Los Angeles Modern Auctions: June 10, 2018 Modern Art & Design Auction by LA Modern Auctions

LAMA 16145 Hart Street, Van Nuys, CA 91406

Preview: May 29 - June 9, 2018 10amâ&#x20AC;&#x201C;6pm (PT) Auction: Sunday, June 10, 2018 12pm (PT)

1 HANS J. WEGNER Hutch

Ry Møbler, designed c. 1954 71" x 71" x 20.25" (180 x 180 x 51 cm)

$3,000–5,000

2 HANS J. WEGNER Dining chairs (6)

Carl Hansen & Søn, designed 1951 Model no. CH-23 Each retains stamped manufacturer’s and designer’s mark; inscribed “Made in Denmark” Each: 29.625" x 18.5" x 16.5" (75 x 47 x 42 cm) LIT E RAT URE Hans J. Wegner’s 100 Chairs. N. Oda. 2002. 55.

$3,000–5,000

3 HANS J. WEGNER Daybed

Getama, designed c. 1960 Model no. 9 Retains branded manufacturer’s mark “Getama/Gedsted/Denmark/Design. Hans J. Wegner” 29" x 78.25" x 35.5" (74 x 199 x 90 cm)

$2,000–3,000

4 JØRGEN HØVELSKOV Harp chair

Christensen & Larsen, designed 1963; this example produced later 51.25" x 41.25" x 39" (130 x 105 x 99 cm) LITERATURE 1000 Chairs. C. Fiell and P. Fiell. 1997. 309.

$2,500–3,500

5 HANS J. WEGNER Cow Horn chair

Johannes Hansen, designed 1952 Model no. JH-505 29.25" x 23.25" x 18" (74 x 59 x 46 cm) LIT E RAT URE Hans J. Wegner’s 100 Chairs. N. Oda. 2002. 60.

$4,000–6,000

6 KAARE KLINT

Table lamps (2) Le Klint, designed c. 1945 Model no. 306 Each: 15.375" x 13.5" diameter (including shades) (39 x 34 x 19 cm)

$2,000–3,000

DETAIL

7 PAAVO TYNELL Coffee table

Taito Oy, designed c. 1950 Marked “Taito/TT/Made in Finland” 19" x 28.5" x 27.75" (48 x 72 x 70 cm)

$6,000–9,000

8 PHILIP ARCTANDER Clam chair

Nordisk Staal & Möbel Central, designed 1944 28" x 25" x 30.5" (71 x 64 x 77 cm)

$4,000–6,000

9 MOGENS KOCH

Cabinets and bookcases (4) Rud. Rasmussen, designed c. 1955 Comprised of two cabinets and two bookcases Cabinets each: 32" x 30" x 14.25" Bookcases each: 30" x 30" x 10.875" (Cabinets each: 81 x 76 x 36 cm)

$4,000â&#x20AC;&#x201C;6,000

10 JENS RISOM Sofa

Knoll, designed c. 1942 Model no. 23 30.875" x 71.5" x 24.375" (78 x 182 x 62 cm) LIT E RAT URE Knoll Index of Contemporary Design. Manufacturer cat. 1954. N.pag.

$2,500–3,500

11 HANS OLSEN Office chair

Manufacturer unknown, designed c. 1955 Retains illegible manufacturer’s brand 34.75" x 23.5" x 17.5" (88 x 60 x 44 cm)

$1,000–1,500

12 ITALIAN MODERN Floor lamp

Manufacturer unknown, designed c. 1955 48" x 11.75" x 6.75" (122 x 30 x 17 cm)

$2,000–3,000

13 PABLO PICASSO Yan sun

1963 Turned pitcher of red earthenware clay, engobe decoration engraved by knife #60 of 300

14 RENÉ PORTOCARRERO

Madoura

Retrato de una mujer

Bears the inscription “Edition Picasso” with “Edition Picasso” and “Madoura Plein Feu” stamps and edition to underside

1960 Oil on paper

Ramié #516 10" x 5.75" x 3.75" (25 x 15 x 10 cm)

Signed and dated lower left Sheet: 19.875" x 13" Frame: 33.5" x 26.5" (Sheet: 50 x 33 cm) PROVE N A N CE Private Collection,

LITERATURE Pablo Picasso: Cata-

San Diego, California (acquired

logue of the Edited Ceramic Works

directly from the artist); Private

1947-1971. A. Ramié. 1988. #516.

Collection, Venice, California

$4,000–6,000

$12,000–15,000

15 MARC CHAGALL

Daphnis et Lycénion (from Daphnis et Chloé) 1961 Lithograph on Arches paper #26 of 60 Published by Tériade Éditeur, Paris Signed in graphite lower right margin beneath image; edition lower left Image: 16.625" x 12.625" Sheet (vis.): 19.375" x 14.375" Frame: 32.25" x 27.375" (Image: 42 x 32 cm) LIT E RAT URE Marc Chagall: The Lithographs. U. Gauss, ed. 1998. #336.

$10,000–15,000

16 GEORGES BRAQUE

Hommage à J.S. Bach c. 1950 Color etching on Rives BFK paper #17 of 300 Published by Editions Maeght, Paris Signed in graphite lower right margin beneath image; edition lower left Image: 17.25" x 23" Sheet: 21.75" x 29.75" (Image: 44 x 58 cm) LIT E RAT URE Braque: The Complete Graphics, Catalogue Raisonné. D. Vallier. 1988. 293.; Derrière le Miroir, Dix Ans d’Edition 1946-1956. 1956. #1019.

$2,000–3,000

17 PAUL KLEE

Das Gartentor (The Garden Gate) 1925 Pen and ink on paper mounted to card Signed upper left sheet; titled with date inscription “1925/248” lower center edge of mount Together with frame Sheet: 12" x 5.75" Mount: 14" x 6.875" (Sheet: 30 x 15 cm) P ROVENA NC E Lily Klee, Bern, Switzerland; Klee Gesellschaft, Bern, Switzerland (acquired directly from the above, 1946); Galerie Rosengart, Luzern, Switzerland (acquired directly from the above, 1947); Charlotte Picher Purcell, Chicago, Illinois (acquired directly from the above, c. 1949); Clifford Odets, New York, New York; Eugene Victor Thaw & Co., New York, New York; Private Collection, Los Angeles, California (acquired directly from the above through Sotheby’s Parke-Bernet, Los Angeles, California, February 2, 1982, lot 305) ILLUSTRAT E D Paul Klee Catalogue Raisonné. Vol. IV. J. Helfenstein, ed. 2000. #3929.; Paul Klee: Im Zeichen der Teilung. W. Kersten and O. Okuda. 1995. 354. LITERATURE Paul Klee: Handzeichnungen 1921-1930. Vol. II. W. Grohmann. 1934. 21.

$8,000–12,000

18 ERNST LUDWIG KIRCHNER Zwei Akte Im Walde 1928 Woodcut on paper Edition size unknown Signed and dated in graphite lower right margin beneath image; inscribed lower left Image/sheet (vis.): 19" x 15.5" Frame: 27.5" x 22.75" (Image/sheet: 48 x 39 cm) LIT E RAT URE E.L. Kirchner, Das Graphische Werk. Vol. II. A. Dube and W.D. Dube. 1980. #603.

$5,000â&#x20AC;&#x201C;7,000

19 CARLOS ALMARAZ

First Day of Pompeii 1981 Pastel on paper Signed and dated lower right; inscribed “First Day of Pompeii” lower left Composition/sheet: 19" x 25" Frame: 31.125" x 37.125" (Composition/sheet: 48 x 64 cm)

$3,000–5,000

20 RUFINO TAMAYO

Portrait of a Man (Hombre) 1953 Lithograph on paper From an edition of 25 Signed in graphite lower right edge of sheet Sheet: 22.5" x 17.5" (Sheet: 57 x 44 cm) P ROVENA NC E James Byrnes, Los Angeles, California; Private Collection, Los Angeles, California; Private Collection, Seattle, Washington

$2,000–3,000

21 RUFINO TAMAYO

Cabeza con Sombrero; Cabeza (2) 1977 Mixografias on Arches paper #78 of 100; #36 of 100 Printed by Taller de Gráfica Mexicana, Mexico City Each signed lower right sheet in image; edition lower left Image/sheet: 17.125" x 12.25" Frame: 26.25" x 20.5" Image/sheet: 13" x 18" Frame: 22.25" x 26.5" (Image/sheet: 43 x 31 cm) LIT E RAT URE Rufino Tamayo: Catalogue Raisonné: Gráfica 1925-1991. J.C. Pereda. 2004. #229 and #227.

$3,000–5,000

22 FRANÇOIS-XAVIER LALANNE Bougeoir Nénuphar Studio, designed 1973

Patinated bronze and Sèvres porcelain Inscribed “FXL” to underside of base 8.5" x 14" x 14.125" (22 x 36 x 36 cm) P ROVENA NC E Michel Lalanne (gifted directly by the artist); Thence by descent LITERATURE Sèvres: de 1850 à Nos Jours. Le Louvre des Antiquaires exh. cat. 1983. #112.

$25,000–35,000

23 FRANÇOIS-XAVIER LALANNE L’oiseau

1985 Etching on paper #22 of 24 Signed lower right margin beneath image; edition lower left; dated and inscribed “T.P.” lower left edge of sheet Image: 3.75" x 5.375" Sheet: 7.625" x 11.25" (Image: 10 x 14 cm) P ROV E NANC E Michel Lalanne (gifted directly by the artist); Thence by descent

$3,000–5,000

24 ANTONI CLAVÉ Untitled

c. 1960 Ink and watercolor on paper Signed and inscribed “Pour mon ami Myron Israel” in ink lower center sheet Sheet (vis.): 11.625" x 8.375" Frame: 16.875" x 13.5" (Sheet: 30 x 21 cm) P ROV E NANC E Myron Israel (acquired directly from the artist); Thence by descent

$3,000–5,000

Roberto Crippa Aligned with the generation of artists who followed closely behind or alongside the Cubist, the Futurist, and the Abstract Expressionist movements, Milan-born painter and sculptor, Roberto Crippa (1921 – 1972), lived during a time of transition and experimentation. While his early work tended towards geometric abstraction, Crippa soon joined a new movement, Spazialismo (or “Spatialism”) alongside fellow artists including Lucio Fontana, Cesare Peverelli, Gianni Dova, and Enrico Donati.

Crippa’s Spirali (1951-52) is a prime example of his gestural spiral paintings, which he made largely between 1949 and 1953. Like his fellow Spatialist painter, Lucio Fontana, Crippa championed compositions that pushed the picture plane outside the flatness of the two-dimensional canvas to create new spaces. Crippa’s Spirali paintings seem to protrude from the flatness of the canvas, thus creating a new dimension, and perhaps peering into the atomic level that was just entering the public imagination.

In 1947, Crippa and his compatriots issued the first of many manifestos of their movement that outlined the ideals of an art that incorporated ideas of science and technology. “We have renounced the practice of familiar art forms and are working to develop a kind of art based on the unity of time and space… We think of art as a sum of physical elements: color, sound, movement, time, and space, brought together in a physical and mental whole. Color, an element of space; sound, an element of time; and movement, unfolding in space and time. These are the foundations of Spatialist art.”

“Roberto Crippa.” Edited by Gallery Michelle Champetier, Gallery Michelle Champetier,

25 ROBERTO CRIPPA Spirali

1951-1952 Oil on canvas Signed and dated on wooden canvas stretcher verso; retains Roberto Crippa Archive identification label and unknown label verso Roberto Crippa archive identification no. 1199 Together with letter of expertise from Gimmi Stefanini, editor of the Roberto Crippa catalogue raisonné Canvas: 35.25" x 39.375" Frame: 35.75" x 39.875" (Canvas: 90 x 100 cm)

$8,000–12,000

Gallery Michelle Champetier Online, 2018. “Spazialismo.” Tate, Tate Online, 2018. “9 Things You May Not Know About Lucio Fontana.” Edited by Pirelli HangarBicocca, Pirelli HangarBicocca, Pirelli HangarBicocca Online, 2018.

26 GIO PONTI

Lounge chairs (2) Cassina, designed 1950 for the First Class Ballroom of the transatlantic oceanliner “Augustus” Each: 27" x 29" x 29" (69 x 74 x 74 cm) LIT E RAT URE Gio Ponti Le Navi: Il Progetto Degli Internivavali 1948-1953. P. Piccione. 2007. 33, #41.

$20,000–30,000

27 GIO PONTI Table

Cassina, designed 1950 for the First Class Ballroom of the transatlantic oceanliner “Augustus” 22.75" x 27.375" diameter (58 x 70 cm) LIT E RAT URE Gio Ponti Le Navi: Il Progetto Degli Internivavali 1948-1953. P. Piccione. 2007. 33, #41.

$10,000–15,000

28 ITALIAN MODERN Book stands (2)

Fontana Arte, designed c. 1958 Each: 8.5" x 21.125" x 10" (22 x 54 x 25 cm)

$3,000–5,000

29 CARLO SCARPA Corroso bowl

Venini, designed c. 1936 Model no. 4110 Retains manufacturer’s acid stencil mark “Venini Murano Made in Italy” 3.5" x 5.5" x 5.25" (9 x 14 x 13 cm) LITERATURE Carlo Scarpa: I Vetri di un Architetto. M. Barovier. 122-123, 210-211.

$1,500–2,000

30 LINO TAGLIAPIETRA Hopi vase

Studio, executed c. 1995 Coral-red blown glass with hot-moulded black half-filigree 9.375" x 14.5" diameter (24 x 37 cm)

$6,000–9,000

31 PAOLO VENINI

Hanging pendant shades (5) Venini, designed c. 1950 Model nos. 4035/50 (C, D, E) and 4053 (A) Four retain manufacturer’s label A: 7.875” x 12.5” diameter B: 8” x 7.875” diameter C: 19.5” x 6.25” diameter D: 13.5” x 5.125” diameter E: 19.5” x 6.375” diameter (A: 20 x 32 cm)

$3,000–5,000

32 PAOLO VENINI

Hanging pendant shades (4) Venini, designed c. 1950 Model no. 5035 (C) One retains manufacturer’s label A: 20.5" x 6.5" diameter B: 12" x 6.125" diameter C: 9.5" x 9.25" diameter D: 12.75" x 13.75" diameter (A: 52 x 17 cm)

$3,000–5,000

33 PAOLO VENINI

Hanging pendant shades (4) Venini, designed c. 1950 One retains manufacturer’s label A: 10.5” x 7” diameter B: 20.5” x 6.25” diameter C: 15” x 5.5” diameter D: 10” x 9” diameter (A: 27 x 18 cm)

$3,000–5,000

34 AFTER JEAN (HANS) ARP Configuration tapestry N.d. Dyed wool 56.5" x 36.5" (144 x 93 cm)

$3,000–5,000

35 JEAN (HANS) ARP Profile brooch

1963 Silver with inset pebble Artist’s proof aside from the edition of 100 Produced by Peter Ein-Hod, Ein Hod Impressed “Design by Arp/A.P.” and “Peter Ein-Hod/Made in/ Israel/ST925” 3" x 1.75" (8 x 4 cm) LITERATURE Jewelry by Contemporary Painters and Sculptors. R.S. Neu. 1967. #3.

$8,000–12,000

36 ART SMITH Brooch

designed c. 1955 Sterling silver Studio Signed and stamped “STERLING” 1" x 4.125" (3 x 10 cm)

$1,500–2,000

37 MARIO BELLINI

Cab armchairs (4) Cassina, designed 1977 Model no. 413 Each retains impressed manufacturer’s mark Each: 30.5" x 26.5" x 24" (77 x 67 x 61 cm) LIT E RAT URE Sourcebook of Modern Furniture. 3rd ed. J. Habegger and J. Osman. 2005. 203.

