UNIVERSITY PRESS
The Newspaper of Lamar University
Vol. 95, No. 5 October 4, 2018
Engulfed in student debt Financing decisions drive school choice Olivia Malick UP managing editor
One of the biggest decisions students make when entering college is how they will pay for their education. Some receive help from their parents, grants and scholarships, but a majority of students attending college in the United States have to take out student loans. There are currently 44.2 million Americans with student loan debt, totaling up to $1.48 trillion — surpassing credit card debt for the first time in 2014, according to Studentaid.ed.gov.
“Over the last three or four decades, college tuition has risen a lot, and one of the main reasons that’s occurred is not so much from schools increasing their budgets, but really because the states have taken away funding from the state colleges,” Karyn Neuhauser, LU associate professor of finance, said. “When I was in school, tuition was much cheaper, and even when you adjust for inflation it was much cheaper because the states were funding a huge percentage. “The other day I looked at Lamar’s funding and it was surprising because somewhere around 10 percent of the budget comes from the state. Ten percent is a lot of money but percentage wise it’s very low. That leaves schools with the only option to make up for what the states are cutting by raising tuition, which in
UP graphic by Olivia Malick
See DEBT, page 2
Art, Japanese style
REDtalk to offer advice for studentfaculty relations Cheyenne Ard UP contributor
UP photo by Cade Smith
Thomas Duran, sophomore graphic design major, points out the Japan influences in his artwork, Sept. 27. The work was produced as result of a study abroad art trip in the summer.
Dishman exhibit spotlights study abroad work Cade Smith UP staff writer
The Dishman Art Museum is hosting, “Drawing in Japan,” an exhibit guest-curated by Christopher Troutman, LU assistant professor of art. The exhibit showcases a variety of works from students who participated in the Japan study abroad program
this summer. A reception will be held from 6:30 p.m. to 8:30 p.m., Oct. 12. “I took 10 students and we stayed in Japan for two weeks learning how to draw and paint,” Troutman said. “The purpose of the trip was to draw on site, completing 100 sketchbook pages, which included observational and compositional studies. We
went to Tokyo, Kyoto, and Nara. “Then we went to Beppu City to visit Lamar’s sister university, Beppu University, where we worked with their faculty and students. While at the university we were taught by professor Shinozaki in Japanese painting, and the students got to sit in on a Japanese manga and an ani-
mation class there as well.” Troutman said that the main assignment for the exhibition was for the students to respond to their experiences in Japan. “The students worked on three drawings to reflect that experience,” he said. “Some students in the show went on See JAPAN, page 3
Do you want to build a relationship with your professor but not sure how? LU Success, a program for academic coaching, will host the REDtalk “Building Relationships with Faculty,” by a panel of faculty members, Oct. 17, on the 6th floor of the Mary and John Gray Library starting at 2 p.m. Admission is free to all, Kelly Williams, LU Success and REDtalks coordinator, said. “The ‘Building Relationships with Faculty’ REDtalk will have a panel of five faculty members from different disciplines across campus and they will be able to share their perspective on how to build relationships with faculty,” she said. Students who are uncomfortable or are not sure what kind of questions to ask will have the opportunity to draw questions from a bowl to ask the faculty panel, Williams said. “It’s really going to be about students asking the faculty panel questions, so that they can find out how they can utilize their professors as a resource for them,” she said. See REDTALKS, page 2
‘Guacamelee’ offers twist on Hispanic culture REVIEW Jason Hebner UP contributor
“What is a Luchadore? Nothing but a miserable pile of secrets.” So says Carlos Calaca, in the game “Guacamelee.” This quote is a perfect example of what the game is all about. As a love letter to both Hispanic culture and video games, this hidden indie gem teaches players about the world of Mexican wrestling, mannerisms and humor, and its artistic style is heavily Hispanic. “Guacamelee” is an exploration-based platformer, harkening back to late ’90searly 2000s classics such as “Super Metroid” and “Castlevania.” The combat, in addition to being a good representation of the showy and acrobatic
wrestling popular in Mexico, is smooth and well balanced. The controls are easy to learn, yet hard to master, but by the end of the game you’ll be racking up 100 hit combos without a sweat. The player starts the game as a young agave farmer who is tasked with saving El Presidente’s daughter after she is kidnapped by the menacing Carlos Calaca. On the journey, players are bestowed with a lucha-libre mask of great power, with everything needed to defeat any obstacles. The game also has a tonguein-cheek sense of humor, with posters strewn about advertising things like “Los Super Hermanos” and “Los Casa Crashers” — a play on Super Mario Brothers” and “Castlecrashers.” Even Calaca’s quote about Luchadores is a nod to the pop-
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ular “Castlevania: Symphony of the Night.” There aren’t many problems with this game, though the enemy variety is an issue. Once half the game is done, the player has seen all the enemy types, their move sets and their alternatives. Even with outstanding bosses, the game lacks canon fodder obstacles, and it becomes a blur as to which skeletons were previously fought where. However, other than a few tiny nitpicks, this game stands out among the piles of same-y MetroidVania pixel art games, with its unique and inspired art style, its lighter tone and humor, and its smooth flowing combat. “Guacamelee” is produced by Drink Box Studios and is available for PS3, PS4, PSVita and PC. And at only $14.99, it’s great value for money.
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