ADAPTIVE REUSE ON PORTUGUESE HOUSE OF GOA
GUIDED BY: Ar. Monal Mistry
SUBMITED BY KRATIKA JAIN 16192016|B.Design 2019-20
SCHOOL OF ENVIRONMENTAL, DESIGN AND ARCHITECTURE NAVRACHNA UNIVERSITY, VADODARA GUJARAT
NAVRACHANA UNIVERSITY SCHOOL OF ENVIRONMENTAL DESIGN AND ARCHITECTURE Thesis on: ADAPTIVE REUSE OF PORTUGUESE HOUSE OF GOA A THESIS SUBMITTED TO THE FACULTY OF SCHOOL OF ENVIRONMENTAL DESIGN AND ARCHITECTURE IN PARTIAL FULFILMENT OF THE REQUIREMENT FOR THE DEGREE OF BACHELORS OF INTERIOR DESIGN 2019-2020
Submitted to:Prof. Pratyush shanker Dean|SEDA
Shalini Amin Program Chair B.Design|SEDA
Guided by:-
Submitted by:-
Ar. Monal Mistry
Kratika Jain 16192016 B.Design
DECLARATION
I hereby declare that the thesis entitled “Adaptive reuse of Portuguese house of Goa� is a record of original work by me under the guidance of Ar. Monal Mistry The references taken from published or unpublished thesis and contribution of others have been clearly mentioned in the thesis.
Kratika Jain
Ar.Monal Mistry
ACKNOWLEDGMENT
I am most grateful to my guide for this thesis, Ar. Monal Mistry without whose unerring attention this would not have been possible, and for sharing her invaluable experience and knowledge. I would also like to express my heartfelt thanks to Shalini Amin and all the Faculty members of the School of Environmental Design and Architecture for having shaped and nurtured my journey throughout undergraduate program. Furthermore, I must also thank my family and friends for their unceasing support. I am also grateful to my fellow classmates and seniors whose inputs have been invaluable throughout this endeavour.
TABLE OF CONTENT
Preface Abstract Aim Objective Scope and Limitation Methodology
Chapter 01. Introduction Chapter 02. Understanding of adaptive reuse through case study
Chapter 03. Analysis and design program Chapter 04. Designing
ABSTRACT
The term adaptive reuse is determined as the reuse of old buildings for new purposes. This action has social ,environmental and economic benefits for cities and their inhabitants. Tourism is one of the fastest growing component in our country. Where Goa attracts millions of International and Indian tourist. Goan houses has its own beauty which is visual through its structure and colors. The main purpose of design is to give tourist an ‘HIGH END’ hotel to experience old Goan Portuguese house structure and its beauty through material and furnitures.
PREFACE
AIM The aim is to restore old Portuguese house and design ‘Multipurpose High end Hotel’ with considering context of Goa.
OBJECTIVE The main objective of thesis to study Goan Portuguese houses and its traditional material to give High end Multipurpose Portuguese hotel.
SCOPE AND LIMITATION The study covers the Design has been carried out with the limitation of material and furniture availability. The examples for case study have been chosen across an extensive timeline to reiterate the universal nature of the principles being studies case study analysis and the choice of examples are based on a personal understanding from a book, for case study , certain aspects like on-site observations, personal experiences,feedbacks from local etc could not be studied.
METHODOLOGY The thesis started by understanding architecture and Portuguese houses of Goa, how houses were before and how it is being maintained till now, different types of traditional material after that understanding of adaptive reuse through case studies and how it has come up at the end, in final part how different style ,context and material can be incorporated in new design with modern culture.
CHAPTER 1 1.INTRODUCTION 1.1 Adaptive Reuse 1.2 History of Goa 1.3 Portuguese House of Goa
1.1 Adaptive reuse Adaptive Reuse is process of preserving historic buildings which is significant to maintain our nation’s heritage building and history. It is environmental and practical. It reduces the need for new materials and the other costs of demolition. Old Building has the biggest hurdle when converting it to a new use. Safety and accessibility are the two biggest concerns with old buildings. Redesigning the building is sometimes required to ensure all precautions are taken for the new use. Now a days building materials are better than what we used in the past as well. Material like Electrical, plumbing, and HVAC usually need gutted and replaced entirely. While reusing an old structure ,ensuring the reuse is both safe and functional according to todays need. As with all construction, a strong analysis of the specific location should be meticulously reviewed. Adaptive reuse can also be done in different way. If a building is in a good condition to give a different look then it can be done in a way where we use same structure and old materials as per the area which we choose to give importance to the city and its aesthetic materials. Rather than creating a narrow vision that imagines possibilities with a blank slate, reuse tailors creative thinking to focus on what currently exists and how it can be incorporated thoughtfully into the goals and ideas of the future. Adaptive reuse can be implemented on any building, although it’s most commonly used for when working with historic buildings.
