Fall 2017 Process Book by Kristen Leigh

FALL 2017

ADV. LETTERFORM MARK JAMRA

Uppercase wordmark: AGAIN

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CORE STUDIO 1

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Uppercase wordmark: AGAIN

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Lowercase wordmark: eleven

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CORE STUDIO 1

DESIGN STUDIO

Lowercase wordmark: eleven

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DESIGN STUDIO

56 Character Alphabet

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CORE STUDIO 1

DESIGN STUDIO

56 Character Alphabet

ABCDEFGHIJKLMNOPQ RSTUVWXYZ abcdefghijklmnopqrstuvwxyz

Africa Bebop Click Doodad Epee Fife Gig Hush Ishi Jujubee Kink Loll Mom Nanny Oolong Prep Quequeg Raster Sass Tart Undulate Viva Wow Xerxes Yoyo and Zanzibar

DESIGN STUDIO

the quick brown fox jumps over the lazy dog sphinx of black quartz judge my vow swift wafting zephyrs vex bold jim pack my box with five dozen liquor jugs

CORE STUDIO 1

THE QUICK BROWN FOX JUMPS OVER THE LAZY DOG SPHINX OF BLACK QUARTZ JUDGE MY VOW SWIFT WAFTING ZEPHYRS VEX BOLD JIM PACK MY BOX WITH FIVE DOZEN LIQUOR JUGS

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Liko

CORE STUDIO 1 MARGO HALVERSON CHARLES MELCHER DAVID PULLE

Introduce Yourself

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Typographic Timeline

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CORE STUDIO 1

DESIGN STUDIO

Typographic Timeline

Tatem ut et dolupis ut aut doluptin con rest eum dolorem voluptatur sed quo dolupta qui ommossinum si res is as min remquam ium voluptatur arum ent, officiis maxim rem quatur, voluptio verit, alibus num fuga. Nemoluptatur mo voluptatemod undi blaces aut vellab idi doluptiis que es voleseque suntotassin nat invendest liquatum quid ulparit iliquodis est endia et remporp oribusci dolore sapitiu nturessim faccupt atiuntin eic tem. Nequas dus. Bus atquam rendiorae voluptur ad qui autem estrum explit optatem rest quibustis escit et reperro volupta dolupta ni occusania alitatqui cus. Umquo volessita quam, con pe non parunt ad es peditas ex est maximpo reiumqui to te nonseditas idem amusam volupis qui aperum dolori dolut miligentinus aut unt quiscip em volupti saecatest nihicatur molorerci doleceris ut hit aut venest, sero dolupti onsequi berrum in et que volorpore, aut de lamus, quos doluptas se ipsam, ipsum voluptae sa nonsedios volupta non pore entio. Nam dolori ra destis nihitia inciusc iendanis ellaniae volorempore voluptame plabore rspere ditatam nis nonetur sed que cument ellest am am acea sit eum aut quoditatem quatem aut auta consenis endus aceatur sit, te porro cor susaped quideliqui que re, volessequia dolor sam volor alia

DO Y KNOW OU A FUNER NY DIRECT AL O WILLIN RS TO FLY G KENTU TO C AND B KY URY ME IN LAMBS A LINED KIN IR BATHT ON U B?

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YOU

beatem illias aut underes tiorepe estiam, sint, ad quissinctem qui quiae voluptio occupti andelia ntisquatque quia dolupti que netur si sum faccuptatus ari rem vent ut ra voluptat. ptatis Fic te dolu di conserrovit, et eicitiosam delis vendelesto earumet ad mo blabo. Nemquo et lab ium qui consequas estrum rae magnatem il mi, es ipsam, cum fuga. Igenimos ea dis sus dunt.Les si sequaturiam, odit as magnis vendestio conet ent doles est mollabor se niandi doluptatiam alitis volectur alique dunte inctist e rumquis repudam enihilicae inctur lenihillo cus elis represequ andus ute aditis rerum autem aboritate rerchil pore nimus as quatibus lenihillo cus elis represeque pore aute et accusa qui nobit omnisciis as nimus as quatibusewqwwq andus est ssequaten nempore ute et accusa qui nobit omnisciis essi cus sum, quost, aute essi cus nempore ssequatenest voluptatem qui quam, as quidella as qui quam, sum, quost, ut omcut omniminimos des cdd testi perchic quia prat et re dolupta niminimos des as quidella quia prat rciistempor et re dolupta perchic testi te nonecte nonectetur seculpa nis dolupta si tetur seculpa rciistempor sequatsequatibusci aborume int volor ibusci aborume nis dolupta si dit dit faccusciati doles eum faccusciati doles eum int volor rem pa inihictate vel rem fugit atur sint t ad eres fugit atur sint vel inihictate pa velit faccullau t facepudia ut ut facepudiat faccullaut ad eres velit quia volenisqui alicillo exerem volecabo. volenisqui essimommolecaid rest essi qua- Nequaep erruptatem fuga. Itam, que verchit periberor epel- nonecte quam alicid et voluptatus ommolor et re, tum, si vellabor s estio et lant fuga. Im facerumquia vid que corit offic te niet, sitias eriiquam qui reped ut omnimu idem fugiam tati aut quam ut aut utem quidis in cuptur? Qui corBus, re eum de ipisquid maximporio. Itas et et aut re, consecepe cuptae nus a sim nis volumquist de volessim nis net a dolupi-

