Eunoia for Female Voice, Trombone, Violoncello, Percussion and Piano
Mike Svoboda (2014)
e = 54 Voice
Trombone
Violoncello Percussion
e = 54 mp
mp Piano 3
3
3
3
3
3
3
3
staccato sim. ppp
3
5
mp
p 3
5
5
5
Pno.
p
pp 5
5
5 5
5
5
5
mf
5
sost.
staccato sim. (ppp)
6
p
5
pp
5
mp
Pno.
mp 3
ppp
3
3
3 3
stacc. sim.
3 3 3
5
5
5 5 5 5 5 5
stacc. sim.
stacc. sim.
sost.
Copyright Š 2014 Boosey & Hawkes ¡ Bote & Bock, Berlin. Copyright for all countries. All rights reserved.
2015 0714
2
9
5
p
3
pp
(p)
5
5
mp
Pno.
mp
p
p
mf
3
sost.
3
3
3
3
3
3
3
stacc. sim.
ppp
sost.
5
S y = y T e = 86 pp
13
Vibraphone
Vib.
mf
mf Pno.
mp
8 8 8 8 8 8
stacc. sim.
ppp
3
loco
sost.
3
3
3
3
3
3
pp
p
17 Vib.
Pno.
3
mp
mf
3
pp
sost.
3
3
3
3
3
3
3
p
3
21 Vib.
Pno.
pp 5
5
5
5
5
5
5
mp
5 5
mf pp
3
5
5
3 2015 0714
3
23 Vib. 3
pp
Pno.
3
3
3
3
pp
3
e = 144
3
25
3
3
p
3
mf
q = 72
5
pp
f
3
Voice [
straight mute
d
d
Tbn.
p
S
ampliflied with a pick-up and a guitar amp
T
mf
3
pizz. arco
(arco)
3
Vc. 5
5
mf Vib. 3
p
3
e = 144
f
mf p
f
q = 72 f 3 mp
Pno.
mf p 5
5
mf
f
mf
p
p
30
3
3
d
d
3
3 3
3
Voice d
d
Tbn.
sim.
3
Vc. 5
3
5
5
3
5
Vib.
sim. 5
Pno.
2015 0714
sim.
5
5
5
4
34
3
3
d
d
3 3
3
Voice d
d
Tbn.
Vc. 5
5
5
5
3
Vib.
5
5
5
5
Pno.
38
3
3
3
Voice d
d
d
d
Tbn. 3
3
3 3
Vc. 5
3
5
3
5
5
Vib.
5
5
5
5
Pno.
42 Voice d
d
d
d
Tbn.
Vc. 5
5
5
5
Vib.
5
5
5
5
Pno.
2015 0714
5
46 Voice d
d
d
d
Tbn.
pizz. arco Vc. 5
5
5
5
Vib.
5
5
5
5
Pno.
50 Voice d
d
d
Tbn.
pizz.
pizz.
pizz. arco
arco
3
Vc. 5
5
5
Vib. 5
5
5
Pno.
53 Voice
Tbn.
pizz. 3
arco
Vc. 5
5
5
Vib.
5
Pno.
2015 0714
5
5
arco
6
56
Voice d
d
d
d
Tbn. III
Vc. 5
5
5
Vib. 5
5
5
Pno.
59 Voice d
d
d
d
Tbn.
(arco)
(arco) Vc. 5
pizz.
5
pizz.
Vib. 5
5
Pno.
63
( )*
f
mp
mf
Voice d
d
( )
d
d
d
Tbn.
arco
( )
pizz.
mp
f
mf pizz.
arco
Vc. pizz.
5
mp
( )
f
mf
Vib. 5
E-Bow switch “standard”
( ) p (ca.)
Pno.
* hold in case the c’ from the Piano takes time to establish itself
2015 0714
e = 108
mf
ppp
69
7
(q = 54) [always 6:5 to Tbn.]
Voice d
d
[-14¢=5:4 to Piano]
wawa mute [ Tbn.
ppp
mf
III 4
IV
6
IV M[6+11+5]
Vc.
ppp E-Guitar
p
with E-Bow switch “standard”
[-31¢= 8:7 to Piano]
2
E. Gtr.
p (= Piano“p”)
e = 108
(q = 54)
Pno.
76
mf
ppp
ppp
gliss.
gliss.
gliss.
gliss.
