JI NGYUEZHANG PORTFOLI O Emai l :z hangj y 123888@163. c om Tel : +8618057588056 20162020 Bac hel or ’ sDegr eeofAr c hi t ec t ur e Ni ngboTec hUni v er s i t y ( Us ed: Ni ngboI ns t i t ut eofTec hnol ogy ,Zhej i angUni v er s i t y )
CONTENTS LEONI A
Leoni a' sgar bagemaybeenc r oac hi ngont hewor l d,butont heout er mos ts l opesoft hi ss pr awl i ngdump,t her ear eot herc i t i es t hatdumpmount ai nsofgar bage. Per hapst hewhol ewor l dout s i deLeoni ahasbeenf i l l edwi t hgar bagec r at er s ,eac hs ur r oundedbyac i t yt hats pewsoutgar bage. Thebor der sbet weent hes eunf ami l i arandhos t i l ec i t i esar epol l ut i onbunk er s , wher et het r as hofeac hc i t ys uppor t s ,ov er l apped,andi nt er mi ngl ed. Rubbi s hpi l eup,t hehi ghert hegr eat err i s kofc ol l aps e:asl ongasapac k age,awas t et y r es ,v ener os aorr ol l edt oaf l agon,i t c oul dc aus eawhor e,ol dc al endar ,dr yf l owerofMonday ,t hewhol ec i t ywi l l bes ubmer gedi nt hepas ts heal way st r i est oget r i dof ,andnei ghbor i ngc i t i ess ur r oundi ngmi x edt oget her ,f i nal l yc ompl et el yc l ean.
2019/ 92020/ 9 I ndi v i dual wor k Compos er :J i ngy ueZhang Tut or :J unz huoZhang Loc at i on:Cov entGar den,London
Ex c es s i v eus ageofpl as t i cpr oduc t sandnegl ec tofr ec y c l i ngl eadt oaf ut ur eofwhi t epol l ut i ont hati ser odi ngt heent i r epl anet . Wi t hoc eanc ur r ent sandwi nds ,t heear t h' s s ur f ac ei sf i l l edwi t hwhi t epol l ut i on.I nt hatc as e,v i r us esandbac t er i as pr ead,and pl ant s andani mal sgr adual l ydi eout .I nor dert os ur v i v e,humansus epl as t i casr awmat er i al t oc r eat enews our c esofener gy . Ast hemai npar tofpl as t i cdegr adat i on,mi c r oor gani s ms c ons umeener gy ,di eandr egener at edur i ngr epr oduc t i onand mov ement ,andt hef or medpat hbec omest hes k el et onoft hewhol ebui l di ng.Wi t har es er v oi rofec ol ogy andawhol eas s embl yl i neofpl as t i cr ec y c l i ng,hal ff l oat i ngandhal fr oot edont hegr ound,humani t yhasent er edaner aofl i v i ngof ft hepl as t i c c y c l e.
2019/ 12019/ 4 Gr oupwor k Compos er :J i ngy ueZhang.Kuangy aoZhao. Xi angl i Li u. Yangy uLi u. Tut or :Yanz uWu. Loc at i on:Car i bbean,Al t ant i c
I nor dert ocat ert ot hes ceni ccons t r uct i onact i v i t i esoft hous andsofv i l l agesi nZhej i angPr ov i nce,t hel akes i del ands capedes i gn oft hecount r y s i dei scar r i edout ,wi t ht hef unct i onofcr owddi s t r i but i on.Thepr oj ectappl i est hes t r at egyofLowI mpactDev el opment( LI D) ,t hecor ei deaofwhi chi st omai nt ai nt hehy dr ol ogi cal char act er i s t i csoft hes i t eaf t erDev el opmentcons i s t entwi t h t hos ebef or eDev el opmentbyadopt i ngmul t i pl edecent r al i zeds our cecont r ol meas ur es . Thedes i gni deaoft hi spr oj ecti ss i mpl e andcl ear-i nt er msofmat er i al s ,l ocal env i r onment f r i endl ybamboomat er i al sar eus edt ocons t r uctbamboos t eel s t r uct ur e; I n t hemonomerpar toft hebui l di ng,t her oofi sar t i f i ci al l ys etasar ev er s edoubl es l oper oof ,andt her ai nwat eri scol l ect edbyus i ng t hel i neargui decol l ect i ngchannel ofbamboos t r i ps . I nt hebui l di nggr oup,byv i r t ueoft hemount ai noust er r ai n,t hebl ocksar ei nt er s per s edwi t ht hemount ai nst of or mr oughl ys cat t er eds hapes ,andeachuni ti sconnect edwi t heachot hert hr ought hecat chmentpool . Asanenv i r onment al l yf r i endl ybui l di ng,t hi swor kus esal ar genumberofener gy s av i ngt echni cal means .Att hes ame t i me,addat ouchofcol ort ot her ur al cons t r uct i on.
St ar t i ngf r om Not r eDame,howt ot r ans f or mt hebui l di ngi nt oaudi t or yi nf or mat i onpr oc es s .Soundc anc ar r yi nf or mat i onand hasaes t het i cv al ue.Ther eor gani z at i onandt r ans f or mat i onofi nf or mat i oni sani mpor t antf ac t ori naudi bi l i t y .Theappr ec i abl e f ac t ori nt hec i t yqual i t yneedst hec ooper at i onoft heaudi bi l i t yf ac t or ,whi c hc anopt i mi z et heaudi enc e' sper c ept i onofv i s ual i nf or mat i ont hr oughaudi t or yi nf or mat i on.Att hes amet i met or eal i z et hec i t y ' saudi bi l i t yneedst oenr i c ht hec ul t ur al c onnot at i onandpayat t ent i ont ot hei ndi v i dual needsoft heaudi enc e.Ur banpl anni ngc angui deandc ont r ol t hec i t y ' saudi bi l i t yt o enr i c handi mpr ov et hec i t y ' squal i t y . Thi sdes i gnc onc epti si nc or por at edi nt ot her ec ons t r uc t i ondes i gnofNi ngboTi any i Squar e.
Pr ac t i c eofc ons t r uc t Ar c hi t ec t ur al des i gn I nt er i ordes i gn St r uc t ur al des i gn Ur bandes i gn Sk et c h Wat er c ol or Mar k erpai nt i ng
WHI TEDOOM SURVI VALGUI DE
THERHYTHM OF WATERANDBAMBOO
2019/ 52019/ 12 I ndi v i dual wor k Compos er :J i ngy ueZhang Tut or :Zhi r ongWang Loc at i on:Hengs hanRes er v oi r ,Ni ngboCi t y , Zhej i angPr ov i nc e,Chi na.
AUDI BLESQUARE
2017/ 102018/ 12 I ndi v i dual wor k Compos er :J i ngy ueZhang Tut or :Xi nk ai Wang Loc at i on:Ti any i Squar e,Ni ngboCi t y ,Zhej i angPr ov i nc e,Chi na.
OTHERWORKS 2016/ 92020/ 10
LEONI A 2019/ 92020/ 9 I ndi vi dual wor k Compos er : J i ngyueZhang Tut or : J unz huoZhang Loc at i on: CoventGar den, London Leoni a' sgar bagemaybeenc r oac hi ngont hewor l d, butont heout er mos ts l opesoft hi ss pr awl i ngdump, t her ear eot her c i t i est hatdumpmount ai nsofgar bage. Per hapst hewhol ewor l dout s i deLeoni ahasbeenf i l l edwi t hgar bagec r at er s , eac hs ur r oundedbyac i t yt hats pewsoutgar bage. Thebor der sbet weent hes eunf ami l i arandhos t i l ec i t i esar epol l ut i on bunker s , wher et het r as hofeac hc i t ys uppor t s , over l apped, andi nt er mi ngl ed. Rubbi s hpi l eup, t hehi ghert hegr eat err i s kofc ol l aps e: asl ongasapac kage, awas t et yr es , vener os aorr ol l edt oaf l agon, i tc oul dc aus eawhor e, ol dc al endar , dr yf l owerofMonday, t hewhol ec i t ywi l l bes ubmer gedi nt hepas ts heal wayst r i es t ogetr i dof , andnei ghbor i ngc i t i ess ur r oundi ngmi xedt oget her , f i nal l yc ompl et el yc l ean.
REFERENCE Title: The Street Composer:Bernard Tschumi Time: 1994 Provenance: Manhattan Transcript Abstract:42nd street.From the East River to the Hudson, there are many different worlds: from the Chrysler Building to the cheap brothels.However, MT2 does not describe these "worlds", but ra-ther their boundaries.Each bound-ary becomes a space containing events, along with movements that cross t he boundary."He is out of prison; They had sex; She killed him; She's free."
Title: Mopheus Composer: Nicholas Zembashi Time: 2015 Provenance: AA Intermediate 3 Abstract:Nicholas used narrative symbolic moments to understand Wonderland as a sinister land jointly constructed by individual narration and collective trade, and then set up the concept of Wonderland in the city of London, presenting a land interwoven with ancient culture and individual narration and a decentralized city with a huge hand-painted painting.
RESEARCH
NARRATIVE Abstraction Analogy
Concept space
Translate
Form and expression Narrative
Title: Pooh Town Composer: Nick Elias Time: 2014 Provenance: Bartlett Unit 10 Abstract:As an entertaining symbol, winnie-the-pooh creates a happy economic utopia that boosts local residents' happiness.From then on, the city will no longer have industrial expansion, but become an architectural paradise full of imagination and friendliness. Its design intention is to rethink the negative impact of industrial civilization on the crowd.
Title: Plug-in City Composer: Archigram Time: 1964 Provenance: Collage City Abstract:Archigram seems to be making picturesque images of the future. All the unplanned randomness, the cheerful shape of the tights, the striking soaring tone, the impassioned rhythm, all the famous ingredients that animated England, were now endowed with a transgenerational radiance.
Title: Plan Voisin Composer: Le Cobusier Time: 1925 Provenance:Collage City Abstract: He planned a future. The modern city was put into a particular Paris base, and no matter how unsightly it appeared, it conceived a working model of reality.It is a declaration of the destiny of history, a celebration of universality.
Architecture can be a simple physical space construction,an abstract artistic representation, or a narrative medium, a declaration.
Text
The narrative of architecture
Visual
Text
Mapping
2 Intervene
History/Story
3 Imagine
Spatial mechanism/Social phenomenon
4 Reconstruct
Interprete Inductive
Art form/Historical background
Bernard treme: Design Paper of La Villette Park
2
Implant
Social law Attitude
Flim host
Theory
NARRATIVE MONTAGE
a Continuous montage
Perceptual space
Narrativity
1 Translate
Narrative architecture
Conception/Design/Build/Experience
1
Title: A Beautiful Country Composer: Wang Zigeng Time: 2013 Provenance: Collage City Abstract:Discussed under the new form of trade, the data of the era of instrumental rationality in the daily life appear ridiculous, is set in Beijing's air pollution conceived air company E-MPTY amber tiffany, air transport aircraft manufacturer Boeing and payment platform, alipay three companies cooperation to the story of Beijing residents to sell air.