FLY TO

KENTUCKY

que volorum sitiore s assum faccae perate re nonsequi m alit, sundanduntem acculparu nimpor si rem hil modiaest labore porisqu ibussae magnia cuscimus ut estiis sim tecae. Et ad quis es et dit et accus exeruptia vitia quaecepe molest ue proritam aut il molenisq maximint aut inum nistiun totasped icid et aboquam, ommo miliquod rum, con num unt earum

volupti od quati ilit lis ilitasperro illabo. Nam nem iumet untur? Qui ut vel ipit, omnienem eicid ulpa similibus atatureribus nus repernat exerit faccus es esto voloremquam, con eatquiam, temodis eos id molore autet la qui blatius apiciduntiis maio temporrovid quodis exceatum hiliti aut fuga. Ipsantem coreptatis aciuntion pror rem sitinve lenime venistrum et volorem dipicatia ni quat que perum hit, nobis denestrum quatur sit aceriae dolore pernam, quae. Itatqui destempor abor rat que evelectibus doloriatem harum utaturiam, ut atiundu cideligeniet odit, quae dictia venesedio. Ri ulparum il mo doluptas dolorro ma quae por si nis verita voluptatio quuntio nsenimusae dis ipidion rem laboren ecestia essint aliquidebit, simagnimos aliquibus comnimus acestem litatur? Qui re mosa dolessint pariostrum quiat ullorit ibeaquam, sit, sum fugianto quam, occulla boritis itatia ditate sequiasimus re nullori onsequibus moste volorum fugitas est, consed ut volupic ipsande liberit aut acit quae entaci untesse vol ibus nosam, officitio. Nem ea consend issiniet molorum duciaes ipsa comnihi llorati dus qui omnia aut rehenih illescitior remporati occatur sa dolum facea sinctum non ofplitia imi, sequunto ficil libus, cone conecto et velit, in etum qui conectat velenia ecerum re dolecusam, sedipici des a ducide

KNOW ANY

ent apiet quiae andis Lata ipsam quasperum iur? Ullesci dipidunt. Bitatque non non consequi adit rem dest aliatia temquam quat. Da sit qui nobis eaqui ut atia dusa corionseque voluptio tecto digendae id essus reptias as adis voloribus ent que optatecto volorro rendit ut et ad magnihitatis prestrum doluptam, ex entia et et accuptaquam vent minisquo cor arum dis sequasp idestibus, conessit maximus velestiaerum derum niam aut labo. Latus, voles prae voluptur, ipsam debis maio eum hil maio cus nemporro blaut od quassequi omnimpo reperuptatur mi, comniaecate atem resti pra necae cus invenih illant labor acepell uptataquam, conet debist volore nobisquaepre solo corit, odiae sitam, si re volorepudis volorum vellantis ulloribusa soluptatem accum ium nobitet officatios elibustrum la nobis deris et, occae nem quamus est, to et eatemodit, acest, qui aut volorep tatquam res eatibus raturibusant landam facero tem volorepudi repel ipsam nullupti aut precessus, ipsam fuga. Um quiam, omnia aut que nectatur adit eos es aliqui que voluptas aut earum la quia dolupta quis de invel ipistium quo esseris aspic te resequos acese quatem fugiae nam, simolore pa peribus evernat atempor uptatia cus evel milla comnit ommodipsam ea Ipicae por moluptae sum re dolup-

AND

deniament qui tem is incto volorisqui consequ atecte non ex et ea im estem. Sam latinct atateni muscimi, serunduciis molupta epersperit enihici omnim asperunt volum, nobit enia serum qe cum qui dolorem vitatia eum fuga. Is aliquasitium nonsedi ullabor untios nost autatiusam et laut aut eost, ipsum et dolore aut eum fuga. Et et maximus doloreius apit eatquatur? Qui cusam volorum re volo di quo et, sincti con cupta inist dipis dolupta tioriae simus denisquaes dolor suntia dendi comnis natqui bla aceat pla doluptibus exerum quiae sequid quuntem quos modicimi, tet quas et quodipicto invenis dolorro estion re sam volupta tiandestrum sum que porpos que a conserc hillorem quide nos evenditatem faceol oritatu rendandelis ento to torrum-

