laiqiu ucl portfolio by laiqiu

[Eucational Background] Southwest Jiaotong Unioversity

[Award/Honors] 09/2016-06/2021

School of Architecture and Design Major: Architecture

Grade:86.37/100

L AI QIURONG

[Hobbies] Photography Watercolor painting Traditional Chinese painting Visiting exhibition Movies Tourism Cycling Singing

[Languages] English proficiency on Writen & Spoken Chinese Mother Tongue

Second Prize of Comprehensive Scholarship

12/2018

Southwest Jiaotong Unioversity

[Academic Expeience] CLEAR Design,The station design,Chengdu,china

The second prize,PRAWIEK Design, Circle of Life Competition 11/2019 Host by Unfuse on Uni.

Outstanding Student Cadre 07/2019-10/2019

Design in college courses The design is a sightseeing station for tourists, as dujiangyan - Chengdu, Dujiangyan - Siguniang Mountain two lines starting and ending station. Design in TOD traffic within the framework of the conceptual model to business slow line interact with car express channel for horizontal level and vertical direction on the independent design, in order to in efficient and convenient traffic conversion to fully realize the value of the business and as a public space construction of citizens to participate in the daily life, change the station for a train set thinking, while exhibit the portal status of dujiangyan expectations for tourism development. 07/2018-10/2018 Design of bamboo weaving Museum,Chengdu,china Design in college courses Based on the concept of the unique culture-bamboo weaving culture of Manshu Academy, the design combines the weaving method of bamboo weaving with the design of space. At the same time, the characteristic space of local traditional architecture is added into the building to realize the exhibition, public activities and rest with the interesting space.

Southwest Jiaotong Unioversity Two-star volunteer

5/2018

Southwest Jiaotong Unioversity

Defensive Research of Fubao Ancient Town,Sichuan,china 07/2018 SRTP , Student Research Training Program Went to Fubao ancient town for investigation, consulted local literature, and wrote a paper on fubao ancient town defensive research.

[Extracurricular Activities]

Investigation of Old Factory in Southern Sichuan,Sichuan,china 07/2018

study abroad program in Japan

Surveying and Mapping Practice in college courses Field investigation of representative old factories in southern Sichuan, on-site surveying and mapping, sorting out all research data, and proposing their own transformation strategies.

12/2019

-Organized by Sichuan Civil Engineering Association -A 14-day visit to Japanese architecture, some universities in Japan and exchange activities with Japanese students.

CONTENTS

GORGEOUS

WEAVE

LIQUIDS ROADS

KARMA

Youth Apartment Design

Design of museum

Urban design

individual work

group work

A place of pilgrimage on the sea

group work

GORGEOUS A gorgeous place where everyone can be seen. The design focuses on the disappearance of the personal consciousness and personality of young people in society; the huge pressure of life and work; people gradually close their hearts and become isolated islands. The youth apartment is designed to be attentive and caring to everyone, and to provide everyone with real needs.The design provides young people with free choice, promotes interpersonal communication, and pays attention to human emotions in the space design. General layout

ANALYSIS OF THE PROPORTION OF PEOPLE'S ACTIVITIES IN THE VENUE

CROWD COMPOSITION

42%

16% Bookstore

Young workers Student groups Core talent

Student groups Young workers Core talent

Core talent Young workers Student groups

Internet

Bar

Cinema

Showroom Family dining

Party

Drink

Shopping Read

FUNCTION AREA AROUND THE SITE

Cafe

The mall

Sleep

Work

The site is surrounded by high-tech knowledge production areas, business districts, high-tech industrial areas, and cultural industry areas where young workers and students gather.

Fitness Movie

Dinner

Phine

Watch exhibition

Outdoor leisure

Study Office

Classroom

Restaurant

Gym

Park

Dining hall

Bedroom

Tianfu avenue Business area

ANALYSIS OF REPRESENTATIVE FIGURES OF THE SITE Luxi Intelligent Industry Core Area

love art

Anxiety

Insecurity

Chen Jing The piano is my another language, a comfort in my tired life. I wish I had someone to talk to.

Peripheral service area

SITE Science and Technology Innovation sector

Tourism cultural and Creative area

SITE

The piano

Erhu

Drawing

Li Qin I've always believed that "hard work wins." But in the busy, it seems I didn't win, but lost something. Yang Shan I first entered the workforce. Everything s e eme d v er y une as y . Unfamiliar environment, I can find new friends, and a sense of belonging?

Chen Jing

Li Qin

Yang Shan

Zi Feng

Zi Feng I diligently worked for several years, living like a calm no waves of water. I always think of the time when I was passionate about all challenges.

Busy

Lonely

Loss of individuality 5

12.000

SCHEME GENERATION

FLOOR PLAN OF PODIUM

By paying attention to the disappearance of the personal consciousness of young people in society; the huge pressure of life; people are getting more and more lonely and other issues, it is proposed to provide young people with free choice space, promote people's communication, and care about all the emotions of people.

12.000 There are abundant public Spaces in the high-rise podium, which can greatly facilitate the communication between people and meet the needs of young people in all aspects.

CONCEPT GENERATION 12.000

12.000 8.000

Huge pressure of life and work.

12.000

4 floor plan 8.000

8.000

People gradually close their hearts and become isolated islands.

The attrition and attack of individual consciousness and personality.

