Final_Journal_Submission_WK1_WK12_Semester_1 by Kristian Tagliavento

STUDIOAIR KRISTIAN TAGLIAVENTO Architecture Design Studio: AIR ABPL30048 Semester 1 2012

Kristian Tagliavento 358358 Architecture Design Studio: AIR ABPL30048 Semester 1, 2012 University of Melbourne, The Bachelor of Environments Faculty of Architecture,Building and Planning Subject Co-ordinator: Dr. Stanislav Roudavski Tutorial Group C: Paul Loh & Finn Warnock

PREFACE THE EVOLVING PARADIGM

â&#x20AC;&#x2DC;For the first time perhaps, architectural design might be aligned with neither formalism nor rationalism but with intelligent form and traceable creativityâ&#x20AC;&#x2122; (Pawlyn, M. 2010) Architecture can be described as the schematic collaboration of specific influences including mathematics, biology specifically genetics and cellular, molecular structures, social and psychological factors involving the human sensations of which provoke thoughtful interaction, economics and of course, design. Architecture cannot be simply defined by any specific logic or formal taxonomy - it can, however be critiqued and analyzed in a pervasive manner in order to comprehend and definitively understand the scope and breadth of the very term (Schumacher, P. 2011). This is so, due to the evolutionary nature of the discipline; over the centuries, architecture has evolved from the vernacular, to a delicate craft shared only by the stonemasons, engineers and mathematicians of the Classical era, through the Renaissance and Baroque styles into Enlightenment, and into the Modern and the Post-Modern movements of the twentieth century (Kalay, Y. 2004).

As we will see in the following twelve weeks of studio at the University of Melbourne, architecture will begin to be interpreted in a contemporary manner, whereby the critical analysis and driven emphasis on precedent studies will advance our very grasp on an continuously evolving discourse. Primarily, through the cooperative challenge of determining relevant case studies in conjunction with the development of our very own expression of interest documentation, we can begin to develop specific techniques and methodologies crucial in our contribution to the discourse. These instruments, including the essential tools of parametric modelling found within Grasshopper, an intuitive tool for Rhino3D, will enhance the ability to inform and evoke a varying perspective, altering the variable paradigm and enforcing a case for innovation and integration in contemporary computation design and modelling whilst considering the fundamental variables of generative and performative technologies.

These definitions will assist the outcome of the precedent studies to formulate or facilitate the process of deriving new and innovative explorations in the field of parametrics with detailed analysis from iterative manipulations and modifications of the precise parametric variables, used to develop and refine a relevant and innovative outcome that will not only respond to the requirements of the Wyndham City Gateway Project brief, but also the contributing factors in the schematic advancement of the twenty-first century, architectural discourse.

THE CASE FOR INNOVATION Discourse in Architecture • German Pavilion • Parc de la Villette • Yas Marina Hotel New Media in Architecture Computation in Architecture • Topology in Architecture • Scripting in Architecture

CONTENT

THE EXPRESSION OF INTEREST The Project Brief • Client’s Aspirations • Interrogating the Brief Material Joinery • Structural Topology • Tensile Structures The Research Project • CUT/DEVELOP • CUT/FABRICATE • Turbulence The Concept • Serpentine Dreams • Ecdysis

THE GATEWAY PROJECT The Competition Brief • The Wyndham City Narrative The Case for Innovation • ZA11 Pavilion • Honeycomb Morphology • Dynaform • Media-Tic The Competitive Advantage • Project Proposal • Concept Design Outcome Learning Objectives and Outcomes

THE WYNDHAM CITY GATEWAY Aerodynamics • Automotive Design • Fabric of Innovation Materiality • Corten Steel Fabrication • Fold Construction The Competitive Advantage • Project Proposal • Gateway Design Outcome Learning Objectives and Outcomes • Progress • Future...

STUDIOAIR

DISCOURSE IN ARCHITECTURE

CASE FOR THE EVOLVING PARADIGM WEEK ONE

INNOVATION CASE FOR THE EVOLVING PARADIGM

Architecture in Discourse is seen to vary through the generations. Gyula Sebestyen categorically describes the trends in ‘New Architecture and Technology’ drawing from the interconnected nature of ideas and discussions which are re-interpreted, re-evaulated and re-calculated constantly, as the very paradigm of architecture, evolves. Sebestyen identifies the mechanics which have been thrust forward, into the new realm of understanding in architecture - the principles, taxonomies and ideals that are seemingly universal, transcending the stigma of trends, to re-establish and connect with the contemporary architecture. The notion that principles and values can transcend architectural styles, to be evaluated and adapted to new meanings and representations of architecture are evident in the following precedent studies.

Simplicity, weightlessness or lightness (depending on the context), intuitive, user-defined spatial arrangements and organization, the kinetics of movement and structure are all complex variables that are apparent in some manner in these precedent studies. However, the prevailing principle that ultimately connects the three precedents, is of course, movement. Movement requires a degree of complex, multi-faceted interpretation, and so, it can be seen to transcend architectural styles into a universal definition. Mies van der Rohe determined that the principle of movement should dictate the spatial and structural arrangement of his German Pavilion in Barcelona. The formulaic structure embodies intuitive and open circulation through carefully framed vistas. Tschumi furthers this principle in his production of the Parc de le Villette in Paris. Driven by the principles of the Soviet, modernist avant-garde: Tschumi’s dystopian representation discontinues the language of autocracy and tectonics through the procurement of an anti-hierarchical arrangement, thus informing a user-defined, kinetic experience that blurs the known parameters of space. Asymptotes’ development in Abu Dhabi once again re-interprets the notion of kinetics, movement and weightlessness. Driven by the advancements in digital innovations and technologies, they are able to re-establish the principles of movement and lightness in structure, as seen in the works of van der Rohe and Tschumi: in a new way - for a new meaning.

Therefore these underlining principles will be once again re-interpreted in a manner to drive design outcomes in response to the aspirations and objectives of the design brief. Designing an apparently weightless structure with the aid of iterative modelling techniques to evoke a sense of movement and interactivity will be developed through the exploration of the drivers or the kinetics of interactiveness, geometry and materiality. 01

German Pavilion, Barcelona ARCHITECT: LUDWIG MIES VAN DER ROHE. 1929 Constructed to showcase the renaissance in German design at the International Exposition in Barcelona, the German Pavilion evokes what is essentially the cornerstone to the simplified ideal of 20th century Modernism. The simplicity in understanding and utilizing geometric forms and materials provides for the distribution of spaces for habitation and order - it therefore served a formal function. This very notion was to underpin the prevailing discourse of Modernism as an architectural and social style. Mies understood his building as a inhabitable sculpture, defined by a conjunction of horizontal and vertical planes. Working on from the formulaic grid system which had been used to achieve a sense of volume, weightlessness and openness through blurred spatial organization and intuitive circulation - framed views would induce movement where the interior becomes exterior and the exterior become interior. source: www.archdaily.com/109135/ad-classics-barcelona-pavilion-mies-van-der-rohe/

Parc de la Villette, Paris ARCHITECT: BERNARD TSCHUMI. 1987 Evoking what is truly characterized as a Deconstructivist portrayal of urban life, Tschumi’s rendition of the Parc de la Villette in the French Capital is seen to be withdrawn from the normal, traditionalist mind-set that the French had been accustomed to in the decades leading into the urban rejuvenation experienced in the late 20th century. This was indeed conceived in stark contrast to Europe’s predisposed Modernism discourse - order, rationality and function. Tschumi succeeded in producing a fragmented, dystopian architecture that had been likened to the Soviet Constructivists of the early 20th century - manipulation of what is known to be architecture to form a controlled chaos. Tschumi’s overall goal was to induce exploration, movement and interaction either quite literally or ambiguously. Therefore, Tschumi’s park was organized spatially to enable a user defined interactive experience within the context. 03

source: www.archdaily.com/ 92321/ad-classics-parc-de-la-villette-bernard-tschumi/

The Yas Marina Hotel, Abu Dhabi ARCHITECT: ASYMPTOTE. 2009 The Yas Marina Hotel embodies the aesthetics and forms associated with speed, movement, and spectacle to the artistry and complex geometries forming the basis of Islamic Art and Craft traditions. The notion underpinning this elaborate scheme is that of digital innovation which in turn informs the predisposed nature of contemporary architecture. The emergence of new digital methods, defining parameters in architecture has been seen to alter the general discourse informing architecture in the 21st century. This new practise has been utilized in the digital and technological fabrication of sculptural architecture. Understanding parameters as a discourse dictates a new awareness in the field of architecture - providing a tool for innovation, adapted to analyze and respond to both an environmental solution and the design intent without compromise to the performance of either criteria.