b
A single plot line
Parallel montage
Two or more plot lines
STORYBOARD
Same time
Same place
Different time
Different place
Architecturity
c
Cross montage
Two or more plot lines
Same time
Different place
Narrative sequence
d
Reverse montage
Two or more plot lines
Reverse time
Same place
Methods
Social issues
Express
Color
Affair2 a
c
b
Rem Koolhaas: Exodus, or the Voluntary Prisoners of Architecture
Red
Passionate/lively/sexy/confident/bloody/violent/jealous
White
Purity/holiness/monotony/simplicity
Green
Health/anger/development/peace/passivity
Blue
Nathan Su: Through Leviathan’s Eyes
3
Authority/low-key/steady/mysterious/elegant/Indifference
Symmetry/irregularity Shade/texture
Spot
d
Blake/Gray
Continuous/asymmetry
Balance/unbalance
Affair1
Practice
Composition Symmetry/asymmetry
Time
Declaration
Start Keys End Plot line
Graphic expression
Hope/ideal/independence/firmness/relaxation
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Daniel libeskind: the jewish memorial in Berlin
Daily production
New radio
Fresh cans
Burnt out light bulbs
Old newspaper
Containers
Wrappers
Water
Heaters
Encycopedias
Pianos
Tablewares
Excretion
Kublai
Meaningful city
Meaning
Infinite
City
Diamond empire Regular
Conflict
Indicate
Emotional confrontation
Space concept
Cognitive ability
Unlimited develoment
Constant element
Low intellectualize
New radio Standpoint
Destory Uncertain Composer:Italo Calvino
StoryⅡ
16th century The orchards of Westminster Abbey 17th century Church square public space 18th century Open square
19th century Covent garden market Historical Changes
History
Space
Ruleless Subject
1 Municipal construction lag behind 2 Traffic jams 3 Resident population decrease 4 Living environment deterioration Problems arosen
No autonomy
GLC
The working class
Roll out
Be led
Draft ‘Covent Garden’s Moving’
Architecture Jim Monahan
Demolish the old
Covent Garden Conservation Society
Down type reconstruction Creative destruction
Covent Garden Coservation Movement ‘Urban uprising’
Conquer
Ultimate Beauty
Pride
Environment Minister Geoffrey Rippon Authorize
Comprehensive development zone under GLC In 1973, ‘Listed Buildings’ Space improvement based on protection and restoration
Game
Combination law Homogenization
Depressed
1 Central market Transformation
1
2 Pedestrian system Design
2
3 Nightlife place to build
Contral measures
Memory continues
Street interface chaos Lack of attraction Integrated with architectural style
Space become uncomfortable Tourists flocked 3
1 Public domain improvement 2 Preservation and renovation of historic buildings Some have been
Into high-end residential hotels or boutique hotels
Traffic jam
Rubbish management Communal facilities Noise pressure Problem highlighted
3
Implant the integration of new high-end projects The building Has Modern feel
Capco Company aquire right of management
Capital ambitions
Regeneration
Comprehension regeneration Covent garden
New refrigerator Fresh cans
Culture
Ultimate goal
Decline
Symbolize
Indicate
Popular entertainment
Old things Form
Dialogue
Marco Polo Symbolize
Outside the city Lose individuality
Title:Le Citta Invisibili
Fresh bathrobe
Excrete
Catastrophe
Fresh soap
Pursue profits
People
Discard Raze
Ground
Fresh sheets
New material
Squeezed toothpaste
Absorb
Old
Urban space Commercialization
Squeezed Toothpaste
Covent Church square Open square Covent garden Market Central market Walking system Nightlife scene
Old newspaper
Street interface
Containers
Traffic jams
Burnt out Light bulbs
Rubbish
Wrappers Water Heaters
Public facilities Street lamp Float Visitors
Encycopedias
Arch
Pianos
The statue
Tablewares
Homogenize
New refrigerator
Recognition of rules
Fresh bathrobe
Commercialize
Fresh soap
Fresh sheets
Capital flows
New
Leonia
Standardized
StoryⅠ
Sacrifice history
LOGICAL COMBING
Historical Changes of Covent Garden 16th Century
17th Century
16th Century
18th Century Property
CHANGE
Flower and Fruit Market
Architect Charles Fowler
The Duke of Bedford Inherit
Westminister Covent Plough / Garden
18th Century
19th Century
Garden
St. Paul Covent Garden Church Archtect: Inigo Jones
Open-air Bazaar
St. Paul Covent Garden Aristocratic Quarter
Covent Garden Market Neo-classicism
Brownstone district
Architect Inigo Jones Design
Plough
Open-air Bazzar Square
Labor colony
Opera house
Night spot
Royal Opera House Palladio Arcade Nightspot
Power
ADVOLUTION
Money
18th Century
People
Freedom
17th Century
Capital Flow
Square
The 3rd door
18th Century
Society
Environment
Open-air Bazaar Covent Garden Market Night spot
The 4th door
19th Century
Labor colony Artist Zone
19th Century Class Difference
Aristocratic Quarter Opera house
Artist Zone
Brownstone district
Plough St. Paul Covent Garden
The 2nd door HISTORICAL CHANGES
Flower and Fruit Market
17th Century
16th Century
Garden
Labor colony
Square
16th Century
Westminister Covent
The 1st door
Covent Garden Market
Entrust
Westminister Covent
Aristocratic Quarter Palladio Arcade
WORK FLOW
Design
Gather
The 4th Duke of Bedford
17th Century
19th Century
Flower and Fruit Market TIME TOTEM
Doric Costume changing
Ionic
Corinthian
Order changing
Transportation changing
As Time Goes By FRAME
Mural
Arcade
Heavy curtain
I love london! It’s marvelous.
Sure.
Would you please let me know when we get to Wimbledon?
Such a sunny day today.
Do you know that Covent Garden is going to be pulled down soon？
The municipal construction here is backward, the environment is bad and the living population drops sharply.I think it really needs to be rebuilt.
Oh,yes. I’ve heard it that Parliament introduced an updated draft Covent Garden’s Moving.
Oh dear... Don’t be so harsh.
What type of accommodation are you looking for?An entire flat just for you or...
Yes. You are right.
I'm looking for a room to rent.
Oh, I brought my children to CoventGarden today. It's very lively here.
I love meeting new people all the time, but living under the same roof and meeting new people are different matters.
I like the market atmosphere here!
Yes.. But it’s so congested. It does need to be rebuilt
The potential commercial value of the site has become a point of interest for the government and property developers. What are you going to do this bank holiday, Brenda?
We're going to Bath for three days.
Covent Garden has a special historical and cultural value. It is worth saving. Well, they look, smell and taste like burgers made from meat, but they're made from soya beans. Nut burgers are so delicious... but made from nuts, of course.
What are veggie-burgers?
Yes...If it can be regulated the place.
That's a good idea.
OMG..If you like.
How about fish and chicken?
I like this street performance.
I'm trying to make a Christmas present list.
The city is always renewing itself. The people who live in them produce new things, experience them and forget them. And the cleaners, perhaps time, is an invisible law, the invisible consciousness of drunken dreams. They work with an almost religious devotion, throwing the old things out of town, unable to pick them up again.
Cov entGar dengr adual l y showedadecl i ni ngscene.
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Ne wt hi ng s : Or d e r
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Tr ader swhomakeal i v i ngt her e al sor ecei v el et t er sf r om GLCt o " deart enant s":" I ti swi set ol eav e y ourhomeassoonaspossi bl e" .
Ar chi t ect Ji m Monahani mmedi at el yl ed at eam of y oungar chi t ect s f r om house t ohouset o popul ar i z e t hedanger sand har shr eal i t i esoft he dr af t .
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Li v a b l e
AResi dent sr al l yt hecommuni t yt hr oughdemonst r at i ons, ex hi bi t i onsandsket chesofst r eetpl ans.Andi nt hepr ocess el ect edt heCov entGar denConser v ancy( CGCA) .
Ol dt hi ng s : No no r d e r
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Aser i esofbl ast i ngst eelcol umns suspendedaboveCoventGar den.
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Thewoundi sheal i ng.
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Ever yt hi ngi sbackt onor mal .
Repeat edr oundsofhear i ngsandadj ust ment s makei tdi f f i cul tf orr esi dent st owi nt hegame wi t hGLC.Thatwasunt i l1973,whenGeof f r ey Ri ppon,t heenvi r onmentsecr et ar y,appr oved CoventGar denasacompr ehensi vedevel opmentunderGLCandannouncedt hat245hi st or i cBui l di ngsi nt hecoventGar denar eawoul d beLi st edont heUK' sLi st edBui l di ngsLi st .
Thebl ast i ngst eelcol umncol l apsed.
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Thespacei sr eor gani zi ng.
Ther egi st er edbui l di ngsi nCoventGar denshal l notbedemol i shedorr ebui l tatwi l l . I twasadeci si vest epi nf or ci ngGLCt oabandon" t hel ar gestandmostexci t i ngur banr enewalpr ogr ammei ncent r alLondon" . Si ncet hen,Covent Gar denhast heduali dent i t yof" compr ehensi ve devel opmentzone"and" hi st or i cr eser ve" ,and t hegover nmenthast or et hi nkt henewwayof r enewal . Ont hebasi soft heor i gi nalhi st or i c bui l di ngconser vat i onandr est or at i on.
Theur banspacehasbeenupdat ed.
Ont hecover edbr i dge:Farvi ew.
Ont hest r eet :Shoppi ngwi t hchi l dr en.
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Theywi l lf eel awayf r om t he hust l eand bust l eoft he ci t y,r et r eatt o t hei nnercl ar i t yandf i nd t hei rr eal sel ves.
I nt hegal l er y:Readi ngpeacef ul l y.
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Encount er
Ont hest r eet :Ki danddog.
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I nf r ontoft hechur ch:Danci ng.
Ont heway:Busywor ki ng.
Tr avel :Askf ordi r ect i ons.
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Ont her ever se:Dat i ng.
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23 Communi cat i onandt r adi ng.
Openai rmar ket i ng.
UnderTheDome:Par t yi ng.
Homeent er t ai nment .
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Capc oSpot t edt hebus i nes soppor t uni t yi nCoventGar den. They hopet omakeapr of i ther e.
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LI FEi namechani calci t yspace1
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LI FEi namechan- 14 i calci t yspace3
However ,unt i l2006,whenCapcot ookover ,most oft hesmal l ,pr i vat est or eswer er epl acedby hi ghendr et ai lst or esandr est aur ant swi t hhi gher r ent alyi el ds. St eel c ol umnsandgear s , r epr es ent i ngor der , r epl ac edmos tof t hes mal l , pr i vat es hops .
Thebi gc hai nsar ei n. Hi ghendr et ai l s t or esandr es t aur ant s br i ngi nhi gherr ent al yi el ds .
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Theur banspacehasbeenupdat edagai n.
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Capc o, t hepr oper t yc ompany, ac qui r edt he oper at i onoft heCoventCount i esMar ketand s ur r oundi ngnei ghbor hoods , andt henc ommi s s i onedKPFAr c hi t ec t st oc onduc tanew r oundofpl anni ng. Wi t ht hegoal ofc r eat i nga wor l dc l as sur banmi xedus ear ea, t hepl an ai mst oi mpr ovet hequal i t yoft hevi s i t orexper i enc eandr ebal anc et hemi xofUSES.
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Thewor l di sbei ngc hai ned.Rapi dexpans i on. Peopl el ookatt hec hangesi nt hei rl i vi ngenvi r onment .
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St eel c ol umnsandgear sar ec l i mpi ngup.
Theur bans pac ef or msmec hani z at i on. Peopl e' s l i f ei sbec omi ngmor eandmor emec hani z ed.
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10 Wi t ht hegoal of c r eat i nga wor l dc l as s ur banmi xedus e ar ea, t hepl an ai mst oi mpr ove t hequal i t yof t hevi s i t orexper i enc eandr ebal anc et hemi xof USES, i nc l udi ng homes , moder n wor kpl ac es , and upgr adedr et ai l andf oodout l et s .
11 Behi ndt hi ss er i esofs pac ei mpr ovementmeas ur esi sCapc o' s" ambi t i on"t opur s uehi ghc ommer c i al i nt er es t s , whi c hi sdi r ec t l yr ef l ec t edi n t hec hangeofbus i nes sf or mati nCoventGar dendi s t r i c t .
Le o ni a ' sg a r b a g ema yb ee nc r o a c hi ng o nt hewo r l d , b uto nt heo ut e r mo s ts l o p e so ft hi ss p r a wl i ngd ump , t he r ea r eo t he rc i t i e st ha td ump mo unt a i nso fg a r b a g e . Pe r ha p st hewho l ewo r l do ut s i d eLe o ni aha sb e e nf i l l e dwi t hg a r b a g ec r a t e r s , e a c hs ur r o und e db yac i t yt ha ts p e wso ut g a r b a g e . Theb o r d e r sb e t we e nt he s eunf a mi l i a ra ndho s t i l ec i t i e sa r ep o l l ut i o nb unke r s , whe r et het r a s ho fe a c hc i t ys up p o r t s , o v e r l a p p e d , a ndi nt e r mi ng l e d . Rub b i s hp i l eup , t hehi g he rt heg r e a t e rr i s ko fc o l l a p s e : a sl o nga sap a c ka g e , awa s t et y r e s , v e ne r o s ao rr o l l e dt oaf l a g o n, i tc o ul dc a us ea who r e , o l dc a l e nd a r , d r yf l o we ro fMo nd a y , t hewho l ec i t ywi l lb es ub me r g e di nt hep a s ts hea l wa y st r i e st og e tr i do f , a ndne i g hb o r i ngc i t i e s s ur r o und i ngmi x e dt o g e t he r , f i na l l yc o mp l e t e l yc l e a n.
WHI TEDOOM SURVI VALGUI DE Gr oupwor k Compos er :J i ngy ueZhang.Kuangy aoZhao. Xi angl i Li u. Yangy uLi u. Tut or :Yanz uWu. Loc at i on:Car i bbean,Al t ant i c
Ex c es s i v eus ageofpl as t i cpr oduc t sandnegl ec tofr ec y c l i ngl eadt oaf ut ur eof whi t epol l ut i ont hati ser odi ngt heent i r epl anet .Wi t hoc eanc ur r ent sandwi nds ,t he ear t h' s s ur f ac ei sf i l l edwi t hwhi t epol l ut i on.I nt hatc as e,v i r us esandbac t er i as pr ead, andpl ant s andani mal sgr adual l ydi eout .I nor dert os ur v i v e,humansus epl as t i cas r awmat er i al t oc r eat enews our c esofener gy . Ast hemai npar tofpl as t i cdegr adat i on, mi c r oor gani s ms c ons umeener gy ,di eandr egener at edur i ngr epr oduc t i onandmov ement ,andt hef or medpat hbec omest hes k el et onoft hewhol ebui l di ng.Wi t har es er v oi rofec ol ogy andawhol eas s embl yl i neofpl as t i cr ec y c l i ng,hal ff l oat i ngandhal f r oot edont hegr ound,humani t yhasent er edaner aofl i v i ngof ft hepl as t i cc y c l e.
