INTERIOR DESIGN
School: Academy of Art University Student: Kuan Zhai Instructor: Chamindri Wijemanne Date: 2017 Spring Photography: Google Image Print: The UPS Store Bindery: Coil Bind Materials: 28LB Laser Fonts: Arial Software: Indesign
Copyright Š 2017 All Rights Reserved. No part of publication mat be reproduced, Stored in a retrieval system or transmitted, in ant form or any means without the written permission of Kuan Zhai.
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KUAN ZHAI
ACKNOWLEDGMENTS I would like to thanks to all of my friends, family, faculty for supporting me.
FAMILY + FRIENDS XIiaoyan Pu / Linghui Zhai / Mengling Xu / Min Xu / Ling Zhou / Like Li / Yuanyang Liu / Joe / Kammy / Sophie
FACULUTY Chamindri Wijemanne / Kathleen Valkuchak
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TABLE OF CONTENTS
04
30
54
Market Design
Residential Design
Office Design
Client
Client
Client
Project Site
Project Site
Project Site
Concept&Inspiration
Concept&Inspiration
Concept&Inspiration
Programing
Programing
Programing
Plan
Plan
Plan
Rendering
Rendering
Rendering
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KUAN ZHAI
4
INTERIOR DESIGN
5
KUAN ZHAI KUAN ZHAI
6 1
INTERIOR DESIGN INTERIOR DESIGN
1 COMMERCIAL DESIGN MARKET&RESTAURANT
7 1
KUAN ZHAI
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INTERIOR DESIGN
CLIENT
My client is Tony Riviera, the CEO of Primo Hospitality Group. He has worked as the countries premiere restaurant concept developers and visionaries during 25 years. Tony Riviera opened his first coffee shop in Los Angles in 2005. He kept opening the second one in 2008. His cafĂŠ Primo has poised for a national and international expansion within the next 5-year. Today, Tony Riviera owns and runs his own commercial business-The Red Burrito, which is the largest burrito restaurant chain in Canada. As a successful entrepreneur, he has always placed a high priority on charity involvement. He offers the field trips for local school students to teach them fundamental business skills.
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KUAN ZHAI
Location: Channel Mission Bay 185 Channel St San Francisco, CA 94158 Mission Bay is roughly bounded by Townsend Street on the north, Third Street and San Francisco Bay on the east, Mariposa Street on the south, and 7th Street and Interstate 280 on the west.
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INTERIOR DESIGN
SITE ANALYSIS
Background Beginning in the mid-1800s, in attempts to make this area suitable for building, Mission Bay was used as a convenient place to deposit refuse from building projects and debris from the 1906 Earthquake. As the marsh quickly stabilized with the weight of the infill, the area quickly became an industrial district. By 1850 the area was used for shipbuilding and repair, butchery and meat production, and oyster and clam fishing. With the addition of the railroad, Mission Bay became the home to shipyards, canneries, a sugar refinery and various warehouses. In 1998 the area was announced by the Board of Supervisors as a redevelopment project. Much of the land was long a railyard of the Southern Pacific Railroad Company, and transferred to Catellus Development Corporation when it was spun off as part of the aborted merger of Southern Pacific and the Santa Fe Railway. Catellus subsequently sold or sub-contracted several parcels to other developers. It has rapidly evolved into a wealthy neighborhood of luxury condominiums, hospitals, and biotechnology research and development. Median rent in 2013: -Mission Bay:
$1,924
-San Francisco:
$1,440
Median age: -This neighborhood: 35.3 years -Whole city:
38.8 years
-Mission Bay:
7,993 people per square mile
-San Francisco:
17,935 people per square mile
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KUAN ZHAI
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INTERIOR DESIGN
DESIGN CONCEPT RUBIK’S CUBE
There is a 3-Dimentional combination puzzle is called Rubik’s Cube, which was invented by Hungarian sculptor and professor of architecture Erno Rubik in 1974. Based on the opinions from the color researchers, the conceptual idea of Rubik’s cube is arrange for the same idea of correlative to the color of the two sides with diversified transformation. For instance, white relate with yellow, red and orange, blue and green, orange and yellow, all colors are arranged in a 4x4x4 structure. This multi-aspect structure is the inspiration of my design concept. There are several reasons why I choose Rubik’s Cube to be my design concept. Firstly, as an intellectual game, the main point is to disorganize an intact Rubik’s cube’s structure and colors into a disturbed one then restructure it. My project is located in San Francisco Mission Bay, which has been developed in recent years. In my opinion, the Mission Bay district will be a link to connect downtown San Francisco. My project can be as a transition from Mission Bay to downtown San Francisco, which is similar as the idea of the Rubik’s cube with the basic rule of the transformation. Second, the color of the Rubik’s cube represents a great diversity of culture phenomenon, which means the city of San Francisco absorb the different culture from all over the world. My design will consider using few typical elements to present this idea. Third, the invention of Rubik’s cube was an architectural professor in order to demonstrate the relationship between architectural spaces. This idea inspires me more architectural structure for my interior space. Depends on the main point of the Rubik’s cube, the interior space will be individually and relatively with each other. Finally, there is another reason present my concept, which is people’s activity is limited by the Rubik’s cube. It means the circulation of this project will be flexible as well as limited.