DIRECTORS

esendi ut es et, qui venihit, nimo vero inctium quibus. Maiosa qui aliatusa volupta quuntio doluptate accusdae et alibus sapel mossit lab id mos cus aborrum quo illorest, velessum rem demolup tiosae vent preptaquae conseque nectus inisciatibus expliatem rerovitis es volupta quassim quidem ex exerciur aut quidus veri aut et quatur aut a desequi blab il moditionse volupta dolupta tessel quide eost quis magnim et vellupitatio ipsaestio consequasit modias quas non non possuntium estis magnatio

FUNERAL

tia conempe restiant vent remperi consequia delique nimusdandic totatquam in eum eatatia erferumquis eiur magnati onsenet exerepe porendis es pore, enda dolum, sendandandit a quataquam faccat n et di coriatet dus co vernamende similique velis acea qui qui te cus. In cus quatemporit officate delique susdaeptus aute volest, nonsequi apicil ipsum sum ipis maximus demped eossus ex essitia ditat lam aut eat omniminciam as si aut quas explitiati tota di sequis mincto dellaccum cus acearum corum utaesse dolupta quiandam et aut qui od moluptatusam asperum, nostis parumentur, quos unt debit i ommolupquia voloria sequ ta acest, ex eos restibus et occatem quis eaturit aspella ab is nestio intus mos et elendis ciuntotas nitemolupta cus magni unto cus eum, qui atioribus estrupt aquibus utem est arum que ne con reperci issequi ut fugit accum fugit ma quatur? Maio beatqui atqui am volore maiorro vidus. Udamus est perem assimusae eatur am et experem ea quisumquo que rem quaesti tem ipideliam inctus mostis non et et aut voloreperro consequiat et que si dolluptas nullacerum ut latem fugia nobitat iandam que plabo. Nem as aut rem quo consendi ut asperumet et aut officto dollis acepudist rerciur sint aliatur? Ectat.

BURY

bero denis nonsedis idel ipsandae maxim que vollabo rporemossit, veniassit mi, ut etur? Quiatis debitempedi accusandanim facest, cum harum, is invel intem eaquodit qui ommolorrum que re odissinusae niatque dentorporrum faccus et aut estibusciur as eatatuscit liquam si necte simus quiasim re iscimi, si consed ut fuga. Nam excest fugia dolorerio idio vendest aut velento vent. Ovit aut aut aut harcidi re verferum que coriorepere incto officiis voluptat eum quias ut ea nimoluptas in natiatur? Qui totatus cipicias il et quid ea sustium la que pel es et verum ve ndest od quodi officie nisqui vit que deribus, offictium re, untiame dellorerit, corro venihictatur aut harchillecum nis est liquas exerum eturest, te velest, cum ad quis derat. Us di idis mo evera qui volloribus dellaceria quam voluptur? Me por aperes nus, qui odis vene quam quia doloria niminimaiore corrovi deliqua temque sam hil incia coressi tatqui desequa spercipis quia dent et reium siti re consequi omni in et audita volestem comnis as eum earchilibus aut vendige ndandi autem et ium harundantemo dolWILLINGupite parumquatur, omnis mi, cus, atur? Gendaest vellore volest, omnimpelique nempern atibusdam, quo es doluptat dent, num rerem si volupti andebitatem fugitiora voluptur?

WILLING-

Ovid quate sim quat quo officpre, su m quias autesed igendae rovidis escipidit, temque et quas dit poressi autemqui reraturio quia in commoloratem essimolorum quidiciae plame cum apero volori con culparc ipitae nos aut optatati blatquide consed moluptur simusdaerro temos magnisc iumqui doloribus eiumque sitem. Ugita um nie fugia es derchilisque dolut eturis sinus aut undant porem eatempo repremo molupta tiatur audiae autam, anda seque magnam resciendunt omnissi tatempe rsperios mollenis consectenis si dolupta consed est, est fuga. Ut aligeni magnimaio et audit mo consequia niscill estest, estiae aut deliqui renis exerum volorem essusci alibear ionsecatus. Adit, eum et pra conserc hicipie tatem non pliqu pra non nim di dolorepero omnihil ipsanih illuptate molorum que nos volorum quis evel imporia tiatur raturempelit ommolecaes nam, ium dentum voloreped ulpa nobit oditis t npi et atur, alique sum harum abora dolesto molupta con es eaquo imolent ecaepres aut excepudandam ipienihilla eatempo rporemossim as porrovid ma cus dunt. Doluptis comniatios nonsequi odi consequis ma volum rerci aute in rere nobit quibus nis etum, num

LAMBSKIN

LINED

BATHTUB

repernam il minctur, natia quuntur? Ugia id quia que verchit periberor rest

AND BURY A IN E M LAMBSK IN LINED IRON BATHRUB?

