Traditional, Modern & Contemporary Art, Sunday 29 September 2013

Bali, 29 September 2013

Insights - Connections - Expertise

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Insights - Connections - Expertise

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Copyright Š 2013 PT Balai Lelang Larasati

No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of Larasati.

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Cataloguing-in-Publication Data

Jakarta, Indonesia: PT Balai Lelang Larasati 2013

Traditional Modern & Contemporary Art Larasati, Bali, 29 September 2013

pp. 21 x 27 cm includes index and biographies of artists I.Paintings - Asia. II. Painters - Asia. III. Title

Auction

Sunday, 29 September 2013 starting at 2 pm Viewing

Friday, 27 September 2013 Saturday, 28 September 2013 Sunday, 29 September 2013

11 am - 7.30 pm 11 am - 7.30 pm 11 am - 1 pm

at

Agung Rai Museum of Art (ARMA) Jl. Raya Pengosekan, Ubud, Gianyar Bali - Indonesia

Sale Code

In sending written bids or making enquiries, this sale should be referred to as “SITA” The sale will be conducted in English. Bidding is carried out in Indonesian Rupiahs. Please note that all US Dollar estimates are for reference only.

US$ 1 = Rp 11.500 All sales are subject to the conditions printed in catalog and the buyer’s attention is drawn to this information.

Correspondence address: Indonesia: Jl. Pasuruan no. 9 Menteng, Jakarta 10310 Indonesia t. +62 21 315 8636, 315 6110 +62 855 101 5778 f. +62 21 3989 9533

Singapore: Thong Teck Building 15 Scotts Road #05 - 08/09 Singapore 228218 t. +65 6737 2130 f. +65 6737 1859

info@larasati.com www.larasati.com

Contents Guide for Prospective Buyers

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Bidder Registration Form

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Traditional, Modern & Contemporary Art

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Index of Artists

120

Biography of the Artists

121

Absentee / Written Bid Form

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Guide for Absentee Bidders

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Saleroom & Offices

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Front Cover: lot 86, Kobot, I Gusti Ketut, Sita Satya Back Cover: lot 82, Widja, Ida Bagus Made, Temple Festival

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Insights - Connections - Expertise

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Guide for Prospective Buyers Buying at Auction The following pages are designed to give you useful information on how to buy at PT. Balai Lelang Larasati - herein referred to as LARASATI - fine art auction.

Upon signing the Bidder Registration Form, all Bidder are legally bound to all terms and conditions as printed in the catalog and other supplements of them provided at registration.

1. BEFORE THE AUCTION Pre-sale Estimates The pre-sale estimates are intended as a guide for prospective buyers. Any bid between the high and the low pre-sale estimates would, in our opinion, offer a fair chance of success. However, all lots, depending on the degree of competition, can realise prices either above or below the pre-sale estimates.

Reserves The reserve is the minimum price the seller is willing to accept below which the lot will not be sold.

Condition of Lots Prospective buyers are encouraged to inspect the property at the pre-sale exhibition. Solely as a convenience, Larasati may provide condition reports.

The absence of reference to the condition of a lot in the catalog description does not imply that the lot is free from faults or imperfections.

2. THE AUCTION Conditions of Business The Auction is governed by the Conditions of Business printed in this catalog. These Conditions of Business apply to all aspects of the relationship between Larasati and actual and prospective bidders and buyers. Anyone considering bidding in the auction should read them carefully. They may be amended by way of notices posted in the saleroom or by way of announcement made by the auctioneer.

Bidding at Auction Bids may be executed in person by paddle during the auction, in writing prior to the sale or by telephone. All auctions are conducted in Indonesian Rupiahs. Auction speeds vary, but usually average between 40 - 50 lots per hour.

Consecutive and Responsive Bidding The Auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The Auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing consecutive or responsive bids for a lot.

Bidding Increments Bidding generally opens below the low estimates and advances in the following increments:

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Rp 1 - 2.000.000,- by Rp 100.000,Rp 2 - 5.000.000,- by Rp 2 - 3 - 400.000,Rp 5 - 10.000.000,- by Rp 500.000,Rp 10 - 20.000.000,- by Rp 1.000.000,Rp 20 - 50.000.000,- by Rp 2 - 3 - 4.000.000,Rp 50 - 100.000.000,- by Rp 5.000.000,Rp 100 - 200.000.000,- by Rp 10.000.000,Rp 200.000.000,- and above by Auctioneer’s direction However, the auctioneer may change the increments during the course of the auction at his or her discretion.

Bidding in Person To bid in person at the auction, you will need to register for and collect a numbered paddle before the auction begins. Proof of identity will be required.

The paddle is used to indicate your bids to the auctioneer during the sale. Should you be the successful buyer of any lot, please ensure that your paddle can be seen by the auctioneer and that it is your number that is called out. Should there be any doubts as to price or buyer, please draw the auctioneer’s attention to it immediately. All lots sold will be invoiced to the name and address in which the paddle has been registered and cannot be transferred to other names and addresses.

