MASTER FLOOR PLAN
GRANT AVENUE
The 46th annual Whitehawk Antique Indian & Ethnographic Art Show is proud to welcome you to our largest event in years!
More than 130 exhibitors from around the world have arrived in Santa Fe, New Mexico to make this show the largest in decades!
The exhibits feature the best of the best of historic Native American textiles, pottery, jewelry, beadwork, woodcarving, and much more. Take advantage of the opportunity to talk to the exhibitors, as they are experts in their fields and can give you detailed information on the art’s history, origins, materials, and creation.
This year’s Whitehawk event also features worldclass collections of historic tribal and folk art pieces from Africa, Asia, Australia, and the Americas. Expect five-star selections that include fashion, jewelry, furniture, and thousands of impressive unique works of art, including some select contemporary highlights.
This year we have two special exhibitions and a featured contemporary artist.
It’s an event you don’t want to miss every August in Santa Fe!
August 9–12, 2024
Santa Fe Community Convention Center
201 W. Marcy Street, Santa Fe, NM 87501
BENEFIT PREVIEW:
August 9, 6pm - 9pm – $125 / person – Includes Hors d’oeuvres
SHOW DAYS:
August 10 & 11, 10am - 5pm / August 12, 10am - 3pm
Day Ticket: $18 / Run-of-show Ticket: $20
COMMUNITY APPRECIATION:
Show your New Mexico drivers license and see the show for free Monday, August 12, 2024, 11am - 3pm.
On-site Cafe during show
Antoinette Marks
Historic Toadlena Trading Post
Khyber Pass Company / George Postrozny
Jeremy Steenblik
Terry DeWald American Indian Art
Faust Gallery
R.C. Merrill Ross Traut Erik Farrow Chipeta Trading Company
Cowboys & Indians Antiques/ Ancient Beads & Artifacts Bear Dog Trading Robert Doyle/ Blue Heron Gallery Andrea Fatell TAD Tribal Art AE Tribal Antiques Wild West Antiques
James Compton
Thomas Murray Joan Wenger William Siegal Gallery Silver Plume Gallery
Ari Maslow / Wild Spirit Trading Post EMERGENCY EXITS EMERGENCY EXITS
Sweet Birds
Chaney’s Turquoise Direct
Atlas Framing
New World Antiquities/ James M. Jeter/ Robert Caparas
Tesoros Trading Co. Buffalo Tracks Gallery Stan & Andrea Ornstein Lusher Fine Art & Artifacts Susan Swift
Chinalai Tribal Antiques, Ltd.
Chinalai Modern Antiques Downtown
Michael Atheneos
Joseph Tuzzolino
John Dillon Fillmore
A. Johnson Tribal Art
Gary & Patty Klepper
Bahti Indian Arts Pocas Cosas Lao Design Jewels Richard Pohrt
Weisman Gallery Presidio Jewelry
Alan Kessler Gallery
Galloping Horse Antiques LLC/ Buffalo Barry’s Indian Art Gary Hornsby
Robert Vandenberg
Four Winds Gallery
SPECIAL EXHIBIT Art of Timeless Beautythe Navajo Child’s Blanket MORE EXHIBITORS CAFE RESTROOMS
SPECIAL EXHIBIT
Miniature Native American BasketsA Lifetime Collection
15
1
G 70
E 44
F 51
C 23
R.C. Merrill, Miami, AZ
Gary Hornsby, Denver, CO H 79
Tribal Antiques, Laguna Niguel, CA D 32
AE
Red Mesa Gallery/Jeff Voracek, Rocklin, CA
George Brown, Toronto, Canada B 8
Alan Kessler Gallery, Santa Fe, NM H 82
Richard Pohrt, Ann Arbor, MI
Historic Toadlena Trading Post, Embudo, NM B 6
Ancient Beads & Artifacts, Emeryville, CA C 21
Roadside America LLC, Dallas, TX
Robert Caparas, Spring Valley, CA
Robert Doyle, Lake Placid, NY
Robert Morris Fine Art, Santa Fe, NM D 33
C 25
H 81
C 28
Indian Lodge Road, Joshua Tree, CA L B
Andrea Fatell Wellesley, MA C 23
Robert V. Gallegos, Albuquerque, NM