$2,000–3,000

38 SHERRY SCHRUT

Eyescape; Relationship Two; and Magician (3) c. 1969 Enameled copper Each with etched signature; each retains unknown identification label verso; two signed and titled frame verso; one retains sticker “Designed by Sherry Schrut” EYESCAPE

MAGICIAN

Eyescape: Enamel: 4" x 10.25" Frame: 5" x 11.125" Relationship Two: Enamel: 7.5" x 11.5" Frame: 8.625" x 11.625" Magician: Enamel: 4.125" x 8" Frame: 7" x 10.75" (Eyescape: Enamel: 10 x 26 cm)

RELATIONSHIP TWO

$2,000–3,000

LOT 39

LOT 40

LOT 41

LOT 42

41 GERTRUD & OTTO NATZLER

39 HARRISON MCINTOSH

Bowl

Covered bowl

Studio, executed c. 1960 Glazed stoneware Retains paper label “Hand Thrown Stoneware/Harrison McIntosh/Claremont California” and impressed with artist’s cipher

PAUL SOLDNER

5" x 7.75" diameter (13 x 20 cm)

$1,500–2,000

Studio, executed 1964 Mystic Blue glazed ceramic Signed “Natzler” and retains Natzler inventory label “N155” LAMA would like to thank Gail Reynolds Natzler for her gracious assistance in cataloguing this work

42 GERTRUD & OTTO NATZLER Bowl

Natzler archives identification #N155

Studio, executed c. 1967 Chartreuse glazed ceramic Signed “Natzler” LAMA would like to thank Gail Reynolds Natzler for her gracious assistance in cataloguing this work

10.75" x 4.5" diameter (27 x 11 cm)

2.375" x 7.5" diameter (6 x 19 cm)

2.5" x 8.25" diameter (6 x 21 cm)

$2,000–3,000

$2,500–3,500

$5,000–7,000

Vessel

Studio, executed c. 1975 Glazed stoneware Incised signature to underside

43 ED MOULTHROP

Monumental vessel Studio, executed c. 1983 Sugarberry wood Incised signature and stamped artist’s cipher to underside; inscribed “Rare Sugarberry Celtis Laevigata” 13.5" x 24" diameter (34 x 61 cm) PROVENANC E Private Collection (acquired directly from the artist, 1983); Thence by descent

$9,000–12,000

44 PHILIP MOULTHROP Turned vessel

Studio, N.d. Red maple Signed, initialed, and inscribed “Swamp Red Maple/Acer rubrum/9801” 9.5" x 18" diameter (24 x 46 cm)

$2,500–3,500

45 LAURA ANDRESON Vessels (3)

Studio, executed c. 1955 Glazed ceramic Each signed; two dated Comprised of two bowls and a vase Orange bowl: 1.25" x 4.625" diameter Blue bowl: 1" x 6.5" diameter Vase: 4.5" x 3.5" diameter (Orange bowl: 3 x 12 cm)

$3,000â&#x20AC;&#x201C;5,000

46 LAURA ANDRESON Vessels (4)

Studio, executed c. 1950 Glazed ceramic Each signed; two dated Comprised of two candle holders, a vase, and a cup Candle holders each: 2.5" x 5.75" diameter Vase: 4.875" x 4" diameter Cup: 4" x 3.375" diameter (Candle holders: 6 x 15 cm)

$1,500â&#x20AC;&#x201C;2,000

47 ARTHUR ESPENET CARPENTER Game table

Studio, executed 1974 Rosewood Etched “Espenet/7430” Arthur Espenet Carpenter archives #7430 Together with copy of letter of authenticity from Arthur Espenet Carpenter III, copy of original ledger entry, and copy of original sales receipt 27.625" x 34.25" x 25.875" (70 x 87 x 66 cm) P ROV E NANC E Herbert and Jeannette Hawkins, California; Thence by descent

$6,000–9,000

48 WAYNE THIEBAUD California Ridge

1988 Watercolor over etching on wove paper Signed and dated in graphite lower right margin beneath image; inscribed “Etching reworked in watercolor (unique)” lower left edge of sheet Image: 8.75" x 11.5" Sheet: 14.75" x 18" Frame: 16.375" x 19" (Image: 22 x 29 cm) Proceeds from the sale of this work will be used to fund the Patricia Kelly Roche Scholarship at St. John’s University, New York. P ROVENA NC E Patricia & John Roche, New York, New York

$60,000–80,000

31 49 WAYNE THIEBAUD

Untitled (Reflected Palm Tree) 1991 Monotype in gouache, watercolor, crayon, and colored pencil on Arches paper Unique Published by Crown Point Press, San Francisco Signed and dated in graphite lower right margin beneath composition; retains John Berggruen Gallery label verso Image: 13.875" x 10.875" Sheet (vis.): 16" x 13" Frame: 25.25" x 21.75" (Image: 35 x 28 cm) Proceeds from the sale of this work will be used to fund the Patricia Kelly Roche Scholarship at St. Johnâ&#x20AC;&#x2122;s University, New York. P ROV E NANC E John Berggruen Gallery, San Francisco, California; Patricia & John Roche, New York, New York

$18,000â&#x20AC;&#x201C;25,000

50 LARRY COHEN

View of the Coast from Via de la Paz, Pacific Palisades 2004 Oil on canvas Signed in graphite canvas verso; signed and titled in felt-tip marker on canvas stretcher verso Canvas: 26" x 18" Frame: 27.375" x 19.375" (Canvas: 66 x 46 cm)

$2,000–3,000

51 LARRY COHEN

View of Downtown LA from Taft and Franklin 2002 Oil on canvas Signed in graphite canvas verso; signed in felt-tip marker on canvas stretcher verso; titled on canvas stretcher verso Canvas: 18.125" x 22" Frame: 18.625" x 22.625" (Canvas: 46 x 56 cm)

$2,000–3,000

52 RICHARD DIEBENKORN

Untitled (from Club/Spade Group ‘81-82) (from Eight by Eight to Celebrate the Temporary Contemporary Portfolio) 1982; published 1986 6-color lithograph on Arches Cover white paper #134 of 250 Published by MOCA, Los Angeles; printed by Gemini G.E.L., Los Angeles Initialed and dated in graphite lower right margin beneath image; edition lower left; retains Gemini G.E.L. blind stamp lower right sheet Gemini G.E.L. #15.1 Image: 38" x 23.5" Sheet (vis.): 39.5" x 26.625" Frame: 40.25" x 27.375" (Image: 97 x 60 cm)

$2,500–3,500

53 RAIMONDS STAPRANS Red Kitchen 1965 Oil on canvas Signed and dated lower left; retains Maxwell Galleries label verso Canvas (vis.): 27.5" x 33.5" Frame: 35" x 41" (Canvas: 70 x 85 cm) P ROVENA NC E Maxwell Galleries, San Francisco, California; Private Collection, Villa Park, California (acquired directly from the above through Bonhams, Los Angeles, May 22, 2007, lot 370)

$8,000–12,000

54 DANISH MODERN

Console and stools (3) Manufacturer unknown, designed c. 1965 Comprised of a console and two stools Console: 23" x 47" x 16.75" Stools each: 15.875" x 19.375" x 15.25" (Console: 58 x 119 x 43 cm)

$2,000–3,000

55 T.H. ROBSJOHN-GIBBINGS Bench

Widdicomb, designed c. 1950 17" x 53" x 26" (43 x 135 x 66 cm)

$4,000–6,000

56 T.H. ROBSJOHN-GIBBINGS Bedroom suite (5)

Widdicomb, designed c. 1950 Four retain manufacturer’s label Comprised of a six-drawer dresser, three-drawer dresser, two night stands, and a headboard Six-drawer dresser: 31.125" x 68.5" x 20.5" Three-drawer dresser: 31" x 35.125" x 20.5" Night stands each: 25" x 19" x 15" Headboard: 31" x 56" x 2" (Six-drawer dresser: 79 x 174 x 52 cm)

$3,000–5,000

57 FRANK LLOYD WRIGHT Dining table

Heritage Henredon, designed c. 1955 Retains impressed manufacturer's and designer's mark Together with two leaves 28.5" x 100" x 42.5" (with both leaves) 28.5" x 64" x 42.5" (as illustrated) (72 x 254 x 108 cm)

$2,500–3,500

58 SCHOOL OF PARIS Lamps (2)

Manufacturer unknown, designed c. 1955 Signed “RC” Each: 25.5" x 14.375" diameter (including shades) (65 x 37 cm)

$2,000–3,000

59 GILBERT ROHDE

Bedside tables (2) Herman Miller, designed c. 1940 Model no. 3770 Each retains Herman Miller metal tag Each: 27" x 16" x 13.75" (69 x 41 x 35 cm) LITERATURE Herman Miller 1940 Catalog & Supplement: Gilbert Rohde Modern Furniture Design. L. Piña, ed. 1998. 62.

$2,500–3,500

60 ADRIAN PEARSALL Rocking chair

Craft Associates, designed c. 1960 29.5" x 26" x 36" (75 x 66 x 91 cm)

$1,500–2,000

61 AMERICAN MODERN End tables (2)

Tonk Manufacturing Company, designed c. 1955 Each retains stamped manufacturer’s mark Each: 24.25" x 18" x 24" (62 x 46 x 61 cm)

$3,000–5,000

62 GORDON & JANE MARTZ Table lamps (2)

Marshall Studios, Inc., designed c. 1962 Model no. 234 Each inscribed “Martz” Each: 34.875" x 17.25" diameter (including shades) (89 x 44 cm) LIT E RAT URE Marshall Studios Lamp Catalog No. 17. Manufacturer cat. c. 1962. 39.

$1,000–1,500

Dave Muller One of the key Los Angeles artists to emerge in the 1990s, Dave Muller established his reputation by independently and anonymously posting hand-painted watercolors publicizing local gallery exhibitions of artists he admired. The designs for these commemorative works were both tributes and sly commentaries, often adding art historical contexts and elaborations to the art being espoused. Muller also frequently staged art events in the spirit of 1960s “Happenings” known as "Three Day Weekends," featuring impromptu exhibitions, art-making, and music. These three works on paper, What Goes On (Sam Durant) (1995), I Keep Waiting for Hendrix to Break Into the Star-Spangled Banner (1994), and I Couldn’t Find a Single Pedestal Chair at the

63 DAVE MULLER

What Goes On (Sam Durant) 1995 Watercolor, pencil, and iron-on Xerox transfer on paper Retains unknown information labels frame verso Composition/sheet: 23" x 35" Frame: 28.125" x 39.625" (Composition/sheet: 58 x 89 cm) EXHIBITE D “Love’s Labour’s Lost,” SITE Gallery, Los Angeles, 1996; “Dave Muller: Connections,” traveling exhibition, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, June 23-September 8, 2002; Hammer Museum, Los Angeles, October 6, 2002-January 5, 2003 ILLUSTRAT E D Dave Muller: Connections. C. Cruz and M. Higgs. Center for Curatorial Studies exh. cat. 2002. 15, 26, #2.

$4,000–6,000

Kunstlerhaus Bethanien (1996) are beautifully executed celebrations of a favored artist (Durant), musician (Hendrix), and designer (Eero Saarinen), evidencing Muller's own commitment to these three fields of endeavor. Muller has held solo exhibitions at Blum & Poe Gallery (1998 - 2018), St. Louis Art Museum (2001), Bard Center for Curatorial Studies in Annandale-on-Hudson (2002), San Francisco Museum of Modern Art (2004), and the Institute of Contemporary Art in Boston (2008). His work was also included in "Made in California: Now" at the Los Angeles County Museum of Art (2000), as well as in group exhibitions at the Lyon Biennale (2003 and 2005), Whitney Biennial (2004), and Minneapolis Institute of Art (2016).

39 64 DAVE MULLER

I Keep Waiting for Hendrix to Break Into the Star-Spangled Banner 1994 Watercolor on paper Retains unknown inventory label frame verso Composition/sheet: 25.5" x 19.25" Frame: 27" x 21" (Composition/sheet: 65 x 49 cm) E XHIBIT E D “Stream of Consciousness: 8 Los Angeles Artists,” University Art Museum, UC Santa Barbara, September 8-November 10, 1996; “Dave Muller: Connections,” traveling exhibition, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, June 23-September 8, 2002; Hammer Museum, Los Angeles, October 6, 2002-January 5, 2003 ILLUST RAT E D Dave Muller: Connections. C. Cruz and M. Higgs. Center for Curatorial Studies exh. cat. 2002. 24, #4.

$4,000–6,000

65 DAVE MULLER

I Couldn’t Find a Single Pedestal Chair at the Kunstlerhaus Bethanien 1996 Pencil and acrylic on paper Image/sheet: 40" x 28" Frame: 44" x 32" (Image/sheet: 102 x 71 cm) P ROVENA NC E Private Collection, United States (acquired directly from the artist, 1996) EXHIBITE D “Stream of Consciousness: 8 Los Angeles Artists,” University Art Museum, UC Santa Barbara, September 8-November 10, 1996; “Dave Muller: Connections,” traveling exhibition, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, June 23-September 8, 2002; Hammer Museum, Los Angeles, October 6, 2002-January 5, 2003 ILLUSTRAT E D Dave Muller: Connections. C. Cruz and M. Higgs. Center for Curatorial Studies exh. cat. 2002. 13, 31, #8.

$6,000–9,000

66 SAM DURANT

Group of works (4) A: 1994; B: 1994; C: 1995; D: 1994 Photocopies with mixed-media on paper Each signed, titled, and dated sheet verso Comprised of A: Three Rules of Plumbing; B: 2 Chairs; C: Mistake #4; D: Hierarchy A: Sheet: 9" x 7" Frame: 10.125" x 8.125" B: Sheet: 6.5" x 8.5" Frame: 7.625" x 9.625" C: Sheet: 11" x 8.5" Frame: 12.25" x 9.625" D: Sheet: 7.5" x 10" Frame: 8.75" x 11.25" (A: Sheet: 23 x 18 cm) P ROV E NANC E Blum & Poe, Los Angeles, California; Private Collection, United States (acquired directly from the above, 1995)

$8,000â&#x20AC;&#x201C;12,000

COLOPHON

PORTFOLIO CASE AND TITLE PAGE

67 RAYMOND PETTIBON

11 Plates (from Jots and Tittles Portfolio) 1998 Lithographs on Rives BFK paper with hand coloring, with title page and colophon Each: #8 of 12 Printed by Hamilton Press, Venice Each signed lower right sheet; edition lower left; each retains Hamilton Press blind stamp lower left Comprised of Apple, Ben Franklin’s Bifocals, Blood, Cotton Candy, Tulips, Heart, Lightbulb, Nat King Cole, Snowy White Owl, Pen and Brushes, and Red Wheelbarrow Together with portfolio case with hand drawing on the inner lining Sheets each: 21" x 15" Frames each: 24.875" x 18.75" Portfolio case frame: 26.75" x 37.75" (Sheets each: 53 x 38 cm)

$15,000–20,000

68 RAYMOND PETTIBON

No Title (Mother Mary...) 1991 Ink and watercolor on paper Signed and dated sheet verso Composition/sheet: 22.125" x 16.875" Frame: 24.125" x 19.125" (Composition/sheet: 56 x 43 cm)

$8,000â&#x20AC;&#x201C;12,000

69 MIKE BIDLO

Fountain Drawings (6) 1993-1998 Mixed-media on paper Largest: Sheet: 11" x 8.25" Frame: 12.375" x 9.625" Smallest: Sheet: 1.75" x 2.75" Frame: 3.375" x 4.375" (Largest: Sheet: 28 x 21 cm) P ROVENA NC E Tony Shafrazi Gallery, New York, New York; Private Collection, United States (acquired directly from the above, 1998) EXHIBITE D “Mike Bidlo: The Fountain Drawings,” Tony Shafrazi Gallery, New York, September 19-October 24, 1998 ILLUSTRAT E D Mike Bidlo: The Fountain Drawings. Gallery Bruno Bischofberger and Tony Shafrazi Gallery exh. cat. 1998. 70, 82.

$10,000–15,000

70 MARCEL DUCHAMP

La Mariée Mise à nu... (Second State) 1968 Etching on Japan vellum #25 of 30 Signed in graphite lower right margin beneath image; edition lower left; facsimile of initials lower left in image Image: 13.625" x 9.25" Sheet: 19.75" x 12.75" Frame: 22.375" x 15.375" (Image: 35 x 23 cm) LIT E RAT URE The Complete Works of Marcel Duchamp. 3rd ed. Vol. II. A. Schwarz. 1997. #650c.

$6,000–9,000

ILLUSTRATED PREVIOUS PAGE

71 HERNAN BAS Slim Kiss

1999 Slimfast and graphite on paper Dated lower right beneath composition; titled lower center; inscribed “TEAM WAIF” lower left Together with copy of invoice from Fredric Snitzer Gallery dated August 11, 2001 Sheet: 11" x 8.5" Frame: 13.375" x 10.875" (Sheet: 28 x 22 cm) P ROV E NANC E Fredric Snitzer Gallery, Miami, Florida; The Prather Family Collection, West Hollywood, California (acquired directly from the above, 2001)

$2,000–3,000

72 HERNAN BAS

Untitled (Late Dip) 2001 Oil on paper Initialed lower left edge of sheet Together with copy of invoice from Fredric Snitzer Gallery dated August 11, 2001 Composition/sheet: 10.875" x 12.875" Frame: 14.875" x 16.875" (Composition/sheet: 28 x 33 cm) P ROV E NANC E Fredric Snitzer Gallery, Miami, Florida; The Prather Family Collection, West Hollywood, California (acquired directly from the above, 2001)

$3,000–5,000

73 HERNAN BAS Hiking

2001 Oil on paper Initialed and dated in graphite lower left sheet Together with copy of invoice from Fredric Snitzer Gallery dated August 11, 2001 Composition/sheet: 5.5" x 7.5" Frame: 9.375" x 11.625" (Composition/sheet: 14 x 19 cm) P ROV E NANC E Fredric Snitzer Gallery, Miami, Florida; The Prather Family Collection, West Hollywood, California (acquired directly from the above, 2001)

$3,000–5,000

74 PAUL MCCOBB

Planner Group cabinet Winchendon, designed c. 1950 Model no. 1510-L Retains manufacturer’s label 33.25" x 72" x 18.125" (84 x 183 x 46 cm) LITERATURE Planner Group Designs by Paul McCobb. Manufacturer cat. N.d. N.pag.

$2,500–3,500

75 PAUL MCCOBB End tables (2)

Calvin, designed c. 1952 Each retains manufacturer’s label Each: 25.5" x 20" x 22" (65 x 51 x 56 cm)

$3,000–5,000

76 AMERICAN MODERN Giraffe lamps (2)

Raymor, designed c. 1958 Each: 48.375" x 16.375" diameter (including shades) (123 x 42 cm)

$2,000–3,000

77 PAUL MCCOBB Bar cart

Calvin, designed c. 1952 Retains manufacturer’s label 29.25" x 36.25" x 19.25" (74 x 92 x 49 cm)

$2,000–3,000

78 HENDRIK VAN KEPPEL & TAYLOR GREEN Sofa-chaise

VKG, designed c. 1950 Model no. 580 26" x 74" x 31.75" (66 x 188 x 81 cm)

ALTERNATE VIEWS

LITERATURE Van Keppel-Green: Modern Furniture. Manufacturer cat. N.d. N.pag.

$5,000–7,000

79 BILL LAM

Adjustable coffee table Lam Workshop Inc., designed c. 1950 15" x 45" x 17.75" (adjustable) (38 x 114 x 45 cm)

$2,500–3,500

ALTERNATE VIEWS

80 DOUGLAS DEEDS Benches (2)

Architectural Fiberglass, designed c. 1965 Each: 17" x 71.5" x 23.5" (43 x 182 x 60 cm) LIT E RAT URE Architectural Fiberglass. Manufacturer cat. 1965. N.pag.

$3,000–5,000

81 JOHN FOLLIS Planters (2)

Architectural Pottery, designed c. 1955 Model no. V-35 Each: 18.75" x 17" diameter (48 x 43 cm) LIT E RAT URE Architectural Pottery. Manufacturer cat. 1964. N.pag.