8.000

4.000

4.000 8.000

3 floor plan

8.000

4.000

The attrition and attack of individual consciousness and personality.

4.000

2 floor plan 4.000

-0.450

4.000

Care about people's emotions.

4.000

Provide free choice Promote communication between people. BLOCK GENERATED -0.450

1 floor plan Revolving restaurant

Ⅰ .Determine the scope of construction. 6

Ⅱ .Put in different volumes.

Ⅲ .Combine different volumes.

Ⅳ .Put in different characteristic Spaces.

Ⅴ .Combine feature block and base block.

Entertainment and Catering The coffee shop Co-working space

Fitness area -0.450 Restaurant Leisure area

Classroom -0.450

Exhibition hall

Laundry room Convenience store

Store Office

Fire control room

book bar

DESIGN OF THE HOUSE LAYOUT There are a variety of apartment types for the upper floors of the Youth Apartment. In each type, the functions can be freely selected according to the needs of the occupants. Everyone in the apartment can freely choose the type of house they live in.Apartments is the recommended type of apartment is different needs of different groups, each person has their own exclusive residence.The design satisfies the need that habitant chooses freely from the design of door model, this is a kind of concern to habitant namely. FREE CHOICE OF APARTMENT TYPE

THE DOOR MODEL DESIGN OF REPRESENTATIVE PERSON

In each type of apartment, the function can be freely selected according to the occupants.

Chen Jing

Replaceable features

Li Qin

Yang Shan

Replaceable features

Zi Feng

Replaceable features

Flat plan 1 Flat plan 2

Flat plan 3

Flat plan 4

Suggested house type

TYPICAL PLAN The selected representative high-rise floor plan has various combinations of apartment types.

Suggested house type 7

PROFILE

EIGHT EMOTIONAL

There are eight different emotional spaces in the apartment-interest, satisfy, calmness, happiness, sadness, tension, anxiety, fear. In the apartment, every emotion can be seen. Emotional space is designed as a public space in the apartment. Residents can enter each emotional space to experience according to their own needs, pay attention to and adjust their own emotions. At the same time, there is a transitional public activity space between every two emotional spaces, which can create more communication for people.

In people’s lives, there are eight emotions that are most common-interest, satisfy, calmness, happiness, sadness, tension, anxiety, fear. SADNESS

HAPPINESS Percentage of emotions per capita in a day

Polyhedral interesting swimming space.

Satisfy the sight, taste and sound and p ro v i d e s a t i s f y i n g space for film, food and music.

SATISFY

ANXIETY Percentage of emotions per capita in a day

INTEREST

Percentage of emotions per capita in a day

FEAR Percentage of emotions per capita in a day

Percentage of emotions per capita in a day

Polyhedral interesting swimming space.

CALMNESS Ever ywhere there are obstacles, let a person feel dangerous stress space.

There are countless paths, but it is always difficult to find the exit space for anxiety.

Percentage of emotions per capita in a day

TENSION Percentage of emotions per capita in a day

Percentage of emotions per capita in a day

Ve r y p u r e , q u i e t , drab space, build the atmosphere of sadness.

A space with a satisfying atmosphere for gourmet food, coffee and milk tea.

A quiet space with a communal feature book bar.

EMOTIONAL SPACE SATISFY

FEAR

The satisfied space consists of an ellipsoidal shell and three indoor platforms.

The space of fear consists of multiple external walls and broken and inclined walls inside.

The satisfying space provides the functions of catering, movies, and music.

The space of fear has a slanted wall with many fragments, providing a sense of weightlessness.

CALMNESS

ANXIETY

The calm space consists of an ellipsoidal shell and a spirally rising ramp.

The anxious space consists of winding roads and sloping walls.

The calm space provides a spiral ramp, and people will feel calm when walking in the space.

The anxious space provides many alternative paths, but it is difficult to find an exit.

INTEREST

TENSION

The space of interest consists of a polyhedron space and a swimming pool.

The tension space consists of obstacles in all directions and elliptic cylindrical walls.

The polygonal translucent space provides a swimming pool.

There are many obstacles in all directions in the tight space, making people feel nervous when passing.

PUBLIC SPACE

Meet the outdoor c onnec tion between space and calm space.

Inside the mirror sphere is a casual book bar where p e o p l e c a n re a d and communicate together.

There are interconnected outdoor stairs between the contented space and the calm space.

Interesting mirror public space, inside the sphere is a public characteristic leisure book bar. 9

WEAVE This design comprehensively pays attention to the history and culture of the site, the climate conditions of the city, and the traditional buildings around the site. The building is applied to the mainstream line through refining and weaving, and then the space is connected in series through the mainstream line. This design studies the courtyards and patios of traditional buildings, and adds them to their own designs through the transformation design. Taking into account the natural conditions of the city, the design emphasizes greenness and nature, natural ventilation and lighting in the building, and adding a lot of green plants, considering green materials in the material

Location of the design The site is located in Chengdu, which is an important central city in western China and a national historical and cultural city.

Va r i a t i o n of u r b a n w a t e r consumption In the past five years, the city of chengdu has used a lot of water, and the precipitation has increased year by year due to the growing population of chengdu. Urban climatic conditions Chengdu has a subtropical monsoon humid climate, with sufficient annual precipitation and humid climate. The rain in Chengdu is concentrated in July and August. IThe temperature is hot in summer and cold in winter.