Voice u u
o
u
o
u
d
d
u u
gliss.
gliss.
o
u
u
o
u
u
gliss.
o
u
o
u
gliss.
Tbn.
mf
ppp
IV 6
ord.
ppp
IV 10
III M[5+12+7]
Vc.
mp
mf
p
[-12¢= 5:6 to Piano]
E. Gtr.
Pno.
2015 0714
IV 7
8
83 gliss.
Voice u u
gliss.
o
u
u
o
u
u
o
u
o
u
gliss.
gliss.
Tbn.
[M]
IV M[7+13+6]
sul pont.
trem. ord.
3
Vc.
III M[6+11+5]
(ord.)
mp [+14¢=4:5 to Piano]
E. Gtr.
l.v.
Pno.
mf
90 gliss.
Voice
gliss.
u
o
u
u
o
u
u
o
u
u
o
u
d
gliss.
gliss.
Tbn.
mf
III M[7+10+13+3] III M[3+8+13+5] 3
III M[3+11+8] 3
3
3
3
III M[7+10+13+3] 3
l.v.
Vc.
pp
pp
[-14¢=5:8 to Piano]
III M[3+8+13+5]
E. Gtr.
Pno.
l.v.
2015 0714
9
ppp
95
gliss.
gliss.
Voice d
u u
o
u
o
o
u
o
o o gliss.
gliss.
Tbn.
ppp
III 7
III M[7+10+13+3] trem.
III M[7+10+13+3]
III non flag.
III 9
g li ss.
3
III M[5+9+13+4]
Vc.
l.v.
mfpp ppp sub. [E-Bow] switch to “harmonic”
mp
E. Gtr. gliss.
3
Pno.
103
mf
p
Voice d
o
d
d
d
o
]
Tbn.
p
mf [bow on the bridge] ad. lib. a sound like wood cracking *
(M) IV 4
trem.
Vc.
“f”
ca. p-mp
[=9:8 to Piano]
E. Gtr. gliss.
go to table with Metal Plate
Pno.
* loosen bow hair and roll bow with hairs between the strings and body, on the bridgebow and bridge 2015 0714
10
q = 80
111
mf
p
gliss.
p [= E-Bow Piano]
Voice
A
senza sord.
gliss.
A
A sim. ca. ( )
gliss.
gliss.
gliss.
Tbn.
p [= E-Bow Piano]
f
p 3
3
Vc.
p [= E-Bow Piano]
p
mf
E. Gtr.
q = 80 stone on Metal Plate amplified with contact mic through a guitar amp Pno.
p
ppp
p dynamic =
S speed of circling T
Sand Paper
p
mf
119 Voice
( )
6.
( )
gliss.
A
A ( )
gliss.
gliss.
( )
Tbn.
mf
3
3
3
p
mf
3
5
gliss.
Vc.
gliss.
“barré” with bootleneck V
XII
mf VII
l.v.
XII
5
I
l.v.
E. Gtr. ( ) ( )
mf
[
( )( )
= with bottleneck over frets]
Pno.
* Voice ossia: m. 115 to 165 could be sung a major 3er lower, starting on g’, ending on f’’ , always parallel to the Violoncello 2015 0714
11
124 p
p
mf
Voice
A
A
7.
A
A
5.
( )
gliss.
gliss.
Tbn. 3
mf 5
p
p
mfp
gliss.
Vc.
p
mf I
V
V
p
XII
l.v. E. Gtr.
Pno.
mf
131 Voice
A 7. ( )
( )
( )
6.
Tbn.
mfp
5
mf 3
mf
3
5
3
gliss.
Vc.
mf XIII
I
XII
XIII
l.v.
X
V
XIII
X
E. Gtr. 3
Pno.
2015 0714
l.v.
12
p
136
Voice
A
A 5.
( )
7.
3
5
A
( )
( )
mfp
mfp
Tbn.
p
( ) ( )
mf
5
gliss.
Vc.
p
X I
V
3
X
XVII
XII
l.v.
l.v. ( )
E. Gtr.
(ca. p)
Pno.
p
142 mf Voice
( )( )
( )
A
7.
Tbn.
mf 5
3 5
mfp
mfp
mf
5
gliss.
Vc.
mf
p XII
I
I 3
XIII
VI
XIII
XVIII XVII XVI XV XIV XIII
( )( ) ( )( )
( )
l.v.
VII
l.v.
E. Gtr. 5
(ca. p)
Pno.