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KUAN ZHAI
Bubble Diagram
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INTERIOR DESIGN
PROGRAMING
-RESTAURANT. MARKET, OPEN KITCHEN -50 SEATS(BREAKFAST-DINNER) -PIZZA AREA -WALK IN REFRIGRATER -CHARCUTERIE -OYSTER BAR -GELAO BAR -SUSHI BAR -COFFEE BAR -GRCCERY AREA -PREPARE FOOD -JUICE GRAB -OFFICE(1-2 PEOPLE) -LOCKER FOR EMPLOYEER -SECOND FLOOR USE FOR SORAGE 19 FT CEILING GIGH UNDE 14FT -MINIMUM 2 BATHROOM (1 FOR ADA) -3-4 CASHIER -PIZZA BAR
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9
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KUAN ZHAI
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2 VEGETABLES
12
1 CASHIER
3 DAIRY FOOD
13
4 MEAT 5 SALAD
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6 PREPARE FOOD&SEA FOOD
8 OFFICE
7
7 OPENING KITCHEN
9 ADA BATHROOM
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10 PIZZA 11 DINING AREA 12 SUSHI&OYSTER BAR 13 COFFEE BAR
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6
14 CHACUTERIE BAR 15 GETATO BAR 16 WINE
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1
3
2
18
4
17
18 DRY FOOD
5
17 PREPARE FOOD
INTERIOR DESIGN
1 CASHIER 2 VEGETABLES 3 DAIRY FOOD 4 MEAT 5 SALAD 6 PREPARE FOOD&SEA FOOD 7 OPENING KITCHEN 8 OFFICE 9 ADA BATHROOM 10 PIZZA 11 DINING AREA 12 SUSHI&OYSTER BAR 13 COFFEE BAR 14 CHACUTERIE BAR 15 GETATO BAR 16 WINE 17 PREPARE FOOD 18 DRY FOOD
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DATE
DESIG
C KUAN ZHAI
DATE
DESIG
INTERIOR DESIGN
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KUAN ZHAI
RESTARAUNT
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INTERIOR DESIGN
KITCHEN
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INTERIOR DESIGN
RESTERAUNT
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KUAN ZHAI
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INTERIOR DESIGN
KITCHEN
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INTERIOR DESIGN
MARKET
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INTERIOR DESIGN
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30 1
INTERIOR DESIGN
2 RESENDENTIAL DESIGN SENIOR APARTMENT
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KUAN ZHAI
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INTERIOR DESIGN
CLIENT
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KUAN ZHAI
Location: 222 Eucalyptus Dr San Francisco, CA 94132
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INTERIOR DESIGN
SUSTAINABLE SITE
1. LT CREDIT: SURROUNDING DENSITY AND DIVERSE USES(1-6) 2 point My location surrounding existing within a 1/4-mile radius if the project boundary meets the values- In 22000 square feet per acre of buildable land with 7 residential density and 0.5 nonresidential density.
2. LT CREDIT: ACCESS TO QUALITY TRANSIT(1-6) 3 point For reducing green house gas emissions, air pollution, and environmental, my location has many public transportation. Such as muni, M line. 28,29 bus line. My weekday transit types trips >144. And weekend transit types trips>108. Including M line (muni). 28. 29 bus line (muni)
3. REDUCED PARKING FOOTPRINT (1) 1 point To reduce the environmental harms about parking space. My design will not exceed the minimum local code requirements for parking capacity. We provide a lot of street parking space. And a huge public parking area just within 100 meters.