WHITE POLLUTION SITUATION
0.14
0.12
0.10
0.08
0.06
0.04
0.02
TYPE
Caribbean sea
NBC Ring North Equatorial Countercurrent
Caribbean Current
MORPHOLOGICAL OBSERVATION
SURFACE
MARGIN
FORM
TEXTURE
TRANSPARENCY
Cloudy White 17.91% Unclassified-f-Enterpbacteriaceae
Smooth
Entire
Irregular
Moist
Opaque
White 10.06% Enterococcus
Smooth
Entire
Irregular
Moist
Opaque
Cloudy White and Red 22.23% Spiroplasma
Smooth
Lobate
Irregular
Butyrous
Opaque
Cloudy White 41.39% Escherichia-Shigella
Rough
Curled
Circle
Dry
Opaque
OD600
North Equatorial Current 15°N
PRINCIPLE ON CHEMICAL FORMULA
PRINCIPLE OF BIODEGRADATION
75°W
(
DOOMSDAY
O
O
O C
C
O
(
n
PETase (4831) O
O HO CH2 CH2
North Brazil Current PLASTIC INVASION
ORIGINAL STAGE
CH2 CH2
C OH
O C
O
MHETase (0224)
O
HO C
C OH TPATP(0076/0077)
O2
NADPH + H+
TPADO(0227/0228/0230)
SOURCES OF PLASTIC WASTE
Yellow 7.58% Unclassifieed-f-Lachnospiraceae
Wrinkled
White 0.65% Lactococcus
Smooth
Undulate
Circle
Dry
Opaque
NADP+
Entire
Circle
Mucoid
Opaque
The basic principle of plastic degradation in insect larvae is the decomposition of plastic by certain colonies in the gut.6 bacterial colonies were isolated from the plastic-fed yellow mealworm intestines and cultured separately. The 6 strains were inoculated in the culture medium with plastic as the sole carbon source. Among them, 4 and 6 strains had plastic-degrading enzyme system, which could decompose plastic and provide growth needs[1]. NUMBER CHANGE
Hard rigid Clear Plastic
Soft Flexible Plastic
Hard but Flexible Plastic
Rigid Brittle Pastic
Stationary Phase
Exponential Phase
Other Pastic
Rigidity
H OH OC OH
2
3
4
5
Logic of building formation Simulate biodegradable plastics
Biodegradable white pollution
Select the sites with severe pollution for biological culture
Culture bacteria in intestinal enrichment fluid
The organism inputs plastic to produce energy
Isolate the bacterial strain with plastic as its sole carbon source
Organism energy points move randomly
Weaken the C-H bonds of linear hydrocarbons
Movement depletes the energy value, and eventually death
Organisms get the energy to grow, to reproduce, and eventually to die.
Points become energy after death
Insect body protein collection
Energy is converted to form new material
Change the molecular properties and polymerization patterns of proteins
The process forms a series of paths and points
The biodegradable construction material is obtained by mechanical extrusion
New materials are used to form the main body of the building
Lag Phase
1
HOOC HOOC
OH
Resource and energy utilization of white pollution
Brittleness Inoculation
OH O2
CO2
NADPH + H+
FLOWCHART
Decline/death Phase
Transparency
NADP+
COOH Pca34 (0626/0627)
Original research
MOVEMENT
Number of cells
White or Colored Plastic
COOH
DCDDH (0229)
INFLUENCE
CLASSIFICATION
Clear Tough Plastic
COOH
Time(hours)
Flexibility
Recyclability
YES
YES
OFTEN NOT
NO
OFTEN NOT
NO
These diagrams show the growth and movement of colonies[2]. The colonies were cultured on the AGAR matrix, and over time the dilating edges (marked by the anterior humoral membrane and shown as white curves) moved from right to left[3]. In addition, the montage of flowing streamlines -- from the highlighted lines-- reveals the motion of vortices on the interface (color-coded).The vortices attach themselves to the interface, and some of the vortices on the surface separate and move away, while others gradually disappear or break apart[3].
NO
Due to the earth's rotation and the prevailing winds caused by its rotation, five major circular ocean currents form around the globe. In the Caribbean sea, ocean currents collect waste plastic that floats in waterways and coastal areas, and with rainy seasons wash land surfaces away, the plastic ends up in the center of the ocean. Over time, the plastic accumulates and breaks down into microplastics, invading organisms and marine areas, forming giant plastic floating islands that expand and eventually fill the entire ocean. It may seem like the end of the ocean, but the recyclability and biodegradability of most plastic gives hope to human. Attempts are being made to resource and power the scourge of the ocean, and to open up a new world in the white world by turning plastic into other easily decomposing materials. People congregated on floating islands, and in the distance lay vast and dangerous white wastelands.
LOW PH
GROW
POLYMERIZATION
HIGH PH
BIODEGRADATION FINDINGS Fig. A
Fig. B 0.6 Plastic weight loss(g)
0.12
Average weight(g)
0.11 0.10 0.09 0.08 0.07
Bran Plastic 0
100
200
300
400
500
600
700
800
After the organisms die out, they are used as protein to construct new eco-friendly materials. Water in addition to the material as a plasticizer, the ion in it can provide protein assembly with a strong driving force, and can also through the site to adjust the interaction between protein to control the structure. The diagrams show that with the ph change, macromolecular protein spatial structure and properties change, and change the ion concentration between seawater and plastic floating island can make protein assembly polymerization can be controlled. After granulation, the mechanical and hydrophobic properties of the protein were improved by mixing the compatible modifier, so that the protein had better mechanical properties in Marine environment. Then the environmental protection material with better mechanical properties can be obtained through mechanical extrusion[4].
0.5 0.4 0.3 0.2 0.1
t(h)
0.0
0
100
200
300
400
500
600
700
800
t(h)
RESPONSE TO ENVIRONMENTAL POLLUTION
The relationship between average weight of Tenebrio molotor, PVC averageweight loss and feeding time
The Tenebrio Molitor is Tenebrio molitor in four stages: egg, larva,pupa and adult. The larvae can gnat on the plastic and survive for more than one month if they rely on plastic as a single food source. During this period, they grow normally. With the increase of plastic quality, the average weight and development degree increased obviously. Figure A: When eating plastic, the weight of mealworm showed a trend of decline in the first 7 days, and the microflora of plastic degradation in the insect needed to be rebuilt, affecting the digestion of plastic. After 10 days, the weight increased, and finally the average weight of mealworms increased by 0.015± 0.002g, and the average weight increased by 17.24%±2.29% while some mealworms could complete the whole metamorphosis development process. Figure B: The plastic intake of mealworms increased over time. After 10 days, the plastic was fed by the yellow mealworm, and the quality was reduced faster. After the intake of 200 yellow mealworms for 32 days, the reduction of plastic mass reached 0.499±0.023 g, and the relative reduction of plastic was 9.98%±0.46%[1].
The project points towards an imminent future where wearable interfaces and building skins are customized not only to fit a particular shape, but also a specific material, chemical and even genetic make-up, tailoring the wearable to both the body and the environment which it inhabits. Through this principle, the colors displayed are directly reflected on the surface of the building, enhancing the visual effect of the building.Microbial density could also be used to monitor the extent of plastic pollution and degradation around floating islands[5]. REFERENCE [1]. Qin,Cao Yibo,Lin Jun,Chen Ming,Xiao. (2020). Biodegradation of POLYvinyl chloride by Mealworms and their intestinal microorganisms. Microbiology China. 47 (2), 390-400. [2]. Kul Techno Lab and Research Centre Pvt.Ltd, 2019. Growth Curve Of Microorganisms. [image]. [3]. Alison E. Patteson, Arvind Gopinath & Paulo E. Arratia . (2018). The propagation of active-passive interfaces in bacterial swarms. Nature Communications. 9 (2), 5373. [4]. Wang, R., 2020. Construction Of Supramolecular Biomaterials Based On Protein Fragment Recombination. PhD. Jinlin University. [5]. MIT News Office, 2020. Audio Explainer: Exploring The Fields Of Bioprinting And Biohybrid Materials.
Remaining microbes are used for environmental monitoring
////////////////////////////// ////////////////////////////////////////// //////////////////////////////// /////////////////////////////////////// ///////////////////////////
SITE CIRCULATION LAND TRASH SEA TRASH Crumpy
Be wound and swallowed
Flow to the sea
Animals die
Soil microbial decomposition
Disintegrated by natural force DISTRIBUTION
Blocking off respiratory/digestive tract Marine animal
Phtsical broken Light & oxygen reaction
Mixed with plankton
Feeding in the body
Affect growth, movement and heredity Plastics carry toxic substances Further invade the whole ecosphere
Forming microplastics
(Almost are PP/PE -less dense than water)
Shade out the sun Marine plant
Eaten by other animals Attaches to its surface and affects photosynthesis and respiration
Along the food chain
Algae
Sorter
Cleaner
Furniture
Detector
Furniture Furniture
Microorganism
Output
Furniture Furniture Furniture Furniture
Input
Furniture
Microorganism
Recollect
Algae
Pollution level
Spermatophyte
Spermatophyte
Energy
Moss
Fern Spermatophyte
Regenerate
Vertebrate Spermatophyte
Sorter
Condense
Recollector
Compress
Condens
Melt
Display colour
Plastic Shredder
Crush
Furniture
Energy
Pyrolysis Chamber Densifier
Decompose plastic
Furniture Plastic Shredder Densifier Sorter
Clean
Pyrolysis Chamber Plastic Shredder
Die
Condens
Microorganism
Collector
Sort
Microorganism
Microorganism
Collect
Moss
Exterior plastic
Fern
Vertebrate
Clumpy
Invertebrate
Living space Production space Biological protection space Building skin
Spermatophyte
Furniture
Air Purification
Microorganism
Microorganism
Air Purification
Furniture
Furniture
Furniture
Spermatophyte
Microorganism
Furniture
Furniture
Microplastic Living space 1. Reduce pollution
2. Expand living space
3. Protect animals and plants
Interior plastic
TIME
THE GROWTH STATE OF THE BUILDING UNDER DIFFERENT CONDITIONS
STRENGTH
DAY1
DAY7
DAY10
DAY15
DAY20
DAY100
DAY3
DAY5
Growth degree:2% Microbial activity:35% Polymer conversion:2t Production of building materials:1.2t
Growth degree:7% Microbial activity:42% Polymer conversion:8t Production of building materials:6.7t
Growth degree:13% Microbial activity:50% Polymer conversion:19t Production of building materials:15.5t
Growth degree:29% Microbial activity:52% Polymer conversion:28t Production of building materials:23.5t
Growth degree:48% Microbial activity:56% Polymer conversion:38t Production of building materials:31.7t
Growth degree:83% Microbial activity:74% Polymer conversion:60t Production of building materials:52.1t
Growth degree:100% Microbial activity:63% Polymer conversion:75t Production of building materials:69.4t
Growth degree:150% Microbial activity:78% Polymer conversion:249t Production of building materials:43.6t
Growth degree:2.3% Microbial activity:39% Polymer conversion:2.8t Production of building materials:1.6t
Growth degree:8% Microbial activity:45% Polymer conversion:8.8t Production of building materials:7.5t
Growth degree:15% Microbial activity:51% Polymer conversion:20t Production of building materials:16.6t
Growth degree:31.2% Microbial activity:53% Polymer conversion:29t Production of building materials:25.5t
Growth degree:56% Microbial activity:54% Polymer conversion:40.1t Production of building materials:35.8t
Growth degree:84% Microbial activity:75% Polymer conversion:65t Production of building materials:58.2t
Growth degree:100% Microbial activity:60% Polymer conversion:80t Production of building materials:72t
Growth degree:150% Microbial activity:78% Polymer conversion:255t Production of building materials:47.6t
Growth degree:1.7% Microbial activity:34% Polymer conversion:1.8t Production of building materials:1.1t
Growth degree:6.9% Microbial activity:43% Polymer conversion:7.9t Production of building materials:6.9t
