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THE SOUND ALTER NATIVE As we once again wrap up another amazing year for KJHK, it is important to reflect and showcase the people who make it all possible. KJHK’s staffers are incredibly talented as they are dedicated to the station. With all the ups and downs the year of 2020 has presented, our staffers continue to be the same goofy, creative, and loving people that make KJHK the best place on earth. Period!
JUSTIN’S MUSICAL RECIPE BOOK BY JUSTIN RODERMAN
FOOD AND MUSIC? They aren’t too different. Both have the extraordinary potential to manipulate our emotions - to give us the highest of highs (and the lowest of lows, but we won’t worry about that today). And, much like food, it is best enjoyed when combined with other complementary flavors. That is why I have created these five music combinations recipes, if you will - that complement each other nicely and lead to a wholly new listening experience. If nothing else, you may find some new artists to check out or potentially some new genres you never thought to give a try. So without further ado, I present to you: Justin’s Musical Recipe Book!
GROOVIN’ AND JAMMIN’ INGREDIENTS: --Talk to the Moon - Ripe --If You Feel (The Way I Do) - Reliably Bad --Do You Wanna Do Nothing with Me? - Lawrence Do you ever pop some music on while working and suddenly find yourself subconsciously swaying with the rhythm? If not, prepare to feel the beat with this dish. Talk to the Moon starts you up fast with an energetic tempo and funky horn lines, which lead into the more chill, subtle notes of If You Feel (The Way I Do). Wrap it all up with the amazing band Lawrence and their most popular song Do You Wanna Do Nothing with Me? Good luck not feeling the sudden urge to jump out of your seat and jam with this trio of songs.
ON THAT BACK BEAT INGREDIENTS: --She Got Your Love - Sam Burchfield --Untie My Shoelaces-Arleigh Kincheloe, Sister Sparrow --If It Ain’t Broke - Sonny Cleveland The best way to experience this dish is to lean the seat back and close your eyes. The star of the show here is Untie My Shoelaces, with its aggressively laid back tone and steady back beat that simultaneously makes you want to get up and dance and sit back and bob your head. It’s flanked on either side by She Got Your Love, another laid back but rocking tune with a fantastic funk feel and killer brass section, and If It Ain’t Broke, a relaxed tune with a strong R&B influence.
WHERE THE GRASS IS BLUER INGREDIENTS: --Take Me Home - Free the Honey --Brighter Every Day -Trout Steak Revival --Just Like Heaven - The Infamous Stringdusters It’s a sad fact that many people don’t know about the bluegrass genre or don’t want to give it a chance. Well, here’s your opportunity. Bluegrass is known for its upbeat and energetic tempo, as well as its soaring fiddle solos intermixed with choral melodies and racing banjo-pickin’. This group of songs delivers these things in spades. Go outside, clear your mind, and make sure you’ve got plenty of space to dance whilst enjoying this dish.
THE “KJHK DOES NOT CONDONE CRIMINAL ACTIVITIES” INGREDIENTS: --Outlaw State of Mind - Chris Stapleton --Modern Day Bonnie and Clyde - Travis Tritt --It Ain’t My Fault - Brothers Osborne For years, country music has been linked with cowboys and outlaws, so much so that it spawned its own sub-genre: Outlaw Country. This collection of tunes fittingly starts off with Outlaw State of Mind, a sweeping and cinematic journey that starts calm and steady and slowly builds to a killer (if a bit long) guitar solo. Followed by Modern Day Bonnie and Clyde, Travis Tritt combines the older classic country feel with hard rock influences, and the dish ends with the hard-hitting and head-banging It Ain’t My Fault. Hit the road, roll down the windows, and crank up that radio with this dish.