Table of annual water supply and permanent resident population The population of permanent residents Annual water supply Ecological water use Domestic water Production water

Monthly mean precipitation and monthly mean temperature table Average monthly precipitation Monthly mean temperature

Wind-Rose Time: 1 JAN 1:00-31 DEC 24:00 Hourly Data: Wind Speed (m/s)

HISTORY AND CULTURE OF THE SITE The site is located in a historical and cultural tourist district in Chengdu, with a long history of bamboo weaving culture, and retains many historical traditional buildings, attracting a steady stream of tourists.

Chengdu has a long history of bamboo culture. Through the ages, countless literati have expressed their feelings and aspirations in the face of bamboo. Bamboo culture is produced by Chinese laboring people in long-term production practice and cultural activities. Bamboo weaving handicraft came into being in the development of bamboo culture.

The site is located in Chengdu wenshu square.Chengdu wenshu square fully embodies the humanistic and historical essence of old chengdu by taking the west sichuan street courtyard building as the carrier.These courtyard buildings have courtyards for ventilation and lighting.

Bamboo weaving handicraft

The traditional courtyard

WENSHU MONASTERY

The site is located in downtown Chengdu. Chengdu is the capital city of sichuan province, a sub-provincial city, a megacity and the core city of chengdu metropolitan area.Chengdu is an important central city in the western region of China, as well as an important national hightech industrial base, trade and logistics center and comprehensive transportation hub.

Chengdu city

Manjusri square block Tourist hot spots With ancient architecture, ancient temple relics and folk custom landscape as the core of modern experience tourism, wenshu yuan has built sightseeing, leisure and participatory tourism, and formed a multi-functional urban tourism commercial culture area integrating buddhist culture, tourism, catering, leisure and shopping.

Bamboo culture and history

SITE

CONCEPT ANALYSIS OF BAMBOO WEAVING

PLAN DESIGN

LANDSCAPE ANALYSIS

Bamboo weaving method 1

Considering the natural conditions of the city, this design proposes to build a green museum, in which many

he site is designed with natural landscape. People can

kinds of plants are added.

feel relaxed in the natural landscape. The plants in the site are

designed as low green plants

in order to facilitate people

1 Ⅰ

to play and rest on the grass Herb

Ⅱ

3 2 1 Ⅲ

of the site, two square pools

Main entrance

are set around the building.

Water

Exit

LIST OF INDOOR PLANTS

Ⅳ

The Grass Family

General layout

Bamboo weaving method 2

Exhibition hall

Bamboo Lily family

Avena sativa L.

Dracaena cochinchinensis

Ophiopogon japonicus

Exhibition hall

Immersive video hall Ⅰ

Exhibition hall

3 2 1

Ⅱ 8 7 6 5 4 3 2 1

6 5 4 3 2 1 Ⅲ

In order to increase the interest

Entrance 8 7 6 5 4 3 2 1

together.

Exhibition hall Center exhibition

Vine

2 Floor plan 1:750

Ⅳ

Bamboo weaving design Office

Bamboo weaving manual experience area Rosa banksiae Boraginaceae

Boston ivy

Echium vulgare L Strelitziaceae

Hound's Tongue

bird of paradise

Heliconia subulata

Exhibition hall Center exhibition Bamboo weaving method and skin design leisure area

1 Floor plan 1:750 12

CENTER EXHIBITION Courtyard is a common leisure place in People's Daily life in traditional architecture. In daily life, people often drink tea, play CARDS, play games together in the courtyard... The courtyard has become a public place of activity. In the design of the museum, the courtyard space is transformed and used in the central exhibition area of the museum. The central exhibition area of the building is not only an exhibition space, but also a public event space.

BAMBOO WEAVING MANUAL EXPERIENCE Courtyard is a common leisure place in People's Daily life in traditional architecture. In daily life, people often drink tea, play CARDS, play games together in the courtyard... The courtyard has become a public place of activity. Bamboo weaving manual experience

The exhibition hall The wall of the exhibition hall is curved and the whole is an oval shape. The exhibition hall not only has many art exhibits, but also shows many kinds of plants. People can enjoy the exhibits and plants in the exhibition hall.

Center exhibition The exhibition hall is not only an exhibition hall, but also a place for public activities, where people can rest and enjoy performances.

The experience area provides visitors with the experience of participating in bamboo weaving. At the same time, people can communicate and have a rest in the experience area.

Kabinett

Immersive video hall The exhibition hall integrates the history of manjusri institute and creates an interactive atmosphere through digital p ro j e c t i o n , v i r t u a l image and interactive capture, and form an innovative immersive space.

Gallery On the walls of the gallery are many bamboo weaving and historical exhibits of the Manjusri Institute. People walked freely along the route.

There are small exhibition halls in the museum, displaying some exquisite bamboo weaving exhibits. Some galleries are set up as double floors to add layers of space.

PATIO ANALYSIS

BAMBOO WEAVING MANUAL EXPERIENCE The patio has a good ability to adjust the indoor temperature. The patio takes away the hot air in the room with the help of water circulation, and at the same time

The heat flow

brings refreshing air. In this design, the patio space is transformed and used to achieve the effect of natural ventilation and cooling.

Cooling and humidifying the hot air flow over the water body Water flow, heat absorption and transfer MARBLE

PLEXIGLASS HOLLOW TUBE

GREEN HIGH-PERFORMANCE CONCRETE

Marble is black and white decorative pattern, used as decorative materials.