Robert Vandenberg, Santa Fe, NM
Ross Traut, New York City, NY
Samarkand Inc., Santa Fe, NM I 88
Silver Plume Gallery, Rio Rancho, NM E 41
Southwest Accents, Santa Fe, NM G 66
Southwestern Prehistoric Artifacts, St. Johns, AZ B 15
E 47
F 61
9
James Compton, Santa Fe, NM D 31
Andrew Muñana Collection, Santa Fe, NM E 43
James M. Jeter, Santa Barbara, CA F 51
Antiques Downtown, Salt Lake City, UT G 63
Stan & Andrea Ornstein, Sherman Oaks, CA
Steve Eich Art and Antiques, Ketchum, ID
Stevens Fine Art, Phoenix, AZ
Susan Swift, Santa Fe, NM E 48
Sweet Birds, Tesuque, NM J 97 TAD Tribal Art, Santa Fe, NM C 22
Territorial Indian Arts, Scottsdale, AZ D 39
2
30
78
37
45
Jan Musial’s Navajo Arts, Flagstaff, AZ
Antoinette Marks, Santa Fe, NM J 95
Jeremy Steenblik, Los Angeles, CA
Maslow / Wild Spirit Trading Post, Mill Valley, CA E 46A
Ari
Jewels, Santa Fe, NM
Art Blackburn, Marfa, TX I 87
Joan Wenger, Philadelphia, PA
Atelier Danielle, Santa Fe, NM B 11
Joe Loux, San Francisco, CA
Atlas Framing, Helena, MT G 62
John C. Hill, Scottsdale, AZ I 91
Bahti Indian Arts, Santa Fe, NM H 76
74
67
49
John Dillon Fillmore, Santa Fe, NM
Bear Dog Trading, Albuquerque, NM C 19
John Molloy Gallery, New York, NY
Blue Heron Gallery, Fallbrook, CA C 24
John Ruddy Textile Art, Santa Fe, NM
Bonhams, Los Angeles, CA A 3
Terry DeWald American Indian Art, Tucson, AZ
40 Tesoros Trading Co., Austin, TX F 53
The Callahan Collection, Santa Fe, NM F 59
G 68
Thomas Cleary LLC, Santa Fe, NM
Thomas Murray, Mill Valley, CA D 38
Throckmorton Fine Art Inc., New York, NY H 80
Toby Herbst Art & Antiques, Santa Fe, NM B 12
18
71
46
4
64
73
13
Joseph Tuzzolino, Fullerton, CA
75 Khyber Pass Company / George Postrozny, Reno, NV
Brant Mackley Gallery, Santa Fe, NM D 34
Buffalo Barry’s Indian Art, Holden, MA G 69
KR Martindale Gallery, Marina Del Rey, CA
Buffalo Tracks Gallery, Santa Fe, NM E 48
Lao Design, Secaucus, NJ
Chaney’s Turquoise Direct, Rio Rancho, NM F 50
Lusher Fine Art & Artifacts, Santa Fe, NM
Chinalai Modern, Shoreham, NY F 54
Manitou Gallery Historic, Cheyenne, WY
Chinalai Tribal Antiques Ltd., Shoreham, NY F 54
Mark A. Johnson Tribal Art, Los Angeles, CA
Chip Neschke, Harvard, MA F 57
Michael Atheneos, Scotch Plains, NJ
Chipeta Trading Company, Santa Fe, NM C 26
Michael D. Higgins Antique Indian Art, Tucson, AZ
Christopher Selser, Santa Fe, NM B 14
100,102,104
L B
Traders of the Lost Arts, Santa Fe, NM I 88 Trotta-Bono LTD., Santa Fe, NM
Turkey Mountain Traders, Santa Fe, NM F 56
Weisman Gallery, Tucson, AZ H 83
Wild West Antiques, Los Angeles, CA B 7
William Siegal Gallery, Santa Fe, NM D 36
92 Moqui Trading Company, Spavinaw, OK
Michael Haskell Antiques, Santa Barbara, CA
Cowboys & Indians Antiques, Albuquerque, NM C 19
61 Naja Gallery, Tucson, AZ
David Cook Gallery, Denver, CO D 35
Dimondstein Tribal Arts, Los Angeles, CA B 17
Nativo Imports, Durham, NC
Erik Farrow, San Rafael, CA C 27
New World Antiquities, Carlsbad, CA
Faust Gallery, Scottsdale, AZ J 96
Old Saltillo Road, Nathrop, CO
Federico, Venice, CA I 90
Parsons Fine Art LLC, Taos, NM
Four Winds Gallery, Pittsburgh, PA I 91
Phil & Tara Vanderlei, Nipomo, CA
Frank Hill Tribal Arts, Santa Fe, NM B 16
Pocas Cosas, San Diego, CA
Freeman / Hindman Auctions, Cincinnati, OH F 58
Pook a Moon Gallery, Cloverdale, CA
Galloping Horse Antiques LLC, Denver, CO H 79
Presidio Jewelry, San Diego, CA
Gary & Patty Klepper, Lakewood, CO G 72
LOBBY O’KEEFFE / DEVARGAS
