5 minute read
THE SWELL by Allie Reynolds
the swell
DENIAL
Raymond, Jon Simon & Schuster (240 pp.) $26.00 | July 26, 2022 978-1-982181-83-3
Thirty years in the future, following widespread environmental disasters, a newspaper reporter tracks down a pipeline manager responsible for massive crimes against the planet. The target, Robert Cave, has been hiding in Mexico, having escaped Nuremberg-like trials in Toronto that sent a rogues’ gallery of energy executives to prison in the wake of sweeping global protests known as the Upheavals. The reporter, Jack Henry, who is from the Pacific Northwest, first encounters Cave in a Mexican coffee shop. The men instantly bond over Mark Twain: Jack is reading Huckleberry Finn; Cave, Tom Sawyer. They go to a museum and a bullfight together and have great chats. Increasingly, Jack is torn between his affection for the elderly and elegant Cave and his plan to set Cave up for “the Donaldson”—sandbagging his subject with tough questions, on camera, in the manner of Sam Donaldson, the famed TV reporter of yore. Shortly after witnessing a full solar eclipse with his new girlfriend, Sobie, Jack is stricken with a debilitating sickness. Is he experiencing symptoms of a potentially dangerous condition, or should he take it as a cosmic sign to back off from his cold objectives? Not all of the pieces of this existential puzzle, including Sobie, fit together. You may wonder why, assorted climatic catastrophes aside, 2052 doesn’t seem much different from 2022. But Raymond’s style is so smooth and agreeably understated, and yet so tension-packed, that it’s easy to overlook any imperfections. A screenwriter as well as a novelist, he is less interested in doomsday and justice themes than in the complicated ways big moral causes play out. As calmly as the novel builds to its rapt conclusion, it’s a page-turner.
A cool, compelling take on an incendiary topic.
THE SWELL
Reynolds, Allie Putnam (368 pp.) $27.00 | July 19, 2022 978-0-593-18787-6
The author of Shiver (2021) moves from the mountains to the beach as a passionate surfer finds herself caught in a deadly adventure. As this psychological thriller opens, sports therapist Kenna Ward flies into Sydney from her home in England, determined to rescue her best friend, Mikki, from her new fiance, Jack: Kenna hasn’t met Jack, but from what she’s gathered long-distance from Mikki, she’s convinced that he’s overly controlling and possibly abusive. Her concern is only to be expected—after all, Mikki and Kenna’s friendship dates back to their early schooldays when they were both surf-mad and shared adventures together, and Mikki’s engagement to Jack was awfully sudden. But Kenna’s plans to investigate Jack take an unexpected turn when he and Mikki whisk her off to their secret hideaway, a remote beach in a semiabandoned national park, where they hang out with a motley crew of buddies known as the Tribe. Victor, Ryan, Clemente, and Sky all hail from various spots across the globe, and each one totes emotional baggage, whether it’s ongoing PTSD from a surfing wipeout or struggles with opiate addiction after a damaging accident. Together, as a team (“Fear is fuel….Panic is lethal!” is their motto), they spend their days surfing and egging each other on with trust exercises and supercompetitive tasks, testing their physical and mental boundaries in the ocean and on the nearby cliff and rocks. But not all is well in this surfers’ paradise, a no-holds-barred tropical pleasure spot despite the mosquitoes, ants, jellyfish, bats, and snakes. Kenna’s got her own challenge to overcome—she lost someone close to her two years earlier and hasn’t quite recovered. And then there’s the sinister undercurrent of a plot around missing backpackers. Who, you wonder, will manage to survive?
An exhilarating, adrenaline-filled tale of surfing and rock scrambling.
GREENLAND
Santos Donaldson, David Amistad/HarperCollins (336 pp.) $26.99 | June 7, 2022 978-0-06-315955-6
Saddled with the name of his “father’s favorite writer” by his colonialthrowback Jamaican parents, aspiring author Kipling Starling is desperate to be published and will do seemingly anything to realize his dream.
Encouraged in writing by his schoolteachers and believing himself “useless at anything but,” Kip built his personality from the expectations and literary opinions of others and the blueprint for his future from those he saw as his predecessors, assimilating Dostoevsky’s style by repeatedly rereading Crime and Punishment and leaving his family in London for New York because fellow “skinny gay black” writer James Baldwin had found success in America. More than recognition of his work or talent, Kip seems to crave the legitimization that acceptance from the predominantly White world of publishing would signify, as he “flounder[s] in the wake of a peculiar invention called Whiteness.” Having been kicked out of his MFA program and despairing over a spate of rejections for his historical novel about E.M. Forster’s relationship with Egyptian tram conductor Mohammed El Adl, Kip receives an inexplicable invitation to meet with a “publishing legend” who was among his rejectors. In the meeting, she implies that a rewrite from Mohammed’s perspective might entice her, but there’s a catch: In four weeks’ time, “a commercial media conglomerate” will acquire the publisher, and the editor expresses nebulous doubts that she will be
allowed to continue acquiring literary fiction after the merger is complete. Thus Kip is launched on a frenzied three-week rewrite quest, and he barricades himself in the basement of the Brooklyn brownstone he shares with his well-intentioned but oblivious White psychotherapist husband, Ben. As boundaries between Mohammed and Kip in his isolation begin to dissolve and a mysterious entity appears, Kip is propelled into a still larger quest to find his “true voice” in a wilderness beyond the confines of Whiteness itself. Though the result is an overplotted and lopsided narrative with a sometimes-tedious start crawling toward a rushed ending, the book still shines at times in the elegance of its prose and its depictions of a stark arctic landscape and in Kip’s musings through Mohammed’s story on the intersections of colonialism, White supremacy, and queer love, particularly the liberatory potentialities of queer love between Black men.
An ambitious if uneven debut exploring the possibilities of love, self-realization, and art under and beyond the White gaze.
IDENTITTI
Sanyal, Mithu Trans. by Alta L. Price Astra House (336 pp.) $27.00 | July 26, 2022 978-1-662-60129-3
A celebrated professor who passes for Indian is revealed to be White. Is she a fraud or a trailblazer? This provocative fiction debut and satire of identity politics by Sanyal, a German academic, centers on Saraswati, a Düsseldorf professor who’s infamous for her outspoken proclamations about race and social justice: She’s shut down Jordan Peterson in debate and kicked White students out of her courses. She’s a hero to Nivedita, a graduate student who’s been inspired by Saraswati to explore her own mixed-race background and launch a blog under the name Identitti. So she’s crushed when it’s revealed that Saraswati isn’t South Asian but a White woman named
