AAHHH!
“ In Streetcar Wi l l i am s fou nd ima g e s a nd r h y t h ms
and feel and m ove. . . In thi s pl ay as in n o
other, wil l i am s was abl e to do hi s pa r t ic ul ar thing, to take th e fragm ents of h is
di upstairs vi ded self tu rn th em i n to th e dr a t is larinet moans. The door opensand again.
ersoare nae o f an i d eal co nflic t .” wn the rickety stairs in her robe. Herpeyes
. They stare at each other. Then they come
low, animal moans. He falls to his knees on
presses his face to her belly, curving a little
. Her eyes go blind with tenderness as she
ad and raises him level with her. He snatches
r open and lifts her off her up and bears her
lat.]
– Jack Kro l l , N ewsweek
the dim white building is a peculiarly tender blue, almost a turquoise, which invests the scene with a kind of lyricism and
tennessee williams
P A G E
T H R E E
“IT WAS THE THE FIRST “IT WAS FIRST DARK IN EARLY MAY.” New Orleans and is tormented
tormented by her brutish
by her D brutish A R K brother-in-law, E V E N I N G
brother-in-law, Stanley
Stanley K ow alski, w hile her
Kowalski, while her reality
reality crumbles around her,
crumbles around her, just
just like a paper lantern.
like a paper lantern.
of an evening
E A R LY I N M AY . ”
Distu
rbed B lanch e DuB in wit ois m h h s t r ee re sti sc a r oves ter in and i N ew Or s torm leans e b r o t h n a m e ndt e d b y h e e r- i n r brutis law h w h i l e d e s i r ,eS t a n l e y Kowal her re ski, ality c rumbl h e r, j u eDUBUOIS DISTURBED s t l i kBLANCHE s arou e a pa nd per la ntern moves in with her .sister in
New Orleans and is
HHHHHHHHHHHH
tennessee williams
/
moves in w ith her sister in tennessee williams
New Orleans and is
tennessee w illiam s
3 O N E
D isturbed Blanche D uBois
moves in with her sister in
s t r e e t c a r n a me d d e sire
eetcar named desire
C H A P T E R
Disturbed Blanche DuBois
AAAAHH
that are sti l l part of th e way we th in k
h tears and her hair loose about her throat
in May. The sky that shows around
LLLLLLLLL LLLLLLLLLLL streetcar named desire | tennessee williams
heaven-splitting violence]:
streetca r n a med d e si r e | t e n n e s s e e wi l l ia m s
STELLL
It is the first dark of an evening early str
tormented by her brutish
// STREETCAR NAMED DESIRE KATIE WHITEMAN / TYPE 2 / HERSTOWSKI
Chapter 1
gracefully attenuates the atmosphere
brother-in-law, Stanley
Kowalski, while her reality crumbles around her, just
of decay.
streetcar named desire
CHAPTER 1 / PAGE 3
AAHHH!
“ In Streetcar Wi l l i am s fou nd ima g e s a nd r h y t h ms
and feel and m ove. . . In thi s pl ay as in n o
other, wil l i am s was abl e to do hi s pa r t ic ul ar thing, to take th e fragm ents of h is
di upstairs vi ded self tu rn th em i n to th e dr a t is larinet moans. The door opensand again.
ersoare nae o f an i d eal co nflic t .” wn the rickety stairs in her robe. Herpeyes
. They stare at each other. Then they come
low, animal moans. He falls to his knees on
presses his face to her belly, curving a little
. Her eyes go blind with tenderness as she
ad and raises him level with her. He snatches
r open and lifts her off her up and bears her
lat.]
– Jack Kro l l , N ewsweek
Streetcar Named tender blue, almost a turquoise,
Desire). As designers, we will often asked to
which invests the scene with a kind
create different concepts to present to a client. Use the following
of lyricism and
formula Noun + Media in e. Each cover will use a different noun + C H A P T E R
media combination.
O N E
/
P A G E
T H R E E
D isturbed Blanche D uBois
moves in with her sister in
“IT WAS THE THE FIRST “IT WAS FIRST DARK IN EARLY MAY.” moves in w ith her sister in tennessee williams
New Orleans and is
NOUNS
tormented by her brutish
1) Person: a character by her brother-in-law, D brutish A from R K the E book V E N I N G
brother-in-law, Stanley
Stanley K ow alski, w hile her 2) Place: setting
Kowalski, while her reality
reality crumbles around her, 3) Thing: representative object.
crumbles around her, just
New Orleans and is tormented
just like a paper lantern.
like a paper lantern.
of an evening
MEDIA
E A R LY I N M AY . ”
Distu
1) image dominate (phography, illustration, collage...) rbed B lanch e DuB in wit o i s m2) type dominate (computer, manipulated, hand drawn, photos t hr hee re sti sc a r oves ter in and i N e w O r l egraphed...) s torm ans e b r o t h n a m e ndt e d b y h e e r- i n r b r u t3) law i s h no computer (can not use the computer for main image/typogw h i l e d e s i r ,eS t a n l e y Kowal her re ski, ality c Chapter 1 rumbl raphy, title, subtitle and author) h e r, j u eDUBUOIS DISTURBED s t l i kBLANCHE s aroun e a pa d per la ntern . moves in with her sister in
tennessee w illiam s
New Orleans and is
HHHHHHHHHHHH
tennessee williams
3
Create three different designs for one book (Tennessee Williams’
the dim white building is a peculiarly
Disturbed Blanche DuBois
s t r e e t c a r n a me d d e sire
tennessee williams
eetcar named desire
in May. The sky that shows around
AAAAHH
that are sti l l part of th e way we th in k
h tears and her hair loose about her throat
It is the first dark of an evening early str
LLLLLLLLL LLLLLLLLLLL streetcar named desire | tennessee williams
heaven-splitting violence]:
st r eet ca r n a med d e si r e | ten n essee w i ll ia m s
STELLL
// PROJECT DESCRIPTION
Deliverables: Cover, spine, back cover, flaps, end papers, title
page, process book and presentation tormented by her brutish
gracefully attenuates the atmosphere
brother-in-law, Stanley
Kowalski, while her reality
of decay.
streetcar named desire
crumbles around her, just t e nne s s e e wi l l i a m s t . like w ai lpaper liam s lantern.