AN ALTERNATIVE TO THE OTHERS INGREDIENTS: --Don’t Wanna Dance - The Ballroom Thieves --Future People - Sound & Color --When The Tequila Runs Out - Dawes This mix can sort of be thought of as a grab bag of some of my favorite alternative songs. Don’t Wanna Dance starts us off in familiar territory with floaty melodies that sway from side to side, and the best part is the chorus which, ironically, will really make you want to dance. Future People takes us a little further into alternative territory (as Alabama Shakes frequently does) with their hard-hitting Future People. This song’s rock and electronic feel leads perfectly into When The Tequila Runs Out, whose hypnotic electric tone is a welcome departure from Dawes’s typical style and wraps up this dish nicely. For more song recommendations, follow me on Twitter @justinro_
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MAY 3, 2020 BY MADELYNN KURTZ
FIGURE DRAWING ILLUSTRATED BY ANITA PATEL
I WOKE UP RELUCTANTLY TODAY. Can’t seem to feel rested anymore. I’m sure it would feel the same had it been any other Sunday before Stop Week, but then it might be because I went out with my KJHK friends the night before. Maybe I would’ve grabbed a latte from Barker with Feng this morning, and we would’ve worked on our English final together. And I would’ve flirted with the cute barista. I know it’s no good to think of what could’ve been because it can’t be -- and after crying away all of Friday night over it, I feel better -- but with finals week and graduation approaching, and the paralyzing realization that this is all I get, I can’t help but mourn. A year ago, The 1975 concert in Austin was rained out. We couldn’t attend the make-up show, and then our KC show almost got canceled due to weather too. Ironically all that mess was simply the calm before the figurative storm. The best part of my senior year -- the most memorable months of my life probably -- has been, well, rained out. Even hanging out with my friends before we all leave is heavily restricted mostly by our own consciences. And I would never want to put anyone in danger, but it breaks my heart. My whole college experience has been all about pushing my limits. Breaking out of who I thought I was and becoming a person I can admire. I think I’ve done a lot of good work there: going abroad as a sophomore, joining Writerly Friends, going abroad again, the Journal. And I love all the relationships I’ve cultivated along the way. I’m not ready to leave them behind like this or leave them to the near certain fate of “Keep in touch!” I want these loves and these memories forever. And it feels so cruel that after all this “breaking out” and “pushing limits”, I’m confined to basically two rooms. This doesn’t negate all my work I know, but it feels so hard to maintain, to continue to grow. And god my heart hurts for all the time together we’ve lost.
Graduation has never been about the date. It’s about me, of course, and all the people I’ve loved who have helped me grow and to whom, hopefully, I returned the favor. For the moment, I don’t get either, and according to my own geo-chronological beliefs, no matter how awesome and meaningful and amazing the later date with a lot my friends will certainly be, it will feel different. Noticeably different. Tangibly. But I am grateful there is a chance. I’m unspeakably grateful for everything that I have been so lucky to have gotten up to this moment. Lemme tie up a few knots from last year: of course it didn’t work out with that guy. It didn’t last very long at all. Europe was awesome and beautiful and freeing. I met a few other guys, didn’t stick with them very long either. I’ve had one of the best years of my life; traveling Europe with my sister, making new friends, (self-)publishing my first poetry chapbook, writing two Honors theses, and participating in several student organizations. I became an Editor-in-Chief and a radio co-host. I drank margaritas with my co-workers and my poetry classmates. My last Stop Day Eve was a bildungsroman, but I wanted another one. Just one more. One more night with my friends, running through campus at one a.m., screaming “We did it! We did it!” And I hope we get it. Even though it isn’t ending the way we thought it would, it was still special. And it was overcoming overwhelming adversity like this that made me believe I could do anything. I still believe I can do anything. It just might take a little longer than I had planned.
A SONG TO LEAVE BEHIND: Mr. Brightside by The Killers
SONGS TO TAKE WITH: About You Now by Skippinish Warm with You by Hayden Calnin
TIERS OF PLANT MOTHER HOOD BY LEVI BRABEC ILLUSTRATED BY FENGXUE ZHANG
BY PAT RICHERSON
THEY CANCELLED CLASSES, I STOOD OUTSIDE
A SURVEY ON HOW TO BECOME A STRANGER AGAIN BY ANITA PATEL
“THIS IS THE END, BEAUTIFUL FRIEND. THIS IS THE END, MY ONLY FRIEND. THE END OF OUR ELABORATE PLANS. THE END OF EVERYTHING THAT STANDS. THE END.” THE END BY THE DOORS
CAMI KOONS
“LET’S HEAR IT FOR THE TIME OF THE END. THE TIME THEY GIVE TO TIME IT’S END. LET THIS BE THE TIME OF THE END. STANDING BETWEEN TIME AND ITS END.” PETS BY JOHN MAUS
KARSAN TURNER
DINOS OF KJHK WITH THE BEST APOCALIPTICAL SONG LYRICS