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1.2 ARCHITECTURE OF GOA The architecture of Goa is a combination of Indian Islamic and Portuguese styles. Since the Portuguese rules for four centuries,many churches an houses bear a striking element of the Portuguese style of architecture. Goan Hindu houses do not show any Portuguese influence,though modern temples architecture is an amalgam of original Goan temple style with Dravidian, Hemadpanthi, Islamic and Portuguese architecture The original Goan temple architecture fell into disuse as the temples were demolished by the Portuguese and the Sthapati known as Thavayi in Konkani were converted to Christianity through the wooden work and the kavi murals can still be seen.
Fig. 1.1 Old heritage Goan homes
Protecting oneself from the fierce monsoons was the basic of architectural form. The architectural style of Portuguese-built churches. The European life style was inspired to attempt separate newly converted Goan Christians from their cultural roots. They adopted European outlook but did not cut themselves from their Indian roots. Which affected the design of Goan houses. Perhaps the most amusing structures in Goa are the colorful houses. The use of bright colors like blue and yellow increased after the Portuguese settled down and started to reside here. The use of red tiles is also a special feature of Goan houses.
Fig.1.2 Structure of heritage Goan homes
Fig. 1.2 Exterior colors of Goan houses
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PORTUGUESE HOUSES OF GOA
GOAN HOUSES
Hindu Houses • Indo Portuguese Style • Internal Courtyards with rooms built around it.
•
Christian Houses They have porch in front.
Fig. 1.7 Outside Porch
• Fig. 1.4 Courtyard shown in red
•
Portuguese houses are found in various parts of Goa. While some are well maintained others remain abandoned and broken in condition. These houses are reminders of an art style that belongs to the late 1700’s to early 1900’s. In era of Portuguese colonization, these houses are not only identity but they still remain and known due to some locals, who value and preserve these traditional mansions of their inherited Goan high society. The Portuguese were inspired by European architectural styles. The houses in Goa remain compact to the rural areas such as Chandor and Loutolim. While the materials and constructions techniques remained local, the furnishings, decorations and ornaments came from across the world.
Laterite stone,Stones, Local bricks and manglore tiles is been used.
Material used is baked clay and laterite stone.
Fig. 1.10 Project cafe Goa/Portuguese house
INDO-PORTUGUESE HOUSES
Fig. 1.5 Laterite stone column
•
They have satiya in front and tulsi angan in center of courtyard.
Fig. 1.11 Gonsalves Mansion
Fig. 1.8 Laterite stone walls
Goan society was searching for new identity. they took inspiration from the casa do sabra-do and the Hindu house and melded it together to create a new comfortable home. This is indo Portuguese house. The evolution of this remarkable hybrid, took close to 200 years in its making.
Fig. 1.9 Manglore tiles Fig. 1.6 Tulsi Angan in red
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1.3
1.3 EXTERIOR
ROOF STRUCTURE
• • • •
•
Inward looking with small windows. Open towards courtyards and rarely towards street Ornamented with Balcaos and Verandas facing street. Pillars and colors do not seems to be influenced by any style its a mixed bag of architecture.
•
•
The Portuguese brought the coconut palm and these being used as thatch for roofing. During this period country and pan tiles were also used and than finally they came up with manglore tiles. Most of the Goan houses are roofed with tiles, held up by wooden joists and rafters.
COLORS • • • •
Dramatic and sterling colors,influenced by vegetables and natural dyes. Walls made of mud and later laterite stone then plasted and painted. Few buildings exactly colored like solid colors used for front facades,interior used paler colors. The result of unwritten rule of Portuguese during occupation of Portuguese of Goa private houses cannot be painted white.
Rafters Exterior colors
Perlins
Interior colors
Ridge
INTERIOR • • • •
Symmetrical with entrances, front door leads to foyer which is also called sala. Master-bedrooms oped towards foyer. Dinning space is perpendicular to rooms Floors of Goan houses are both workspace and residential. Almost houses false ceiling is of wood.
Fig.1.12 Roof structures
VENTILATIONS
They make OTS on the roof for the ventilations as old houses which were constructed in 18th century was made of mud it keeps house so cool. They have space between room and the mud wall to do cross ventilation. Room 1
Foyer
Room 2
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1.3 WINDOWS
Large ornamented windows with stucco molding opens into verandas. Their origins is similar to do molding in Portuguese houses Designs are imported but it helps to construct and give identity to Goa houses. Windows become more identical and decorative.