4. LT CREDIT: GREEN VEHICLES (1) 1 point We provide at least 10% of all parking spaces used for green vehicles. And the green parking space is for free. We provide EVSE systeam for green vehicles.
5. SITE DEVELOPMENT—PROTECT OR RESTORE HABITAT(1-2) 2 point My whole property has more than 50% space with original natural environment. Including tree and garden. I will keep at least 40% space for back yard for my building. Other space will use for additional parking space.
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KUAN ZHAI
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INTERIOR DESIGN
DESIGN CONCEPT
My design concept is growth. For seniors, the most important is to make them feel the hope and confidence in the future life. Growth represents one of the most tenacious of life activity process. Such as plant growth must break through the soil. Growth can be a period, also can be an action or a trend. All the plants are accompanied by germination, growth, flowering, blossom and die. Growth is one of the most important process can give people hopefully. In my design, I will use a lot of plants to express the plant growth process. At the same time, I’ll use design to show a trend of growth. I will try to show a positive strength of will and hopefully.
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KUAN ZHAI
LIFE ENERGY
GROWTH
WILL POWER
DEVELOPMENT
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LIGHTING FEXTURE
PATTERN,TEXTURE, STUCTURE
ORGINAL
MODERN
INTERIOR DESIGN
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KUAN ZHAI
KUAN ZHAI 03536035 BUBBLE DIAGRAM
BUBBLE DIAGRAM
UNIT 1
LOBBY 1
7
OFFICE 8 1 LOBBY 1 LOBBY 2 JANITOR 2 JANITOR OFFICE 3 NURSING 3 NURSING OFFICE KITCHEN
ROOM 4 EXERCISE 4 EXERCISE ROOM
NURSING
JANITOR
3
2
5 DINING ROOM 5 DINING AREA ROOM 6 COMMUNITY 6 COMMUNITY ROOM 1 7 UNITE 7 SPECIAL UNIT 8 OFFICE 8 OFFICE
COMMUNITY ROOM 6
KUAN ZHAI 03536035 BUBBLE DIAGRAM 2
EXERCISE 4
DINING ROOM 5
FIRST FLOOR
LIBARY
LIBARY 1
UNIT 4
UNIT 3
UNIT 2
2
NURSING OFFICE
2
1 LIBARY 1
1
LIBARY 1
2
LIBARY 2
3
OFFICE UNIT * 8
2 LIBARY 2
UNIT 5
40
SECOUND FLOOR
UNIT 6
UNIT 7
UNIT 8
4
3 UNIT (8)
INTERIOR DESIGN
BLOCK DIAGRAM
UNIT 1 7
LOBBY 1 OFFICE 8
NURSING 3
JANITOR 2
KITCHEN 5
COMMUNITY ROOM 6
1
LOBBY LOBBY
2
JANITOR JANITOR
3
NURSING NURSING
4
EXERCISE ROOM EXERCISE
5
DINING ROOM DINING ROOM
6
COMMUNITY ROOM COMMUNITY ROOM
7
UNIT UNIT 1 1
8
STAFF OFFICE STAFF OFFICE
EXERCISE 4
DINING ROOM 5
HAI
DIAGRAM
FIRST FLOOR
LIBARY
UNIT 3
UNIT 4
UNIT 2
LUIBARY
2
UNIT 4
SECOUND FLOOR
UNIT 3
UNIT 2
UNIT 1
4
1
LIBRARY LIBARY
2
LIBRARY 2 IBARY
3
UNIT UNIT2-82-8
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KUAN ZHAI
FIRST FLOOR
1 - RECEPTION AREA 2 - BATHROOM 3 - STAFF OFFICE 4 - FAMELIY ROOM 5 - NURSE OFFICE 6 - COMMUNITY ROOM 7 - KITCHEN&DINING 8 - EXERCISE ROOM 9 - JANITOR CLOSET 20 - MOBILE 21 - MECHANICAL
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INTERIOR DESIGN
SECOND FLOOR
11 - LIBRARY 12 - LIBRARY 2 13 - SINGLE ROOM 14 - SINGLE ROOM 15 - SINGLE ROOM 16 - SINGLE ROOM2 17 - SINGLE ROOM3 18 - SINGLE ROOM3 19 - SINGLE ROOM2
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KUAN ZHAI
ADJACENCY MATRIX
CONVENIENT BUT NOT NECESSARY EXTREMELY IMPORTANT H = HIGH M = MEDIUM L = LOW
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INTERIOR DESIGN
UNIVERSITY DESIGN
620mm
300mm
490mm
720mm
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KUAN ZHAI
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INTERIOR DESIGN
LOBBY
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KUAN ZHAI
