brilliant necromancer Harrowhark consumed the soul of Gideon, her foulmouthed cavalier, to become a Lyctor, a semiimmortal officer in the Emperor Undying’s court. In a desperate attempt to preserve Gideon’s identity, Harrow deliberately erased the other woman from her memories, leaving herself confused to the point of delusion, unable to access her full powers, and vulnerable to enemies both within and without the Emperor’s court. This novel introduces Nona, a sweet but extraordinarily naïve young woman who appears to be in Harrowhark’s body but with Gideon’s golden eyes, lacking both necromantic abilities and any memories prior to six months ago. Nona’s been happy despite her precarious living situation in a war-torn city threatened by the necromantic Houses and their foe, the Blood of Eden. Unfortunately, what fragile peace she has cannot last, and everything depends on recovering Nona’s memories and returning to Harrowhark’s home in the Ninth House, there to finally release the deadly threat lurking in the Locked Tomb. But who is Nona, really: Harrowhark, Gideon, a blend of both young women…or someone else entirely? (The reader will figure it out long before the characters do.) Meanwhile, the Emperor and Harrowhark meet in dreams, where he recounts events of 10,000 years ago, when, as a newly fledged necromancer, his conflict with the corrupt trillionaires who planned to escape the dying Earth and leave the remaining billions to perish led to nuclear apocalypse. It’s pretty gutsy of Muir to write two books in a row about amnesiac characters, particularly when it may very well be the same character experiencing a different form of amnesia in each. This work initially reads like a strange interlude from the series, devoted to Nona’s odd but essentially quotidian routine in the midst of war, riot, and general chaos. But the story gradually gathers speed, and it’s all in service to a deeper plot. It is unfortunate that the demands of that plot mean we’ve gotten a considerably smaller dose of Gideon’s defiantly crude, riotously flouncy behavior in the two books subsequent to the one which bears her name. A deceptively quiet beginning rockets to a thrilling finish, preparing us for the next volume’s undoubtedly explosive finale.
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shunned) composer. She herself is an excellent composer but shields her work behind a male pseudonym and, to keep her small family from penury, focuses most of her energy on being a music instructor to the five sisters of the Duke of Westbury. Well, and maybe a little energy on peeking at the duke himself, Brandan Delamar. He’s attractive but entirely off-limits; in any event, he’s also known as “Wicked Westbury” and known to deliberately avoid his noble obligations after a lifetime of shame and cruelty from his father. But when he discovers that his neglect and family debt have ruined his sisters’ chances at decent marriages, he pledges to reform. His obtuse early attempts to make amends earn him a stern talking-to from Viola, and their first clash brings their chemistry into view. He realizes she’s crucial to a happy household, and they work together more closely as he searches for a proper duchess with a proper fortune and she helps prepare the girls for their season. A series of dramatic incidents heighten the passion between them, but both have serious debts that loom over their budding love and might crush it entirely. The third Wallflowers vs. Rogues title focuses on another member of London’s proto-feminist Boadicea Club but doesn’t have quite the spark of earlier entries. Though the intimate scenes between Viola and Brandan are steamy, and there are the usual humorous moments readers expect from Bell, the plot is bland, and the frequent musical metaphors can be distracting. Brandan isn’t quite as wicked as his nickname would suggest, though he’s a serviceable rake archetype. But fans of the series will still find moments to love, including a first-class proposal, and the relationships between Viola and Brandan’s sisters are a particular high point. A bland historical romance with occasional grace notes.
LIZZIE BLAKE’S BEST MISTAKE
Eddings, Mazey St. Martin’s Griffin (336 pp.) $16.99 paper | Sept. 6, 2022 978-1-2508-0600-0 A delightfully scatterbrained baker prefers one-night stands to relationships—until a sexy Australian marketing executive visits her city and turns her life upside down. Lizzie Blake is relatively happy in spite of a lonely childhood. She has a tightknit group of friends and loves working as a baker, although she has a hard time holding down a steady job due to chronic lateness. Thanks to dating apps, she has all the sex partners she wants. Lizzie likes to love ’em and leave ’em. As usual, she expects to forget all about her latest paramour, a business traveler named Rake Thompson. But after Rake goes home to Australia, Lizzie discovers that her disorganized brain has really messed things up this time. She and Rake used an expired condom, and Lizzie is pregnant. She wants to keep the baby, but when she calls Rake as a courtesy to let him know, he shocks her by deciding to move to Philadelphia to be near Lizzie and their child. The two are determined to be friendly,
r om a n c e DUKE MOST WICKED
Bell, Lenora Avon/HarperCollins (400 pp.) $8.99 paper | Sept. 27, 2022 978-0-06-299348-9 A musician plays her way into the heart of a duke. Miss Viola Beaton has an unusual name, but it’s a good fit for the spinster daughter of a world-renowned (and now |
kirkus.com
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romance
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1 august 2022
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