56 selected projects Lamp Lighting Solutions Awards ‘11
Centro de Promoción de la D.O. “Ribera del Duero” Roa de Duero, Burgos, España.
La torre Desde la calle de acceso principal, la torre aparece aislada y alineada con la antigua muralla. Situada en la pendiente, define la vista hacia el horizonte.
La planta superior
La plaza
Las geometrías que rigen la composición derivan de una lectura precisa del contexto. Transmiten autonomía a lo nuevo, al tiempo que definen las huellas del entorno. La ampliación transforma el edificio histórico en un nuevo espacio público y social.
Todo el edificio está recubierto con piedra local: suelos, techos y paramentos verticales, sin discontinuidad. Este tratamiento transforma la plaza en un vacío abstracto tallado en piedra.
Situación urbana
El acceso
El edificio se encuentra situado entre dos cuerpos construidos, en los cuales se apoyan los volúmenes que delimitan lateralmente la plaza. Un tercer volumen recupera el antiguo muro preexistente de la iglesia del siglo XVII y lo convierte en tragaluz, completando así elperfil interior de la plaza.
El acceso público al edificio se ubica en la base de la torre conectado directamente con la sala polivalente, que cuenta con un aforo de 350 personas. Una escalera perimetral se desarrolla a lo largo de la torre, dando acceso a los niveles superiores.
Ficha técnica
Título de la Obra: Centro de Promoción de la D.O. “Ribera del Duero” Tipología del Edificio: Oficinas Ubicación de la Obra: C/ Hospital, 6 Roa, Burgos (España) Fecha Finalización de la Obra: Diciembre 2010
Fuentes de Luz utilizadas: Programa funcional Con el fin de adaptarse a la escala del entorno, el proyecto ubica todas las áreas funcionales en el sótano. Sobre ellas, se desarrolla la plaza pública. La torre alberga las funciones de representación. La sala de consejo ocupa el nivel más alto de ésta, aprovechando escénicamente las pendientes de la cubierta.
La sala polivalente Los dos volúmenes perimetrales apoyados en las contrucciones adyacentes están huecos y dotan de luz cenital a los sótanos. El revestimiento interior, así como los cerramientos exteriores, son de oro anodizado.
Iluminación de la plaza. Puntos de luz empotrables para exteriores, formados por cuerpos cilíndricos de latón natural, colocados cada 2 m. Iluminación de volumetrías principales. Lámparas de halogenuros metálicos de fundición de aluminio. Articulación con conducto de cables interior, orientable 0-90º. Base girable 240º.
Proyecto de Iluminación El proyecto de iluminación exterior del Centro de Promoción de la D.O. “Ribera del Duero” buscar crear una atmósfera que permita al edificio afianzarse en el paisaje y, al mismo tiempo, mantener la intimidad propia del contexto en el que se encuentra. De este modo, la iluminación se integra únicamente en las geometrías singulares que definen los huecos de los volúmenes para, de esta forma, convertirse en protagonista, utilizándola únicamente allí donde sirve y para que, gracias a la relación con el volumen, la luz pase a ser entendida como materia. Una luz cálida, con espesor, potenciada con los materiales empleados en las carpinterías de los huecos y protagonista por el tratamiento de las superficies en las que se inserta.
Title of Work: HASAN TANIK CAMİ Type of Building : MOSQUE Location of Work : ÇANKAYA / ANKARA Month and Year of Completion of Work : January 2010
Light Sources Used: Metal Halide Lamps, Led Lamps. T5 Fluorescent Lamps. Lighting Project Description: In the project; mostly light contrast method is used to make the Mosque different. Therefore, all the surfaces and light colour temperatures are thought differently. The Minarets are illuminated with 3000K and 4000K light colours. 4000K is used in the upper sides of the Minarets and 3000K is used in lower sections. The domes are illuminated with 4000K coloured
lamps to emphasize the difference between the cubic form of the Mosque.
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Ripon Cathedral Exterior Ligh ng Cathedral Ripon, Yorkshire, UK Completed June 2010 The ligh ng was achieved by the use of both compact uorescent and metal halide in ground luminaires ligh ng the lower por on of the facade, with metal halide oodlights mounted on adjacent buildings and walls comple ng the ligh ng of the upper areas. The scheme is low energy with the total connected load being in the region of 7kW. The brief was to illuminate the exterior of the Cathedral using the minimum of electrical energy and with as low as possible light pollu on, as well as rendering the exterior eleva ons in as aesthe cally pleasing a way as possible. It was therefore decided to u lise a large number of small luminaires sited close into the building to both keep energy usage down and control unwanted stray light. The Cathedral has been added to and altered over the centuries and therefore the footprint of the building is rather irregular; this presented rather a challenge to get a consistent level of illumina on to all surfaces. In par cular the North side of the Cathedral was problema c due to the inability to be able to site luminaires in the Council owned land facing this eleva on. This has led to a slightly compromise scheme on the North side. The West front was of crucial importance and the brief here called for the complete absence of any ligh ng columns and visible ligh ng equipment. The sloped galvanised steel housings were designed by us to be as vandal resistant as possible. The sloping sides ensure a rigid structure and also make it di cult to in ict damage to the housing from kicks or strikes from blunt objects.