48
INTERIOR DESIGN
brown oak
marble
light oak
dark oak
KITCHEN&DINING
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KUAN ZHAI
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INTERIOR DESIGN
SPECIAL UNIT
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KUAN ZHAI
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INTERIOR DESIGN
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KUAN ZHAI
3 OFFICE DESIGN NATIONAL GROGRAPHY
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INTERIOR DESIGN
3 COMMERCIAL DESIGN OFFICE&EXHIBITION
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KUAN ZHAI
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INTERIOR DESIGN
CLIENT
My client is National Geographic Society, a global nonprofit organization committed to exploring and protecting our planet. The National Geographic Society wishes to develop a mixed-use building that will house their West Coast office headquarters as well as a retail space for visitors, a public exhibit space for art/photography/educational exhibits, and a cafe. The headquarters of National. Geography in San Francisco must show the feeling of moderncity of and high-tech, on the other hand with geometric graphics to show the Bold yet subtle, striking yet understated.
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KUAN ZHAI
LOCATION: 122 ANZA AVENUE SAN FRANCISCO CA94129
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INTERIOR DESIGN
SITE ANALYSIS
Presidio of San Francisco has many beautiful houses, buildings, open space and a lot of jogging trails. Presidio total have more than 790 buildings, more than half are history site. These building includes warehouse, administration building, officers, dormitory, medical building, and hangar. All of these buildings reflect the local development of more than 200 years. The main street Including Taylor Rd, Montgomery, St, Anza Ave, Graham St, Lincoin Blvd, and Presidio Blvd..Etc., tourists and residents can walk and play in these streets.
My building in the Main Post area, around including Presidio Vistor Center, Presidio Officers’ club, Korean War Memorial, a San Francisco National Cemetery, Walt Disnet Family Museum. In the Southern wilds, there also are Andy goldsworthy ‘s spire, Andy goldsworthy’ s Wood Line and Presidio golf course. And In the north side, there is the famous Golden Gate Bridge. In presidio, the total population is 3309. The male 1732, female 1577. All the residents of 2237 are white-collar, blue-collar 938. The people with a bachelor’s degree are 1542, graduate degree In 450. The average household income is $109406.
Montgomery St, Anza Ave, Graham St, and Owen St are around my building. On the side of the building is Presidio Main Post Parking Lot, here have a Lot of Parking space, Parking is very convenient. If you don’t drive a car, can also use Public transportation. If you wanna to SF downtown, MUNI (1.28.29.41.43.45), and you can also take PresidiGo Downtown Shuttle to around place. Don’t forget, a bicycle is a good choice. Presidio has many kinds of creatures. Many kinds of animals and plants live here. With 300 acres of eucalyptus, and Pine. These planting of vegetation from the 19th century American army. And here, with 330 kinds of plant, has more than 230 kinds of birds. Soil and water is the most sufficient natural resources here, so a lot of plants and animals live here. For people, here is an oasis in the city. A lot of people like hiking here, enjoy plants and natural here, and enjoy the open space here.