$2,000–3,000

82 WALTER LAMB

Chaise lounge and end table (2) Brown-Jordan Co., designed c. 1950 Model nos. C-4700 (chaise lounge) and BL-3700 (end table) Chaise lounge retains manufacturer’s label Chaise lounge: 32" x 27" x 66" End table: 18" x 23.5" x 18" (Chaise lounge: 81 x 69 x 168 cm) LITERATURE Walter Lamb. Manufacturer cat. 1954. N.pag.

$3,000–5,000

83 WALTER LAMB Chaise lounge

Brown-Jordan Co., designed c. 1950 Model no. C-4700 32" x 27" x 66" (81 x 69 x 168 cm) LITERATURE Walter Lamb. Manufacturer cat. 1954. N.pag.

$2,500–3,500

84 WALTER LAMB

Rocking chairs (2) Brown-Jordan Co., designed c. 1950 Model no. C-5701 Each: 30" x 21.5" x 33" (76 x 55 x 84 cm) LITERATURE Walter Lamb. Manufacturer cat. 1954. N.pag.

$4,000–6,000

85 WALTER LAMB

Waikiki rocking lounge chairs (2) Brown-Jordan Co., designed c. 1950 Model no. 4720 Each: 20.5" x 21.75" x 70" (52 x 55 x 178 cm) LIT E RAT URE Walter Lamb. Manufacturer cat. 1954. N.pag.

$2,000–3,000

86 WALTER LAMB

Waikiki rocking lounge chairs (2) Brown-Jordan Co., designed c. 1950 Model no. 4720 Each: 20.5" x 21.75" x 70" (52 x 55 x 178 cm) LIT E RAT URE Walter Lamb. Manufacturer cat. 1954. N.pag.

$2,000–3,000

87 WALTER LAMB Coffee table

Brown-Jordan Co., designed c. 1950 Model no. S-3700 17.25" x 36.625" diameter (44 x 93 cm) LIT E RAT URE Walter Lamb. Manufacturer cat. 1954. N.pag.

$1,500–2,000

88 C. JERÉ

Raindrop wall sculptures (4) Studio, designed c. 1975 Two signed Two: 38.5" x 28.25" x 7.5" Others: 64.125" x 28.25" x 7.5" (Two: 98 x 72 x 19 cm)

$6,000–9,000

89 C. JERÉ

Crane adjustable floor lamp Studio, executed 1977 Signed and dated “C Jeré 1977” 71.25" x 37" x 21.5" (as illustrated) (181 x 94 x 55 cm)

$1,500–2,000

90 C. JERÉ

Pom Pom lamp Studio, designed c. 1970 25.75" x 13.5" diameter (65 x 34 cm)

$1,000–1,500

91 FLETCHER BENTON

Untitled (Kinetic series) c. 1971 Steel, acrylic glass, and mixed-media sculpture Signed 58.5" x 21.5" x 11" (149 x 55 x 28 cm)

$8,000â&#x20AC;&#x201C;10,000

57 92 TAKIS (PANAYIOTIS VASSILAKIS) Signals (4)

1968 Steel, aluminum, glass, and electrical components Each retains signed, titled, and dated “Unlimited Bath Widcombe Manor Bath” label to underside Tallest: 86" x 10.125" x 9" Shortest: 80.5" x 10.25" x 9" (Tallest: 218 x 26 x 23 cm)

$28,000–35,000

93 VASA (VELIZAR MIHICH) Tower #2926

$10,000–15,000

94 HELEN PASHGIAN Untitled

2006 Cast acrylic Signed and dated verso 35" x 68.5" x 8.75" (89 x 174 x 22 cm) P ROV E NANC E Private Collection, Los Angeles, California (gifted directly by the artist)

$7,000â&#x20AC;&#x201C;10,000

95 TARA DONOVAN

Untitled (Paper Plates) 2005 Paper plates and glue 36" x 51.5" x 44.5" (91 x 131 x 113 cm) P ROVENA NC E PaceWildenstein, New York, New York; Private Collection, New York, New York (acquired directly from the above)

$15,000â&#x20AC;&#x201C;25,000

96 MARY CORSE

Untitled (White Light Grid) 1988 Glass microspheres in acrylic on canvas Signed and dated verso 72" x 72" (183 x 183 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1988)

$60,000â&#x20AC;&#x201C;90,000

GARDAR EIDE WON

GARDAR EIDE EINARSSON

2006 Acrylic on canvas

Signed and dated canvas verso; signed, titled, dated, and inscribed “3/10 From the Installation ‘Tokyo Underworld’” to canvas stretcher verso; titled to canvas overlap verso; retains Nils Staerk Contemporary Art label to canvas stretcher verso

Signed and dated canvas verso; signed, titled, dated, and inscribed “4/10 From the Installation ‘Tokyo Underworld’” to canvas stretcher verso; titled to canvas overlap verso; retains Nils Staerk Contemporary Art label to canvas stretcher verso

Signed and dated canvas verso; signed, titled, dated, and inscribed “8/10 From the Installation ‘Tokyo Underworld’” to canvas stretcher verso; titled to canvas overlap verso; retains Nils Staerk Contemporary Art label to canvas stretcher verso

63" x 47.25" (160 x 120 cm)

P ROVENA NC E Nils Staerk Contem-

PROVE N A N CE Nils Staerk Contem-

P ROV E NANC E Nils Staerk Contem-

porary Art, Copenhagen, Denmark;

Private Collection, Los Angeles,

California (acquired directly from the

above, 2007)

$7,000–10,000

Occupation Hangover

Success Story

The Great Transfer of Wealth

100 GARDAR EIDE EINARSSON The White Tower 2007 Lightbox 37.125" x 65.5" x 11" (94 x 166 x 28 cm) P ROV E NANC E Honor Fraser Gallery, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, 2008)

$6,000â&#x20AC;&#x201C;8,000

Barry Flanagan Barry Flanagan (1941–2009), while equally well-versed in draughtsmanship, printmaking, and photography, is primarily known today for his work as a sculptor, most notably his bronze hare sculptures of the early eighties. After studying architecture at Birmingham College of Art and Crafts, with various interludes at different colleges, he eventually found himself in London studying sculpture at the Saint Martin’s School of Art. From the beginning of his career, Flanagan created playfully subversive works that broke with the conventions of sculpture at the time, while injecting his own sensibility and humor into his work. In harkening back to forms and mythologies of antiquity, he became a seminal figure in the 1980s as he pushed the Post-minimal field of sculpture into a new direction.

Studio International in 1967 he wrote: “One merely causes things to reveal themselves to the sculptural awareness. It is the awareness that develops, not the agents of the sculptural phenomena.” His work was featured in the groundbreaking exhibition "When Attitudes Become Form" at Kunsthalle Bern (1969), and he represented Britain in the 1982 Venice Biennale. His bronze hares have also been exhibited in many public outdoor spaces, among them Park Avenue in New York in 1995-96, and Grant Park, Chicago in 1996. His work is held in public collections around the globe including the Museum of Modern Art, New York, the National Gallery of Art, Washington D.C., Tokyo Metropolitan Art Museum, Centre Georges Pompidou, Paris, and the Tate, London. “Estate of Barry Flanagan.” Estate of Barry Flanagan, barryflanagan.com/.

His early beginnings in sculpture encompassed a wide array of materials— jute sacks, sand, cloth, plastic, clay, and plaster—but he eventually transitioned into the use of more permanent materials such as stone, ceramics, and metals. The three pieces offered in LAMA's June 10, 2018 auction, Miracle in the Cabbage Patch VIII 78 (1978), Two Dog (1978), and Butterfly 10/82 (1982), demonstrate the breadth of interest in sculpture at this crucial point in his career. In an oft-cited quote published in

101 BARRY FLANAGAN

Miracle in the Cabbage Patch VIII 78 1978 Stone Initialed, titled, and dated to underside 17.5" x 12" x 7.5" (44 x 30 x 19 cm)

$10,000–15,000

102 BARRY FLANAGAN Butterfly 10/82 1982 Bronze Initialed and dated 4.5" x 7.625" x 3.625" (11 x 19 x 9 cm)

$4,000–6,000

103 BARRY FLANAGAN Two Dog

1978 Sheet metal Initialed, titled, and dated 8.625" x 10" x 7.125" (22 x 25 x 18 cm)

$5,000–7,000

104 EDWARD CORBETT

Washington D.C, March 1965 Oil on canvas Signed, titled, and dated to canvas stretcher verso; retains Grace Borgenicht Gallery, H.G. Ollendorff, and Manny Silverman Gallery labels and San Francisco Museum of Art exhibition label to canvas stretcher verso Canvas: 40" x 50" Frame: 40.75" x 50.75" (Canvas: 102 x 127 cm) P ROVEN A NC E Grace Borgenicht Gallery, New York, New York; Gerald Nordland, Chicago, Illinois (acquired directly from the above, c. 1965); Private Collection, Los Angeles, California (acquired directly from the above, 2012) EXHIBIT E D “Edward Corbett: A Retrospective,” San Francisco Museum of Art, March 28-May 4, 1969 LITERAT U RE Edward Corbett. San Francisco Museum of Art exh. cat. 1969. #38.

$7,000–10,000

105 DAN CHRISTENSEN Red-Red

1968 Acrylic on canvas Retains André Emmerich Gallery label and Pasadena Art Museum and Santa Barbara Museum of Art exhibition labels to canvas stretcher verso Canvas: 90" x 120" Frame: 91.125" x 121.125" (Canvas: 229 x 305 cm) P ROV E NANC E André Emmerich Gallery, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 1969) E XHIBIT E D “Selections from the Mr. and Mrs. Robert A. Rowan Collection,” Pasadena Art Museum, September 22-November 15, 1970

$20,000–30,000

106

107

SOL LEWITT

Untitled

1979 Gouache on paper Signed and dated lower right beneath composition Composition: 8.75" x 10" Sheet (vis.): 9.75" x 12" Frame: 18.25" x 20.25" (Composition: 22 x 25 cm)

$8,000–12,000

Bands of Lines in Four Directions (Vertical) 1994 Color woodcut on Kizuki-Hohsho paper #21 of 45 Published by the artist; printed by Watanabe Studio Ltd., Brooklyn Signed with edition in graphite lower right; retains artist information sheet frame verso Sol LeWitt Catalogue Raisonné #1994.04 Image: 29" x 10" Sheet (vis.): 32.625" x 13.625" Frame: 38.375" x 19.375" (Image: 74 x 25 cm)

$2,500–3,500

108 SOL LEWITT

Form Derived from a Cubic Rectangle (Steps) 1992 Woodcut on Fukui-Kozo paper #8 of 25 artist’s proofs aside from the edition of 75 Published by Juventudes Musicales de Espana, Barcelona; printed by Watanabe Studio Ltd., Brooklyn Signed with edition in graphite lower right edge of sheet; inscribed “for Harold and Liz” lower left Sol LeWitt Catalogue Raisonné #1992.02 Image/sheet (vis.): 21.375" x 29" Frame: 22.125" x 29.875" (Image/sheet: 54 x 74 cm)

$1,200–1,500

109 SOL LEWITT

Plate 4 (from Forms Derived from a Cubic Rectangle suite) 1990 Etching with aquatint on Magnani Italia paper #3 of 4 trial proofs aside from the edition of 20 Published by Multiples Inc., New York; printed by Watanabe Studio Ltd., Brooklyn Signed with edition and inscribed “For David” in graphite lower right edge of sheet Sol LeWitt Catalogue Raisonné #1990.13 Image: 14.75" x 20.875" Sheet (vis.): 19.5" x 25.5" Frame: 20.25" x 26.125" (Image: 37 x 53 cm)

$1,200–1,500

110 DON SORENSON Untitled (#982) 1982 Oil on canvas Signed, dated, and inscribed “#982” verso Canvas: 24.125" x 43.25" Frame 25.5" x 44.625" (Canvas: 61 x 110 cm)

$2,000–3,000

111 DANIEL DOUKE Prospect

1980 Acrylic on canvas in three parts Each signed, titled, and dated canvas verso Each: 10.25" x 14.25" x 4.75" (26 x 36 x 12 cm)

$5,000â&#x20AC;&#x201C;7,000

112 EDWARD WORMLEY Sofa

Dunbar, designed 1956 Model no. 4907A 28.625" x 109" x 34" (73 x 277 x 86 cm) LITERATURE Dunbar: Fine Furniture of the 1950s. L. Piña. 2000. 30-31, 172-173.

$5,000–7,000

113 EDWARD WORMLEY Dining table

Dunbar, designed c. 1961 Retains Dunbar gold tag 29.125" x 104.375" x 49.625" (74 x 265 x 126 cm)

$5,000–7,000

114 EDWARD WORMLEY Sideboard

Dunbar, designed c. 1961 Retains Dunbar order card and Dunbar gold tag 30" x 72" x 18" (76 x 183 x 46 cm)

$4,000–6,000

115 JOHN VAN KOERT Tripod tables (2)

Drexel, designed c. 1960 Model no. K79 Each stamped “K79-5” Each: 24.25" x 12" diameter (62 x 30 cm)

$1,500–2,000

116 PAUL LÁSZLÓ

Cocktail tables (2) Brown-Saltman, designed c. 1948 Model no. 50 Each retains manufacturer’s label and designer’s label Each: 18.5" x 24" x 26" (47 x 61 x 66 cm) LITERATURE Brown-Saltman. Manufacturer cat. N.d. N.pag.

$2,000–3,000

117 PAUL LÁSZLÓ

Chest of drawers (2) Brown-Saltman, designed c. 1948 Each retains stamped manufacturer’s mark and designer’s label Each: 45.5" x 38" x 19.125" (116 x 97 x 49 cm)

$4,000–6,000

118 PAUL LÁSZLÓ Sideboard

Brown-Saltman, designed c. 1948 Model no. 1756 Retains manufacturer’s and designer’s label 38" x 60" x 18" (97 x 152 x 46 cm) LITERATURE Brown-Saltman. Manufacturer cat. N.d. N.pag.

$2,000–3,000

119 WILLIAM DOLE

Hortatory Device 1963 Collage and watercolor on paper Signed and dated lower right edge of sheet in composition; retains Rex Evans Gallery label verso Composition/sheet: 12.375" x 18.375" Frame: 18.625" x 24.5" (Composition/sheet: 31 x 47 cm)

$1,500â&#x20AC;&#x201C;2,000

120 WILLIAM DOLE Untitled

1959 Collage and watercolor on paper Signed and dated lower right; retains Bertha Lewinson Gallery label verso Sheet (vis.): 16.375" x 22.25" Frame: 17.875" x 23.75" (Sheet: 42 x 57 cm)

$1,500â&#x20AC;&#x201C;2,000

121 BERNARD (TONY) ROSENTHAL Untitled 1947 Wood Etched signature and date to base 16.5" x 12.5" x 12" (42 x 32 x 30 cm)

$6,000â&#x20AC;&#x201C;9,000

122 JEAN XCERON Red Above

1950 Oil on canvas Signed lower right edge of canvas; signed, titled, and dated twice verso Canvas: 25" x 21" Frame: 25.5" x 21.5" (Canvas: 64 x 53 cm)

$3,000–5,000

123 ROBERT MCCHESNEY Untitled (Abstraction) 1945 Watercolor on paper Signed and dated lower right; retains Snyder Fine Art label verso Sheet (vis.): 22.5" x 15.125" Frame: 23.625" x 16.375" (Sheet: 57 x 38 cm)

$2,000–3,000

124 LEE MULLICAN Untitled

1989 Oil on canvas Signed, dated, and inscribed “12/’89/UCLA” verso Canvas (vis.): 35.75" x 23.625" Frame: 37.25" x 25.125" (Canvas: 91 x 60 cm) P ROVENA NC E The estate of Emerson Hogue and Joan LaBombard

$8,000–12,000

125 LEE MULLICAN Untitled

1962 Pastel and gouache on paper Signed and dated lower right Composition/sheet (vis.): 23.375" x 16.625" Frame: 28" x 21.125" (Composition/sheet: 59 x 42 cm) P ROVENA NC E The estate of Emerson Hogue and Joan LaBombard

$1,500–2,000

126 LEE MULLICAN Blue Bringer

1989 Acrylic, oil, and graphite on canvas Signed, dated, and inscribed “Ranchos” verso; retains Herbert B. Palmer and Company label verso Canvas: 40" x 30" Frame: 41.375" x 31.375" (Canvas: 102 x 76 cm) P ROV E NANC E The estate of Emerson Hogue and Joan LaBombard

$8,000–12,000

127 LEE MULLICAN Untitled

1995 Graphite and colored pencil on paper Signed and dated in graphite lower right sheet in composition Composition/sheet (vis.): 13.875" x 10.75" Frame: 17.5" x 14.5" (Composition/sheet: 35 x 27 cm) P ROV E NANC E The estate of Emerson Hogue and Joan LaBombard

$1,500–2,000

128 LEE MULLICAN

Spirit Head Awake 1971-1978 Ink and graphite on paper Signed in graphite lower right sheet in composition; inscribed frame verso Composition/sheet (vis.): 16.625" x 13.125" Frame: 22.875" x 19.375" (Composition/sheet: 42 x 33 cm) P ROV E NANC E The estate of Emerson Hogue and Joan LaBombard

$1,500–2,000 LOT 127

LOT 128

129 HANS BURKHARDT

Night Sounds in the Sierra 1958 Oil on canvas Signed and dated lower left Canvas: 31.375" x 41.375" Frame: 34.75" x 44.875" (Canvas: 80 x 105 cm) P ROVENA NC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1980)

$8,000–12,000

130 HANS BURKHARDT Untitled

1938 Charcoal on paper Initialed and dated lower right sheet; signed lower center in composition Composition/sheet (vis.): 22.5" x 16.375" Frame: 29.375" x 23.25" (Composition/sheet: 57 x 42 cm) P ROVENA NC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1980)

$2,500–3,500

131 HANS BURKHARDT The Cock Fight 1954 Oil on canvas Signed and dated "H. Burkhardt 54" lower right; signed, titled, and dated verso Canvas: 33" x 36.25" Frame: 40.625" x 43.625" (Canvas: 83 x 92 cm)

