Film reviews Contents:
Film reviews Contents: Battleship Potemkin (Sergei Eisenstein, Sigmund Meiler 1925) Karl XII (John W. Brunius, Gösta Ekman 1925) Fänrik Ståls sägner (John W. Brunius, Edvin Adolphson 1926) The Last Command (Josef von Sternberg, Emil Jannings 1928) The River (Frank Borzage 1928) Lonesome (Paul Fejos, (Pàl Fejös)Barbara Kent, Glenn Tryon 1928) Applause (Rouben Mamoulian 1929) Murder! (Alfred Hitchcock, Herbert Marshall 1930) The Yellow Ticket (Raoul Walsh, Elissa Landi, Laurence Olivier, Lionel Barrymore 1931) Les croix de bois (Raymond Bernard 1932) Rain (Lewis Milestone, Joan Crawford 1932) Shanghai Express (Josef von Sternberg, Marlene Dietrich 1932) Die verkaufte Braut (Max Ophüls 1932) Number Seventeen (Alfred Hitchcock 1932) The Blood of a Poet (Jean Cocteau 1932) Turn Back the Clock (Edgar Selwyn, Ben Hecht 1933) Berkeley Square (Frank Lloyd, Leslie Howard 1933) To the Last Man (Henry Hathaway, Randolph Scott, Esther Ralston 1933) The Private Life of Don Juan (Alexander Korda, Douglas Fairbanks 1934) The Thin Man (W.S.Van Dyke, Dick Powell, Myrna Loy 1934) The Painted Veil (Richard Boleslawski, Greta Garbo, Herbert Marshall 1934) British Agent (Michael Curtiz, Leslie Howard, Kay Francis, Cesar Romero 1934) Twentieth Century (Howard Hawks, Carole Lombard, John Barrymore 1934) A Midsummer Night’s Dream (Max Reinhardt, James Cagney, Mickey Rooney 1935) Les Misérables (Richard Boleslawski 1935) Roberta (William A. Seiter, Fred Astaire, Ginger Rodgers 1935) Divine (Max Ophüls 1935) The Informer (John Ford, Victor McLaglen 1935) Becky Sharp (Rouben Mamoulian 1935) The Break of Hearts (Philip Moeller, Charles Boyer, Katharine Hepburn 1935)
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