"Entergalactic"-A Kennedy Lucas Article

ENTERGALACTIC

Kid Cudi Is Coming Back!!

Scott "Entergalactic," a new Net Cudi" Mescudi, de "animated narrative" and a "television event." I'm tempted to refer to it as a movie because it lasts 92 minutes, even though it's broken up into several parts (which show up as chapter titles, not full episode breaks). Additionally, this is not a character study. Jabari, played by Kid Cudi, doesn't have fully developed motivations or go through any significant

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Downtown Pat and advises Jabari, Jimmy (Timothée Chalamet), and Jordan on matters of love (Jaden Smith). As enjoyable as These characters exist more as feelings than as actual persons.

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Additionally, "Entergalactic" fully succeeds on a mood level. It might not be a film or a television program, but it is unquestionably more than a lengthy music video. It's an experimental form that assembles a

-DIAM NOBIS

a art and comic books. This appearance re of our protagonist, a former graf artist turned comic book writer. With smatterings of the perspectives of the other artists in "Entergalactic," we are viewing the world through his eyes. They are prevalent throughout the story; Meadow is a photographer, and one of the central themes is a collective exhibition she is organizing. among the other exhibitors Although introducing her artwork, Nadia (070 Shake) writes, "It really irritates me that people link New York with drab and darkness when the city's wildly vibrant. The people themselves are very vibrant. I thus aim to demonstrate that through my work. This mentality might be used to explain "Entergalactic," which uses both color and black and white scapes to create contrast and drama. Large murals of the black-and-white figure Mr. Rager (Keith David), who stands in contrast to the vivid New York around him, have helped Jabari gain notoriety. Jabari and Meadow's distinct perspective on the city, which includes

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-DIAM NOBIS

Spider-Verse," but with more mature characters. Instead than following comic book characters, this drama focuses on the creators of those characters. Scenes including sex, drugs, and hangovers are presented.

In addition, Kid Cudi cleverly integrates elements of his politics throughout "Entergalactic." When we first meet Meadow, we witness her telling her non-Black best friend Karina (Vanessa Hudgens, enjoying her obnoxious persona), that all white men, including her manager Reed (Christopher

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Abbott), look the same to her, and that they are all excluded from her dating pool. Why? She gives a oneword, succinct response that demonstrates her credentials as a terrible bitch: "Oppression."

"Entergalactic" is boldly and unreservedlyBlack, despite though its characters live in a multicultural environment. Even though his friend circle spans the gamut of skin tones, Jabari is dubious of the light-skinned Puerto Rican Len (Arturo Castro) who attempts to establish a connection with him at his comic book employment.

"Entergalactic" also asserts a progressive viewpoint on gender. Both Jabari and Meadow are dynamic, flawed individuals who must learn to compromise and mature in order to find happiness. They are both equally human. In keeping with this feminist viewpoint, Jabari instructs his pal Ky (Ty Dolla $ign) to "Stop talking bitches" and serves as an example of what healthy masculinity looks like when no female observers are present. Jabari calls on his sister Ellie (Maisha), which is a sequence that resonates with my experience as a sibling.

-DIAM

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Mescudi) for dating

with good cause.

Both hip hop veterans and newcomers will undoubtedly enjoy his beautiful tracks on this album. These songs perfectly portray the ups and downs of romance as well as the related quest for self-identity. There isn't any overbearing hostility or boastful bravado here. Instead, it's introspective material. It's the kind of music that everybody can enjoy.

"Entergalactic" is a gorgeous, intelligent, and evocative work of art. I can see I come. Just don't treat it like a TV program.

Emory

Lucas Patterson

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Kid Cudi leads us on a wonderful trip that examines the link between two people drawn together by love in this rare treasure of an animated work for grownups. There may be a portion of your mind that seems like you're experiencing some type of cinematic déjà vu when you first start watching Scott "Kid Cudi" Mescudi's cartoon Entergalactic. The comicbook style of animation almost makes the vivid New York City of 2018's acclaimed Spider-Man: Into the

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Spider-Verse come to mind. Then, as you start to examine the story a little more closely, you realize that it has a distinctly grounded yet fantastical element. Regardless of whether you classify it as a television special or a full-length movie,

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album of the same name, which is extraordinary in and of itself. Aspiring comic book artist Jabari (Cudi) has moved into the building, and Meadow (Jessica Williams) is an accomplished photographer with a major exhibition coming up. This is all you need to know about the narrative because there isn't a plot at all in this novel. The story veers off course, much like the scenes where Jabari rides his bike throughout the city.without any concern for where it will lead in the end. Conflicts eventually arise over the two characters' goals for their lives, yet everything remains masterfully measured. The laid-out storyline sometimes even gives the impression that it is a collection of music video vignettes that are then connected.

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Classification is less

experiences. It feels more like delving through the layers of his imagination, which transform the mundaneness of everyday streets into settings with countless artistic possibilities. There is a dark side to everything that occasionally manifests itself. The artist's fears suddenly come to life as a huge replica of his creation that pursues him across the city and looms large above him. It is a darkly humorous scene that also serves to show the dread Jabari is hiding behind the "man of few words" persona he presents. The tale is pretty humorous throughout all of this and enjoys making fun of common elements.

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of life itself.

enjoyed even if many stories aim to communicate something meaningful or incisive about modern life by outlining everything. With both Jabari and Meadow frequently getting in their own ways, it ends up feeling more like a lighthearted meet cute. Each scene they share is infused with tenderness as a result. From an early argument about late-night music playing loud, that There is a straightforward honesty to everything, even if it does develop into a cautious flirtation and more serious relationship. Without ever saying a word, a primary montage powerfully conveys growth and change. We witness each of them becoming utterly engulfed in the love they have for the other thanks to the amazing animation, which speaks for itself.

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Emory O

Kennedy Lucas Patterson

Truthfully, it's remarkable how big of an impact anything has in the end. What might have been merely a method of music promotion becomes a unique piece of art. There are still a few issues with the Even while the two protagonists are fantastic and have a strong but subtle chemistry, some of

It is difficult to hold this against the broader body of animated work, but this is an increasing trend in animation, and Entergalactic is by no means the worst offender. There are some scenes in said animation where the characters seem to stiffen up and aren't as fluidly put together as one may hope. These are succinct, preventing them from detracting from the thoughtful work's ability to inspire wonder in both its more explosive and quiet emotional moments. It's all about catching a peek of two disparate but connected people navigating a world where connection might be difficult. be difficult to find.

This is all brilliantly encapsulated in a monologue Meadow delivers in the end about capturing a moment. Despite the fact that she is speaking as a character and about her personal photographs,

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the statement also serves as the story's thesis. She then undermines it with a joke about how she just said it because she was so hungry in order to hide her sincerity, yet it still serves as a profoundly enduring depiction of the transitory sense of being alive. Life is a succession of moments that might pass too rapidly for us to fully comprehend, making it precious and yet so painful,

whether we are aware of this or not when we are in it. both at once. It is tough to help but think about all the memories that can resurface for us as we are then taken through all the moments that Meadow and Jabari experienced together, returning us to the location where they first went out.

At the end of the day, we all just want someone to go have a vegan burger with in the vast universe of life that we don't really comprehend.

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Emory O

Kennedy Lucas Patterson