El
00
Elements
Juxtaposition
04
Sh Shape
08
Mi Mimic
Jx
01
02
Rh Fx Rhythm
05
Flexibility
06
Im Ms Pl Imagination
Mystery
09
10
Simplicity
07
Play
Hu Sm Pt Humor
03
Pattern
11
El
00
Elements
Juxtaposition
04
Sh Shape
08
Mi Mimic
Jx
01
02
Rh Fx Rhythm
05
Flexibility
06
Im Ms Pl Imagination
Mystery
09
10
Simplicity
07
Play
Hu Sm Pt Humor
03
11
Pattern
Laia Pose Gratac贸s
Element 1. a component or constituent of a whole. 2. chemistry: one of a class of substances that cannot be separated into simpler substances by chemical means.
FOREWORD
From the days I was working as a pharmacist in the lab to the last few years learning about design, I have realized that it all comes down to elements. We start the day empty-handed and it is up to us to decide what we will mix and experiment with in order to find solutions, to create a useful and exciting new whole. The elements we begin with are basic, but the complexity and possibilities of our work are endless and boundless. The projects in this book summarize my experience with some of my favorite elements. I hope you enjoy it. Go out and experiment!
El
00
Jx
01
Fx
03
Periodic Table of Elements
Elements
AFTER DARK
Page 006
Juxtaposition
Rh
NÖFF MUSIC FESTIVAL
Page 024
Rhythm
BAYER REBRANDING
Page 040
Flexibility
04
Sh
CHUPA CHUPS
Page 066
Shape
05
Im Imagination
02
DESK CREATURES
Page 084
06
Ms Mystery
A.I. PARADIGM CONFERENCE
Page 104
Pl
07
SPEEDO KIDS PACKAGING
Page 126
09
Hu
RITUAL COFFEE PACKAGING
Page 156
Page 144
11
10
Sm
VELOCITY MOBILE APP
Page 174
Simplicity
Humor
Pattern
Mi
PLAYING WITH MRS EAVES
Mimic
Play
Pt
08
MIND WRAP: BRAIN OWNER'S MANUAL
Page 184
Gr Gratitude
12
THANK YOU
Page 200
ELEMENTS | LAIA POSE GRATACÓS
Jx
Juxtaposition
006
01
01 02 03 04 05 06 07 08 09 10 11
PROJECT | AFTER DARK
Juxtaposition 1. the fact of two things being seen or placed close together with contrasting effect.
AFTER DARK
COURSE
OBJECTIVE
Typography 2
Create a visual system and accompanying collateral for a local event of our choice.
INSTRUCTOR
Jenny Pan RESULT
APPROACH
Posters CDs Tickets ID badges Booklet
After Dark are evenings for adults that take place at the Exploratorium in San Francisco once a month and center on a different scientific subject each time. My design focuses on three consecutive events which had the themes of Fog, Tinker, and Transform. In order to highlight the nightlife and the exploration and interactive part of the event, I decided to juxtapose cocktails and a scientific element representing the night's main focus.
007
ELEMENTS | LAIA POSE GRATACÓS
008
PROJECT | AFTER DARK
01 02 03 04 05 06 07 08 09 10 11
009
ELEMENTS | LAIA POSE GRATACÓS
010
PROJECT | AFTER DARK
01 02 03 04 05 06 07 08 09 10 11
011
ELEMENTS | LAIA POSE GRATACÓS
014
PROJECT | AFTER DARK
01 02 03 04 05 06 07 08 09 10 11
015
ELEMENTS | LAIA POSE GRATACÓS
018
PROJECT | AFTER DARK
01 02 03 04 05 06 07 08 09 10 11
019
ELEMENTS | LAIA POSE GRATACÓS
022
PROJECT | AFTER DARK
01 02 03 04 05 06 07 08 09 10 11
023
ELEMENTS | LAIA POSE GRATACÓS
02
Rh Rhythm
024
01 02 03 04 05 06 07 08 09 10 11
PROJECT | NÖFF MUSIC FESTIVAL
Rhythm 1. a strong, regular, repeated pattern of movement or sound.
NÖFF MUSIC FESTIVAL
COURSE
OBJECTIVE
Visual Systems 1
Come up with a fictional Music Festival that benefits a relevant social cause and design a visual system that embodies both the music genre and the cause.