Antique American Indian Art, Desert Hot Springs, CA LB 112
Carol Sissoko Bead Collection, Glendale, AZ LB 116
Encanto Gallery, Placitas, NM
118
Eric Salter LLC, Santa Fe, NM LB 118
Jeff Moss, Granite City, IL
Museon Art Antique, Beirut, Lebanon
Nancy Elby, Phoenix, AZ
120
110
126
Pearson Fine Arts, Santa Fe, NM LB 122
Robert Galvez Antiques, Glendora, CA
Stephen Farr, Dallas, TX
Travis Crim, Dallas, TX
114
LB 124
LB 124
Aboubakar Fofana / Martha Howe LLC, Mali, Africa 218 African Art Imports / Bully Jawara, Bronx, NY 208
B.C. Dentan, Santa Fe, NM 200
Barry Friedman Indian Trade & Camp Blankets, Phoenix, AZ 220
Calabaza, Glorieta, NM 205
Coup De Foudre LLC, Tesuque, NM 204
G2 Gallery/Ancient Contemporary, San Antonio, TX 202
Hill Gallery, Birmingham, MI 200
Houda S Import, Irvine, CA 212
Lark Research Library, Santa Fe, NM 214
Stephen Maras Antiques, Santa Fe, NM 206
The Pre-Columbian Gentleman Art Gallery, San Diego, CA 216
Thomas E. Delach, Columbus, OH 206
Special Exhibits
The Art of Timeless Beauty, the Navajo Child’s Blanket
No form of Navajo weaving garners more interest than the Navajo Child’s Blanket. Handspun yarns dyed with indigo and cochineal along with raveled Bayeta make these 19th century blankets some of the most important examples of classic Navajo weaving extant. The 2024 Whitehawk Antique Indian & Ethnographic Art Show presents ‘The Art of Timless Beauty,’ 25 examples of the best of the best Navajo Child’s Blankets.
This collection has been years in the making. Robert L Parsons of the Robert L Parsons Fine Art Gallery in Taos, New Mexico, along with gallery director Ashley Rolshoven, set a high bar with this collection by talking to collectors and experts from across the country.
“I’ve honestly never seen a collection of Navajo Child’s Blankets that rivels this one,” Kim Martindale, Whitehawk Show owner, said. “We’re all very lucky to have Mr. Parsons create this level of event. The art and craft of these pieces demonstrates the Navajo’s preeminence as American artists.”
The Art of Timeless Beauty, the Navajo Child’s Blanket opens Friday, August 9th during Whitehawk’s Benefit Preview and will run through August 12th at the Santa Fe Community Convention Center.
View examples of these weavings at whitehawkshows.com or contact Robert Parsons directly at 575-751-0159.
Miniature Native American Baskets –A Lifetime Collection
The Show is proud to announce a special exhibition of
Curated by basket expert Jan Duggan.
Baskets on display are as delicate as 16 stitches to the inch. “It’s almost like a tapestry.” Duggan says.” The Pima weavings can feature the pictorial forms of human beings or animals like butterflies, snakes, and Gila monsters. “I’ve always loved their baskets because the designs were so creative,” she remarked. Duggan’s display at the Whitehawk Show traces Pima weaving from before the turn of the 20th century to modern examples. Pima weavers, typically women, continue to keep the artform alive and are committed to traditional techniques and materials. They still gather willow from the riverbanks and strip them down into small strands to weave baskets, hats, purses, and more.
The collection is the result of a 40+ year study of the Arizona tribe’s basketry and is considered one of the finest and most comprehensive examples of Native American basket weaving in the world. Following its exhibit at the Whitehawk Show, the baskets will go to a major museum.
