Interior and Spatial Design Portfolio 2021 by Kiwi Chan

INTERIOR AND SPATIAL DESIGN PORTFOLIO Chan Ching Yan ( Kiwi) 2021

E-mail: kiwiccy@gmail.com Tel: +44 7473388696 | +852 64070227

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D ESI G N F OR PER SO N AL A N D P LA NE TA RY W E L LB EI NG 2

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| Ho me a n d E xhibitio n |

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| Rem odelling and Hacking |

GA R D EN SH ED H A C K IN G

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HO M E IS W H ER E TH E HE AR T I S

| Resear ching Refugee Cr isis |

PR EC A R IOU S B EIN G

| M odelm aking |

R EM OD EL L IN G T H E IN VISIB L E C IT Y T H R OU GH T H EORY A N D PR A C T IC E

| Un emp lo ymen t a nd Wellb e ing |

Hello, I am Kiwi Chan, and this is my portfolio. p.1- 2

COL L ABO R ATI VE AND CO LL E CT IV E DE SI GN FO R P E RS ONA L A N D PLA N ETARY W EL L BE ING

| Shelter Design |

M EA SU R E, SIT E, B OD Y, SC A L E

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| Furn iture a nd Hea lth |

I am glad to share my latest projects.

| Urban De sign |

SE NS E S IN TH E C IT Y

: CONTENTS

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MEASURE, SITE, BODY, SCALE Mobile Cardboard Shelter One week collaborative building project Year: 2019 Category: Shelter Design By designing through making, we, as a group of four, designed and constructed this wearable mobile shelter using discarded cardboard collected from the university, local supermarkets and stores (such as Sainsbury, Asda, Tesco) in one week. Throughout this fast-paced project, we had day by day tasks of site exploration, material collection, contextual research, material experimentation, site survey, 1:1 scale measurements, drawing and modelling, photographing and presentation. Layering upon the net structure, cardboard techniques like l-brace were employed for strength and stability. In consideration to ergonomic versatility and adaptability, this design also incoporates a curling mechanism and internal organic structures based on our measurements. Teamwork: Annie Peng Aaisha Shah Yuki

Software: Adobe Photoshop, Autodesk Sketchbook

Presentation + Display

Final Modelling at Site

Planning + Experimenting

Digital Illustration

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PRECARIOUS BEING “ C o exist en c e ” Five week research project Location: Lesvos, Greece Year: 2021 (ongoing) Category: Refugee Crisis

According to UNHCR, in 2020 there were at least 80 million forcibly displaced people in the world (UNHCR, 2020).

Erected from the man-made landscape constructed by paper pulping, the general structure of the observatory and tree trunk were modelled with clay, while the base of the canopy was built with lichen moss.

REMODELLING THE INVISIBLE CITY THROUGH THEORY AND PRACTICE B au cis “C it ies an d Eyes” Five week theoretical project Year: 2020 Category: Modelmaking

Using starting point is one of the refugee Hotspots located in the Greek Islands– Lesvos, this compositional illustrational aims to create an informed exploration, appreciation and understanding of coexistence during first yet most hazardous stage to safety–sea journeys of refugees on a vessel in the Aegean Sea. By layering a combination of digital illustrations, 3D visualisations and audio-driven motion graphics, this investigates how refugees communicate and interact with each other, with their unpredictable environment and mobile materials, as well as the politics and hierarchy (racial, age and gender) within in this course of danger and violence. This interprets the body of water in Mediterranean and Aegean sea as “simultaneously a space in which other ontologies, geographies, poetics and politics are mobilised, set in play, enacted and re-signified by the movements of foreign bodies in small boats”.

So ftw a r e : R h i n o , Ad o b e Il lustrator, Adobe Ph o to sh o p , Ad o b e Afte r Effects, F usion360, Pr o cr e a te

Compositional Illustration

Captivated by Oulipian matrix surrounding the city of Baucis in the center chapter of the book, I translated my exploration of the theme “Cities and Eyes” into my research for surveillance, defense, learning and ecology through analysis, site visits and modelling. Predominately inspired by the Barbican Center and Paul Virilio’s theorisation of the functionality of the bunker in “Bunker archaeology”, this final conceptual model explores atypical relationship between fortification and ecology and the constant tension between nature and man. Alongside nature, it applies the concept of protection with serenity: the external zoomorphic structure offers safety, and yet its anthropomorphic interior is mindful of human privacy; relative to Laputa–” Castle in the Sky”.

