SIXTH FORM FICTION Tasters from 10 Literary Novels
HAG-SEED by Margaret Atwood Re-telling of 'The Tempest'.
THE WOMAN IN WHITE by Wilkie Collins One of the first-ever mystery novels.
"To make the Makeshiweg Festival the standard against which all lesser theatre festivals would be measured. These were no mean goals. To accomplish them, Felix had pulled together the ablest backup teams he could cajole. He'd hired the best, he'd inspired the best. Or the best he could afford. He'd handpicked the technical gnomes and gremlins, the lighting designers, the sound technicians. He'd headhunted the most admired scenery and costume designers of his day, the ones he could persuade. All of them had to be top of the line, and beyond. If possible. So he'd needed money. Finding the money had been Tony's thing. A lesser thing: the money was only a means to an end, the end being transcendence: that had been understood by both of them. Felix the cloud-riding enchanter, Tony the earth-based factotum and gold-grubber. It had seemed an appropriate division of functions, considering their respective talents. As Tony himself had put it, each of them should do what he was good at. Idiot, Felix berates himself. He'd understood nothing."
"She turned towards me immediately. The easy elegance of every movement of her limbs and body as soon as she began to advance from the far end of the room, set me in a flutter of expectation to see her face clearly. She left the window—and I said to myself, The lady is dark. She moved forward a few steps—and I said to myself, The lady is young. She approached nearer—and I said to myself (with a sense of surprise which words fail me to express), The lady is ugly!"
PERSUASION by Jane Austen The author's final novel.
THE SECRET
"Vanity was the beginning and the end of Sir Walter Elliot's character; vanity of person and of situation. He had been remarkably handsome in his youth; and, at fifty-four, was still a very fine man. Few women could think more of their personal appearance than he did, nor could the valet of any new made lord be more delighted with the place he held in society. He considered the blessing of beauty as inferior only to the blessing of a baronetcy; and the Sir Walter Elliot, who united these gifts, was the constant object of his warmest respect and devotion."
“The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation. He’d been dead for ten days before they found him, you know. It was one of the biggest manhunts in Vermont history – state troopers, the FBI, even an army helicopter; the college closed, the dye factory in Hampden shut down, people coming from New Hampshire, upstate New York, as far away as Boston.”
HISTORY by Donna Tartt Murder at an elite New England college.
CATCH 22 by Joseph Heller Satire set during World War II.
“There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle. "That's some catch, that Catch-22," he observed. "It's the best there is," Doc Daneeka agreed.”
BELOVED by Toni Morrison A story of slavery.
"He looked at her then, closely. Closer than he had when she first rounded the house on wet and shining legs, holding her shoes and stockings up in one hand, her skirts in the other. Halle's girl--the one with iron eyes and backbone to match. He had never seen her hair in Kentucky. And though her face was eighteen years older than when last he saw her, it was softer now. Because of the hair. A face too still for comfort; irises the same color as her skin, which, in that still face, used to make him think of a mask with mercifully punched-out eyes."
“On the contrary, I believe it doesn't make much sense to say that one man is worth more than another. One man can be stronger than another but less wise. Or more educated but not so brave. Or more generous but also more stupid. So his value depends on what you want from him; a man can be very good at his job, and worthless if you set him to do some other job.”
IF NOT NOW, WHEN? by Primo Levi A group of partisans try to survive in World War II
“I'm the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible.”
THE CATCHER IN THE RYE by J.D. Salinger Sixteen-year-old Holden Caulfield leaves his prep school to wander round New York.
THE GO-BETWEEN
“The past is a foreign country; they do things differently there... To my mind's eye, my buried memories of Brandham Hall are like effects of chiaroscuro, patches of light and dark: it is only with effort that I see them in terms of colour. There are things I know, though I don't know how I know them, and things that I remember. Certain things are established in my mind as facts, but no picture attaches to them; on the other hand there are pictures unverified by any fact which recur obsessively, like the landscape of a dream.”
by L.P. Hartley A coming-of-age story set in 1900.
THE CHILD IN TIME by Ian McEwan The grief of a couple whose daughter goes missing.
Jigging and weaving to overtake, Stephen remained as always, though barely consciously, on the watch for children, for a five-year-old girl. It was more than a habit, for a habit could be broken. This was a disposition, the outline experience had stencilled on character. It was not principally a search, though it had once been an obsessive hunt, and for a long time too. Two years on, only vestiges of that remained; now it was a longing, a dry hunger. There was a biological clock, dispassionate in its unstoppability, which let his daughter go on growing, extended and complicated her simple vocabulary, made her stronger, her movements surer. The clock, sinewy like a heart, kept faith with an unceasing conditional: she would be drawing, she would be starting to read, she would be losing a milk tooth. She would be familiar, taken for granted. It seemed as though the proliferating instances might wear down this conditional, the frail, semiopaque screen whose fine tissues of time and chance separated her from him; she is home from school and tired, her tooth is under the pillow, she is looking for her daddy.
King Edward VI School Library (November 2017)