Duggan will be at the event to answer questions.
Pima Indian miniature baskets.
Featured Artist Aboubakar Fofana
Born in Mali and raised in France, Aboubakar Fofana is a multidisciplinary artist and designer whose working mediums include calligraphy, textiles, and natural dyes. He is known for his work in reinvigorating and redefining West African indigo dyeing techniques, and much of his focus is devoted to the preservation and reinterpretation of traditional West African textile and natural dyeing techniques and materials.
Fofana’s work stems from a profound spiritual belief that nature is divine and that through respecting this divinity we can understand the immense and sacred universe. His raw materials come from the natural world, and his working practice revolves around the cycles of nature, the themes of birth, decay and change, and the impermanence of these materials. He sees the conception and realisation of this work as a form of spiritual practice, which is shared with his audience.
Fofana is currently deeply involved in creating a farm in conjunction with the local community in the district of Siby, Mali, in which the two types of indigenous West African indigo will be the centrepiece for a permaculture model based around local food, medicine, and dye plants. This project hopes to contribute to the rebirth of fermented indigo dyeing in Mali and beyond, and represents his life’s greatest project to date.
Jack Heriard of Whispering Wind,
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Art & Antiques is aimed at readers who are actively involved in the international art market. Our editorial policy places special emphasis on the interests of the serious art aficionado—a collector whose passion is acquiring and living with art, antiques, and high-end collectibles. The magazine speaks with the voice of authority and explores the significance of masterpieces that span the history of art and design, from ancient to contemporary. In our fourth decade, we continue to provide our readers with insight into connoisseurship and sophisticated analysis of the global art business.
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We are an international association of tribal arts dealers, auction houses, museums and collectors dedicated to establishing and maintaining the highest standards of ethics, integrity and responsible collecting practices.
Benefits of Membership:
• Membership in ATADA demonstrates a commitment to integrity in the marketplace and responsible, ethical collecting practices.
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This community-based initiative is designed to bring sacred and highly-valued ceremonial objects back to Native American tribes. Since its inception in 2016, the program has facilitated the return of over 400 such items from private collections.
Learn more at: www.atada.org
Image courtesy: Morning Star Gallery
Photo by: Addison Doty
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Santa Fe Gallery Association
The Santa Fe Gallery Association (SFGA) is a nonprofit membership organization of Santa Fe’s foremost art galleries, museums, arts educational institutions, festivals, events and other arts-related businesses. As a vital part of the social and economic foundation of Santa Fe, we promote our multicultural community by advancing artistic and educational endeavors, business, progressive technology and the highest standards of ethical practice.
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John H. Morris, Jr
May 16, 1939 – November 10, 2023
With decades of experience producing historically significant shows in the art and music realm, John Morris and Kim Martindale have created a unique collection of art shows curated to create a unique art experience.
John H. Morris, Jr., of Santa Fe, NM, and Malibu, CA, the creator and first managing director of the Fillmore East rock & roll theater in New York City, and the production manager of the original Woodstock Festival of Art and Music, died at his Santa Fe, New Mexico home Friday, November 10, 2023, after a long illness. Born in Gramercy Park, New York City, in 1939, John studied theater at Carnegie Tech. At the age of 25, after a brief career as a lighting designer off-Broadway, on London’s West End, and at Peter Cook’s The Stroller’s Club in New York City, John launched his career as a theatrical producer. He acquired the rights to Peter Cook’s satirical British productions, The Establishment and Cambridge Circus, and toured the shows across the U.S. with casts including John Cleese, Cass Elliot, Peter Bellwood, and Joe Maher.
In July of 1967, during “the summer of love,” John produced his first rock and roll concert, a free show in Toronto, Canada’s City Hall square, featuring Jefferson Airplane, which drew a crowd of more than 50,000, second in size only to The Beatles’ Shea Stadium concert the year before. The show was to promote a weeklong Jefferson Airplane and Grateful Dead rock & roll residency at Toronto’s O’Keefe Theatre produced by John and fellow Carnegie Tech alum Joshua White, for West Coast rock & roll empresario, Bill Graham.