Please do not mislay your paddle; in the event of loss please inform the Sales Clerk immediately. At the end of the sale, please return your paddle to the registration desk.

Absentee / Written Bids If you cannot attend the auction, we will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalog. This service is free and confidential. Lots will always be bought as cheaply as is consistent with other bids, the reserves and Larasati’s commission. In the event of identical bids, the earliest bid received will take precedence. Always indicate a “top limit”- the hammer price to which you would bid if you were attending the auction yourself. “Buy” and unlimited bids will not be accepted.

Telephoned absentee bids must be confirmed before the sale by letter or fax. Fax number for bids only: +62 21 3989 9533. The telephone number during viewing and auction days: +62 855 101 5778.

To ensure satisfactory service to bidders, please ensure that we receive your bids at least 24 hours before the sale.

Bidding by Telephone If you cannot attend the auction, it is possible to bid on the telephone on lots with a minimum low estimate of Rp 10.000.000,-. As the number of telephone lines is limited, it is necessary to make arrangements for this service 24 hours before the sale. We also suggest that you have a maximum bid which we can execute on your behalf in the event we are unable to reach you by telephone. Bilingual staff are available to execute bids for you.

Successful Bids The fall of the auctioneer’s hammer indicates the final bid. The auctioneer will call out and record the name or “paddle” number of the buyer, if your written bid is successful, you will be notified immediately after the sale by post. Bidding may be reopened at the auctioneer’s discretion.

Currency Conversion Bidding is carried out in Indonesian Rupiahs, but Larasati may provide a currency conversion board in the saleroom for the convenience of bidders. Please note that figures shown in foreign currencies are only approximates and do not represent exact exchange rates. Payment will be requested in Indonesian Rupiahs.

3. AFTER THE AUCTION Payment Payment must be made within seven calendar days of the sale and may be made by telegraphic transfer direct to Larasati’s account at CIMB Niaga Bank, Kota Branch, Jalan Kopi, Jakarta. Acc. No. 171-0100189-00-1. Please include your name, Larasati’s account number and invoice number with your instructions to your bank.

Payment can also be made in Indonesian Rupiahs cash, Indonesian Rupiahs banker’s drafts (drawn on a recognized Indonesian bank). Although personal and company cheques are accepted, you are advised that property will not be released until such cheques have cleared.

Collection Lots will be released to you or your authorized representative when full and cleared payment has been received by Larasati.

Items retained will be covered by our insurance from the date of sale for a period of seven days or, if by then the goods have been collected, to the time of collection. After seven days or from the time of collection, whichever is the earlier, the lot will be entirely at the buyer’s risk.

Storage and Insurance All purchases will initially be held for collection at the saleroom at no charge. Larasati provides insurance cover for a maximum of seven days after the sale. If purchases are not collected within the time stated in the catalog, they will be deposited in the warehouse and charges will be incurred.

Packing and Handling We shall use all reasonable effort to take care when handling and packing a purchased lot but remind the buyer that after seven days or from the time of collection, the lot is entirely at the buyer’s risk.

Shipping Shipping can also be arranged on your behalf. You can also instruct the shipper of your choice, either immediately after the sale, if you are attending or in writing on the instruction form sent with our invoice.

LARASATI

Sale Number :________Paddle Number :______ Sale Date

:________ Client Number :______

BIDDER REGISTRATION FORM

(INVOICES CANNOT BE CHANGED ONCE THEY HAVE BEEN PRINTED) Bidders Details (Complete the details of the person who will be bidding in the Auction Room. When making a bid, prospective buyers will be accepting personal liability, unless it has been agreed in writing before the sale, that a bidder is acting as agent on behalf of a third party acceptable to LARASATI) Family Name : ________________________________ Given Name : __________________________________ Address

:

_______________________________________________________Postcode

:

______________

IC/Pasport No. : _____________________Mobile/Pager No. : __________________email: _____________________ Office phone No. : ___________________Home phone No. : ________________Fax No. : ___________________ _ BANK REFERENCES : Name of Bank & Branch : _______________________________________________________________ Account

No.

:

____________________________Contact

Name

:

_________________________________

Tel No. : _______________________________________ Fax No. : ________________________________ Credit Card No. : __________________________Type / Expire Date : __________________________________ OTHER REFERENCES : Name

:

_____________________________________Address

Tel No. : ____________________________________Fax

:

__________________________________

No. : ___________________________________

Please register me for the following session : Traditional, Modern & Contemporary Art (Bali, 29 September 2013) • I have read the conditions of business and notices printed in the sale catalog and agree to be bound by them.

• I agree to be bound by notices announced by auctioneer or posted in the sale room by the way of notice.

• I authorise Larasati to request bank references relating to the account(s) specified by me in the above.

• I authorise Larasati to fax invoices to (fax) : __________________________Signature___________________ Upon signing the Bidder Registration Form, all Bidder are legally bound to all terms and conditions as printed in the catalog and other supplements of them provided at registration.

