, equally destructive forces immune to reason. Mazzy remains a passive character through much of the action, becoming embroiled in a revolutionary plot she doesn’t really understand, and her dour, humorless perspective, while understandable, casts a pall over the punishing narrative. Ultimately, though, Heathcock produces striking alchemy from these unpromising elements, as the cumulative impact of elusive, evocative details and a growing sense of moral horror deliver an emotional wallop that leaves the reader feeling unnerved and strangely bereft.

The dystopian ingredients are familiar, but Heathcock combines them in a potent metaphorical stew.

THE AWOKEN

Howes, Katelyn Monroe Dutton (416 pp.) $26.00 | July 26, 2022 978-0-59318-5-285

A resurrected cancer patient must fight for her right to exist in this speculative fiction debut. Shortly after Alabine Rivers falls in love with Max Green, she discovers she has lymphoma. Her oncologist is initially optimistic, but when it becomes clear that Alabine is going to die at age 23, she and Max start fundraising for her only remaining option: cryogenics. The plan is for CryoLabs to preserve and maintain Alabine’s body until science finds a way to cure her and bring her back—hopefully no more than a few decades from now. It comes as a surprise, then, when Alabine regains consciousness a century later in an abandoned cryo clinic swarming with armed soldiers. Rebels dubbed Resurrectionists spirit Alabine away and reveal that the eastern half of the former U.S. is now United America, a fiercely nationalistic, aggressively anti-technology country that forbids the revivification of cryogenically preserved humans despite the fact that there are millions. Upon arriving at a Chicago refugee camp full of fellow “Awoken,” Alabine learns that resurrection was actually legal for quite some time thanks to a campaign waged by Max and centered on her. The U.A.’s president intends to soon