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Eduardo Moreno
Topical Studio_Exponential Representation
// MAPPINGS 1.0 PROJECT TITLE SUMMER 01 1.1 Allometric Base Growth Chart 1.2 Allometric Diagram Studies (Fixed and Skewed) 1.3 Hybrid Drawing 1.4 The Fifth Drawing 1.5 Allometric Mutations and Projections // SEQUENCING 2.0 PROJECT TITLE SUMMER 02 2.1 Initial Film Studies 2.2 Layered Film Studies 2.3 Precedent Analysis 2.4 Sketches for Architectural Episodes 2.5 Initial Architectural Episodes 2.6 Diagram-driven Reiterations of Architectural Epidsodes
ARCH 5501 // SUMMER 2017
// 1.0 ATTA TEXANA LEAF CUTTER ANT
Leafcutter Ant (Atta texana) Base Drawing
// 1.1 Allometric Base Growth Chart EDUARDO MORENO
Eduardo Moreno | Glassell / Zook | ARCH 5501 | Summer 17
ARCH 5501 // SUMMER 2017
Leafcutter Ant (Atta texana) Plotting Structure: Fixed Grid
Eduardo Moreno | Glassell / Zook | ARCH 5501 | Summer 17
Leafcutter Ant (Atta texana) Plotting Form: Skewed Grid
Eduardo Moreno | Glassell / Zook | ARCH 5501 | Summer 17
// 1.2 Allometric Diagram Studies (Fixed and Skewed Grid)
// 1.2 Isolations Plates
Leafcutter Ant (Atta texana) Hybrid 1
// 1.3 HYBRID DRAWING EDUARDO MORENO
Eduardo Moreno | Glassell / Zook | ARCH 5501 | Summer 17
ARCH 5501 // SUMMER 2017
// 1.4 THE FIFTH DRAWING EDUARDO MORENO
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Leafcutter Ant ( Atta texana ) Mutation 1
// 1.5 ALLOMETRIC MUTATION 01 EDUARDO MORENO
Eduardo Moreno | Glassell / Zook | ARCH 5501 | Summer 17
ARCH 5501 // SUMMER 2017
Leafcutter Ant ( Atta texana ) Mutation 1
// 1.5 ALLOMETRIC PROJECTION 01 EDUARDO MORENO
Eduardo Moreno | Glassell / Zook | ARCH 5501 | Summer 17
ARCH 5501 // SUMMER 2017
Leafcutter Ant ( Atta texana ) Mutation 2
// 1.5 ALLOMETRIC MUTATION 02 EDUARDO MORENO
Eduardo Moreno | Glassell / Zook | ARCH 5501 | Summer 17
ARCH 5501 // SUMMER 2017
Leafcutter Ant ( Atta texana ) Mutation 2
// 1.5 ALLOMETRIC PROJECTION 02 EDUARDO MORENO
Eduardo Moreno | Glassell / Zook | ARCH 5501 | Summer 17
ARCH 5501 // SUMMER 2017
// 2.0 EVERYTHING MUST GO (2010) FILM ANALYSIS
// 2.1 INITIAL FILM STUDIES EDUARDO MORENO
ARCH 5501 // SUMMER 2017
// 2.1 INITIAL FILM STUDIES EDUARDO MORENO
ARCH 5501 // SUMMER 2017
// 2.1 INITIAL FILM STUDIES EDUARDO MORENO
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water
water
water
water
// 2.2 LAYERED FILM STUDIES EDUARDO MORENO
water
water
water
water
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water water
// 2.2 LAYERED FILM STUDIES EDUARDO MORENO
water water
ARCH 5501 // SUMMER 2017
Texas Tech Univeristy College of Architecture ARCH 5501 | Advanced Architectural Design Studio | Summer 2017 Exercise 2.2: ANALYSIS OF ARTIFACTS Instructors: Mari Micheal Glassell | Julie Zook
Thomas L. Schumacher, The Danteum, New York, Princeton Architectural Press, 1985
// 2.3 PRECEDENT ANALYSIS EDUARDO MORENO
Thomas L. Schumacher, The Danteum, New York, Princeton Architectural Press, 1985
ARCH 5501 // SUMMER 2017
Thomas L. Schumacher, The Danteum, New York, Princeton Architectural Press, 1985
PROJECT NAME | The Danteum ARCHITECT | Giuseppe Terragni LOCATION | Rome, Italy DATE | 1932 (Un-built) STUDENT |
Eduardo Moreno
Project Describtion The Danteum was an unbuilt project designed by Italian architect Giuseppe Terragni in 1932. The project would aim to exemplify the values of a new facist nationalist driven italian goverment. Terragni, being a admirer of Dante, based the concept of the Danteum in his interpretation of the novel “Dante’s Divine Comedy”. The geometries compromised in the project derived directly from the golden section, each room you enter has it’s own atmosphere and geometrical rules to set up proporcional and distributional systems. The promanade is composed of two main acces points, which provide two unique transitional progressions through the project. One directs you directly into the main courtyard, accesing the ground floor level into the office area which then leads to the inferno room, the library, the purgatory and finally heaven which is the highest point in the project. The second access starts with a main staircase that leads directly to the heaven room, thus inverting the transitional experience, decesding from heaven in to hell. The tectonical qualities of the project are also based on the golden ratio, meaning that there is geometries within each geometry. Each particular room is a layer of the next bigger room, in relationship to the hollistic geometry of the building itself. This dynamic gives play to an architecture that is open, yet secluded, visually public, but personal in a haptic manner. The space is not phenomenolagically activated until the user enters each space, making this a project a poetic and romantic materialization of a piece of literature.
