Newsletter, September 1991

Page 1

Johnson & Favaro and Guthrie+Buresh called for a

Since the boom of the early 19505 the response to

Two Issues were considered of primary i~portance , First

Increased demand for housing has been to build Qut-

was the need for Increased urban density

or, as the

redislribution of space , transferring unused privat e space

the singl e family Mme dweller to maintain th e status

wards. With Los Angeles and Its adjoining counties

Central Office of Architecture declared, "DENSIFY OR

to the public domain. Ingeniously expanding on Ihis

quo. Revolutionary change runs COunter 10 the oulmoded

~

Synonymous with Ihe nolion of suburbia is the deSire of

spanning hundreds of square miles, planners have been

DIE: Second was the acknowledgement of the single

techniqu e, Mary-Ann Ray's designs used alleys and

fantasies of the average suburbanit e. Whether these

virtually powerless to control the growth on any but a

family residence as the icon of American capitalism, the

other voids between shuctures as the fool prints for her

radical redefinitions would be embraced within their

strictly regional level. From the taxing of resources to thfl

American Dream.

buildings, fold ing them into the crevices of the urban

alloted con texts remains the crucial question, In a panel

mesh ,

discussion on the final weekend of the exh ibition the

dilemma of transporiatiOfl, developers, too, have long

architects themselves agreed that the most effective

recognized Ihe disadvantages of expansion Into the vast

Satisfying urban demands and suburban desires, efforts

desert bul have resp<lnded to consumer demand by

which beller lend themselves to juidaposition than mar-

As if in response to the tract housing of the post-War

continuing to build centrifugally.

riage, required In most schemesa radical reinterpretation

era, most of Ihe projects includ ed several building types

of a suburban aesthetic. All of Ihe projects re<:ognized.

'with in their respective schemes. Unlike the Central Of"

Redefining the American Dream, although a seemingly

the need for re-evaluating existing zoning laws which

fice of Architecture 's uni-dimensional Love-II-or-Leav e-

Orwellian proposal, is presented with such grace and

In recent years development of tract houses in some

test would be to build them and let reality be the judge.

communities has given way to multi-story units. How-

impose set-back requirements and restrict building

It approach, designs such as Ray 's designated housing

clarity In Ihese projects that It is difficult to believe thai

ever, these seemingly obvious ,clutions do not accom -

heights.

types with spe<:ilic occupants in mind, These Included

somewhere, at some time, their precepts couldn't be

housing for Ihe homeless, transients, singles and fami-

successfully appli ed. Still open to question, however, is

modate Ihe desire of many home owners, that of Ihe private space afforded by the single family residence.

The main focus of the designers was to take advantage

lies, and Ihose who work both in and away from Ihe

whether a Los Ang ele s nearing th e millennium Is the

of avai lable space. Janek B ielski and Roger Sherman

home,

proper provin-g ground, But, then, whr!l"e beller? These architects have called allention to the obsolescence of a

In an exhibit that recently closed at the LA Municipal Art

both approached Ihls task by providing a range of op-

Gallery Roger Sherman assembled several architectural

tions for residents, eliminating set-backs and creating

Guthrie+Buresh also recognized the need to build above

desire to keep population densities low. One realizes

firms to address the iss ue of housing in response to

courtyard spaces. Uke their Medltefla nean counter-

and around existing structures to Increase the occu-

looking allhes e elegant and Inventive schemes the need

population growth In Southern California, Challenging

paris, these designs did not require the strict designa-

pancy of single lois. Their strateg ies included construct-

to awake f rom our reverie,to awake 10 the reality of the

standard building types accepted since World War II and

tion of interior and exterior space.

Ing studios over garages and adding commercial space

Dream.

admonishing the f_ recent attempts by deYelopers to

In lieu of front lawns in order 10 take fu ll advantage of

meet the demands of urban dwelling, Ihe archit ects

usable land,

Alison Lynn

altered environ ment. (Residents might as well be told

p.esented projects that acknowledge not only the basic demands of the maturing city but also the intangible deSires of Its inhabitants. To this end was proposed RE; American Dream.

Dream on

Architects and city planners don't always see eye to eye

Los Angeles views Itself as a series of small towns and

show that advocate measures such as losing paris of

with the public about the desirability of Increasing the

neighborhoods, Densiflcation represents the death of

backyards for an alley would undoubtedly pmYOke open

thai they

density of existing urban nelghoomoods. A case in polnl

these neighborhoods as their residents know them -

warfare. Why, I wondered as I looked althe show, would

and stop watching TV because it rols their minds,) New

witness the ferocity with which Southern California resi-

any homeowner who likes the way hislher neighborhood

high density housing might be more appropriately intro-

the L.A. Municipal Arl Gallery. The architects whose

dents band logether in protective homeowners groups. I

looks now, be willing to watch It be completely trans·

duced in some olher loning cstegory such as commercial

conceptual projects were on display made little, if any,

found the show's assumption that lower density neigh-

formed?

land use,

acknowledgement that density is the great Bogeyman

borhoods would inevitably become outmoded by some In short, the show had the vices and virtu es of a paper

for many Los Angeles residents. This fundamental flaw

kind of mutually agreeable environmental agenda and go

Districts where these proposals would stand the great-

in Ihe schemes' premis es renders them formalist exer-

the way of leaded gas and styrofoam fast-food contain-

est chance of being adopted would be where more

project. Its idealized program allowed architects to de-

cises rather than real possibi1i\ies for improving the

ers naive and wildly optimistic. This is not a politically

transient rental populalions and noncon forming hou sing

velop ideas that push back the boundaries of existing possibililles , but Ihese ideas were weakened as actual

suburban landscape andlor community. People in

plausible premise, given that most homeowners groups

already exist. In economically deprived sections of the

Southern California generally will do anything possible

have fought tooth and nail to get Iheir neighborhoods

city, smaller allowable lot sizes and great er density cou ld

solullons by the fact that they ignored some very real

to have a physical buffer of space between them and

downzoned to prolect Ihem from the threat of greater

act as a de-facto urban opportunity lOne, (Although

soclo- political considerations.

their neighbors even if that means gelling up at 4;00

density. Some of the proposals in the show call for

some low-incom e neighborhoods may be just as

A,M. to commule from the Moreno Valley to downtown

mandatory reconflguration of property lines, a process

adamantly opposed to the measures as any other

L.A. Lois of human beings in the street are scary to

which would ultimately requ ire government condemna-

single-family neighborhoods,) Some of th e ideas in the

residents of Southern Californ ia. People on the street

tion of privately owned property. The

pr~osals

In the

Jo hn Cha se

show seem more applicable to the development of raw

represent crime, danger, and the suspect condition of

land in Palmdale than well eS lablished nei ghborhoods

being an automobile-less pedestrian,

In Los Angeles; Instituting these proposals there does not require an existing population to accept a totally

fOI' Architecture and Urblrn D. ... n

W Hotlywood, C. llfoml •

· 21;8127141

stop driving cars because they pollule

Is the show "RE; American Dream ", recently on view at

.....

SMU~

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