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KUAN ZHAI
60
INTERIOR DESIGN
DESIGN CONCEPT UBRAN GEOMETRICS
In a large number of urban life today, more and more people who lives in city are familiar with geometrics. It can be said that geometrics is a symbol of minimalist art and modern art. So gradually, here word be created-urban geometrics. Patchwork of high-rise building, square shape with streets, and even the life style(two dot one line, nothing special)have created ubran geometric. If the circle is formed by numerous of straight lines, then the geometrics should exist in all things. Can animals be geometrically? Plant? Mountains and rivers? I think the answer is yes. So I think geometrics is not just represent urban and modernized. If geometrics represents urban life, then I hope to be able use geometric graphics to show the relationship between the city and nature, and the relationship between mankind in nature. Then my design must be modern, minimalist, high-tech. These are very important to reach the brand identity of my client (National Geograph). After research the website design of the national geograph, I believe my idea is correct. National Geographic website gives me the first image is simple, white background color gives the picture a very clear focus point. Gray font gives me a high tech feel, logo is very famous yellow box. All the design performance can be expressed in a word - directly, which is similar to my idea. The headquarters of National Geography in San Francisco must show the feeling of modern city of and high-tech, on the other hand with geometric graphics to show the Bold yet subtle, striking yet understated. In recent years, trend for geometrics has been more around natural shapes, Neatly arranged, symmetrical, straight lines, these elements not only in my plane circulation, but also vertical circulation.
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KUAN ZHAI
ADJACENCY MATRIX
KUAN ZHAI 03536035 IAD 440 WORK 3.1 PROJECT PROGRAM
Immediately Adjacency Convenient Adjacency
1$0( 48$17,/< 2&&83$1&< /2$' 35,9$&< /2%%< 12 6725( 12 &$)ϡ 12 (;+,%,7,21 $5($ 12 5(&(37,21 $5($ 12 0((7,1* 5220 <(6 &21)(5(1&( 5220 <(6 35,17 5220 12 &2))(( .,7&+(1(77 12 35,9$7( 2)),&( <(6 :25.63$&( 12 /2$',1* '2&. 12 7(/(3+21( &/26(7 <(6 -$1,725,$/ &/26(7 12 38%/,& 5(675220 <(6 &,5&8/$7,21
727$/7 $5($
6(&85,7< 5(48,5(0(17 $(67+(7,& 5(48,5(0(176$&(66 72 1 12 12 <(6 12 12 12 12 12 <(6 12 12 <(6 12 12 <(6 12 12 12 12 12 12 12 12 12 12 12 12 <(6 12 <(6 12 12 <(6 12 12 12 12 12 12 12 12 12 12 12 12
Remote From One Another IMMEDIATELY ADJACENCY CONVENIENT ADJACENCY REMOTE FROM ONE ANOTHER
How will your clientâ&#x20AC;&#x2122;s organizational structure influence the goals, objectives, and performance criteria for this project?
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In my project, the client's design requirements are the combination of office space and visitor interaction space. The interactive space includes the coffee area, the exhibition hall, which are open to the public. And as the client's headquarters, the main organizers include Regional Manager, Senior Editor, Senior Web Editor, Art Director, Controller, Marketing Director. These need me to think more about what's the relationship between public area and private office space. For example, store, exhibition hall must be away from the private office, best in different floors. Independent offices also need to have some oversight capacity for public offices area, not too far away. My idea is to put the public space on the first floor, the main office space on the second floor. This will not affect the interaction of visitors, but also does not affect the privacy of office area.