EDUARDO MORENO
First Floor Plan
Second Floor Plan ARCH 5501 // SUMMER 2017
Exploted Axonometric NE EDUARDO MORENO
Office at ground level
Inferno room ARCH 5501 // SUMMER 2017
Purgatory room
Heaven room EDUARDO MORENO
Texas Tech Univeristy College of Architecture ARCH 5501 | Advanced Architectural Design Studio | Summer 2017 Exercise 2.2: ANALYSIS OF ARTIFACTS Instructors: Mari Micheal Glassell | Julie Zook
ARCH 5501 // SUMMER 2017
http://www.archdaily.com/801825/sanaas-zollverein-school-of-management-and-design-photographed-by-laurian-ghinitoiu/58583aede58ece1f96000425-sanaas-zollverein-school-of-management-and-design-photographed-by-laurian-ghinitoiu-photo
EDUARDO MORENO http://www.archdaily.com/801825/sanaas-zollverein-school-of-management-and-design-photographed-by-laurian-ghinitoiu/58583af7e58ecebf57000767-sanaas-zollverein-school-of-management-and-design-photographed-by-laurian-ghinitoiu-photo
http://www.archdaily.com/54212/zollverein-school-of-management-and-design-sanaa/sanaa-zollverein-7355
PROJECT NAME | The Zollverein School of Management & Design ARCHITECT | SANAA LOCATION | Essen, Germany DATE | July 2006 STUDENT |
Eduardo Moreno
Project Description The project is situated between a historical building and a growing suburb. The Cube is a 35 squared meter volum, that is sustained by three large concrete shafts, which allocate fire staircases and elevators, and a reinforced perforaded concrete exterior facades. The placement of the windows are based on sun orientation, views, and program allocated in every floor of the building. The simplicity of the project emphazises the interaction of squared geometries, in plan, elevation, and section. The windows bring in the exterior during the day but mirror the site from the outside, at night the windows reflect from the inside, amplifying the sensation of depth in the building, while from the exterior, the windows become completelly transparent, exposing the activity inside the project. Each floor allocates a specific set of programmatic requirements such as gallery space, auditorium, classrooms, studios, lounge, offices, and a skygarden. “We have made many big openings in the facades to create different daylight situations inside the building. The position of the windows are defined by the interior programs. By varying the ceiling heights each floor has a very different atmosphere.� - SANAA
ARCH 5501 // SUMMER 2017
Site Plan.https://www.slideshare.net/kappa2007/zollverein-school-essen-germany
Second Floorplan. www.sanaa.co.jp EDUARDO MORENO
Square Typologies
10
Windows 73 type A 43 type B 40 type C 9 type D
EAST-WEST FACADE
NORTH-SOUTH FACADE
Geometry Analysis
Entry level Floorplan. www.sanaa.co.jp
Sectio. www.sanaa.co.jp ARCH 5501 // SUMMER 2017
Square Tectonics
Proportions EDUARDO MORENO
Unrolled Skin, Top View ARCH 5501 // SUMMER 2017
http://www.archdaily.com/312978/louvre-lens-sanaa
http://www.archdaily.com/312978/louvre-lens-sanaa EDUARDO MORENO
Cecilia, F. M., & Levene, R. C. (2015). SANAA 2011 2015: Kazuyo Sejima: Ryue Nishizawa: sistemas de continuidad = continuity systems. Madrid: El Croquis
Cecilia, F. M., & Levene, R. C. (2015). SANAA 2011 2015: Kazuyo Sejima: Ryue Nishizawa: sistemas de continuidad = continuity systems. Madrid: El Croquis ARCH 5501 // SUMMER 2017
// 2.4 ARCHITECTURAL EPISODES EDUARDO MORENO
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// 2.4 ARCHITECTURAL EPISODES EDUARDO MORENO
// 2.5 DIAGRAMATIC REITERATIONS ARCH 5501 // SUMMER 2017
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