Signature : ______________________________________ Date : ________________________________________ PAYMENT FOR PURCHASE CAN BE MADE IN CASH, BANK TRANSFER OR CHEQUE IN FAVOUR OF LARASATI. GOODS CAN BE COLLECTED ONLY WHEN PAYMENT HAS CLEARED. LARASATI DOES NOT ACCEPT CREDIT CARDS AS PAYMENT FOR PURCHASE. AFTER THE HAMMER IS DOWN, LARASATI WILL NOT ACCEPT CANCELLATION.

LARASATI Correspondence address : Jl. Pasuruan no . 9, Menteng - Jakarta Pusat, Jakarta 10310 - Indonesia

Tel. +62 21 315 8636, 315 6110, +62 855 101 5778

Fax. +62 21 3989 9533

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LARASATI Bali, 29 September 2013 starting at 2 pm

lot # 1 - 86

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Insights - Connections - Expertise

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1 Rudin, I Ketut

2 Rudin, I Ketut

Penari Legong

Penari Bali

(Renon, Sanur, Bali, Indonesia, 1918 - ....) watercolour, chinese ink and gold ink on paper 36 x 26 cm signed (lower left) Rp 7 - 9.000.000 USD 608 - 782

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(Renon, Sanur, Bali, Indonesia, 1918 - ....) watercolour, chinese ink and gold ink on paper 37 x 28 cm signed (lower left) Rp 7 - 9.000.000 USD 608 - 782

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3 Rudin, I Ketut

(Renon, Sanur, Bali, Indonesia, 1918 - ....)

Penari Manukrawa

watercolour, chinese ink and gold ink on paper 36 x 26 cm signed (lower right) Rp 7 - 9.000.000 USD 608 - 782

Insights - Connections - Expertise

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4 Rudin, i Ketut

(Renon, Sanur, Bali, Indonesia, 1918 - ....)

Tari Legong

watercolour, chinese ink and gold ink on paper 55 x 35 cm signed (lower left) Rp 10 - 13.000.000 USD 870 - 1,130

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5 Covarrubias, Miguel (Mexico, 1904 - 1957)

Rice Granary, Bali

Lithograph, edition of 250 31 x 23 cm signed and dated (lower right) Rp 9 - 12.000.000 USD 782 - 1,043

Insights - Connections - Expertise

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6 Budi, I Made

(b. Batuan, Gianyar, Bali, Indonesia 1932)

Harmonis

2000 acrylic on canvas laid on board 25 x 20 cm signed and dated (lower left) Rp 8 - 11.000.000 USD 696 - 957

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Artist with the artwork

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7 Theo Meier

(Basel, Switzerland, 1908 - Berne, Switzerland, 1982)

Portrait of I Gusti Njoman Alit Tjandra 1943 oil on canvas laid down on board 41 x 32 cm signed and dated (upper left) Rp 25 - 30.000.000 USD 2,173 - 2,609

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The Young Artist

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8 a. Nyoman Tjakra

(b. Penestanan, Ubud, Bali, 1945)

Suasana Desa di Bali

acrylic on canvas 33.5 x 43.5 cm signed (lower left), stamped with artist’s stamped on the reverse

b. I Ketut Rumpin Di Sawah

acrylic on canvas 40 x 59 cm signed (lower left) Rp 7 - 9.000.000 USD 608 - 782

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8b

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9 Tapa, I Nyoman

(b. Sayan, Ubud, Bali, Indonesia, 1959)

Kehidupan Nelayan acrylic on canvas 36 x 50 cm signed (lower right) Rp 4 - 6.000.000 USD 348 - 522

Insights - Connections - Expertise

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10a

10 a. Ketut Soki

(b. Penestanan, Ubud, Bali, Indonesia, 1946)

Panen Raya

acrylic on canvas 45 x 65 cm signed (lower right), stamped with artist’s stamp on the reverse

b. I Made Sukarna Suasana Desa di Bali

acrylic on canvas glued on board 40 x 59 cm signed (lower centre) Rp 7 - 9.000.000 USD 608 - 782

10b

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11 Pageh, I Nyoman

Pementasan Calonarang acrylic on canvas 79 x 60 cm signed (lower left) Rp 5 - 7.000.000 USD 434 - 608

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12 Dirga, I Wayan

(b. Bongkasa, Bali, 1955)

Bali Life

2013 acrylic on canvas 90 x 140 cm signed and dated (lower left) Rp 30 - 35.000.000 USD 2,608 - 3,043

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Mythology

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13 a. Made Tubuh

(b. Batuan, Bali, Indonesia, 1941)

Bima Yudha

gouache on paper 33 x 25 cm signed (lower right)

b. I Gusti Putu Epos Ramayana

acrylic on canvas 41 x 60 cm signed (lower centre) Rp 7 - 9.000.000 USD 608 - 782

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13b

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14 Ketig, I Wayan

(b. Batuan, Bali, Indonesia, 1930)