$5,000–7,000

132 HANS BURKHARDT Untitled

1967 Pastel on paper Signed and dated lower right sheet in composition Composition/sheet (vis.): 23.5" x 17.5" Frame: 30.5" x 24.75" (Composition/sheet: 60 x 44 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 1980)

$1,000–1,500

133 MORRIS GRAVES Nesting Birds 1951 Oil on canvas Signed and dated lower right edge of canvas Canvas: 32" x 14" Frame: 33.25" x 15.25" (Canvas: 81 x 36 cm)

$15,000â&#x20AC;&#x201C;20,000

134 BRUCE CONNER

Untitled (Reclining Nude) 1957 Ink, pastel, and charcoal on paper Signed and inscribed “Untitled drawing by Bruce Conner 1957/ Signed on the frame back linen by/Bruce Conner 9/30/86” frame verso Composition/sheet (vis.): 18.125" x 15.125" Frame: 27.625" x 24.5" (Composition/sheet: 46 x 38 cm)

$6,000–9,000

135 FRITZ SCHWADERER

Where They Work in Copper (Mexico) 1968 Oil on canvas Signed lower left edge of canvas; inscribed “11.” canvas verso; retains Ankrum Gallery label frame verso Canvas (vis.): 23.5" x 17.5" Frame: 29.5" x 23.5" (Canvas: 60 x 44 cm) P ROV E NANC E Mr. and Mrs. Robert McIntosh, Los Angeles, California (acquired directly from the artist); Private Collection, Los Angeles, California (acquired directly from the above, 1975)

$2,000–3,000

136 JAN STUSSY

Life in a Box Depends on How You Manage It c. 1963 Oil on Masonite panel Signed lower right edge of panel; signed again along left lower edge of panel; retains Pasadena Art Museum and Santa Barbara Museum of Art loan labels verso Panel (vis.): 47.375" x 47.375" Frame: 49" x 48.875" (Panel: 120 x 120 cm)

$3,000â&#x20AC;&#x201C;5,000

137 ROBERT HANSEN Man-Men #22

1956 Mixed-media on Masonite panel Signed and dated lower right edge of panel; retains Santa Barbara Museum of Art label verso Panel: 24" x 12" Frame: 25.375" x 13.5" (Panel: 61 x 30 cm)

$1,500â&#x20AC;&#x201C;2,000

138 JOHN ALTOON Minotaur

c. 1957-1958 Ink on paper Signed and inscribed “circa 195758” lower right edge of sheet Sheet: 30.25" x 19.875" Frame: 39.375" x 28.75" (Sheet: 77 x 50 cm)

$3,000–5,000

139 JOHN ALTOON

Untitled (Clowns) (2) c. 1967 Pastel on paper Signed and inscribed “To Marcia Silverman” lower right edge of sheet; signed and inscribed “To Lora Silverman” lower left sheet in composition Sheet: 24.75" x 18.875" Frame: 30.625" x 24.625" Sheet (vis.): 23" x 17.875" Frame: 30.25" x 24.25" (Sheet: 63 x 48 cm) P ROV E NANC E Private Collection, Los Angeles, California (gifted directly by the artist, c. 1967)

$6,000–9,000

Vija Celmins Latvian-American visual artist Vija Celmins’ now acclaimed photorealistic drawings and paintings of the natural world can be traced back to her early excursions into painting, utilizing objects found close at hand in her studio space in order to sharpen her powers of perception. Working in California during the mid-1960s, Celmins’ began to depart from the Abstract Expressionist style that marked her early paintings and shifted her focus to still life paintings and drawings. These explorations eventually led to her use of found photographs as source materials. Moving from the three-dimensional to the two-dimensional plane of the photograph, Celmins developed a practice whereby engagement with the natural world is severely mediated by existing imagery that reproduces it, rather than by direct observation. Works such as her 1963 oil on canvas, Untitled (Fish), are notably void of direct human presence, though traces of human intervention and its consequences are never too far from the surface. Her paintings and drawings possess the unsettling suggestion of an evacuated presence, and lie “between intimacy and distance,” as she herself once put it. Though the fish will later serve as her sustenance, her rendering of the fish leaves it floating in some in-between location divorced from our world. Celmins’ distinct still lifes and fantastically distorted landscapes acutely manipulate scale and perspective. Using a rigorously pared-down, monochromatic color palette that favors deep tonal gradations of gray, Celmins’ potent, if austere, compositions push the still life in new directions, raising questions pertaining to the nature of observation, reproduction, and representation. “Vija Celmins.” MoMA, Museum of Modern Art Online, 2018. “Found Images.” Tate, Tate Online, 2018. “Vija Celmins.” ARTIST ROOMS, Tate Online, 2018. “Vija Celmins Learning Resource.” National Galleries Scotland, National Galleries Scotland Online, 2018. Artspace Editors. “Chuck Close in Conversation with Vija Celmins About Her Dense Yet Infinite Drawings.” Artspace, 19 Apr. 2017. “Vija Celmins.” Tate, Tate Online, 2018. “Vija Celmins.” Edited by Matthew Marks Gallery, Matthew Marks Gallery, Matthew Marks Gallery Online.

LABEL AND SIGNATURE DETAIL

140 VIJA CELMINS Untitled (Fish) 1963 Oil on canvas Dated lower right edge of canvas; signed and dated canvas verso; retains artist’s label frame verso LAMA would like to thank the artist for her assistance in cataloguing this work Canvas: 17.75" x 24.5" Frame: 18.25" x 25" (Canvas: 45 x 62 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, 1964)

$500,000–700,000

141 VIJA CELMINS

Comet (from Skowhegan Suite) 1992 Linocut on Fabriano Tiepolo wove paper #77 of 80 Published by Oberon Press Inc., New York Signed in graphite lower right margin beneath image; edition lower left; retains Oberon blind stamp lower left edge of sheet Image: 14.25" x 16.75" Sheet: 20.5" x 22.75" Frame: 24.25" x 26.375" (Image: 36 x 43 cm)

$10,000–15,000

142 HELEN LUNDEBERG Three Oranges

1986 Lithograph on Arches Cover paper #11 of 45 Published by the Graphic Arts Council, LACMA, Los Angeles; printed by Cirrus Editions, Los Angeles Signed and dated in graphite lower right margin beneath image; retains “GAC/LACMA” blind stamp lower right; edition lower left; retains Cirrus Editions, Inc. blind stamp lower left Image: 10.875" x 8.875" Sheet: 15.75" x 13" Frame: 21.625" x 19.25" (Image: 28 x 23 cm)

$1,500–2,000

143 ALEX KATZ

Daytona Beach Series 1996 The complete series of five color aquatints on Somerset Satin paper Each: #13 of 25 Published and printed by Simmelink/Sukimoto Editions, Ventura Each signed with edition in graphite lower left margin beneath image Images each: 23" x 17.25" Sheets (vis.) each: 28.5" x 22.875" Frames each: 30.75" x 25" (Images each: 58 x 44 cm) LIT E RAT URE Alex Katz: Prints: Catalogue Raisonné, 1947-2011. K. Schröder, ed. 2011. #300-304.

$12,000–15,000

144 HARRY BERTOIA

Untitled (Sonambient) c. 1975 Beryllium copper and brass Together with copy of certificate of authenticity from the Harry Bertoia Foundation 15.75" x 16" x 5" (40 x 41 x 13 cm)

$25,000â&#x20AC;&#x201C;30,000

145 HARRY BERTOIA Suspended gong c. 1975 Silicon bronze Together with copies of certificates of authenticity from the Harry Bertoia Foundation and Bertoia Studio 8" x 11" x .25" (20 x 28 x 1 cm) P ROV E NANC E Edward Flanagan (acquired directly from the artist); Thence by descent; Private Collection, Florida (acquired directly from the above, 2014)

$10,000â&#x20AC;&#x201C;15,000

146 HARRY BERTOIA Cut and bent bar c. 1975 Bronze Together with copies of certificates of authenticity from the Harry Bertoia Foundation and Bertoia Studio 8.375" x 1.5" x 2" (21 x 4 x 5 cm) P ROVENA NC E Edward Flanagan (acquired directly from the artist); Thence by descent; Private Collection, Florida (acquired directly from the above, 2014)

$5,000â&#x20AC;&#x201C;7,000

147 HARRY BERTOIA Untitled (2)

c. 1970 Monotypes on rice paper Unique Sheet (vis.): 12" x 12" Frame: 20" x 20" Sheet (vis.): 11.75" x 21" Frame: 19" x 28.25" (Sheet: 30 x 30 cm) P ROV E NANC E James Flanagan (gifted directly by the artist); Private Collection, Florida (acquired directly from the above, c. 1995)

$2,500â&#x20AC;&#x201C;3,500

148 CHARLES & RAY EAMES

Lounge chair and ottoman (2) Herman Miller, designed 1956 Model nos. 670 (chair) and 671 (ottoman) Chair retains Herman Miller silver medallion Chair: 31.875" x 32.75" x 32.75" Ottoman: 17.25" x 26" x 21.5" (Chair: 81 x 83 x 83 cm) LITERATURE Eames Design: The Work of the Office of Charles and Ray Eames. J. Neuhart. 1989. 206-207.

$3,000â&#x20AC;&#x201C;5,000

149 CHARLES & RAY EAMES

Lounge chair and ottoman (2) Herman Miller, designed 1956 Model nos. 670 (chair) and 671 (ottoman) Retains Herman Miller upholstery tag; chair retains Herman Miller label Chair: 32" x 32" x 34" Ottoman: 16.25" x 25.25" x 22.5" (Chair: 81 x 81 x 86 cm) LITERATURE Eames Design: The Work of the Office of Charles and Ray Eames. J. Neuhart. 1989. 206-207.

$4,000â&#x20AC;&#x201C;6,000

150 CHARLES & RAY EAMES Speaker

Stephens Tru-Sonic, designed 1956 29" x 22.375" x 16" (74 x 57 x 41 cm) LIT E RAT URE Eames Design: The Work of the Office of Charles and Ray Eames. J. Neuhart. 1989. 209. ALTERNATE VIEW

$2,500â&#x20AC;&#x201C;3,500

151 MARILYN NEUHART Dolls (5)

Studio, executed c. 1961 Embroidered Mexicotton and yarn Largest: 12.625" x 8.625" x 2.5" Smallest: 6.125" x 5.375" x 2.5" (Largest: 32 x 22 x 6 cm) These dolls were originally handmade for Alexander Girard’s short-lived "Textiles and Objects" shop in New York.

$3,000–5,000

152 CHARLES & RAY EAMES The Colouring Toy

Tigrett Enterprises, designed 1955 Box: 1" x 21" x 7.5" (3 x 53 x 19 cm) LITERATURE Eames Design: The Work of the Office of Charles and Ray Eames. J. Neuhart. 1989. 205.

$1,500–2,000

153

154

CHARLES & RAY EAMES

Herman Miller, designed 1963 Shells each retain molded Herman Miller logo

32" x 103" x 24" (81 x 262 x 61 cm)

LIT E RAT URE Eames Design: The Work of

the Office of Charles and Ray Eames. J.

Neuhart. 1989. 280.

$2,000–3,000

Tandem Shell seating

155 FLORENCE KNOLL Parallel Bar settee Knoll, designed 1954 30.25" x 61.5" x 29" (77 x 156 x 74 cm) LITERATURE Knoll: A Modernist Universe. B. Lutz. 2010. 142.

$3,000–5,000

156 GEORGE NELSON

Thin Edge double chest Herman Miller, designed 1952 Model no. 5723 Retains Herman Miller metal tag 33" x 67.25" x 18.5" (84 x 171 x 47 cm) LITERATURE Herman Miller Illustrated Price List. Manufacturer cat. Jan. 1961. 9.; George Nelson: Architect, Writer, Designer, Teacher. J. Eisenbrand. 2008. 244.

$4,000–6,000

157

158

GEORGE NELSON

Herman Miller, designed 1962 Model no. 6371

OMNI International, designed 1956 Retains manufacturer’s brand

15.25" x 36" x 36" (39 x 91 x 91 cm)

95.125" x 127.5" x 72.375" (242 x 324 x 184 cm)

LIT E RAT URE George Nelson: Architect,

Writer, Designer, Teacher. J. Eisenbrand.

2008. 264.

2008. 242.

$1,500–2,500

$5,000–7,000

Catenary table

OMNI wall system

Ruth Asawa A native Californian, pioneering artist Ruth Asawa (1926 - 2013) began creating art while detained in Japanese-American internment camps. Born to Japanese immigrants in Norwalk, California, Asawa was no stranger to hard work and the large body of sculptures, public installations, and drawings that she created over the course of her career are testament to her work ethic. One of the most influential modernists of the 20th century, Asawa studied at the avant-garde Black Mountain College, where she received training under Josef Albers and began work on her singular wire sculptures, for which she continues to be widely celebrated to this day. Often referring to her wire sculptures as “drawing[s] in space,” works such as her 1965 Untitled (S.809) explore the complex relationships between objects and the spaces they inhabit. As she explained about her tied wire sculptures: “I started in 1962 when a friend of ours brought a desert plant from Death Valley... I tried to draw it, but it was such a tangle that I had to construct it in wire in order to draw it.” Asawa drew inspiration from a variety of sources—from her childhood drawings in the raked soil left in the wake of her family’s ground leveler, to Mexican basket weavers, translucent insect wings, the teachings of R. Buckminster Fuller, and of course the sprouting forms in the surrounding desert landscapes. This work has not been publicly shown since its exhibition in 1965 at the Pasadena Art Museum (now the Norton Simon Museum). Other examples of Asawa’s sculpture can be found in the collections of the de Young Museum, San Francisco, the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, and the J. Paul Getty Museum, Los Angeles, among others.

COPPER TAG DETAIL

101

159 RUTH ASAWA

Untitled (S.809 Freestanding Tied Wire, Two Parallel TwoBranched Forms that Interlock and Connect in the Middle) c. 1965 Oxidized copper wire and copper tubing Together with copper tag “S.809/60” LAMA would like to thank Aiko Cuneo for her assistance in cataloguing this work 58.5" x 32.5" x 23" (including base) (149 x 83 x 58 cm) P ROV E NANC E Edgardo Contini, Beverly Hills, California (acquired directly from the artist, May 1965); Thence by descent E XHIBIT E D “Ruth Asawa,” Pasadena Art Museum, January 19-February

“Sculpture.” Ruth Asawa, www.ruthasawa.com/art/sculpture/.

21, 1965

Laib, Jonathan, and Robert Storr. Ruth Asawa: Line by Line. Christies, 2015.

$100,000–150,000

160 OSKAR FISCHINGER Abstraction 1962 Oil on canvas Signed lower right edge of canvas; dated with artist’s cipher lower left; titled, dated, and inscribed “Merit Award–1962 Home-Savings and Loan Ass./at Los-Angeles Annual Open Art Show”; retains Gallery 609 label verso Canvas (vis.): 31.5" x 39.5" Frame: 33.75" x 41.75" (Canvas: 80 x 100 cm) P ROVENA NC E Elfriede Fischinger, Los Angeles, California; Gordon Schwayder Rosenblum, Lakewood, Colorado (acquired directly from the above, c. 1982); Thence by descent

$7,000–10,000

161 OSKAR FISCHINGER Untitled (#2030)

1957 Oil on canvas mounted to wood panel Signed lower right edge of canvas; dated with artist’s cipher lower left; signed and inscribed “#2030” panel verso; retains Gallery 609 label verso Canvas (vis.): 11.5" x 8.5" Frame: 17.75" x 14.75" (Canvas: 29 x 22 cm) P ROVENA NC E Elfriede Fischinger, Los Angeles, California; Gordon Schwayder Rosenblum, Lakewood, Colorado (acquired directly from the above, c. 1982); Thence by descent

$4,000–6,000

162 OSKAR FISCHINGER Untitled (#2123)

1963 Oil on canvas board Signed lower right; dated with artist’s cipher lower left Together with unknown information label Board (vis.): 9.5" x 7.5" Frame: 15" x 13" (Board: 24 x 19 cm)

$2,000–3,000

103

163 OSKAR FISCHINGER Untitled

1963 Oil on canvas Signed lower right edge of canvas; dated with artist’s cipher lower left Canvas (vis.): 31.25" x 39.25" Frame: 33.75" x 41.75" (Canvas: 79 x 100 cm) P ROV E NANC E Elfriede Fischinger, Los Angeles, California; Gordon Schwayder Rosenblum, Lakewood, Colorado (acquired directly from the above, c. 1982); Thence by descent

$5,000–7,000

164 CLAIRE FALKENSTEIN Continning

ILLUSTRATED OPPOSITE PAGE

1961 Oil on canvas Signed “Claire von Falkenstein,” titled, dated, and inscribed “1961/ New York” canvas verso Canvas: 22.25" x 30" Frame: 22.75" x 30.25" (Canvas: 57 x 76 cm) P ROVENA NC E Jane SoRelle, St. Thomas, Virgin Islands (acquired directly from the artist, c. 1968); Private Collection, St. Thomas, Virgin Islands

$6,000–8,000

166 JULES ENGEL

Place Vendome

165 CLAIRE FALKENSTEIN Untitled (Fusion)

c. 1962 Fused Murano glass and copper

1961 Collage on paper Signed in graphite lower center in composition; retains Esther Robles Gallery label verso

3.5" x 3.5" x 2.75" (9 x 9 x 7 cm)

Sheet (vis.): 13.25" x 10.75" Frame: 21" x 18" (Sheet: 34 x 27 cm)

$2,000–3,000

$1,500–2,000

105

167 SAM FRANCIS Lyre Eight

1972 8-color screenprint on Fabriano Italia paper #1 of 50 Published and printed by Gemini G.E.L., Los Angeles Signed with edition in graphite lower right sheet in image; retains Gemini G.E.L. blind stamp lower right edge of sheet Gemini G.E.L. #18.18 Image/sheet: 42.25" x 54.5" Frame: 54.125" x 66" (Image/sheet: 107 x 138 cm) LITERATURE The Prints of Sam Francis: A Catalogue Raisonné, 19601990. 1st ed. Vol. II. C. Lembark. 1992. #S5.