source: www.archdaily.com/ 43336/the-yas-hotel-asymptote/

Architecture’s New Media: Architecture v Engineering ARCHITECTURE V ENGINEERING Understanding how the profession has developed and evolved from it’s preliminary understandings, from initially evoking the meticulous artistry of the stonemasons and craft workers through the onset of the Renaissance paradigm shift which simultaneously facilitated the idealization of architecture as a profession. Stemming from the readings of Kalay and Kolarevic in conjunction with the notions of established in the lecture series regarding the concepts of architecture v engineering and computation v computerisation; several implications can be analyzed from this discourse, primarily in the case of architecture v engineering. Prior to the evolution of the profession: buildings were constructed not planned. Leon Battista Alberti through the use of representative language in architecture, helped establish the architectural paradigm as a profession, therefore coming to symbolise the separation of the concept from it’s construction. Ultimately as architectural discourse evolved, the gap between architecture and engineering as professions continued to widen. With the development of new technologies of digitalization in architecture towards the end of the twentieth century, the discourse once again altered. The ideals of parametric and performative architecture as a means of generating new, innovative and responsive designs enabled architects to began to utilise digital technology, logically, to recombine the concept to its construction and to therefore challenge the preconceptions of how spaces should be designed within a set form or function.

Sources: Kalay, Yehuda (2004) Architecture’s New Media : Principles, Theories, and Methods of Computer-Aided Design

Kolarevic, Branko (2003) Architecture in05 the Digital Age: Design and Manufacturing

Architecture’s New Media: Biomimicry in Architecture BIOMIMICRY IN ARCHITECTURE “For the first time perhaps, architectural design might be aligned with neither formalism nor rationalism but with intelligent form and traceable creativity” Michael Pawlyn in Biomimicry in Architecture. The concept of Biomimicry informs the process of applying biological and genetic structures as a means to inform the architectural ingenuity - when programmed and scripted using parametric and generative design process, the outcomes will develop the notions of environmental and social performance criteria. Therefore, exponents of the discourse such as Michael Pawlyn suggest that biomimicry can be utilized as a process whereby current twentyfirst problems are solved using innovative biological informed solutions. The examples developed by Grimshaw Architects - the Eden Project and Exploration Architecture - the Sahara Forest Project highlight the extent of at which pervasive architectural problems can be viewed, analyzed and solved by implementing new, rational and innovation digital techniques of parametrics in conjunction with biological and genetic algorithms to inform the implementation of sustainable architecture. Therefore, it can be stated that by logically and innovativley mimicking the functional basis of biological forms, processes and systems to produce sustainable solutions, these examples are deemed to be sustainable on the basis of exercising efficiency, both of space and material, relying heavily on the components of the biomes geometric shapes to be clad in high performance ETFE.

sources: http://www.exploration-architecture.com http://grimshaw-architects.com/project/ Pawlyn. M, (2011) Biomimicry in Architecture

COMPUTATION IN ARCHITECTURE

CASE FOR THE DIGITALIZATION OF DESIGN WEEK TWO-THREE

National Gallery, Astana ARCHITECT: BJARKE INGELS GROUP. 2009 Developed from the geometric and mathematical notion of a Mobius Strip; the National Gallery in Astana evokes the very substance of parametric and performative digitalization that informs the transition in architectural discourse. Utilizing innovative technologies and extensive mathematical analysis, BIG successfully responds to the performative design implications primarily schematics, connectivity within spatial arrangements, hierarchical configurations as well as environmental and social ideals involving views and performance in terms of formal organization, function and awareness. Furthermore the Möbius form can be contextualised as social symbol: “a new national monument appearing local and universal, contemporary and timeless, unique and archetypal at the same time.” Bjarke Ingels. Social symbols are critical to the Wyndham City briefing; indigenous culture and heritage evoke a sense of place, highlighting the relationship between users and the land. source: http://www.archdaily.com/33238/national-library-in-astana-kazakhstan-big/

Danish Pavilion, Shanghai ARCHITECT: BJARKE INGELS GROUP. 2010 The pavilion represents the essence of the Danish urban environment - how spaces are occupied, by whom and for whom, and what defines a space for habitation, whether it is social arrangement or spatial organization. BIG succeeded in structuring and applying a form inspired by the Mobius Strip to the urban scale by informing the parameters of the context, determining how and why the site and the building will be utilized as a public venue in order to respond to the issues of environmental and social performance criteria inherent within the discourse of parametric and generative design notions. The architecture represents the sustainable outcome of social performance. It is necessary to understand that the representation of the structure evokes a transformation of surface geometries in response to functionality. This promotes the notion that a better quality of social living can be achieved through sustainable, and constructive adaptations from digital, parametric technology. 09

source: http://www.archdaily.com/ 57922/denmark-pavilion-shanghai-expo-2010-big/

Burnham Pavilion, Chicago ARCHITECT: UN STUDIO. 2009 Topology is the intensive mathematical notion concerning the properties of geometries that are preserved under continuous deformation. This definition is serviceable in the contemporary context of architecture as a discourse. UN Studioâ&#x20AC;&#x2122;s Burnham Pavilion exhibits the specific topological transformation known as a Mobius Strip. The Mobius Strip is determined to be a geometric surface with only one side and only one boundary component. Mathematical concepts including these are becoming increasingly useful and applicable to the architectural discourse. Parametrics, scripting and programming using digital technologies enables architects to ascertain new and innovative design outcomes through the utilisation of extensive mathematical and geometric formulae as a means of creating new geometries which were not previously conceivable to develop a new architectural scheme. source: http://www.archdaily.com/33429/burnham-pavilion-un-studio/

Scripting: Architecture PROJECT: PAVILION , ROMANIA. 2011 The temporary pavilion is fabricated from tessellating voronoi geometries used to represent a Mรถbius structure; the object, through its tectonic characteristics, attempts to make legible the new discourse which is defined by computational architecture and thus becomes a showcase for the design processes empowered by digital technology. Specifically, the advanced utilisation of parametric design techniques such as Grasshopper to inform the extent of design production and fabrication. This approach ensures that the process was to be controlled from exact geometry generation adapted from known mathematical algorithms to piece together the assembly from fabrication in a logical manner. This construction experiment provides an insight into the means of parametric iterations, in response to topological transformations of geometries at various phases of the process. The result was a resolved social experiment pertaining to the performance of parametric modelling on the urban environment. source: http://www.a-ngine.com/2011/06/clj02-za11-pavilion.html 11

Scripting: Voronoi The Voronoi Diagram is derived from the tessellation of standard geometries informed by the principles of subdividing related points. This notion can be explored further by applying the established ideas of the Mรถbius strip and the concepts involved with biomimicry to adapt and inform the innovation of certain parametric representations to challenge and redefine how architects understand the limitations of spatial organization. This new discourse in contemporary architecture can be utilized as a proliferation of known constraints to be applied to new contexts under unknown variables to inform and facilitate the innovation of new representative structures. The application of topologically transformed geometry to formulate the Mรถbius strip in coordination with the use of patterns constituted from the voronoi diagram could be generated, developed and defined to implement as a working scheme for the Wyndham City Gateway Project, Such forms can be explored as a performative tool to achieve efficiency in materiality through fabrication, resulting in environmental, atmospheric and social cohesion through architecture. source: http://matsysdesign.com/tag/voronoi/