Growth degree:14% Microbial activity:49% Polymer conversion:19.9t Production of building materials:15.7t
Growth degree:27.3% Microbial activity:54% Polymer conversion:29t Production of building materials:23.8t
Growth degree:47% Microbial activity:51% Polymer conversion:36.6t Production of building materials:30.3t
Growth degree:82% Microbial activity:78.8% Polymer conversion:65t Production of building materials:57.8t
Growth degree:100% Microbial activity:68% Polymer conversion:76t Production of building materials:68.6t
Growth degree:150% Microbial activity:76.6% Polymer conversion:249t Production of building materials:44t
Growth degree:2.6% Microbial activity:39% Polymer conversion:2.4t Production of building materials:1.3t
Growth degree:7.8% Microbial activity:45% Polymer conversion:9t Production of building materials:7.9t
Growth degree:14% Microbial activity:48% Polymer conversion:21t Production of building materials:17.5t
Growth degree:2% Microbial activity:35% Polymer conversion:2t Production of building materials:1.2t
Growth degree:7% Microbial activity:42% Polymer conversion:8t Production of building materials:6.7t
Growth degree:2.3% Microbial activity:39% Polymer conversion:2.8t Production of building materials:1.6t
1 2 3 4
1 2
TIDE DIRECTION
1 Falling tide
3 4
1 2 Rising tide
3 4
1
WIND DIRECTION
2 Sea wind
2 3 4
Land wind
Growth degree:32% Microbial activity:51.5% Polymer conversion:28t Production of building materials:24t
Growth degree:51% Microbial activity:55% Polymer conversion:42t Production of building materials:36.2t
Growth degree:88.6% Microbial activity:76% Polymer conversion:66.6t Production of building materials:59.3t
Growth degree:100% Microbial activity:53% Polymer conversion:73t Production of building materials:67t
Growth degree:150% Microbial activity:78% Polymer conversion:255.5t Production of building materials:49t
Growth degree:13% Microbial activity:50% Polymer conversion:19t Production of building materials:15.5t
Growth degree:29% Microbial activity:52% Polymer conversion:28t Production of building materials:23.5t
Growth degree:48% Microbial activity:56% Polymer conversion:38t Production of building materials:31.7t
Growth degree:83% Microbial activity:74% Polymer conversion:60t Production of building materials:52.1t
Growth degree:100% Microbial activity:63% Polymer conversion:75t Production of building materials:69.4t
Growth degree:150% Microbial activity:78% Polymer conversion:249t Production of building materials:43.6t
Growth degree:8% Microbial activity:45% Polymer conversion:8.8t Production of building materials:7.5t
Growth degree:15% Microbial activity:51% Polymer conversion:20t Production of building materials:16.6t
Growth degree:31.2% Microbial activity:53% Polymer conversion:29t Production of building materials:25.5t
Growth degree:56% Microbial activity:54% Polymer conversion:40.1t Production of building materials:35.8t
Growth degree:84% Microbial activity:75% Polymer conversion:65t Production of building materials:58.2t
Growth degree:100% Microbial activity:60% Polymer conversion:80t Production of building materials:72t
Growth degree:150% Microbial activity:78% Polymer conversion:255t Production of building materials:47.6t
Growth degree:1.7% Microbial activity:34% Polymer conversion:1.8t Production of building materials:1.1t
Growth degree:6.9% Microbial activity:43% Polymer conversion:7.9t Production of building materials:6.9t
Growth degree:14% Microbial activity:49% Polymer conversion:19.9t Production of building materials:15.7t
Growth degree:27.3% Microbial activity:54% Polymer conversion:29t Production of building materials:23.8t
Growth degree:47% Microbial activity:51% Polymer conversion:36.6t Production of building materials:30.3t
Growth degree:82% Microbial activity:78.8% Polymer conversion:65t Production of building materials:57.8t
Growth degree:100% Microbial activity:68% Polymer conversion:76t Production of building materials:68.6t
Growth degree:150% Microbial activity:76.6% Polymer conversion:249t Production of building materials:44t
Growth degree:2.6% Microbial activity:39% Polymer conversion:2.4t Production of building materials:1.3t
Growth degree:7.8% Microbial activity:45% Polymer conversion:9t Production of building materials:7.9t
Growth degree:14% Microbial activity:48% Polymer conversion:21t Production of building materials:17.5t
Growth degree:32% Microbial activity:51.5% Polymer conversion:28t Production of building materials:24t
Growth degree:88.6% Microbial activity:76% Polymer conversion:66.6t Production of building materials:59.3t
Growth degree:100% Microbial activity:53% Polymer conversion:73t Production of building materials:67t
Growth degree:150% Microbial activity:78% Polymer conversion:255.5t Production of building materials:49t
1 2 3 4
SUNLIGHT
3
At day
1 2 3 4
At night 1 2 3
TEMPERATURE
4 Warm
4
1 2
Cold
3 4
Growth degree:51% Microbial activity:55% Polymer conversion:42t Production of building materials:36.2t
I NPALMYPERI OD
I NDEGRADATI ONPERI OD
THERHYTHM OFWATERANDBAMBOO 2019/ 52019/ 12 I ndi v i dual wor k Compos er :J i ngy ueZhang Tut or :Zhi r ongWang
Loc at i on:Hengs hanRes er v oi r ,Dany anTown,Ni ngboCi t y ,Zhej i angPr ov i nc e,Chi na. I nor dert ocat ert ot hes ceni ccons t r uct i onact i v i t i esoft hous andsofv i l l agesi nZhej i angPr ov i nce,t he l akes i del ands capedes i gnoft hecount r y s i dei scar r i edout ,wi t ht hef unct i onofcr owddi s t r i but i on.The pr oj ectappl i est hes t r at egyofLowI mpactDev el opment( LI D) ,t hecor ei deaofwhi chi st omai nt ai nt he hy dr ol ogi cal char act er i s t i csoft hes i t eaf t erDev el opmentcons i s t entwi t ht hos ebef or eDev el opmentby adopt i ngmul t i pl edecent r al i zeds our cecont r ol meas ur es . Thedes i gni deaoft hi spr oj ecti ss i mpl eand cl ear-i nt er msofmat er i al s ,l ocal env i r onment f r i endl ybamboomat er i al sar eus edt ocons t r uctbamboo s t eel s t r uct ur e; I nt hemonomerpar toft hebui l di ng,t her oofi sar t i f i ci al l ys etasar ev er s edoubl es l ope r oof ,andt her ai nwat eri scol l ect edbyus i ngt hel i neargui decol l ect i ngchannel ofbamboos t r i ps . I nt he bui l di nggr oup,byv i r t ueoft hemount ai noust er r ai n,t hebl ocksar ei nt er s per s edwi t ht hemount ai nst o f or mr oughl ys cat t er eds hapes ,andeachuni ti sconnect edwi t heachot hert hr ought hecat chment pool . Asanenv i r onment al l yf r i endl ybui l di ng,t hi swor kus esal ar genumberofener gy s av i ngt echni cal means .Att hes amet i me,addat ouchofcol ort ot her ur al cons t r uct i on.
SI TEI NFORMATI ON
VI LLAGESI NZHEJ I ANG
Shangt i anTown
SLOPEDI RECTI ONANALYSI S Legend Al t i t udedat a
1. Thebasei sl ocat edi nFenghua Di st r i ct ,Ni ngbo ci t y,Zhej i ang Pr ovi nce,Chi na.
Ex pos ur e
366-398. 5
0. 00-0. 03
333. 5-336
0. 03-0. 06
301-333. 5
0. 06-0. 28
268. 5-301
0. 28-0. 78
236-368. 5
0. 78-1. 25
203. 5-236
1. 25-2. 15
171-203. 5
2. 15-3. 84
Wes t
3. 84-8. 47
Nor t hwes t
8. 47-90. 00
Nor t h
106-138. 5
4. I tor gani cal l ycombi nest heecol ogy, pr oduct i onandl i f eoft hevi l l age.
Legend
0. 00
138. 5-171
2. Thankst ot hegi f tofnat ur e l andscapeendowmentand cul t ur aldeposi t s. Themi l l i ons ofvi l l agesi nZhej i angpr ovi ncehavet hei rownchar act er i st i cs. Today,mor eand mor epeopl ecomet ot he count r ysi def orl ei sur et r avel .
Legend Sl opegr adi ent
398. 5-431
Fl at Nor t h Nor t heas t Eas t Sout heas t Sout h Sout hwes t
9. Nat ur aldi sast er s:annual summerf l oodseason.
3. Fr om t heper spect i ve ofr egi onalt our i sm,Zhej i anghascar r i edoutt he const r uct i onofsceni c spot si nt ent housand vi l l ages.
FenghuaDi st r i ct
Day anVi l l age
5. DayanVi l l agei nFenghua Di st r i cti spar toft heevent .
8. Avai l abl er esour ces:Bamboo andr ai nwat erar eabundantand sust ai nabl er esour cesi nt hear ea.
6. Ni ngbowi ndr oses.The r egi oni sdomi nat edby sout heastwi ndi nsummer andnor t hwestwi ndi n aut umn.I thasasubt r opi calmonsooncl i mat e.
Day anTown
LOCATI ON 7. EastofHengshanReser voi r ,DanyanTown,FenghuaDi st r i ct ,Ni ngboci t y, 14. 5km awayf r om Fenghua ci t y.I ti sadj acentt ot he hi ghwayboundar y,t o shangt i anTowni nt henor t h, andt oDayanTowni nt he sout h. Asagat her i ngpl ace f ort our i st s,t hi spl acei si n ur gentneedofi mpr ovi ngi nf r ast r uct ur et osol vet he pr obl em ofgat her i ngand di st r i but i ngr ur alt our i st s.
Tr af f i c Vi l l age Ri versyst em
BASI CPROPERTI ESOFBAMBOO
APPLI CATI ONOFBAMBOO
DI STRI BUTI ON
NATURALPROPERTY
THEAPPLI CATI ONOFBAMBOO I NBUI LDI NG SKI N 1Passi veener gyef f i ci enthousi ng,Bessancour t
Canada
Chi na Nepal Bangl ades h I ndi a
Cuba Ghana Col ombi a
Togo
Ec uador Per u
My anmar Vi et nam Mal ay s i a
Beni n
Phi l i ppi nes
nf eat ur esoft hebui l di ngar et he 4ZERIBamboopavi 3HomeofGer manandChi neseCount er ,2010Wor l dExpo Themai l i on, 2000Wor l dExpo over al ldesi gnandt hebui l di ngmat er i al s, whi char emai nl ybamboopol esand bamboopl ywood,suppl ement edby moder nbui l di ngmat er i al ssuchasst eel , PVCf i l m andETFEf i l m.Thet r anspar ent f acadeoft hebui l di ng,t hr ought hepol yhedr alsur f acest r uct ur eandt headdi t i onof t hecabl e,t oachi evet hest abi l i t yoft he bui l di ngi t sel f .
Tanz ani a Bol i v i a
Chi l e
Bamboodi s t r i but i onar ea
Ther ear emor et han1600ki ndsofbambooi nt hewor l d,mai nl ydi st r i but edi nsomecount r i esof Asi a,Af r i caandLat i nAmer i ca.Ther ear enonat ur al l ydi st r i but edbamboospeci esi nEur ope.Ther e ar eonl yaf ewspeci esofbamboonat i vet oNor t hAmer i ca. Si ncet he1980s,somet r opi calandsubt r opi calcount r i eshaveat t achedi mpor t ancet ot hedevel opmentofbamboopr oduct i on.Among t hem,Chi naandJapanar et heoneswi t hl ongoper at i nghi st or yandhi ghmanagementl evel . Bamboohasmor eadvant agest hanor di nar ywood:smal lshr i nkage,hi ghdegr eeofcl eavage,el ast i ci t yandt oughness,ver ygoodgr ai nr esi st ancet opr essur eandt ensi on.
Ger manyt opr ovi deenoughpar ki ng spacef ort our i st s,t oexpl or eaki nd ofbot hf eat ur esandcost ef f ect i ve par ki ngbui l di ngdesi gnmet hod, namel yt hebambooasapar ki ng bui l di ngf acade,i naddi t i ont ot he symbol i csi gni f i cance,bambooshel l canal soactasasaf et ybar r i er ,and hasgoodvent i l at i onandnat ur al l i ght i ng.
THEAPPLI CATI ONOFBAMBOO I NSTRUCTURE
I ndones i a
PHYSI CALPROPERTY
ki ngbui l di ng,Lei pzi g Theehousei nt hehi st or i cci t yofBesan- 2 ZooPar cour t ,nor t heastofPar i s,Fr ance,has beenf i t t edwi t hasi mpl eandef f i ci entshel l madeofr awbamboo,f ol l owi ngst r i ct ur banpl anni ngr ul es. Wi t hawoodpanel ed mai nst r uct ur emadeofcel l ul oseand woodf i ber ,pl ast er boar dandf i berpai ntf or i nt er i orf i ni shes,andcl earener gyef f i ci encypr i nci pl esf orl i ght i ng,t hehousei sa ver i t abl epassi veener gysaver .
Ast hemai nsuppor t i ngst r uct ur e oft hebui l di ng,t hebamboomat er i alhasadecagonshapeont he pl ane,adi amet erof40cm,at ot al const r uct i onar eaofabout 2150m2,and7m cant i l ever ed f r om t heeaves,f or mi ngawi de i nt er nalspaceandpr ovi di nga goodshi el di ngef f ecti nt hef ace ofbadweat her . [ 3]
BAMBOO SPOTDI SPLAY ADVANTAGESI NARCHI TECTURE
BAMBOO CUTTI NG METHOD
ROOFTRUSSNODE
Ther esi st anceofbambooundert heact i onofext er nalf or cesi scal l edt hemechani calst r engt hof bamboo.Thet ensi l est r engt hofbambooi sabout2~25t i mest hatofwood,andt hecompr essi ve st r engt hi s1. 5~2t i mest hatofwood.
A.Wi t hear
B.Wi t ht woear
C.Bev el
D.Fl ut ebeak
E.Fi s hbeak
BOLTEDONCONNECTI ON Member swi t hsecondar yconnect i onel ement s ar eof t enusedt oconnectupanddownt he r ope. I nt hi sconnect i on,t hememberact i ngas t hebol ti sr esponsi bl ef ort r ansf er r i ngt het ensi onandpr essur e.