In Toronto, John Morris and Joshua White introduced elaborate theatrical staging to the world of rock and roll, including the first psychedelic light show projected from behind a giant screen, as a backdrop for the band. Their theatrical innovations in concert production and lighting have evolved into today’s elaborate staging of popular music shows and festivals.
John produced Jefferson Airplane’s first East Coast tour before rejoining Mr. White in December of 1967, to produce a weeklong Festival of Light and Music at the Minneola Theater on Long Island, featuring shows by Frank Zappa, Vanilla Fudge, Tim Buckley, and Ravi Shankar, that formally launched the psychedelic Joshua Light Show.
John then produced rock concerts at the Anderson Theatre on New York’s Second Avenue for Crawdaddy magazine, where, with Janis Joplin’s New York City premier, he convinced Bill Graham to open an East Coast theatrical version of his already legendary San Francisco’s psychedelic rock ballroom, The Fillmore.
Eighteen days after Graham and partners, including Bob Dylan’s agent Albert Grossman, acquired Lowes’ lower east side Village Theatre, John, and a crew including theatre tech students from NYU, led by Professor Chris Langhart, opened The Fillmore East with Janis Joplin, Albert King, Tim Buckley, and the Joshua Light Show on the marquee.
After co-producing the first European concert tours for Jefferson Airplane and The Doors, with Doors manager Bill Siddons, John was invited to join the production team for the Woodstock Festival of Art and Music. John booked most of the bands which would appear at Woodstock, assuring that the relatively unknown Santana, Country Joe and the Fish, and Joe Cocker were on the bill. During the iconic, but weather-plagued three-day festival, where a crowd anticipated to be 100,000, grew to an estimated half a million, Morris was the principal Master of Ceremonies and is recognized as “the voice” of Woodstock, having made the now famous announcement, “It’s a free concert from now on.”
After moving to England in 1970 to organize the European Producers Association and promote touring U.S. rock bands, John launched London’s first rock & roll theatre, The Rainbow, in Finsbury Park, with The Who as its opening act, November 4, 1971.
John continued to produce rock and roll events throughout Europe and the United States until 1990, including 19 Grateful Dead concerts; the premier European tour of Paul and Linda McCartney’s post-Beatles band, Wings; and tours with Ike and Tina Turner, Chuck Berry, New Riders of the Purple Sage, Isaac Hayes, and Santana.
His production companies, Jumpin’ Jack Productions in the UK and Europe, and Cadogan Productions in the U.S., mounted concerts for artists including Stevie Ray Vaugh, David Bowie, Pink Floyd, Rudolfo Nureyev, and Frank Zappa. He also acted as manager for Otis Redding, the Danish band Gasolin’, and Japanese jazz musician, Stomu Yamashta, producing Yamashta’s third album, Go Too for Arista Records.
A collector and student of Native American art and artifacts since boyhood, John opened a Native American Antiques store in London in 1973, The Bear Creek Trading Company. In 1995, he joined with Kim R. Martindale to produce antique, fine art, and design shows throughout the U.S. For the next 28 years, their Antiquities Shows, Native American Art Shows, and Objects of Art Shows were produced in Santa Fe, NM; New York City; Los Angeles; San Francisco; Seattle; Denver; Scottsdale; and Napa, CA.
The son of John H. Morris and Louise Morris, John’s Grammercy Park childhood in New York City, was interrupted when his father returned to active duty in the U.S. Army during the Korean War, and he attended 6th grade in three states, before the family settled in Pleasantville, NY, following the war.
Morris is survived by his partner of 33 years, Luzann Fernandez of Santa Fe, NM and Malibu, CA; brother, Mark Morris of Sneden’s Landing, NY; nephew Eric Morris of Los Angeles, CA; and nieces, Nicole Merrick and her husband Keil; Marie Fernandez and her husband Guillermo Serrano Terren; Katie Fernandez; grandnephews Oliver and Charlie Merrick; and grandniece Kate Merrick.
John H. Morris, Jr. is also survived by a world of loyal and loving friends drawn to him over a lifetime on concert stages, sailing adventures, photographic safaris, dinner tables, art show floors, and pickup football games.
AUGUST 8–11, 2025
OPENING PREVIEW
August 8, 2025 – Benefiting SWAIA GENERAL SHOW DAYS
August 9 – 11, 2025
Don’t miss our Virtual Shows:
NOVEMBER 10-19, 2024 FEBRUARY 22-29, 2025