CHAPTER 1 / PAGE 3
S T R E E T C A R
N A M E D
D E S I R E
STREETCAR NAMED DESIRE // PROJECT DESCRIPTION
// SYNOPSIS Set in the French Quarter of New Orleans during the restless years following World War Two, A STREETCAR NAMED DESIRE is the story of Blanche DuBois, a fragile and neurotic woman on a desperate prowl for someplace in the world to call her own.
After being exiled from her hometown of Laurel, Mississippi, for seducing a seventeen-year-old boy at the school where she taught English, Blanche explains her unexpected appearance on Stanley and Stella’s (Blanche’s sister) doorstep as nervous exhaustion. This, she claims, is the result of a series of financial calamities which have recently claimed the family plantation, Belle Reve. Suspicious, Stanley points out that “under Louisiana’s Napoleonic code what belongs to the wife belongs to the husband.”
Stanley, a sinewy and brutish man, is as territorial as a panther. He tells Blanche he doesn’t like to be swindled and demands to see the bill of sale. This encounter defines Stanley and Blanche’s relationship. They are opposing camps and Stella is caught in no-man’s-land. But Stanley and Stella are deeply in love. Blanche’s efforts to impose herself between them only enrages the animal inside Stanley. When Mitch -- a card-playing buddy of Stanley’s -- arrives on the scene, Blanche begins to see a way out of her predicament. Mitch, himself alone in the world, reveres Blanche as a beautiful and refined woman. Yet, as rumors of Blanche’s past in Auriol begin to catch up to her, her circumstances become unbearable.
STREETCAR NAMED DESIRE // BOOK SYNOPSIS
STREETCAR NAMED DESIRE // BOOK JACET EXAMPLES // TYPE/IMAGE/NON-COMPUTER
STREETCAR NAMED DESIRE // BOOK JACKET RESEARCH // TYPE BASED
STREETCAR NAMED DESIRE // BOOK JACKET RESEARCH // ILLUSTRATION BASED
STREETCAR NAMED DESIRE // BOOK JACKET RESEARCH // PHOTO BASED
RESEARCH: 4 CHARACTERS + AUTHOR
STREETCAR NAMED DESIRE // RESEARCH // CHARACTER : STELLA
STREETCAR NAMED DESIRE // RESEARCH // CHARACTER : BLANCHE
STREETCAR NAMED DESIRE // RESEARCH // CHARACTER : MITCH
STREETCAR NAMED DESIRE // RESEARCH // CHARACTER : STANLEY
WORD LIST:
FAMOUS QUOTES:
STREETCAR NAMED DESIRE // RESEARCH // TENNESSEE WILLIAMS
MOODBOARD RESEARCH: OBJECT / CHARACTER / PLACE
STREETCAR NAMED DESIRE // IMAGE LIBRARY: PAPER LANTERN/MOTH
STREETCAR NAMED DESIRE // MOODBOARD: PAPER LANTERN/MOTH
STREETCAR NAMED DESIRE // IMAGE LIBRARY: LIGHTBULB
STREETCAR NAMED DESIRE // MOODBOARD: STANLEY
STREETCAR NAMED DESIRE // IMAGE LIBRARY: STANLEY
STREETCAR NAMED DESIRE // MOODBOARD: NEW ORLEANS, ELYSIAN FIELDS
STREETCAR NAMED DESIRE // IMAGE LIBRARY: NEW ORLEANS, ELYSIAN FIELDS
STREETCAR NAMED DESIRE // TYPE STUDY: EXPERIMENTATION
STREETCAR NAMED DESIRE // TYPE STUDY: EXPERIEMENTATION
STREETCAR NAMED DESIRE // TYPE STUDY: EXPERIEMENTATION
BOOK JACKETS: 1ST ROUND: OBJECT / CHARACTER / PLACE
STREETCAR NAMED DESIRE / 1ST ROUND BOOK COVERS / TYPE
STREETCAR NAMED DESIRE / 1ST ROUND BOOK COVERS / IMAGE
STREETCAR NAMED DESIRE / 1ST ROUND BOOK COVERS / NON COMPUTER
STREETCAR NAMED DESIRE / 1ST ROUND BOOK COVERS / IMAGE
STREETCAR NAMED DESIRE / 1ST ROUND BOOK COVERS / TYPE
STREETCAR NAMED DESIRE / 1ST ROUND BOOK COVERS / NON COMPUTER
STREETCAR NAMED DESIRE / 1ST ROUND BOOK COVERS / TYPE
STREETCAR NAMED DESIRE / 1ST ROUND BOOK COVERS / IMAGE
STREETCAR NAMED DESIRE / 1ST ROUND BOOK COVERS / NON COMPUTER
E STR
ETC
AR
Streetcar
and move...In this play as in no
other, williams was able to do his
writer who worked principally as a playwright in the American theater. He also wrote short stories, novels, poetry, essays, screenplays and a volume of memoirs.
to
take
Stanley [with heaven-splitting violence]:
the
turn them into the dratis personae of an ideal conflict.”