BUNDI NG CONNECTI ON Bundl i ngi st hemostcommonmet hodof bondi ng,usi ngt r adi t i onalnat ur alpl ant s suchascoconutf i ber s,pal ml eaves, t r eeendot hel i um andbamboor at t an. Soakt hecanei nwat erbef or ebi ndi ng. Thevi nescont r actandt i ght enaf t er dr yi ng,maki ngt hebi ndi ngst r onger . [ 4]
Tabl e2and3compar et hepr oper t i esofbamboowi t ht hoseofot herbui l di ngmat er i al s,andt headvant agesofbamboocanbecl ear l yseen.Ascanbeseenf r om t het abl e,t hebamboohasgood compr essi veandt ensi l epr oper t i es.Andt hebamboot hatgr owsont hesl opesi smor ef er t i l et han t hebamboot hatgr owsi nt heval l eys,andt hebamboot hatgr owsont hepoor ,ar i dsoi li smor ef er t i l et hant hebamboot hatgr owsont hef er t i l esoi l . Theseshoul dal sobeconsi der edwhenchoosi ng bamboo.
BAMBOO CULTURALCHARACTERI STI CS THEORI GI NOFBAMBOO AESTHETI CCONSCI OUSNESS
ENVI RONMENTI NTENSI ONOFBAMBOO
LOW I MPACTDEVELOPMENTSTRATEGY LowI mpactDevel opment( LI D):I ti sa syst emat i cst or mwat ermanagement syst em pr oposedi nt heUni t edSt at esi n t he1990s.I t scor ei deai st omai nt ai nt he hydr ol ogi calchar act er i st i csoft hesi t eaf t er Devel opmentconsi st entwi t ht hosebef or e Devel opmentbyadopt i ngavar i et yofdecent r al i zedsour cecont r olmeasur es. [ 5]
[ 2]
PRI NCI PLESOFECOLOGYARCHI TECTURE Gr eenbui l di ngmeani ng:gr eenbui l di ngr ef er st ot heconst r uct i onoft hewhol el i f ecycl e,i nt hel and,wat er ,el ect r i ci t y,t her espectsuch ast i mbermaxi mi zer esour ceconser vat i on,pr ot ect i onandpr eser vat i onoft hehumanenvi r onment ,r educet hepol l ut antemi ssi ons, pr ovi depeopl ewi t hheal t hy,comf or t abl eandbeaut i f ull i vi ngspace,canr eachahar moni ouscoexi st encewi t hnat ur eofar chi t ect ur e. [ 6] Li vi ngi nhar monywi t hnat ur e Pr i nci pl esofener gysavi ngdesi gn
Savi ngr esour ces Comf or t
Saveener gyconsumpt i on St r at egy
Ef f i ci entuseofnat ur alr esour ces Makef ul luseofgr eenpl ant s
[ 4] Gus t av oTenec he,Manual deCons t r uc c i onc onGuaduaBambu,Publ i s hedonFeb12,2016.Ht t ps : / / www. s l i des har e. net / REFERENCES [ 5] Li uHua. "ASt udyont hel owi mpac tdev el opmentSt r at egyofur banwat erl ands c apeunderLI D. "GuangdongLands c apeAr c hi t ec t ur e000. 002( 2014) : 2932. [ 1] Li Hui ,andZhangYuk un. "Br i efAnal y s i sofec ol ogi c al bui l di ngMat er i al bamboo. "Bui l di ngSc i enc e23. 008( 2007) : 2026. [ 6] ZhangYu,KangLei ,andGuFeng. "Res ear c honl owc ar bonandener gys av i ngBui l di ngDes i gnandGr eenBui l di ngEc ol ogi c al Ener gySav i ngDes i gn. " [ 2] Li uHai y an.“ Res ear c honBambooCul t ur ei nt heBui l tEnv i r onmenti nSout hChi na. ”Di s s .HunanUni v er s i t y ,2007. our c eCons er v at i onandEnv i r onment al Pr ot ec t i on02( 2014) : 3939. [ 3] ZuoGuangz hi ,FuLanl an,andDENG Shuy i n. "Ex pl or at i onoft heappl i c at i onofbambooi nmoder nar c hi t ec t ur al des i gn. "Ur banar c hi t ec t ur e16. 03( 2019) : 7879.Res
BUI LDGENERATED
BUI LDI NG COMPONENT
1Si t es i t uat i on
7Doubl epi t c hr oof
Rai nwat er c ol l ec t i ng pool .
2Landar ea
1Ra i nwat erc at c hment
1. Rect angul arHol l ow St eel Tube150X1 00X6mm
For m ar ev er s e doubl er ooft o c ol l ec tr ai nwat er .Lands c ape t her ai nwat er c ol l ec t i onpool
Thes i t ehas l us hv eget at i on, mos t l ybamboo ( Bamboo,bi t t er bamboo,gr een bamboo,f ang bamboo,Lei bamboo)
UNI TOPERATI ONFLOW
GROUPWORK
7. St eel St r uct ur e St eps
1
Rai nwat erc ol l ec t s t hr ought er r ac edr unof f t ol ands c apepool s .
Rai nwat erf r om eacht er r acei s col l ect edt hr ought hegr oundi nt o
2. St eelJoi nt Connect or +Def or med St eelBar
8. The Bamboo Chai r
Di s c ar dr ai nwat er 20mi nut esbef or e c ol l ec t i on.
2L ands c apepool s
2
8I mpr ov ebui l di ng Us el oc al mat er i al s t oi mpr ov et hes t r uc t ur e. Themai ns uppor t i ngs y s t em i s s t eel s t r uc t ur ewi t h bambooasdec or at i v emat er i al .
Ci r c l et heLand ar eai nor ange. Nex tt ot he ShangJ i eLi ne andt hemount ai nr oad.
Mount ai nr oad
Ther ai nwat erc ol l ec t edt hr ought hes l opi ng r oof .
9. The Hol l ow Bamboo Col umns
3. Concr et e Pour ed Bamboo
Thedi s c ar dend ov er f l owsi nt ot he f i l t erl ay er .
Thel andscapepool
Ter r ac edl ands c ape pool ov er f l owsi nt or ai nwat erc ol l ec t i onuni t .
ShangJ i eLi ne
3Ver t i c al des i gn Renov at et he s i t e. Setupr et ai ni ng wal l s . Apl at f or m f ac i ngt hei s l andi n t hemi ddl eoft he l ak ec anef f ec t i v el y pr ev entl ands l i des .
9Connec tBui l di ng
4. St eel I beam 300x126x9
10. Bamboo Rai l i ngs Acr yl i c Boar d
5. Per vi ous gal vani zed st eelgr i d
11. Bamboo St i cks Roof i ng +Gui di ng Wat er Bamboo Pur l i ns
3
3 Pe r meat e,f i l t er ,us e
Thebui l di ngi sper f ec t ed. Bui l dr oadsc onnec tt he bui l di ngs .
1. Thewat eri nt hel andscape poolgr adual l yper meat es. 2. Par toft hewat erper meat est ot henextpl at f or m. 3. Someoft hewat eri nt hel andscape poolandr ai nwat ercol l ect edont he r oofgoi nt ot hef i l t r at i onf aci l i t y. 4. Thef i l t er edwat eri s f orpeopl et ouse.
Thel ands c apef i l t er spar tof t hewat erf ort hef i r s tt i met o s uppl ementt het er r ac ed.
4
Fi l t erl ay er1.
4 Me anhour l ywat erc ol l ec t i onofr oof
4Sett hepool Lands c apepool s anddr ai nagedi t c hes ar es eti nt hei nt er i or oft het er r ac et o beaut i f yt heenv i r onment ,c ol l ec tgr ound r ai nwat erandf i l t eri t nat ur al l y .
10For mi ngs y s t em Ov ert i me,t hewhol e l ands c apeandenv i r onmentf or m as y s t em. Ef f ec t i v epr ev ent i on andmi t i gat i onoff l ood andwat er l oggi ng di s as t er s .
Meanannualpr eci pi t at i onof Ni ngboi s1, 733. 4mm ( equi va-
12. The Fi l t er Syst em
6. Ti ct act oe Beam+ Cat chdr ai n
Meanhour l ypr eci pi t at i oni n Ni ngbo Meanhour l ywat ercol l ect i onofr oof =Ther oofar eaXMeanhour l ypr eci pi t at i oni n=( S1+S2+S3+S4+S5+S6) mX0. 197mm
UNI TCOLLECTRAI NWATER Rai nf al l 5Dec or at ec ons t r uc t i on Thebui l di ngbl oc k s ar ear r angedac c or di ngt ot het opogr aphy andt het er r ac es . Thebui l di ngbl oc k s ar ewel l pr opor t i oned andper f ec t l yi nt egr at edwi t ht he mount ai n.
Abandonf l owdev i c e
Rai nf al l c ol l ec t i on
Af t ert hes ec ondf i l t r at i on, ent ert hef i r s ts edi ment at i onbas i n.
11Keept hegr een Gr owi ngbamboot o mai nt ai nat er r ac ed ec os y s t em oft er r ac es .
Roofr ai nf al l c ol l ec t i on 6
I r r i gat i onbas i n
Fi l t erl ay er
Ti l tt her oofac c or di ngt ot hedi r ec t i onof r ai nwat erc ol l ec t i on
Fi l t erl ay er2.
Lands c apepool
Fi l t erl ay er
6Vol umedef or mat i on
5
12Getnot i c ed
Ac c or di ngt ot hef unc t i onandt hel ands c ape nodeher e,at t r ac tt he c r owd.
Wat erpump
I r r i gat i onwat er
Domes t i c wat er
I mpoundi ngr es er v oi r Sedi ment at i on
Ent ert hes ec onds edi ment at i onbas i n.
Thel andi sr i chi nr ai nwat err esour ces. Thebui l di nghasal ar ge,r ever sepi t chedr ooft hati sconduci ve t ocol l ect i ngr ai nwat er . Rai nwat er col l ect si nt hegut t eral ongt he bamboopur l i neata45degr ee Angl eandf l owsi nt ot her ai nwat er pur i f i cat i onbox. I nt het ank,di scar d t her ai nwat eri nt hef i r st20mi nut es. Fl owi ngt hr ought wof i l t r at i onl ayer s, t heover f l owedr ai nwat eri spour ed i nt ot hel andscapecol l ect i on pool . Rai nwat erpassest hr ought wo sedi ment at i ont ankst ogetcl ean wat er . Fi nal l y,t hecl eanwat eri s t akenoutt hr oughapumpf ort our i st st ouseandi r r i gat i on
Andf i nal l yi nt o t hec i s t er n.
7
Wat eri spumpedf r om t he r es er v oi rf ori r r i gat i onand l i v i ngpur pos es .
N
GROUNDFLOORPLAN 1: 200
ELEVATI ON 1: 100
26 8. 5
6. 000 5. 500
5. 500
Bamboof encer oof Bamboocl adt wi st edst eelconcr et epl aci ng Ti ct act oebeam
Par ki ngl ot
4. 900
Rect angul arhol l owst eelt ube
2. 700
2. 600 Acr yl i cboar d Per meabl est enci lf l oor
27 3. 5
1. 900
1. 800
St eelI beam 1. 000
Toi l et
0. 600 ±0. 000
27 8. 5
±0. 000
2. 050
CUTAWAYVI EW 1: 100
CONSTRUCTI ONDETAI LS Bamboopur l i n Bamboospl i tpl at e Pr of i l edst eelsheet Ti ct act oebeam
1. 500
5010
7 23 55 5 8
Bamboof ence
25x25x3angl ei r on
2
1
0 10
268. 5
CONSTRUCTI ONDETAI LS 1 FOUNDATI ONPROFI LE1: 10
2 RAI LI NG PROFI LE1: 10
200
LE1: 10 3 ROOFPROFI
a
Layi ng12. 7x12. 7x0. 9gal vani zedst eelwi r enet
25 10
25 10
500
1100
Angl est eelf ul l y wel dedf i xed
30mm ant i cor r osi vewoodenwat chboar d 120x80f ul lant i cor r osi onwood M3sel f t appi ngscr ewf i xed@300 150x100x5gal vani zed squar est eel
70x70x5gal vani zedangl est eel wood
Br i ckMu10M7. 5
930
650
10050
15mm 1: 2cement mor t ar ( sur f acegal l i ng)
300
1320 670
1. 2mm PPCPol yvi nylchl or i depol ymerwat er pr oof r ol l i ngmat er i al 10bol t
25x25x3 angl ei r on
100 150 120
5 290.