SUMMARY OF THE CASE FOR INNOVATION

The Case for Innovation provides an investigation of precedent studies which are dissected, analyzed and critiqued on the basis of relevance, impact both environmentally and socially as a means of interpreting and developing a discourse which is beneficial to the generation and development of the future design proposal for the Wyndham City Gateway Project. Essentially, through the comparative explorations and iterations of weekly definitions involving parameters, we can begin to further embrace the computational design theory, that aims to pursue the development of generative innovations in the architectural discourse and technological advancements. These new and liberating tools will enable architects to challenge the very archaic notions that have become imbedded within the sociopolitical framework by innovating through robust discussion. We, as students, are fortunate to be engaged in the new, exciting age of ecological and information emphasis whereby biological and genetic simulations are explored and refined through avant-garde digital techniques such as parametric modelling, generative algorithms and material fabrication. This spirit of the age, informs the explorative facilitation of precedent studies to find and extrapolate interpretive notions, developed and refined through digital media, to further the possibilities for design outcomes; therefore the key ideas that evidently resonate throughout the Case for Innovation include: • INTERACTIVENESS: These inherent notions will become beneficial in the design development, from conception to refinement in response to the expression of interest and the ultimate design project. The notions of induced exploration, or a user defined interactivity through either literal, ambiguous, or chaotic movement and interaction are defined by investigating the effects of materiality in the arrangement of spaces and organizational hierarchy, are derived from the examples of Bernarch Tschumi and Zaha Hadid. • TOPOLOGY: Based simply on the integrated mechanism of mathematics and digital techniques as a means of deriving innovative geometric transformation that respond to genetic, biological and material algorithms. The exploration of the Mobius Strip appeared beneficial at first instance, however through the eventual investigations of scripting and its subsequent impact on topology, a new exploration had been conducted into the effects of Voronoi patterning on surface skins. The fundamental idealization of complex algorithms which could be implemented in conjunction with material investigations to inform the structural qualities and fabrication methods. • MATERIALITY: Primarily concerning the imperative structure and joinery components necessary to communicate the construction outcome through digital fabrication from developed definitions driven by parametric modelling techniques. Synonymous to the intrinsic principles entrenched in the investigative nature of topological transformations; material explorations emphasized the necessity to conduct thorough analysis of the effects of geometry and fabrication techniques concerning structure on the selective principles of various materials including plastics (ETFE), timber, steel and the consideration of how such materials could be integrated into structure through joinery. Importantly, it will be necessary to continuously evaluate, consider and respond the underlining question of how these notions will, while adhering to the client’s aspirations (Wyndham City), facilitate and inform the design process and outcome, 13

EXPRESSION OF INTEREST

â&#x20AC;&#x153;Interaction between technology and the user creates the possibility for qualitative cultural transformation through the transmission of behaviours that are replicatedâ&#x20AC;? Rahim, Ali (2002) Contemporary Techniques in Architecture. Ali Rahim and other predominant exponents of the contemporary discourse in architecture, including Farshid Moussavi stipulate and promote the methodological and schematic contributions of digital computational design techniques to the ensuing advancement and perspective of architecture into the twenty-first century. Primarily related to the expression of interest and the consequent aspirations of the Wyndham City Council, research previously conducted in the Case for Innovation will progress and as a consequence, inform the definitive explorations and refinement of intrinsic concepts. The key design principles that will be developed extensively will relate to the notions of producing an iconic, experiential feature that provides a responsive connection between the landscape and its user through an open dialogue to the sculpture.

THE WYNDHAM CITY PROJECT BRIEF WEEK FOUR The design outcome will also endeavour to explore the inherent silhouette within the formal representation of the rainbow serpent structure in response to the archaic, vernacular spiritual belief held by the local indigenous population whereby a connection must be maintained between the land, the biosphere and the people. This will be achieved by associating the design intent with the meandering environment thus creating a harmonious, singular entity with respect to indigenous culture. Further evaluation has suggested that the concept must initiate a materialized formulation that responds to these notions and those outlined by the client and prior precedent studies ; the computational systems and techniques will inform a sense of lightness in structure through a biodynamic, honeycomb or hexagonal morphology in response to the topography of the site and the kinetics of breathing and living within sculptural form.

Lastly, discussion has facilitated the intended critique of economic forces that have been seen as a driving force of gradual and unsustainable resource depletion, degradation and pollution. Formulating a dialogue between the sculpture and the landscape by imposing an interactive definition on the users, we can juxtapose the notions of regeneration and cellular growth to the concerning global economic conditions driving atmospheric disintegration through methane emissions from vehicles and the ever-increasing toll of oil refinement as an unsustainable, non-renewable function.

Expression of Interest: Wyndham City Brief PROJECT: WESTERN GATEWAY DESIGN, WYNDHAM. 2012 The Client: “Develop a proposal that inspires and enriches the municipality” thus, the installation will enhance the physical environment via the introduction of a visual arts component: • LONGEVITY IN APPEAL to encourage interest and reflection by procuring an entry statement and experiential sense of arrival i.e. identifiable. • the design should become a focal point with regards to scale and meaning, therefore the ICONIC FEATURE will connect the community to the design. • the design will permit DIALOGUE BETWEEN THE LANDSCAPE AND SCULPTURE with respect to the traditional owners of the land, the unity and synergy facilitated through the design will evoke the relationship between traditional and contemporary materiality and fabrication techniques. • the design will promote both DAYTIME AND NIGHTTIME VIEWING through the experiential exploration of the structural and surface geometries to procure the silhouette in relation to the concept of traditional stories of dreaming in Indigenous culture. 15

Expression of Interest: Wyndham City Brief The Concept: In order to achieve the client’s aspirations it is necessary to deliver a vision of the proposal: this can be conceived through thematic associations and digital technologies, both of which are constantly related back to an innovative discourse in computation and parametrics: • WERRIBEE - literally means - “backbone” therefore the relationship of the contemporary community to the indigenous traditions can be utilized as a spiritual and cultural predisposition to inform the development of the iconic feature. • DREAMTIME - the rainbow serpent - “mother-nature” fluidity, dynamism, spirituality, celestial and totemic forms = relating to notion of AIR. • NEW BEGINNING - the rainbow serpent represents rebirth and regeneration in the landscape - the City of Wyndham aspires to ‘move forward and be recognized as a cultural entity. Therefore it is possible to respond to the contemporary needs of the brief by analyzing and interpreting history, culture, associations and symbolism within the environment through the discourse of digital architecture, techniques, parametrics and performative responses. 16

Expression of Interest: Wyndham City Brief In delivering the proposed project’s design intent, several imperative notions must be first understood and then secondly evaluated in order to substantiate the impact each notion will have on the variable outcome: • DESIGN TECHNIQUES - the manifestation of the expression of interest document assists in analyzing and labelling the relationships between architecture, technology and the environment by attempting to develop a discourse which exemplifies the innovative and performative qualities of the Gateway Project. Specifically, computational design techniques utilizing parametric and generative ideas will be used explicitly to facilitate the design intent which will endeavour to respond to the client’s aspirations through methodologically embodying the innate properties of the site and the immediate city. • PRECEDENT - understanding the discourse through case studies and research investigations will decipher the relevant notions and ideas pertaining to architecture and computational design techniques which will facilitate the development of the design intent and outcome. 17

Expression of Interest: Geometric Patterns Within Indigenous Australian Culture, throughout the millennia, communication in the form artistic dot paintings, representations and symbolism have come to epitomise the cultural and spiritual significance in the landscape and the immediate environment. In particular, the utilisation of combining primitive geometries to inform the topological generation of new and innovative forms have been a prominent tool in Aboriginal representations of the Dreamtime stories, primarily the dreaming of the rainbow serpent, exemplifying the unity between land and people, and cycle of life, spiritually and physically. This preludes the notion of “timeless time” - the notion of formative creation and perpetual creating - informing that the process of design in continuous motion. • TOPOLOGY - geometric patterns and construction investigated in the EOI including the Mobius and Voronoi notions will be adapted to inform the simulation of biological structure i.e. the embodiment of creation = the rainbow serpent to respond and adapt to the sites topography at varying scales and detail. This will enable the exploration of the genii loci or “the spirit of the place” hence connecting traditional, archaic values to the present discourse. • MATERIALITY - concerning the intended use of prescribed geometric and topologically transformed notions in relation to simulated biological replication i.e. serpent scales, “backbone” and topography. The design will preferably utilise a combination of timber and steel i.e. oxidized components while further analysis will divulge the applicability of durable fabrics to facilitate a skin-like surface treatment in replicating or embodying Indigenous culture. • FABRICATION - using innovation in interpreting and responding to the client’s aspirations, the employment of tooling and fabrication methods i.e. weaving to simulate biological logic i.e. scales, rainbow serpent in conjunction with digital technologies to promote design outcomes through automated simulation of design variables and iterations - parametric/dynamic manipulations with an inherent cultural resonance to procure a legible genii loci in spatial quality and relevance. Such technical practicalities will enable the efficient and sustainable resolution of construction i.e. geometric patterned forms associated to represent the described design intent. 18

1:1000 SITE PLAN. Showing the extremities of site with boundaries concerning feasibility of usable sites, and their subsequent proximity to the highway boundary. Must adhere to VicRoads space requirements for servicing and maintenance when deciding on the appropriate site footprint This will ultimately drive the design decisions regarding materiality, structure and to what degree dynamic interactivity could be permitted.