2015 0714
13
p
mf
147 Voice
( )
( )
( )
5. 4.
( )
gliss.
Tbn. 3
p
3
mf 3
gliss.
Vc.
mf VII 3
VI
VI
XII XI X ( ) ( )
X
I
I
XIII
VI 3
VI
l.v. ( )
l.v. ( )
( )
E. Gtr.
p
3
Pno.
3
mf
152 Voice
A ( )
5.
3.
5.
7.
5
Tbn.
mfp
mf
3
5
3
Vc.
mf XVIII
XVIII
l.v. E. Gtr.
Pno.
2015 0714
O
I
3
l.v. ( )
I
XI
XI
XIX
XIX XVIII XVIII XVII XVII XIII
l.v.
14
156
f
()
Voice 1.
4.
slide ( )
( )
Tbn.
3
mfp
3
mf 5 gliss.
Vc.
f XIII XII ( )
E. Gtr.
XI
X
( )
( )
X
l.v.
X
l.v.
X
VII
X
X
V
X
X
l.v. ( )
( )
l.v. ( )
3
3
Pno.
take Megaphone
161
()
Voice
( )
( )
3
*
Tbn. ( )
f
( )
sfz
f
5
fp
f
Vc. 3 X
I
XII
V
XIII
VII
XVIII
XI
XIX
O
l.v. E. Gtr.
( ) f
remove E-Bow l.v.
Pno.
* Trombone plays a’ if Voice sings f’’
2015 0714
through Megaphone
165 Voice
15
C * pp(mf )
ts
C * through Inst. senza [ts sord.
sim.
ts
ts
L
PAN LEFT 90°
ts
ts
R PAN LEFT 180°
PAN RIGHT 90°
ts
Tbn.
sim.
pp(mf )
III M[5+9+13+4]
Vc.
p Perc.
Pno.
173 L
PAN RIGHT 180°
Voice
L PAN RIGHT 90°
(PAN)
Tbn.
Vc.
Metal Plate Perc.
two Stones on Metal Plate amplified with contact mic pp
Pno.
two Stones on Metal Plate pp *
2015 0714
C = center, towards audience; L = to your left; R = to your right.
p
16 181 (PAN)
R PAN LEFT 90°
C
Voice
C
(PAN)
Tbn.
Vc.
mf Perc.
mp
pp
[dynamic = circling speed]
Pno.
f mp
mf
ossia:
cresc.
189 without Megaphone
f 3
Voice d
legato
straight mute
3
5
gliss.
5
gliss.
5 gliss.
Tbn. 3
f legato 3
5 gliss.
Vc. 3
f
f
Perc.
f
Pno.
f 2015 0714
17 p
194
f
Voice u
d 3 3
Tbn. 3
f
5 3
5 5
5
3
Vc. 3
f
p
f
Perc.
p
f
Pno.
f
p
199
f
p
f
3
3
Voice d
Tbn. 3
3
5
5
Vc. 3
p
3
f
Perc.
p
f
Pno.
f
p 2015 0714
f
a
18 204
p
f
3
Voice o 3
Tbn.
p
5
f
3
3
3
3
5
Vc.
(f)
5
5
3
(f)
p Perc.
p
f
Pno.
p
f
p
208
p
f
p
f
Voice d 5
5
Tbn.
5
5
Vc.
Perc. stop
p
Pno.
f
p stop
p
f 2015 0714
19 212
3
3
3
Voice d 3
5
3
Tbn. 3
3
3
5 5 5
3
3
Vc. 3
3
3
sfz p
Perc.
p sub.
Pno.
p sub.
M
M
216
(
Voice
)(
d
5
e
3
Tbn. 3 5 3
gliss.
Vc.
sfz p
3
f
f Perc.
f
Pno.
f f
2015 0714
5
5
)
20
f
221
3
Voice
R
PAN >
L
d
C
PAN >
( ) ( ) ( ) ( ) ( )
5
3
5
Tbn.
mp
3
3
sfz
p sub.
3
f
3 5
3
Vc.
p
3
f
5 3
Perc.
Pno.
225 p
f
mp
f (
Voice
mp
)
i
]
5
*
3
)
(
Tbn.
p
f
mp
f
non dim.
mp
non dim.
mp
5
Vc.
p
f
mp
f
3
mp Perc.
Pno.
mp
* ossia if Voice sings e’’
2015 0714