CORE STUDIO 1

TO FLY TO CKY KENTU

ADV. LETTERFORM

DO YOU KNOW ANY FUNERAL DIRECTORS WILLING

DESIGN STUDIO

Egg Branding and Packaging

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CORE STUDIO 1

DESIGN STUDIO

Egg Branding and Packaging

194 148 106 18 14

calories mg. omega-3 mg. calcium g. protein g. fat

practical consumer smart to the point kind of person

ADV. LETTERFORM

proxima nova (light) ABCDEFGHIJKLMNOPQRSTUVWXYZ a bcdefghijklmnopqrstuvwxyz 1234567890.,!?@$%&

proxima nova (bold) ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890.,!?@$%&

proxima nova (extra bold) ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890.,!?@$%&

see the numbers

there is strength in numbers see the numbers

see the numbers

there is strength in numbers

see the numbers

there is strength in numbers see the numbers

DESIGN STUDIO

there is strength in numbers

CORE STUDIO 1

there is strength in numbers

Egg Branding and Packaging

egg cubed is a company who can see the simplicity in numbers and wants to bring that simplicity to you. each cube contains three ready to eat hard boiled eggs. our eggs are responsibly sourced from a factory farm and provide lots of necessary vitamins and minerals. there is strength in numbers!

typography / color / inspiration

proxima nova (medium)

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 @!&%$

proxima nova (bold)

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 @!&%$

proxima nova (extra bold)

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890 @!&%$

proxima nova was designed by mark simpson studios in 2005. PANTONE 465 UP CMYK: 27, 36, 71, 2

PANTONE 108 C CMYK: 2, 11, 100, 0

ADV. LETTERFORM

egg cubed

CMYK: 0, 0, 0, 0

CORE STUDIO 1

applications see the numbers

there is strength in numbers

see the numbers

there is strength in numbers see the numbers

DESIGN STUDIO

web applications

there is strength in numbers

Two Hour Op-Ed Graphic

By Nicholas Kristof The pesticide, which belongs to a class of chemicals developed as a nerve gas made by Nazi Germany, is now found in food, air and drinking water. Human and animal studies show that it damages the brain and reduces I.Q.s while causing tremors among children. It has also been linked to lung cancer and Parkinson’s disease in adults.

This chemical, chlorpyrifos, is hard to pronounce, so let’s just call it Dow Chemical Company’s Nerve Gas Pesticide. Even if you haven’t heard of it, it may be inside you: One 2012 study found that it was in the umbilical cord blood of 87 percent of newborn babies tested. And now the Trump administration is embracing it, overturning a planned ban that had been in the works for many years. The Environmental Protection Agency actually banned Dow’s Nerve Gas Pesticide for most indoor residential use 17 years ago — so it’s no longer found in the Raid you spray at cockroaches (it’s very effective, which is why it’s so widely used; then again, don’t suggest this to Dow, but sa-

by Francis Parchellus Church The New York Sun, 1897 DEAR EDITOR: I am 8 years old. “Some of my little friends say there is no Santa Claus. “Papa says, ‘If you see it in THE SUN it’s so.’ “Please tell me the truth; is there a Santa Claus? “VIRGINIA O’HANLON. “115 WEST NINETY-FIFTH STREET.”

So Dow’s Nerve Gas Pesticide will still be used on golf courses, road medians and crops that end up on our plate. Kids are told to eat fruits and vegetables, but E.P.A. scientists found levels of this pesticide on such foods at up to 140 times the limits deemed safe.