1:500 SITE PLAN. Consideration given to site parameters and the explorations of possible sculpture footprint given to site boundaries. The preliminary concept model showing the possibility of cast shadows to suggest a play with lighting and texture, as well a responsive analysis of parametric modelling tools to compose a dynamic, meandering structure formulated through topological algorithms simulating a hexagrid pattern. 19

1:1000 SITE PLAN. Diagrammatic representation of the site extent. It was explored and ultimately suggested that only Site A and Site B were to be utilized. Site C, once consideration was to be given to VicRoads regulations regarding site extent and usage, would not be feasible due to these prevailing limitations. Therefore the occupation of the site would be more centralised rather than dispersed across the three site extents.

1: 500 SITE PLAN. Conducted further explorations to determine the extent of regulatory parameters. The previous plan failed to address the exact dimensions concerning legislative provisions enforced by the local municipality in conjunction with VicRoads. Therefore, the new sculptural footprint will be an appropriately, scaled down response to the previous outcome. 20

MATERIAL JOINERY

INVESTIGATING THE KINETICS OF TENSILE STRUCTURES WEEK FIVE

Material Joinery: Structural Topology PROJECT: SHI LING BRIDGE PROPOSAL, 2010. Shell Lace Structure is the topological notion of geometric optimization, whereby simple geometries are transformed to adopt a skin meshing or a subdivided surface deriving from planar alterations to form and parametric modifications and manipulations. This example relates the notions of biological simulated structures to geometric formulations, to facilitate and enhance the perceived relationship between architecture and environmental responsiveness. Such notions inherently evoke a connection to the Deconstructivist notions of expectations and reasoning, however, the development of a generative discourse characterized by decomposing configurations and kinetic, scale driven manipulations to inform controlled, perforated patterning and geometric simulations are incidentally linked to the outcome of the E.O.I. Here, the interaction between architecture and topological intricacies aid the conceptual understanding of motion, scale and air to explore a site specific response. source: http://www.tonkinliu.co.uk/projects/shi-ling-bridge/

Material Joinery: Structural Topology PROJECT: THE CUBE, 2012. The Italian firm, Park Associati conceived the notion of a nomadic, stateless, cosmopolitan pavilion. The skin architecture has been generatively produced through the use of digital fabrication methods, utilized in conjunction with parametric design developments to evaluate and formulate a perforated or CUT surface treatment. The explicit use of perforated geometries informs the underlining conceptual motivations of movement, speed and texture by accentuating the ideas of a clean, light form. Effectively, the notions developed and critiqued from this example coupled with the topological understandings of geometric transformations of non-uniform objects and shell lace structures, succeed in informing the conceptual design development specified in the E.O.I; whereby the interactions between materials and geometry coexist to advance and emphasise the digital alternatives to contemporary architecture.

source: http://www.metalocus.es/content/en/blog/cube

Material Joinery: Tensile Structures ARCHITECT: PTW ARCHITECTS, 2008. The National Aquatic Centre in Beijing, China was conceived on the basis of the cultural relationship between Chinese traditions and mythology. Furthermore, the structural form is a derivative of the complex analysis and formulation, stemming from the exploration of genetic algorithms implemented to conduct a thorough generative and performative calculation with the aid of parametric tools in digital technologies. The advancement of such technological tools informed the capacity to generate a complex, tensile structure based on the understanding of non-uniform, geometries and topological transformations. The Water Cube showcases how a steel tensile structure can promote unique aesthetics through the introduction of delicate skin or surface materiality; in this case, EFTE. The adaptability of these algorithms permeate throughout contemporary architectural discourse; as seen with the Allianz Arena in Munich, and the Eden Project in Cornwall before that, such complex mathematical formulations allow for the unique and innovative approach to new design problems which in turn respond to the contemporary issues of changes in environmental and social frameworks. Source: Kruger, Sylvie (2009) Textile Architecture (Berlin: Jovis Verlag GmbH) pp. 196-197

Material Joinery: Tensile Structures ARCHITECT: GRIMSHAW ARCHITECTS, 2001. Pneumatic membrane structures have become synonymous with the evolution of the contemporary architectural discourse. The use of a lightweight structure was influenced by the topography of the site and which, in turn influences the investigation of an adaptive, reinterpretation of the geodesic dome structure. This hexagonal tensile structure promotes the advantageous utilisation of ETFE membrane to perform as a skin or surface within the tensile structure. This formulation derived from primitive digital tools involving parameters at the turn of the new millennium, instigated the extensive research and development of such structures along with materiality, that now inform the basis of genetic algorithms and their applicability to architecture and structure. The construction methods evident at will assist the informative notions of structural and material joinery; the use of lightweight steel and aluminium members to define and house the topological skeleton and facade detailing will provide an intention for adaptation into the EOI and furthermore, developed in conjunction with parametric definitions to produce an innovative design with replaceable members. 26 Source: Koch, Klaus-Michael (2004) Membrane Structures (London: Pretsel) pp. 236-239

Material Joinery: Articulated Cloud ARCHITECT: NED KAHN. 2004. The facade design for the Children’s Museum of Pittsburgh in Pennsylvania is derived from the generative notions of patterning and layering to achieve a dynamic, somewhat kinetic surface treatment which can be further manipulated and adapted through the use of parametric tools to deliver a responsive outcome in terms of sustainable strategies, adaptiveness and interactivity. Characterized as ‘Turbulent Architecture’, Kahn, particularly in this example, attempts to simulate and replicate the forms and associations of complex natural systems through the extensive study of scale manipulation, kinetics, fluid motion, disturbance and materiality, primarily patterning in an artistic, aesthetic manner. Such notions emphasise the key concepts of the E. O. I, particularly, Air (Wind), Light and Interactivity in Motion; understanding the experimentation requires extensive critique of the discourse where the utilisation of digital technology will enable environmental interaction through informative systems and sequences controlled by functions and parameters to suggest the conceptual design ideas of vibrations, visibility, and perforations in geometric modifications. Source: Killory, C. and Davids, R. (2008) ‘Children’s Museum of Pittsburgh’, in Detail in Process. 1st edn (New York: Princeton Architectural Press) pp. 112 - 117

Material Joinery: Articulated Cloud Turbulence is an inherent conceptual design development associated with Ned Kahnâ&#x20AC;&#x2122;s investigative experimentations involving natural and optical complexities associated with the chaotic patterns of wind. The Articulated Cloud exemplifies this notion; optical and illusionary qualities are apparent where the skin surface consisting of hinged aluminium and plastic panels, experiences augmentation due to weather and seasonal events. The technological systems concerning structure, requires flexibility and lightness to ensure optimum performance, Therefore the aluminium space frame informs this design intent, but it also signifies a sense of strength and innovation, much like the reptilian, serpent structure. Responsive architecture is another key facet of Ned Kahnâ&#x20AC;&#x2122;s design outcomes. The intimate interaction between architecture, the environment and the users, who will be experiencing the sculpture at 100km/h. Therefore the non-static or dynamic relationship between the sculpture and its users must be stimulated by either movement in air from vehicular turbulence or an on-site apparatus. 28 http://nedkahn.com/wind.html

RESEARCH PROJECT

THE ARTICULATED CLOUD WEEK SIX-EIGHT

CUT/DEVELOP THE “ENTERTHECOMBINATION” MATRIX

INPUT: BOOLEAN_OUTPUT: ROTATION Using 2D Boolean Patterns in association with attractor points, image sampling, math functions and multiple math functions to derive and inform a design outcomes inherent to the stipulated Grasshopper logic. The resulting outcomes specifically centred on perforations in surfaces to create texture and patterned depth.

INPUT: SURFACE_OUTPUT: EXTRUSION Surface normals characteristically imply a lofted surface between two or more relevant curves referenced into Rhino via Grasshopper components. The outcome proceeds to create a design which is neither relevant nor appealing to the intended direction of the EOI or concept development for the Gateway project.