Bhur Loka and Bwah Loka (Under World and Middle World) acrylic on canvas 40 x 30 cm signed ( lower right) Rp 4 - 6.000.000 USD 348 - 522

Insights - Connections - Expertise

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15 Tjita, I Dewa Nyoman

(b. Ubud, Bali, Indonesia, 1927)

Ekuana Kobong

1992 acrylic on canvas 81 x 60 cm signed and dated (lower left) Rp 13 - 17.000.000 USD 1,130 - 1,478

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16 Madra, I Ketut

(b. Peliatan, Ubud, Bali, Indonesia, 1946)

Anggada Duta

2009 acrylic on canvas 89 x 61 cm signed and dated (lower right) Rp 12 - 15.000.000 USD 1,043 - 1,304

Insights - Connections - Expertise

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17 Sudila, I Ketut

18 Nadera, Ida Bagus Made

Topeng-Topeng

Sita Sabda

(b. Klungkung, Bali, Indonesia, 1974) watercolour on paper 51 x 71 cm signed (lower left) Rp 7 - 9.000.000 USD 608 - 782

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(Tegallinggah, Bali, Indonesia, 1915 - 1998) 1964 acrylic on canvas 77 x 96 cm signed and dated (lower right) Rp 22 - 27.000.000 USD 1,913 - 2,347

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19 Murtika, I Ketut

(b. Batuan, Ubud, Bali, 1952)

The Arrogant Monkey acrylic on canvas 80 x 100 cm signed (lower right)

Rp 70 - 90.000.000 USD 6,080 - 7,820

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Market Scene

Insights - Connections - Expertise

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20 Lesug, I Nyoman

(b. Ubud, Bali, Indonesia, 1939)

Di Pasar

2001 acrylic on canvas 49 x 32 cm signed and dated on lower left Rp 9 - 12.000.000 USD 782 - 1,043

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21 Gandra, I Wayan

(b. Peliatan, Ubud, Bali, Indonesia, 1945)

Di Pasar

acrylic on canvas 52 x 46 cm signed (lower right) Rp 8 - 11.000.000 USD 696 - 957

Insights - Connections - Expertise

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22 Ginarsa, I Ketut

(b. Tebesaya, Ubud, Bali, Indonesia, 1953)

At Fish Market

2006 acrylic on canvas 140 x 100 cm signed and dated (lower left) Rp 30 - 40.000.000 USD 2,608 - 3,478

Insights - Connections - Expertise

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23 Rai, I Dewa Nyoman Pasar Tradisional acrylic on canvas 140 x 100 cm signed (lower right)

Rp 15 - 18.000.000 USD 1,304 - 1,565

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24 Rai, Ida Bagus

(Ubud, Bali, Indonesia, 1933 - 2007)

Pasar di Bali

acrylic on canvas 93 x 137 cm signed (lower right) Rp 14 - 17.000.000 USD 1,217 - 1,478

Insights - Connections - Expertise

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Flora & Fauna

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25 Sana, I Gusti Putu (b. Bali, Indonesia, 1945)

Cangak Baka

acrylic on canvas 101 x 81 cm signed and dated (lower right) Rp 7 - 10.000.000 USD 608 - 870

26 Mokoh, I Dewa Putu

(Ubud, Bali, Indonesia, 1936 - 2010)

Underwater Life

tempera on canvas 140 x 224 cm signed and inscribed (lower left) Rp 35 - 45.000.000 USD 3,043 - 3,913 Provenance: - Private Collection, The Netherlands - Private Collection, Jakarta, Indonesia

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27 Gelgel, I Ketut

28 Roengoen, Dewa Ketut

Harmoni Burung dan Sapi

In The Garden

(b. Pengosekan, Ubud, Bali, Indonesia, 1944) acrylic on canvas 44 x 64 cm signed (lower centre) Rp 9 - 12.000.000 USD 782 - 1,043

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(Padang Tegal, Ubud, Bali, Indonesia, 1922 - 1986) acrylic on canvas 89 x 47 cm signed (lower left) Rp 40 - 50.000.000 USD 3,478 - 4,348

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Insights - Connections - Expertise

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Homage to Bonnet Rudolf Bonnet was an artist whose figure and life cannot be separated with the development of art in Bali. Born in 1895 in Amsterdam, he received his art training from the National Art and Crafts School and The National Academy of Fine Art in Amsterdam. He went to Italy with his parents in 1920 and stayed there for 8 years, resulting an enormous production of drawings of people, villages and landscapes. But it was his encounter with W.O.J Nieuwenkamp in Rome who advised him to go to Bali that turned out to be a revelation.

In 1929 he arrived in Bali and settled in Campuhan. Together with Walter Spies and Tjokorde Gde Agung Soekawati, he established Pita Maha in 1936, an art organization set up with the purpose of preserving the quality of Balinese art. During Pita Maha years, he worked side by side with Balinese artists, giving material, artistic guidance and at the most, providing some instruction in the depiction of anatomy, which is one of his biggest contributions to the development of Balinese art. Bonnet was popular in Bali, with the painters as well as with the models. People admired his work and paid him the highest compliment of imitating his work as carefully as they could. Although there were painters who returned to Balinese traditions and matured in that direction, there was a large group of followers of Bonnet who developed a style with Balinese scenes of cock fights, markets and paddy fields, filled with figures in the style of Bonnet. To this day, there are painters who passed on this instantly recognizable way of painting from father to son.