“WHEN THE STENCH OF THE SEA AND THE ABSENCE OF GREEN / ARE THE DEATH OF ALL THINGS THAT ARE SEEN AND UNSEEN / NOT AN END, BUT THE START OF ALL THINGS THAT ARE LEFT TO DO” WASTELAND BABY! BY HOZIER
“COMES A TIME, COMES A SHADOW / COMES A DEVIL, CALLS YOUR NAME” I COLDLY STARE OUT BY PINK TURNS BLUE
JAYA CHAKKA
MIRANDA ROBERTS
“SISTER, MOTHER, BROTHER, FATHER. HAVE YOU, HAVE YOU LOOKED OUTSIDE I'M SCARED FOR MY LIFE” SOPHIE JOHNSON
NOID BY YVES TUMOR
“HAS THE LIGHT GONE OU 'CAUSE THE LIGHT'S GON THE 21ST CENTURY” BODYSNATCHERS BY RADIOHEAD
“FOR IN THIS WICKED TIME / ONE DAY OUR SOULS WILL PASS / AND WE WILL SETTLE IN THIS EARTH / THEY'LL CALL US MODERN TRASH” PLAY GOD BY AHBI THE NOMAD
KADE SCHO
FENGXUE ZHANG
E? “EVERYBODY'S GOT A BOMB, / WE COULD ALL DIE ANY DAY / BUT BEFORE I'LL LET THAT HAPPEN, / I'LL DANCE MY LIFE AWAY” WASTELAND BABY! BY HOZIER
UT FOR YOU? / NE FOR ME / IT IS
DEEGAN POORES
“THIS IS THE END” SKYFALL BY ADELE
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MARKUS BECERRA
LIVING LEMONS ILLUSTRATED BY CAMI KOONS
MAGIC FOR A BETTER LIFE:
BY ANITA PATEL STEPS FOR A BETTER DAY: Wake up and stir honey into a loved one’s tea. Wear your favorite earrings and something silly to work, like Looney Tune’s socks or tie-dyed shoelaces. Say hello, how do you do? To every new person you meet. If you want to fall in love, place a lilac flower behind your left ear, not your right. Collect a flower for every person you miss; decide whether or not to give them away. Above all, count thirteen blessings of the day. When you get to the last one, do a little happy dance..
COURAGE TEA: Brew chai with an outfit on that you’ve been nervous to wear (you know the one you slip on at midnight and snapchat to only your close friends? Yeah, that one). When the chai is bubbling, grate ginger skin to start a fire within you. Strain and pour the tea in glass cups—but be careful when holding them. Courage does not mean recklessness. Drink the chai with someone you are afraid of. Right before taking a sip, whisper something you have always been too scared to say out loud.
HOW TO LET A LOVER GO: On a full-moon night, sit near a lake with whomever you love. Kiss them. Hard. Place only the water that reflects the moon in the palms of their hands, and fold their fingers over it slowly. Notice how their eyes look in this light. When they go to clasp your hands, their fingers wet and cold, questioning what you have been doing, hold onto them tight one last time. Let go.
STUDENTS WEIGH IN:
BY GRAHAM BISHOP cataclysmic events. Art history major Molly Hatesohl, who recalls the Day, ardently disagrees with the idea that Seinfeld should be released.
MANY STUDENTS attend classes in Budig Hall during their time at KU, but even those who have never stepped foot in the building are aware of its status as a prison that holds renowned actor, director and comedian Jerry Seinfeld deep underground. Recently, KU students have been abuzz on Twitter debating the ethical repercussions of keeping the Emmy award-winning writer sealed in perpetuity. “How can people support Jerry Seinfeld being locked under Budig and also support bees?” said senior Fengxue Zhang, who has been spearheading the #FreeTheBee movement.
“CONTAIN AND CONTROL,” SHE SAID. “HE MUST SUFFER.” Still, others believe that Seinfeld’s sentence is not KU’s to uphold. “Look, I understand that Seinfeld should under no circumstances be allowed to roam free,” said Texas-native Justin Roderman. “But I don’t see how it’s our problem. Send him to Mizzou for all I care!”
“THEY’RE JUST HYPOCRITES.”
While many students debate over the ethicality of Seinfeld’s imprisonment, English major and Navy veteran Pat Richardson believes the issue to be one of national security.
Authorities made the decision to bind Seinfeld on the campus over 12 years ago, following certain
“I know that we can all sit here and dream up pipe dreams of, like, future utopias where we
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SEMIOTICS OF QUARANTINE
BY MOLLY HATESOHL I started walking through campus at night, no earlier than 9:00 pm. This way, instead of crossing paths with others, you start to notice the paths themselves. You start to notice the traces of human action, rather than the agents of human action. And instead of noticing the visible absence of things, you start to notice their invisible presence. You cannot see the barred owl perched above you, but you can hear its distinctive call, an index of its being. A concrete fountain has been drained and is missing a large chunk. The shards of brown glass inside its well signify not just the beer bottle that caused the damage, but also the arm that threw it and the despondency behind the choice to destroy something nice. The five burgeoning garbage bins signify not just the lives of those who have not yet moved out of student housing, but also the waste collectors whose job it would normally be to consolidate this garbage, as well as the unprecedented reasons why they have not yet done so. All this trash at the top of an impossibly lush, impeccably manicured hill of grass that is the deepest shade of green you have ever seen. Someone is still mowing this lawn. I had a dream I had this app that detected bird calls around me, identified them, and sent me a notification. The push notification read, “Bird Call Detected: Possible N-----M-----.”