$4,000–6,000

168 ALFRED LESLIE Twordengy

1951 Mixed-media collage on wood panel Signed, titled, dated, and inscribed “For Sam Francis/et friendship eternale!” verso; retains Manny Silverman Gallery label frame verso Panel: 5.625" x 8" Frame: 10.5" x 12.625" (Panel: 14 x 20 cm) P ROVENA NC E Sam Francis (gifted directly by the artist); Private Collection, Los Angeles, California (acquired directly from the Sam Francis Estate, 2011)

$5,000–7,000

169 MATSUMI KANEMITSU Black Flame

1971 Watercolor on paper Signed and dated in graphite lower left sheet Composition/sheet: 28.875" x 22.875" Frame: 36.875" x 30.375" (Composition/sheet: 73 x 58 cm)

$2,000–3,000

PORTFOLIO BOX

170 MATSUMI KANEMITSU Mikey Mouse Suite

1970 The complete portfolio of 18 lithographs on calendered Rives BFK paper, title page, and portfolio box Each: #4 of 20 Printed by Tamarind Lithography Workshop, Los Angeles Each sheet signed and dated with edition; each sheet retains Tamarind stamp verso Together with framed poster Sheets each: 8" x 10" Portfolio box: 12" x 16.75" x 2.5" (Sheets each: 20 x 25 cm)

PARTIAL ILLUSTRATION

$2,500–3,500

107

171 MAURIZIO TEMPESTINI Alabaster lamps (2)

Lightolier, designed c. 1955 Each: 32.5" x 14.125" diameter (including shades) (83 x 36 cm)

$3,000–5,000

172 VLADIMIR KAGAN Roll-top desk

Vladimir Kagan Designs, designed c. 1965 Model no. P-902 Retains manufacturer’s tag 35.5" x 42" x 24" (90 x 107 x 61 cm) LITERATURE The Complete Kagan. V. Kagan. 2004. 180.

$4,000–6,000

173 DON SHOEMAKER

Descanso furniture suite (4) Señal S.A., designed c. 1965 Comprised of a sofa, chair, and two side tables Sofa: 29" x 74.5" x 35" Chair: 32" x 36" x 35" Side tables each: 20.625" x 24" x 20" (Sofa: 74 x 189 x 89 cm)

$5,000–7,000

109

174 GEORGE NAKASHIMA Conoid room divider

Studio, executed 1980 Walnut and pandanus cloth Signed and dated “George Nakashima/ Sept. 1980” to interior Together with copy of original order card 28.25" x 84" x 18.75" (72 x 213 x 48 cm) P ROVENA NC E Mr. and Mrs. Michael Furman, Philadelphia, Pennsylvania (acquired directly from the Nakashima Studio, 1980); Private Collection

$30,000–50,000

ALTERNATE VIEW

TABLE TOP VIEW

175 GEORGE NAKASHIMA

Frenchman’s Cove II dining table Studio, executed c. 1976 French walnut Together with letter of authenticity from the Nakashima studio 28.75" x 70.25" x 37.25" (73 x 178 x 95 cm)

$18,000–25,000

111

176 GEORGE NAKASHIMA New chairs (6)

Studio, designed 1955 American black walnut and hickory Each: 36" x 18.5" x 22" (91 x 47 x 56 cm) LITERATURE George Nakashima: Full Circle. D. Ostergard. 1989. 154.

$9,000–12,000

177 GEORGE NAKASHIMA

Loose cushion chair and ottoman (2) Studio, designed 1958 Walnut and cherry Chair: 30.875" x 31" x 24.125" Ottoman: 10.625" x 24.25" x 24" (Chair: 78 x 79 x 61 cm)

$4,000–6,000

113

178 FREDERICK HAMMERSLEY Biased

#9, 1978 Oil on linen Signed and dated “F. Hammersley 1978” lower right edge of canvas; retains artist’s label, L.A. Louver Gallery, and Modernism labels frame verso Linen: 24" x 24" Frame: 24.875" x 24.875" (Linen: 61 x 61 cm) E XHIBIT E D “Hard-Edge & Organic Paintings,” Modernism, San Francisco, March 8-April 28, 1990

$30,000–50,000

179 NORMAN BLUHM

Over and Under Blue 1964 Acrylic on paper Signed and dated in graphite lower right edge of sheet; retains David Klein Gallery and Manny Silverman Gallery labels frame verso Composition/sheet: 26.75" x 40" Frame: 35.75" x 48.5" (Composition/sheet: 68 x 102 cm) P ROVENA NC E David Anderson Gallery, Buffalo, New York; Private Collection, Birmingham, Michigan (acquired directly from the above, 2006); Private Collection, Los Angeles, California (acquired directly from the above, 2008)

$15,000â&#x20AC;&#x201C;20,000

115

180 NORMAN BLUHM Eve

1973 Acrylic and pastel on paper mounted to canvas Signed and dated lower right; retains Manny Silverman Gallery label to canvas stretcher verso Canvas: 35.25" x 46.5" Frame: 36.5" x 47.75" (Canvas: 90 x 118 cm) P ROV E NANC E Private Collection, Buffalo, New York; Private Collection, California; Private Collection, Los Angeles, California (acquired directly from the above, 2006)

$12,000â&#x20AC;&#x201C;18,000

181 EMERSON WOELFFER Forio D’Ischia #16 1958 Oil on canvas Signed and dated lower right; retains Hackett Freedman Gallery label and Art Lending Services from the Museum of Modern Art, New York label verso Canvas: 39.55" x 27.5" Frame: 40.375" x 28.625" (Canvas: 100 x 70 cm) P ROVENA NC E Hackett Freedman Gallery, San Francisco, California; Private Collection, Connecticut; Private Collection, Belleair Bluffs, Florida

$9,000–12,000

182 EMERSON WOELFFER Strada Nero 1959 Oil on canvas Signed, titled, and dated canvas verso Canvas: 24" x 18.25" Frame: 25.5" x 20.125" (Canvas: 61 x 46 cm)

$5,000â&#x20AC;&#x201C;7,000

117

183 YOKOI TERUKO Midday

1955 Oil on canvas Signed and dated “Apr. 55” lower left; retains California Palace of the Legion of Honor and The Fine Arts Museum of San Francisco labels canvas verso; signed, titled, dated, and inscribed “Mrs. Hans Hoffmann” frame verso Canvas: 36" x 49.875" Frame: 41.125" x 55" (Canvas: 91 x 127 cm) P ROVENA NC E David Pleydell-Bouverie Collection, Glen Ellen, California; Fine Arts Museums of San Francisco, San Francisco (gifted directly from the above); Carlson Gallery, San Francisco, California (acquired directly from the above through Butterfield & Butterfield, San Francisco, c. 1984); Private Collection, Villa Park, California (acquired directly from the above through Bonhams, Los Angeles, April 2, 2013, lot 11)

$2,000–3,000

184 JACK ZAJAC

Small Bound Goat N.d. Patinated bronze #9 of 17 Retains impressed edition 11.375" x 5" x 2.25" (29 x 13 x 6 cm)

$2,000–3,000

185 PAUL JENKINS Untitled

1960 Oil on canvas Signed, dated, and inscribed “For Judy and Bob/from Paul/Paris 1960” verso Together with book The Paintings of Paul Jenkins signed and inscribed by the artist 20" x 17" (51 x 43 cm) P ROV E NANC E Judith Atwell and Bob Mullen, Paris, France (gifted directly by the artist, 1960); Thence by descent

$8,000–12,000

119

186 PAUL JENKINS Untitled 1962 Bronze Signed and retains artist’s inventory label 3.375" x 5.5" x 4" (9 x 14 x 10 cm) P ROV E NANC E Martha Jackson, New York, New York (gifted directly by the artist); UB Anderson Gallery, Buffalo, New York; Private Collection, Buffalo, New York (acquired directly from the above); Private Collection, Los Angeles, California

$3,000–5,000

187 MICHAEL GOLDBERG Bowery Days 30

1993 Oil, pastel, and collage on linen Signed, titled, and dated canvas verso; inscribed “4/93-NY” to canvas stretcher verso; retains Manny Silverman Gallery and Lennon Weinberg, Inc. labels to canvas stretcher verso Canvas: 38.5" x 37.625" Frame: 39.5" x 38.875" (Canvas: 98 x 96 cm) P ROVENA NC E Private Collection, Los Angeles, California (acquired directly from the artist, 2007) EXHIBITE D “Perpetual Motion: Michael Goldberg,” University Art Museum, CSU Long Beach, September 9-December 12, 2010 ILLUSTRAT E D Perpetual Motion: Michael Goldberg. University Art Museum, CSU Long Beach exh. cat. 2010. 47, pl. 22.; Abstraction Over Time: The Paintings of Michael Goldberg. Museum of Contemporary Art, Jacksonville exh. cat. 2013. 86, #32.

$8,000–12,000

188 MICHAEL GOLDBERG Untitled

1987 Oil and pastel on paper Signed and dated in graphite lower right sheet in composition; retains Manny Silverman Gallery label verso Composition/sheet: 10.25" x 11.875" Frame: 15" x 16.625" (Composition/sheet: 26 x 30 cm)

$2,000–3,000

121

189 ROBERT MOTHERWELL St. Michel III

1979 Lithograph and screenprint on gray HMP handmade paper #66 of 99 Published and printed by Tyler Graphics, Ltd., New York Signed “RM” with edition in white pencil lower right sheet; blind stamp lower right Image/sheet: 41" x 32" Frame: 46" x 36.5" (Image/sheet: 104 x 81 cm) LIT E RAT URE Robert Motherwell: The Complete Prints 1940-1991: Catalogue Raisonné. S. Engberg and J. Banach. 2003. #237.

$3,000–5,000

190 ROBERT MOTHERWELL Elegy Fragment II

1985 Aquatint and lift-ground etching on Georges Duchêne Hawthorne of Larroque handmade paper #34 of 52 Co-published by the artist and Tyler Graphics Ltd., Bedford Village; printed by Catherine Mosley, artist’s studio, Greenwich Signed with edition in graphite lower right margin beneath image; retains unknown information label frame verso Image: 23.5" x 14.5" Sheet (vis.): 27" x 18" Frame: 37.75" x 27.75" (Image: 60 x 37 cm) LITERATURE Robert Motherwell: The Complete Prints 1940-1991: Catalogue Raisonné. S. Engberg and J. Banach. 2003. #360.

$3,000–5,000

191 ROBERT MOTHERWELL

Africa 5 (from Africa Suite) 1970 2-color screenprint on J.B. Green paper #28 and 150 Published by Marlborough Graphics Inc., New York; printed by Kelpra Studio, London Signed in graphite lower left sheet; titled lower left in image; edition lower right; retains Pace Prints label verso Image: 31.875" x 23.625" Sheet: 40.875" x 28.5" Frame: 43.125" x 31.125" (Image: 81 x 60 cm) LITERATURE Robert Motherwell: The Complete Prints 1940-1991: Catalogue Raisonné. S. Engberg and J. Banach. 2003. #73.

$3,000–5,000

LABEL VERSO

192 MARY BOWLING

Virgin of Zapopan c. 1956 Mosaic Initialed lower left; retains Dalzell Hatfield Galleries label verso Mosaic: 41" x 21.75" Frame: 41.75" x 22.5" (Mosaic: 104 x 55 cm)

$2,000–3,000

193 JAMES PRESTINI Construction

1964 Melt-coated steel Impressed “Prestini 64” to underside 17.25" x 10.25" x 6.25" (44 x 26 x 16 cm)

$3,000–5,000

123

194 EDWARD DUGMORE Blue-Black

1958 Oil on canvas Signed, titled, and dated canvas verso; retains Holland-Goldowsky Gallery and Manny Silverman Gallery labels to canvas stretcher verso Together with Holland-Goldowsky Gallery label and Art Institute of Chicago exhibition label Canvas: 76" x 48" Frame: 77.625" x 49.625" (Canvas: 193 x 122 cm) P ROVENA NC E Holland-Goldowsky Gallery, Chicago, Illinois; Playboy International, Chicago, Illinois; Manny Silverman Gallery, Los Angeles, California; Private Collection, Beverly Hills, California (acquired directly from the above); Private Collection, Los Angeles, California (acquired directly from the above, 2013) EXHIBITE D “Society for Contemporary American Art Annual Exhibition XX and 20th Anniversary Exhibit,” The Art Institute of Chicago, May 17-June 18, 1960 LITERATURE Society for Contemporary American Art Annual Exhibition XX and 20th Anniversary Exhibit. Art Institute of Chicago exh. cat. 1960. #10.

$40,000–60,000

125

195 EDWARD DUGMORE #50

1958 Oil on canvas Signed, titled, and dated canvas verso; retains Holland-Goldowsky Gallery, Manny Silverman Gallery, and B.C. Holland labels to canvas stretcher verso Canvas: 36" x 28.375" Frame: 37.875" x 30" (Canvas: 91 x 72 cm) P ROV E NANC E Holland-Goldowsky Gallery, Chicago, Illinois; B.C. Holland Gallery, Chicago, Illinois; Private Collection, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2013)

$10,000â&#x20AC;&#x201C;15,000

196 JASPER JOHNS Periscope

1981 Intaglio on Rives BFK paper #12 of 12 artist’s proofs aside from the edition of 88 Published by Petersburg Press, New York; printed by Atelier Crommelynck, Paris Signed and dated lower right margin beneath image; edition lower left; retains unknown information label frame verso Image: 34" x 24" Sheet: 41.25" x 29.25" Frame: 55.25" x 42.25" (Image: 86 x 61 cm) LITERATURE The Prints of Jasper Johns 1960-1993: A Catalogue Raisonné. R. Field. 1994. #218.

$12,000–15,000

197 JASPER JOHNS

Flag (Moratorium) 1969 Offset color lithograph on wove paper #94 of 300 Published by the Committee Against the War in Vietnam Edition lower left margin beneath image; signed lower right margin; printed “© Jasper Johns 1969” lower right edge of sheet Image: 17.125" x 25.75" Sheet: 20.5" x 28.5" (Image: 43 x 65 cm) LIT E RAT URE The Prints of Jasper Johns 1960-1993: A Catalogue Raisonné. R. Field. 1994. #S5.

$12,000–15,000

198 JASPER JOHNS

Two Flags (Whitney Anniversary) 1980 Lithograph on Arches 88 paper From the edition of 5,000 Signed in graphite lower right Sheet (vis.): 45.25" x 29.5" Frame: 46.25" x 30.5" (Sheet: 115 x 75 cm)

$3,000–5,000

127

199 ANDY WARHOL

Marilyn (Castelli Graphics Invitation) 1981 Offset lithograph on paper Signed in black felt-tip marker along left edge of sheet Not in F/S Sheet: 12" x 12" Frame: 17" x 17" (Sheet: 30 x 30 cm) This is an announcement for the exhibition “Andy Warhol: A Print Retrospective 1963-1981,” held at Leo Castelli Gallery, New York.

$10,000–15,000

200 JAMES ROSENQUIST Spring Cheer

1978 1-color etching with pochoir and paint applied with a tire on Pescia Italia paper #2 of 23 artist’s proofs aside from the edition of 78 Published by Multiples, Inc., Los Angeles; printed by Flatstone Studio, Tampa Signed and dated lower right margin beneath image; titled with edition lower left; retains Flatstone Studio blind stamp lower right Image: 17.5" x 35.75" Sheet: 22.75" x 39.75" (Image: 44 x 91 cm) LITERATURE Time Dust: James Rosenquist Complete Graphics: 19621992. C. Glenn. 1993. #129.

$1,500–2,000

201 CLAES OLDENBURG

Teabag (from 4 on Plexiglas) 1966 Laminated vacuum-formed vinyl, screenprinted vinyl, felt, and Plexiglas with rayon cord #43 of 125 Published by Multiples Inc., New York; printed and fabricated by Knickerbocker Machine & Foundry, Inc., New York Signed with edition verso Image: 38.75" x 27.375" Frame: 41.75" x 30.5" (Image: 98 x 70 cm) LIT E RAT URE Printed Stuff, Posters, and Ephemera by Claes Oldenburg: A Catalogue Raisonné. R. Axsom and D. Platzker. 1997. #36.

$4,000–6,000

129

202 CLAES OLDENBURG

Study for a Sculpture in the Form of an Inverted Q: Above and Below Ground 1975 6-color lithograph, soft-ground etching, and aquatint on cream Rives BFK paper #59 of 100 Published and printed by Petersburg Press, New York Signed and dated in graphite lower right sheet; edition lower left; retains Harcus Krakow Gallery label verso Sheet (vis.): 13.5" x 10.5" Frame: 19.5" x 16.625" (Sheet: 34 x 27 cm) LIT E RAT URE Printed Stuff, Posters, and Ephemera by Claes Oldenburg: A Catalogue Raisonné. R. Axsom and D. Platzker. 1997. #124.

$1,000–1,500

203 FRANK STELLA

Imola Three I (from Circuits Series) 1982 Engraving and relief-printed etching on 100% rag paper Published and printed by Tyler Graphics, Ltd., New York #4 of 30 Signed and dated with edition along lower right edge of sheet; retains Leslie Sacks Fine Art label verso Sheet: 66.25" x 51.25" (168 x 130 cm) LITERATURE The Prints of Frank Stella: A Catalogue Raisonné: 1967-1982. R. Axsom. 1983. #142.

$15,000–20,000

204 FRANK STELLA

Sinjerli Variation Ia 1977 Offset lithograph and screenprint on Arches Cover paper #91 of 100 Published by Petersburg Press, New York Signed and dated with edition in graphite lower right sheet Sheet: 32" x 42" Frame: 34.625" x 44.875" (Sheet: 81 x 107 cm) LIT E RAT URE The Prints of Frank Stella: A Catalogue Raisonné: 19671982. R. Axsom. 1983. #114.