INSTRUCTOR
Troy Alders RESULT
APPROACH
Posters Ticket iPad app Website
Nöff is a fictional Music Festival that features performances by post-punk revival bands such as The Strokes, Arctic Monkeys, Franz Ferdinand, and Interpol. Since human rights are being violated everyday all over the globe, I wanted the festival to raise awareness and benefit organizations that are fighting for human rights. To depict this, I chose a red and black palette using stripes over people and concert scenes, as a metaphor of their rights being constricted. The repetition of the bars and they variations in length also serve to create rhythm.
025
ELEMENTS | LAIA POSE GRATACÓS
026
PROJECT | NÖFF MUSIC FESTIVAL
01 02 03 04 05 06 07 08 09 10 11
027
ELEMENTS | LAIA POSE GRATACÓS
028
PROJECT | NÖFF MUSIC FESTIVAL
01 02 03 04 05 06 07 08 09 10 11
029
ELEMENTS | LAIA POSE GRATACÓS
032
PROJECT | NÖFF MUSIC FESTIVAL
01 02 03 04 05 06 07 08 09 10 11
033
ELEMENTS | LAIA POSE GRATACÓS
034
ELEMENTS | LAIA POSE GRATACÓS
036
PROJECT | NÖFF MUSIC FESTIVAL
01 02 03 04 05 06 07 08 09 10 11
037
ELEMENTS | LAIA POSE GRATACÓS
038
PROJECT | NÖFF MUSIC FESTIVAL
01 02 03 04 05 06 07 08 09 10 11
039
ELEMENTS | LAIA POSE GRATACÓS
Fx Flexibility
040
03
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
Flexible 1. capable of bending or being bent. 2. susceptible of modification or adaptation.
BAYER REBRANDING
COURSE
OBJECTIVE
Strategies for Branding
Redesign the identity of an existing brand of our choice. Create a clear image of who they are as a company and represent their stated values and mission.
INSTRUCTOR
Todd Hedgpeth RESULT
APPROACH
Logo Book
Bayer is known as a pharmaceutical company, but they also have a Crop and New Materials Division, and their slogan is “Science for a Better Life�. Since their strength is innovation, I envision the new look of the brand as fresh and approachable, but still maintaining the structure and confidence that this German company has built throughout the years. The logo is inspired by the shape of the benzene compound and a heart representing health. I used the triangle shape in the center of the logo as a design element that is flexible and allows for multiple variations to adapt to as many applications as necessary.
041
ELEMENTS | LAIA POSE GRATACÓS
042
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
043
ELEMENTS | LAIA POSE GRATACÓS
044
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
045
ELEMENTS | LAIA POSE GRATACÓS
046
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
047
ELEMENTS | LAIA POSE GRATACÓS
048
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
049
ELEMENTS | LAIA POSE GRATACÓS
050
ELEMENTS | LAIA POSE GRATACÓS
052
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
053
ELEMENTS | LAIA POSE GRATACÓS
054
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
055
ELEMENTS | LAIA POSE GRATACÓS
058
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
059
ELEMENTS | LAIA POSE GRATACÓS
060
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
061
ELEMENTS | LAIA POSE GRATACÓS
062
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
063
ELEMENTS | LAIA POSE GRATACÓS
064
PROJECT | BAYER REBRANDING
01 02 03 04 05 06 07 08 09 10 11
065
ELEMENTS | LAIA POSE GRATACÓS
04
Sh Shape
066
01 02 03 04 05 06 07 08 09 10 11
PROJECT | CHUPA CHUPS
Shape 1. the quality of a distinct object or body in having an external surface or outline of specific form or figure. CHUPA CHUPS
COURSE
OBJECTIVE
Visual Systems 2
Create promotional materials for a company of our choice. The idea was to design something new, but that would still fit within the brand ideals and identity.
INSTRUCTOR
Eszter Clark RESULT
APPROACH
Booklet Posters
For this project I chose to create a booklet and a series of posters for Chupa Chups, a pioneer lollipop brand from Spain that was founded in the 50s. Taking into consideration Chupa Chups' slogan, “Life less serious,� the design celebrates daily adult routines, reinterpreting them in a fresh and fun way in order to bring the audience back to their childhood. I used colorful circles throughout the deliverables to mimic the shape and tastiness of the lollipops. Bright shapes interact in unexpected ways with black and white photographs reminiscent of the past when the company was founded.
