[JING XIAO] Design Portfolio 2020
1
XIAO JING Tel: (86)177799926427 / (61)452638922 Email: 1959427532@qq.com
Education
2018.07-
Master of Architecture The University of Melbourne
2012.09-2017.06
Bachelor of Architecture East China Jiaotong University
Work Experience
2019.12-2020.01
Achitectural Student CCDI, Shenzhen, China Mainly responsible for the materials research of Pingshan primary and secondary schools, bus terminal design, including 3d model, facade detail design, andl plan drawing
2019.06-2019.08
Achitectural Student Institute for Advanced Architecture of Catalonia(IAAC), Barcelona Mainly responsible for the design proposal of urban wine , including design process, sketch, digital model, 1:1 physical model making.
2018.12-2019.01
Achitectural Student PUJU office, China Mainly responsible for conceptual design, including feasible study, site analysis, digital model
2017.06-2018.02
Architectural Graduate Pingxiang Architectural Design Institute, China Mainly responsible for residence design proposal, including planning, elevations, and wall detail drawings.
2014.01-2014.05
Architectural Student Jiangxi Guangrui Architecture Design CO.,LTD, China Mainly responsible for initial proposal for primary schools, including site analysis and feasiblity study, preliminary conceptual design, plans, elevations, sections, and renderings.
Awards and activities
2013-2016 2016.04 2015.05 2013-2014 2013-2014 2013-2014
School-level Third-class scholarship Exhibition on “Investigation of things” Watercolor Painting Exhibition Exhibition on the 6th Xianfeng Cup Calligraphy Exhibition of East China Jiaotong University Second prize in the 14th <Challenge Cup> of Undergraduate Curricular Academic Technology Innovation Competition Excellent Award in “Architectural Culture Festival” Artwork Competition(Pen Drawing Group) Excellent Award in “Architectural Culture Festival” Model Competition
SOFTWARE Sketchup:
advanced
Photoshop:
advanced
AutoCAD:
advanced
Indesign:
advanced
Rhinocerus:
advanced
Illustrator:
advanced
Revit:
Good
python:
Basic
Lumion:
Good
Lasercut:
Good
Microsoft Office:
Good
3dprinting:
Basic
2
[ 目录 ]
[Art Gallery] 1 [Kaleidoscope] Software: Rhino, Autocad, PS, AI, ID
4
[Artefacts Prototype] 2 [Left-over Space of Melbourne] Software: Rhino, Lumion, Autocad, PS, AI, ID [Museum] 3 [Immaterial Brutalism] Software: Rhino, Sketchup, Autocad, PS, AI, ID
17
38
[Office] 4 [High-rise office building] Software: Revit, Rhino, Autocad, ID, AI
46
[Library] 5 [Library permeability] Software: Sketchup, Autocad, PS, AI, ID
52
[supplement] 6 [Other Works] Physical Models, Photography, Lasercut, 3dprinting
3
5
KALEIDOSCOPE
An art museum is a place that carries the meaning of art, and it can be a work of art in itself. Compared with most white art galleries, contemporary art galleries need more possibilities of arts exhibition and interaction. This project introduces kaleidoscope design to change the way people perceive artworks, increase the interaction between visitors and exhibits, and encourage people to think more about exhibits
4
Rainbow Roof of Post Office 260 Elizabeth St, Melbourne VIC 3000
Arts Center Melbourne 100 St Kilda Rd, Melbourne VIC 3004
Colorful Roof Glazing of NGV 180 St Kilda Rd, Melbourne VIC 3006
Australian Centre for Contemporary Art 111 Sturt St, Southbank VIC 3006
Brighton Beach Victoria
5
r St kne Faw Garden
Sou
thb ank
Sou
thb ank
St klida
Sou
thb ank
Blv d
Garden
St klida
Sou
thb ank
Blv d
6
Blv d
Garden
St klida
Blv d
Garden
St klida
SITE PLAN The site is located in the centre of the art precinct. The project intends to activate the vitality of the art precedent by using the 300-meter long promenade to connect the NGV garden and street network of the city. There is a height difference of 8m between the roads, which could be eliminated through the design of the walkway and the design of the new building.
7
8
Lounge of Lecture Room
Temporary Exhibition Room
9
10
11
12
Section A-A
Main Entrance
Section B-B
13
14
15
5 5
16
17
18
19
Melbourne bus station map
Left-over Space of Melbourne
The purpose of this project is to find a kind of urban left-over space with common characteristics in the city, and to improve the quality of the space and the value of the space by designing a prototyping artefact. Then, based on the prototype of the first generation, an update idea continues among proposed fifty years later. The left-over space selected for this project is the vertical horizontal space in the public areas, such as the space above the bus platform and the space above the electrical box equipment. This kind of space has the potential to increase the capacity of city, and can explore a entirely new solutions to the problem of urban congestion.
