Today is going to be a good day!

“DEAR EVAN HANSEN,” THE TONY, OLIVIER, AND GRAMMY AWARDWINNING MUSICAL, IS SET TO ARRIVE AT BELFAST’S GRAND OPERA HOUSE FROM MARCH 11 TO 15, 2025. THIS DEEPLY MOVING PRODUCTION EXPLORES THEMES OF IDENTITY, CONNECTION, AND THE STRUGGLES OF MODERN ADOLESCENCE THROUGH A HEART-WRENCHING STORY AND AN UNFORGETTABLE SCORE BY BENJ PASEK AND JUSTIN PAUL, KNOWN FOR LA LA LAND AND THE GREATEST SHOWMAN. SONGS LIKE “WAVING THROUGH A WINDOW” AND “YOU WILL BE FOUND” HAVE BECOME MODERN CLASSICS, RESONATING WITH AUDIENCES WORLDWIDE.

SET AGAINST THE BACKDROP OF EVAN HANSEN’S ANXIOUS ATTEMPTS TO FIT IN, THE MUSICAL’S LAYERED NARRATIVE UNFOLDS AS A LIE SPIRALS INTO A PROFOUND EXPLORATION OF TRUTH, ACCEPTANCE, AND REDEMPTION. IT’S A STORY THAT INVITES US ALL TO REFLECT ON THE IMPORTANCE OF AUTHENTICITY IN A DIGITALLY CONNECTED YET EMOTIONALLY DISTANT AGE.

When West End star Alice Fearn first heard the haunting score of the smash hit musical Dear Evan Hansen, she was hooked. The actor, best known for landmark roles such as Elphaba in Wicked and Captain Beverley Bass in Come From Away, recalls, “When Dear Evan Hansen started in America, it was one of those productions that released the album before the show had actually opened. That album quickly became a phenomenon over here too, everyone was listening to it.” It was around that time Fearn was first contacted about possibly playing Heidi Hansen, Evan’s mother, the role she currently plays in the UK tour of the production.

Fearn explains, “I actually auditioned for the role when the show was coming to London in 2019. I’d like to think I was far too young at the time as they said, ‘No, no, no…’ to me playing the mum. Although I didn’t get the part then, that was my introduction to Heidi and I did get to grips with the script during that audition process.”

Now 40, Fearn is “dipping her toes” into what she calls the start of her “mother era,” something she is enjoying immensely. “I’m known for singing big massive roles but if someone asked me to go back and do Wicked now I don’t think I would because, at 40, I don’t have the energy I had at 33. It’s not that I don’t want to, I just don’t think the experience would be the same. I base jobs on their enjoyment factor, which includes the people I’m working with. In Dear Evan Hansen everyone is absolutely adorable, the cast are lovely and funny, we all share the same work/fun ethic, there is a great team behind the scenes and a fantastic band, all these things make this a good job.”

Dear Evan Hansen is the story of Evan, an anxious high school kid who wants nothing more than to fit in. When a classmate Connor Murphy, himself struggling with drug abuse and depression, scrawls his name across the cast on Evan’s broken arm, it is assumed that Connor and Evan must have been close friends when, a short time later Connor takes his own life. It’s a deceit Evan initially goes along with, and as events spiral and the truth comes out, Evan faces a reckoning with himself and everyone around him.

Joining Fearn in the cast, West End and Broadway star Helen Anker plays the bereaved parent, a role she admits is “incredibly emotional’. Anker, who had watched the 2021 movie of the musical before taking on the role of Cynthia, says, “If you enjoyed the film then you’ll find the stage play has so much more impact. When we first had our first read through of the script I realised just what a strong play it is, the dialogue is so meaty and great to perform, and then, of course, with the music on top of that, it’s phenomenal.”

Fearn chips in to agree, “A lot of people say it’s a play with music and I agree with that but it’s like with the film Jaws, you can’t take away that iconic music as the shark attacks - it’s that ‘da da… da da… da da…’ that elevates the action. And that’s what the music does in Dear Evan Hansen, it’s such a powerful score that the story is elevated by that music, whether it’s a rock beat, the strings or an acoustic guitar, they all add to the emotional intention of a moment moulding story and music together perfectly.”

The emotional nature of the piece is not just confined to the stage, for audiences too it is a heartwrenching study on the need to belong. “Audiences have been amazing and every audience is different, that is the joy of theatre,” says Anker, adding, “Without exception, you can tell that they are listening and we are so close to them at points that we can actually see they are crying. The subject matter is close to so many people’s lives, especially if they have, or have had teenagers affected by it. That’s the great thing about parents and children coming to watch the show together, it allows them to open that conversation and if by doing that we help just one person every show, we’ve done our job.”

At its heart, however, Dear Evan Hansen retains an important vein of hope, as Fearn is keen to highlight. “We are not trying to sugar coat life. People go through times where they feel like they don’t have a place in the world and parents do struggle. So, even if you don’t recognise yourself in these characters, chances are you will recognise people you might know because these are real people and real problems all around us in society right now. That’s why, at the end of the piece, the idea of hope is so important; like these characters, while we might be going through the darkest period of our lives, there’s always a way to find a place in the world where we can live for tomorrow.”

While Anker is enjoying the challenges of her role, she confesses she is “loving” the break from not having “the pressure of leading” a production. Having trained at the Royal Ballet School, she also smiles as she reveals, “It’s actually the first musical I’ve ever done where I don’t have to dance. What is lovely is that I get to act and that’s my favourite thing now. When you lead a show, the pressure that puts on you is enormous, wonderful but enormous. There are times in life when you don’t want to have that anxiety with you every day, when you want to do a show and have a life, and that is what Dear Evan Hansen is for me. I’m loving it.” Fearn too is loving exploring her maternal side, although in her role things are slightly more complicated, she has not one Evan in her life, but two; Ryan Kopel stars in the production, while at matinees, the role is played by Sonny Monaghan. “Ninety per cent of my scenes are with Evan, so I work with the pair of them a lot during the show. Throughout my career, I have worked with a lot of alternates and they will all have a different rhythm.Their interpretation of those very same lines can be absolute polar opposites and we have that with Ryan and Sonny.”

After a moment’s thought she adds, “I haven’t got a different Heidi for each of them, but it is very different when I’m on stage with Ryan to when I’m on stage with Sonny and I love them both. It’s lovely for me to have those different interpretations to interact with, especially as I get both on the same day... I just have to keep up with them.”

Don’t miss the opportunity to witness this cultural phenomenon live on stage. Tickets are available now via the Grand Opera House website goh.co.uk