Plexiglass hollow tubes are arranged around the composite partition wall.

Zero VOC paint is pollution-free to the environment,and is beneficial to environmental improvement.

ZERO VOC BLUE PAINT Z e ro V O C p a i n t i s p o l l u t i o n - f re e t o the env ironment ,and is bene f icial t o environmental improvement and human health.

Water flow, heat absorption and transfer

Drains around the patio

Wells

Drains around the patio

LIQUIDS ROADS There are ponds in the dikes, ponds beside the ponds, trees on the ground, villages between the trees, bridges in the villages, rivers under the bridges, and boats in the rivers. The design of future cities on water and water villages. In the development of cities, we are paying more and more attention to efficiency, but we lack feelings and tradition. In traditional cities, water is inseparable from transportation, production and drinking water. In modern cities, Zhongshui no longer participates in urban construction.We hope to sort out the relationship between traditional human settlements and water through design, and use nature in a way of diversion, respect and coexistence, so as to achieve efficiency, feelings and coexistence with nature. 16

MODERN WATERY REGION

CONCEPT EXTRACTION

TRADITIONAL WATERY REGION

CONCEPTUAL INTENTION MAP

POWER: WATER

Yangliuqing town used to be rivers and lakes, rivers and lakes has a unique culture, temperament and feelings, because the pursuit of the development of the city, rivers and lakes gradually disappear. By comparing the past and present of the site, the design hopes to find a balance so that tradition and modernity coexist. PAST

NOW

CONCEPT

1395-1975

1975-so far

future

ITI

Bo at GI ON in t

1.Reasonable transition between urban texture and water town texture.

2.The role of water in traditional cities-water is inseparable from transportation, production and drinking water.

2.Modern cities are built on the basis of transportation, and water has a single role, losing its original important role.

2.Sort out the relationship between traditional human settlements and water.

3.The unique feelings and temperament of traditional water villages.

3.Modern cities attach importance to efficiency, but lack feelings and the continuation of tradition.

3.Utilize nature in a way of diversion, respect, and coexistence to achieve high efficiency, coexistence with nature.

Absorb

Two urban textures

Admit

N in th IO s EG ond R P AL

Ancharing

ge i

n th

e vi

llag

Va ri

p he e t WA d i TE es

Vil

We tl

lag

RN RE GI ild ing ON s

etw ee

nt ree

dp ark

o es

ou gr

MODERN WATERY REGION

MODERN WATERY REGION TRADITIONAL WATERY REGION

TRADITIONAL WATERY REGION

POWER: WATER TRADITIONAL WATERY REGION

POWER: WATER

POWER: WATER n n GENERAL LAYOUT tio tio rta rta po ion po s s n n t tra tra rta Modern cities Wa Wa ter nspo ter a a n eMe d t o b e ter W tra W MteOr R OD ER E f fro r e e T T r D e on e f f i c i eEn t a n d nt at idgWate ER idg RN WA WA t r r W M N b b R c o nOv e n i eRn t , r E R e e f e T ro EG EG DE h h g A t t n IO and it isRN equallyIO W t rid er er N N nd nd ebB i m p o r t a nRtEGt o Brid ridg r u r th ru e e I ge i v v O e e R R in t under take n th Ri Ri TE and N TE TR TnRd h A A u e e vi B ridg r l AD AD vilW Wp t t h e llag l e a c c e l a o e in ge R ivoo ITI I e M MO T E o R I T t grid p p TR t ON O O h e f f i c i e n A e V Va e e NA D D AD v a p p W i E A l l r rio a ioM R L Rurban LnRd ge ca oo c Bo space of Blao ITI d N s s usO us ON at aVt EG o EG on nd pe p nd REG D p p a a b b a i i I I modern cities. L L nt EuR AL O ON rniot IO ild he he he hse Nin sca u RE BoNa N e t Wnd e t WA RgEs rivLand rbiv t GI TE sid e po ATER sid G V Vil u ON in t er e e e I R i i r ON d b b l lla th W lag he ge Rding nd side n AT eb riv ER u u s E b o o V E e e r r T T e R illa A etw r b A G G W W d et W W g e e n e e t e en R lan be droiku W land dik TE t d r A e e t G e we th es pa pa W N th ke etl rk rk in i an O ON ienn t dp GI nds he d d EGI nds d ree n R t u un W h e n LhRuEm aPNo n o ark s P o L n r ro i O A A g g I s N N activities occur G d he IO nd he IO RE on n t ITrou nt n IaT t uAr La l l y Pi n AD s o RAeDg so N e e O h TR space, T e e collective Tr on t Tr ITI ADmemor y will be s TR ee r T engraved on t hi s l an d. T h e uniquene ss of joint activities is one of the representatives of the uniqueness of the city. WATER

A good city should be a mixture of various urban functions, and each urban f u n c t i o n corresponds to a different urban space. Each urban space has its unique temperament.

Brid

Tre

WATER WATER

The difference in scale between modern cities and traditional w a t e r v i ll a g e s is an important reason why cities cannot inherit traditional feelings. The design transitions from traditional scale to modern scale.

ou Gr ke i ed

WATER

Typing

Size

riv er ER T WA

r eb

WATER WATER

The traditional watertown texture is the adaptation to the nature. Absorbing the logic of traditional watertown can inherit the collective memory of the watertown.