After the breakout of the Second World War, Bonnet was taken prisoner by the Japanese and put in prison near Makasar while Spies was interned and killed during transportation. After the war was over, Bonnet returned to Bali several times. His first return was in 1946 in which he established another art organization as a continuation of Pita Maha, known as Golongan Pelukis Ubud and formed

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an idea of opening a museum of Balinese art. The Museum, Puri Lukisan, officially opened in 1956 but due to the deterioration of relations between the Netherlands and Indonesia, Bonnet had to leave in 1958 and only to return in 1972, despite many attempts to bring him back to Indonesia. After a long illness, he passed away in 1978 in the Netherlands. He was cremated, and at the request of his Balinese friends his ashes were brought to Bali and burnt together with the body of his friend Tjokorde Gde Agung Sukawati in a great traditional ceremony in 1981. For his numerous contribution to Balinese art, he was awarded the Dharma KusumaAward in 1980 by the Indonesian Government, the first foreign artist to receive such honour. Up until now, although Bonnet is no longer around, his presence is and will always be felt in Bali.

Bonnet, Johan Rudolf Two Female Nude (Study) pastel on paper 24 x 21.5 cm

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29 Kasta, I Ketut

(b. Peliatan, Ubud, Bali, Indonesia, 1945)

Balinese Girl

2004 acrylic on canvas 30 x 40 cm signed (lower right) Rp 6 - 8.000.000 USD 522 - 697

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30 Ridi, I Nyoman

(b. Penestanan, Ubud, Bali, Indonesia, 1945)

Membawa Hasil Panen acrylic on canvas 65 x 55 cm signed (lower right)

Rp 13 - 17.000.000 USD 1,130 - 1,478

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31 Ridi, I Nyoman

(b. Penestanan, Ubud, Bali, Indonesia, 1945)

Perjalanan ke Sawah acrylic on canvas 65 x 55 cm signed (lower left)

Rp 13 - 17.000.000 USD 1,130 - 1,478

Insights - Connections - Expertise

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32 Lotra, I Wayan Reclining Woman

1990 pastel on paper 50 x 65 cm signed and dated (lower left) Rp 8 - 11.000.000 USD 696 - 957

33 Lotra, I Wayan

Portrait of a Balinese Lady

1987 pastel on paper 50 x 30 cm signed and dated (lower right) Rp 3 - 5.000.000 USD 260 - 434 33

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34 Lotra, I Wayan Balinese Beauty

1989 pastel on paper 64 x 48.5 cm signed and dated (lower right) Rp 9 - 12.000.000 USD 782 - 1,043

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35 Mukahar, Rudi Seeds of Life

2000 pastels on paper 75 x 54 cm signed (lower left), inscribed and dated (lower right) Rp 6 - 8.000.000 USD 522 - 697 35

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36 Sobrat, Anak Agung Gde

(Padangtegal, Ubud, Bali, Indonesia, 1911 - 1992)

Portrait of a Balinese Man charcoal on paper 40 x 31.5 cm signed (lower left)

Rp 20 - 30.000.000 USD 1,739 - 2,608

37 Sadia, I Wayan

(b. Penestanan, Ubud, Bali, Indonesia, 1942)

Di Sawah

acrylic on canvas 125 x 150 cm signed (lower right) Rp 25 - 30.000.000 USD 2,174 - 2,608

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Bali Life

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38 Galuh, Ni Gusti Agung

(b. Kapal, Ubud, Bali, Indonesia, 1968)

Odalan Pura Dalem gouache on paper 51 x 76 cm signed on lower right Rp 15 - 18.000.000 USD 1,304 - 1,565

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39 Wiranata, I Gusti Agung

(b. Desa Kapal, Bali, Indonesia, 1969)

Pengerupukan Menjelang Nyepi 1998 oil on canvas 80 x 100 cm signed and dated (lower right) Rp 27 - 35.000.000 USD 2,358 - 3,043

Provenance: Purchased directly from the artist by the present owner

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40b

40 a. Gambar, Dewa Putu Kehidupan di Bali

acrylic on canvas glued on board 90 x 24 cm signed (lower left)

b. Tungeh, Ketut

(b. Ubud, Bali, Indonesia, 1930)

Preparing the Offerings

acrylic on canvas glued on board 66 x 50 cm signed on (lower left) Rp 7 - 9.000.000 USD 608 - 782

40a

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41 Lesug, I Nyoman

(b. Ubud, Bali, Indonesia, 1939)

Suasana Panen

2001 acrylic on canvas 43 x 24 cm signed and dated (lower left) Rp 8 - 11.000.000 USD 696 - 957