The objective of the Research Project: CUT is to apply the knowledge that we have attained through the lecture series and tutorial explorations. Utilizing the intuitive parametric tools at our disposal, we can investigate a complex network of associated definitions, employed to ascertain an appropriate, if not interesting and innovative outcome. The principles learned from this program should be beneficial in the pursuit of a design proposal relevant to the EOI and Project Brief.

INPUT: ARBITRARY_OUTPUT: EXTRUSION The use of Arbitrary Points on a 2D surface geometry enables the exploration and consequent investigation of random perforations within a skin. This notion will be investigated further as a means to ascertain a depth of parametric knowledge in order to develop an innovative outcome for the EOI.

INPUT: CURVE INT_OUTPUT: ROTATION Curve Intersections appeared to produce a rather regimented and somewhat boring outcome. It was possible that the use of such input parameter simply does not produce anything of substance when associated with the rotation output. Either way , exploring the input did not provide any interesting explorations.

TURBULENCE

REVERSE-ENGINEERING NED KAHN’S ‘ARTICULATED CLOUD’ The second phase of the case study analysis, as advised by the Cut/Develop experimentation, required the investigation of a definition series or sequence as a means to re-interpret or rather, reverse engineer a relevant case study, in this case, the Articulated Cloud by Ned Kahn. Using the associative inputs and outcomes, it was necessary to regenerate the architect’s design intent of textured or patterned repetition to facilitate a sense of depth and kinetic transitory which has become a primary aspect of Kahn’s work to date. Furthermore, these notions may materialise into an effective component in the development of our own concept and design proposal outcome as stipulated by the EOI brief.

INPUT: SURFACE GRID FRAMES_ASSOCIATION: MATH FUNCTION_OUTPUT: ROTATION

INPUT: SURFACE GRID FRAMES_ASSOCIATION: IMAGE SAMPLER_OUTPUT: ROTATION

The snake skin is comprised of geometric shapes which through the utilisation of complex genetic algorithms, can be transposed into architecture, ultimately, to inform new and more complex and innovative design outcomes through the simulations of natural phenomena at the cellular, molecular or scalar level. Using the referenced the thumbnail image into the Image Sampler component on Grasshopper, the desired, reverse engineering outcome can be feasible. Along with the Attractor component, an produced effects of kinetics and patterning through depth, materializes into the intended qualities which inform the simulations of a surface being subjected to wind loads and other extraneous variables.

INPUT: SURFACE GRID FRAMES_ASSOCIATION: ATTRATOR POINT_OUTPUT: ROTATION

Feedback from the previous discussion informed the notion of investigating the application of Pressure Gradients, a meteorological measurement, that could be explored effectively to generate and represent the effects of wind loading onto the delicate and complex surface to promote movement and unique texture patterning. The attempt at simulating the effects of Pressure Gradients resulted in mixed outcomes: it appeared that ambitions outweighed application. A definition refining the previous methodology explored the impact of Graph Mapping, particularly the Perlin line graph, that generated random noise effects that could represent or simulate the effects of wind loading on a surface.

INPUT: SURFACE GRID FRAMES_ASSOCIATION: PRESSURE GRADIENTS_OUTPUT: ROTATION

THE CONCEPT

THE KINETICS OF TENSILE ARCHITECTURE

Continuing with digital experimentation we will draw inspiration from the meandering, Werribee River and serpent form from indigenous culture. We can begin to utilise the modelling techniques, instilled from the research project, to inform the basis for further explorations in grasshopper, to dictate and determine the responsiveness of surface deformations and augmentations while experiencing changes in lighting and weather. This notion can be achieved by optimizing the skin structure to establish scale and angles for greater light penetration and air experience, whereby the honeycomb frame, informed by research precedents into morphologies, will facilitate a light, and flexible structure reminiscent of the serpentine form while also engaging with the characteristics of inherent, experiential effects. Furthermore, the sculptured form will emerge from the landscape highlighting the connection to context and user experience. In response to challenges within the community, the form will deliver an appearance of enclosure or of constricting itâ&#x20AC;&#x2122;s prey, providing a sense of contemplation for the daily commuters regarding environmental and economic harm. 34

SERPENTINE DREAMS RESPONSIVE MORPHOGENESIS IN CONCEPTUAL DEVELOPMENTS

The preliminary concept development explores the genetic and biological simulations how the living system inflates and retracts in breathing. This undeniably relates to the notion of indigenous culture, whereby the land represents a living and interactive life-form.

The concept applies the notion of morphogenesis , a biological process that informs the development of an organic structure; cellular development, growth and differentiations are also inherent characteristics of this notion, and when applied to the responsive algorithmic morphologies including the kinetics of honeycombs and the voronoi patterning structure, new and more innovative iterations can be achieved in response to the evolving paradigm.

Through the use of digital computational techniques, for instance Grasshopper, we were able to reference two separate NURBS curves from Rhino to generate a complex structural compositions through the translation of related points into interfaces and then to divide the generated surface volume into individual cells of varying geometric complexities. These geometric complexities are variations in apertures, perforations and scale which create a dialogue with the themes of air and cellular alterations.

Analysis through preliminary explorations led to the studies of intrinsic environmental geometries. Specifically, the notions of biological simulation through the understanding of genetic algorithms to drive the formal compositions of the design. These provide an evolutionary simulation or a systematic process of configurations and variations to drive the prescribed concept. Apertures within the structure have been seen to provide a spatial gradient effect whereby opaque, translucent and transparent porosities are existent within the one surface. This re-articulates the aim in producing aesthetic effects through varying transparencies and lighting variation as an interactive, user defined composition.

PARAMETRIC EXPLORATIONS CONDUCTED WITH HEXAGONAL GEOMETRIC VARIATIONS

PERFORMATIVE PERORATED SURFACE IN RESPONSIVE TESSELLATING GEOMETRIC ITERATIONS Further explorations into the tensile structure drew the exploration of the connections between structure and materiality. It was concluded that the material, ETFE would be most suitable in achieving the underlining concept while also promoting accordance with the tessellating hexagonal structure. This cellular structure derived from the repetitive simulation of scale textures and patterns will house the material through simple joinery systems applied from examples including the Eden Project. This design response will drive the concept to new and more innovative levels to ultimately achieve the aim of generating a iridescent structure that responds to contemporary issues and aspirations. 36

ECDYSIS: SCALE

KINETICS OF SCALE: REGENERATIVE STRUCTURE The notion of regeneration as a natural phenomena whereby an organism is capable of experiencing a period deformation or growth can be carefully applied to the evolving conceptual development in the Gateway Project. For instance, a reptile, particularly a serpent, is capable of shedding its skin in a process known as â&#x20AC;&#x2DC;Ecdysisâ&#x20AC;&#x2122; which literally means, to take off or strip down. Consequently, the project concept has experienced a similar procedure.

Manipulating and modifying the previous Grasshopper definition

enabled the development of a more

responsive, scaled down design outcome; ultimately the new outcome is achieved through the decomposition of the initial referenced curve in Rhino in addition to the layering effect explored through the implementation of simultaneous data structures which were subject to a series of components including inverse mathematical functions, offset movements and extrusions.

However it is also subject to variations in the complexities of iterative modelling techniques and compliance with site constraints which suggest that the concept outcome acknowledges the regulatory demands of the brief while also pushing the boundaries of the intended objectives. 37

Inspiration for the complex structural material joinery system was driven by the industrialized mechanisms of the Meccano model construction set. These joint systems are referred to as a â&#x20AC;&#x2DC;kit of partsâ&#x20AC;&#x2122; whereby pre-fabricated components are assembled and related through labelled diagrams determining the order and logic behind assembly. This is significantly similar to the underlining basis of contemporary fabrication techniques. Drawn from the architectural examples of Norman Foster, particularly the Renault Distribution Centre (UK,2002); the Meccano assembly system consists of a grid network of honeycomb component panels connected using rivets and timber spacers to derive a robust and rigid form.