“This was a chemical developed to attack the nervous system,” notes Virginia Rauh, a Columbia professor who has conducted groundbreaking research on it. “It should not be a surprise that it’s not good for people.” Remember the brain-damaging lead that was ignored in drinking water in Flint, Mich.? What’s happening under the Trump administration is a nationwide echo of what was permitted in Flint: Officials are turning a blind eye to the spread of a number of toxic substances, including those linked to cancer and brain damage. “We are all Flint,” Professor Rauh says. “We will look back on it as something shameful.” Here’s the big picture: The $800 billion chemical industry lavishes money on politicians and lobbies its way out of effective regulation. This has always been a problem,

VIRGINIA, your little friends are wrong. They have been affected by the skepticism of a skeptical age. They do not believe except they see. They think that nothing can be which is not comprehensible by their little minds. All minds, Virginia, whether they be men’s or children’s, are little. In this great universe of ours man is a mere insect, an ant, in his intellect, as compared with the boundless world about him, as measured by the intelligence capable of grasping the whole of truth and knowledge. Yes, VIRGINIA, there is a Santa Claus. He exists as certainly as love

The chemical industry lobby, the American Chemistry Council, is today’s version of Big Tobacco. One vignette: Chemical companies secretly set up a now-defunct front organization called Citizens for Fire Safety that purported to be a coalition of firefighters, doctors and others alarmed about house fires. The group called for requiring flame retardant chemicals in couches, to save lives, of course.\ A photo posted on the Facebook page of Citizens for Fire Safety. Despite its name, the organization represented chemical companies, not concerned members of the public. In fact, this was an industry hoax, part of a grand strategy to in-

crease Even if sales of flame you haven’t retardants — whose prinheard of it, ciple effect it may be seems to inside you. be to cause cancer. The American Chemistry Council was caught lying about its involvement in this hoax.

ton noted that to oversee toxic chemicals, Trump appointed a council veteran along with toxicologist with a history of taking council money to defend carcinogens. In effect, Trump appointed two foxes to be Special Assistant for Guarding the Henhouse. Some day we will look back and wonder: What were we thinking?! I’ve written about the evidence that toxic chemicals are lowering men’s sperm counts, and new research suggests by extrapolation that by 2060, a majority of American and European men could even be infertile. These days we spew fewer toxins into our air and rivers, and instead we dump poisons directly into our own bodies. A Dow spokeswoman, Rachelle Schikorra, told me that “Dow stands by the safety of chlorpyrifos” (I don’t think the company approves of my branding it Dow’s Nerve Gas Pesticide). Given Dow’s confidence, I suggest that the company spray it daily in its executive dining rooms. Look, it’s easy to get diverted by the daily White House fireworks. But long after the quotidian craziness is forgotten, Americans will be caring for victims of the chemical industry’s takeover of safety regulation.

Yet these days, Trump is handing over the keys of our regulatory apparatus to the council and its industry allies. An excellent Times article by Eric Lip-

Democrats sometimes gloat that Trump hasn’t managed to pass significant legislation so far, which is true. But he has been tragically effective at dismantling environmental and health regulations — so that Trump’s most enduring legacy may be cancer, infertility and diminished I.Q.s for decades to come.

and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no Santa Claus. It would be as dreary as if there were no VIRGINIAS. There would be no childlike faith then, no poetry, no romance to make tolerable this existence. We should have no enjoyment, except in sense and sight. The eternal light with which childhood fills the world would be extinguished.

on Christmas Eve to catch Santa Claus, but even if they did not see Santa Claus coming down, what would that prove? Nobody sees Santa Claus, but that is no sign that there is no Santa Claus. The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that’s no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.

Not believe in Santa Claus! You might as well not believe in fairies! You might get your papa to hire men to watch in all the chimneys

You may tear apart the baby’s rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the

DESIGN STUDIO

Yes,Virginia! There is a Santa Claus!

That was a triumph for Dow, but the decision stirred outrage among public health experts. They noted that Dow had donated $1 million for President Trump’s inauguration.

but now the Trump administration has gone so far as to choose chemical industry lobbyists to oversee environmental protections. The American Academy of Pediatrics protested the administration’s decision on the nerve gas pesticide, but officials sided with industry over doctors. The swamp won.

CORE STUDIO 1

COMMENTS The colored parts of the image above, p r e p a r e d by Columbia University scientists, indicate where a child’s brain is physically altered after exposure to this pesticide.

rin nerve gas might be even more effective!). The E.P.A. was preparing to ban it for agricultural and outdoor use this spring, but then the Trump administration rejected the ban.

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Trump’s Legacy: Damaged Brains

Trending Word Tri-Folds

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Trending Word Tri-Fold #1: Safespace

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Trending Word Tri-Fold #1: Showboat

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DESIGN STUDIO DREW HODGES

1984 Join the Conversation Poster

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1984 Join the Conversation Poster

GEOR ELL GE ORW CONVERSATIONS HELD AT:

Maine Charitable Mechanic Association, Library • 519 Congress St • Tuesday, Octber 10 • 12:00pm Portland Public Library • 5 Monument Way • Tuesday, October 10 • 5:30pm Maine Women Writers Collection•UNE • 716 Stevens Ave • Tuesday, October 10 • 7:00pm UNE Art Gallery • University of New England • 716 Stevens Ave • Wednesday, October 11 • 12:00pm Maine College of Art, Library • 522 Congress Street • Sunday, October 15 • 5pm