Insights - Connections - Expertise

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42a

42 a. Tjita, I Nyoman Suasana Desa di Bali acrylic on paper 30 x 20 cm a. signed (lower left)

b. Budiana, I Made Berburu Musang Nakal

acrylic on canvas 45 x 32 cm signed (lower left), signed on the reverse Rp 7 - 9.000.000 USD 608 - 782

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42b

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43 Padma, Ida Bagus Putu (b. Bali, Indonesia, 1972)

Funeral Ceremony acrylic on canvas 91 x 151 cm signed (lower right)

Rp 27 - 35.000.000 USD 2,358 - 3,043

Insights - Connections - Expertise

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44 Manggih, I Nyoman

(b. Tebesaya, Ubud, Bali, 1941)

Panen Raya

acrylic on canvas 61 x 81 cm signed (lower right) Rp 13 - 17.000.000 USD 1,130 - 1,478

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45 Rapet, I Wayan

(b. Tebesaya, Ubud, Indonesia, 1941)

Panen Raya

acrylic on canvas 90 x 141 cm signed (lower right) Rp 12 - 15.000.000 USD 1,043 - 1,304 Exhibition: “Songs of Ubud”, at Agung Rai Museum of Art (ARMA), Ubud, Bali, 19 June - 11 July 2010. Illustrated in colour in the exhibition catalogue, p. 64

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46 Raka Puja, Anak Agung Gde

(b. Padang Tegal, Ubud, Bali, Indonesia, 1932)

Suasana Sore Desa di Bali

acrylic on canvas 41 x 68 cm signed and inscribed (lower right) Rp 17 - 22.000.000 USD 1,478 - 1,913

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47 Tohjiwa, I Wayan

(Peliatan, Bali, Indonesia, 1916 - 2002)

Harvesting

acrylic on canvas 67 x 53 cm signed (lower right) Rp 12 - 15.000.000 USD 1,043 - 1,304

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48 Tungeh, I Ketut

(b. Ubud, Bali, Indonesia, 1915)

Panen Raya

acrylic on canvas 85 x 135 cm signed (lower right) Rp 25 - 35.000.000 USD 2,174 - 2,608

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Modern & Contemporary Art

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49 Wirdana, I Nyoman Rara Avis Bali

2010 oil on canvas 70 x 90 cm signed and dated (lower left) Rp 9 - 12.000.000 USD 782 - 1,043

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Bali Sterling Leucopsar Rothschildi. Unmistakable. Its snow white plumage is distinctive, black wing tips flash in flight. The only memeber of its genus and only vertebrate endemic to Bali. Historically confined to the monsoon deciduous coastal forest of northwest Bali. Found previously in flocks numbering hundreds but in 1998 only 14 were left on Prapat Agung Peninsula in Bali Barat National Park. Faces imminent extinction in the wild. Roosts in small flocks near the beach foraging further in land during the day. Nestsin tree holes. Possibly about 700 birds are held in captivity world wide.

- Morgan Strong Birds of Indonesia

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50 Krijono

(Jakarta, Indonesia, 1951 - 2011)

Ayam Bli Baguse Menang

2000 acrylic on canvas 80 x 80 cm inscribed, signed and dated (lower left) Rp 18 - 23.000.000 USD 1,565 - 2,000

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51 a. Inanta Hadipranoto (b. Indonesia, 1948)

Berjalan ke Pasar

1975 oil on canvas 60 x 50 cm signed and dated (lower right)

b. Kok Phoo Di Depan Kori

1975 oil on canvas 60 x 50 cm signed and dated (lower right) Rp 8 - 11.000.000 USD 696 - 957

51a

51b

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52 Yudhy Susanto (Antok) a. Barong

2009 oil on canvas 40 x 40 cm signed and dated (lower right), inscribed on the reverse

b. Pembawa Pretima

2001 oil on canvas 33 x 29 cm signed and dated (lower right), inscribed on the reverse This lot is accompanied with certificate of authenticity from the artist.

Rp 7 - 9.000.000 USD 608 - 782

52a

52b

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53

53 Bawa Antara

(b. Ubud, Bali, Indonesia, 1974)

Warisan Budaya

2001 oil on canvas 100 x 90 cm signed and dated (lower left) Rp 10 - 12.000.000 USD 870 - 1,043 This lot is accompanied with certificate of authenticity from the artist.

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54 Kalem, Ida Bagus Balinese Dancer

1974 oil on canvas 78 x 54 cm signed and dated (lower right) Rp 5 - 7.000.000 USD 434 - 608

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55

55 Nagano, Paul

(b. Honolulu, Hawaii, USA, 1938)

Boy on the Bull

1995 watercolour on paper 55 x 75 cm incsribed, signed and dated on the reverse.