COLUMNS
The earliest columns were in rendered laterite stone and were very large and also sculptural then wood was being started used so much on upper floor. These were very slender and completely in contrast to massive stone column. Laterite soils contains oxides of iron and aluminum which are found in many parts of Goa. Upper layer of laterite soils are more strong and rubble can be extracted. In Goa different order of column is also being used.
Concrete column
Tuscan order and laterite stone
Doric order
Fig. 1.15 Material of column and orders
Fig. 1.13. Traditional widows
RAILINGS
FLOORING The earliest floor was of beaten earth fixed by cow dung. Next came red oxide ips flooring .In early 20th century tiles of mosaic became common along with ceramic tiles.
The most intricate ornamentation of Goan house can be seen in the design of railing which was inspired western design and from Indian motifs. Earlier railing was in wood in form of balustrades fretwork on planks joined together. Cast iron railing were import from British India from the 19th century onwards.
Fig. 1.16 Types of flooring
Fig. 1.14. Traditional railings
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CHAPTER 2 2. Understanding of adaptive reuse through case study 2.1 Case study 1- Mangal das ki haveli (Program study) 2.2 Case study 2 Project cafe Goa (Contextual study)
2.1 MANGAL DAS KI HAVELI A historic building is that gives us a recognition of wonders, also makes us want to know more about the people and culture. It was architectural, aesthetic, history, documentary , economical, social and even political and symbolic values, but the first impact is always emotional, it is a symbol for our culture and identity. House of MG and CG refers to the house of Mangal-das Girdhar-das and house of Chimanlal Girdhar-das they built this house in 1904 for the joint family of his and his brother. Till 1940 this complex was used for residential purpose only. after as per the time went they started shifting towards the river. between 1960 to 1995 through the years the complex was divided into pieces. The building is located opposite SIDE SAIYAD MOSQUE in lal darwaja area. this house is a part of a bigger complex which sits on the axis of Nehru bridge. the form of this building is derived from renaissance as well as Edwardian architecture. this Havali consist of two parts. The first has three building having pitched roof.
Fig 2.1 House of mg
Fig 2.2 Map of Ahmadabad
Fig 2.3 Map of House of MG
2.1
ENVIRONMENT
Fig 2.6 This shows glass partition and material Fig 2.4 Air circulation
- Buildings should be spread and with large open space in between for unrestricted air movement. - Cross ventilation is very important. large openings to unobstructed air to ensure proper ventilation.
MATERIALS
Fig 2.7 Figure shows brick material on site with sketch
Fig 2.8 Figure shows terrace wooden pergola used and its material
Open to sky courtyard Fig 2.5 3d view of courtyard , lift shaft and stairs
Stair wall
Fig 2.9 Figure shows how tile cladding is being one
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Before Adaptive Reuse
Swimming pool and cafe
Administration and service
Green house ,Restaurant and open area
Ground Floor Plan Scale 1:250
After Adaptive Reuse
Vertical circulation area
Reception and other services
Party and conference
Before Adaptive Reuse
After Adaptive Reuse
Vertical circulation area
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Courtyard and room no. 1,2,3
Room No. 4,11,12
First Floor Plan Scale 1:250
Office and common services
Before Adaptive Reuse
After Adaptive Reuse
Room No. 5,6,7
Vertical circulation area
Room No. 14,15,16 Room No. 8,9,10 Maintenance and house keeping Second Floor Plan Scale 1:250
2.2 PROJECT CAFE The concept strive to provide balance between relaxation and inspiration by the collaboration of experts and design directors. Project cafe is collaboration of art, design,performance,& food.they display their art to create unique spatial experience. its a 130yr old Portuguese villa where subtle green and European colors blend into regular rthym along with lush green garden, Project cafe now-introduced a residential space,a meeting place for perfect artist and curious mind. With a backdrop of a130 year old Portuguese villa,subtle green and white European colors blend into the throbbing local vibes along with lush green garden and a emerald outdoor pool create serene sanctuary Fig 2.9 Map of Goa
Fig 2.11 Figure show a sketch of cafe in Project cafe Goa
Fig 2.12 Figure shows sketch of foyer
Fig 2.10 Direction to Project cafe
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2.2 FUNCTION
Area of site 2500sq ft - Boutique : Clothing, Accessories and also sell hand made products - Bar : capacity of approx 10-15 persons. - Cafe with capacity of 30-40 person ar a time. - Accommodation boutique hotel, 6-8 rooms with 2+1 capacity. - Amenities like swimming pool,children’s area etc. - Restaurant: capacity of 40-50 person at a time.
MATERIAL
ENVIRONMENT & VENTILATION
- Buildings should be spread and with large open space in between for unrestricted air movement. - Cross ventilation is very important. large openings to unobstructed air to ensure proper ventilation.