067
ELEMENTS | LAIA POSE GRATACÓS
068
PROJECT | CHUPA CHUPS
01 02 03 04 05 06 07 08 09 10 11
069
ELEMENTS | LAIA POSE GRATACÓS
072
PROJECT | CHUPA CHUPS
01 02 03 04 05 06 07 08 09 10 11
073
ELEMENTS | LAIA POSE GRATACÓS
074
PROJECT | CHUPA CHUPS
01 02 03 04 05 06 07 08 09 10 11
075
ELEMENTS | LAIA POSE GRATACÓS
078
PROJECT | CHUPA CHUPS
01 02 03 04 05 06 07 08 09 10 11
079
ELEMENTS | LAIA POSE GRATACÓS
082
PROJECT | CHUPA CHUPS
01 02 03 04 05 06 07 08 09 10 11
083
ELEMENTS | LAIA POSE GRATACÓS
05
Im Imagination
084
01 02 03 04 05 06 07 08 09 10 11
PROJECT | DESK CREATURES
Imagine 1. to form a mental image of something not actually present to the senses.
DESK CREATURES
COURSE
OBJECTIVE
Graphic Design 2
Create whatever project we wanted in the media of our choice. Drawing inspiration from paper toys, I decided to create a series of creatures that could be used as desk accessories.
INSTRUCTOR
Roland Young RESULT
APPROACH
Desk set
Desk Creatures aims to build a series of paper beings that can move from their imaginary world to your desk and help you hold your cards or photographs, keep track of the day of the week or hold your pencils in place. Each creature has its own booklet where you can see how they were created and how they interact with their environment. All the pages can be trimmed to become a card or postcard.
085
ELEMENTS | LAIA POSE GRATACÓS
086
087
ELEMENTS | LAIA POSE GRATACÓS
088
PROJECT | DESK CREATURES
01 02 03 04 05 06 07 08 09 10 11
089
ELEMENTS | LAIA POSE GRATACÓS
090
PROJECT | DESK CREATURES
01 02 03 04 05 06 07 08 09 10 11
091
092
01 02 03 04 05 06 07 08 09 10 11
093
ELEMENTS | LAIA POSE GRATACÓS
096
PROJECT | DESK CREATURES
01 02 03 04 05 06 07 08 09 10 11
097
ELEMENTS | LAIA POSE GRATACÓS
098
PROJECT | DESK CREATURES
01 02 03 04 05 06 07 08 09 10 11
099
ELEMENTS | LAIA POSE GRATACÓS
102
PROJECT | DESK CREATURES
01 02 03 04 05 06 07 08 09 10 11
103
ELEMENTS | LAIA POSE GRATACÓS
06
Ms Mystery
104
PROJECT | A.I. PARADIGM CONFERENCE
01 02 03 04 05 06 07 08 09 10 11
Mystery 1. anything that is kept secret or remains unexplained or unknown.
A.I. PARADIGM CONFERENCE
COURSE
OBJECTIVE
Typography 4
Create a conference that incorporates a futuristic topic of our choice. Design a book and support materials using experimental typography.
INSTRUCTOR
Ariel Grey RESULT
APPROACH
Poster Ticket Book Video
The topic I chose was Artificial Intelligence and Singularity. The idea of singularity suggests that at some point in the future there will be a computer that is not only smarter than a human but also more intelligent than humanity’s collective abilities. It is the point where technological advances are happening at such a fast rate that it becomes impossible for humans to understand. I decided to use imagery that is somewhat mysterious and digitalized because we are moving towards the unknown, an era where humans will no longer be the dominant species.