Title of Work:
Fafe Theatre Cinema â&#x20AC;&#x201C; Renewal + Extension Type of building: Theatre / Cinema Location of Work: Travessa Monsenhor Vieira de Castro, Fafe â&#x20AC;&#x201C; Portugal Month and Year of Completion of Work: Apr. 2009 Light Project Description: Thi proposall was b This based d upon th the principles i i l off maintenace i t and d restoration t ti off th the existing i ti building b ildi id identity tit and d qualities, while providing a total update of the current spatial and technical conditions, allowing to present all the performing arts. So the response was set in three fronts: first, consolidation and restoration of the existing structure; second introduction of a complementary new volume, second, volume providing a Film Theatre, Theatre Music School, School dressing-rooms and administration facilities; third, introduction of a "Skin" that "dresses" all the building, except the main [existing] facade, which will create a buffer belt where many technical needs will be installed and displayed, in a scenographic way that,, at the same time shows how this type yp of cultural buildings g react to contemporary p y demands. This building had characteristics distinctive light handling, inside and outside, in restore remained the traces. On the new volume and depending on the areas and its functionality the solutions envisaged were distinct, with variable flux or not, always taking into account the energy efficiency of systems used. The outdoor lighting this building took place l only l iin two parts off the h new b body, d backlight, b kli h with i h light li h equipped i d with ihT T5 llamps.
Fuentes de luz utilizadas
Gran Casino Costa Brava Iluminación exterior arquitectónica
Lloret de Mar, Girona (España) Obra finalizada en Julio de 2010
Fuentes de luz utilizadas Leds SMD RGB
El planteamiento lumínico del Gran Casino Costa Brava obedece a un concepto acorde con los preceptos intrínsecos de un casino (espectacularidad, dinamismo, ambiente festivo…) en el marco de una propuesta arquitectónica ordenada y coherente con el entorno en la que se inserta.
soluble junto a los planos arquitectónicos de hormigón coloreado. La distribución de las luminarias de modo lineal se plasma en una trama de píxeles no solo en el plano inclinado de la fachada, sino también en el plano horizontal que constituye el espacio de entrada al Gran Casino.
El punto de atención lumínico del Gran Casino se ubica en la fachada principal mediante la disposición lineal de un sistema de alumbrado que se integra en los planos inclinados de la fachada. Dichos planos se abren en celosía frente al espacio del foyer mediante una fachada que proporciona identidad al casino gracias al sistema digital de iluminación que se extiende hacia la marquesina. Las luminarias de fluorescencia tubular, diseñadas por Artec para este proyecto específico, refuerzan el carácter facetado de la fachada, al tiempo que forman un conjunto coherente e indi-
De este modo, las luminarias –representadas como una matriz media de leds SMD RGB ordenados a distancia de 1 metro– se convierten en foco de atracción para los visitantes gracias al dinamismo que transmiten los efectos de color y movimiento generados a partir del instante en que empieza a anochecer. La iluminación de la fachada se emplea también para generar efectos lumínicos especiales que se adaptan a las actividades programadas por el casino.
LAMP AWARDS 2011 SPORTS PAVILION ZESTIENHOVEN ROTTERDAM SPORTS PAVILION ZESTIENHOVEN ROTTERDAM
Recently a new sports-pavilion is delivered for two soccer clubs in Ro erdam, The Netherlands. The project is part of the development of Park Zes enhoven; a large new suburban neighborhood adjacent to the city center and the airport.
TYPE OF BUILDING Sports pavilion
DESIGN CONCEPT
Within the open space between the airport and newly developed houses in the park, the aim for the design was to create a transparent and â&#x20AC;&#x2DC;lightweightâ&#x20AC;&#x2122; pavilion. The building is set up in two levels; the clubhouses and the boardrooms are situated on the top oor of the building. This level is directly connected to the pitches by grass-covered slopes. These slopes cover the ground oor with its dressing rooms and storage areas, and provide a natural grandstand for spectators. The building is iconic in its direct environment due to the con nuous outline and its freestanding posi on.
LIGHTING CONCEPT
The nal piece of the building is the translucent can levered roof. In the evening it illuminates thanks to the integra on of LED powered ligh ng. The can levered roof is build with two translucent membranes spanned over a steel construc on. With the ligh ng armatures integrated in between, the whole se ng works like a lampoon; ligh ng the roof from the inside.
SUSTAINABILITY
Both the roof and the grass-covered slopes contribute to the sustainability of the design. The roof lters direct sunlight during the day, reducing the development of unnecessary warmth in the building. The grass-covered slopes provide extra insula on to the ground oor on a natural way.
LOCATION
Ro erdam, The Netherlands Led powered TL
COMPLETITION September 2010
LIGHT SOURCES
Sustainable LED powered TL armatures are integrated in the can levered roof.
Led powered TL
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Westminster Bridge Park Plaza
Type of space: Hotel Location: London, UK Time of completion: January 2010
Light sources: High power RGB LED Color Kinetics-ColorGraze Powercore
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grand staircase idea came up as a solution to construction constraints as the
Hotel main facilities such as thereception and the restaurant could not be located On the ground floor.