T h ere are t w o kinds of texture on both sides of the site, one is the water village texture, the other is the urban grid. Pe o p l e c h a s e the city, but they yearn for the water town.

rfr on

e idg

d on

MODERN WATERY REGION

SCHEME GENERATION

p sca

TIO

A TR

r de

WATER

1.Modern cities cannot find the original spatial form of the water town, and the texture is disorderly.

er Riv l oo ep

TE WA

1.The original urban spatial form of the water townoriginal texture, high density at the bottom

Wa te

TE WA

WATER

ran

te Wa

tio

rta

o sp

RELATIONSHIP BETWEEN WATER AND HUMAN

IMAGE OF RELATIONSHIP BETWEEN WATER AND PEOPLE

By investigating the relationship between water and shore in traditional cities, sorting out the relationship between water and people's residence and life in traditional cities, translating and innovatively designing new water-shore relationships, and defining new relationships between water and human settlements. TRADITIONAL URBAN WATERFRONT RELATIONSHIP wide road + revetment + wide river course + soil bank + wide road

wide road + revetment + wide river course + revetment + wide road

road + revetment + wide river channel + arcade road

wide road + revetment + wide river + building

narrow road + revetment + narrow river channel + overhanging building

river + soil bank + wide road + building

narrow road + revetment + narrow river + arcade road

river + overhanging building + narrow road + overhanging building + river

TRANSLATE AND INNOVATE MODERN URBAN WATERFRONT RELATIONS Large-scale water front relationship in the commercial zone

Small-scale waterfront relationships in commercial zones

Horizontal water front relationship between office and residential area

Ver tical water front relationship between office and residential area

PERSPECTIVE INTENT

KARMA “Whenever one is being,the other is being,whenever one is present,the other is present,whenever one is absent,the other is absent,whenever one is disappeared,the other is disappeared.” — Nikāya Thinking of Sea Level Rise from Buddhism

All things in the universe do not exist absolutely, they all exist in relative interdependence. Everything is changeable. Only by letting go of the attachments in your heart and accepting all these changes can you achieve the ideal state of peace and stability. Sea level rise is a kind of impermanence. It also brings many changes such as land reduction. We cannot dominate these changes, nor do we need to dominate. Instead, we break the habitual experience model, let go of our attachments, and accept these changes. Undertake the task of building and living in an ideal world without foundations. 20

GROWTH IN WORLD RELIGIONS

INTRODUCTION OF ISLAM, CHRISTIANITY AND BUDDHISM

3000(Millions) 10(%) 100(%) 3000(Millions) 3000(Millions) 10(%)10(%) 100(%) 100(%) 3000(Millions) 10(%) 100(%) 2500 3000(Millions) 10(%) 100(%) 25002500 2500 2000 2000 2000 2500 2000 1500 2000 1500 1500 1500 1000 15001000 1000 1000 500 1000500 500 500 0 90 0 0 90 90 90 0050001900 1920 1940 1960 1980 2000 2020 204000 2010 2020 2030 2040 2050 02040 90 0 19001900 20102010 19201920 19401940 19601960 19801980 20002000 20202020 2040 20202020 20302030 2040 2040 20502050 1900 1920 1940 1960 1980 2000 2020 2040 2010 2020 2030 2040 2050 1900 1920 1940 1960 1980 2000 2020 2040

2010 2020 2030 2040 2050

Christian Christian Christian Christian Islam

Islam

Christian

Buddhism

1.Islam is a religion of monotheism. 2.Islam believes that Allah created everything in the universe, created mankind, created everything on earth for mankind to enjoy, and allowed people to eat all lawful and beautiful food.

1.Christianity is creationism. 2.The belief that God created the world. Christianity holds that there must have been a "beginning" in the creation of the universe. 3.Christianity is not based on a set of abstract principles, but on concrete events that have actually happened in history. It is based on the birth, preaching, death and resurrection of Jesus Christ.

1.Buddhism is atheistic. 2.Buddhism does not recognize the o m n i p o t e n t c r e a t o r. T h e g o d s o f heaven and earth, like us, do not exist independently and eternally. 3.Buddhism values the understanding of truth, not worship.

Allah

Jesus

The twelve-linked causal formula

Islam Islam Christian Islam Buddhism Buddhism Buddhism Islam Buddhism Other Groups Buddhism Other Other Groups Groups Other Groups Other Groups

DEVELOPMENT OF BUDDHISM

Aging and death Present

Shurado

Being Present

Human sympathy Tiryagyonigati

Fetch The way of heaven

Cause

Ignorance

The way of heaven

Aging and death

Narakagati

Iove

Ignorance

Being

process

Suffer

Contact

Suffer

Tiryagyonigati

result

COMPARISON OF BUDDHIST AND WESTERN RELIGIOUS NARRATIVE MODES

Fetch

Iove

The western religious narrative narrates events in a line according to their cause, course and result, and the events develop in a clear sequence of cause, effect and sequence. The Buddhist narrative does not have a clear cause-and-effect relationship, or a clear cause, course, or result. Instead, it emphasizes a kind of interrelation between everything.