Rp 17 - 22.000.000 USD 1,478 - 1,913 Literature: Garret Kam, “Nagano on Bali”, CSIS and NEKA Museum. Illustrated in colour, p. 67

Boy on the Bull The experience of Balinese culture was still quite new to me when I turned to one of its most ritualized and creative ceremonies, the Cremation, for subject matter. At the time I was also much interested in the paintings of Matisse for their boldness of color and patterns and their simplification of forms - often reduced to flat shapes. The subject I chose, a “rider” on the decorated bull-shaped sarcophagus headed for the cremation ground (where the remains of his relative would later be placed in the bull, and ultimately incinerated) would have been an impossibility for Matisse, whose paintings strived always to achieve an air of harmony, calm, peace, and rest.

Missing from my painting is the bamboo platform beneath the bull and rider with the dozen and more energetic young men transporting it upon their shoulders toward its destiny, the flames of the cremation fire. But the flattened forms of both bull and boy, heightened by the ornamental patterns of the bull’s figure and the checkered sarong, are a nod, at least, to Matisse. The subjects are locked into the simplified arcs and textures of the tropical foliage framing them. A narrow range of yellows provides the dominant color motif that creates a shifting tension between subject and background, while the isolated reds and oranges spark in their accents like the flames they anticipate.

- Paul Nagano Bali, August 2013

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56 Rusli

(Medan, N. Sumatra, Indonesia, 1916 - Jakarta, Indonesia, 2005)

Pura

1987 watercolour on paper 65 x 55 cm signed and dated (lower left) Rp 10 - 12.000.000 USD 870 - 1,043 Provenance: Purchased directly from the artist by the present owner Exhibition: Pameran Seni Rupa - Persatuan Keluarga Besar Taman Siswa, Yogyakarta , 1996.

Illustrated in colour on the exhibition catalogue.

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57 Sadia, Ketut

(b. Batuan, Bali, Indonesia, 1966)

Permainan Barong di Tepi Pantai

acrylic on canvas 80 x 100 cm signed (lower centre), signed and dated on the reverse Rp 14 - 17.000.000 USD 1,217 - 1,478

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58 Diana, I Wayan

(b. Batuan, Ubud, Bali, Indonesia, 1977)

Empati Kepada Pengungsi

2013 acrylic on canvas 95 x 145 cm signed (lower centre), signed and dated on the reverse Rp 14 - 17.000.000 USD 1,217 - 1,478

Painting titled “Empathy to Refugees” once again shows the freedom of the Batuan artists in capturing the daily theme as their subject matters. Wayan Diana, as one of Batuan painters, often sees the disaster on TV news on floods, volcanic eruptions or landslides. The artist views that disasters often bring another disaster to the victims, just as displacement of the people. What members of other communities who are not affected directly by the disaster are only to see the tragedy with empathy through news frames, such as television, as symbolized by the artist in the presence of two children watching into the catastrophic situation depicted within the frame.

Wayan Diana was born in Banjar Pekandelan, Batuan, Bali in 1977. He has participated in many exhibitions in Bali and Jakarta, among others “Castle Party” and “Siyu Taksu” in Jakarta as well as “Art Biennale Lukisan Tradisional Bali #1” 2009 in Bali. He was a finalist of Jakarta Art Award in 2008 and 2010. He studied painting from his father Wayan Taweng.

Diana was also a finalist of UOB Painting of the Year 2011, Indonesia.

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59

84

59 Diana, I Wayan

(b. Batuan, Ubud, Bali, Indonesia, 1977)

Outside the Borders acrylic on canvas 70 x 90 cm signed (lower right)

Rp 18 - 25.000.000 USD 1,565 - 2,174

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60 Mokoh, I Dewa Putu

(Ubud, Bali, Indonesia, 1936 - 2010)

Totem

acrylic on canvas 86 x 56 cm signed (lower right) Rp 8 - 11.000.000 USD 696 - 957

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61 Mokoh, i Dewa Putu

(Ubud, Bali, Indonesia, 1936 - 2010)

Mendengar Cerita

2004 acrylic on canvas 40 x 60 cm signed and dated (lower left) Rp 12 - 15.000.000 USD 1,043 - 1,304

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62 Wiradana, I Made

(b. Denpasar, Bali, Indonesia, 1968)

Old Temple

2012 mixed media on canvas 120 x 140 cm signed and dated (lower right) Rp 12 - 15.000.000 USD 1,043 - 1,304

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63

63 Gunarsa, Nyoman

(b. Klungkung, Bali, Indonesia, 1944)

Figur Wayang

1992 oil on canvas 95 x 95 cm signed and dated (lower right) Rp 25 - 30.000.000 USD 2,174 - 2,608

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64 Gunarsa, Nyoman

(b. Klungkung, Bali, Indonesia, 1944)

Flute Players

1989 oil on canvas 95 x 95 cm signed and dated (lower right) Rp 35 - 45.000.000 USD 3,043 - 3,913

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90

Dances & Ritual

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65a

65 a. Nyoman Setem

Pementasan Tari Barong acrylic on canvas 52 x 72 cm signed (lower centre)

b. Pasek, I Ketut Tari Barong

acrylic on canvas 40 x 34 cm signed (lower left), signed on the reverse Rp 7 - 9.000.000 USD 608 - 782

65a

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66

66 Jiwa, I Made

(b. Ubud, Bali, Indonesia, 1963)

Malam Pementasan acrylic on canvas 80 x 60 cm signed (lower left)

Rp 8 - 11.000.000 USD 696 - 957 Literature: Agus Dermawan T, “Bali Bravo, Lexicon of Balinese Traditional Painters 200 Years�. Jakarta, 2007.