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spectacular staircase is our interpretation to a 'Red carpet' that elevates the
Guest into the main lobby. We used high power RGB LED which are low Maintenance and sustainable.
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is located on the top and bottom of a 7 meter high glass wall in order to graze
A silicon translucent net inside the wall and create the lighting Matrix effect.
MEDIA-ICT
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Office Building / 22@, Barcelona, Spain / February 2010
Luxometer Operating sun shading
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Directional luxmeter Operating fog system
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Suspended working platform
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Nitrogen cylinder Oil mist separator Fog generating system
Light sensor Operating interior lighting
plbuilt-up as an inverted roof, Sedum plants
for maintenance and cleaning 7 8
Data cable Supply of electricity to the grid Consumption of electricity from the grid
Concept ViCount 180 Smoke System 9 10 11
Circular cased axial fan Inflation unit Central Computer of Building Management System
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Bioluminescent paint applied to primary structure
Rainwater collection Containers are installed underneath the ramp of the car park. Rain water is used for watering the green roof.
Cushion types
There are different types of ETFE-cushions:
District heating and cooling The Districlima project is the first district heating and cooling system in Spain. It derives its energy from a heating and cooling power plant utilizing renewable energy such as cooling sourced steam and a waste-to-energy heating source (steam).
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Air supply Sancho d’Avila facade Air supply CAC facade Return fog CAC facade Nitrogen Supply
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Technology embeded 2
Fotovoltaic modules BP SOLAR mod. BP 3165S Policristalin (SiN) 165 Wp 140 Units of 1,30m2 Peak potential of total instalation: 23,02 kWp
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Southeast Facade
Wind turbine GREENURBANENERGY 4.2m x 2.75m, height: 5.5m Rated Power: 4kW Rated Wind Speed: 12m/s Noise Level at 3 Meter Distance: 27– 37dB
Photo by Luis Ros
Green roof
CAC façade (south-west facing): -Solar sun shading is achieved via a system which injects fog into the cushions. This system provides a variable shading which reduces solar heat gain up to 90%.
Sancho d’Avila façade (south-east facing): -Type A cushions: 3 layer cushions with pneumatic sun shading, allowing to adjust solar transmittance to either 65% or 45%. Each cushion is individually operated by a light sensor. The programming of each cushion can be manipulated via an IP address. -Type B: 2 layer cushions. Exterior layer print of silver circles, interior layer green tinted ETFE foil. Solar transmittance approx. 55%. -Type C: 2 layer cushions. Exterior layer transparent, interior layer green tinted ETFE foil. Solar transmittan ce approx. 65%. -Type C: 2 layer cushions. Exterior layer transparent, interior layer green tinted ETFE foil. Solar transmittan ce approx. 65%. -Type D: 2 layer cushions. Exterior layer transparent, interior layer print of negative silver circles. Solar transmittance approx. 50%.
Light Sources Used - IGGUZZINI LigeUp General Light. Module with electronic equipment (placed in all floors). Each luminaire has an IP address to manage the level of light in each area - IGGUZZINI Sign Luminaire ø 80 mm with electronic equipment and through wiring (placed in the common areas and staircases) - NLP Yellow Green Water Proof Pigment. Long afterglow luminescent inorganic pigment. (in the structure)
Office floor
Lobby
Photo by Luis Ros
Photo by Iwan Baan
Energy certificated
Solar radiation shceme
Lighting Project Description The Media-TIC building is a habitable skeleton framework designed to live surrounded by the NET. A structure that holds the building, but also, produces clear, open, flexible and free spaces. There is DISTRIBUTED INTELLIGENCE everywhere in the construction, there are more than 300 sensors. There is a presence sensor on the ground floor to regulate the consumption according to the level of occupation, in addition a program of 7 scenes lighting gives greater flexibility of use in the lobby. Facades sensors are connected to interior lighting, regulating the light level depending on the amount of natural light, the front row of lights are placed 3 meters from the windows. Finally the 104 sensors, with little CPU, connected to the ETFE cushions, make every cushion and every constructive element of the facade INTELLIGENT. Media-ICT targets an achieves: 20% CO2 reduction due to the use of District Cooling, clean energy. 10% CO2 reduction due to the photovoltaic roof. 55% CO2 reduction due to the dynamic ETFE sun filters. 10% CO2 reduction due to energy efficiency related to smart sensors. Total 95% CO2 reduction, the Media-ICT is a NET building almost a zero emitions building. The design criteria of interior lighting fixtures have been: Uniform light intensity / Get the lowest level with the available power / Use natural light whenever possible. The light intensity is greater than 500 lux in offices, except for storage rooms or hallways with a light intensity of 100 Lux, and parking, with an intensity of 75 Lux. The offices are equipped with continuous fluorescent type fixtures. In the parking lot, stairs, garages and terraces there are fluorescent lamps of different power to meet the different levels of light required in each space.