Landscapeuni t s
Cl osedpack50x10f ul lant i cor r osi onbamboochi p 30mm C25f i neaggr egat econcr et e
St r api r onhandr ai l 70x10
273. 5
25
40 62 22 30
Per vi ousst eel meshf l oor St eeli beam
St r api r onr ai l i ngs 70x10@1500 Bamboof ence 25x25x3 angl ei r on
Fi x@3001x20x20t he al umi num gasketwi t h 1. 5cementnai l s
120x80f ul lant i cor r osi onwood
5020
150x100gal vani zedst eel
360
120100100
Br i ckMu10M7. 5 150mm C15concr et e 100mm macadam Rammedear t h
10
100 25
10
100 25
5 . 283
100100120
100x120f ul lhar dant i cor r osi onwood
70x50Gal vani zed squar est eel 150x100Gal vani zed squar est eel
Squar est eelf ul l y wel dedf i xed
30x30f ul lant i cor r osi on wood M3sel f t appi ngscr ew f i xed@100
St r api r on70x10 278. 5
20
60
2. 100
±0. 000
Landscapeuni t s
25
35 25
Landscapeuni t s
90
32
10
283 . 5
115
St r api r onr ai l i ngs Angl ei r onand st r api r onwel di ng 70
4. 500
4. 300
1. 000
130 20
55
4. 900
b CONNECTI ONNODESAMPLE1: 5
a TOPRAI LCONSTRUCTI ONDETAI L1: 2
10
3
35
Landscapeuni t s
530 b
PERSONALPERSPECTI VE
GENERALLAUOUT
SPRI NG
SUMMER
AUTUMN
TECHNI CALECONOMI CI NDI CATOR: Tot al ar eaofus edl and:1243. 3m2 2 Tot al gr os sf l oorar ea: 425. 2m Pl otr at i o: 0. 34 Gr eeni ngr at e: 95. 5% Bui l di ngdens i t y : 34. 2%
ELEVATI ON
WI NTER
AUDI BLESQUARE
2017/ 102018/ 12 I ndi v i dual wor k Compos er :J i ngy ueZhang Tut or :Xi nk ai Wang Loc at i on:Ti any i Squar e,Ni ngboCi t y ,Zhej i angPr ov i nc e,Chi na.
St ar t i ngf r om Not r eDame,howt ot r ans f or mt hebui l di ngi nt oaudi t or yi nf or mat i onpr oc es s .Soundc anc ar r yi nf or mat i onandhasaes t het i cv al ue.The r eor gani z at i onandt r ans f or mat i onofi nf or mat i oni sani mpor t antf ac t ori naudi bi l i t y .Theappr ec i abl ef ac t ori nt hec i t yqual i t yneedst hec ooper at i onof t heaudi bi l i t yf ac t or ,whi c hc anopt i mi z et heaudi enc e' sper c ept i onofv i s ual i nf or mat i ont hr oughaudi t or yi nf or mat i on.Att hes amet i met or eal i z et he c i t y ' saudi bi l i t yneedst oenr i c ht hec ul t ur al c onnot at i onandpayat t ent i ont ot hei ndi v i dual needsoft heaudi enc e.Ur banpl anni ngc angui deandc ont r ol t hec i t y ' saudi bi l i t yt oenr i c handi mpr ov et hec i t y ' squal i t y . Thi sdes i gnc onc epti si nc or por at edi nt ot her ec ons t r uc t i ondes i gnofNi ngboTi any i Squar e. Asac ommer c i al mus i cpl az a,Ti any i Squar ewasor i gi nal l ypos i t i onedasni ngbo' s" ur banl i v i ngr oom" ,butduet oi t sageandbor i ngi nf r as t r uc t ur e,i tdi dn' twor kaswel l asi ts houl dhav e.Thi sdes i gnhopest o t r ans f or mt hes quar et hr oughmus i c . St ar t i ngwi t hs ound,t hes quar e' saudi bi l i t yi senhanc edt hr oughi nf or mat i onr ec ombi nat i onandt r ans f or mat i ons oundv i s ual i z at i on.Thr ought hephy s i c al phenomenonofs oundwav es ,s oundener gyi st r ans f or medi nt omec hani c al ener gyf ors oundv i s ual i z at i on, s oast omak et hes quar emus i cat mos pher emor ei nt ens e.Att hes amet i me,nar r at i v emus i cwi t hNi ngboc har ac t er i s t i c swi l l bepl ay ed,f r om t hen on,Ti any i Squar ewi l l t r ul ybec omet henamec ar doft hec i t y .
Thequal i t yofac i t yi nc l udesbot hl ook abi l i t yandaudi bi l i t y
I nf or mat i onaboutNot r eDameandi t saudi bi l i t y
Ur banpl anner sobv i ousl yat t achgr eat i mpor t ancet ot hev i sualf act or soft he ci t y ,butt her ear ef ew r esear cheson t hei nf or mat i onandaest het i cv al ueof t heaudi t or yf act or s. Foral ongt i me, acoust i csknowl edgei nar chi t ect ur e andur banpl anni ngwasonl yusedas anaux i l i ar yt echni calmeansf orpr of essi onall ear ni ng,suchasi ndoor soundqual i t yassur anceandnoi ser educt i onmeasur es. I ti smusi ct hat dr i v est hel i st ener ' ssensesand causesot hersensor yorconsci ous changesi nt hel i st ener . Soundcani n t er actwi t ht hel i st eneri nani nf or mat i onalandaest het i cway .
Not r eDamei sabui l di ng:i thasbeenbui l tov er 200y ear s,wi t hf ourar chi t ect si nchar geoft he desi gnandconst r uct i on,aswel lasdest r uct i on, f unct i onalchangesandi mpor t anthi st or i cal ev ent s. Not r eDamei sal egend:i nt hedar kcor ner ofaspi r ebel lt ower ,handcar v edGr eekl et t er s ANARKI Aandgy psymai r essest wi r l i ngt hr ough t hesquar e. Att hesamet i me,Not r eDamei samusi cal :wi t hmov i ngchar act er sandsongs,t hest or y i sspr eadar oundt hewor l d. Not r eDamei sno l ongerj ustaphy si calbui l di ng,butr epr esent st he ci t yofPar i s. Reader scangett hev er i f i cat i onoft he st or yi nt hewhol escopeofPar i s,soast or eal i z e t hemi cr ocosm ofaf i ct i onalst or y ,showi ngt he soci alscenecov er i ngt hel i f eofaci t y ,emi t t i ngt he cul t ur alat mospher eofaspeci f i cci t y .
I nt hest r eet s,manypedest r i ansar e hur r y i ng.Mostoft hem hav esomet hi ngi ncommon:t heyar ey oung andwearheadphones.I nt hesame env i r onment ,l i st eni ngt ot hesound ofheadphones,subj ect i v ef eel i ngs ar ev er ydi f f er ent .Thenoi seoft r af f i c i smuf f l ed.Thebeaut i f ulmel ody f or msanot herki ndofsur r oundi ng space.Whaty ouseeseemst obea f oi lt ot hesound.Beaut i f ulmusi c cancov eruporel i mi nat et heugl i nessi nt heci t y ,butal socanenhanceandcr eat et hebeaut yi nt he ci t y .
Ther eor gani z at i onandt r ans f or mat i onofi nf or mat i onf r om Not r eDameDePar i sMus i c al 2LeTempsDesCat hedr al es
3LesSans-Papi er s( Cl opi n)
4I nt er vent i onDeFr ol l o
5Bohemi enne( Esmer al da)
6Esmйr al daTuSai s( Cl opi n)
7CesDi amant sl а
8LaFat eDesFous
9LePapeDesFous( Quasi modo)
10LaSor ci иr e( Fr ol l o-Quasi modo)
11L` enf antTr ouve( Quasi modo)
12LesPor t esDePar i s( Gr i ngoi r e)
13Tent at i veD` enl иvement
Real i t y:Not r eDameDePar i s
Real i t y:Mur al
Real i t y: Per spect i vedoor
Real i t y:Hunt er
Real i t y: War ni ng
Real i t y: Rosewi ndow
Real i t y:Bel f r y
Real i t y:Squar e
Real i t y:Low Angl e
Real i t y:Lonel y
Real i t y:Wat ch
Real i t y:Ri verSei ne
14Lacourdesmi r acl es
15LeMotPhoebus
16BeauCommeLeSol ei l
17Dechi r e( Phoebus)
18Anar ki a( Fr ol l o-Gr i ngoi r e)
19ABoi r e
20Bel l el
21MaMai sonC` estTaMai son
22AveMar i aPaпen( Esmer al da)
23JeSensMaVi eQuiBascul e
24TuVasMeDйt r ui r e( Fr ol l o)
Real i t y:Ci t yPar i satni ght
Real i t y:Al l ey
Real i t y:Year n
Real i t y:Ol dst r eet
Real i t y:I nt er i or
Real i t y:Gi f t
Real i t y:Desi r e
Real i t y:Thi nki ng
Real i t y:Candl el i ght
Real i t y:St r uggl e
Real i t y:Ar ch
Real i t y:Fl yi ngbut t r ess
26LeValD` amour
27LaVol upt e
28Fat al i t e
29Fl or ence
30LesCl oches
32LesOi seauxQu` onMetEnCage
33Condamnes
34LePr oces
35LaTor t ur e
36Phaebus
37Et r ePr et r eEtAi merUneFemme
38LaMont ur e
Real i t y: Col our edgl aze
Real i t y: Hot el
Real i t y: Al l ey
Real i t y: Looki nt ot hedi st ance
Real i t y: Bel l
Real i t y: Cage
Real i t y: Repet i t i on
Real i t y: Spi r e
Real i t y: Sei zur e
Real i t y: Mi ssi ng
Real i t y: Pourout
Real i t y: Dome
40Vi si t eDeFr ol l oAEsmer al da
41UnMat i nTuDansai s
42Li ber es
43Lune
44JeTeLassi eUnSi f f l et
45Di euQueLeMundeEstI nj ust e
46Vi vr e
47L` at t aqueDeNot r edame
48Depor t es
49MonMai t r eMonSauveur
50Donnezl aMoi
51DanseMonEsmer al da
Real i t y: Save
Real i t y: Farf araway
Real i t y: Ledendar y
Real i t y: Poem undert hesky
Real i t y: Favour
Real i t y: Hol yPl ace
Real i t y: Awake
Real i t y: Madonna
Real i t y: TheCi t yofPar i s
Real i t y: Di st antmemor i es
Real i t y: Att heEnd
Real i t y: I nt heFi r e
Way sofNot r eDameDePar i st oac hi ev eur banaudi bi l i t y Bui l di ngi nf or mat i on
St or yi nf or mat i on
Pat t er ni nf or mat i on
25L` ombr e( Phoebus-Fr ol l o)
1 Phase1: I ncor por at eanar chi t ect ur ei nt oanov el .
Soundi nf or mat i on
2 Phase2: Est abl i sht hev al uesoft henov el ,const r uctt heconnot at i onoft hest or y ,maket heconnot at i onoft heel ement sr el y i ngont hear chi t ect ur e,anddi f f useandenr i chal lt henov el . 3 Phase3: Taket hemeani ngoft henov elandi ncor por at ei ti nt of r ames.
1
2
3
4
5
6
7
4 Phase4: Est abl i sht hev al uesoff r ames,const r uctt heconnot at i onandquant i t yoft hef r ames,maket heconnot at i onel ement soft he f r amesdependonnov el s,anddi f f useandenr i chal lmusi cal s. 5 Phase5: Taket hemeani ngoft hef r amesandi ncor por at ei ti nt oamusi cal .
Enr i chandi mpr ov et hequal i t yofaci t ybyenhanci ngi t saudi bi l i t y .Andt ur nt hebui l di ngi nt oacal l i ngcar doft heci t y .
6 Phase6: Est abl i sht hev al uesofmusi cal s,const r uctt heconnot at i onandquant i t yoft her eper t oi r e,maket heconnot at i onel ement soft he r eper t oi r edependonnov el s,anddi f f useandenr i chal lmusi cal s. 7 Phase7: Tomakeal lorpar toft hemusi cofamusi calaudi bl e.Ar chi t ect ur eandst or i esspr eadar oundt hewor l dwi t hmusi c.
Way sofot herwor k st oac hi ev eur banaudi bi l i t y Bui l di ngi nf or mat i on
St or yi nf or mat i on
Ur bant ex t ur e Pat t er ni nf or mat i on
Ex t r ac t s c ene i nf or mat i on
Vi s ual i z e Aur al i z e
Funct i on Anal y si s
Tr af f i cAnal y si s
Soundi nf or mat i on
Subwayst at i on
Abui l di ngwi t h as t or y
Bui l d
Har r yPot t er
I nt er gr at i onanal y si sGLOBAL
Compose st or y
St or y i nf or mat i on
Ent er t ai nment
Col l ect orst r eet
Commer ci al
Tunnel
Ser v i ce
I nt er gr at i onanal y si sLANst ep3
I nt er gr at i onanal y si sLANst ep5 I nt er gr at i onanal y si sLANst ep7
Low
Hi gh
Low
Hi gh
Hi gh
Low
Bef or eanal yz i ngt hef l owofpeopl e,l ear naboutt hemai n t r af f i cpoi nt sofTi anyiSquar e. Thepubl i ct r ans por ts t at i onsar e:Dongk ouBuss t at i on, Subways t at i onandLi ngqi aox iBuss t at i on( ci r cl edbyt he r eddot t edl i ne) ; Pr i v at ecarpar k i ngi smai nl y:under gr ound gar age( t wor edar r ows )andar oofpar k i ng( dot t ed ar ea) ; Themai nent r ancet ot hepedes t r i an:t hebl ackci r cl e ar ea. Peopl ear r i v eatorent ert hes quar es pacemai nl y t hr ought hes et r af f i cpoi nt s ,anddi f f er entmodesoft r ans por t at i onal s ohav edi f f er entemphas i sonpeopl e,f r om whi chwecanmak eanal ys i s .