105
ELEMENTS | LAIA POSE GRATACÓS
106
PROJECT | A.I. PARADIGM CONFERENCE
01 02 03 04 05 06 07 08 09 10 11
107
ELEMENTS | LAIA POSE GRATACÓS
108
PROJECT | A.I. PARADIGM CONFERENCE
01 02 03 04 05 06 07 08 09 10 11
109
ELEMENTS | LAIA POSE GRATACÓS
112
PROJECT | A.I. PARADIGM CONFERENCE
01 02 03 04 05 06 07 08 09 10 11
113
ELEMENTS | LAIA POSE GRATACÓS
116
PROJECT | A.I. PARADIGM CONFERENCE
01 02 03 04 05 06 07 08 09 10 11
117
ELEMENTS | LAIA POSE GRATACÓS
118
PROJECT | A.I. PARADIGM CONFERENCE
01 02 03 04 05 06 07 08 09 10 11
119
ELEMENTS | LAIA POSE GRATACÓS
120
PROJECT | A.I. PARADIGM CONFERENCE
01 02 03 04 05 06 07 08 09 10 11
121
ELEMENTS | LAIA POSE GRATACÓS
124
PROJECT | A.I. PARADIGM CONFERENCE
01 02 03 04 05 06 07 08 09 10 11
125
ELEMENTS | LAIA POSE GRATACÓS
Pl Play
126
07
01 02 03 04 05 06 07 08 09 10 11
PROJECT | SPEEDO KIDS PACKAGING
Play 1. exercise or activity for amusement or recreation.
SPEEDO KIDS PACKAGING
COURSE
OBJECTIVE
Package Design 1
Research a sports brand and create a set of packaging, shopping bags and hang tags for a few of their existing products.
INSTRUCTOR
Kathrin Blatter RESULT
APPROACH
Packages Shopping bag Hang tag
I chose Speedo since I discovered they had a line for kids who are just starting to learn how to swim. I created fun packaging inspired by sea creatures with the idea that kids can not only enjoy the products, but also play with the boxes themselves. My design offers a fun and inviting way to encourage the little ones to explore and jump into the water.
127
ELEMENTS | LAIA POSE GRATACÓS
128
PROJECT | SPEEDO KIDS PACKAGING
01 02 03 04 05 06 07 08 09 10 11
. .sbl 6
129
ELEMENTS | LAIA POSE GRATACÓS
T4 ezis .4 egA • 4-93 :thgiH • -33 :thgieW •
130
PROJECT | SPEEDO KIDS PACKAGING
01 02 03 04 05 06 07 08 09 10 11
131
ELEMENTS | LAIA POSE GRATACÓS
132
PROJECT | SPEEDO KIDS PACKAGING
01 02 03 04 05 06 07 08 09 10 11
133
ELEMENTS | LAIA POSE GRATACÓS
134
PROJECT | SPEEDO KIDS PACKAGING
01 02 03 04 05 06 07 08 09 10 11
135
ELEMENTS | LAIA POSE GRATACÓS
136
PROJECT | SPEEDO KIDS PACKAGING
01 02 03 04 05 06 07 08 09 10 11
137
ELEMENTS | LAIA POSE GRATACÓS
138
PROJECT | SPEEDO KIDS PACKAGING
01 02 03 04 05 06 07 08 09 10 11
139
ELEMENTS | LAIA POSE GRATACÓS
140
PROJECT | SPEEDO KIDS PACKAGING
01 02 03 04 05 06 07 08 09 10 11
141
ELEMENTS | LAIA POSE GRATACÓS
Mi Mimic
144
08
01 02 03 04 05 06 07 08 09 10 11
PROJECT | PLAYING WITH MRS EAVES
Mimic 1. to imitate or copy in action, speech, often playfully or derisively. 2. an animal that naturally looks like something else. PLAYING WITH MRS EAVES
COURSE
OBJECTIVE
Typography 2
Create a typographic set of cards explaining the history and anatomy of a typeface of our choice, and create a concept that is related to some aspect of the typeface.
INSTRUCTOR
Jenny Pan RESULT
APPROACH
Card set
I chose Mrs Eaves, a typeface inspired by Baskerville, and used a domino theme as dominos were introduced to Europe around the same time as Baskerville and Mrs. Eaves lived. My design incorporates dots to mimic dominos and it combines them with type in interesting ways with a feminine touch.