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Titre : NOMIYA Typologie : RESTAURANT Localisation : Paris, France. Date : JUIN 2009 Sources de lumières utilisées : LED : Rampes de LED trichromie dynamique pour la facade et luminaires designés et réalisés sur mesure avec des LEDs pour l’intérieur. Description du projet d’éclairage: Pour ce restaurant, nous avons créé un éclairage mystérieux et exceptionnel grâce à une conception et des techniques spécifiques : La façade est éclairée grâce à des rampes de LED qui sont dissimulées dans une double peau, entre le verre et la tôle perforée. Cette mise en œuvre permet d’obtenir un éclairage abstrait, dont la couleur et l’intensité peuvent être contrôlées. La lumière vient révéler la perforation de la tôle qui représente une image d’aurore boréale. A l’intérieur, la table et la zone cuisine sont éclairées par des diodes individuelles au bout de tubes en inox disposés aléatoirement, et réalisées sur mesure. Cette «pluie de lumière» prolonge le scintillement des lumières de la ville. Le restaurant devient également un repère dans la ville de Paris. Les dispositifs d’éclairages mis en place permettent d’éclairer à la fois l’intérieur et l’extérieur du bâtiment. L’obectif était de créer un espace sensible, presque immatériel où la lumière est au centre de la réflexion conceptuelle. Nous avons considéré la lumière comme le matériau principal pour la construction de ce restaurant. Le choix et le nombre des sources ont été effectués dans un objectif d’économie d’énergie. Tous les éclairages sont réalisés à partir de LEDs, qui permettent de réduire considérablement les consommations, d’augmenter la durée de vie et de diminuer la maintenance.
Datasheet Project Title: Type: Location: Completion Date: Light Source:
Hope Tree Installation Tokyo, Japan October 2010 String LED
Hope Tree installation was envisioned as a spatial condition that attended to question our surrounding as we know it and hoping to generate a discussion and understanding amongst the visitors about the place of our environment.
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Lately, we are bombarded with products that try to deal with the consequences of environmental damages globally, but occasionally we overlook the roots of these occurring problems by not fully understanding our environment.
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Throughout ages tree has been the most primitive form of a shelter, garden, and, most importantly, our companion. With human innovation and intervention, a tree has been contributing to our lives taking a different form, from a simple paper sheet to a complex house. Every fruit, flower and leaf that bears from tree symbolizes a change and hope for tomorrow. But, even a strong standing tree is frail. If not taken care properly we may eventually cease its presence.
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The installation was situated within the 20 feet shipping container. The construction of a toroidal space, composed of 670 self-supporting watercolor paper panels in spatial arch construction, within a container enclosure was created. The symmetry of toroidal form allowed for minimized typological variation of the box panel easing the manufacturing process. Leaf-like cutouts deformed accordingly to the geometry of the box panels. The openings were backed with a tracing paper, which performed as a diffusing surface for the LED string lighting beyond. The application of LED lighting allowed the coverage of the entire space with minimal watt usage.
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Front view from entrance during night time Front view during daytime Detail view Ceiling detail view Interior view during night time Section
Furthermore, the property of watercolor paper provided a dynamic response to the environmental factor within and outside of the container. The humidity and condensation created within the container during the constantly changing weather conditions during the duration of the exhibition allowed the leaf-like cutout to warp out and expose the diffused lighting each day.
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TITLE OF WORK:
WAHACA, CANARY WHARF
TYPE OF SPACE:
MEXICAN RESTAURANT LONDON, UNITED KINGDOM NOVEMBER 2009
LOCATION OF WORK: COMPLETION OF WORK: LIGHTING CONCEPT:
Wahaca is a new Mexican restaurant chain that brings ‘Mexican market eating’ to London. The interior builds on Wahaca’s trademark design philosophy: striking a balance between sleek interior design and the dynamic bustle of a street market. The restaurant has a relaxed ambience, with graffiti-influenced murals in bold pink, yellow and turquoise. The materials and the finish strike a balance between the utilitarian and the refined: the reclaimed wood banquettes and cast concrete benches are all finished to smooth perfection. The lighting is created to match this dynamic, balancing the warmth and energy of a ‘chaotic’ Mexican market with the order of carefully considered design. To give the purposebuilt unit a characterful ambience, a geometric, slatted-wood ceiling is erected, echoing the pallets, umbrellas and canopies of Mexican market stalls. The ceiling is backlit with metal halide floodlights, providing fresh daylight-style lighting. This subtly reinforces the street market concept and solves an inherent issue: though the façade has floor-to-ceiling windows, the cavernous space has no natural lighting at the back. The daylight effect pulls light through the space and balances the long room. Apart from the glowing daylight effect, incidental ‘sunshine’ accents are created by placing spotlights behind cut-outs in the ceiling. For evening, the space is transformed as the ceiling backlighting changes to glowing RGA (red, green, amber) LEDs. The gentle wave of warm yellow, orange and amber adds a lively, festive atmosphere for nighttime dining. The stairway to the roof terrace has no natural lighting, so can be an uninviting area. Creative lighting is used to convert this space into an intriguing pathway, with a flood of cool white light for daytime and deep blue light at night. It seems as if daylight (or moonlight) is radiating down the stairs from some unseen source, luring customers upstairs to the spectacular terrace. The lights are simple fluorescent battens, ingeniously mounted in a rigid linear array, allowing different colour combinations. Additional lighting includes LED rope lights on the underside of the bar, accents along shelves and signature Wahaca lighting details seen in their other branches, including the yellow ‘Barragán wall’ and round backlit disks embedded in concrete benches.