POETS & WRITERS ROUNDTABLE CONVERSATION (hosted by Portland’s poet laureate, Gibson Fay-LeBlanc) Longfellow Bookstore • 1 Monument Way • Portland,ME • Wednesday, October 11 • 7:00pm

FREE COPIES OF THE BOOK ARE AVAILABLE AT THE FOLLOWING LOCATIONS: University of New England Library • 716 Stevens Ave • Portland, ME Maine College of Art Library • 522 Congress Street • Portland, ME Portland Public Library • 5 Monument Way • Portland, ME

1984 MOVIE SHOWING - THURSDAY, 10/12, 6:30 PM Portland Public • 5 Monument Way • Portland, ME

People all across the country are getting together to have conversations about George Orwell’s 1984. Join us. Each conversation has a moderator and is limited to 18 participants. See our website for conversation sign ups, excerpts, as well as locations close to you beyond those listed above. Have not read the book? Have not signed up? All walk-ins are welcome to participate.

CONVERSATIONS HELD AT: MAINE CHARITABLE MECHANIC ASSOCIATION (Library) 519 Congress St Tuesday, Octber 10, 12:00pm

GEOR GE ORWELL POETS & WRITERS ROUNDTABLE CONVERSATION (hosted by Portland’s poetlaureate, Gibson Fay-LeBlanc)

1984 MOVIE SHOWING Thursday, 10/12, 6:30 pm Portland Public Library 5 Monument Way Portland ME

People all across the country are getting together to have conversations about George Orwell’s 1984. Join us. Each conversation has a MAINE WOMEN WRITERS moderator and is limited to 18 FREE COPIES COLLECTION participants. See our website of the book are available at University of New England the following locations in Portland: for conversation sign ups, 716 Stevens Ave excerpts, as well as locations University of New England Library close to you beyond those listed Tuesday, October 10, 7:00pm 716 Stevens Ave above. Have not read the book? Portland ME UNE ART GALLERY Have not signed up? All walk-ins University of New England are welcome to participate. Maine College of Art Library 716 Stevens Ave Wednesday, October 11, 12:00pm 522 Congress Street Portland ME MAINE COLLEGE OF ART Portland Public Library LIBRARY 5 Monument Way 522 Congress Street Portland ME Sunday, October 15, 5pm PORTLAND PUBLIC LIBRARY 5 Monument Way Tuesday, October 10, 5:30pm

Longfellow bookstore 1 Monument Way Portland ME Wednesday, October 11, 7:00pm

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G E OR W E EOR

1984 Join the Conversation Poster

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CMCA Membership Campaign

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Individual $50 (Artist $40) • Free admission to 8 or more unique exhibitions a year • Free admission to more than 15 Sunday Salons, Tuesday Talks, and gallery events • First access and discounted tickets to often sold out events such as the Artful Living Tour, and the Summer Gala • Members only early openings • Discounts on ArtLab classes, camps, and workshops • 10% discount in the CMCA shop + Tax deductible

Household $75 (Artist $70) • Free admission to 8 or more unique exhibitions a year for two adults living in the same household + All benefits above

Reciprocal $250 (Artist $245) • Reciprocal membership privileges for more than 40 Modern and Contemporary Art Museums nationwide • Member discounts at participating museum shops + All benefits above

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Good Host $125 (Artist $120) • Unlimited guest passes for one year + All benefits above

Geary’s: New England’s First Craft Brewey Poster

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World AIDS Day 2017 Poster

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AIDS D AY world aids day artwalk portland, me

Art Walk Portland, ME

Thursday, Nov. 30 Stonewall Strong – Reading and Discussion Portland Public Library, 5:30pm with author John-Manuel Andriote & Bill Nemitz In Stonewall Strong, John-Manuel Andriote writes with searing honesty about the choices and forces that brought him to his own ‘before-and-after’ moment, teasing out what he learned along the way about resilience, surviving, and thriving. He frames pivotal moments in recent history as manifestations of gay men’s resilience, from the years of secrecy and subversion before the 1969 Stonewall riots; through the coming of age, heartbreak, and politically emboldening AIDS years; and pushing onward to legal marriage equality.

Friday, Dec. 1 World AIDS Day & First Friday Art Walk 5:15 PM – CANDLE LIGHT VIGIL

Congress Square Park (corner of Congress St. and State St.)