EXPLORATIONS IDENTIFYING THE FEASIBILITY OF COMPLEX JOINERY FOR FABRICATION

EXPLORATIONS IDENTIFYING THE FLEXIBILITY OF SIMPLE JOINERY FOR FABRICATION Joinery systems are vital components in the construction assembly process. Therefore it is critical to explore and subsequently develop a responsive and adaptable system which can be assembled with minimal components and limited complexities. This simple system, known as Folding responds to these criteria while also adhering to the relationship between structural integrity and material flexibility. Folding is essentially the slotting or coupling of interconnected panel frames which appear to distort a known grid. This system, adapted to the conceptual honeycomb structure, will deliver an efficient and flexible structure to material join, thus reducing component complexities and costs. 38

SERPENTINE DREAMS: KINETICS + ECDYSIS PROJECT: WYNDHAM GATEWAY COMPETITION. 2012 The process of generating the design proposal for the Gateway Project was driven by the exploration into the applications of the primary notions derived from the Case of Innovation. It was necessary to discover the interactive relationship between the sculpture, the environment and the users through the analysis of how the concept of air and turbulence can communicate with the architectural skin and structure. Research was conducted to determine an appropriate skin geometry: the honeycomb morphology due to its inherent, simplistic geometry. As a consequence, the concept derived from these explorations informed the notion of Ecdysis; which literally means ‘to take off’ or ‘strip down’. This informs the application to the concept of regeneration and scale in indigenous culture. The outcome was achieved through iterative techniques used to scale, and subdivide the original volume into a rational concept to produce a working outcome for fabrication concerning materiality and the joinery system. The response relates to previous explorations defining user experience to deliver an iconic feature that informs the dialogue between the landscape and the sculpture. 39

PERSPECTIVE DIAGRAMS

THE GATEWAY PROJECT ‘Parametric design is in itself not so interesting. It needs meaning. We need to combine the possibilities of the virtual with how we discipline the real in a new way’ Ben van Berkel. UN Studio

THE COMPETITION BRIEF THE CASE FOR INNOVATION THE COMPETITIVE ADVANTAGE LEARNING OBJECTIVES AND OUTCOMES 41

COMPETITION THE WYNDHAM CITY GATEWAY PROJECT Objectives : ‘develop a proposal that inspires and enriches the municipality’ • Iconic feature • Longevity in appeal • Dialogue between landscape and sculpture • Day-time and nighttime viewing

Outcome : the living and breathing sculpture • Respond to the inherent culture of Wyndham City • Restore Wyndham City as a significant cultural hub • Regenerate the landscape • Promote user interaction with the sculpture • Deliver a statement, challenging the social norm

Reiterate conscious connection between the landscape, the user and the sculpture • Create a venue for contemplation regarding social and environmental impact • Critique the economic forces of contemporary urbanization of the city • Formulate an approach that responds to the idealization of a living, breathing sculpture

ZA11 PAVILION CLJ02 WORKSHOP+DIMITRIE STEFANESCU

The ZA11 Pavilion articulates the diverse and innovative outcomes that can be made possible through the introduction and utilisation of new tools such as Rhino and Grasshopper and their characteristic capacity to generate geometry, and to provide necessary methods for facilitating fabrication such as assembly and labelling procedures. Through the implementation of digital techniques including parametric and performative responses in iterative modelling and fabrication methodology, this example primarily showcases the implications associated with architectural applications of material joinery, fabrication and the wider environmental, social and urban consequences in contemporary design. The methods implemented here inform the feasibility and application of such techniques, to be scrutinized and adapted to the process of generating a design outcome as mentioned in the previous section and to be subsequently elaborated upon.

MORPHOLOGIES ANDREW KUDLESS + MATSYS DESIGN STUDIO

Integrated biometic strategies inform the recognition of biodynamic structures derived from intricate natural phenomena, and subsequently, their application to the wider architectural context. Honeycomb Morphology associates the application of generatively adapted, responsive material and scale patterning, surface systems with the evolutionary process of growth. Their application to the overall context of the Gateway Project is vital as it informs the integration of such geometry, utilized as a structure or perforated surface patterning within the architectural discourse. It will be necessary to adapt these findings, integrating the underlining notions of a generative design strategy with a biometic approach, with the relevant precedent studies concerning fabrication, interactivity, joinery, and materiality to proceed with an innovative proposal, that further displays, and develops the established ideals within the discourse. 44

DYNAFORM

BERNHARD FRANKEN ARCHITEKTEN

The BMW Pavilion showcases the applications and implications inherently associated within the utilisation of ETFE in the architectural context. Concerning materiality, Dynaform utilizes a dual inflatable skin structure of transparent ETFE and white, opaque PVC membrane, encapsulating a negative space within to represent the complex kinetics of breathing, and thus informing the basis of the Diaphragm concept for the project. The notion of breathing, through the simulation of the diaphragm, exhaling and inhaling can be utilized as the embodiment of the serpent, experiencing the affects in varying levels of pollution, thus symbolizing the harm associated with consumption on the environment. The relationship to the design intent is observed in the notion of kinetic architecture, adapted from Ned Kahnâ&#x20AC;&#x2122;s studies. The architectural idea of acceleration and movement as an experiential sense, in relation to air, is achieved through the complex link between materiality and the breathing skin. 45

MEDIA-TIC

CLOUD 9 ARCHITECTURE STUDIO

Architecture as a technological platform is a critical concept in evaluating the discourse in contemporary architecture. Responsive design is seen to incorporate both, the technological advantages of innovative design with further considerations given to the broader, environmental, economic and social issues that impact upon society. Like the Media-Tic building in Barcelona, responsive or interactive design promotes the notion of self-awareness in space, whereby the architecture of the facade, whether structure or skin, can manipulate or modify itâ&#x20AC;&#x2122;s components to compensate for light, air and other external environmental affects. Therefore, the design notion, diaphragm, which simulates the kinetics of the breathing skin will incorporate the idea of responsive design concerning both light and air, where the ETFE cells will inflate, imitating the process of fight/flight response within an organism. 46

PROJECT PROPOSAL THE COMPETITIVE ADVANTAGE: CONCEPT DESIGN OUTCOME

From the case study explorations, and with research drawn from the individual precedent studies, pertaining to the concepts of fabrication and joinery techniques, biological simulations and geometry, materiality and responsiveness, we have commenced the development of an appropriate design proposal and a focussed approach for future development. The approach responds to the notion of promoting an interaction between the environment, the user and the sculpture by evoking the essence of indigenous culture and their associated connotations with the landscape. This is achieved through the creation of a living, and breathing skin that responds either negatively or positively to the external variables of traffic flows, consumption and air.

By deriving a sophisticated composition from the digital techniques, unique to Grasshopper, as an iterative modelling tool, we can create a honeycomb structure, reminiscent of natural phenomena while utilizing intricate techniques of responsiveness in materiality, structure and interaction. Therefore the primary concern is how we can encompass and embody the notions of the indigenous people through the integration of both conventional and innovative elements, such as materials and technological applications to deliver a unique response.

Experimentation and modifications were constantly made to the definition that incorporated the design proposal. The process initiated a number of potential solutions that had been scrutinized to ensure that the composition delivered a unique and innovation framework that could be refined and presented as an outcome for fabrication. The client explicitly states that the installation must express a unique interpretation for all users, whether it be artistic, cultural, spiritual or political. By implementing progressive computational, parametric, and investigative techniques, our proposal aims to respond to the underlining aspirations entrenched within the brief through the association of sculpture to the landscape in an intricate narrative derived from the local heritage of the site, and the facilitated interaction between the user, the sculpture and the environment by challenging the notions of the urban and economic norms in contemporary society. 47

PROCESS OF CONSTRUCTION

PERSPECTIVE SHOT OF 1:50 DESIGN PROPOSAL

WYNDHAM CITY GATEWAY

WEEK NINE-TWELVE

AERODYNAMICS THE KINETICS OF AIR: IMPLICATIONS IN DESIGN

The implications stemming from the underlining theme of Air are expressed in the notion of aerodynamics are its relationship with the design outcome. Aerodynamics as a field of exploration and understanding is further directed by previous studies involving the concept of Turbulence and Kinetics derived from the case precedents of Ned Kahn. Such inherently dynamic processes are systematically procured and articulated in the design process: for instance, Scuderia Ferrari SpA, the Italian automotive racing manufacturer implements a dynamic system into their Formula 1 chassis design, whereby the incorporation of air currents and turbulence facilitates or necessitates a peculiar response known as the ‘Ground Effect’ which is linked with vehicle’s capacity to retain high speeds while experiencing G-Forces in excess of 7gs. This is known as down force; where the air currents proceed through air inlets such as the front and rear wings, and side pods to generate grip between the tyres and the road, literally forcing the car down onto the road surface with minimal clearance. Such a process can be incorporated into our design scheme. Relating to the process of breathing, the skin could be designed to promote such effect, known as the Bernoulli Principle to facilitate the simulation of breathing in response to air currents and user traffic. By having a larger opening facing the current and a proportionately smaller opening at the rear, this effect may be achieved through the experience of pressure currents.