Si t el oc at i on
Anal y z et hef l ow ofpeopl ebyf ocusi ngondi f f er entgr oupst hr oughdi f f er entmodesoft r anspor t at i on
Ri x i nSt r eet Ch eqi aoSt r eet Chedu Road
Ti any iSquar ei sl ocat edi nt hecor eoft hei nt er sect i onoft heThr eer i v er s( YongRi v er ,Yuy aoRi v erand FenghuaRi v er ) ,whi char er i chi ncul t ur alandcommer ci aldeposi t s.Sanj i angkouhasal way sbeent he pl acewher ebusi nessmengat herandbecomet hef i r stcommer ci alcor eofNi ngbo.Ti any iSquar est ar t s f r om Cheqi aoSt r eeti nt heeast ,kai mi ngSt r eeti nt hewest ,ZhongshanEastRoadi nt henor t h,Yaox i ng St r eeti nt hesout h,andcov er sat ot alar eaof19. 6hect ar es. Thecommer ci alf aci l i t i esar oundTi any iSquar ear ecompl et e,i ncl udi ngHey iAv enue,Dongf angShoppi ng Mal l ,Nany uanShoeMal l ,New Wor l dDepar t mentSt or e,Xi nhual i an,ChenghuangTempl eandot her shoppi ngmal l s.Aswel last heWor l dTr adeCent er ,Ji angx i aGi nz a,PudongDev el opmentBui l di ng, Hual i anof f i cebui l di ng,Ti any iHaoj i ngandot hercommer ci alandcommer ci albui l di ngs.Al ar genumber ofbusi nessci r cul at i on,moder nl ogi st i cs,managementser v i ces,i nf or mat i onconsul t i ngandot herser v i ce ent er pr i ses.Pr ov i degoodper i pher alguar ant eef ort hedev el opmentoft i any ibusi nesscor ear ea.
Kai mi ngS t r eet
Zhong shan East Road
Cent r alsquar e
Mai npedest r i anf l ow
Popul at i onst at i st i cs
Bel t Cor e
4
Par ki ngent r ance
017 1830 3144 4559 ≥60
I nt er msofspat i al st r uct ur e,Ti anyiSquar ei st hecor eofHai shuaswel l ast hewhol eur banar eaofNi ngbo.Thespat i al st r uct ur epl anni ngofHai shui nTheDet ai l edCont r ol l edPl anni ngofJi angx i aSect i onofNi ngbo( HS13)i sasf ol l ows:f or mi ngaspat i al st r uct ur eof" onehear t ,onebel tandf i vesect i ons" ,amongwhi ch" onehear t "i sal ar geshoppi ngmal l -Ti anyiSquar e. Oni ndust r ydevel opmentor i ent at i on,t i anyisquar eposi t i oni ngf orni ngboci t ycommer ci al CBDcor e,hi ghendcommer ci al busi nessdi st r i ct ,ni ngboci t y,f or medt obuyt hi ng,l ei sur e,cat er i ng,ent er t ai nment , bui l di ngcombi nest r adi t i onal busi ness,moder nbusi ness,f i nanci al busi nessi nt hei nt egr at i onofcompl exmoder nser vi cei ndust r yaggl omer at i onar ea,becomet hel ar gestscal eandhi ghestl evel ofni ngbo,t hemosteconomi cal l ydevel opedcor ear ea,t hemostcompl et eoff unct i onofmoder nser vi cei ndust r y. I nhor i z ont al compar i son,heyiAvenue andDongduRoadar et het wowi ngsoft hecommer ci al cor ear eaofTi anyiSquar e.
10% 15%
5%
Femal e Mal e
46%
Subway
Vi s i t or
Aged
I dent i t y
Age
St udent Commut er Nei ghbor hood Tr av el l er Ot her s
38%
Gos i ght s eei ng Gos hoppi ng Rel ax at i on Ent er t ai nment Ot her s
Wes t
Col l eagues
Par ki ngl ot s
2. Andi fi ti saf ami l yoft hr ee,ors mal l s cal ecol l eagues ,f r i endst r av el ,mi ddl eagedpeopl ewi l l be pr ef er r edt odr i v e. I nTi anyiSquar e,t her ear et wo l ar gepar k i ngSpaces :onei st her oof t oppar k i ngl ot oft hes hoppi ngmal l f aci ngRi x i nSt r eet ,andt he ot heri st heunder gr oundpar k i ngl ot . Thes epeopl e par kt hei rcar sandt henheadt ot hei rdes t i nat i on. I f youar eaf ami l ymember ,yourf i r s tdes t i nat i oni s pr obabl yar es t aur ant . Ast hecarpar ki sat t achedt o t het oporbot t om oft hebui l di ng,i twi l l nots t ayi nt he opens pace. Butaf t ert hedi nner ,t heyar r i v eatt he cent r al s quar ef oras t r ol l andamus i cal f ount ai n per f or mance.
Mai nent r ance
Si t uat i on3 Wal k i ng
Bi k e
22%
8%
Ai ms 21%
Pr i v at ecar
Tar get :
Tr anspor t :
Napol eonf i r str ef er r edt ot heci t ysquar east he" l i vi ngr oom ofci t ypeopl e" .I nt heWest ,t hesquar ei smor eofa" l andmar k "anda symbol ofacommuni t y. Whenask edaboutt hei rhomeaddr ess,peopl ear eusedt osayi ng" Myf ami l yl i vesnearacer t ai nsquar e" , whi chi sex act l yt hemani f est at i onoft hest r ongsenseofbel ongi ngbr oughtbyt hesquar ecul t ur et oci t i z ens. Thespacei nt er f acei nt he heal t hycommer ci al cent erpl az ahasnotonl yphysi cal si gni f i cance,butal sospi r i t ual si gni f i cance,act i ngast hecar r i eroft hecul t ur e andhi st or yoft heci t ysquar e. Asasuccessf ul ur bansquar eandaheal t hycommer ci al cent er ,Ti anyiSquar eembodi est heuni quehi st or i cal andcul t ur al back gr oundandr egi onal char act er i st i csofNi ngboci t y. Fr om t heper spect i veofci t yi mageandci t i z enl i f e,Ti anyi Squar ehasbeenposi t i onedas" ci t yl i vi ngr oom" ,f ashi onl andmar k ,ci t i z ensquar e,cent r al squar eoft heci t yandt henamecar dof Ni ngboci t y. Asanur banpubl i cspace,Ti anyiSquar ehast hepubl i cspaceat t r i but e,whi chmak est hepubl i cbecomet hemast eroft he communi t y.
Sout h
Gat e3
Tr af f i csi t e
Fami l y 20%
33 10%
Thes ur r oundi ngs k y l i ne
Eas t
t ee r St n xi Ri
Si t uat i on2 Tr anspor t :
45% Gender55%
Par ki ngl ot s
14%
Node
t ee r St a zh i Q
1. Fi r s tofal l ,t hepubl i ct r ans por tt ot hes quar e, mos t l ywi t ht hepur pos eofcons umpt i on. Us i ng l owcos tt r ans por t at i on,i tcanbeeas i l yi nf er r edt hat mos tv i s i t or sar es t udent s ,t heel der l y,oryoung peopl ei ns mal l Number s . St udent sandyoungpeopl e of t enmeeti nTi anyiSquar easagat her i ngpl acef or par t i esandcons umpt i onact i v i t i es . Thei rf i r s tdes t i nat i oni sof t enar es t aur ant . Ther ef or e,i ti sex t r emel y pos s i bl et ogetof ff r om t hebuss t opandent ert he di ni ngar eai nt hecent r al bus i nes sdi s t r i ctoft he s quar e. Vi s i t or sal i ght i ngf r om Li ngqi aoWes twi l l ent ert hes quar es pacet hr ought heNo.3gat e,and t hi spar toft heent r ydi s t ancewi l l ber el at i v el ys hor t , v i s i t or smaychoos et oent ert hes quar es pacef i r s t , andt henmeet . I ft our i s t sar emai nl ys i ght s eei ng, t heywi l l v i s i tt hechur chf i r s tandt henent ert he s quar es pacet hr ought hegat e5.
50%
3
Yao Gat e5 han gS t r eet
Tar get :
Tr af f i cnode
Begi nni ng
Bui l di ng
Gat e2
Cent r al Squar e
Bus
1 bui l dCBDwasr ej ect ed,t her easoni st hat ,al t hought her ear ebust l i ngZhongshanEastRoadcommer -
2
Zh on gs ha nS t r ee t
BanA
Tr anspor t :
Landscaper i ng
Af t ercar ef ul consi der at i onanddesi gn,Ti anyiSquar eemer gesast hecommer ci al appear anceoft he ci t ycent erwi t hcommer ci al r et ai l di st r i ctr at hert hanCBD.Deci deaccor di ngt ot hepl anni ng,Ti anyi squar easabusi nesscent er ,andcanbewel l ver sedi nz hongshaneastr oad,t heci t ygodt empl eopen st r eet ,t heconnect i onbet weent hesever al commer ci al st r eet ,f or medal ar geci t ycent r ebusi ness ci r cl e,t hedi ver si f i cat i onofmai nt ai ni ngavani shi ngwayoft r adi t i onal busi ness,havemadei tpossi bl et o smal l busi nessbehavi or ,andt hi sdi ver si t yi st heur bandensi t yandconcent r at i onofsecr et . Ti anyi Squar epr oducesaci t i z ensquar emat chi ngt hescal eoft hecent r al ar eaoft heci t yt ot hesur r oundi ng commer ci al ef f ect ,andt hecommer ci al pat t er nofNi ngboi sl i k el yt ohaveaf undament al change,r api dl y gat her i ngpopul ar i t yandex pandi ngconsumpt i oncapaci t y.Ni ngbo' sur bandevel opmenti snotdr i venby CBD,butagr oundbr eak i ngnewmodel dr i venbycommer ci al r et ai l di st r i ctCCD.
t ee r St a zh i Q
BanB
Gat e6
St udent
ci al st r eetandChenghuangTempl ecommer ci al pedest r i anSt r eet ,butni ngboatt hatt i meevendecent of f i cebui l di ngsar enotmany,t hebusi nessat mospher ehasnotyetf or med,i ti si mpossi bl et odi gest t heCBDar eaof1. 2mi l l i onsquar emet er sofcommer ci al bui l di ngs.
Gat e1
I SC
Si t uat i on1
Commer ci al out err i ngr oad
Att hebegi nni ng,t hedevel opmentpl anoft hemostcor ear eaoft heci t ywasnott obui l dacommer ci al squar e,butt obui l dni ngbo' sCent r al Busi nessDi st r i ct . Thei deaofbui l di ngaCBDi sseenasak eyst ep i nchangi ngni ngbo' sur banf aceandbui l di nganewci t yi mage. Butaf t ert hedemonst r at i on,t hepl ant o
Low Gat e8
Gat e4
Mai npedest r i anent r ance
Func t i onal or i ent at i on
Hi gh
t e7 ee Gat r St ng i m i Ka
Publ i ct r anspor tnode
Yaox i n gSt r eet
Fe ng hu a Ri ve r
Subw ayLi ne1
er v Ri ng Yo
2 ne Li ay bw Su
Yuya oRi v er
Thebasei sl ocat edi nTi any iSquar e,Ni ngboCi t y ,Zhej i angPr ov i nce,Chi na.
Ni ngbo
I nt er gr at i onanal y si sLANst ep9
Low
Peopl ef l owanal y s i s
Zhej i ang
Gr eenar ea
Wat erar ea
Abui l di ng wi t hsound
Vi sual i z e
Hi gh
Chi na
Gr eenSpaces Anal y si s
Ri v erSy st em Anal y si s
Mal l
Busst at i on Mai nst r eet
Spat i al t opol ogi c al r eac habi l i t y
Ger manpavi l i on
Fr om t heBui l di ngi nf or mat i ont o t henov elt ot he musi cali sone wayofNot r e DameDePar i s 1 t oachi ev eaudi bi l i t y ,buti ti snot t heonl ywayt o achi ev eur ban audi bi l i t y .As l ongast he Bui l di ngi nf or mat i on,St or yi nf or mat i onand Soundi nf or mat i onar er ecombi nedand changed,t her e ar emanyway s 2 t oachi ev eur ban audi bi l i t y .Thati s, t het r ansf or mat i oncangoi nt he samedi r ect i on, i nt heopposi t e di r ect i onori n mul t i pl edi r ec t i ons.Her ear e someex ampl es
35%
Tar get : Vi s i t or 3. Tour i s t swal k i ngonf ootorr i di ngbi cycl es ent erandl eav et hes quar es pacemai nl y f r om t hes out hwes tandnor t heas t .Thi sl i ne r unst hr ought hewhol eTi anyiSquar eand becomest heax i soft hewhol ear ea,whi ch s howsi t si mpor t antpos i t i on. Thel i nearpedes t r i anmal l al s os er v esasagui det ot hecor e s paceoft hecent r al ci r cul arpl az a,t hecl i max t hatl eadst hepedes t r i anv i s i t ort ot hecent er .