Fig 2.13 Figure shows different types of ventilation techniques
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Fig 2.14 this show different types of material used on site with sketches
2.2
Exterior Colors
Interior Colors
Fig 2.15 this show different types of material used on site with sketches
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Soft Scape
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Circulation Hard scape
Schematic plan Scale 1:200
Level 1 Level 2 Level 3 Level 4
Adaptive Reuse on Portuguese House of Goa| 41 Semi private spaces Private spaces Schematic plan Scale 1:200
CHAPTER 3
Analysis and Design Program 3.1 Site Analysis 3.2 Process I Mood Board II Design Programe
3.1
SITE ANALYSIS Goa is a state on the southwestern coast of India within the region known as the Konkan. It is surrounded by the Indian states of Maharashtra to the north and Karnataka to the east and south, with the Arabian Sea forming its western coast. Panaji is the state’s capital, while Vasco da Gama is its largest city. The historic city of Margao still exhibits the cultural influence of the Portuguese, who first landed in the early 16th century as merchants and conquered it soon thereafter. Goa was a former state of the Portuguese Empire. The Portuguese overseas territory of Portuguese India existed for about 450 years until it was annexed by India in 1961.
Fig 3.2 Location of site
Fig 3.3 Map of Panjim
Fig 3.1 This is exterior view of site
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Orientation
Symmetry
3.1
DISTANCE
From airport 40min
From railway station 35min
From Panjim bus stand 35min
NEIGHBORHOOD CONTEXT
1300m2 400m2 Site: Gonsalves Mansion Area: 1700m2
Fig 3.5 Is Kala academy
Fig 3.4 Is of Miramer beach
Its a 90yr old residential house in capital of Goa PANJIM (campal) Climate: Hot and humid Temperature: Max 45 Min 130 Fig 3.6 Near area Casinos
Fig 3.7 Mandovi River
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3.1 SWOT ANALYSIS
S W O T
MATERIAL
-Suitable residential area. -Many recreational facilities like pubs,cafe,restaurants. -Good central district. -More distance from many tourist places -No market place -Can make more usable for visitors. -Look more attractive and relaxing
Fig 3.7 Sketch of manglore tiles
-Existing facilities for Visitors. -Old structure.
CLIMATE STUDY OF GOA RAINFALL: Monsoon burst in the beginning of June and withdraw it by early October. The annual rainfall is 350m.
Fig 3.8 Sketch of IPS flooring
TEMPERATURE: Temperature variations through the seasons are very mild. May is the hottest month where temperature is around 30 deg. Celsius and January is the coolest with temperature 22deg. Celsius. HUMIDITY: Due to the sea the territory is generally humid and in summer months it is very high approx.60%. CLOUDINESS: It is very clear but lightly clouded from November to may. There is increase in cloudiness onset of the monsoon.
Fig 3.8 Figure shows climate conditions of Goa
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Fig 3.9 Sketch of Portuguese window
Fig 3.10 Sketch of Laterite stone wall
3.1
FRONT ELEVATION
RIGHT ELEVATION
LEFT ELEVATION
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3.1
SECTION AA’
SECTION BB’
SECTION CC’
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3.1
Soft Scape Hard Scape GF Plan Scale 1:200
Hard Scape Soft Scape
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3.1
Semi Private Public Space GF Plan Scale 1:200
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Private Space
3.1
GF Plan Scale 1:200
Circulation Plan
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3.1 SITE VIEWS
Fig 3.11 Exterior View
Fig 3.15 Views of existing site
Fig 3.18 Views Open spaces
Fig 3.12 AV Room
Fig 3.16 Office area
Fig 3.16 Office area
Fig 3.19 Exterior view
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Fig 3.13 Lobby
Fig 3.14 Open Spaces
Fig 3.17 Front Foyer
Fig 3.20 Dinning spaces
Fig 3.21 Front Foyer
I.MOOD BOARD
3.2
COLOUR PALATE
Fig 3.25 Traditional furnitures
Fig 3.22 Goan Houses with exterior bold colors
In olden days only three colors were available in this part. White, brick red and yellow. That is why all houses in Konkan and Goa were painted in those colors. They used available colors for contrasts. Now same colour combination is being used as a tradition by many Goan architects which some feel too bright.
FURNITURE & WINDOWS
Fig 3.26 Traditional furnitures
Fig 3.27 Traditional Windows
Fig 3.28 Portuguese style traditional furnitures Fig 3.23 Portuguese traditional windows
Fig 3.24 Portuguese traditional furniture
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Goan craftsmen have created a distinct style in the world history of furniture. the basic shape of a particular furniture has a European origin,however the motifs and decoration is often Indian Goan fruit such as cashews churn a has been depicted.