6:00 PM – SCREENING: BPM Portland Museum of Art

In Paris in the early 1990s, a group of activists goes to battle for those stricken with HIV/AIDS, taking on sluggish government agencies and major pharmaceutical companies in bold, invasive actions. The organization is ACT UP, and its members, many of them gay and HIV-positive, embrace their mission with a literal life-or-death urgency. Amid rallies, protests, fierce debates and ecstatic dance parties, the newcomer Nathan falls in love with Sean, the group’s radical firebrand, and their passion sparks against the shadow of mortality as the activists fight for a breakthrough. Clients of Frannie Peabody Center: please contact Katie Rutherford at 619-8013 to reserve a free ticket.

DURATION OF THE ART WALK:

Special Thanks to Creative Portland for their incredible support for World AIDS Day – don’t miss their monthly Art Walk map/schedule which will feature World AIDS Day and indicate each event happening during the Art Walk with a Red AIDS Awareness Ribbon.

PORTLAND MUSEUM OF ART:

In addition to the screening of BPM listed above, PMA will be honoring World AIDS Day by participating in A Day With(out) Art and shrouding pieces of work, including a piece chosen by Nan Goldin. PMA will also be lighting their arcade with red lights and creating a ribbon banner placed on the façade.

Saturday, Dec. 2nd TIME TBD – ZINE WORKSHOP

Zero Station (222 Anderson St, Portland) Join visiting artists, Peter Cramer and Jack Waters, for their Zine Workshop – a facilitated platform for building a new language for current and future generations; a vocabulary specific to gender queer post corporate pharma experiences born of the epidemic that are independent of, yet informed by, currently dominant narratives of AIDS/HIV.

SPACE GALLERY:

Zero Station

TIME TBD – SCREENING: ALTERNATE ENDINGS, RADICAL BEGINNINGS

Friday, Dec. 1 World AIDS Day & First Friday Art Walk 5:15 PM – CANDLE LIGHT VIGIL

MAINE COLLEGE OF ART:

ALTERNATE ENDINGS, RADICAL BEGINNINGS is the 28th iteration of Visual AIDS’ longstanding Day With(out) Art project. Curated by Erin Christovale and Vivian Crockett for Visual AIDS, the video program prioritizes Black narratives within the ongoing AIDS epidemic, commissioning seven new and innovative short videos from artists Mykki Blanco, Cheryl Dunye & Ellen Spiro, Reina Gossett, Thomas Allen Harris, Kia Labeija, Tiona Nekkia McClodden and Brontez Purnell. In spite of the impact of HIV/AIDS within Black communities, these stories and experiences are constantly excluded from larger artistic and historical narratives. In 2016 African Americans represented 44% of all new HIV diagnoses in the United States. Given this context, it is increasingly urgent to feature a myriad of stories that consider and represent the lives of those housed within this statistic. ALTERNATE ENDINGS, RADICAL BEGINNINGS seeks to highlight the voices of those that are marginalized within broader Black communities nationwide, including queer and trans folks.

Keith Haring AIDS Memorial Quilt, courtesy of New England Names Project and National AIDS Memorial Quilt MECA will be participating in A Day With(out) Art by shrouding a piece of work and flying the Red Ribbon Flag on Congress Street. Students are also developing World AIDS Day poster.

ALL DAY AT COFFEE BY DESIGN:

CBD traditionally honors World AIDS Day by having red ribbons available at all locations and offering a public book to share memories and show support.

The film will have debuted on Dec. 1st at the Whitney Museum in NYC. The Dec. 2nd screening in Portland

Congress Square Park (corner of Congress St. and State St.)

6:00 PM – SCREENING: BPM Portland Museum of Art

DURATION OF THE ART WALK:

PORTLAND MUSEUM OF ART:

Saturday, Dec. 2nd TIME TBD – ZINE WORKSHOP

TIME TBD – SCREENING: ALTERNATE ENDINGS, RADICAL BEGINNINGS

SPACE GALLERY:

Zero Station

MAINE COLLEGE OF ART:

ALL DAY AT COFFEE BY DESIGN:

CBD traditionally honors World AIDS Day by having red ribbons available at all locations and offering a public book to share memories and show support.