LIGHT SOURCES: -150W HCI-TS 4000K Surface mounted metal halide floodlights for baklighting ceiling -RGA (Red-Green-Amber) LED striplights with DMX for colour backlighting of ceiling -T5 Fluorescent battens for integral seating light -50W MR16 Lov voltage tungsten halogen spotlights for incidental sunshine accents -Warm white mains voltage LED ropelights to bar -Suspended pressed glass pendants with mains voltage 42W halogen Classic A Eco lamps
TITLE OF WORK:
SOUND CLUB
TYPE OF SPACE:
BAR/NIGHT CLUB PHUKET, THAILAND JULY 2009
LOCATION OF WORK: COMPLETION OF WORK: LIGHTING CONCEPT
Seamless integration of music, light and space is the main concept for SOUND, an upscale night club in Phuket. The interior space employs curved lines and organic forms, inspired by the ear which enables us to perceive sound. The integration of light that responses to the rhythm and pitch of music, in turn, manipulates perception of space and the way spatial and conceptual boundaries are experienced. These features can be found in the corridor and the pods. The corridor is a tunnel-like space with concealed lighting in vertical slots along its length. While the visitor walking toward the main dance floor, the changing intensity and movement of light creates perception that the spatial boundary is animated. It appears as if the space was breathing and the sound wave is coming toward them. Corridor VIP Seating
Seating pods have concealed lights along the base which make them appear floating off the ground. Glowing linear neon light outline the curved steps and continuous blue LEDs glow to the inside reveal the form and shape of the seats. Subtle glow of the acrylic screen at the top outlines the ‘ear’ shape of the seating. Lighting of the pods are also linked to music: the low level lights respond to bass (low pitch), while the glowing lights at the top respond to high tone. Lighting along the perimeter walls in contrasting colour of amber and blue defines different areas in the club. The main challenge lies in the design of architectural lighting that reveals spatial quality of the organic forms and, at the same time, responds to the changing mood of the music. Moreover, the club regularly holds creative events as well as invites local and international artists to perform. The lighting therefore has to be flexible and easy to operate for the LJ and VJ. This requires close attention to lighting details and modification of lighting fixtures and control systems for easy operation.
VIP Ceiling Detail
LIGHT SOURCES:
Key Plan Vertical and Horizontal LED Details
Corridor: Addressable 70mm sections of blue LED, each of which acts like a pixel. There are approximately 1,500 channels linked to 3 DMX universe controller.
Dance Floor Pods
Pods: Seating pods have concealed lights along the base which make them appear floating off the ground. Glowing linear neon light outline the curved steps and continuous blue LEDs glow to the inside reveal the form and shape of the seats. Subtle glow of the acrylic screen at the top outlines the ‘ear’ shape of the seating. A narrow beam 2W LED fitted with snoot provides accent light to the table. Lighting of the pods are also linked to music: the low level lights respond to bass (low pitch), while the glowing lights at the top respond to high tone. Dance floor: more than 400 LED uplights are recessed into the dance floor and animate the stage during the performance. The lights respond to the beat and rhythm of the music to enhance the performance of the dancers. Cortex: a slightly understated tower in the corridor linking the main space with the smoking area is the heart of the club. All amplifiers are housed in a tinted glass tube, only the LEDs from the equipment give outline/suggest the power behind. Blue ‘halo’ light makes the column float in the corner. On top of the typical entertainment lighting, such as moving heads, lasers and strobes, a 19m long LED screen behind the bar counter create an ideal visual backdrop which has been programmed whilst several visual effects as a graphic equalizer following the bass / mid / high tone lines.
Title of Work: HASAN TANIK CAMİ Type of Building : MOSQUE Location of Work : ÇANKAYA / ANKARA Month and Year of Completion of Work : January 2010
Light Sources Used: Low Voltage Halogen Lamps, Metal Halide Lamps, Led Lamps. Compact Fluorescent Lamps. Lighting Project Description: There are 3 circles in the center to create a classical atmosphere with modern lighting instruments. The biggest circle’s diameter is 10 metres. This modern design is supported with the projectors and appliques on columns. The domes are illuminated with RGB Led Sources and the big dome supports exterior lighting by the small windows.