“In Streetcar Williams found images and rhythms that are
– Jack Kroll, Newsweek (1973)
still part of the way we think
and feel and move...In this play as in no other, williams was able to do his particular
thing, to take the fragments
STELLL LAAAHH HHHHH!
[The low-tone clarinet moans. The door upstairs opens again. Stella slips down the rickety stairs in her robe. Her eyes are glistening with tears and her hair loose about her
of his divided self and turn
throat and shoulders. They stare at each other. Then they
them into the dratis personae
come together with low, animal moans. He falls to his
of an ideal conflict.”
knees on the steps and presses his face to her belly, curving a little with maternity. Her eyes go blind with
– Jack Kroll, Newsweek
N TEN
ES
SEE
W
IA ILL
MS
tenderness as she catches his head and raises him level with her. He snatches the screen door open and lifts her off her fat and bears her into the dark flat.]
LAAAH streetcar named desire | tennessee williams
HHHHHHHHH
HHHHH!STELLAAAHHHHHHHHHHH!
IN STREETCAR, Williams found images and rhythms that are still
STELLL LAAAHH HHHHH!
LLLLLLLLLLLL
STELLL LAAAHH HHHHH!
TENNESSEE WILLIAMS
Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as a playwright in the American theater. He also wrote short stories, novels, poetry, essays, screenplays and a volume of memoirs.
thing,
fragments of his divided self and
STR EETC AR NAMED DE SI RE
Williams III was an American
while her reality crumbles around her, just like a paper lantern.
tennessee williams
and is tormented by her brutish brother-in-law, Stanley Kowalski, Thomas Lanier "Tennessee"
STREETCAR NAMED DESIRE
Disturbed Blanche DuBois moves in with her sister in New Orleans
STELLL LLLLLLLLL
found
part of the way we think and feel
particular
STREETCAR NAMED DESIRE
Williams
images and rhythms that are still
ED
streetcar named desire | tennessee williams
E DSI STELLL LAAAHH “In
M NA
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
TIGER— TIGER! WE’VE HAD THIS DATE WITH EACH OTHER FROM THE BEGINNING!
Streetcar Named Desire:
part of the way we think and feel and move...In A beautiful story about
this play as in no other, williams was able to do
love, passion,
his particular thing, to take the fragments of his divided self and turn them into the dratis personae of an ideal conflict.”
DESIRE
and tragedy.
STREETCAR NAMED
T. WILLIAMS
TENNESSEE WILLIAMS
STREETCAR NAMED DESIRE / 2ND ROUND BOOK COVERS / TYPE BASED
streetcar
named
brother-in-law, Stanley Kowalski, while her reality crumbles around her,
just like a paper lantern.
Tennessee Williams Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as a playwright in the American theater. He also wrote short stories, novels, poetry, essays, screenplays and a volume of memoirs.
“I can’t stand a naked bulb,
S T R E E TC A R N A M E D
DESIRE
Tennessee Williams Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as a playwright in the American theater. He also wrote short stories, novels, poetry, essays, screenplays and a volume of memoirs.
streetcar named desire | tennessee williams
in New Orleans and is tormented by her brutish
Streetcar Named Desire
tennessee williams
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
any more than I can a rude remark
or a vulgar action.”
Streetcar Named Desire
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
Tennessee Williams
Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as a playwright in the
American theater. He also wrote short stories, novels, poetry, essays, screenplays and a volume of memoirs.
streetcar named desire
Disturbed Blanche DuBois moves in with her sister
STREETCAR NAMED DESIRE | TENNESSEE WILLIAMS
TENNESSEE WILLIAMS
streetcar named desire
tennessee williams
STREETCAR NAMED DESIRE / 2ND ROUND BOOK COVERS / IMAGE BASED
Tennessee Williams Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as a playwright in the American theater. He also wrote short stories, novels, poetry, essays, screenplays and a volume of memoirs.
“SAY IT’S ONL Y A PAPER MOON, floating over a cardboard sea,
of an ideal conflict.” - Jack Kroll, Newsweek
Streetcar Named Desire
Tennessee Williams Disturbed Blanche DuBois moves in
Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as a playwright in the American theater. He also wrote short stories, novels, poetry, essays, screenplays and a volume of memoirs.
with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
c
et re
but it wouldn’t be make-believe
IF YOU,
BELIEVED IN ME.”
Streetcar Named Desire
l
divided self and turn them into the dramtis peronae
i
l
to do his particular thing, to take fragments of his
med
ms
move...In this pay as in no other, Williams was able
na
ia
that are still part of the way we think and feel and
a
r
st
“In Streetcar, Williams found images and rhythms
STREETCAR NAMED DESIRE
TENNESSEE WILLIAMS
s es tenn
ee
w
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as a playwright in the American
theater. He also wrote short stories, novels, poetry, essays, screenplays and a volume of memoirs. Tennesse Williams won
two Pulitzer Prizes, for "A Streetcar Named Desire" (1947) and "Cat on a Hot Tin Roof" (1955). His other major plays
include "Summer and Smoke" (1948), "The Rose Tattoo" (1951), "Camino Real" (1953), "Sweet Bird of Youth" (1959),
and "The Night of the Iguana" (1961).
“I can’t stand a
any more than I can
a rude remark
or vulgar action.”
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brotht. williams
streetcar named desire
er-in-law, Stanley Kowalski, while her reality crumbles around her, tennessee williams
just like a paper lantern.