$6,000–8,000

ALTERNATE VIEW

205 BRUCE HOUSTON

Untitled (Homage to Frank Stella) 2011 Mixed-media sculpture Signed and dated to underside 16.5" x 17.25" x 2.25" (42 x 44 x 6 cm)

$4,000–6,000

131

ALTERNATE VIEW

206 ROY LICHTENSTEIN New Seascape

1966 Screenprint on Rowlux #38 of 70 Published by the artist; printed by Chiron Press, New York Signed verso; retains information label frame verso Image/sheet: 12" x 8" Frame: 12.25" x 8.25" (Image/sheet: 30 x 20 cm) LITERATURE The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948-1993. 1st ed. M. Corlett. 1994. #42.

$6,000–9,000

207 ALLEN JONES

Self (from New York International portfolio) 1965; published 1966 Screenprint on wove paper #163 of 225 Published by Tanglewood Press, Inc., New York; printed by Chiron Press, New York Signed and dated in graphite lower right edge of sheet; edition lower left; retains Chiron Press blind stamp lower left Sheet: 22" x 17" Frame: 34.75" x 29.75" (Sheet: 56 x 43 cm)

$1,000–1,500

208 FRIEDENSREICH HUNDERTWASSER The False Eyelash

1967 Lithograph on Arches paper #47 of 100 Published by Hanover Gallery, London; printed by Mourlot, Paris Signed in graphite lower right sheet; edition lower left Sheet: 28" x 19.25" Frame: 28.5" x 20" (Sheet: 71 x 49 cm) P ROV E NANC E Felix Landau Gallery, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, 1969) LIT E RAT URE Hundertwasser’s Complete Graphic Work: 1951-1976. W. Koschatzky, et. al. 2008. #658.

$2,000–3,000

209 ALEXANDER CALDER

Composition with Red Oval and Black Spiral c. 1969 2-color lithograph on paper #20 of 75 Signed in graphite lower right sheet in composition; edition lower left Composition/sheet: 29.375" x 42.875" Frame: 37.625" x 51.125" (Composition/sheet: 75 x 109 cm)

$2,000–3,000

133

210 LARRY RIVERS

Signing the Big D 1975-1976 Colored pencil on paper Signed and dated lower right; retains Marlborough Gallery and Hokin Gallery labels verso Composition/sheet: 17.75" x 23.75" Frame: 18.5" x 24.5" (Composition/sheet: 45 x 60 cm)

$4,000–6,000

211 ROBERT RAUSCHENBERG Talking Heads, Speaking in Tongues

1983 Double-sided mixed-media on paper Initialed “R.R.” 4" diameter (10 cm) P ROVENA NC E John Battaglia, Glen Cove, New York (acquired directly from the artist through Change, Inc. auction fundraiser, 1983); Kenneth W. Grams Trust, Tallahassee, Florida (acquired directly from the above, 2007) EXHIBITE D Longview Museum of Fine Arts, Longview, Texas, 20092016

$5,000–7,000 VERSO

William S. Burroughs Primarily known for his sensational novels and loose, albeit reluctant association with the Beat Generation, American writer William S. Burroughs was also an accomplished visual artist who produced a large body of innovative work over the course of his long career. In his capacity as an artist, Burroughs collaborated on a number of important projects with artists of a diverse range of styles, including Keith Haring, George Condo, Robert Rauschenberg, Tom Waits, Philip Taaffe, Ian Sommerville, Antony Balch, Kurt Cobain, Robert Wilson, and Jean-Michel Basquiat. Burroughs’ devil-may-care paintings, spoken-word performances, and multi-media collaborations have been just as wildly influential as his equally audacious writings, and continue to impact a wide range of artists working in different media to this day.

Burroughs engaged a range of highly experimental techniques in the creation of his visual works, with collage and montage in particular playing important roles in each of these. An unabashed gun enthusiast, Burroughs began making his now infamous shotgun works in the early 1980s. Savagely punctured through their surfaces with bullet holes, works such as his 1982 Screaming Ghost — formerly owned by Burroughs’ long-time admirer and friend Timothy Leary — are the visual equivalent of Burroughs’ written works, which he often cut up with scissors so as to rearrange and reactivate their original meanings. “It is the function of the artist to evoke the experience of surprised recognition,” Burroughs once said, “to show the viewer what he knows but does not know that he knows.” Burroughs’ richly textured shotgun paintings are as much documentations of craft as they are finished works of art, each equally reveling in the disclosure and celebration of technique.

See references online SIGNATURE DETAIL

212 WILLIAM S. BURROUGHS Screaming Ghost

1982 Paint on plywood with shotgun holes (double-sided) Signed in graphite lower right Together with LACMA receipt label Plywood: 12.5" x 19.5" x .75" Case: 14.375" x 22.5" x 7.125" (Plywood: 32 x 50 x 2 cm) P ROV E NANC E Timothy Leary, Beverly Hills, California; Private Collection, Beverly Hills, California E XHIBIT E D “Ports of Entry: William S. Burroughs and the Arts,” Los Angeles County Museum of Art, July 18-October 6, 1996 ILLUST RAT E D Ports of Entry: William S. Burroughs and the Arts. LACMA exh. cat. 1996. 103, #38.

$6,000–9,000

135

213 JOHN BALDESSARI

A Suite of Five Lithographs from Tristram Shandy 1988 The complete portfolio of five color lithographs on T.H. Saunders paper #38 of 50 Published by Arion Press, San Francisco; printed by Magnolia Editions, Oakland Each signed in graphite lower right; edition lower left Comprised of Man Collapsed on Sofa; Man Tied to Chair (A fix’d inflexible sorrow); Two Nude Women Perched on a Rock (The promontory of Noses); Man and Woman in Bed, Obliterated; Hand Holding Fountain Pen (The thing to be concealed); Man Running; Men Carrying Coffin (Fly for my life); and Man and Woman, Uncoupled Embracers and Kissers (No more sin) Together with the deluxe book set and portfolio case Sheets each: various dimensions Portfolio case: 31" x 23.5"

$10,000–15,000

214 JOHN BALDESSARI BOOK SET

Double Play: Feelings (from Artists for Obama) 2012 5-color screenprint on paper #12 of 28 artist’s proofs aside from the edition of 150 Published and printed by Gemini G.E.L., Los Angeles Initialed and dated in graphite lower right edge of sheet; edition lower left; retains Gemini G.E.L. blind stamp lower right edge of sheet Sheet: 13.875" x 13.375" Frame: 16.375" x 15.75" (Sheet: 35 x 34 cm)

$1,500–2,000

137

215 JEFF KOONS

Balloon Dog (Red) 1995 Cast porcelain with red reflective finish #1,416 of 2,300 Published by MOCA Editions, Los Angeles Retains facsimile of signature on MOCA label verso with edition 10.25" diameter (26 cm)

$4,000â&#x20AC;&#x201C;6,000

216 JIM DINE

Double Dose of Color (Diptych) 2009 38-color lithograph on two sheets #13 of 16 Published and printed by the Tamarind Institute, Albuquerque Dated to lower left edge of right panel; edition lower left edge of left panel; signed lower right Images/sheets each: 47" x 35.25" Frames each: 53.25" x 41.75" (Images/sheets each: 119 x 90 cm)

$6,000â&#x20AC;&#x201C;9,000

139

217 ED RUSCHA

Dorothy Ruscha 1959-1960 Woodcut on paper #3 of 7 Published and printed by the artist Signed and dated lower right margin beneath image; edition lower left; retains Franklin Parrasch Gallery label verso Image: 7.375" x 4.375" Sheet: 10.75" x 8.5" Frame: 17.25" x 14.875" (Image: 19 x 11 cm) LITERATURE Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol. II. S. Engberg and C. Phillpot. 1999. #1.

$8,000–12,000

218 ED RUSCHA Sin

1970 8-color screenprint on Louvain Opaque Cover paper #4 of 150 Published and printed by Cirrus Editions, Los Angeles Signed and dated with edition in graphite lower left margin of sheet Image: 13" x 21.5" Sheet: 18.75" x 26" Frame: 19.625" x 27.125" (Image: 33 x 55 cm) LIT E RAT URE Made in LA: Prints of Cirrus Editions. B. Davis. 1995. 338.; Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol II. S. Engberg and C. Phillpot. 1999. #41.

$6,000–9,000

219 ED RUSCHA Drops

1971 3-color lithograph on white Arches paper Printer’s proof aside from the edition of 90 Co-published by Cirrus Editions, Los Angeles and Brooke Alexander, Inc., New York; printed by Ed Hamilton, Cirrus Editions, Los Angeles Signed and dated with edition in graphite lower left edge of sheet Image/sheet: 20" x 28" Frame: 25.5" x 33" (Image/sheet: 51 x 71 cm) P ROV E NANC E Joni Gordon, Newspace Gallery, Los Angeles, California; Private Collection, West Hollywood, California (acquired directly from the above) LIT E RAT URE Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol. II. S. Engberg and C. Phillpot. 1999. #54.; Made in LA: The Prints of Cirrus Editions. B. Davis. 1995. 341.

$8,000–10,000

141

220 ED RUSCHA

I’ve Never Seen Two People Looking Healthier 1978 3-color screenprint on white Stonehenge paper #34 of 45 Published by Multiples, Inc., New York; printed by Wasserman Silkscreen Co., Santa Monica Signed in graphite lower right edge of sheet; titled lower center; edition lower left; retains Wasserman Silkscreen Co. blind stamp lower left

221 ED RUSCHA

Western Vertical 1986 5-color lithograph on Arches 88 paper #27 of 35 Published and printed by Cirrus Editions, Los Angeles Signed and dated in graphite lower right edge of sheet; edition lower left; retains Cirrus blind stamp lower left edge of sheet

Image: 14" x 45.25" Sheet: 19" x 50" Frame: 21.25" x 52.375" (Image: 36 x 115 cm)

Image: 42.375" x 28" Sheet: 53.75" x 36.5" Frame: 60" x 42.75" (Image: 108 x 71 cm)

LITERATURE Edward Ruscha:

L I T E RAT U R E Edward Ruscha:

Editions, 1959-1999: Catalogue

Raisonné. 1st ed. Vol. II. S. Engberg

and C. Phillpot. 1999. #100.

and C. Phillpot. 1999. #147.

$7,000–10,000

$3,000–5,000

143

222 ED RUSCHA Clock

1994; published 1995 Mixografia on handmade paper #74 of 75 Published and printed by Mixografia Workshop, Los Angeles Signed and dated lower right edge of sheet; edition lower left Image/sheet: 40.5" x 34" Frame: 44.875" x 38.125" (Image/sheet: 103 x 86 cm) LIT E RAT URE Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol II. S. Engberg and C. Phillpot. 1999. #223.

$10,000–15,000

223 ED RUSCHA Bolt III

1998 Lithograph on Murillo Avorio 360gram paper #20 of 35 Published and printed by Gemini G.E.L., Los Angeles Signed and dated in graphite lower right edge of sheet; edition lower left; retains Gemini G.E.L. blind stamp lower right edge of sheet Gemini G.E.L. #45.22 Image: 14.125" x 7.375" Sheet: 22.125" x 14.125" Frame: 25.75" x 17.625" (Image: 36 x 19 cm) LITERATURE Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol. II. S. Engberg and C. Phillpot. 1999. #274.

$1,500–2,000

224 ED RUSCHA & BILLY AL BENGSTON Zapato-Tiempo

1988 Etching on handmade paper #47 of 50 Published by Ediciones Polígrafa, Barcelona; printed by Polígrafa Obra Gràfica, Barcelona Signed and dated in graphite by Ruscha lower right margin beneath image; signed and dated in graphite by Bengston lower left margin beneath image; edition lower left Image: 18" x 13.125" Sheet: 30" x 21.875" (Image: 46 x 33 cm) LITERATURE Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol. II. S. Engberg and C. Phillpot. 1999. #168.

$1,000–1,500

225 ED RUSCHA & KENNY SCHARF Names

2016 6-color lithograph on paper #4 of 30 Published by Hamilton Press, Venice Signed and dated by Scharf lower right edge of sheet; signed and dated by Ruscha lower left; edition lower left Sheet: 31.25" x 22.5" Frame: 33.625" x 24.75" (Sheet: 79 x 57 cm)

$3,000–5,000

145

226 ED RUSCHA & KENNY SCHARF Puddle People

2016 2-color lithograph on paper #2 of 30 Published by Hamilton Press, Venice Signed and dated by Scharf lower right edge of sheet; signed and dated by Ruscha lower left; edition lower left; retains Hamilton Press blind stamp lower left Sheet: 22" x 30.75" Frame: 24.75" x 33.25" (Sheet: 56 x 78 cm)

$3,000–5,000

227 BILLY AL BENGSTON & PETER ALEXANDER

Plates from in Barcelona Suite/ Portfolio California (3) 1988 Etchings and lithographs on Guarro paper A: #75 of 75; B: #73 of 75; C: #5 of 75 Published by Ediciones Polígrafa, Barcelona; printed by Polígrafa Obra Gráfica, Barcelona A: Signed and dated lower right margin beneath image; edition lower left; inscribed “SITKA” lower center margin beneath image; B: Signed and dated in graphite lower center sheet in composition; edition lower left; C: Signed and dated in graphite lower center sheet in composition; edition lower left Comprised of A: Sitka (Peter Alexander); B: Untitled (Billy Al Bengston); and C: Untitled (Billy Al Bengston) Sheets each: 22" x 29.875" (56 x 76 cm)

$1,000–1,500

228 SALLY SIRKIN LEWIS Console

J. Robert Scott & Associates, Inc., designed c. 1972 Retains manufacturer’s label 32.25" x 40" x 17" (82 x 102 x 43 cm)

$2,000–3,000

229 AMERICAN MODERN Wall cabinet

Pace Collection, designed c. 1975 Retains Pace Collection label 18" x 72" x 18" (46 x 183 x 46 cm)

$2,500–3,500

147

230 WARREN PLATNER Dining table

Possibly Lehigh Leopold, designed c. 1970 Together with two leaves 28.25" x 68" x 38" (without leaves) 28.25" x 100" x 38" (with leaves) (72 x 173 x 97 cm)

$3,000–5,000

231 CHARLES POLLOCK Armchairs (4)

Knoll, designed 1965 Model no. 1258DS Each: 32" x 26.5" x 25.5" (81 x 67 x 65 cm) LITERATURE Knoll Furniture Price List. Manufacturer cat. 1983. 40.; Knoll: A Modernist Universe. B. Lutz. 2010. 163.

$1,800–2,500

232 PETER ALEXANDER Angel

1980 Mixed-media on canvas Signed, titled, and dated canvas verso 36" x 40" (91 x 102 cm)

$1,500–2,000

149

233 ROBERT VENTURI Hepplewhite chair

Knoll International, designed 1984 Retains manufacturer’s label 34.5" x 23.5" x 21.625" (88 x 60 x 55 cm) LIT E RAT URE Design for Living: Furniture and Lighting 1950-2000. D. A. Hanks, A. Hoy, and M. Eidelberg. 2000. 166.

$4,000–6,000

ALTERNATE VIEW

234 KEN PRICE Semi-Quiet

1981 Acrylic on fired ceramic 10" x 7.5" x 2.75" (25 x 19 x 7 cm) P ROVENA NC E Willard Gallery, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 1985)

$25,000â&#x20AC;&#x201C;35,000

235 KEN PRICE

Untitled (Cup) c. 1970 Glazed earthenware 3.75" x 5.5" x 4" (10 x 14 x 10 cm) P ROV E NANC E James Corcoran, California; Private Collection, Hailey, Idaho (acquired directly from the above, c. 1995)

$4,000–6,000

236 KEN PRICE

Untitled (Tequila Cups) (2) c. 1970 Glazed earthenware 1.875" x 2.25" x 1.625" 1.875" x 2.25" x 1.75" (5 x 6 x 4 cm) P ROV E NANC E James Corcoran, California; Private Collection, Hailey, Idaho (acquired directly from the above, c. 1995)

$2,000–3,000

151

237 KEN PRICE

An Unreported Sighting (Scene for Plate) 1978 Watercolor, tempera, and pencil on paper Signed and dated lower right edge of sheet in graphite; inscribed “Scene for Plate 1019” frame verso Composition: 14.5" x 10.375" Sheet (vis.): 17.625" x 13.5" Frame: 18.625" x 14.5" (Composition: 37 x 26 cm) P ROVENA NC E Private Collection, Albuquerque, New Mexico (acquired directly from the artist, c. 1985)

$10,000–15,000

238 KEN PRICE

Lovers in Blue Tiled Room (For Inside Bowl) 1979 Watercolor, tempera, and pencil on paper mounted to board Signed and dated in graphite lower right edge of mount; titled and dated to paper affixed to frame verso Sheet: 8.375" x 10.25" Mount (vis.): 10.625" x 13.625" Frame: 11.25" x 14.25" (Sheet: 21 x 26 cm) P ROV E NANC E Private Collection, Albuquerque, New Mexico (gifted directly by the artist, c. 1985)

$6,000–8,000

239 KEN PRICE Vista

1981 Watercolor on Xerox on paper mounted to board #2 of 2 Signed, titled, and dated with edition in graphite lower right edge of mount; inscribed “Watercolor on Xerox” mount verso Image: 1.5" x 8.75" Mount (vis.): 8.625" x 11.5" Frame: 9.25" x 12.25" (Image: 4 x 22 cm) P ROV E NANC E Private Collection, Albuquerque, New Mexico (gifted directly by the artist, c. 1985)

$3,000–5,000

153

240 CHARLES ARNOLDI Wisecrack

2008 Acrylic on linen Signed, titled, and dated verso Linen: 60" x 48" Frame: 60.75" x 48.75" (Linen: 152 x 122 cm) P ROVENA NC E Private Collection, Los Angeles, California (acquired directly from the artist, c. 2007); Thence by descent

$15,000–20,000

155

241 CHARLES ARNOLDI Untitled

1989 Monoprint on paper Unique Signed and dated in graphite lower right margin beneath image; inscribed “C.A./N.Y.” in graphite lower left Image/sheet: 54" x 40" Frame: 58.375" x 44.125" (Image/sheet: 137 x 102 cm)

$4,000–6,000

242 LARRY BELL

Mirage Painting #262 1991 Mixed-media on canvas Signed, titled, and dated canvas verso; signed and titled to canvas stretcher verso 43" x 43" (109 x 109 cm) P ROVENA NC E Private Collection, Encino, California; Private Collection, Burbank, California (acquired directly from the above)

