“An enigmatic, elegant meditation on the end of civilization—if end it truly is.” harrow
1950s to the Harlem riots of 1964. Throughout, readers will be captivated by a Dickensian array of colorful, idiosyncratic characters, from itchy-fingered gangsters to working-class women with a low threshold for male folly. What’s even more impressive is Whitehead’s densely layered, intricately woven rendering of New York City in the Kennedy era, a time filled with both the bright promise of greater economic opportunity and looming despair due to the growing heroin plague. It’s a city in which, as one character observes, “everybody’s kicking back or kicking up. Unless you’re on top.” As one of Whitehead’s characters might say of their creator, When you’re hot, you’re hot.
HARROW
Williams, Joy Knopf (224 pp.) $26.00 | Sep. 14, 2021 978-0-525-65756-9
BRIGHT YOUNG THINGS
Adams, Jane A. Severn House (224 pp.) $28.99 | Sep. 7, 2021 978-0-7278-5013-3
DCI Henry Johnstone returns to active duty to probe the murder of a socialite who seems to have died twice. It’s strange enough for terrified tourists to see a large, silent man carrying a dead body in his arms lumber down Bournemouth’s beach to deposit his burden at the water’s edge. But it’s stranger still when the local police discover papers in a purse lashed to the victim’s arm that identify her as Faun Moran, a bright young thing who was killed and buried over a year ago after she and fellow partygoer Malcolm Everson drove off from a bash at the Belmonts’ posh estate and plummeted headlong into a nearby ravine. DI Harold Shelton, who investigated the crash, did such a slapdash job that DS Mickey Hitchens implores Johnstone to head up the newly opened inquiry. Though he’s still healing from his assault by the villain who kidnapped his niece in Old Sins (2021), Johnstone’s too intrigued by the case to turn it down. As Johnstone reinterviews witnesses who already gave testimony in the Everson crash, Adams opens another window into the backstory through an account by Vic, a shadowy character who traces Faun’s flight from her overbearing father into the arms of a man who’s far more dangerous. When Faun’s captor at last unveils himself, the question moves from who’s responsible for her death to whether and how Johnstone and Hitchens can bring the criminal to justice. A cautionary tale, more thriller than mystery, about the perils of getting what you wish for.
y o u n g a d u lt
A memorable return for renowned storyteller Williams after a lengthy absence from long-form fiction. “Something definitely had gone wrong. Even the dead were dismayed.” Something has gone wrong indeed, but in her first novel in 20 years, Williams doesn’t reveal the precise contours of what that something is. There are portents at the outset as the young girl known first as Lamb, then as Khristen, contemplates a bit of family lore recounting that as a newborn she was resuscitated after having stopped breathing and, thus reborn, “was destined for something extraordinary.” So Khristen’s mother believes, in any event, sending her to a boarding school where, Khristen says, “my situation would be appreciated and the alarming gift I had been given properly acknowledged.” Instead, the school dries up, for by Khristen’s third year there are no incoming students. Why? There’s no resolution in sight anywhere in Williams’ deliberately paced pre–post-apocalyptic novel: All the reader knows is that something is definitely off, signaled by such moments as when a fellow student, asked to contemplate an orange while pondering creativity, protests, “I haven’t tasted an orange in years.” Khristen takes her place in an odd community on a “razed resort” alongside a dying lake known as Big Girl, populated by the likes of a gifted, spooky 10-year-old and a Vicodin-swilling matriarch named Lola. If nothing else, the place has a working bowling alley, one good place to await doomsday. As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description (“He was in excellent physical condition, lean with rage”), and all along with subtly sardonic humor: Williams’ imagined world of the near future is so thoroughly corporatized that even the blades of wind turbines have advertisements on them, and she offers a useful phrase for obituaries to come: “What did he die of?” one character asks, meeting the reply: “Environmental issues.” An enigmatic, elegant meditation on the end of civilization—if end it truly is.
m ys t e r y
CHINA ROSES
Bannister, Jo Severn House (240 pp.) $28.99 | Sep. 7, 2021 978-0-7278-5065-2 The latest round of unrest in the English Midlands town of Norbold revolves around two women. One of them is dead, and the other just won’t go away. DC Hazel Best, a friend of Peregrine, the 28th Earl of Byrfield, recognizes the man PC Wayne Budgen has found beaten unconscious as archaeologist David Sperrin, the illegitimate son of the 27th Earl. Sperrin’s injuries have inconveniently shut down his memory, but unbidden and unnerving snapshots return to him as he lies in the hospital. A woman had been running toward him. She was crying that she wouldn’t become a China Rose because she was |
kirkus.com
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mystery
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1 july 2021
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31