INTERIOR DESIGN
48,5(0(176$&(66 72 1$785$/ /,*+7 (VVHQWLDO )) ( $&2867,&$/ 5(48,5(0(176 /2&$7,21 $5($ <(6 &2$7 &/26(7 12 12 6$/(6 6<67(0 6725$*( 5220 12 6.,7&+(1 6$/(6 &2817(5 6($7 12 <(6 <(6 ',63/$<6 12 5(&(37,21,67 '(6. :$,7,1* &+ 12 <(6 12 12 352-(&725 12 12 352-(&725 12 6833/< &/26(7 12 12 12 0,&25:$9( &2))(( 0$.(5 <(6 12 &20387(5 :25. 67$7,21 <(6 12 &30387(5 :25. 67$7,21 12 12 12 12 12 12 6725$*( 12 12
,2& /2$' )$&725 1(7 *5266 1(7 1(7 *5266 1(7 1(7 *5266 *5266 *5266 *5266 *5266 *5266 *5266
Your client for this project is an organization with a global reach and impact. It is very active in educating the public about issues related to global cultures, economic disparity, and natural preservation. How can your project design give voice to the client organizationâ&#x20AC;&#x2122;s mission and values? National geography often means that authority, science, quasi-official. For most people, it's more like an encyclopedia of nature than just a magazine. National geography has been committed to protecting environmental resources and world culture for many years. So, as such a global influence of the company's office headquarters, I have to consider more. First of all, a national geography office headquarters must reflect a kind of unique, this uniqueness comes from the customer's corporate culture - a kind of respect for the cultural environment and the earth species. Second, the overall design must show a rigorous feeling, because the client is an authoritative company representing the magazine industry. Finally, the interaction is also the goal for my client, so throughout the office
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KUAN ZHAI
BUBBLE DIAGRAM
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INTERIOR DESIGN
BLOCK DIAGRAM
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KUAN ZHAI
SCHEME PLAN:
OCCUPANT LOAD FOR FIRST FLOOR = 183 MAXIUM TRAVEL DISTANCE = 106 FEET
EXIT-ACCESS PATH GROUP A3 GROUP M GROUP A3 GROUP A2 LOADING DOCK EXIT 1 - HOUR FIRE RATED FIRE EXTINGUIHER
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INTERIOR DESIGN
SCHEME PLAN:
OCCUPANT LOAD FOR SECOND FLOOR = 68 MAXIUM TRAVEL DISTANCE = 115 FEET
EXIT-ACCESS PATH GROUP B EXIT 1 - HOUR FIRE RATED FIRE EXTINGUIHER
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KUAN ZHAI
REFLECTED CEILING DESIGN - FIRST FLOOR
2' - 6 1/2"
5' - 0"
ELEC / LI 5' - 1"
2' - 4"
L1
6' - 9 1/2"
4' - 0" 8' - 0"
8' - 0"
8' - 0"
EQ
EQ
EQ
EQ
EQ
3' - 6"
3' - 6 1/2"
EQ
9' - 0"
8' - 0"
EQ
EQ
EQ
EQ
EQ
3' - 6 1/2" EQ
EQ
13' - 7 1/2"
Stair B 4' - 6"
3' - 0"
L6 L7 L8 L9 L10
4' - 2 1/2" 4' - 6"
2' - 6"
Media Room
3' - 6 1/2"
12' - 10"
EQ EQ
Exhibition Area A
14' - 3 1/2"
68
EQ
L5
8' - 0"
EQ
2' - 0"
6' - 0"
2' - 0"
6' - 0"
2' - 0"
7' - 6"
8' - 0" 5' - 9"
2' - 0"
3' - 6 1/2"
2' - 0"
2' - 3"
3' - 9"
L4
Exhibition Area B
6' - 2"
3' - 8 1/2"
D 2
L3
EQ
4' - 0" 4' - 0"
4' - 0"
6' - 0"
L2
D
4' - 0"
5' - 9"
open to above
4' - 0"
4' - 2"
Gift Shop EQ
Lobby
7' - 8"
open to above
EQ
open to above
7' - 6"
4' - 0"
EQ
2
4' - 0"
5' - 0"
6' - 0"
1' - 2 1/2" 5' - 1 1/2"
4' - 7"
7' - 0 1/2"
4' - 7 1/2"
6' - 0"
4' - 6 1/2"
3' - 2"
4' - 3"
3' - 2" 2' - 0"
3' - 6"
4' - 0"
3' - 6" 1' - 11 1/2"
4' - 4"
2' - 7"
2' - 0"
EQ
4' - 2 1/2"
EQ
3' - 0"
2' - 0 1/2"
2' - 7"
3' - 0"
2' - 0"
Restroom
4' - 9"
Telecom
6' - 0"
ELEV
3' - 7 1/2"
EQ
2' - 9"
EQ EQ EQ
4' - 8"
EQ
EQ
D
Stair A 3' - 0"
EQ
9' - 0 1/2"
Coffee shop 2
Loading Dock
5' - 11 1/2"
8' - 1 1/2"