THE LIGHT NEEDLE / EINDHOVEN THE NETHERLANDS TITLE / THE LIGHT NEEDLE TYPE / BRIDGE/TUNNEL - URBAN LIGHTING LOCATION / EINDHOVEN THE NETHERLANDS COMPLETION / JANUARY 2010 As of the 21st of December 2009, at the opening of the light year 2010, Eindhoven owns a new landmark. State of the art design, structural engineering and lighting technology are compressed to an imposing icon for ‘the city of light’. Towering 50 meters over one of the six crossings on the ring road, the needle is an important landmark that defines the city fabric. Shifting slowly in color the 300 led-modules form a beacon. On special occasions the needle will run an appropriate light program and as such will act as a mirror for city happenings. Slow random patterns of both color and intensity will provide a modest but imposing spectacle. Combining art, efficiency and technology the needle reflects all that ‘the city of light’ Eindhoven stands for. The needle is made out of steel plates facetted in 24 folds to a tapered mast. The mast itself is 40 meters high and divided into 4 transportable segments. The segments are fitted with the ledmodules and bolted together to form the actual mast. The mast is placed on a joint to 4 ‘legs’ of 15 meters which are divided in 2 segments. The 4 legs are placed over the split-level junction so that traffic can pass underneath. A street light integrated in the joint will light the street below. Small tensioned cables attached to the mast and legs prevent excessive flexing of the top of the mast. The joint is clad with composite panels which continue the segment lines from mast to legs. The transition from mast to legs is smooth to reduce pollution. A central theme in designing the structure. The white off-shore coating on both steel and composite provides unison in appearance. 300 led-modules are placed in the top 3 segments of the mast. The led-modules form a random pattern that is denser to the top where they are the most effective. Defects in the led-modules that may appear over time will not be visible in this random pattern. The ledmodules are clustered in groups of 12 and placed like ‘light clouds’ around the mast and as such adding to the random effect. The lighting program runs slow shifting cycles of both color and intensity based on prime numbers so that repetition of the same pattern is avoided. Thematic programs are run on special occasions like Christmas, New Year and the championship for PSV the local soccer team. As such the needle is integrated in the life of the city.
DESIGN VISUAL / JOINT SHELL MODELLING /
SHELL FABRICATION /
CONTROLLED ‘RANDOM’ CLUSTERING /
LIGHTING ALGORITHMS BASED ON PRIME NUMBERS /
VIEW BOTTOM UP /
title of work Dolder bridge type of building/space bridge Location of work Steenwijk, Netherlands month and year of completion of work 12/2010 light sources used Power Led line fixtures lightning project description For the city of Steenwijk we designed a lift bridge. Just like the bridge itself we wanted a iconic light design for the brigde. By just illuminating the inner surfaces of the contruction a very characteristic image is created. By placing and integrating the light fixtures in a invisible way, only the effect is seen and not the fixtures. The installation is dimmable and the light pollution is minimized.
Title of Work: V채stra Eriksberg, Crane and Dock Type of Building/Space: Public Space Location of Work: Gothenburg, Sweden Month and Year of Completion of Work: february 2009 Light Sources Used: LED, metal halide, fluorescents Lighting Project Description: V채stra Eriksberg, a former shipyard close to the centre of Gothenburg, Sweden, has undergone an enormous change being transformed into an area for living. The challenge for the lighting design was to create a friendly living environment sensitive to human scale yet celebrating its historical past by highlighting the industrial giant the crane. This should become a warm and welcoming environment where people feel safe and relaxed, yet offering an inspiring dimension to it. By illuminating the inner face of the crane and details it is given a different, more elegant appearance night time - a delicate urban sculpture with a subtle trace of history. In order to keep the light only to the inner faces of the structure extremely narrow red LED fixtures were placed on top of the cabin totally hidden and easily accessible from the staircase. This solution made it possible to lower the energy consumption to 2000W for the whole crane compared to previous illumination of 20.000W. At the end of the dock lighting has been integrated into the wooden landscape giving a soft glow of reflected light. It makes this place an attractive viewing and meeting point. A project-designed wall-luminaire with a robust character reminds of the industrial scale and frames the dock. The pedestrian bridge has integrated lighting in the handrail on both sides and its illumination on the underside gives a counterpart to the landmark illumination. The residential streets are lit by downward-directed modern street lanterns with excellent colour rendering.
Title of work: Helsingborg Waterfront Type of building/ space: Illumination of promenade and road Location of work: Strandvägen, Helsingborg, Sweden Light sources used: Philips LEDLine 3 250K, Philips PROflood 150W metal halide 3 000K, iGuzzini Maxi Woody 35W metal halide 3 000K, Roblon fiberoptik 150W metal halide 4 200K, Philips Copenhagen 70W CDO-TT Month and year of completion of work: January 2010 Lighting project description: Lighting of waterfront area including recreational urban spaces, promenade and road. The project tackles the special challenges of lighting areas near waterfronts; that is avoiding unwanted water reflections and preserving natural qualities such as the free view to the night sky and the sea. The purpose of the design concept is to create a beautiful and attractive waterfront in a Nordic context that facilitates an active evening life. The lighting design combines scenographic light settings and professional functional lighting into a coherent visual expression, weaving ocean, night sky and landscape project harmonically together. The overall approach in the project has been to use the lighting technology that most efficiently, solves the lighting task for each individual element in the lighting design. This in an attuned balance between function, aesthetics and maintenance. Gobo projectors are mounted on wooden poles to support the maritime design. They project special designed wave patterns creating a visual experiences referring to the locality. Projections are made with 150 W metal halide bulbs that fit a professional operation and maintenance structure and have good efficiency. Gobo projectors are well- shielded and adjusted to ensure a glare-free lighting with good visual comfort creating a pleasing play of light and shadow. 548 recessed fiber light points are spread in the concrete landscape mirroring the starry sky above. This type of installation is suitable for the rough conditions of the environment and is easily maintained due to the durable acrylic materials and the use of only two 150 W metal halide bulbs. The pergolas are illuminated by linear LED luminaries using 50 W per meter. They contribute to the diverse combination of functional and scenographic lighting. Light levels are DALI controlled to match the changes in natural light.