STREETCAR NAMED DESIRE / 2ND ROUND BOOK COVERS / NON COMPUTER
t hink and f e e l and move ...In t h i s p l ay as in no ot he r, williams was ab l e t o d o h i s
t en n es s ee w i l l i a ms
part ic ular t hing, t o t ake t he f r agm e n t s o f his divide d se lf and t urn th e m i n t o t h e drat is pe rsonae of an ideal c o n f l i c t . ”
– Jac k K rol l , Ne w s w e e k
Th o m as L a n i er " Ten n es s ee" Willia m s I I I w a s a n A mer i ca n w r it e r w h o w o r k ed p r i n ci p a l l y a s a p lay w r i g h t i n t h e A mer i c a n t h ea t er. He a l s o w r o t e s h o r t st o r i es , n o v el s , p o et r y,
streetcar named desire | tennessee williams
“In St re e t c ar Williams f ound i m age s an d rhyt hms t hat are st ill part o f t h e w ay w e
st re e t c ar
Disturbed Blanche DuBois
n ame d
m o v e s i n wi t h h e r s i s t e r i n New Orleans and is tormented
de sire
b y h e r b r u t i s h b r o t h e r- i n - l a w, S t a n l e y K o wa l s k i , w h i l e h e r r e a l i t y c r u m b l e s a r o u n d h e r, just like a paper lantern.
t . williams
Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as a playwright in the American theater. He also wrote short
any more than I can
stories, novels, poetry, essays,
a rude remark or a vulgar action.”
screenplays and a volume of
e s s ay s , s cr een p l a y s a n d a
memoirs. Tennesse Williams won
v o l u me o f memo i r s .
two Pulitzer Prizes, for "A Street-
STREETCAR NAMED DESIRE | TENNESSEE WILLIAMS
“I can’t stand a
s tr e e tc a r n a m e d d e s i r e
DISTURBED Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
car Named Desire" (1947) and "Cat on a Hot Tin Roof" (1955).
TENNESSEE WILLIAMS
TENNESSEE WILLIAMS
“I can’t stand a
streetcar named desire
STREETCAR NAMED DESIRE
“In Streetcar Williams found images and rhythms that are still part of the way we think and feel and move...In this
Thomas Lanier "Tennessee"
play as in no other, williams was able to do his particular
Williams III was an American
thing, to take the fragments of his divided self and turn
writer who worked principally
them into the dratis personae of an ideal conflict.”
as a playwright in the American theater. He also wrote short stories, novels, poetry,
– Jack Kroll, Newsweek
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
essays, screenplays and a volume of memoirs. any more than I can
Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as Blanche DuBois moves in with her sister in
a playwright in the American theater. He also
a rude remark or a vulgar action.”
New Orleans and is tormented by her brutish
wrote short stories, novels, poetry, essays,
brother-in-law, Stanley Kowalski, while her
screenplays and a volume of memoirs.
reality crumbles around her, just like a
t. williams
tennessee williams
paper lantern.
tennessee williams
STREETCAR NAMED DESIRE / 3RD ROUND BOOK COVERS / IMAGE & NON COMPUTER BASED
Streetcar
Williams
part of the way we think and feel and move...In this play as in no other, williams was able to do his particular
thing,
to
take
the
fragments of his divided self and S ta n
le y [w it h h eave n
turn them into the dratis personae -s p li
tt in g
of an ideal conflict.” v io le
n c e ]:
“In
Streetcar
Williams
found
images and rhythms that are still part of the way we think and feel and move...In this play as in no other, williams was able to do his particular
thing,
to
take
the
one
c la ri
net m oans th e ri te a rs . The c k e ty and door s ta ir her h u p s ta s in each a ir lo ir s o h e r ro o th e r. ose a pens be. H bout Then a g a in e r e ye h is k h th e . S te r th ro ey co s a re nees ll a m e to at an o n th g li s te g e th d sh e s te w it h n in g e o r w it ps an u ld e rs m a te w it h h lo w rn it y. d p re . They , a n im head sses Her e s ta h is fa al mo and re a t ye s g ra is e ans. c e to o b li and s h im H e fa nd w her b li ft s ll s to it h te e ll y, le v e l her o c u rv in n d e rn w it h ff h e h e r. g a li ess a r fa t H tt le s sh e sna and e ca b e a rs tc h e s tc h e s h e r in th e s h is to th c re e n e d a rk door open fl a t. ] down
ten
ne
s
wi
lli
am
s
[The low-tone clarinet moans. The door upstairs opens again. Stella slips down the rickety stairs in her robe. Her Disturbed Blanche DuBois moves
eyes are glistening with tears and her hair loose about her
in with her sister in New Orleans
throat and shoulders. They stare at each other. Then they
and is tormented by her brutish
come together with low, animal moans. He falls to his
brother-in-law, Stanley Kowalski,
knees on the steps and presses his face to her belly,
while her reality crumbles around
curving a little with maternity. Her eyes go blind with
her, just like a paper lantern.
tenderness as she catches his head and raises him level with her. He snatches the screen door open and lifts her off her fat and bears her into the dark flat.]
streetcar named desire
fragments of his divided self and of an ideal conflict.”
t. williams
streetcar named desire
LLLLLLLLLLLL
stre
streetcar named desire
|
etca
r na m
ed d esir e
tennessee williams
HHHHHHHHH
HHHHHHHH!
turn them into the dratis personae
– Jack Kroll, Newsweek (1973)
STELLAAAHHH!
|
s li p s
lo w -t
e se
Stanley [with heaven-splitting violence]:
streetcar named desire
[T h e
streetcar named desire
– Jack Kroll, Newsweek (1973)
STELLL LLLLLLLLL
D is tu rb ed B la n ch h er si e DuB st er in oi s m N ew O ov es by h rl ea n s in w it er b ru h a n d is ti sh K ow a ls to rm en b ro th er-i ki , w h te d n -l il a e w, S h er re h er, ju ta n le y a li ty cr st li ke u m b le a pap s a ro u er la n nd te rn .