3.2 FLOORING MATERIALS
Fig 3.30 Mosaic tiles
Fig 3.29 Laterite Stone Flooring
Fig 3.35 Fabric of Sofa
Fig 3.36 Fabric of curtain Fig 31. IPS red oxide flooring
Fig 3.32 Traditional Portuguese mosaic tiles
Fig 3.33 Concrete Blocks
The earliest floors were of beaten earth stabilized with cow-dung next came iron oxide mixed with lime. later came broken china as ballast from ships which were made into elaborated designs. In the early 20th century insitu and tiles of marble mosaic became common among with the imported of ceramic tiles from france Italy. Wall lamps or wall lights have capability to change the boring plain wall into an art wall. All Wall lights come with complimentary LED Bulb . LED Profile lights are environment friendly and retrofit solution for high power consuming traditional lights. Many of the wall lights have shape and sizes such as to spread lights in a unique pattern which influences room’s collective consciousness. Fig 3.34 Traditional Lamps
Fig 3.37 Fabric of curtain
Fig 3.38 Fabric of curtain
Fig 3.39 Fabric of Sofa
Fig 3.40 Fabric of Mat
Trade blue Goa sand fabric Pearl hand printed Zepal fabric Tappeto mat Striped curtain Fig 3.41 Fabric of Curtain
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II. DESIGN PROGRAM
3.2
BOUTIQUE HOTEL Multi-functional space Hospitality High End Hotel Boutique Hotel is a small and intimate hotel, helt in a stylish design decor with a personal note. While it is not a specific hotel category, a boutique hotel can be defines by its characteristics: Size: Small and compact with 10 to 100 rooms other services.
REQUIREMENT OF STAFF Chef (15-20) Waiters (10-15) Other staff (20-30) Housekeeping ( 20-30) Managers (10-15) Sales (3-5)
SPATIAL PROGRAM 5-6 Room - capacity 2+1 1 bar with storage - capacity of 15 person Boutique shop + storage room Cafe - seating 20-25 person Restaurant/open restaurant - capacity 25-30 person Pool and amenities area Admin dept. ( HR,MANAGERS,RECEPTION) House keeping room Staff rest room Kitchen Food storage room Drivers room(as per availability) Financial dept. office Electrical room
3.2
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CHAPTER 4
Designing 4.1 Concept 4.2 Design Process 4.3 Conclusion
4.1
CONCEPT
Main aim is to divide builtup area into four spaces. that is formal,public,private and semi private
Trying to give circulation with central horizontal and vertical axis.
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Defining site area into four space division and giving inter connection between all four spaces.
Giving inter-connection between all four spaces within the built area of site
Connection between outside and inside after defining four spaces and also how circulation can be done.
4.1
FORMAL
Managers
Account
Pool
Restaurant
Play area
Smoking Zone
Kitchen
SEMI PRIVATE
Rooms
DIVISION OF SPACES
Pantry
Shop Reception
PRIVATE PUBLIC Housekeeping Bar
Restaurant
Cafe
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4.1
Division of existing site into 4 parts with linear horizontal and vertical central axis
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CONCEPT: Dividing area in 4 parts and to incorporate Goan traditional materials which was their 100yrs back with its regional context and overlapping with the modern facilities of boutique hotel with a reference of inter connected linear axis.
4.1
Fig 4.2 Goan Houses
Use of exterior bold colors with pale colors into interior spaces and giving combination of bold and pale colors. Fig 4.1 Goan Houses exterior colour walls with windows
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DESIGN PROCESS
EXISTING USE OF SITE
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GF Plan Scale 1:100
POSSIBILITIES OF CHANGES IN PLAN
Plan 1 Scale 1:200
Here entries for visitors and staff is same and also for local public also spaces are compact and merged
Plan 2 Scale 1:200
Here entries for visitors and staff is different but same for local visitors and also less number of rooms.
Plan 3 Scale 1:200
In this plan Public spaces and private spaces being designed in a way where visitors can excess it easily and can experience it together
Plan 4 Scale 1:200
Here Number of rooms has been increased and division of 4 major spaces has been done but bar and boutique shop is been merged with private space
4.2 DIVISION OF SPACES
The plan is now Re-designed as an boutique hotel which have an idea of divding whole area into three major parts of spaces. which is as public private and semi private. In this plan those 3 spaces shown in a three different colors and major part is a public spaces where local visitors can have an experience of the exterior concept of Goan houses into interior space with an classic furniture.
Public Spaces Plan 1
Semi Private Private
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4.2 CIVIL LAYOUT
Redesigning of plan has been done with few structural changes within the existing openings given as its an 100yrs old construction and all are load-bearing walls that we can not demolish it . There are some newly constructed walls also and all the openings are in horizontal and vertical axis. Here demolished walls and new constructed walls are shown in two different colors and existing walls in black.