DOMPLEIN MARKING UTRECHT This guardian line is marked with corten steel elements at street level, directly above the original castellum wall. Green light and wisps of mist emanate from the marking and the borders of the Roman Empire are engraved in the steel. On special occasions the colour of the mist can vary from yellow at Easter to blue on university festivities. The marking, laid out in four streets, is operated from a central installation and computer. All the techniques were brought together in a one-to-one scale prototype module and tested with heavy traffic loads. Only then was begun with the phaseâ&#x20AC;&#x2122;s execution on the Domplein itself. Two parts of the project have now been delivered.
TITLE OF WORK Domplein marking TYPE OF BUILDING /SPACE Light element on the Dom cathedralâ&#x20AC;&#x2122;s square LOCATION OF WORK: Utrecht, The Netherlands
MONTH AND YEAR OF COMPLETION OF WORK: October 2010 LIGHT SOURCES USED: LED lighting together with fixed nozzles at special angles.
Deichmann square / Ben - Gurion University Type of Space : Campus square Location : Be er Sheva, Israel Completion : January 2009
Deichmann square is a new beating heart within a vibrant campus. ampus It offers an elegant yet non - formal outdoor space for relaxing and social gathering, and allows for the city of Be er Sheva to enjoy a new unmediated connection with it s center of action. The square appears as a carpet of integrated strips of concrete paving, vegetation and lighting with concrete benches and trees, scattered randomly. The strips of vegetation consist of lawn, horsetail and seasonal plants.
Our concept follows the architects design, as we believe that the strength of a project is generated out of the combination of architecture and lighting design. This approach made it easy for us to keep our design simple & whole, and maintain a healthy surrounding. We chose to emphasize certain elements of the square, and to create a dynamic three dimmensional dialogue between them and our added light fixtures, as a way of illustrating an interesting relationship we recognize between the square, the campus, and the city.
Light source used ¦ 1 Civic spider / lncasso JAD.35M
Light source used ¦ 2 Ga ash / 5Y2205
Light source used ¦ 3 BEGA / 8751
Lighting scheme
LIGHT I GRASS SS CONCRETE ONC
premios lamp lighting solutions ‘11 iluminación
salón de pinos
puentes y presas
urbana y paisaje
parque lineal del río manzanares mrioarquitectos M30, madrid / 2010
puente en Y
luminarias: Luminaria Pyros fabricada por Exterieur Vert Luminaria Nano Pyros fabricada por Exterieur Vert Luminaria Linealuce fabricada por iGuzzini Olivio fabricada por Sélux 33725 y 33739 fabricadas por Erco Proyector 8586 fabricado por Bega Led-Line fabricado por Philips
El Proyecto de la M30 se concibe como un filamento en el rio Manzanares en el cual aparecen una serie de anécdotas como Puentes, Jardines, Presas y Caminos a lo largo de su extensión, La iluminación de los elementos que constituyen el proyecto tiene un tratamiento funcional aportando los niveles de iluminación que aseguren una estancia segura en el espacio transitable a la vez que una visión sin perturbaciones del entorno. Igualmente un sistema de iluminación ornamental resalta las construcciones como iconos nocturnos y considera su impacto visual en distancia y su entorno inmediato. La forma de iluminar y los niveles de iluminación son fruto del cumplimiento de normas y recomendaciones así como de una búsqueda de economía de medios, dentro de un mantenimiento longevo y sencillo. La Iluminación se articula en torno a dos estrategias que dan respuesta a los objetivos expuestos: -Para armonizar el conjunto de elementos, se emplea un código de color de luz, definido para, las construcciones clásicas en ámbar, los tránsitos peatonales en blanco cálido y las estructuras de ingeniería en verde. -Se plantea un diseño de iluminación discontinua, en el que la forma de iluminar, los niveles de luz y su uniformidad son los tres aspectos importantes a contemplar. El carácter escénico del conjunto proviene del manejo de las uniformidades que se aplican a los espacios y que a su vez permiten la construcción de diferentes ambientes. En este sentido, la tipología elegida de luminarias es fundamental para acotar los diferentes usos que se dan a los espacios. Se utilizan en todos los espacios fuentes de luz de descarga compacta, fluorescencia y LEDs, todas ellas de muy larga vida, configurando sistemas ópticos de muy alto rendimiento y dotado el conjunto con equipos de electrónicos de funcionamiento asegurando todo ello que la eficiencia energética de la instalación siempre está dentro de una clasificación del tipo A ó B.