found
images and rhythms that are still
tennessee williams
“In
see nes ten iams l wil
tennessee williams
Streetcar
Williams
found
images and rhythms that are still part of the way we think and feel and move...In this play as in no
[The low-tone clarinet moans. The door upstairs opens
other, williams was able to do his
again. Stella slips down the rickety stairs in her robe. Her
particular
the
eyes are glistening with tears and her hair loose about her
fragments of his divided self and
throat and shoulders. They stare at each other. Then they
turn them into the dratis personae
come together with low, animal moans. He falls to his
of an ideal conflict.”
knees on the steps and presses his face to her belly,
thing,
to
take
curving a little with maternity. Her eyes go blind with tenderness as she catches his head and raises him level
– Jack Kroll, Newsweek (1973)
with her. He snatches the screen door open and lifts her off her fat and bears her into the dark flat.]
streetcar named desire
|
|
“In
streetcar named desire
STEELLAAAHH!
tennessee williams
Stanley [with heaven-splitting violence]:
STELLL LAAAHHH HHHHH! HHHHH!
streetcar named desire Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented
by
her
brutish
broth-
er-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
streetcar named desire
tennessee williams
STREETCAR NAMED DESIRE / 3RD ROUND BOOK COVERS / TYPE BASED
that are still part of the way we think a n d f e e l a n d mo v e . . . In t h i s p l a y a s i n n o o t h e r, w i l l i a m s w a s a b l e t o d o h i s p a r t i c u l a r t h i n g , t o t a k e t h e f r a g me n t s o f h i s divided self and turn them into the dratis Th o m a s La n i e r " Te n n e s s e e "
personae of an ideal conflict.”
Willia ms I I I w a s a n A m e r i c a n wr it e r wh o w o r k e d p r i n c i p a l l y a s a p la y w r i g h t i n t h e A m e r i c a n t h e a t e r. H e a l s o w r o t e s h o r t st o r i e s , n o v e l s , p o e t r y,
– Jack Kroll, Newsweek
a nd r hy thm s tha t a r e
m ov e s i n wi th he r s i s te r i n
s ti l l pa r t of the wa y we thi nk a nd fe e l a nd
N e w O r l e a ns a nd i s tor m e nte d
m ov e . . . I n thi s pl a y a s i n
by he r br uti s h br othe r-i n-l a w, S ta nl e y K owa l s ki , whi l e he r
no othe r, wi l l i a m s wa s
r e a l i ty c r um bl e s a r ound he r,
a bl e to do hi s pa r ti c ul a r thi ng , to ta ke the fr a g -
j us t l i ke a pa pe r l a nte r n.
m e nts of hi s di v i de d T h o ma s La n i e r " Te n n e sse e " Wi l l i a ms III w a s a n A me ri c a n w ri t e r w h o w o rk e d
streetcar named
i n t h e A me ri c a n t h e a t e r. He
n o v e l s, p o e t ry, e ssa y s, sc re e n p l a y s a n d a v o l u me o f me mo i rs.
essays, screenplays and a volume of memoirs.
s e l f a nd tur n the m i nto the dr a ti s pe r s ona e of a n i de a l c onfl i c t. ”
p ri n c i p a l l y a s a p l a y w ri g h t
a l so w ro t e sh o rt st o ri e s,
desire
tennessee williams
Wi l l i a m s found i m a g e s Di s tur be d B l a nc he DuB oi s
|
“ In S t r e e t c a r Wi l l i a ms f o u n d i mage s an d rh yt h ms
“IN STREETCAR,
– J a c k K r ol l , N e ws we e k
streetcar named desire
tennessee williams
streetcar named desire | tennessee williams
streetca r na med d esire
Disturbed Blanche DuBois moves in with her sister in New Orleans and is torm e n t e d b y h e r b r u t i s h b r o t h e r - i n - l a w, S t a n l e y K o w a l s k i , w h i l e h e r r e a l i t y c r u m b l e s a r o u n d h e r, j u s t l i k e a p a p e r l a n t e r n .
t. williams
streetcar named desire
t. williams
tennessee williams
“IT WAS THE FIRST DARK
Chapter One
Page 3
of an evening E A R LY I N M AY . ”
The sky that shows around the dim white building is a peculiarly tender blue, almost a
turquoise,
which invests the scene with a kind of lyricism and gracefully attenuates the
streetcar named desire
CHAPTER 1
atmosphere of decay.
Page 3
STREETCAR NAMED DESIRE / 4TH ROUND BOOK COVERS / PLUS END PAGES & FIRST PAGES
“I can’t stand a
3
The sky that shows around the dim white building is a peculiarly tender blue, almost a turquoise, which invests the
Thomas Lanier "Tennessee"
scene with a kind of lyricism and gracefully attenuates the
Williams III was an American
atmosphere of decay. You can almost feel the warm breath of
C hapter 1
writer who worked principally
the brown river beyond the river warehouses with their
as a playwright in the American theater. He also wrote
any more than I can a rude remark
short stories, novels, poetry,
streetcar named desire
It is the first dark of an evening early in May.
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
essays, screenplays and a volume of memoirs.
faint redolences of bananas and coffee.
or a vulgar action.”
t. williams
tennessee williams Te n n e s s e e Williams
It is the first dark of an evening
around the dim white building is a peculiarly tender blue, almost a turquoise, which invests the scene with a kind of lyricism and
3 Chapter 1
gracefully attenuates the atmosphere tennessee
of decay.