$10,000â&#x20AC;&#x201C;15,000

LOT 243

LOT 244

157

LOT 245

LOT 246

244

245

LARRY BELL

1999 Collage with aluminum and silicon monoxide on paper

1999 Mixed-media collage with aluminum and silicon monoxide on watercolor paper

Signed and dated in graphite lower center sheet

Together with copy of certificate from the artist

Sheet: 10.125" x 10" Frame: 13.375" x 13.375" (Sheet: 26 x 25 cm)

Sheet: 10" x 10" Frame: 13.375" x 13.375" (Sheet: 25 x 25 cm)

Sheet: 10.125" x 10" Frame: 13.375" x 13.375" (Sheet: 26 x 25 cm)

Sheet: 6.875" x 4.375" Frame: 20.5" x 14.75" (Sheet: 17 x 11 cm)

$1,500–2,000

$2,000–3,000

243 LARRY BELL

Fraction #4794

Fraction #4894

Fraction #5112

246 LARRY BELL SMVD #94

1989 Aluminum and silicon monoxide on paper Titled and dated frame verso

247 ED MOSES

Fol-Grid #2 1976-1986 Acrylic on canvas Initialed, titled, and dated to canvas overlap verso 48" x 36" (122 x 91 cm) P ROVENA NC E Marilyn Nix, Los Angeles, California (acquired directly from the artist); Thence by descent

$20,000â&#x20AC;&#x201C;30,000

159

248 ED MOSES

Grid-Ploaer #2 2016 Acrylic on canvas Signed “Y Branco,” dated, and titled canvas stretcher verso 60" x 48" (152 x 122 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist)

$20,000–30,000

249 ED KIENHOLZ For $15.00

1969 Watercolor and ink stamp on paper in artist’s frame Signed and dated in graphite with artist’s thumbprint lower right edge of sheet; retains Eugenia Butler Gallery label frame verso Sheet (vis.): 11.75" x 15.625" Frame: 12.125" x 16.125" (Sheet: 30 x 40 cm)

$5,000–7,000

250 GEORGE HERMS Julie’s Birthday

2007 Mixed-media sculpture Titled and dated in black felt-tip marker to underside 29.75" x 6.5" x 6" (76 x 17 x 15 cm)

$3,000–5,000

251 ROBERT GRAHAM MOCA torso

1992-1995 Patinated cast bronze From the edition of 3,500 Published by MOCA Editions, Los Angeles Signed “R. Graham” and bears the inscription “H.” 10.875" x 4.25" diameter (28 x 11 cm) P ROV E NANC E Joe Dallesandro, Los Angeles, California

$2,500–3,500

161

252 TONY DELAP

Fantasmagorique 1989 Acrylic and wood on canvas Signed, titled, and dated on canvas stretcher verso 75.5" x 26.75" x 10.5" (192 x 68 x 27 cm)

$3,000â&#x20AC;&#x201C;5,000

253 YRJÖ EDELMANN Untitled

1991 Oil on canvas Signed and dated in graphite lower right 33.625" x 39.5" (85 x 100 cm)

$4,000–6,000

254 ROY MCMAKIN

Dresser and side table (2) Domestic Furniture Co., designed c. 1988 Side table: 25.25" x 25.25" x 18.5" Dresser: 42" x 43" x 20.75" (Side table: 64 x 64 x 47 cm)

$3,000–5,000

163

255 DAVID HOCKNEY

Celia in the Director’s Chair 1980; published 1981 1-color lithograph on Japanese Kurotani paper #29 of 100 Published and printed by Gemini G.E.L., Los Angeles Signed and dated in graphite lower right edge of sheet; edition lower left; retains Gemini G.E.L. blind stamps lower right; retains The Merryman Collection label frame verso Gemini G.E.L. #23.63 Sheet: 42.25" x 37.75" Frame: 45" x 40.625" (Sheet: 107 x 96 cm) LITERATURE David Hockney Prints 1954-1995. 1996. #244.

$10,000–15,000

256 DAVID HOCKNEY

An Etching and a Lithograph for Editions Alecto 1973 1972-1973 Etching and lithograph on English mould-made paper #15 of 100 Published by Alecto Editions, London Signed and dated lower right in image; edition lower left; retains Alecto Editions blind stamp lower right Image: 31.25" x 20.125" Sheet (vis.): 32.625" x 21.375" Frame: 40.125" x 27.25" (Image: 79 x 51 cm) LIT E RAT URE David Hockney Prints 1954-1995. 1996. #121.

$1,500–2,000

165

257 PHILIP PEARLSTEIN

The Temple of Hatshepsut; Tintern Abbey (2) 1979 Color sugar-lift aquatint with roulette work on Rives BFK paper Each: #6 of 55 Printed by Condeso & Brokopp, New York Each signed and dated lower right sheet; titled with edition lower left Images each: 24" x 34" Sheets each: 29.75" x 39.5" Frame: 32.125" x 42.125" (Images each: 61 x 86 cm)

PARTIAL ILLUSTRATION

$300–500

258 DAVID RATCLIFF Untitled

2012 Acrylic and spray paint on canvas Signed, dated, and inscribed “Los Angeles” to canvas overlap verso 64" x 50" (163 x 127 cm) P ROVENA NC E Honor Fraser Gallery, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, 2012)

$3,000–5,000

259 RYAN MCGINNESS Untitled (Triptych)

2011 Acrylic on canvas board One signed, dated, and inscribed “Painted for [XXX] NYC” verso Boards each: 11.25" x 8.5" Frames each: 13.25" x 10.375" (Boards each: 29 x 22 cm)

$4,000–6,000

260 THORSTEN PASSFELD

Stools (from Play with the Big) (6) 2006 Acrylic painted wood Each: 17.5" x 13.25" x 11.5" (44 x 34 x 29 cm) These stools were created by the artist for “Art Projects,” a special exhibition for Art Basel Miami Beach, 2006. P ROV E NANC E Art Basel, Miami Beach, Florida; Private Collection, United States (acquired directly from the above, 2006)

$2,500–3,500

VERSO

261 JUSTIN LIEBERMAN Plastic Man on Paper

2003 Collage and watercolor on paper Together with an additional drawing verso Composition/sheet: 10.125" x 13.75" (26 x 35 cm) P ROV E NANC E LFL Gallery, New York, New York; Private Collection, Los Angeles, California (acquired directly from the above, 2003)

$1,000–1,500

167

262 JEDD NOVATT Untitled

1987 Painted and welded steel Etched signature and date on base 87" x 43" x 21" (221 x 109 x 53 cm) P ROVENA NC E Salander-O’Reilly Galleries, New York, New York; Private Collection, Rancho Santa Fe, California

$7,000–10,000

263 AMER KOBASLIJA American Gothic 2007 Oil on wood panel Signed, titled, and dated verso 42" x 64.625" (107 x 164 cm) P ROV E NANC E Honor Fraser Gallery, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, 2007)

$3,000–5,000

264 AMER KOBASLIJA

Sputnik Sweetheart of New Orleans and the End of the World 2006 Oil on wood panel Signed, titled, and dated in felt-tip marker verso; retains George Adams Gallery label verso 48" x 70" (122 x 178 cm) P ROV E NANC E Honor Fraser Gallery, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, 2006)

$3,000–5,000

265 AMER KOBASLIJA The Paint Box 2004-2005 Oil on wood Signed, titled, and dated verso; retains unknown label verso 12.25" x 16.75" (31 x 43 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, 2005)

$1,500–2,000

169

266 DIRK SKREBER

Untitled (Jungbrunnen) 2003 Wood, metal, and water 80" x 21" x 8.25" (as illustrated) (203 x 53 x 21 cm) P ROVENA NC E Blum & Poe, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, c. 2004)

$8,000â&#x20AC;&#x201C;12,000

267 KARA WALKER

Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times 1997 Leather bound volume of offset lithographs and five laser-cut popup silhouettes on wove paper From the edition of 4,000 Published by the Peter Norton Christmas Project, Santa Monica Together with original packaging 9.25" x 8.25" x .625" (closed) (23 x 21 x 2 cm) LIT E RAT URE The Book as Art: Artists’ Books from the National Museum of Women in the Arts. J. Drucker and K. Wasserman. 2006. 44.

$1,500–2,000

171

268 DONALD BAECHLER Foot

2003-2004 Cast bronze #2 of 2 artist’s proofs aside from the edition of 8 Initialed with edition to base 26.25" x 10" x 7.25" (67 x 25 x 18 cm) LIT E RAT URE Donald Baechler: Skulpturen. Museum der Moderne Salzburg exh. cat. 2004. 26.

$8,000–12,000

269 ELISA JOHNS Harlotry

2005 Oil on canvas Signed and dated canvas verso; retains Black Dragon Society label to canvas stretcher verso 96" x 68" (244 x 173 cm) P ROVENA NC E Black Dragon Society, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, 2005)

$4,000â&#x20AC;&#x201C;6,000

270 ELISA JOHNS

Arizona Coral Snake 2006 Oil on canvas Signed and dated verso; retains Black Dragon Society label verso 42" x 41.75" (107 x 106 cm) P ROV E NANC E LACE, Los Angeles, California; Private Collection, Los Angeles, California (acquired directly from the above, 2006)

$3,000â&#x20AC;&#x201C;5,000

173

271 JEFF ELROD Green Echo

2013 Archival inkjet on paper #28 of 35 Signed and dated with edition in graphite verso Image: 27.625" x 22" Sheet: 28.75" x 22.75" (Image: 70 x 56 cm)

$1,500â&#x20AC;&#x201C;2,000

272 HELMUT NEWTON SUMO

From the edition of 10,000 Published by TASCHEN Signed with stamped edition to title page Together with original packaging and stand designed by Philippe Starck Book: 28" x 20.125" x 3" (71 x 51 x 8 cm)

$8,000–12,000

1999 Hardcover book

273 DAVID LACHAPELLE April in Paris

1996 Chromogenic print #13 of 30 Signed, titled, and dated with edition sheet verso Image/sheet (vis.): 16.5" x 22.625" Frame: 21.5" x 27.5" (Image/sheet: 42 x 57 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, 2001)

$4,000–6,000

175

274 DAVID LACHAPELLE Stripe Story

1995 Chromogenic print #6 of 30 Signed, dated, and inscribed “Stripe Story/France” with edition verso Sheet (vis.): 22.875" x 16.75" Frame: 27.625" x 21.625" (Sheet: 58 x 43 cm) P ROV E NANC E Private Collection, Los Angeles, California (acquired directly from the artist, 1999)

$2,000–3,000

ILLUSTRATED PREVIOUS PAGE

275 JULIUS SHULMAN

Interior of Ennis House, Los Angeles 1980 Color photograph Signed in white ink lower right corner in image Image/sheet (vis.): 23.375" x 16" Frame: 29" x 21.75" (Image/sheet: 59 x 41 cm)

$2,000–3,000

276 JULIUS SHULMAN

John Lautner, Malin Residence (Chemosphere), Hollywood 1961; this example printed 1999 Gelatin silver print From the edition of 60 Signed and dated “Julius Shulman/1961” in white ink lower right; retains unknown label frame verso Image/sheet (vis.): 23.125" x 29" Frame: 30.125" x 36" (Image/sheet: 59 x 74 cm)

$3,000–5,000

277 ANDRÉ KERTÉSZ Melancholic Tulip 1939 Gelatin silver print Signed and dated verso Image/sheet (vis.): 13.375" x 9.5" Frame: 23.625" x 18.75" (Image/sheet: 34 x 24 cm) LIT E RAT URE André Kertész: Diary of Light 1912-1985. S. Harder and H. Kubota, eds. 1987. Pl. 89.

$5,000–7,000

177

278 DARREN ALMOND

Thames to Hudson (4) 2000 Cibachrome prints mounted to aluminum in four parts #2 of 3 One signed in black felt-tip marker verso; each retains Matthew Marks Gallery label verso Each: 28.75" x 28.75" (73 x 73 cm)

$8,000â&#x20AC;&#x201C;12,000

279 LUCAS SAMARAS Sitting

1980 Polaroid photograph Sheet (vis.): 27.75" x 21.75" Frame: 39.25" x 33.375" (Sheet: 70 x 55 cm) P ROV E NANC E Private Collection, Ashland, Oregon (acquired through Sotheby’s, New York, New York, June 21, 2010, lot 135) E XHIBIT E D “American Perspectives: Photographs from the Polaroid Collection,” traveling exhibition, Tokyo Metropolitan Museum of Photography, September 12-November 12, 2000; Museum “EKI” KYOTO, February 17-March 14, 2001; Takamatsu City Museum of Art, June 1-July 1, 2001; Museum of Contemporary Art, Sapporo, July 21-September 2, 2001 ILLUST RAT E D American Perspectives: Photographs from the Polaroid Collection. Tokyo Metropolitan Museum of Photography exh. cat. 2000. #36.

$5,000–7,000

179

FALL 2018

Now Accepting Consignments Now Accepting Consignments

FERNANDO & HUMBERT0 CAMPANA | ALL ANIMAL SOFAS (PROTOTYPE) | ESTIMATE: $40,000-60,000

PETER PETER LOUGHREY, LOUGHREY, DIRECTOR DIRECTOR | 16145 | 16145 HART HART STREET, STREET, VAN VAN NUYS, NUYS, CA 91406 CA 91406 | 323-904-1950 | 323-904-1950 | LAMODERN.COM | LAMODERN.COM

Ellsworth Kelly (American, 1923–2015), Blue and Orange and Green (detail), 1964, Lithograph on Rives BFK paper, Norton Simon Museum, Gift of the Artist, © Ellsworth Kelly Foundation and Maeght Éditeur

line & color the nature of ellsworth kelly

Norton Simon Museum

June 1 – Oct 29, 2018 | www.nortonsimon.org

Conditions of Sale/Notice to Buyers The following are our “Conditions of Sale” for the items listed

working. All measurements are approximate. Photographs of

We reserve the right to assess a late charge of 1.5% of the total

in this catalogue to be sold by Modern Auctions, Inc. (“MAI,”

any lots not illustrated can be found on our website, lamodern.

purchase price per month if payment is not made in accordance

“L.A. Modern Auctions,” or “LAMA”) on June 10, 2018. We are

com.

with any of these Conditions of Sale.

acting as an agent on behalf of our consignors.

COL L ECT I ON & STO RAGE All lots must be removed

LEGA L F EES & V EN UE If a suit, action, arbritration

PAY M E NT All sales are final. All sold lots are to be paid

from the auction showroom by 12:00pm (PT) on July 10, 2018.

or other proceeding of any nature whatsoever is instituted

for on the day of the auction. We accept cash, bank wire

Purchases not removed by July 10, 2018 will be assessed daily

in connection with any controversy arising out of these

transfers, checks, and credit cards. Please note: credit card

storage fees of $15 per day per lot. Items in storage are not

Conditions of Sale, the sale of items, the auction or any

payments carry a 3% processing fee on the total invoice

insured by MAI. Unless other arrangements are made and

breach thereof between the bidder or buyer and Modern

amount. All payments made by personal checks will be subject

confirmed in writing, the buyer assumes sole responsibility

Auctions, Inc., the prevailing party shall be entitled to recover

to clearance before purchases can be collected. Buyers who

for shipping, packing, insurance, and storage concerns. A list

its attorney's fees and costs incurred in connection with

have not purchased from Modern Auctions, Inc. (Los Angeles

of shippers can be provided upon request. If a purchased lot is

such proceeding. This Agreement shall be governed by and

Modern Auctions) previously are asked to provide a method

paid for but not collected within six months of the auction, the

construed in accordance with California law, without reference

of payment and/or letter of reference from a bank or creditor

buyer authorizes MAI, upon notice, to arrange a resale of the

to the conflicts of law rules and principles of such State.

prior to the auction. Bank wire information is available upon

item by auction or private sale, with estimates and a reserve

The parties agree that all actions or proceedings arising in

request. If payment is not received in full by June 20, 2018,

set at MAI's reasonable discretion. The proceeds of such

connection with this Agreement shall be litigated exclusively

collection and storage fees will begin occurring immediately.

sale will be applied to pay for storage charges and any other

in the Los Angeles Superior Court. This choice of venue is

All lots are subject to a Buyer's Premium, this amount is

outstanding costs and expenses owed by the buyer to MAI and

intended by the parties to be mandatory, thereby precluding

added to the hammer price and is calculated upon when

the remainder will be forfeited unless collected by the buyer

the possibility of litigation bewteen the parties with respect to

payment is received by MAI. Please see schedule below:

within two years of the original auction.

or arising out of this Agreement in any other jurisdiction.

BUYER’S PREMIUM**:

BI DDI N G We encourage you to attend the sale in person.

GUA RA N TEE The authenticity of every item offered for

PAYMENT RECEIVED BY JUNE 20, 2018

However, if you are unable to attend in person we offer

auction is guaranteed. MAI warrants only the authorship of

• 22.5% on the hammer price up to and including

an Absentee or Phone Bidding service. For this service fill

an item (as printed in the line directly below the lot number,

$500,000 if bids are placed directly with LAMA;

out and submit a Bid Form. To obtain this form please call

may be blue, pink, or white type) and does not guarantee the

• 17.5% on the portion of the hammer price in excess

323.904.1950 or go to our website. We will not execute

condition, age, or any identifying characteristic used by MAI

of $500,000 up to $2,000,000 if bids are placed

Absentee or Phone bid orders unless a signed and completed

in any descriptions such as color, method of construction,

directly with LAMA;

bid form has been received. All Bid Forms must be received

and type of materials. Any lot using the terms “attributed,”

• 12.5% on the portion of the hammer price in excess

by Saturday, June 9, 2018 by 5:00pm (PT) via fax to

“attribution,” “in the style of,” “in the manner of,” or “after”

of $2,000,000 if bids are placed directly with LAMA.