jardines puente oblicuo
jardines puente de segovia
huerta de la partida
presa histórica
0
200m
1 km
Title of Work: Axeltorv Type of Building/Space: Public square Location of Work: Elsinore, Denmark Month and Year of Completion of Work: May 2010 Light Sources Used: LED, metal halide, compact fluorescent, fibre optics Lighting Project Description: Axeltorv is a small square in the heart of the historic town Elsinore in Denmark. It is here people meet and enjoy a beer in summer. The challenge for this lighting project was to give an authentic feeling for a new lighting scheme that anyhow should feel modern. The departure point was the municipality's vision with four keywords: authenticity, tranquility, closeness and mystery. The square is well defined by the double row of lime trees and the monument “Eric of Pomerania” creates a natural focal point. His famous statement “My hope is to the sea” is engraved in stone. By illuminating the tree frame we enhance the square’s definition and allow for some darkness in the middle for a magic moment of one hundred little light “reflections” to appear which reveals Eric of Pomerania’s hope to the sea. This is an interactive installation: One can listen to 5 different stories via a free call and the stream of light will turn into a sea-blue colour. “Axeltorv lantern” is a project-designed luminaire with a timeless look while being multifunctional: Located in line with the outer row of trees it is giving light to the street and the facades while creating a soft light within the tree crown. In winter the lanterns give more surrounding light and the illuminated facades frame the space. Incorporating the seasonal changes contributes to a natural, authentic design. Axeltorv-lantern is very pleasant with its golden shine and no glare. The new detailed installation is using 30% less energy in comparison to the old flood-lighting. Sustainability - in our eyes - is not only an environmental issue but the social aspect is of great importance, too. We created a space where you can see the stars and feel the history, thereby strengthening the identity of Axeltorv.
DAY
LIGHT CYCLES
NIGHT
vibrant nomad lighting system for urban sites of high interest.
+ LIGHTING STATIONS
= PHOSPHORESCENT CYCLES
DYNAMIC LIGHT NETWORK
LIGHT CYCLES stations equipped with solar panels spread in interesting urban sites that define a dynamic light network with a cultural and touristic dimension. Cyclers can discover by night the architectural heritage of the city. Each station provides the bicycles in energy and light and its lighting intensity varies depending on the number of light cycles available. An interactive lighting system is then created between the nodes of the network, illuminating the night with moving lights. Beyond inspiring an idea of magic, LIGHT CYCLES is also a means of promoting the use of an eco-transport for citizens
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un rambla y una calle ¡y una rotonda! -exclamó asombrada- pero...también es un paseo o quizás, ¿una avenida? la prolongación de una calle, una dehesa,una plaza...un jardín urbano o un parque natural. -y todo lo que seguía imaginándose podía suceder en aquel lugar...(fuente de luz)En realidad, no dejaba de ser una sucesión de cien esbeltos tubos de policarbonato translúcido,de altura e inclinación variable, con dos sistemas de “leds” en el interior. “La parte amarilla de la lámpara siempre está encendida, mientras que la rojiza solo se enciende cuando paso cerca!” (descripción)Se encontraba en Girona, decidida a dejarse embriagar por esta bonita ciudad de la que tanto le habían hablado, cuando se encontró frente a unos escultóricos y esbeltos juncos de luz. Decidió seguirlos sin saber dónde podían llegar. Pasó por una rambla, una calle, una dehesa, un río, un parque, hasta encontrarse en medio de un paisaje al que todos llamaban el límite de la ciudad. Decidió regresar ya de noche, y vió como los juncos habían dejado de reflejar la luz del sol y desprendían una luz amarilla si no había nadie cerca, mientras que se enrojecían tímidamente con la presencia de algún atleta nocturno, de algún perro despistado, la abuela, ese grupo de jóvenes que buscaban un rincón donde tomar sus primeras cervezas, los seguidores del “Akasvayu” corriendo para no llegar tarde al partido y ella, aún soñando con esos paisajes cambiantes constantemente, ¿decia Freud que provocaban transiciones emocionales?
01
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Title of Work: Revitalize it! Type of Building/Space: Metro Station Light Sources: LEDs and Solar Light Concept:In many countries around the world subways are dirty and dark places, without much maintenance, where users will not be able to feel nice and safe. The purpose of this project is a real revitalization through the light. it explores the magic of light and the power to change your environments. The idea makes use of sustainable energy sources in three different types. First of all, comes the hybrid light fixtures, and during the day work with solar energy captured from the surface, and reflected by mirrored walls to the subway station, and at night the LEDs are driven to continue with the lighting. Another aspect of the design is the LEDs embedded behind the seats, giving prominence to the perspective of the seats in addition to illuminate the billboards. Finally, the modules bright, transparent acrylic plates, with LEDs inside, which can be arranged as a mesh, and can fit any type and size of surface, bringing an incredible effect on users, a great and exciting lighting on wall Instead of the usual dirty one.
MIRRORED WALLS
HYBRID LUMINAIRE
LED LAMPs
MODULES
BACKLIGHT MODULE
TRANSLUCENT ACRYLIC SHEETS WITH LEDs INSIDE
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ODC@KD@ G@BH@ K@ KTY _iluminación antiguas infraestructuras ferroviarias convertidas en vías verdes _baliza BLOC con pryección lateral _LAMP
vías verdes transitables sin acondicionar
Los entornos naturales son muy sensibles a la contaminación lumínica, apaguemos la luz cuando no estemos también allí. Un sistema de sensores de movimiento percibe la presencia y la velocidad de los viandantes o de los cicloturistas de la vía verde. El sistema es capaz de predecir los metros por delante en los que la vía debe permanecer iluminada. La luz acompaña el movimiento, la luz mancha a ráfagas a la velocidad de la bici la vía verde como tiempo atrás lo hacian los trenes que atravesaban la comarca por las mismas sendas. El paisaje permanece a oscuras, inmutable, mientras la nube de luz nos acompaña.
www.lamp.es/en