4' - 3"
Janitor
4' - 0 1/2"
5' - 0"
7' - 8"
EQ
3' - 4"
EQ
3' - 4"
EQ
EQ
3' - 9"
3' - 2" EQ
5' - 0"
EQ
1' - 5"
6' - 8 1/2"
L11
INTERIOR DESIGN
4' - 5"
P1
P2
6' - 0 1/2"
EQ
6' - 0 1/2"
EQ
6' - 0 1/2"
EQ
P3
EQ
4' - 5"
EQ
REFLECTED CEILING DESIGN - SECOND FLOOR
4' - 0"
10' - 1 1/2"
4' - 0"
13' - 1"
EQ
EQ
4' - 10 1/2"
EQ
Telecom
13' - 1"
7' - 9 1/2"
16' - 0"
ELEC / LIGHT 8' - 7"
3' - 8"
2' - 11"
12' - 10"
4' - 4 1/2"
2' - 6 1/2"
2' - 4"
7' - 0"
EQ
2' - 4"
6' - 0"
Stair A 4' - 8"
EQ
2' - 9"
7' - 0 1/2"
EQ
17' - 2"
3' - 0"
3' - 0"
4' - 0"
Reference Room
4' - 11 1/2"
7' - 11"
L1
Ceil Flor
L2
Squ Ligh
L3
Ceil Trac
L4
Ceil Spo
L5
Ceil Rec
L6
Ceil Smo
L7
Fire
L8
Ceil
L9
Ceil
L10
Ceil
L11
Ceil
L12
Flou
L13
Ceil
L14
Wal
2' - 0"
4' - 10 1/2"
4' - 10 1/2"
4' - 10 1/2"
8' - 0"
EQ
5' - 5"
8' - 6"
5' - 5" EQ
EQ
EQ
5' - 0" 3' - 0"
Stair B
3' - 11 1/2"
3' - 11 1/2"
3' - 0"
EQ
EQ
EQ
EQ
P5
5' - 8"
P4
Janitor
4' - 8"
4' - 8"
4' - 0"
Printer Room
4' - 0"
P6
6' - 1"
4' - 0"
4' - 0"
6' - 8"
4' - 9 1/2"
Kitchen & Coffee
5' - 8"
6' - 8"
4' - 0"
6' - 8"
Reception Area
6' - 5 1/2"
3' - 9" 3' - 0"
4' - 6"
3' - 0" 3' - 7 1/2"
4' - 6"
5' - 9 1/2" 1' - 5"
4' - 10 1/2"
Meeting Room
3' - 11"
1' - 5"
2' - 6 1/2"
Work Space
4' - 4 1/2"
5' - 0"
Bathroom
2' - 4" 3' - 0"
open to below
6' - 0"
open to below
EQ
EQ
5' - 0"
EQ
8' - 4"
3' - 11"
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KUAN ZHAI
SKETCH LOBBY
OFFICE
70
INTERIOR DESIGN
SKETCH EXHIBITION AREA
EXHIBITION AREA
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KUAN ZHAI
SKETCH - ELEVATION
LOBBY
COFFEE SHOP
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INTERIOR DESIGN
SKETCH - ELEVATION
OFFICE
OFFICE RECEPTION
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KUAN ZHAI
FLOOR PLAN - FIRST FLOOR
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1 - Lobby
5 - Public Restroom
2 - Exhibition Area
6 - Loading Dock
3 - Media Room
7 - Telecom Room
4 - Coffee Shop
8 - Gift Shop
INTERIOR DESIGN
FLOOR PLAN - FIRST FLOOR
1 - Reception Area
6 - Working Space
2 - Kitchen&Coffee
7 - Meeting Room
3 - Privite Office(1-6)
8 - Restroom
4 - Jenitor Closet
9 - Telecom Room
5 - Printer Room
10 - Reference ROOM
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LOBBY
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KUAN ZHAI 03536035 FLOOR PLAN ANALYSIS
EXHIBITION AREA
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INTERIOR DESIGN
COFFEE SHOP
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MEET ROOM
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INTERIOR DESIGN
WORK SPACE
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INTERIOR DESIGN
THANKS
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INTERIOR DESIGN
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INTERIOR DESIGN
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INTERIOR DESIGN
Born in China, and raised in Sichuan. living in Chengdu, Sichuan. After graduating from high school decided to come to the United States to study the interior building. He was very interested in architecture while he is a child and dream to become an architect. But as he grew older, he began to understand the charm of interior design from his family and friends. He likes lighting and structural design, and he thinks these two point are the souls of every design project. He believes that as a designer, the most important thing is not to create a design, but to understand the relationship between each thing. Design process is not to created, but by the designerâ&#x20AC;&#x2122;s knowledge. So he never stopped learning trip.