“I can’t stand a
streetcar named desire
early in May. The sky that shows
Thomas Lanier "Tennessee" Williams III was an American writer who worked principally as a playwright in the American theater. He also wrote short stories, novels, poetry, essays, screenplays and a
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
volume of memoirs. any more than I can
a rude remark
williams
t. williams
tennessee williams
tennessee williams tennessee williams
or a vulgar action.”
STREETCAR NAMED DESIRE / 4TH ROUND BOOK COVERS / PLUS END PAGES & FIRST PAGES
HHHHHHHHHHHHHHHHHHHHHHHH CHAPTER 1 / PAGE 3
C H A P T E R
O N E
/
P A G E
T H R E E
“IT WAS THE FIRST IN EARLY MAY.” D A R K
DARK
E V E N I N G
“IT WAS THE FIRST
E V E N I N G I N E A R LY M AY. ”
t en n essee william s S T R E E T C A R
N A M E D
TENNESSEE WILLIAMS / STREETCAR NAMED DESIRE
D E S I R E
STELL
AAAAAAAAHHHHHH “In Streetcar Williams found images and rhythms that are still part of the way we think and feel and move...In this play as in no other, williams was able to do his particular thing, to take the fragments of his divided self and turn them into the dratis personae of an ideal conflict.”
– Jack Kroll, Newsweek (1973)
HHH!
s t r e e t c a r n a m e d d e s i r e | t en n ess e e willia ms
Stanley [with heaven-splitting violence]:
LLLLLLLLLLLLLLLL
AAAH
LLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLL
Stanley [with heaven-splitting violence]:
STELLAAAHHH!
HHHHH
[The low-tone clarinet moans. The door
upstairs opens again. Stella slips down the rickety stairs in her robe. Her eyes
are glistening with tears and her hair
streetcar named desire
tennessee williams
loose about her throat and shoulders.
DISTURBED BLANCHE DUBUOIS
They stare at each
moves in with her sister in New
other. Then they
Orleans and is tormented by
str eetcar nam ed desi re | t ennessee w i l l i am s
come together with low, animal moans.
her
He falls to his knees on the steps and
Stanley Kowalski, while her
presses his face to her belly, curving a
reality crumbles around her,
little with maternity. Her eyes go blind
just like a paper lantern.
with tenderness as she catches his head and raises him level with her.]
brutish
brother-in-law,
“In
Streetcar
Williams
found
[The low-tone clarinet moans. The door upstairs opens
images and rhythms that are still
again. Stella slips down the rickety stairs in her robe. Her
part of the way we think and feel
eyes are glistening with tears and her hair loose about her
and move...In this play as in no
throat and shoulders. They stare at each other. Then they
other, williams was able to do his
come together with low, animal moans. He falls to his
particular
the
knees on the steps and presses his face to her belly,
fragments of his divided self and
curving a little with maternity. Her eyes go blind with
turn them into the dratis personae
tenderness as she catches his head and raises him level
of an ideal conflict.”
with her. He snatches the screen door open and lifts her off
thing,
to
take
her up and bears her into the dark flat.] – Jack Kroll, Newsweek (1973)
STELLL
streetcar nam ed desi r e | te nn e s s e e wi l li a ms
STELLLLL
LLLLLLLLL LLLLLLLLLLL
AAAAHH
D is tu rb ed B la n ch e DuB in w it oi s m h h er ov es si st er in N ew a n d is O rl ea to rm en ns te d b b ro th y h er er-i n -l b ru ti sh a w, S ta n le y w h il e K ow a ls h er re a li ty cr ki , h er, ju u m b le st li ke s a ro u nd a pap er la n te rn .
streetcar nam e d des ir e
t e nne s s e e w illiam s
HHHHHHHHHHHH
HHHHHHHHHHHHHHHHHHHHHHHH
STREETCAR NAMED DESIRE / 4TH ROUND BOOK COVERS / PLUS END PAGES & FIRST PAGES
streetcar named desire
“I can’t stand a
Thomas Lanier “Tennessee” Williams III was an American writer who worked principally as a playwright in the American theater. He also wrote short stories, novels, poetry, essays, screenplays and
any more than I can
It is the first dark of an evening early in May. The sky that shows around the dim white building is a peculiarly tender blue, almost a turquoise, which invests the scene with a kind of lyricism and
Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law, Stanley Kowalski, while her reality crumbles around her, just like a paper lantern.
a rude remark
a volume of memoirs.
streetcar named desire
“I can’t stand a
tennessee williams tennessee williams
or a vulgar action.”
any more than I can
streetcar named desire
“I can’t stand a
Chapter 1
Disturbed Blanche DuBois
a rude remark
moves in with her sister in New Orleans and is
tormented by her brutish
Thomas Lanier “Tennessee” Thomas Lanier “Tennessee”
illiams III was an American
Williams III was an American
writer who worked principally
ter who worked principally
as a playwright in the
brother-in-law, Stanley
Kowalski, while her reality
or a vulgar action.” American theater. He also
American theater. He also
wrote short stories, novels,
wrote short stories, novels,poetry, essays, screenplays and try, essays, screenplays and a volume of memoirs.
a volume of memoirs.
any more than I can
a rude remark
gracefully attenuates the atmosphere
of decay.
tennessee williams
t .crumbles around her, just wlike i l l iaa paper m s lantern.