323-904-1954 or scanned and sent via email to shannon@

does not qualify for our guarantee. In addition, the buyer

lamodern.com. We encourage you to call after faxing to

assumes responsibility for reading all addendums and posted

BUYER’S PREMIUM**:

confirm we have received your form. We kindly ask that you

corrections to the catalogue prior to bidding.

PAYMENT RECEIVED AFTER JUNE 20, 2018

do not call on the day of the auction to submit bids or to

• 25% on the hammer price up to and including

check if your bids were successful.

RESCI SSI O N Should the authenticity of an item be

$500,000 if bids are placed directly with Modern

disputed after a sale, the buyer has 90 days from the date of

Auctions, Inc.;

by phone or email by June 12, 2018. In addition, the auction's

the auction to provide written documentation or conclusive

• 20% on the portion of the hammer price in excess

Prices Realized will be posted the day after the auction on our

opinion of a mutually agreed upon independent expert,

of $500,000 up to $2,000,000 if bids are placed

website. Do not rely on any auction results (Prices Realized)

retained at the buyer’s sole expense, that the item in question

directly with Modern Auctions, Inc.;

unless published on www.lamodern.com or as provided

is not as stated in the catalogue. In the event of an error, MAI

• 15% on the portion of the hammer price in excess

directly by MAI.

will rescind the purchase contract. MAI will reimburse the

of $2,000,000 if bids are placed directly with

buyer for no more than the hammer price plus the Buyer’s

Modern Auctions, Inc.

first-served basis; thus, we encourage you to submit your

Premium and only after the item is returned to the original

Bid Form ASAP. If identical absentee bids are submitted, the

point of sale in the condition in which it was sold. Taxes,

**Payment by credit card carries a 3% processing fee

earliest received will take precedence. The number of phone

packing, shipping, and storage costs will not be reimbursed.

on the total invoice amount and requires a completion of

lines available are limited so please submit your phone requests

MAI is not liable for any costs, such as expert and attorney

LAMA's “Credit Card Authorization” form.

early. By registering for the Phone Bidding service you

fees. If the item is authentic, as stated in the auction catalogue

acknowledge and consent to allow MAI to record telephone

or lamodern.com, then the purchaser shall bear MAI’s expenses

CA LIFO R NIA SALES TAX Sales tax of 9.5% will

conversations. On all Bid Forms, please leave a valid credit

incurred in defense of the allegation, such as attorney fees

be collected on all purchases removed from our premises or

card number with expiration date; a deposit of 25% may be

and other costs. The limited right of rescission is only available

delivered within the state of California. Those holding a valid

required for all absentee and phone bids. The party responsible

to the original purchaser from MAI. Once the item is resold,

California State Resale License must register before each

for submitting the Bid Form is solely responsible for the payment

then all rights and liabilities of MAI regarding authenticity

auction and present their valid resale number. No purchases

in full of the total invoice, we will not make any changes to an

end. The Purchaser’s sole and exclusive remedy against MAI

will be released until all sales tax requirements are satisfied.

invoice.

for any reason is the limited right of rescission described in

this section. The purchaser shall not be entitled to damages,

All successful Absentee and Phone bidders will be notified

Absentee or Phone Bidding service is on a first-come,

Should a dispute arise after the auction, our records are

EST IMAT ES & R ES E RVES The estimates printed

conclusive. We are not responsible for failure to execute a bid

compensatory, incidental, consequential, nominal or punitive,

after each lot should be used as a guide only and should

and have the right to reject any bid. We reserve the right to

nor any expenses incurred during the proceedings, such as

not be relied upon as a prediction of final selling prices.

withdraw any property before the auction and shall have no

expert’s fees, attorney’s fees, and other costs.

Many of the lots offered for auction carry a reserve and are

liability whatsoever for such withdrawal. Should an item be

confidential. The reserve is a minimum price at which the

withdrawn, the auctioneer will make an announcement at the

RI GH TS TO PH OTO GRA PH S All images and text

seller has agreed to let the auctioneer sell the property.

time the lot would have been put up for sale. In addition, the

contained in this catalogue are the sole property of MAI, and

auctioneer may add lots not previously listed in the catalogue

may not be used or reproduced in any medium without the

CO NDIT ION Everything is sold in “As-Is” Condition. No

or addendum. If the buyer does not comply with all of the

expressed written permission of MAI.

statement regarding condition of any item, whether it is made

Conditions of Sale/Notices to Buyers, MAI reserves the right to

orally at the auction, or in writing, or printed in this catalogue,

cancel the sale, hold the defaulting buyer liable for the purchase

Modern Auctions, Inc. | Bond # 7900453024

or at any other time shall be deemed to be a warranty,

price and Buyer’s Premium, retain or process any deposit, and

Peter Loughrey, Principal Auctioneer

representation, or assumption of liability. It is the sole

resell the property privately or at auction without further notice.

Los Angeles Modern Auctions (LAMA)

responsibility of the buyer to inspect all goods prior to the

In the latter, the defaulting buyer will be held responsible for

16145 Hart Street, Van Nuys, CA 91406

sale. We strongly encourage all bidders to request a condition

all incurred expenses, such as warehouse and transportation

report on any item before bidding. All electrical items are sold

costs, commissions, incidentals, and shall be liable for payment

for decorative value only and should be assumed not to be

of any deficiency in the purchase price. This is strictly enforced.

Index A

Alexander, Peter. . . . . . . . . . . 227, 232 Almaraz, Carlos. . . . . . . . . . . . . . . . . 19 Almond, Darren. . . . . . . . . . . . . . . . 278 Altoon, John . . . . . . . . . . . . . . . 138-139 Andreson, Laura. . . . . . . . . . . . . 45-46 Arctander, Philip. . . . . . . . . . . . . . . . . 8 Arnoldi, Charles . . . . . . . . . . . 240-241 Arp, Hans. . . . . . . . . . . . . . . . . . . 34-35 Asawa, Ruth. . . . . . . . . . . . . . . . . . . 159

Hammersley, Frederick . . . . . . . . . 178 Hansen, Robert. . . . . . . . . . . . . . . . 137 Herms, George . . . . . . . . . . . . . . . . 250 Hockney, David. . . . . . . . . . . . 255-256 Houston, Bruce. . . . . . . . . . . . . . . . 205 Høvelskov, Jørgen . . . . . . . . . . . . . . . 4 Hundertwasser, Friedensreich. . . 208

Pashgian, Helen . . . . . . . . . . . . . . . . 94 Passfeld, Thorsten . . . . . . . . . . . . . 260 Pearlstein, Philip. . . . . . . . . . . . . . . 257 Pearsall, Adrian. . . . . . . . . . . . . . . . . 60 Pettibon, Raymond. . . . . . . . . . . 67-68 Picasso, Pablo. . . . . . . . . . . . . . . . . . 13 Platner, Warren. . . . . . . . . . . . . . . . 230 Pollock, Charles . . . . . . . . . . . . . . . 231 Ponti, Gio. . . . . . . . . . . . . . . . . . . 26-27 Portocarrero, René. . . . . . . . . . . . . . 14 Prestini, James. . . . . . . . . . . . . . . . 193 Price, Ken. . . . . . . . . . . . . . . . . 234-239

B Baechler, Donald. . . . . . . . . . . . . . . 268 Baldessari, John. . . . . . . . . . . 213-214 Bas, Hernan. . . . . . . . . . . . . . . . . . 71-73 Bell, Larry . . . . . . . . . . . . . . . . 242-246 Bellini, Mario. . . . . . . . . . . . . . . . . . . 37 Bengston, Billy Al. . . . . . . . . 224, 227 Benton, Fletcher. . . . . . . . . . . . . . . . 91 Bertoia, Harry. . . . . . . . . . . . . 144-147 Bidlo, Mike. . . . . . . . . . . . . . . . . . . . . 69 Bluhm, Norman. . . . . . . . . . . . 179-180 Bowling, Mary. . . . . . . . . . . . . . . . . 192 Braque, Georges. . . . . . . . . . . . . . . . 16 Burkhardt, Hans. . . . . . . . . . . . 129-132 Burroughs, William S.. . . . . . . . . . . 212

C Calder, Alexander. . . . . . . . . . . . . . 209 Carpenter, Arthur Espenet . . . . . . . 47 Celmins, Vija . . . . . . . . . . . . . . . 140-141 Chagall, Marc. . . . . . . . . . . . . . . . . . . 15 Christensen, Dan. . . . . . . . . . . . . . . 105 Clavé, Antoni. . . . . . . . . . . . . . . . . . . 24 Cohen, Larry. . . . . . . . . . . . . . . . 50-51 Conner, Bruce . . . . . . . . . . . . . . . . . 134 Corbett, Edward . . . . . . . . . . . . . . . 104 Corse, Mary. . . . . . . . . . . . . . . . . . . . 96 Crippa, Roberto. . . . . . . . . . . . . . . . . 25

D Deeds, Douglas. . . . . . . . . . . . . . . . . 80 DeLap, Tony. . . . . . . . . . . . . . . . . . . 252 Diebenkorn, Richard. . . . . . . . . . . . . 52 Dine, Jim . . . . . . . . . . . . . . . . . . . . . 216 Dole, William . . . . . . . . . . . . . . . 119-120 Donovan, Tara. . . . . . . . . . . . . . . . . . 95 Douke, Daniel. . . . . . . . . . . . . . . . . . . 111 Duchamp, Marcel . . . . . . . . . . . . . . . 70 Dugmore, Edward. . . . . . . . . . 194-195 Durant, Sam . . . . . . . . . . . . . . . . . . . 66

E Eames, Charles & Ray . . . . . . 148-154 Edelmann, Yrjö . . . . . . . . . . . . . . . . 253 Einarsson, Gardar Eide. . . . . . . 97-100 Elrod, Jeff . . . . . . . . . . . . . . . . . . . . 271 Engel, Jules. . . . . . . . . . . . . . . . . . . 166

F Falkenstein, Claire. . . . . . . . . . 164-165 Fischinger, Oskar . . . . . . . . . . 160-163 Flanagan, Barry. . . . . . . . . . . . 101-103 Follis, John. . . . . . . . . . . . . . . . . . . . . 81 Francis, Sam . . . . . . . . . . . . . . . . . . 167

G Goldberg, Michael. . . . . . . . . . . 187-188 Graham, Robert. . . . . . . . . . . . . . . . 251 Graves, Morris. . . . . . . . . . . . . . . . . 133

J Jenkins, Paul. . . . . . . . . . . . . . 185-186 Jeré, C.. . . . . . . . . . . . . . . . . . . . . 88-90 Johns, Elisa. . . . . . . . . . . . . . . 269-270 Johns, Jasper. . . . . . . . . . . . . 196-198 Jones, Allen. . . . . . . . . . . . . . . . . . . 207

K Kagan, Vladimir. . . . . . . . . . . . . . . . 172 Kanemitsu, Matsumi. . . . . . . . . 169-170 Katz, Alex. . . . . . . . . . . . . . . . . . . . . 143 Kertész, André . . . . . . . . . . . . . . . . 277 Kienholz, Ed. . . . . . . . . . . . . . . . . . . 249 Kirchner, Ernst Ludwig. . . . . . . . . . . 18 Klee, Paul. . . . . . . . . . . . . . . . . . . . . . 17 Klint, Kaare. . . . . . . . . . . . . . . . . . . . . 6 Knoll, Florence . . . . . . . . . . . . . . . . 155 Kobaslija, Amer. . . . . . . . . . . . 263-265 Koch, Mogens . . . . . . . . . . . . . . . . . . . 9 Koons, Jeff. . . . . . . . . . . . . . . . . . . . 215

L LaChapelle, David. . . . . . . . . . 273-274 Lalanne, François-Xavier. . . . . . 22-23 Lam, Bill. . . . . . . . . . . . . . . . . . . . . . . 79 Lamb, Walter. . . . . . . . . . . . . . . . 82-87 László, Paul. . . . . . . . . . . . . . . . . 116-118 Leslie, Alfred. . . . . . . . . . . . . . . . . . 168 Lewis, Sally Sirkin. . . . . . . . . . . . . . 228 LeWitt, Sol. . . . . . . . . . . . . . . . 106-109 Lichtenstein, Roy . . . . . . . . . . . . . . 206 Lieberman, Justin. . . . . . . . . . . . . . 261 Lundeberg, Helen. . . . . . . . . . . . . . 142

M Martz, Gordon & Jane . . . . . . . . . . . 62 McChesney, Robert. . . . . . . . . . . . . 123 McCobb, Paul. . . . . . . . . . . . . . . . 74-77 McGinness, Ryan. . . . . . . . . . . . . . . 259 McIntosh, Harrison. . . . . . . . . . . . . . 39 McMakin, Roy . . . . . . . . . . . . . . . . . 254 Moses, Ed. . . . . . . . . . . . . . . . . 247-248 Motherwell, Robert. . . . . . . . . . 189-191 Moulthrop, Ed . . . . . . . . . . . . . . . . . . 43 Moulthrop, Philip. . . . . . . . . . . . . . . . 44 Muller, Dave. . . . . . . . . . . . . . . . . 63-65 Mullican, Lee. . . . . . . . . . . . . . . 124-128

R Ratcliff, David . . . . . . . . . . . . . . . . . 258 Rauschenberg, Robert. . . . . . . . . . . 211 Risom, Jens. . . . . . . . . . . . . . . . . . . . 10 Rivers, Larry. . . . . . . . . . . . . . . . . . 210 Robsjohn-Gibbings, T.H.. . . . . . . 55-56 Rohde, Gilbert. . . . . . . . . . . . . . . . . . 59 Rosenquist, James. . . . . . . . . . . . . 200 Rosenthal, Bernard (Tony). . . . . . . . 121 Ruscha, Ed . . . . . . . . . . . . . . . 217-226

S Samaras, Lucas. . . . . . . . . . . . . . . . 279 Scarpa, Carlo. . . . . . . . . . . . . . . . . . . 29 Scharf, Kenny . . . . . . . . . . . . . 225-226 Schrut, Sherry. . . . . . . . . . . . . . . . . . 38 Schwaderer, Fritz . . . . . . . . . . . . . . 135 Shoemaker, Don . . . . . . . . . . . . . . . 173 Shulman, Julius. . . . . . . . . . . . 275-276 Skreber, Dirk. . . . . . . . . . . . . . . . . . 266 Smith, Art . . . . . . . . . . . . . . . . . . . . . 36 Soldner, Paul. . . . . . . . . . . . . . . . . . . 40 Sorenson, Don. . . . . . . . . . . . . . . . . . 110 Staprans, Raimonds. . . . . . . . . . . . . 53 Stella, Frank. . . . . . . . . . . . . . 203-204 Stussy, Jan . . . . . . . . . . . . . . . . . . . 136

T Tagliapietra, Lino . . . . . . . . . . . . . . . 30 Takis. . . . . . . . . . . . . . . . . . . . . . . . . . 92 Tamayo, Rufino. . . . . . . . . . . . . . 20-21 Tempestini, Maurizio . . . . . . . . . . . . 171 Teruko, Yokoi. . . . . . . . . . . . . . . . . . 183 Thiebaud, Wayne. . . . . . . . . . . . . 48-49 Tynell, Paavo. . . . . . . . . . . . . . . . . . . . 7

V Van Keppel, Hendrik. . . . . . . . . . . . . 78 Van Koert, John . . . . . . . . . . . . . . . . 115 Vasa . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Venini, Paolo. . . . . . . . . . . . . . . . . 31-33 Venturi, Robert. . . . . . . . . . . . . . . . 233

Nakashima, George. . . . . . . . . . 174-177 Natzler, Gertrud & Otto. . . . . . . 41-42 Nelson, George. . . . . . . . . . . . 156-158 Neuhart, Marilyn . . . . . . . . . . . . . . . 151 Newton, Helmut . . . . . . . . . . . . . . . 272 Novatt, Jedd. . . . . . . . . . . . . . . . . . 262

Walker, Kara. . . . . . . . . . . . . . . . . . . 267 Warhol, Andy. . . . . . . . . . . . . . . . . . 199 Wegner, Hans J.. . . . . . . . . . . . . . . 1-3, 5 Woelffer, Emerson. . . . . . . . . . . 181-182 Wormley, Edward. . . . . . . . . . . . . 112-114 Wright, Frank Lloyd. . . . . . . . . . . . . . 57

Oldenburg, Claes. . . . . . . . . . . 201-202 Olsen, Hans. . . . . . . . . . . . . . . . . . . . . 11

Xceron, Jean. . . . . . . . . . . . . . . . . . 122

Z Zajac, Jack. . . . . . . . . . . . . . . . . . . .184

INFORMATION

DIRECTIONS TO LAMA AUCTION & PREVIEW

Auction

STAFF Peter Loughrey

Sunday, June 10, 2018

From Hollywood

Director,

12pm (PT)

• Make your way to the 101 Freeway

Art & Design

Proceed North on the 101 Preview

• Merge onto the 405 Freeway,

Shannon Loughrey

May 29 – June 9, 2018

north

Managing Director

10am–6pm (PT)

• Take the 4th exit onto “Sherman Way, west”

Clo Pazera

Address

• Proceed west on Sherman Way

Specialist

16145 Hart Street

• Turn left at the 3rd light onto

Van Nuys, CA 91406

“Woodley”

Carolina Ivey

• Take the first right onto “Hart”

Client Services Manager

Telephone

street, which is a side street

323.904.1950

Katie Cape From the Westside

Consignor Services

Website

• Take the 405 Freeway, north

LAModern.com

Continue past the Getty Muse-

Joe Alascano

um and the 101 Interchange

Shipping

• Exit onto “Sherman Way, west”

David Jones

(this is 4 exits North of the 101)

Client Services

• Proceed west on Sherman Way

Jamie Shi

• Turn left at the 3rd light

Cataloguer

onto “Woodley” • Take the first right onto “Hart” street, which is a side street

LAMA MAP VAN NUYS AIRPORT

SEPULVEDA BLVD

HART ST

405 FREEWAY

LAMA

WOODLEY AVE

VALJEAN AVE

SHERMAN WAY

101 FREEWAY WOODLAND HILLS HOLLYWOOD

GETTY MUSEUM

FSC logo