I don’t think my subconscious ever came up with an actual bird name, it looked the way all text does in dreams, not actually legible but you can intuit the content because it’s all from inside your own head anyway. A shortcut to the signified without its signifiers. I just remember a feeling of immense satisfaction in finally knowing the name of the bird whose call I’ve been hearing in my real, waking life, this five-time repetition of a descending pattern of eighth notes. I can’t think of a way to write it out, I’m not even sure if I could really hear it in my dream or if it was like the dream text, not actually perceived through one of the five senses but conceived via thought, neural pathways randomly firing, generating a totally fictional sequence of tones that my sleeping brain mistakenly labeled as birdsong. Then again I was sleeping next to an open window, and in the early spring, birds begin their calls around 4:00 am.
LOVE LUMPS ILLUSTRATED BY ERIN BUGEE
CAMI KOONS COMMUNITY ENGAGEMENT DIRECTOR FAVORITE MEM: LEAVING FOR A SEMESTER ABROAD AND THEN COMING BACK TO SEE EXEC SO CLOSE TOGETHER LIKE FAMILY SONG FOR THE YEAR: NOTHING - BY SILENCE
JAYA CHAKKA MUSIC DIRECTOR
EXEC’S SENTI MEMS WITH ANIMAL CROSSING PERSONAS
FAVORITE MEM: I’M A BIG MEMER - HOW MUCH WE WERE ON BOARD WITH THE ANTICS LIKE THE PILLOWS AND BALLOONS, NOT EVERYWHERE CAN YOU FIND THE SAME SENSE OF HUMOR AND ACCEPT IT SONG FOR THE YEAR: FOMO - BY PEACH PYRAMID
DEEGAN POORES
KALEKIDAN YESHIWAS
PROGRAMMING DIRECTOR
TECHNOLOGY DIRECTOR
FAVORITE MEM: UNIONFEST, A CLOSE FAMILY MEMBER PASSED AWAY WHEN IT STARTED BUT EVERYONE MADE HIM FEEL LIKE FAMILY
FAVORITE MEM: THE SUPERBOWL LINKUP WHEN I WAS AROUND MY FAVORITE NON-SPORTY PEEPS SONG FOR THE YEAR: GINGER BY BROCKHAMPTION
SONG FOR THE YEAR: TIMES FLIES - BY RICO NASTY
SOPHIE SHAWVER PRODUCTION DIRECTOR FAVORITE MEM: THE LEGAL AGED KJHK EXCURSION TO APPLE BEES FOR THE $1 DRINK OF THE MONTH CALLED THE VAMPIRE THAT CAME WITH VAMPIRE TEETH SONG FOR THE YEAR: DOORMAN - BY SLOWTHAI
SOPHIE JOHNSON STATION MANAGER FAVORITE MEM: THE KJ FRIENDSGIVINGS, REALLY BROUGHT EVERYONE TOGETHER SONG FOR THE YEAR: BOSS BITCH - BY DOJA CAT
MIRANDA ROBERTS
ARMAN ALHOSSEINI
COMMUNICATIONS DIRECTOR
SPORTS DIRECTOR
FAVORITE MEM: THE ONE TIME SOME OF US WENT AND GOT SHAMROCK SHAKES “I FEEL LIKE I MAJORED IN KJHK!" SONG FOR THE YEAR: HOME WITH YOU - BY FKA TWIGS
FAVORITE MEM: GOING TO PARTIES WITH EVERYONE TO MAKE MY EGO EVEN LARGER BECAUSE I KNEW EVERYONE THERE SONG FOR THE YEAR: NO HANDS - BY WAKAFLAKA FLAME
DAKOTA BEHRMAN
KADE SCHOENFELDT
MULTIMEDIA DIRECTOR
MUSIC DIRECTOR
FAVORITE MEM: SHOOTING SHIT IN THE OFFICE AS AN EXCUSE TO NOT TO GO HOME AND DANCING IN THE RAIN AT RETREAT OVER THE SUMMER