145
ELEMENTS | LAIA POSE GRATACÓS
146
PROJECT | PLAYING WITH MRS EAVES
01 02 03 04 05 06 07 08 09 10 11
147
ELEMENTS | LAIA POSE GRATACÓS
150
PROJECT | PLAYING WITH MRS EAVES
01 02 03 04 05 06 07 08 09 10 11
151
ELEMENTS | LAIA POSE GRATACÓS
154
PROJECT | PLAYING WITH MRS EAVES
01 02 03 04 05 06 07 08 09 10 11
155
ELEMENTS | LAIA POSE GRATACÓS
09
Hu Humor
156
01 02 03 04 05 06 07 08 09 10 11
PROJECT | RITUAL COFFEE PACKAGING
Humor 1. a comic, absurd, or incongruous quality causing amusement.
RITUAL COFFEE PACKAGING
COURSE
OBJECTIVE
Package Design 1
Choose a coffee company and redesign 3 packages of different specialities. Produce a gift box to hold at least 2 of them together.
INSTRUCTOR
Kathrin Blatter RESULT
APPROACH
Tin canisters Gift box
Ritual Coffee Roasters has a logo that resembles the communist hammer and sickle which I find very humorous and amusing. I elaborated more on this idea to create a lighthearted coffee revolution inspired by Soviet propaganda. Join the San Francisco Koffeenist Party while you enjoy a delicious cup of coffee!
157
PROJECT | RITUAL COFFEE PACKAGING
01 02 03 04 05 06 07 08 09 10 11
159
ELEMENTS | LAIA POSE GRATACÓS
162
PROJECT | RITUAL COFFEE PACKAGING
01 02 03 04 05 06 07 08 09 10 11
163
ELEMENTS | LAIA POSE GRATACÓS
164
PROJECT | RITUAL COFFEE PACKAGING
01 02 03 04 05 06 07 08 09 10 11
DRINK COMRADE 165
ELEMENTS | LAIA POSE GRATACÓS
166
PROJECT | RITUAL COFFEE PACKAGING
01 02 03 04 05 06 07 08 09 10 11
167
ELEMENTS | LAIA POSE GRATACÓS
168
PROJECT | RITUAL COFFEE PACKAGING
01 02 03 04 05 06 07 08 09 10 11
169
ELEMENTS | LAIA POSE GRATACÓS
170
PROJECT | RITUAL COFFEE PACKAGING
01 02 03 04 05 06 07 08 09 10 11
171
ELEMENTS | LAIA POSE GRATACÓS
172
PROJECT | RITUAL COFFEE PACKAGING
01 02 03 04 05 06 07 08 09 10 11
173
ELEMENTS | LAIA POSE GRATACÓS
10
Sm Simplicity
174
01 02 03 04 05 06 07 08 09 10 11
PROJECT | VELOCITY MOBILE APP
Simple 1. easy to understand, deal with, use, etc. 2. not complex or fancy.
VELOCITY MOBILE APP
COURSE
OBJECTIVE
Graphic Design 3
Come up with a concept and design for a mobile app, considering audience and user interaction design. The app has to be unique and useful, solving a problem that no current app in the market tackles.
INSTRUCTOR
Amir Bahadori RESULT
APPROACH
Mobile app
Velocity is an app for urban bike commuters. It helps you calculate the best routes according to your preferences: bike lanes, avoidance of hills or traffic, road conditions, etc. You can also keep track of your miles, calories burned or CO2 saved, and see how your biker friends are doing. It is all combined in a clean and simple design. Your next bike adventure is just one swipe away!
175
ELEMENTS | LAIA POSE GRATACÓS
ROUTES
Right
!
176
20 feet
Dangerous Intersection
01 02 03 04 05 06 07 08 09 10 11
PROJECT | VELOCITY MOBILE APP
ACTIVITY Ranking
Me
Friends
ACTIVITY ROUTES
Week
Month
Year
RESOURCES
Miles 20 15 10
REPORT
5 S
M
T
W
T
F
S
Distance
85 miles
Burned
2350 kcal
Saved
4 kg CO2
Money
+$ 22
0
EVENTS
REPAIR
177
ELEMENTS | LAIA POSE GRATACÓS
178
PROJECT | VELOCITY MOBILE APP
01 02 03 04 05 06 07 08 09 10 11
179
ELEMENTS | LAIA POSE GRATACĂ“S
ROUTES
ACTIVITY Ranking
Me
Friends Mark
54 miles
Emma
7 miles
Daniel
New comment
Lily
12 miles
Chloe
New route
Joseph
43 miles
Ana
3 miles
Today 12pm
Today 9am 1
Monday
Monday
Sunday
Sunday
RESOURCES
Gallery
BIKE RACK Polk at Hayes 0,5 miles
RESOURCES
RESOURCES
ROUTES
Bike Rack Polk at Hayes
Bike friendly Cafe Restaurant Park Business
Safety
Bike shop
Quantity
Parking
Availability
Bus Thefts
Joseph It fills up quickly in the morning. Easy to park after 4pm. Convenient location. Emma A friend got his bike stolen during the night, I would not park there after dark!