Demolished walls Plan 2
New construction Existing walls
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4.2 Circulation
This is a circulation of a re-designed plan it has been resigned in a way where 3 major spaces have their private entries and also inter-connected within the whole area of site. Here local visitor can also come and experience the hotel. Where they can only have excess to limited areas. Here Tourist,local visitors and staff have different entries as per requirement
Circulation of Tourist Plan 3
Circulation of Staff Circulation of Local Visitors
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PRESENTATION PLAN
PLAN Scale 1:100
SECTIONS
3.3
1
Section AA’ Scale 1:100
2
Section BB’ Scale 1:100
3
Section CC’ Scale 1:100
ELEVATION
Front Elevation
Right Elevation
Light Elevation
PART PLANS
Boutique shop Scale 1:50
Section AA’
MATERIAL Key Plan Pine wood Part Plan 3 Dark brown wood polish
Portuguese style Mosaic blue floor tiles Part Plan 1 Zepal Red fabrics for sofa
Part Plan 2
Section CC’
Restaurant & Bar Scale 1:50
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MATERIAL
Pine wood
Dark brown wood polish
Portuguese style Mosaic blue floor tiles
Zepal Red fabrics for sofa Bar
Restaurant
Section CC’
Manager & Room 5 Scale 1:50
MATERIAL
Pine wood
Dark brown wood polish
Portuguese style Mosaic blue floor tiles
Portuguese style mosaic grey washroom tiles
Zepal Red fabrics for sofa Managers
Room 5
electrical LAYOUT
Switch Board
Ceiling Point
Wall Point Manager & Room 5 Scale 1:50
Chandeliers
4.2
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ROOF PLAN
PLAN SCALE 1:200
4.2 VIEWS
BEDROOM 1
COMMON AREA
Use of colonial Portuguese furnitures, use of blue bold exterior colour with traditional Portuguese flooring. Also connection with outside.
As you enter inside their is a foyer after that their is a common-space which act as get together area along with some games and other activities.
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4.2
BEDROOM 2
BEDROOM 3
Use of colonial Portuguese furnitures, in this room area is comparatively smaller then other rooms so here their is a provision of balcony to have an experience of outside culture.
Use of exterior bold blue colour and traditional furniture gives an aesthetic look of Goan traditional materials.
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4.2
BEDROOM 4 The area of room is divided into two parts which is connected also their is provision of dinning space which also have connection with outside. This room have dressing spaces too.
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4.2
BEDROOM 5
RESTAURANT AND POOL
The area of room is divided into two parts witha small partition wall. This has a connection with open theatre and also division of room provides family spaces. Area of room is comparatively smaller then room 1 and 4.
This area has open restaurant with surrounding of walking path ways and also connected with other areas. Their is use of different bold colors to define different spaces.
4.2 PORTUGUESE TRADITIONAL FURNITURES
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As you read earlier the Portuguese with the help of local artisans started manufacturing furniture in Goa. The Goan craftsmen created a distinct style which is distinguished in the history of furniture. While the basic shape of the furniture has a European origin, the motifs and decoration are often Indian.
The skirt is delicately scalloped and blends seamlessly onto the legs. The tables are presented upon four cabriole legs, each of which are trimmed in elongated scrolls
Fig 4.3 portuguese bed
Fig 4.6 portuguese Furniture’ s foots and legs
The beauty of Portuguese house is seen by its furniture elements. they are antique and beauty-fully ornamented. these are the coster beds which are mainly used in Portuguese houses and also foul long legs beds which has been beauty-fully ornamented.
Standard as shown in Firm-dale Oak with inset brown Vellum top. Vellum is natural leather made from calf skin, therefore variation is inevitable.
Fig 4.4 portuguese bed
Fig 4.7 portuguese traditional Chair
Elegant cupboard, defined as Portuguese style, around mid 19th C. with barley twist doors, Ambon sutra rosewood, knock down furniture in 7 pieces.without screws, or nails
A beautiful example of Portuguese colonial chairs are these folding chairs. Comprised of three components joined with steel screws; the back, the seat and the arms. Each extends down to form one of the three pairs of legs.
Fig 4.5 portuguese Cuboard
Fig 4.8 portuguese traditional Chair
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4.2
This antique Indian chest features a hand-carved front decorated with incised geometric designs indigenous to the Goa region. This piece still retains its original aged finish and stands on bun feet
Fig 4.9 portuguese traditional Cuboards and tables
An antique colonial cent-er sofa in rosewood with a beautifully carved framework. Unlike a chaise lounge, this sofa does not have a backrest. It could also be fitted for an alcove and placed parallel to a wall. Fig 4.10 portuguese traditional lounge sofa
Round tilt top over a cylindrical turned pedestal base, raised on three splayed feet with bronze accents. Simple yet elegant, the table can easily accommodate four people.