FAVORITE MEM: WHEN I FELT LIKE A CHILD ON XMAS WAITING FOR EVERYONE TO COME OVER FOR THE SUPER BOWL SONG FOR THE YEAR: MY SWEET MIDWEST - BY THE FRUITBATS
SONG FOR THE YEAR: PIANO BURNING BY CLIPPING
FENGXUE ZHANG CONTENT DIRECTOR FAVORITE MEM: -CCW WITH DAKOTA -WALKING TO CLASS WITH DEEGAN -VENTING WITH KARSAN AT THE DESK -SO SPECIAL THAT WE ALWAYS SHOW UP FOR EACH OTHER SONG FOR THE YEAR: HEATWAVE - BY SNAIL MAIL
ERIN BUGEE CREATIVE DIRECTOR FAVORITE MEM: UNIONFEST, WHEN I WAS SO EXCITED TO SEE EVERYONE WHEN I DIDN’T EVEN KNOW EVERYBODY YET, BUT BY THE END OF THE NIGHT I ABSOLUTLY KNEW THIS YEAR WAS GONNA BE A BLAST, AND IT WAS SONG FOR THE YEAR: RAINGUL - BY YAEJI
MARKUS BECERRA
SASHA ARTEAGA
ASSISTANT TECHNOLOGY DIRECTOR
DEVELOPMENT DIRECTOR
FAVORITE MEM: ALL THE TIME WE SPENT IN THE STUDIO WITH A CCW, EVERYONE ALWAYS MADE MY MONDAYS EVEN THOUGH THEY WERE MY HARDEST SONG FOR THE YEAR: ITS NOT LIVING AND ITS NOT WITH YOU - BY THE 1975
FAVORITE MEM: NEVER FELT LEFT OUT BECAUSE I JOINED AT HALF SEMESTER, ALWAYS TALKED TO FEN AND KNEW THAT I WAS GOING TO DO GOOD THINGS SONG FOR THE YEAR: ANYTHING BY FRANK OCEAN
LANE HORNBACK
KARSAN TURNER
LIVE MUSIC COORDINATOR
ARTS AND CULTURE DIRECTOR
FAVORITE MEM: RICO NASTY CONCERT, WHEN RICO BROUGHT OUT HER SON AND SEEING HIM WEAR THE SPIDERMAN MASK THAT I BOUGHT, IT SHOWS THAT KJ CAN MAKE SUCH AN IMPACT ON EVERYONE
FAVORITE MEM: ANYTIME GOING TO THE STATION OR ANY WEDNESDAY I LOVED SEEING EVERYONE WORKING TOGETHER SONG FOR THE YEAR: OUR FRIENDS ELECTRIC BY GARY WILLSON
SONG FOR THE YEAR: FREE THE FRAIL BY JEPEG MAFIA
ELLIOT BOOG-SCOTT LIVE MUSIC ASSISTANT COORDINATOR FAVORITE MEM: ITS BEEN SUCH AN AMAZING EXPERIENCE HERE AND KJHK HAS BEEN A BIG HIGHLIGHT OF MY YEAR, BIG SHOUTOUT TO LIVE MUSIC STAFF
BAILEE MYERS COMMUNICATIONS ADVISOR FAVORITE MEM: THIS WAS MY FIRST YEAR WITH A FULL YEAR TEAM AND I WAS TERRIFIED...THE ONE ON ONE WITH MIR AND SOAPY WHEN A GUY WALKED BY AND THEY SAID “WOW HE’S HOT” AND REALIZED THAT THEY WERE REAL PEOPLE TOO SONG FOR THE YEAR: POMP AND CIRCUMSTANCE
MIKE MACFARLAND GENERAL MANAGER FAVORITE MEM: EVERY KJHK CREW IS PRETTY TIGHT AND IS A FAMILY, I THINK THIS GROUP IS PARTICULARLY TIGHT AND ITS AMAZING HOW WELL YOU GUYS GET ALONG TOGETHER AND HOW MUCH STUFF WE GET DONE AS A GREAT GROUP SONG FOR THE YEAR: YOU CAN’T ALWAYS GET WHAT YOU WANT - BY THE ROLLING STONES
BIG THA TO ADV
FOR BEING APART OF KJHK AND BEIN
G ANKS OUR VISORS
T OF ALL THE BEHIND THE SCENES NG SO SUPPORTIVE EVERY STEP OF THE WAY
RADIO PREVAILS Thank you to those that submitted their work this year. This zine turned out terrific all thanks to so many talented and creative KJHK’ers! Designed by Erin Bugee Creative Director 2019-2020