GROWTH IN THAI BUDDHISM AND ISLAM 450 BC 250 BC 100 AC India

500 AC 700 AC 800 AC

450 BC 250 BC 100 AC 450BC 450 BC BC 250BC 250 BC BC 100 100AC AC 100 AC 450 250

1200 AC

500 AC 700 AC 800 AC 500AC 500 AC 700 AC 700AC AC 700800 800 AC AC 800 AC AC 500

1200 AC 12001200 AC AC 1200 AC

WESTERN RELIGIOUS NARRATIVE

Cause

India IndiaIndia India Thailand

BUDDHIST NARRATIVE MODE Present The Narrative logic of Buddhism with the example of the twelve-linked causal formula.The twelve-linked causal formula constitutes the relationship that presupposes that everything in the world is dependent upon each other. Aging and death

Ignorance

induce

induce Craving Clinging The way of heaven

induce

process

Hinayana Buddhism

Greco-Buddhism

Silk-road Buddhism

Mahayana Buddhism

Theravada Buddhism

Esoteric Buddhism

Silk-road Buddhism Original Buddhism Greco-Buddhism Hinayana Buddhism Silk-road Silk-road Buddhism Buddhism Original Original Buddhism Buddhism Greco-Buddhism Greco-Buddhism Silk-road Hinayana Hinayana Buddhism Buddhism Greco-Buddhism Buddhism Original Buddhism Hinayana Buddhism Mahayana Buddhism Esoteric Buddhism Theravada Buddhism Northan Hinayana Buddhism Mahayana Mahayana Buddhism BuddhismTheravada Theravada Theravada Buddhism BuddhismEsoteric Esoteric Esoteric Buddhism Buddhism Northan Northan Hinayana Hinayana Buddhism BuddhismMahayana Buddhism Buddhism Buddhism Northan Hinayana Buddhism

Sensual consciousness

induce

Beinginduce

Sense objects

Becoming

There causes

induce

Ignorance

Five effects

Central Asia East Asia Asia Central Central Asia Central Asia

Northan Hinayana Buddhism

induce

Two causes

Thailand Thailand Thailand Central Asia Thailand

East Asia East East AsiaBuddhism Asia Original East Asia

Activities

Six-fold sense bases

induce

Contact

induce

Feeling

induce

Suffer result

Birth

induce

Fetch

Death

Tir

Two effects

SITE LOCATION AND FLOOD LEVEL

SITE ANALYSIS

The site is located in Samut Sakhon Province of Thailand.Samut Sakhon Province is located on the Banks of The Thagin River in central Thailand. It is the largest fishing center in Thailand.

After 50 years, the sea level has risen by an average of 1.4meters, and most of the Bangkok will be affected by the flood, including our site-Long Tsai Prefecture.

The flood disaster will have a lot of impact on the residents of Bangkok. Many people will lose their homes and be displaced.

In 50 years, most of Bangkok will be under water, and the Buddhist buildings of Bangkok will eventually be under water. We moved the representative Buddhist temples into the site and used these surviving Buddhist buildings to convey the fo'jiao'guan'nian that we wanted to convey.

Wat Phra Mahathat

SITE

Now

Tree around head of the Buddha SITE

Temple of the Dawn

After 50 years

Now BANGKOK BUDDHISM

After 50 years After 50 years

Now

Number of Buddhist temples

The construction of the The construction of the spreads entire Bangkok Wat Suthat entire Bangkok spreads out with the Grand Palace out with the Palace The first as Grand the center. as the center. first circle The is temples and WAT RAKANG circle is official templesbuildings, and the official second buildings, circlethe is the comsecond circle is thearea, com-the third mercial mercial area, thirdresidential circle the is the circle is area, the and residential the outermost is area, and the the slum outermost area. is the slum area.

Buddhism is the state Buddhism is the state religion of Thailand Flood damage religion of Thailand

The population proportion

Buddhist population

400

0.7% Christian

6.14

Buddhist temple

million Buddhist

Buddhist 94.6%

4.6% Muslim

0.7% Christian 4.6% Muslim

Believers in Thailand Believers in Thailand

Erawan Museum

SITE 1767 Fishing village Bangkok was originally a fishing village, but when the Tun Buri dynasty came into being, small markets and settlements gradually formed in Bangkok. 22

1782 Buddhist temple The king of Bangkok, Chao Poye Charek, moved the capital from Thowuli, west of the Chao Phraya River, to Bangkok, east of the river. Rama I built palaces and walls here, the grand Palace and the Jade Buddha Temple being the most outstanding representatives.

1916

1850

Buddhist activities

Buddhist college Rama IV of the Bangkok dynasty carried out the religious reform. He established the Pali Van School for training monks and introduced Temple the monk examination system. Temple Mosque

Mosque

Buddhism has entered into People's Daily life. Residents of Bangkok attend many Buddhist sutras.

SITE

Municipal Building Municipal Building Slum Religious Building Religious Building

Market

Slum Market

“Whenever one is being,the other is being,whenever one is present,the other is present,whenever one is absent,the other is absent,whenever one is disappeared,the other is disappeared.” — Nikāya All things in the universe do not exist absolutely, they all exist in relative interdependence. Everything is changeable. Only by letting go of the attachments in your heart and accepting all these changes can you achieve the ideal state of peace and stability. Sea level rise is a kind of impermanence. It also brings many changes such as land reduction. We cannot dominate these changes, nor do we need to dominate. Instead, we break the habitual experience model, let go of our attachments, and accept these changes. Undertake the task of building and living in an ideal world without foundations.