182
Right
150 feet
Ride time
Distance
08:32
2,5 miles
10 mph
PROJECT | VELOCITY MOBILE APP
01 02 03 04 05 06 07 08 09 10 11
183
ELEMENTS | LAIA POSE GRATACÓS
Pt Pattern
184
11
01 02 03 04 05 06 07 08 09 10 11
PROJECT | MIND WRAP
Pattern 1. a repeated decorative design. 2. give a regular or intelligible form to.
MIND WRAP: BRAIN OWNER'S MANUAL
COURSE
OBJECTIVE
Typography 3
Choose a scientific topic and design a book around it. Research an existing publisher that would be a good fit to produce this book and redesign the publisher's website.
INSTRUCTOR
Ariel Grey RESULT
APPROACH
Book Website
I named my book “Mind Wrap.� It explores perception and visual illusions, the science behind them, and how they trick our brain. It gives insights on how the brain handles different functions, and some tips on how to exercise it and improve its capabilities. In order to convey the subject of optical illusions and make it appealing, the design contains many patterns and geometrical shapes in various sizes and colors.
185
ELEMENTS | LAIA POSE GRATACÓS
186
PROJECT | MIND WRAP
01 02 03 04 05 06 07 08 09 10 11
187
ELEMENTS | LAIA POSE GRATACÓS
190
PROJECT | MIND WRAP
01 02 03 04 05 06 07 08 09 10 11
191
ELEMENTS | LAIA POSE GRATACÓS
194
PROJECT | MIND WRAP
01 02 03 04 05 06 07 08 09 10 11
195
ELEMENTS | LAIA POSE GRATACÓS
198
199
12
Gr Gratitude
Gratitude 1. readiness to show appreciation for and to return kindness. INSTRUCTORS
Thank you for your kind words and for your harsh critiques, I've learned so much from them. Most of all, thank you for pushing me to do things I didn't know I was able to do. CLASSMATES
You are the only ones who truly understand the effort and struggles behind all this. Being able to share this experience with you has made all the difference. Thank you for sharing design tips with me, for your friendship and your advice. See you in the real world! FRIENDS
To the ones I left in Catalunya and the new ones I made in California, thank you for always supporting and taking care of me, in spite of the distance or me being missing for weeks at a time working on school projects. GrĂ cies per estar sempre al meu costat, vosaltres em doneu coratge per tirar endevant! FAMILY
Thank you for always supporting and believing in me, especially my parents and grandparents for being my biggest fans. This pushes me to give my best every day. Em sento molt afortunada de tenir-vos. Sou Ăşnics! EDGAR
You have held my hand through this bumpy journey. You helped me find my strength and let me borrow yours when I most needed it. Thank you for being there in every possible way, for keeping me sane through many sleepless nights, for putting your fingers at risk with an X-acto knife, and for leaving me encouraging notes on the mirror. Your love and support mean the world to me. T'estimo.
DESIGNER
PAPER
COPYRIGHT
Laia Pose Gratacós
Proline Uncoated Mohawk
© 2015 All rights reserved.
PRINTER/BINDER
hello@laiapose.com
Blurb
WEBSITE
PHOTOGRAPHY
www.laiapose.com
Laia Pose Gratacós Edgar Gonzàlez i Pellicer
PHONE NUMBER COPY EDITOR
+1 415 786 9924 Monica Berini SCHOOL TYPEFACE
Academy of Art University School of Graphic Design 79 New Montgomery San Francisco CA 94105 COURSE
Senior Portfolio INSTRUCTOR
Mary Scott
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