Exploded Axonometric of Refugee Vessel

Audio-Driven Motion Graphics

Ship Wreck Storyboard/ Timeline

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GARDEN SHED HACKING R em o d ellin g Sh ed In t o Po p U p St o r e Nine week project Location: The Playground UAL Year: 2020 Category: Remodelling + Hacking This project ‘hacks’ traditional garden sheds, proposing new sustainable uses. Inspired by Story Garden and Skip Garden, the design remodels a pent shed into a pop up store in local context of The Playground (a community space to meet and play with ideas, materials and technologies hosted by Camberwell College of Arts), bringing in small entrepreneurial retail businesses set up in Peckham and Camberwell into the college, like Holdron Arcade and Peckham Levels. This was not only aimed to raise awareness for these businesses and events, but also to introduce and get to know the local community, as well as provide opportunities for open collaboration for students and the public.

Main Components

PRODUCED BY AN AUTODESK STUDENT VERSION

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10.0000

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1:10 Scale Model of Pent Shed

PRODUCED BY AN AUTODESK STUDENT VERSION

So ftw a r e : Fu si o n 3 6 0 , Au to C AD , Au to d e sk Ske tch b o o k, Ad o b e Ph o to sh o p

PRODUCED BY AN AUTODESK STUDENT VERSION

Public Urban Seating 1

Public Urban Seating 2

Dining Seating

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Local entrepreneurial businesses at Holdron Arcade Pop Up Store 1

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PRODUCED BY AN AUTODESK STUDENT VERSION

SENSES IN THE CITY D esig n ing P a v i ng S y s te m

In consultation with Living Streets, a London-based pedestrian advocacy charity, I was tasked to design a new paving system that will engage the senses in the city. Through extensive research of existing paving systems, body-conscious analysis, scaled material and spatial exploration, I designed a collection of three slabs that aims to manifest a new urban landscape that will challenge the status quo and invite an energetic walking experience beyond the usual. Taking into consideration diverse users and environmental concerns, this intends to configure an innovative multi-modal realm. So ftw a r e : Fusion360, AutoCAD, Adobe Il l u str a tor, Adobe Photoshop

1:50 Plan of Paving Design 1

1:50 Plan of Paving Design 2

PRODUCED BY AN AUTODESK STUDENT VERSION

Five week design project Year: 2020 Category: Urban Design

PRODUCED BY AN AUTODESK STUDENT VERSION

5.00mm

2.00mm

95.00mm

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Front 25.00mm

10.00mm

Kiwi Chan Document type

Title

17/11/2020

negative mould l shape final one 100 extrude

5.00mm

80.00mm

360.00mm

directional narrow strips (vertical=straight path)

15.00mm

Top

small holes for water drainage textured surface (slip resistant)

Jointing Speed bump with tactile paving

DWG No.

Date of issue

100.00 mm

Bedding

150.00 mm

Sub-base Sub-grade

1: 20 Sections of Paving System

80.00mm

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Front

Directional narrow strips for street users (vertical=straight path)

Ø5.00mm R7

.50

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small holes for water drainage along mould textured surface (slip resistant)

Isometric

Document type

Title

negative mould l shape final one 100 extrude

1: 5 Pav i n g D e s i g n 2 (st r ai g ht p at h)

Document status

DWG No.

Rev.

Date of issue

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Approved by

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interlocking slot/track for stacking pavers on top and bottom profile (ease of transport for pavers)

PRODUCED BY AN AUTODESK STUDENT VERSION New paving design Jointing

Trapezoidal prism tactile paving

Speed bump with tactile paving 0.0820 359.9730

100.00 mm

Bedding

150.00 mm

Sub-base

100.00 mm

Sub-grade

5000.00 mm

100-150 mm thick granite setts

Hot pitch pointing

100-150 mm thick granite setts butt jointed

Pointed with Instarmac Ultrascape Flowpoint ECO (or equal approved)

Sand bedding layer

Wet mortar mix

200-400 mm non-reinforced concrete base

Pointed with Instarmac Ultrascape Flowpoint ECO (or equal approved)