as a playwright in the
streetcar named desire
“I can’t stand a t. williams
3
Disturbed moves in
New Orle
tormented
brother-in
Kowalski, crumbles
like a pap
Disturbe
moves in
New Orl
tormente
brother-i
Kowalsk
crumbles
like a pa
tennessee williams
any more than I can
STREETCAR NAMED DESIRE // FINAL JACKET // NON COMPUTER
a rude remark
streetcar named desire
“I n Stre e tc ar Wi l l i ams found i mag e s a n d r h y t h m s
tha t are sti l l pa rt of the way we thi nk othe r, wi l l i a ms wa s a bl e to do hi s pa rti c ul ar thi ng, to ta ke the fra gme nts of hi s
di v i de d se l f a nd turn the m i nto the dra ti s
pe rsona e of an i de a l c onfl i c t. ” Thomas Lanier "Tennessee" William s III was an American writer who worked principally as a playwright in the
tennessee williams re e tca r Wi l l i wrote a m sshort f ostories, u n d novels, i m a ge s a n d r h y t h m s American theater. He also
poetry, essays, screenplays
– Jac k Krol l , N e wswe e k
and a volume of memoirs.
p art o f t h e w a y w e t h i n k
o ve...In t h i s p l a y as i n n o
was able t o d o h i s p ar t i c t ake th e f r a g m e n t s o f h i s tu rn th e m i n t o t h e d r a t i s
o n ae o f an i d e a l c o n f l i c t . ”
D is t u r b ed B la n ch e D u B o is
S t a n ley K o w a ls k i, w h ile h er r ea lit y cr u m b les a r o u n d h er, ju s t lik e a p a p er la n t er n .
streetcar named desire
“ I n S t r e e t c a r Wi l l i a m s f o u n d i m a g e s a n d r h y t h m s
that are still part of the way we think and feel and move...In this play as in no o t h e r, w i l l i a m s w a s a b l e t o d o h i s p a r t i c ular thing, to take the fragments of his divided self and turn them into the dratis p e r s o n a e o f a n i d e a l csotnrf el i ec tt. c” a r
streetcar named desire
named desire
Disturbed Blanche DuBois m o v e s i n w i t h h er s i s t e r i n
wrote short stories, novels,
N e w O r l ea n s a n d i s t o r m en t ed
p o e t r y, e s s a y s , s c r e e n p l a y s
b y h er b r u t i s h b r o t h er- i n - l a w,
and a volume of memoirs.
of an evening E A R LY I N M AY . ”
D i s t u r b e d Bl a n c h e D u Bo i s
Disturbed Blanche DuBois
moves in with her sister in
moves in with her sister in
New Orleans and is tormented
New Orleans and is tormented
b y h e r b r u t i s h b r o t h e r- i n - l a w,
b y h e r b r u t i s h b r o t h e r- i n - l a w, streetcar named desire
Stanley Kowalski, while her
t. williams
writer who worked principally
Kroll, N e w s w e e k
“IT WAS THE FIRST DARK
b y h er b r u t is h b r o t h er- in - la w,
Wi l l i a m s I I I w a s a n A m e r i c a n
A m e r i c a n t h e a t e r. H e a l s o
streetcar named desire tennessee williams
New Or lea n s a n d is t o r m en t ed
T h o m a s L a n i e r " Te n n e s s e e "
as a playwright in the
streetcar named desire
m o v es in w it h h er s is t er in
streetcar named desire | tennessee williams
streetcar named desire | tennessee williams
a nd fe e l and move . . . I n thi s pl ay as i n no
streetcar named desire | tennessee williams
tennessee williams
– Jack Kroll, Newsweek
CHAPTER 1 / PAGE 3
Stanley Kowalski, while her
r e a l i t y c r u m b l e s a r o u n d h e r,
r e a l i t y c r u m b l e s a r o u n d h e r,
just like a paper lantern.
just like a paper lantern.
tennessee williams
streetcar
“IT WAS THE FIRST DARK
named desire
of an evening E A R LY I N M AY . ”
“
S t a n l e y K o w a l s k i , w h i l e h er
streetcar named desire CHAPTER 1 / PAGE 3
r ea l i t y cr u m b l es a r o u n d h e r, j u s t l i k e a p a p er l a n t er n .
t. williams
t. williams
streetcar named desire
STREETCAR NAMED DESIRE // FINAL JACKET // IMAGE BASED
s t r e e t c a r n a m e d d e s i r e | t e n n e s see williams
LLLLLLLLL LLLLLLLLLLL
Stanley [with heaven-splitting violence]:
STELLAAAHHH!
and rhythms that are still part of the
way we think and feel and move...In “In Streetcar Williams found this play as in no other, images and rhythms that are still williams was able to do part of the way we think and feel his particular thing, to and move...In this play as in no take the fragments of his divided self other, williams was able to do his and turn them into the dratis personae particular thing, to take the of an ideal conflict.” fragments of his divided self and
[The low-tone clarinet moans. The door upstairs opens again.
Stella slips down the rickety stairs in her robe. Her eyes are glistening with tears and her hair loose about her throat and shoulders. They stare at each other. Then they come
together with low, animal moans. He falls to his knees on
the steps and presses his face to her belly, curving a little with maternity. Her eyes go blind with tenderness as she
turn them into the dratis personae
catches his head and raises him level with her. He snatches
of an ideal conflict.”
the screen door open and lifts her off her up and bears her
– Jack Kroll, Newsweek (1973)
New Orleans and is
tormented by her brutish
Kowalski, while her reality crumbles around her, just like a paper lantern.