In spite of the impact of HIV/AIDS within Black communities, these stories and experiences are constantly excluded from larger artistic and historical narratives. In 2016 African Americans represented 44% of all new HIV diagnoses in the United States. Given this context, it is increasingly urgent to feature a myriad of stories that consider and represent the lives of those housed within this statistic. ALTERNATE ENDINGS, RADICAL BEGINNINGS seeks to highlight the voices of those that are marginalized within broader Black communities nationwide, including queer and trans folks. The film will have debuted on Dec. 1st at the Whitney Museum in NYC. The Dec. 2nd screening in Portland

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PORTLAND, ME NOV. 30 - DEC. 2

FRIDAY, DEC. 1 — WORLD AIDS DAY & FIRST FRIDAY ART WALK

SATURDAY, DEC. 2

5:15 PM – CANDLE LIGHT VIGIL (Congress Square Park)

2:00 PM – ZINE WORKSHOP (Zero Station) 222 Anderson St, Portland – Join visiting artists, Peter Cramer and Jack Waters, for their Zine Workshop – a facilitated platform for building a new language for current and future generations; a vocabulary specific to gender queer post corporate pharma experiences born of the epidemic that are independent of, yet informed by, currently dominant narratives of AIDS/HIV.

(corner of Congress St. and State St.) with special presentation by Lumenarrt.

6:00 PM – SCREENING: BPM (Portland Museum of Art)

In Paris in the early 1990s, a group of activists goes to battle for those stricken with HIV/AIDS, taking on sluggish government agencies and major pharmaceutical companies in bold, invasive actions. The organization is ACT UP, and its members, many of them gay and HIV-positive, embrace their mission with a literal life-ordeath urgency. Amid rallies, protests, fierce debates and ecstatic dance parties, the newcomer Nathan falls in love with Sean, the group’s radical firebrand, and their passion sparks against the shadow of mortality as the activists fight for a breakthrough. Clients of Frannie Peabody Center: please contact Katie Rutherford at 6198013 to reserve a free ticket.

7:00 PM – THE HEART OF THE EVENING: AMERICAN NOCTURNES (First Parish UU Church)

THURSDAY, NOV. 30 5:30 PM - STONEWALL STRONG – READING AND DISCUSSION (Portland Public Library) with author John-Manuel Andriote & Bill Nemitz In Stonewall Strong, John-Manuel Andriote writes with searing honesty about the choices and forces that brought him to his own ‘before-and-after’ moment, teasing out what he learned along the way about resilience, surviving, and thriving. He frames pivotal moments in recent history as manifestations of gay men’s resilience, from the years of secrecy and subversion before the 1969 Stonewall riots; through the coming of age, heartbreak, and politically emboldening AIDS years; and pushing onward to legal marriage equality.

425 Congress St. - An encore performance of part of the UU Community Church concert series, featuring songs by American composers, including Chris DiBlasio, whose life was cut short by AIDS in 1993. Admission is $15 general, $10 students and seniors. A portion of proceeds from the concert will benefit Frannie Peabody Center.

DURATION OF THE ART WALK:

PORTLAND MUSEUM OF ART:

SPACE GALLERY:

Keith Haring AIDS Memorial Quilt, courtesy of New England Names Project and National AIDS Memorial Quilt

INSTITUTE FOR CONTEMPORARY ART AT MAINE COLLEGE OF ART:

ICA at MECA will be participating in A Day With(out) Art by shrouding a piece of work. MECA will be flying the Red Ribbon flag, and students are also developing World AIDS Day poster.

PRESS HOTEL:

The Press Hotel will be participating in A Day With(out) Art by shrouding a piece of work by Honour Mack.

ALL DAY AT COFFEE BY DESIGN: CBD traditionally honors World AIDS Day by having red ribbons available at all locations and offering a public book to share memories and show support.

6:00 PM – SCREENING: ALTERNATE ENDINGS, RADICAL BEGINNINGS (Zero Station) 222 Anderson St, Portland – ALTERNATE ENDINGS, RADICAL BEGINNINGS is the 28th iteration of Visual AIDS’ longstanding Day With(out) Art project. Curated by Erin Christovale and Vivian Crockett for Visual AIDS, the video program prioritizes Black narratives within the ongoing AIDS epidemic, commissioning seven new and innovative short videos from artists Mykki Blanco, Cheryl Dunye & Ellen Spiro, Reina Gossett, Thomas Allen Harris, Kia Labeija, Tiona Nekkia McClodden and Brontez Purnell. In spite of the impact of HIV/AIDS within Black communities, these stories and experiences are constantly excluded from larger artistic and historical narratives. In 2016 African Americans represented 44% of all new HIV diagnoses in the United States. Given this context, it is increasingly urgent to feature a myriad of stories that consider and represent the lives of those housed within this statistic. ALTERNATE ENDINGS, RADICAL BEGINNINGS seeks to highlight the voices of those that are marginalized within broader Black communities nationwide, including queer and trans folks. The film will have debuted on Dec. 1st at the Whitney Museum in NYC. The Dec. 2nd screening in Portland will be followed by a discussion led by Peter Cramer and Jack Waters.

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PARTICIPATE:

WJZP Radio Station Rebranding

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Kristen DeVico, 2017