Whether it is sea, land or man, they are all changeable and cannot dominate the change of impermanence. Not only does the form of everything not last, but the spirit dies with it, that is, there is no permanent spiritual subject.

All things are not-self.

Clinging to sea level changes is also painful. All the emotions, feelings, perceptions, colors and forms that are attached to something are painful.

All obsessions are bitter.

Let go of the obsession with things before sea level rise and accept the changes that sea level will bring,reach the state of enlightenment.

Sea level rise is one of those things that change so much that we can understand how things change.

The state of extinguishing the fire of greed, anger, ignorance, etc., the state of enlightenment.

The operation of all things is impermanent, either birth or death, or death or birth.

Eternity is silence.

All phenomena are impermanent.

Whenever the one is being , the other is being.

Whenever the one is present , the other is present .

Whenever the one is absent , the other is absent.

Whenever the one is disappeared , the other is disappeared.

Everything in the universe does not exist absolutely, but exists in relative dependence. All things depend on certain conditions and interactions to produce development and extinction, there is no fixed, independent existence nature. All kinds of things arise because of karma and harmony, due to discrete and die.

STORY AND ELEMENT

Outing Buddha's mother is pregnant for ten months of age is outing, lotus grows out from the stream.

Tha Chin River Stream Water is one of the four major elements of Buddhism. Water is a natural virtue that cleans and washes dirt.Buddhism’s emphasis on water allows us to look at sea level rise from a different perspective.

Saw Dead People on The Road When the Buddha walked out of the gate, he thought in the suffering of all sentient beings, depressed.

Hearse In Thailand,after the death of respected people, they will be sent to the temple for soul comforting.

Auspicious Sign NO.4 Buddha was born, god driving a carriage, carriage on the umbrella.

Lavender Umbrella Lavender Umbrella represents the top of the Buddha's head, and its meaning is to symbolize the authority and dignity of the Buddha.

Take the like into the tyres The Bodhisattva sits on a elephant and steps on a colorful lotus flower.

Jaslene In Buddhism, the lotus means purity and wisdom. In the scenario, the lotus implies the characters put down the persistent changes things.

Auspicious Sign NO.6 When Shakyamuni was born, the fisherman and orion also had good intentions.

Fishing Net The Buddha said, "Some people are obsessed with desire and don't know that there will be evil results, like fish entering a dense net". The fishing net symbolizes the desire that binds people.

Buddhist story painting at the top of the cave The whole picture, the flame bright, warm atmosphere, a bright.

Flame In Buddhism, fire is regarded as an auspicious and pure thing and an emissary of light. In the scheme it is a guide out of confusion.

Sakyamuni passed the city in the middle of the night Prince riding over the city monk, before the two feitian flower guide, behind the female music sent.

Play music Music is a symbol of blessing in Buddhism. The music symbolized the characters' breaking out of the conventional mode of thinking and implied that the new mode would solve the puzzles.

Sakyamuni turns the dharma wheel at the beginning Three wheels in the middle,symbolizing the holy trace of Sakyamuni turning the wheel in the deer Field.

Dharma wheel The spinning wheel of the Dharma is like spreading The Dharma around the world and destroying all troubles. The plan corresponds to this kind of contemplative buddhist thinking and gradually moves towards nirvana.

The Evil and His Son The devil wore battle armor and boots, glaring at Sakyamuni, and wanted to draw his sword to harm him.

Tabard It represents the wealth of the devil. For the local fishermen in Longzaicuo, the fishing ground is their wealth.

Sakyamuni got the first Zen The prince was sad and unhappy. He went to Yan Fu tree to supervise the farmers and got the first zen at once.`

Yan Fu tree Under this tree, Sakyamuni began to ponder the truth of the world. In the plan, the characters begin to think about sea level rise from the perspective of Buddhism.

Siam Gulf

cause Element Element 2 CAUSE AND EFFECT OF1 ELEMENTS-STORYBASED ON THE STORIES OF SHAKYAMUNI effect

Element 1

cause effect

MASTER PLAN

Element 2

The Wheel of Dharma

Tabard

Lotus

Lotus All obsessions are bitter.

Flame

ame

Stream

Bodhi Tree

All phenomena are impermanent.

Stream

Bodhi Tree

All things are not-self. All phenomena are impermanent .

Eternity is silence.

Fishing Net

All obsessions are bitter.

Hearse

ng Net

All things are not-self. Hearse Lavender Umbrella

The route of Feliks

Music

Lavender Umbrella

The route of Jarat

However, due to the gradual rise in sea level, the entire Samut Sakhon, including the fishing ground and the temple was submerged.

Feliks lived by the sea, enjoying the resources of the fishery and the business experience .

However, due to the gradual rise in sea level, the entire Samut Sakhon, including the fishing ground and the temple was submerged.

Watching the fishery go under water, he Facing great changes in his life, he He was left alone with a seaside villa , and But occasionally he walked to the beach invested his assets and failed repeatedly. became depressed, his family left him . he decided to muddle through his life. and stared at the flooded temple in a daze.

It was just another boring day.

Jarat can only chantC and meditat in He had to follow the master to a new temple until he grows up. temple in the central Bangkok .

It must be some funny religious ritual.

One morning with a sound of the He looked up and saw, through the winded window screen, the shadow of a temple waves, he got ready to open a bottle looming on the sea.He drew back the curtains. It was not like a temple.it was slowly of wine. drifting in its direction...