Fig 4.12 portuguese traditional table
This robust In-do-Portuguese Tavern table is a 17th Century styled desk that features roped turned legs, an iron stretcher and sleek top. The piece is finished with hand-rubbed wax layers.
Straight lines and occasionally s-curves were used to add interest to the design. Arms were designed with a slight outward curve. Legs displayed more detail with turned, round or cabriole designs. Fig 4.11 portuguese traditional rocking chair
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Fig 4.13 portuguese traditional table
4.2 AXONOMETRIC VIEW
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4.2 DETAILS
2
1
Exhaust Detail Scale 1:5
3
Drainage Detail Scale 1:5
Wall to Glass door Scale 1:5
4.2
Bed Rail
Hole for Nut
Bed Post
4
Bed Detail Scale 1:5
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4.2
5
Bi Fold Door
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6
Hing Detail Scale 1:5
7
Hing Detail Scale 1:5
CONCLUSION
4.3
CONCLUSION The memory of place is a complex concept that contains many tangible and intangible data. One of these statements as tangible and intangible in the same time is historical buildings in the city. Goa which has a wide memory in this context, has many important historical buildings. The important historical buildings that Goa has in the forefront of aqua culture and are important in terms of reflecting the city’s memory. In this study, evaluating of the characteristic and context of Goan culture and tradition. Building contains the massive, volumetric and spatial features that make up the basic character of the structure of Goan house. The reuse of the Gonsalves Mansion as a Boutique hotel and designing it considering culture,context and traditional furnitures gives a usable and acceptable function what hotel should have. thus trying to clarify the features that it has in the sense of place memory. In this context, it is considered that the new function which will be given to the structure by examining the characteristic features of the structure will contribute to transfer the memory of the place to future generations by protecting this characteristic.
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4.3 BIBLIOGRAPHY https://scroll.in/magazine/856585/portuguese-architecture-ingoa-has-little-to-do-with-the-portuguese-and-everything-to-dowith-goa https://books.google.co.in/books?id=5e_KDwAAQBAJ&pg=PT7&lpg=PT7&d. http://www.dsource.in/gallery/houses-goa#:~:text=The%20 Portuguese%20were%20inspired%20by,came%20from%20 across%20the%20world. https://en.wikipedia.org/wiki/Goa https://medium.com/@vinodpandya/goa-816363713111 http://famousgoabeach.blogspot.com/2011/05/architecture.html https://www.scribd.com/document/145225178/GSB-GOA http://comptonllc.com/a-guide-into-adaptive-reuse-construction/
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4.3 LIST OF FIGURES CHAPTER 1
Fig. 1.13 https://www.andrevicentegoncalves.com/photography-project/windows-of-the-world-collections/
Fig 2.7 Sketch by author
Fig. 1.1
Fig. 1.14 Figure is clicked by author displayed in Houses of goa
Fig 2.8 https://www.freepik.com/free-photos-vectors/ wood-texture Sketch by author.
Fig.1.2
Fig. 1.15 Sketch by author
Fig 2.9 Sketch by author
Fig. 1.6 https://www.countryfloors.com/miradouro/
Fig 2.9 https://www.istockphoto.com/vector/goa-map-of-region-india-gm1145646010-308428333
CHAPTER 2
Fig 2.10 https://www.google.co.in/maps/@22.2844421,70.758 9297,14z?hl=en
http://heritagehomesgoa.com/pic/portuguese_house.jpg http://heritagehomesgoa.com/pic/portuguese_house.jpg Fig. 1.3 Sketch by author. Fig. 1.4 Sketch by author. Fig. 1.5 Sketch by author. Fig. 1.6 Sketch by author. Fig. 1.7 Sketch by author. Fig. 1.8 Sketch by author. Fig. 1.9 Sketch by author. Fig.1.12 Sketch by uthor.