The Bernoulli Principle states that a decrease in the speed of the fluid i.e. Air, occurs simultaneously with an increase in pressure. Therefore, due to the increasing levels of compressive pressure acting upon the skin of the structure, the resulting forces enable the ETFE to inflate in response to traffic levels and air flows permeating through the inlets and perforated openings.

AERODYNAMICS THE FABRIC OF INNOVATION: EFFICIENT DESIGN

Aerodynamics promotes efficiency in consumption both materially and economically. While one describes the effectiveness in fabrication and utilisation of raw materials to manufacture and develop a volume or chassis, the other describes the economics of resource utilisation, thus informing the notions of sustainable design. These underlining notions can be applied to the gateway project as a means to resolve both the fabrication and construction process as well as the effectiveness of the integral breathing system. Similar to the air intake and infiltration systems characteristic of most high-powered vehicles, the architecture must respond to the effects of turbulent air and the process in which it may occur. Therefore by interpreting and adapting the systems inherent to the automotive architecture of the Ferrari, the gateway design will be characterized by an air infiltration system which will respond to both the invisible and visible effects of vehicular wind disturbance, offset along the dynamic ETFE surface panels. 57

Resolving the infiltration system was imperative to ensure that the innovative characteristics of the gateway design were to be advantageous in comparison with other options. The competitive advantage of such an innovative manipulation of external air qualities demonstrates and addresses the aspirations of Wyndham to inspire the municipality, through a compelling, living installation which responds to the ambitions of the community to deliver a â&#x20AC;&#x2DC;Breath of Lifeâ&#x20AC;&#x2122; to the city.

Architecture as a living organism permits direct interaction between the landscape, the user and the sculpture. Wind or turbulence generated by the passing vehicles along the western interchange act as a catalyst facilitating the effect or the simulation of a living and breathing installation, which learns and adapts to its environment. This articulation of the initial notions of relationships and selfawareness develops a dynamic composition relating to the functions of the effects of aerodynamics in automotive design, however, in this scenario it is adapted to optimize or improve the performance of the infiltration system, maximizing levels of inflation and deflation within the dual PVC, ETFE cell structure. In order for this level articulation to be achieved, it was necessary to resolve the breathing apparatus within the context of the site constraints, given the differentiating levels between wind loading from atmospheric forces and vehicular offset. Constant reiteration ensued until an effective system was developed. 58

STOP-MOTION DEPICTING THE AIR INFILTRATION SYSTEM.

MATERIALITY THE KINETICS OF STRUCTURE: CORTEN

Resolving the proposed gateway scheme eluded to the necessity to access the relationships and effectiveness of certain materials with regards to application, accessibility within the context of the site parameters, and the interaction with other predetermined materials. In accord with the brief, and the councilâ&#x20AC;&#x2122;s aspirations, it was necessary to construct the installation structure Monte St. Angelo Subway Station, Napoli. Italy. Amanda Levete Architects.

from a material that would be cost-effective, efficient in both production and material, easily assembled and be derived from such qualities to ensure that it would conform to the complex functions of the proposed design scheme. Furthermore, it was imperative that this material would be both durable in off site fabrication and on site maintenance.

Can Gili Footbridge, Spain. Alfa Polaris.

Therefore, after careful deliberation, it was determined that Corten Steel would be the desired material to deliver the ambition of a pre-fabricated, honeycomb assembly consisting of hexagonal structures which would in turn house a twin layer of PVC and ETFE cells. Essentially, Corten Steel is an alloy composed of copper and Varke Triple V Gallery, Tianjin. China. Ministry of Design.

chromium allowing the structure to exhibit greater levels of resistance to atmospheric weathering processes. It is effectively regenerative, promoting organic growth through the weathering process and corrosive effects, producing an aesthetic outcome. Moreover, the capacity to maintain itâ&#x20AC;&#x2122;s innate structural properties under folding and other applicable stresses make it the ideal material

Faustino Winery, Spain. Foster and Partners.

for the Gateway proposal. source: http://www.dezeen.com/tag/corten-steel/

FABRICATION THE KINETICS OF FOLD CONSTRUCTION

Considering the primary structural material for the gateway installation, it was necessary to resolve the joinery system; between materials, and between the structural components and the fixing components, which are to accommodate the inflatable cells. The resolution of the fabrication and construction process, considering the joinery of all fundamental aspects, informed the notions of efficiency in production, transportation and assembly, through the employment of folded joints, bolted and fixed according the inherent properties of the materials. The notion of a folded joint system would mitigate excessive costs incurred through inefficient use of materials in the fabrication process. Therefore the innovative advantage of such systematic schemes would ensure that the articulation of joinery as a design aesthetic would respond to the functions and possibilities of the design. 60

EXPERIENTIAL SKETCH DIAGRAM. DUSK VIEW.

SITE SECTION @ 1:100. MAPPING THE SITE PARAMETERS.

PROJECT PROPOSAL

THE COMPETITIVE ADVANTAGE: A ‘BREATH OF LIFE’ GATEWAY

SITE PROPOSAL @ 1:500. MAPPING THE SITE PARAMETERS. The traditional owners of the City of Wyndham, the Wurundjeri people maintain a spiritual connection to the land: through the stories of dreamtime and creation, the indigenous owners reflect and acknowledge the cosmic, ancestral beings as the totemic emissaries of the land. The rainbow serpent, particularly the serpent deity, Myndii in Wurundjeri culture maintains the law throughout the land ensuring unity while evoking eternal wisdom. The Gateway facilitates the connection between the coast, Geelong, and the city, Melbourne, we will endeavour to re-interpret this spiritual and spatial acknowledgement through the innovation of redefined relationships between the sculpture, the user and the landscape. Site selection is imperative, as a means to achieve this complex, and delicate relationship. Much like the serpent deity, the gateway will conjure an inherent sense of scale, a sinuous structure which is simultaneously objective, imposing, domineering and empowering or subjective, an affect determined by the unique user. Furthermore, aspects of light, interaction and perception figure to provoke a sense of contemplation and reflection from the individual within the context of the urban and social framework. Similarly, the exploration of visual imagery, primarily concerning day and night views, promotes the idealisation of the indigenous stories of dreamtime and the silhouette, an affect innately perceived through the play of light and location as described by the apertures of the openings within the skeletal, honeycomb surface structure. Therefore, the ‘Breath of Life’ can be considered the ambition to regenerate the municipality through the introduction of a powerful and identifiable landmark. Faarshid Moussavi promotes the idealisation of a plural, or layered architecture which evokes a cognitive sensation or an affect which is both unique and subjective depending on the user. This is architecture of the twenty-first century. By coupling the traditional nuisances of the area, the Wurundjeri people and their stories of dreamtime and ancestral creation with the technological notions of the modern era, we endeavour to challenge the social and economic drivers of the city, delivering an experiential and variable sculpture that enables one to reflect and connect to the architecture and the landscape in a unity. 65

PROCESS OF CONSTRUCTION

PERSPECTIVE: 1:50. BREATH OF LIFE. DAY VIEW.

PERSPECTIVE: 1:50. BREATH OF LIFE. NIGHT VIEW.

RESOLVED PROPOSAL. PERSPECTIVE: 1:50. BREATH OF LIFE.

RESOLVED PROPOSAL. DETAIL: 1:50. BREATH OF LIFE.