200-400 mm thick non-reinforced concrete base

Rigid Concrete Construction

Existing Construction Detail (Rigid base and bedding with flexible pitch jointing)

100-150 mm thick granite setts butt jointed

Hot pitch pointing

100-200 mm thick wet mortar mix

Dense tarmacadam base course

Minimum 150mm MOT Type 1 sub-base

Flexible base with flexible pitch jointing

100-150 mm thick granite setts butt jointed

Narrow joints (sand filled with added stabiliser)

Sand bedding layer

100-200 mm dense tarmacadam base course

Minimum 150mm MOT Type 1 sub-base

Flexible base with flexible sand bed and jointing

Types of paving construction methods

PRODUCED BY AN AUTODESK STUDENT VERSION

Negative mould of granite setts from site

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100.00mm

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Fillet hole in mould for water drainage

360.00mm

PRODUCED BY AN AUTODESK STUDENT VERSION

Paving Render

17/11/2020

Pav i n g V i su a li s at i o n o n S i te

Trapezoidal Prism tactile paving (negative mould of food container lid)

5.00mm

4.00mm

Created by

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2500.00 mm

1/1

25.00mm

Kiwi Chan

100.00 mm

PRODUCED BY AN AUTODESK STUDENT VERSION

Sheet

115.00mm

Technical reference

40.00 mm

100.00 mm

1: 5 Pav i n g D e s i g n 1 (di r e c t i o n a l p at h)

Document status

10.00mm

Dept.

New paving design

Trapezoidal prism tactile paving

Isometric

Approved by

Rev.

350.00mm

.00

Ø5

20.00mm

interlocking slot for stacking pavers on top and bottom profile (ease of transport for pavers)

12.50mm

PRODUCED BY AN AUTODESK STUDENT VERSION Created by

4.00mm

With flexible base construction, this collection of directional, straight path and speed bump contains elements of inclusive tactile paving, negative moulding and water drainage, corresponding and unifying with the original setts at site. Ultimately, I would like to introduce this paving system as a blank canvas, enabling local artists and residents to produce and decorate internal mould of the pavers with integrated cultural diversity, colour and artistic individualism, like Michael Grubb Studio’s permanent festival lighting.

PRODUCED BY AN AUTODESK STUDENT VERSION

Technical reference

PRODUCED BY AN AUTODESK STUDENT VERSION

Dept.

Interchangeable L shape modular design

Trapezoidal Prism tactile paving (negative mould of food container lid)

PRODUCED BY AN AUTODESK STUDENT VERSION

5.00mm

Negative mould of granite setts from site

55.00mm

C as e S t u dy: Shared Spaces on Brick Lane, Aldgate East

D i a g r a m m i n g a n d m a p p i n g of s h a r e d s p ac e o n B r i c k L a n e

Experimental Fusion models of Pavers

On this stretch on Brick Lane in front of Truman Brewery, cars , pedestrians, cyclists and good vehicles all share the road in an informal way, which contributes to the character of the street, making it a shared space. The pedestrians tend to walk along the sides, while vehicles frequently drive through the middle. This path of setts are naturally-rounded and curved in a decorative pattern, which distinguishes the brewery. The primary material is granite sett along the stretch, which is then framed by concrete block slabs and asphalt paving with concrete kerb.

Activities

Considerations for street users

Modelling with clay and cereal

As suggested by John Kilner form Living Streets, fly-tipping, rubbish and maintenance is one of the barriers to walking. Beyond physical attractiveness, this also affects pedestrian’s psychological perception of safety in the area. Having seen masses of waste on the streets of Brick Lane, I started to consider the problem of waste management in the area. Making use of existing moulds of food packaging and containers from household and business waste, this design casts the negative space surrounding waste and ideas of absence and memory. It looks at preservation of existing historic materials and connecting the past and the present.