Nor t h
Way sofTi any i s quar et oac hi ev eur banaudi bi l i t y Tr adePor t
Ti any iPav i l i on
Way st oampl i f yaudi t or ys ens at i ons
HemuduSi t e
BaoguoT empl e
TheBut t er f l yLov er s
EastNew Ci t y
Ni ngbo Regi onal char act er i st i cs
1
2
?
5
4
? Soundi sr epr esent ed bysoundwav es. Dev el opedcommer ce
Ur banHal l
Musi ccar r i es STORI ES
Ar chi t ect ur e
Met r opol i t an andmoder n
Aest het i c
Lei sur esquar e
Cr eat e
Wel l l ai dout
Wantt hehumaney e t oseesoundwav es.
St r ongmol ecul ar st r uct ur e
Ci t ynamecar d
Enhance
Mel odi c
Audi bi l i t y
Ambi entsense
Lookabi l i t y
Aest het i cv al ue
Associ abi l i t y
I nt er act i v i t y
6
Loosemol ecul ar st r uct ur e Soundwav esv i br at e t hemol ecul arst r uct ur e.
How?
Pr oj ect or
St or y t el l i ng Cul t ur al
How t oenhancet he SOUND i nf or mat i on?
Use
+
St or yi nf or mat i on
=
Or
Pat t er ni nf or mat i on
Soundi nf or mat i on
Thev i s ual pat t er nofs ound
Ex c e r ptf r ommus i cBut t e r f l yLov e r s .
Ampl i t ude
Musi cvi sual i zat i on Thef ol l owi nggr aphi csar emade wi t hSoni cVi sual i ser :AnOpen Sour ceAppl i cat i onf orVi ewi ng, Anal y si ng,andAnnot at i ngMusi c Audi oFi l es.
Tocauset hehumaney e t oseet hewav esbyl i ght .
I mpl ement at i onmodel Pr oj ect i onscr een
Moder n
How t of or ma BUI LDI NG
Bui l di ngi nf or mat i on
Beaut i f ulmy t h andmel ody
Commer ci al
Musi cpl az a
How t oenhancet he AMBI ENT SENSE?
Longhi st or y
Li t er at ur eandar t
Shoppi ngdi st r i ct s
Ti any i Squar e
3
Fr e que nc y = 4 1 7 3 hz
Fr e que nc y = 4 2 2 1 hz
Fr e que nc y = 4 2 8 0 hz
Fr e que nc y = 5 4 8 2 hz
Fr e que nc y = 5 9 0 7 hz
Fr e que nc y = 6 0 5 1 hz
Fr e que nc y = 2 7 2 6 hz
Fr e que nc y = 4 1 2 9 hz Fr e que nc y = 5 2 8 4 hz
Fr e que nc y = 2 3 2 5 hz
Fr e que nc y = 4 0 7 0 hz Fr e que nc y = 5 2 0 1 hz
Fr e que nc y = 2 1 6 0 hz
Fr e que nc y = 4 0 4 9 hz Fr e que nc y = 5 1 0 8 hz
Fr e que nc y = 1 9 4 0 hz
Fr e que nc y = 4 0 4 0 hz Fr e que nc y = 4 8 4 0 hz
Fr e que nc y = 1 7 4 8 hz
Fr e que nc y = 9 7 8 hz Fr e que nc y = 3 9 7 5 hz Fr e que nc y = 4 6 7 1 hz
Fr e que nc y = 1 4 0 9 hz
Fr e que nc y = 8 0 6 hz Fr e que nc y = 3 9 0 0 hz Fr e que nc y = 4 5 6 0 hz
Fr e que nc y = 4 9 8 hz Fr e que nc y = 3 8 3 8 hz Fr e que nc y = 4 4 4 4 hz
Fr e que nc y = 3 3 7 hz Fr e que nc y = 3 4 2 5 hz
Soundphysi calshape
Fr e que nc y = 4 3 2 1 hz
Cymat i cs Cy mat i csi sasubsetofmodalv i br at i onalphenomena.Ty pi cal l yt he sur f aceofapl at e,di aphr agm,or membr anei sv i br at ed,andr egi ons ofmax i mum andmi ni mum di spl acementar emadev i si bl ei na t hi ncoat i ngofpar t i cl es,past e,or l i qui d.Di f f er entpat t er nsemer gei n t heex ci t at or ymedi um dependi ng ont hegeomet r yoft hepl at eand t hedr i v i ngf r equency .
Fr e que nc y = 1 0 9 6 hz
Fr e que nc y
Fr e que nc y Spe c t r ogr a m
Spe c t r um
Comput erpr ocessi ng
For mc r eat i on
Shoul dnotbel es st han t hel at er al s t i f f enerwi dt h.
Tens i onedmembr anes t r uc t ur edet ai l
Sett hehor i z ont al s t i f f eneroft hecol umn.
14. Tensi l emembr ane
14. Wel dedj oi nt 13. Rei nf or cementcage 12. Gl asspond( Soundf i l m）
1. Per i odi csoundwav e— Uni f r equencysoundwav e
2. Per i odi csoundwav e— Uni f r equencysoundwav e ( si mul t aneousl y ) 11. Li ghtsour ce
9. Sur r ound
4. Aper i odi csoundwav e— Mut i f r equencysoundwav e
3. Per i odi csoundwav e— Mut i f r equencysoundwav e
10. Voi ceCoi l
8. Leadwi r es
( asy nchr oni sm) 6. Gasket 7. Fr ame
4. Toppl at e
For mi ngs t ep
5. Ter mi nel
3. Magnet
1. Musi cv i suall andscapei nst al l at i ondi st r i but i onar ea. I ti s l ocat edi nt hecent eroft he squar eanddi st r i but edi na squar eway .
2. Thesquar ear easar esepar at edbyt angent i alci r cl es. Theadv ant ageofsuch di v i si oni st hatt hef or mi s mor ef r ee.
6. Sel ectt hepar tt hatgener at est hecei l i ngdev i ce andmakei tf or mt he gr aphbot t om r el at i onwi t h t her oad.
7. Usi ngt hef or mat i onpr i nci pl eofsoundwav es,t hel at t i cei sf or medi nt oaper i odi c wav el i kesur f ace.Cat ert o musi calt hemes.
3. Accor di ngt ot hemai nax i sof t hesquar ear oadi scar v edout wi t hi nt hesquar e,andi ti sder i v edf r om ot hermai nr oadsof t hesquar e.
8. Thewav ypl anei scuti nt ot he gr aphbaser el at i on. Thewav ypl ane i scuti nt ot hegr aphbaser el at i on. Thecei l i ngi spr oper l yconnect edandadj ust edt of or m ar hy t hm.
4. Reper meat ei taccor di ngt o t heex i st i ngpat h,l eav i ngt he spaceopenandf r ee.The spacei saccessi bl ear ound t hesquar e.
9. Equi ppedwi t hst eelf r ame. The st eelf r amei smadei nt oagr i d f or m andf i t t edt ot hemodel ,suppl ement edbyt ensi oni ngmembr anebet ween.
5. I nst al lsi nki nst al l at i on.The pooli sani mpor t antor ganof t hel andscape.I t ' sadev i cef or v i sual i z i ngmusi c.
10. Theuppert ensi onedmembr anecei l i ngi scombi nedwi t h t hel owerpoolseatt ocompl et et hewor k.
1. Pol epi ese
2. Net herpl at e
St or y Bui l di ng
Par i s
Pat t er n
Sound
Summar i z e
or y Pat Bui l di ng St t er n
Sound
Ni ngbo
Peopl ev i ewper s pec t i v e
Accompany
Sol i t ude
Li st enqui et l y
Thought
St ar t i ngf r om Not r eDame,how t ot r ansf or mt hebui l di ngi nt oaudi t or yi nf or mat i onpr ocess.Soundcancar r yi nf or mat i onandhasaest het i cv al ue.Ther eor gani z at i onandt r ansf or mat i onofi nf or mat i oni sani mpor t antf act ori naudi bi l i t y .Theappr eci abl ef act ori nt heci t yqual i t yneedst hecooper at i onoft heaudi bi l i t yf act or ,whi chcanopt i mi z et heaudi ence' sper cept i onofv i suali nf or mat i ont hr oughaudi t or yi nf or mat i on.Att hesamet i met or eal i z et heci t y ' saudi bi l i t yneedst oenr i cht hecul t ur alconnot at i onandpayat t ent i ont ot hei ndi v i dualneedsoft heaudi ence.Ur banpl anni ngcangui deandcont r olt heci t y ' saudi bi l i t yt oenr i chandi mpr ov et heci t y ' squal i t y . Thi sdesi gnconcepti si ncor por at edi nt ot her econst r uct i ondesi gnofNi ngboTi any iSquar e. Asacommer ci almusi cpl az a,Ti any iSquar ewasor i gi nal l yposi t i onedas ni ngbo' s" ur banl i v i ngr oom" ,butduet oi t sageandbor i ngi nf r ast r uct ur e,i tdi dn' twor kaswel lasi tshoul dhav e.Thi sdesi gnhopest ot r ansf or mt hesquar et hr oughmusi c. St ar t i ngwi t hsound,t hesquar e' saudi bi l i t yi senhancedt hr oughi nf or mat i onr ecombi nat i onandt r ansf or mat i on-soundv i sual i z at i on.Thr ought hephy si calphenomenonofsoundwav es,soundener gyi st r ansf or medi nt omechani calener gyf or soundv i sual i z at i on,soast omaket hesquar emusi cat mospher emor ei nt ense.Att hesamet i me,nar r at i v emusi cwi t hNi ngbochar act er i st i cswi l lbepl ay ed,f r om t henon,Ti any iSquar ewi l lt r ul ybecomet henamecar doft heci t y .
Des i gns k et c h
OTHERWORKS
20162020 Pr ac t i c eofc ons t r uc t Ar c hi t ec t ur al des i gn I nt er i ordes i gn St r uc t ur al des i gn Ur bandes i gn Sk et c h Wat er c ol or Mar k erpai nt i ng
PRACTI CEOFCONSTRUCT—Bet weenTheLi nes Ti me:2. 5week s Teamwor k Compos er :J i ngy ueZhang.Wenqi anHu.Yi Xi n.
GREENBUI LDI NG DESI GN—SeaFi el d Ti me:8week s Teamwor k Compos er :J i ngy ueZhang.Hai bi Li .Suny uHuang. I NTERI ORDESI GN—Chi l dr en' sRoom Ti me:8weeks I ndi v i dualwor k Composer :Ji ngy ueZhang.
STRUCTRALDESI GN—ZhiXi ng Ti me:2. 5week s Teamwor k Compos er :Ji ngy ueZhang. Suny uHuang.Xi ny iXu.
CULTURALCENTERDESI GN— Cav i t y Ti me:8week s I ndi v i dual wor k Compos er :J i ngy ueZhang.
VI LLAGEPLANNI NG ANDDESI GN Ti me:12week s Teamwor k Compos er :J i ngy ueZhang.Yi Xi n.Yuy uanHuang. SKETCH Compos er :J i ngy ueZhang.
WATERCOLOURANDMARKERPAI TI NG Compos er :J i ngy ueZhang.
ABOUTMYSELF
Name: J i ngy ueZhang Bi r t h: Mar c h16t h1998 Tel : +8618057588056 Emai l : z hangj y 123888@163. c om
Speci alThanks
LANDSCAPEWATERCOLOUR Compos er :J i ngy ueZhang.
Thank sal ott omys c hool ofAr c hi t ec t ur e,Ni ngbo I ns t i t ut eofTec hnol ogy ,Zhej i angUni v er s i t y ;Pr of . Zhi r ongWang,Dr .Xi nk ai Wang,Dr . Ant hony Chong,Pr of .ChenHua,Lec t ur eTr ac yZhang, Lec t ur eJ unj i eWang,Pr of .Xi umi ngXi aandLec t ur eXuf engZhangf orf oury ear sofi ns t r uc t i oni n ar c hi t ec t ur eandt hev al uabl eadv i c ef ormydes i gn i nt hi spor t f ol i o.Spec i al l yt hank st oPr of .Zhi r ong Wang,wi t houty ouIwoul dnotl ov ear c hi t ec t ur es o muc h. Spec i al t hank sal ott os uper v i s orJ unz huoZhang f orhi sPr ec i ousas s i s t anc e.Thank sal otmy t eac herJ i eZhangdur i ngmyi nt er ns hi p. Thank sal ott omyf r i endsHai bi Li , Xi ny i Xu, Haof ei Renf orAr c hi t ec t ur ef oury ear sofy our c ompany .Thank sal ott omyc ompet i t i ont eammat esSuny uHuang,Yi Xi n,Yuy uanHuang, J unj i eSu,Kuangy aoZhao,Yangy uLi u,Xi angl i Li u,Yuj i aLi uandZi y i Li . Spec i al t hank sal ott omybel ov edpar ent sf or t hei rs uppor t s .