Stanley [with heaven-splitting violence]:
Stanley [with heaven-splitting violence]:
art of the
move...In found
in no vided self do his personae e the
tennessee williams
HHHHHHHHHHHH
– Jack Kroll, Newsweek (1973)
ELLAAAHHH!
nd feel
D A R K
D is tu rb ed B la n ch e DuB in w it oi s m h h er ov es si st er in N ew a n d is O rl ea to rm en ns te d b b ro th y h er b er-i n -l ru ti a w, S sh ta n le y w h il e K ow a ls h er re a li ty cr ki , h er, ju u m b leDUBUOIS DISTURBED BLANCHE st li ke s a ro u nd a pap er la n te rn moves in with her .sister in
streetcar named desire
tennessee williams S T R E E T C A R
Distu
rbed B lanch e DuB in wit ois m h her oves sister in New and i s torm Orlea ented ns broth b y her b e r- i n rutish l a w, S tanley while Kowal her re ski, ality c rumbl h e r, j u eDUBUOIS DISTURBED s t l i kBLANCHE s arou e a pa nd per la ntern moves in with her .sister in
[The low-tone clarinet moans. The door upstairs opens again.
s t r e e t c ar nam e d des i r e
t e nne s s e e w i l l i a m s
glistening with tears and her hair loose about her throat
Stella slips down the rickety stairs in her robe. Her eyes are glistening with tears and her hair loose about her throat
/
P A G E
T H R E E
and shoulders. They stare at each other. Then they come
together with low, animal moans. He falls to his knees on
the steps and presses his face to her belly, curving a little
C H A P T E R
E V E N I N G
N A M E D
O N E
D E S I R E
/
P A G E
T H R E E
“IT WAS THE FIRST IN EARLY MAY.” D A R K
E V E N I N G
New Orleans and is
HHHHHHHHHHHH Stella slips down the rickety stairs in her robe. Her eyes are
[The low-tone clarinet moans. The door upstairs opens again.
O N E
“IT WAS THE FIRST IN EARLY MAY.”
brother-in-law, Stanley
into the dark flat.]
d images
re still
C H A P T E R
s t r e e t c a r n a m e d d e s ire | te nness ee wi l li a
AAAAHH
“In Streetcar Williams found images
s tr e e tc a r n am e d d e s i r e | te nn e s s e e w
s t r e e t c ar nam e d des ire | te nn e ss e e w i l l i am s
STELLL STELLL LLLLLLLLL LLLLLLLLLLL LLLLLLL STELLAAAHHH! STELLL LLLLLLLL LLLLLLLLL AAAAHH LLLLLLLLLLL STELLL
tormented by her brutish brother-in-law, Stanley Distu
rbed B Kowalski,i nwhile her l a n creality he Du with h Bois m er sis oves t e r i njust d is t New O crumblesa naround her, ormen rleans ted b broth y her e r- i n bruti la
tennessee williams S T R E E T C A R
N A M E D
D E S I R E
STREETCAR NAMED DESIRE // FINAL JACKET // TYPE BASED
STELLL
STELLAAAHHH! tennessee williams
“In Streetcar Williams found images and rhythms that are still part of the
“In Streetcar Williams found images and rhythms
and feel and move...In this play as in no
o ther, w illiams w as able to do his partic-
a rude remark
turn them into the dratis personae of an ideal conflict.” – Jack Kroll, Newsweek (1973) – Jack Kroll, Newsweek (1973)
Ame r ic a n t h e a t e r.catches He a ls hiso head and raises him level with her. He snatches wr ot e s h o r t s t o r ie the s , nscreen o v e lsdoor , open and lifts her off her up and bears her po e t r y, e s s a y s , s c rinto e e np y s flat.] theladark t . mo ir s . a nd a v o lu me of me williams
– Jack K roll, New sw eek
the dim w
tender bl
which inv
of lyricism
Disturbed Blanche DuBois
moves in with her sister in New Orleans and is
tormented by her brutish brother-in-law, Stanley
Kowalski, while her reality
AAAAHH
that are still part of the w ay w e think
ular thing, to take the fragments of his way we think and feel and move...In d ivided turn them into the dratis “In Streetcar Williams found [The low-tone clarinet moans. The door upstairs self opensand again. this play as in no other, images and rhythms that are still Stella slips down the rickety stairs in her robe. Herpersonae eyes are of an ideal conflict.” williams was able to doKATIE WHITEMAN / TYPE 2 / HERSTOWSKI part of the way we think and feel glistening with tears and her hair loose about her throat his particular thing, to Tho ma s La n ie r " Te nnshoulders. e s s e e " They stare at each other. Then they come and and move...In this play as in no take the fragments of his divided self Willia ms I I I wa s a n Ame r ic awith n low, animal moans. He falls to his knees on other, williams was able to do his together any more than I can and turn them into the dratis personae wr it e r wh o wor k e d p r the in csteps ip a lly particular thing, to take the and presses his face to her belly, curving a little of an ideal conflict.” a s a p la y wr ig ht in t h e fragments of his divided self and with maternity. Her eyes go blind with tenderness as she
// STREETCAR NAMED DESIRE
in May. T
LLLLLLLLL LLLLLLLLLLL streetcar named desire | tennessee williams
Stanley [with heaven-splitting violence]:
streetca r n a med d e si r e | t e n n e s s e e wi l l ia m s
streetcar named desire
“I can’t stand a
It is the fir
crumbles around her, just like a paper lantern.
streetcar nam ed desire
Distu
rbed B lanch e DuB in wit oi h h s t r ee re sti sc a r ter in and i N ew O s torm e b r o t h n a m e ndt e d b y h e e r- i n r b law w h i l e d e s i r ,eS t a n l e y Kowa her re ality c rumbl h e r, j u eDUB DISTURBED s t l i kBLANCHE s arou e a pa per la nter moves in with hern .si
tennessee w illiams
New Orleans and is
HHHHHHHHHHHH
tennessee williams tennessee williams
tormented by her bru
grac
brother-in-law, Stan Kowalski, while her
crumbles around her