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COLLABORATIVE AND COLLECTIVE DESIGN FOR PERSONAL AND PLANETARY WELLBEING M ishM ash Location: South London Maker Space Year: 2020-2021 Category: Furniture and Health Mish Mash is a community of designers, makers, creatives and more that aim to tackle issues surrounding furniture waste. We provide free-for-use spaces, resources and support. We believe we can positively impact both planetary and personal health and well-being. Our philosophy is centered around sustainable and circular design strategies. We look to the Centre for Circular Design, UN Sustainable Development Goals (SGD) and TED’s ten for guidance in sustainable solutions and outcomes. We aspire to be change-makers in conscious design: designing and educating for keep and care; encouraging longevity and circularity. Our aim is to help users establish a personal attachment towards their furniture, by transforming their items instead of replacing them over time. By gathering different types of people to learn new building skills, our purpose is to improve health and wellbeing, through both virtual and physical means.

User journey: 1. People bring in their piece of furniture. 2. We take it apart entirely or by sections. 3. Users create a digital collage with our game as a draft and to inspire themselves. 4. We help them build or fix it by providing specialist guidance. 5. They bring their new furniture back home and keep it forever!

Teamwork: Nicole Rambla Bedwell Holly Toner Michelle Leano Escobar Lucas Waterfield David Ryd Fioren Nathasia Grishma Rai

Collages of exis ting furniture inspired by 100 Chairs in 100 Days

Our field research on furniture waste

The website will be used for three main purposes; to announce our future workshops, to house our tutorials and to inform who we are and what we do. The website will also feature a furniture collage game. We will invite users to share their creations with our social media account.

Instagram: @mish_______mash Our brand identity is reflected in our social media presence. We have created posts for the main feed that intent to engage users and start conversations. In one post we used a demonstration time-lapse to capture how furniture can be renewed.

Story Highlights: We created a series of story highlights named ‘Love stories’, ‘Questions’ and ‘By you’. ‘Love stories’ is where our audience will share the stories behind their most loved pieces; the journeys have taken; why they hold them close, while ‘Questions’ addresses our audience with engaging questions; to start conversations and learn more from our audience. Through our collective sub-platform “By you”, we want to inspire and share creative ideas as well as collaboration that combine and establish new connections in furniture, by mixing forms, function and techniques in time of physical distancing. Designers, students and the public can all take part or co-design new joineries. This allows every piece of furniture to be unique, and have their own story.

MishMash Furniture Collage Game on Website Mock-up

Underground Advertisement Mock-up

Brand Social Media

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CONFIGURATION ONE: MARKETPLACE

Il l u str a to r, Pr o cr e a te

A spacing of 15.2-20.3 cm between people leads to greater efficiency, a spacing of 30.5-35.6 cm is commonly used, and a queuing spacng of 45.7-55.9 cm offers a greater degree of comfort.

Traders Market Section with eight individual stalls

Self-build, self-assembly structure constructed by the community (can support unemployed persons from the construction industry)

(that is detachable)

Marketplace Plan, Elevation and Render PRODUCED BY AN AUTODESK STUDENT VERSION

DESIGN FOR PERSONAL AND PLANETARY WELLBEING 2

Year: 2020-2021 Category: Unemployment and Wellbeing

Diagram describing the wide range of stimulating activities for mind, body and spirit that can take place in this allencompassng space

PRODUCED BY AN AUTODESK STUDENT VERSION

Designing “Healt hy” Space f or Unemployment

PRODUCED BY AN AUTODESK STUDENT VERSION

4 people max. for each market stall

Each modular store is separated by boards in between for health and safety (COVID considerations)

PRODUCED BY AN AUTODESK STUDENT VERSION

This proposal presents a human and empathetic spatial response that aim towards supporting unemployment and people in need during challenging times, in parnternship with non-profit organisations such as Trust for London and Impetus. In creation of a ”healthy” space, this creates a temporary multi-functional modular structure that encompasses a marketplace, event space, workshop space and open garden. These structures could create employment opportunities, promote productive activities, entrepreneurship, creativity and active living, that can be rewarding for mental and physical health; encouraging the formalisation and growth of micro-, small- and medium-sized enterprises (Sustainable Development Goals Target 8.3).

Range of stores and pop-ups (clothing, food, arts and crafts, hand-made products)

PRODUCED BY AN AUTODESK STUDENT VERSION

The challenge was to explore the intersections between personal and planetary health and wealth, through the lenses of different design disciplines. New systems, products, spaces and services can offer people substantial benefits to their financial and physical wellbeing.

BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

So ftw a r e : Au to C AD , Fu si o n 3 6 0 , Ad o b e

PRODUCED BY AN AUTODESK STUDENT VERSION

Protected by dividing clear shields, traders can safely interact with each other whilePRODUCED being secluded and distanced. Alternatively, the screens would be noise-enhancing for better acoustics during communication. Generating a source of income, markets traders are open to sell products and even skills.

Private Pods Section and Renders

Structures are spaced significantly, allowing it is be open and accessible.

Small Self-Held Yoga Session/ Workshop in Pod 1 (for exercise, relaxation, health, building relationships)

Small Self-Held Dance Lessons/ Workshop in Pod 2 (for up-skilling, exercise, and staying active)

Small Classes of 6 people max

Social Seating

derations for Comfortable Public Human Spacing

A mix of free classes and paid classes (paid classes are held by unemployed industry professionals for small income)

PRODUCED BY AN AUTODESK STUDENT VERSION

C O N F I G U R AT I O N T W O : S E M I - P R I VAT E W O R K S H O P S PA C E

Besides the market, the modular units can be arranged into this curvillnear form with a continuous organic wall, where the community can host a variety of concurrent private and public activities including selfheld workshops, private classes, seminars, events and small concerts in its concave and convex surfaces. This sturcture is projected for community life and larger social interactions.

Private Pods with adjustable sides for workshops held by people who are unemployed (can be enclosed or opened) Interactive Seclusion with private pods (private bubbles)

PRODUCED BY AN AUTODESK STUDENT VERSION C O N F I G U R AT I O N T W O : P R I VAT E P O D S

The design of private pods hopes to create a safe environment for learning, up-skilling and building relationships through communityheld workshops and small events. These pods encourage personal, intimate human interactions and communication within the space, but they also answers the theme of ‘time to yourself’ with opportunities for isolation and relaxation during stressful times.

Workshop Space Render and Drawing

Ethics of collaboration power relationships inclusion building trust consent

TED’s

1 Design to Minimise Waste

Ten

4 Design to Minimise Energy and Waste Use

Design to Dematerialise and Develop Systems + Services

ment fi l l s ed

Self-

2 Design for Cyclability

Selfactualisation Ps y n

ical olog ch d s ee

Esteem needs

Ethics of collaboration

Belongingness+l ove

power relationships ee cn

Bas

inclusion building trust consent

Physiological nee ds

Illustration of Maslow’s hierarchy of needs

TED’s

1 Design to Minimise Waste

Ten

4 Design to Minimise Energy and Waste Use

Comparative Illustration of linear economy and circular economy

Design to Dematerialise and Develop Systems + Services

Four Aims in TED’s Ten

ment fi l l s ed

Newplast and Clay Model

Self-

2 Design for Cyclability

Selfactualisation olog ds ee

Ps y n

Esteem needs Belongingness+l ove

Bas

ee cn

ical

Physiological nee ds

M OD U LE AN D M E C H A N I S M D ESIGN The adjustable mechanism furthers the changeable intimacy, dictating social distance between people and partition between activities. The geometric design can also be descaled into market stalls instead of a pavilion scale.

Diagram of Circular Construction/ Reversible Design

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bedroom

living room

bedroom

living room

hallway 100.00

bathroom

hallway 100.00

bathroom

Movement + Zones

HOME IS WHERE THE HEART IS 100.00

Exhibit ion: Virt ual Shell of t he H o m e

100.00

Nine week project Location: Tate Modern, UK Year:2021 Category: Home, Technology and Exhibition Design

Some of us are born at home. Some of us have no home. Some of us are forever searching for a place to call home. Some of us leave home and become homesick. Some of us want to escape home.

Media Exposure

Boundaries and Proximities

(hybrid maps of the home)

Home can be a feeling and a place. It can be a house or a country. It can be a person or a community. It can be a building or a body. Being an international student, home to me is all about routines and rituals.

B O U N D A R I E S A N D P R O X I M I T Y AT HOME

We are living in mixed reality environments, where the physical and virtual merge, every object has the potential to be smart. Every button, handle, knob, moulding has the potential to become a switch, gate, window, link to worlds beyond that in which they materially exist. My exhibition design exploring routines and rituals in the home communicates the potential future for homes and ideas of virtuality, teleology, and home automation. It aims to ask thought-provoking questions like: are phones where we live? In the time when the phone is our home, what do we need from our houses, shelters, or dwellings? Are we moving away from home automation post-covid? Is home automation a trend?

