Relaxed Performances at LAMDA
• You are welcome to come and go from the theatre as you need
• There is a break-out room available, the Rittner Room
• House lighting is on low throughout, never going to full blackout
• Loud noises are reduced in sound level
• No strobe lighting is used
• You are welcome to react to the show however you may need
• At the end of this document is a show synopsis/sensory guide
Here is a guide to sensory information symbols in this document:
Indicates potentially loud or sudden noises
Indicates bright or sudden lighting changes
Indicates a sad or potentially distressing scene
Indicates fighting, or use of guns/weapons
Ariving at LAMDA
When you arrive at LAMDA, the box office is to your right. You should pick up your ticket here, using your name.
Toilets are located right next to box office.
LAMDA staff will be wearing LAMDA branded T-Shirts or lanyards. If you need any assistance whilst in the building, please ask them.
This is the Theatre Foyer. You may be asked to wait here until the house is open. You will be shown how to get to the Sainsbury Theatre by an usher.
This performance will take place in the Sainsbury Theatre.
This is the entrance.
When you enter the theatre, an Usher will take your ticket from you. You are welcome to sit where you like.
You can come and go from the space wheneveryou like. The house lights will stay on low throughout the show.
If you aren’t sure at any point during your visit where to go, please ask an usher.
There is a break-out space called ‘The Rittner Room’ which you are welcometo use at any point during the performance. It can be accessed via the stairs or lift in the main entrance foyer.
Before the show begins, the actors will introduce themselves and the characters they are playing.
The lights in the theatre will dim and she show will start. You can come and go as you need through the doors you entered by.
At the end of the show the actors will come on and bow. You are welcome to clap at this point if you would like.
Tristan & Yseult Company Headshots
A
Camilla Anvar plays Brangian
Lysa-Marie Asiedu-Yeboa plays Whitehands
La ys
Roy Mas plays Tristan
Laura Prendergast plays Morholt
Mar tter
Geo tter
J r Fl ve
Nadine Ivy Barr plays Love Spotter
Tobi Martins-Ojo plays Love Spotter
Shannon Smith plays Love Spotter
Throughout the production, loud music is played and there are several loud sound effects.
Whitehands is shot in the heart with an arrow - this is a plastic prop, not sharp and the actor is not hurt
We see Tristan being stretched and dying whilst loud intense music plays. The actor is not in pain and it has been rehearsed with a choreographer.
There is a fight scene. People are wearing masks and we cannot see their faces. The punches are not real, and the daggers used are plastic and not sharp. Nobody is hurt.
There is a sound effect of an explosion which causes a loud bang.
King Mark talks about the war and the crimes that have been committed.
Frocin murders the people in masks by slitting their throat and breaking their neck. This is done in an over-exaggerated way to show it is not real, and real weapons are not used. There is another loud bang as Morholt enters. The actor is carrying daggers and is threatening to King Mark. The dagger isn't real and is made of plastic.
Morholt threatens to take over Kernow.
There is another fight scene. Tristan picks up both knives and challenges Morholt. Tristan pretends to hit their head on the ladder. This then turns into a vicious battle, where Tristan is stabbed in the side, and Morholt is stabbed in the eye which leads to her dying Morholt screams loudly, but the actor is not hurt All of the fighting scenes have been choreographed with a fight director
We flash forward again to see Tristan being pulled and dying, like in the first scene. The actor is not being hurt.
King Mark shouts loudly at Morholt as she is dying.
Tristan falls to the floor because he is in pain from where Morholt stabbed him The actor is not hurt
We see Tristan on a boat. He is wrapped in rope and being pulled side to side by the Love Spotters. The ropes are not tight around the actor and this does not hurt.
Tristan awakes in pain from his wounds that Yseult is tending to. She teaches him how to walk again, and he sometimes falls over, but he gets stronger
Yseult learns who Tristan is and tries to kill him. There is a fight for the knife and they are rolling around on the floor. Brangian tries to intervene and she is hit in the face which causes the fight to stop. The actor playing Brangian is not hurt and this is choreographed by a fight director.
Yseult points the knife at Tristan.
END