Fig 2.1
jpg( house of mg) Fig 2.2 http://www.maphill.com/india/gujarat/ahmadabad/ simple-maps/blank-map/cropped-outside/free/
Fig 2.11 Sketch by author Fig 2.12 Sketch by author
Fig 2.3 https://www.google.co.in/maps/@22.2844421,70.758 9297,14z?hl=en
Fig 2.13 Sketch by author
Fig 2.4 Sketch by author
Fig 2.14 Figures are clicked and sketch by author
Fig 2.5 Sketch by author
Fig 2.15 Figures are clicked and sketch by author
Fig 2.6 Sketch by author
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4.3 CHAPTER 3 Fig 3.1 Figure clicked by author Fig 3.2 https://www.google.co.in/maps/@22.2932451,70.742 5589,14.75z?hl=en Fig 3.3 Map of Panjim https://charlescorreafoundation.org/2018/04/20/panaji-visitors-map/ Fig 3.4 https://www.thrillophilia.com/attractions/miramar-beach Fig 3.5 https://kalaacademygoa.co.in/ Fig 3.6 Near area Casinos https://i2-prod.business-live.co.uk/incoming/ article18390271.ece/ALTERNATES/s810/1_genting-2PNG.png Fig 3.7 Mandovi River https://swarajyamag.com/insta/designed-manufactured-in-india-third-cable-stayed-bridge-over-rivermandovi-in-goa-to-open-on-27-january Fig 3.8 Figure shows climate conditions of Goa https://www.archgoa.org/climate%20and%20architecture/climate%20and%20architecture.htm Fig 3.7 Sketch of manglore tiles sketch bu author
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Fig 3.8 Sketch of IPS flooring Sketch by author Fig 3.9 Sketch of Portuguese window Sketch by author Fig 3.10 Sketch of Laterite stone wall Fig 3.11 Figure clicked by author Fig 3.12 Figure clicked by author Fig 3.13 Figure clicked by author Fig 3.14 Figure clicked by author Fig 3.17 Figure clicked by author Fig 3.15 Figure clicked by author
Fig 3.18 Figure clicked by author Fig 3.19 Figure clicked by author Fig 3.20 Figure clicked by author Fig 3.21 Figure clicked by author Fig 3.22 http://www.dsource.idc.iitb.ac.in/gallery/houses-goa#33344 https://www.andrevicentegoncalves.com/photography-project/windows-of-the-world-collections/ https://www.alamy.com/stock-photo/goa-portuguese-houses.html https://www.alamy.com/stock-photo-india-goaportuguese-houses-in-fontainhas-district-in-panaji-94735043.html
Fig 3.16 Figure clicked by author
Fig 3.23 http://www.dsource.idc.iitb.ac.in/gallery/houses-goa#33344
Fig 3.17 Figure clicked by author
Fig 3.24 http://www.therajcompany.com/proddetail/255/sofas/sousa-indo-portugese-sofa-1036.aspx
4.3 Fig 3.25 Furniture piece clicked by authoer Fig 3.26 Furniture piece clicked by authoer Fig 3.27 https://www.alamy.com/india-goa-panjim-fontainhas-rua-sao-tome-door-of-colourfully-painted-image67119052.html https://www.alamy.com/stock-photo-flower-arrangement-in-portuguese-villa-altinho-panjim-goa-india-91289039.html Fig 3.28 https://www.1stdibs.com/furniture/tables/console-tables/18th-century-portuguese-table-brazilian-rosewood/id-f_2568712/ Fig 3.29 https://www.indiamart.com/proddetail/laterite-stone-5040145955.html Fig 3.30 http://waterproofingexpert.in/China-Mosaic Fig 3.31 http://auroshivasearthbuilders.com/red-oxide-flooring/ Fig 3.32 https://www.canstockphoto.com/lisbon-tiles-13616034.html Fig 3.33 https://www.canstockphoto.com/concrete-block-37518772.html
CHAPTER 4 Fig 4.1 https://www.behance.net/gallery/11068759/ GOA-Through-Windows-Illustrated-Posters
https://in.pinterest.com/pin/412360909634232938/ Fig 4.10 https://in.pinterest.com/pin/331859066288101266/
Fig 4.2 https://www.behance.net/gallery/68843019/HousesOf-Goa
Fig 4.11 https://www.artisera.com/products/indo-portuguese-folding-chair
Fig 4.3 https://in.pinterest.com/pin/298363544033763438/
Fig 4.12 https://www.chairish.com/product/1515909/indo-portuguese-writing-desk
Fig 4.4 https://in.pinterest.com/pin/298363544033763438/ Fig 4.5 https://in.pinterest.com/pin/348254983670697973/ Fig 4.6 https://www.reddit.com/r/coolguides/comments/ ejfs64/a_visual_guide_to_common_styles_of_furniture_feet/
Fig 4.13 https://www.chairish.com/product/2430018/italianround-walnut-pedestal-dining-table-with-tilt-topand-bronze-accents
Fig 4.7 https://www.rubylux.com/item/1439983-CH1403/ Item-ID-CH1403-Store-Backroom Fig 4.8 https://portugueserootschair.com/ Fig 4.9 https://www.chairish.com/product/2366915/indo-portuguese-geometric-carved-trunk https://www.expatchoice.asia/home/furniture-general/past-perfect-collection
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