After attending Vitra’s talk– “Home Dynamics”, this looks at the physical and psychological boundaries of the home, such as thresholds, media, and proximity. However more often now, beyond walls, floors and ceilings, the physical boundaries of the home overlaps with the virtual, evident in home automation and social media.

K i wi

10:10 am

Ar i el

These hybrid maps illustrate the differentiation of different zones (where I eat, sleep and work) and various interactions when living with another person. 10:30 am

10:50 am

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J o nathan

So f t w a r e : R h i n o , G r a s s h o p p e r , A d o b e I l l u s t r a t o r , A d o b e P h o t o s h o p , A d o b e A e r o,

Adobe Dimension, Twinmotion, Isadora, Metashape

Survey: All About the Home

Film Collage of Routine

Experimenting with Projection Mapping at Home

V I R T U A L V. S . P H Y S I C A L

Experimenting with Augemented Reality

Chapter 1

Chapter 2

Wa k i n g u p

Wa s h i n g u p

Inspired by the Telematic House (1983) and Paul Virilio’s “Time Surfaces”, this series explores the implications of bringing the growing electronic memory together with the domestic space. Images of buildings around my homes in London and Hong Kong are projected onto fabric, walls and furniture to explore the relationship of inside and outside; public and private. Virilio’s screen: is it a cinema, television, or computer screen? Can furniture be screens? Is a home a screen?

“ARE PHONES WHERE WE LIVE?” As argued by UCL’s study addressing if smartphones have led to the death for ‘proximity, “the smartphone is no longer just a device that we use, it’s become the place where we live.” Using the combination of Adobe Dimension and Adobe Aero, this experimental AR display conveys the way smartphones change how I live and behave, enabling human communication, “functional photography”, home automation. Like the short film “Hyper-Reality”, the display is quite busy with virtual messaging and activities, capturing the endless functions of a phone and blurring reality. Embedded in a sea of information, I selected my most frequently used apps like Instagram, Netflix, and WhatsApp... to communicate the idea of media exposure and overlaps.

Although I am more used to smart systems, I find Finnish architect Juhani Pallasmaa’s portrayal of the door handle being the ‘handshake of the building’; and the light switch of the ‘handshake the room’ interesting. He believed that touch is a key part of remembering and understanding, that ‘tactile sense connects us with time and tradition’.

Experimenting with Photogrammetry Storyboard of Virtual and Physical Routine

Proposed Exhibition Outer Shell Render

6000.00 6000.00

5730.00

20115.00

The concept would include both projection mapping and Augmented Reality (projection on the inside and AR on the outside). On the inside, the internal structure is modelled after a distorted and fragmented layout of furniture from my living room. This plays with the idea of virtual boundaries and fragments. The materials are made with a pillow texture, symbolising a projection screen. 5730.00

01 01

31150.0

6230.0

20300.00 1200.00

39 46

Exhibition Room 46

7240.00

Screening Room

6000.00

7250.00

1:50

37680.00

Level 4 Plan 1:100 Collection

Panorama of Exhibition Room 39

I chose exhibition room 39 in Tate Modern for four main conditions, which are its rather high ceiling, wooden floor, furniture, and window. After primary observations, I want to make use of its internal process where many would use the centre to eat, rest and text, inviting them to interact with my exhibition with their phones. With limited number of gallery spaces that include a window, I would like to communicate the idea of surveillance or being surveyed.

Proposed Exhibition Site Plan and Section

Collage of Outer Exhibition Shell Cut-outs

3D Model of Internal Exhibition Structure

28 Map of Tate Modern

7240.00

Level 4 Room 39 Section 1:10

Level 4 Room 39 Plan

Conservation Studio

3200.00

3010.00

27060.00

Concourse

440.00

3000.00

440.00

7240.00

6875.00

1:10

Exhibition Room 39

18140.00

Exhibition Room 39

14930.00 Exhibition Room 46

17350.0

7250.00

6000.00

20115.00

Level 4 Room 39 Section

Thank you for your tim e and feel fr ee to c ontac t m e.

E-mail: kiwiccy@gmail.com Tel: +44 7473388696 | +852 64070227