20
CHARACTERISTICS
21
Generation 0
Site Analysis
Prototype
22
未来城市状况
机器服务网络植入城市 年平均温度
土地用地主要 转化为居住用地
沙漠化问题严峻
知识型产业兴起
高密度发展
主要使用清洁能源
居住性质的土地增多 化石能源严重短缺
多个 CBD 中心分布
人均收入进入峰值
墨尔本城市扩张
自由工作者人数 墨尔本 平均工资 墨尔本人口
年平均降水量
安装装置原型
装置原型第一次升级
装置原型第二次升级
装置原型网络化
充分利用车站上方空间
根据不同的临时活动测试不同 尺寸和形状的临时装置
将废弃的车站用于机器运输 系统网络
机器运输系统在城市中形成 成熟网络
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
2
种植舱
等车舱
廊道
42
43
2
种植模式
休闲模式
44
办公模式
45
46
47
2
48
49
50
51
IMMATERIAL BRUTALISM
This project is to achieve an extension of real materiality in virtual. In other word, it is not to reproduce the experience of texture in reality through an artificial digital medium, but to creat a pure atmosphere of materiality that affecr people's feelings and emotions. As Slavoj Zizek said in the Reality of the Virtual, the virtually is not simply means reproduce the experience we had in reality but to generate a real effect that produce something not fully exist in real. So from this perspective, the value of spatial materiality in virtual is to liberate the spiritual boundary of material cognition which conveys a pure expression of emotion and atmosphere in a space.
52
当人们戴上 vr 眼镜时， 他们首先看到材料库展 馆。 这个虚拟空间对应 于真实房间的 vr 体验区， 但虚拟体验空间比真实 空间大五倍，形成了一 个身临其境的空间。
当人们停在引导的路线上，他们会看到和真实房间中的 器具材质相对应的沉浸式虚拟空间，如下图。
当人们继续向虚拟区移动，他们会 看到材质的更多细节，材质的肌理 也会变得越来越清晰。
工作流
影像重叠
照相 & 合成
扫描
虚拟体验
在玻璃之外观察文物 的全貌以及真实肌理
将文物 360°拍照 并且发送到 Catch Autodesk 以储存电子 信息和生成电子模型
将打印出来的照片放 置扫描仪上，有目的 的扫描局部，延时扫 描等，生成新的材料 图腾和肌理
扫描之后的数据传输 到 VR 设备中，生成 VR 全息影像，形成材料 的沉浸式空间
53
54
55
56
57
58
59
HIGH-RISE OFFICE BUILDING
We want to design environmental friendly skycrapper to fit the site. From the beginning of the design, we focus on three points: the plan's shape, the location of the mechanical floor and the height of the podium and the crown. When we do the site research and scaling, we find that most of the buildings near the site are in a square or rectangle shape. So we decide to make rectangle plans and core, which are most effecient and suitable for the site. Then the grid and rooms of different functions are all arranged in that shape.The lifts in the core change fewer from low rise to sky rise. To bring some unique characteristics to our building, we cut one of the edges of some floor plates by one column distance shorter to form a terrace for shared balconys and planting. It is reasonable because the language of terrace could also be seen in the surrounding buildings. The terrace enables the building to become smaller as the lift core is also the smallest on the top to reach an average FPE requirement. The rooms also get more directional sunlight because of the terrace. Each mechanical floor is put on the last layer before getting smaller. Without putting heavy concrete, we want to make the mechanical floor transparent to be clearly recognized and decorated with plants. The mechanical floors are considered double height of the typical floor so that they could be put heavy structure in to connect the floors. Through the investigation we got that more people come across the Exhibition Street, so out main entrance is put there. The podium is considered to be a larger rectangle shape to fit the tower. The entrance lobby is twenty meters high without floor plates, and there is a large glass glazing canopy to be supported by the truss and columns outside the entry door. It will take people to walk a long way to enter the building. The podium is transparent with glazing facade and cable nets which could make the building look lighter and leave more area for the floor. The crown is designed for a open area with steel truss only. It is used as a roof garden responding to the terrace.
60
基地分析 Site Analysis
The skyscraper is 268m high and has 54 floors. It uses a frame structure. The mechanical layer is set on the 10th, 30th and 50th floors. This structure can ensure that the office building is resistant to earthquakes and hurricanes in Melbourne. The building uses reinforced concrete materials. There are four sizes of columns, namely 1200 x 1200m, 900 x 900m, 750 x 750m, 600 x 600m. The wall thickness of the core tube varies from 450mm to 600mm and decreases with the increase of the storey height. There are two semi-private spaces in the podium part, which also serves as a structural conversion layer, thereby reducing the waste of materials. As can be seen from the overall facade of the building, the building has achieved two inward contractions, each contracting 6750m inward. This is to harmonize the language of skyscrapers and surrounding buildings. 61
TRANSFER BEAM NOT TO SCALE
NOT TO SCALE
62
NOT TO SCALE
NOT TO SCALE
NOT TO SCALE
NOT TO SCALE
NOT TO SCALE
NOT TO SCALE
63
NOT TO SCALE
NOT TO SCALE
NOT TO SCALE
NOT TO SCALE
NOT TO SCALE
64
65
LIBRARY PERMEABILITY
The site is located on an iconic hill, along the central axis of the university. Addressing the landscape of the site, the design applies symmetrical form, which is porous and permeable, allowing the beautiful view to be seen through the building interior.
66
67
68
69
70
71
72
other works
[photography] 1 [interweave] Hendian,Zhejiang,China 7th semester,January,2015
[installation] 2 [House of Bamboo] Nanchang,Jiangxi,China 9th semester,September,2016
[model] 3â&#x20AC;&#x201D;4 [Nanchan Temple] Wuxi,Jiangsu,China 6th semester,March,2014
[model] 5 [Urban Wine--Harvest] IAAC,Catalonia,Barcelona AAVS,July,2019
5
73
5 Projects Selected From 2012-2020
74