With his wine glass in one hand, he headed for the beach.

Jarat grew up as a monk in a temple in Samut Sakhon Province.

He saw a boat on the shore, rowed S u d d e n l y s o m e b u i l d i n g s t h a t boat as if he had received a call from a resemble temples appeared in his Buddha...... field of vision.

I felt as if everything had gone back to the old days

Feliks stepped onto a stream with Then he came to a farm on the sea, which lotus leaves, which were opening reminded him of the farm he had managed. with his footsteps.

Feliks left , to the sea. He felt happy soon disappeared, happy and into pain.

At the entrance, Jarat stepped through the steps of blooming lotus.

Then Jarat came to Lakhang Temple, which was partially submerged, and saw the traces of submerged pillars.

Jarat came to a sea of umbrellas hanging four weeks, to embark on a boardwalk.

Soon came the voice of an old man -- "The dharma without self."

Then Feliks came to a floating wall of bone, Floating on the sea some trees, and Yojo's voice was chanting. branches hung on the swing.

They drew in front of a temple surrounded by murals with a translucent mirror in the middle. Looking across the mirror, they seemed to see another version of themselves.

Jarat clasped his hands and chanted over a wall where ashes were hung.

Then he came to a farm on the sea, which reminded him of the farm he had

It turns out that things in the world are cyclical and changeable like a wheel.

After a while, Feliks continued on, passing three spinning disks with idols spinning on the surface of the water, a water wheel, and what looked like a Dharma wheel.

They came to a sea of pipa sounds and colorful ribbons that floated to the music. Here and there they sat in a corner, each meditating.

When Jarat rowed away, the previous happiness seemed to disappear.

Jarat slowly rowed the boat to Wat Suthat, which was full of frescoes.

He also picked up a lotus , lit a candle, put it into the water, and went out to see a blue sea.

ETERNITY IS SILENCE

He followed a lotus lamp to go ahead.

He came to a divine place, there was a huge linden-tree He will put the lit lotus lamp into the middle column, and the lotus lamp will float on the bank, and on the sea there were many lotus lamps. upward.

Jarat took a elevator to the bottom of the sea, surrounded by flooded trees and buildings. 27

The red oiled paper umbrella is floating on the sea, and Lakhang Temple is half-floating on the water. The sound of chanting and teaching Buddhism always comes from the temple.

In Sutai Temple, surrounded by Buddhist murals, the two looked through the translucent mirror in the middle and saw the person on the opposite side, as if they had seen the other one at the same time.

MEDITATION SPACE

DHARMA WHEEL

ETERNITY IS SILENCE Position

Head of a Buddha in a Tree

Lotus Lamp

Position

The Space is where the characters let go of their obsessions-obsession with changes brought about by rising sea levels.

One of the Buddha's heads fell under the linden tree. The roots of the banyan tree are wrapped around the top of the head, undivided. The Buddha always smiled at everything.

Lotus took on the symbolic mission of Buddhism. The lamp stands for wisdom. In Buddhism, the lotus lamp lights up the heart of everyone and illuminates the whole world.

The space represents "All phenomena are impermanent.", indicates that ever ything is constantly changing.

The Erawan Museum

The floating structure

Position

Swing

The floating structure

Swing space is a space for people to meditate. Characters become enlightened by thinking about what they see. 29

ETERNITY IS SILENCE

MEDITATION SPACE

ALL PHENOMENA ARE IMPERMANENT

Fishing at sea is the main way for fishermen to make a living. People use coarse cloth and hemp to make fishing nets. Golden nets were left to dry in the setting sun.

The clothes of the figures in the paintings flutter gently with the wind. Buddhism often says that "music of fragrant flowers and dances is always offered".

This temple was presided over by the head of the legendary nine great monks in Thailand. It has a great influence on the spread of teachings of later monks.

The traditional fishing grounds

In Buddhist murals,people often dancing .

Wat Rakang

The Floating Structure The floating structure

ENTRANCE The giant water lily is only open in the early morning and evening, just when the characters enter and exit the venue.

Lotus Leaf

The floating structure

ALL THINGS ARE NOT-SELF The Columbarium is generally attached to the temple. The walls and floor slabs of the residential houses were used as raw materials for the columbarium in the project.

The Columbarium

MEDITATION SPACE The umbrella was originally a symbol of the royal family and aristocracy in ancient India. For the floating base of the building, we adopted a slab foundation.

Wat Arun

Umbrella

The Floating Structure Wat Arun Umbrella The giant water lily is about 2 meters in diameter. They are so huge that each water lily can hold at least two babies.

THE THEATRE BY THE RIVER The design is not limited to the design of the theater. The public exhibition hall and landscape are set in the public area, making the theater a place for public leisure.

Profile

Acoustic design The design considers acoustic design, which is that the interior of the theater has a good acoustic effect. Reflection covers the range

The dynamic particle1

Associated sonic line

The dynamic particle2

Surface incident point

The dynamic particle3

The interior of the theater

Other Works FLOATING MOUNTAINS Dujiangyan High-speed Railway Station The design extracts the intention of the mountain. When architecture emphasizes the convenience and efficiency of transportation,it adds commercial space in the station without interfering with the traffic flow.

The first floor plan of the station The design of this station emphasizes the convenience and efficiency of transportation. It separates the people who take high-speed railway from who take subway.

The profile perspective of the station