LEARNING THE OBJECTIVES+OUTCOMES

The Interim Critique saw the culmination of eight weeks work; extensive research into a new realm of architecture, learning new, more unique and intuitive design methods involving the notion of performative and parametric design capacities in architecture, intertwined and connected in an elaborate, complex network of tools and information as a means to deliver a substantial and significant design proposal which responds to the idea of contemporary discourses in the twenty-first century architecture. The predominant aim of this learning outcome was to achieve four fundamental objectives that are seen to be critical in developing a relevant discourse in architecture. It is necessary to, primarily recognise and understand the relationship held between architecture and air. This notion facilitates the process of developing a design proposal that responds to its environment, and maintains an aspect of interactivity in design for the users. The relevance is key to the design brief; the Gateway Project requires the consideration of high speed movement along the highway, therefore a sense of movement and interaction through air and light is seen to be an essential criteria in achieving the clientâ&#x20AC;&#x2122;s aspirations. Essentially, these motivations can only be successfully developed through the integration of iterative modelling techniques associated with Grasshopper. We must be able to generate a variety of design possibilities that represent and inform the path of the design development and refinement, thus engaging with ability to make a relevant and definitive case for our proposals. Implications of these iterative techniques are unique and intuitive, however, they are initially tedious and complicated, characterized by a rather steep learning curve. Therefore, the objective of the learning outcome was to determine the feasibility of such techniques in accordance with the proposal. It was imperative to establish the skills in various three-dimensional media, in order to articulate the design proposal through the means of modelling, diagramming and fabrication. Understanding these objectives and successfully producing a variety of outcomes enabled the development and growth of my personal repertoire of design documentation and computational techniques. Though certain disadvantages and issues arose from this process, nevertheless, it is essential to apply the inherent problems in order to benefit from the advantages of such principles and capabilities associated with parametric, computational techniques.

OUTCOME THE OBJECTIVES + LEARNING

Expectations. The psychological notion, the perceptual set, or a predisposed awareness to expect a certain process or outcome. Expectations are [not] always reality, as was the case with Architecture Design Studio: Air. With the culmination of twelve weeks work; a period of intensive learning and application, it was imperative to grasp what was indeed, expected of me from the moment the semester commenced. It was essential to not only apply my own knowledge from previous design studio, but to also formulate a new and more complex understanding regarding the continuously evolving design problem. To mitigate and solve these complex environmental and urban problems of the twenty-first century, Studio Air introduced the mechanics of an innovative and intuitive computation design tool, Rhino 3D + Grasshopper, supplemented by our own knowledge, to reason and define a design narrative. Throughout the semester, we were provided with effective tools and methods to which we, as students, were able to elaborate and further our grasp onto the new ideal, Parametric modelling. With the aid of precedent studies, used to define and interpret the scope of application such computation tools could have on the architecture industry, in conjunction with weekly tutorials to assist the execution of the new notions of experimentation, fabrication and other methods of generating experiential outcomes, such as photography; I was gradually, able to proficiently deliver tasks and outcomes, through prioritizing and managing the curriculum while adhering to a condensed and pressurized deadline. I believe this has enabled me to grow as a student, motivating me to become aware of both, the expectations and the evolving architectural discourse. This is essentially a result of what I believe is the most appropriate context for tertiary studies, particularly architecture, where we are rewarded based on learning rather than outcomes, ideally, quality over quantity. The focus was on experiencing plural sensations, essentially an abstract multiplicity in design rather than metaphorical, implied meanings. This was achieved through the exploration of different visual and cognitive sensations including light, interaction between air and surface, reflection and contemplation, evoking a subjective, unique and innovative design which considers the intentions of the user, ideally, the urban and environmental ramifications of high frequency vehicular transportation, as a means of delivering a â&#x20AC;&#x2DC;breath of lifeâ&#x20AC;&#x2122; into the conscious of the Wyndham City municipality. This differentiation to the normal studio environment, coupled with the requirement to work in a team, I feel supported me to deliver better quality outcomes through a better learning environment, where the emphasis was to first understand and grasp the expectation concerning the demand of the discourse before elaborating and articulating a design concept into a working proposal.

FUTURE... THE OUTCOMES + LEARNING

Parametric techniques are seen as the current trend or industry standard in the twenty-first century, architectural profession. Digital architecture in application, practise and theory conjures an image where the human mind and technology can coexist in an elaborate, simultaneous network, whereby the designer can negotiate complex representations with ease by continuously reiterating and improving practical methodologies to procure an outcome. Through the process of learning and refining my knowledge skill set, I feel I will only continue to grow beyond the curriculum of this architecture design studio. Though quality may be an issue now, simply due to the fact that twelve weeks of intensive learning will never do a design outcome justice, no matter how effective the narrative may have been. Looking past the studio premise, I will endeavour to further my understand of parametric modelling within the field of computational architectural design, as it has enabled me to go beyond the two dimensional realm and adapt ideas that I thought were not compatible to my previous understanding of design concepts. As was evident in the gateway competition, the contemporary design narrative extends beyond a mere concept, developing into an experience of the human sensations, evoking a dialogue between architecture, the user and the environment. This is essentially informed by reflecting upon the evolving, plural society that encompasses our daily lives. By grasping these ideological notions, I will look to adapt and evolve firstly as an architecture student with the ambition to attain a Masterâ&#x20AC;&#x2122;s degree prior to hopefully, participating in the field (in one form or another) whereby I hope to witness the evolution of the architectural discourse beyond what I am currently experiencing, by pursuing more complex practise, whether it be a function of either technological or social change or a combination of the two. 77

BIBLIOGRAPHY

REFERENCING THE ARCHITECTURE DISCOURSE BOOKS Burry. M (2011). Scripting Cultures: Architectural Design and Programming (Chichester: Wiley), pp. 8 - 71 Hill. J (2006). ‘Drawing Forth Immaterial Architecture’, Architectural Research Quarterly, 10, 1, pp. 51-55 Kalay. Y (2004) Architecture’s New Media : Principles, Theories, and Methods of Computer-Aided Design (Cambridge, Mass.: MIT Press), pp. 5 - 25 Killory. C (2008) ‘Children’s Museum of Pittsburgh’, in Detail in Process. 1st edn (New York: Princeton Architectural Press) pp. 112 - 117 Koch. K (2004) Membrane Structures (London: Pretsel) pp. 236-239 Kolarevic. B (2003) Architecture in the Digital Age: Design and Manufacturing (New York; London: Press), pp. 3 - 62 Kruger. S (2009) Textile Architecture (Berlin: Jovis Verlag GmbH) pp. 196-197 Moussavi. F (2006) The Function of Ornament (Barcelona: Actar), pp. 5-14 Pawlyn. M, (2011) Biomimicry in Architecture (UK:Riba Publishing) pp. 1-128 Schumacher. P (2011) ‘Introduction : Architecture as Autopoietic System’, in The Autopoeisis of Architecture (Chichester: J. Wiley), pp. 1 - 28 Sebestyen. G (2003) New Architecture and Technology (Oxford: Architectural Press), pp. 1-155 Williams. R (2005) ‘Architecture and Visual Culture’, in Exploring Visual Culture (Edinburgh: University Press), pp. 102 - 16

ONLINE SOURCES http://www.archdaily.com/ad-classics http://www.a-ngine.com/ http://www.exploration-architecture.com http://www.fosterandpartners.com http://grimshaw-architects.com/project/ http://matsysdesign.com/ http://www.metalocus.es/ http://nedkahn.com/wind.html http://www.tonkinliu.co.uk/

Case For Innovation/Expression of Interest/ Research Project/Gateway Project ‘For the first time perhaps, architectural design might be aligned with neither formalism nor rationalism but with intelligent form and traceable creativity’

Parametric Modelling as a design alternative to the traditional mind-set, informs the underlining notions of the contemporary architectural discourse. The practical ability to generate a performative response to the fundamental questions of the twenty-first century provide for the basis of an evolving paradigm which attempts to challenge the definitive notions of architecture by facilitating an emphasis on the innovative exploration into the spontaneous and variable methodologies of the advancing discourse. Precedents and iterative outcomes set the scene for the development of a detailed understanding and acknowledgement of the vast horizons that are yet to be explored or questioned whether it be mathematical algorithms which provide the generative tools needed to pursue biological and genetic structures, or simply a logical response to the formal challenges concerning the environment and social capital. These contemporary issues will be evaluated in the projected outcome of a site specific response which can contribute to or formulate an adaptable response to be later extrapolated into the wider environmental and social context.

STUDIOAIR Cover: Detail of the ‘Eight-Foot Wind Tunnel’ from the National Aeronautics and Space Administration (NASA) Langley Research Center, Hampton, Virginia, United States of America, 1958 (photo: Unknown Photographer @ http://www.nasa.gov/centers/langley/news/ factsheets/windtunnels.html) The back cover shows the image resolution in its entirety.