Illustrated in color, p. 88

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67

67 Naya, I Wayan

(b. Petulu, Ubud, Indonesia, 1971)

Barong Landung acrylic on canvas 65 x 90 cm signed (lower left)

Rp 10 - 13.000.000 USD 870 - 1,130 Exhibition: Songs of Ubud, Agung Rai Museum of Art, Ubud, Bali, 19 June - 11 July 2010.

Illustrated in colour on the exhibition catalogue, p. 99

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68 Marya, I Wayan

Upacara Odalan di Pura 1999 acrylic on canvas 110 x 141 cm signed (lower centre) Rp 12 - 15.000.000 USD 1,043 - 1,304 Exhibition: Pameran Kebiar Seni VI-Bibit, Museum Puri Lukisan 2 July - 2 October, 2000, Ubud, Bali, Indonesia

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69

69 Sudana, I Ketut

(b. Ubud, Bali, Indonesia, 1937)

Preparing the Offering

2006 acrylic on canvas 75 x 65 cm signed and dated (lower left) Rp 13 - 17.000.000 USD 1,130 - 1,478

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70 Turun, I Wayan

(Gianyar, Bali, Indonesia, 1935 - 1986)

Behind the Stage

acrylic on canvas 68 x 50 cm signed (lower centre), signed on the reverse Rp 12 - 15.000.000 USD 1,043 - 1,304

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71

71 Djujul, I Wayan

72 Sudana, I Wayan

Tari Legong Paksi

Tari Baris

(b. Tebesaya, Ubud, Bali, Indonesia, 1942) acrylic on canvas 65 x 48 cm signed (lower right)

Rp 15 - 18.000.000 USD 1,304 - 1,565

98

(b. Peliatan, Ubud, Bali, Indonesia, 1966) acrylic on canvas 120 x 65 cm signed (lower right) Rp 25 - 30.000.000 USD 2,174 - 2,608

72

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73 Kayun, I Nyoman

(b. Banjar Tengah, Peliatan, Ubud, Bali, Indonesia, 1954)

Pementasan Barong acrylic on canvas 35 x 46 cm signed (lower left)

Rp 25 - 30.000.000 USD 2,174 - 2,608

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74 Matra, I Wayan

(b. Taman Kaja, Ubud, Bali, Indonesia, 1962)

Mejudi

2006 acrylic on canvas 71 x 95 cm signed and dated (lower left) Rp 25 - 30.000.000 USD 2,174 - 2,608

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Ida Bagus Nyoman Rai A Balinese Modernist

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75 Rai, Ida Bagus Nyoman

(Sanur. Bali, Indonesia, 1915 - 2000)

Minum Tuak

ink on paper 40 x 59 cm signed (lower right) Rp 7 - 9.000.000 USD 608 - 782 Provenance: Purchased directly from the artist by the present owner

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76 Rai, Ida Bagus Nyoman

(Sanur. Bali, Indonesia, 1915 - 2000)

Menyiapkan Sesajen ink on paper 60 x 43 cm signed (lower right) Rp 7 - 9.000.000 USD 608 - 782

Provenance: Purchased directly from the artist by the present owner

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77 Rai, Ida Bagus Nyoman

(Sanur. Bali, Indonesia, 1915 - 2000)

Membajak Sawah ink on paper 59 x 83 cm signed (lower left)

Rp 9 - 12.000.000 USD 782 - 1,043 Provenance: Purchased directly from the artist by the present owner

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78 Rai, Ida Bagus Nyoman

(Sanur. Bali, Indonesia, 1915 - 2000)

Menonton Rangda

ink on paper 60 x 85 cm signed (lower centre), signed and dated on the reverse Rp 14 - 17.000.000 USD 1,217 - 1,478

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79 Rai, Ida Bagus Nyoman

(Sanur. Bali, Indonesia, 1915 - 2000)

Pementasan Tari di Jabe Pura Agung acrylic on canvas 120 x 200 cm signed (lower centre) Rp 70 - 90.000.000 USD 6,080 - 7,820

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79

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108

Works by the Old Masters

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80 Nadera, Ida Bagus Made

(Tegallinggah, Bali, Indonesia, 1915 - 1998)

Lenggok Legong Keraton

acrylic on canvas 105 x 151 cm signed (lower left), signed again on the reverse Rp 22 - 27.000.000 USD 1,913 - 2,348

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The painting by Ida Bagus Made Nadera “Lenggok Legong Keraton” illustrates one of the most popular performances in Bali, Tari Legong. Uniquely, the artist did not employ bright colours to convey the excitement and vibrancy of the performance, and instead using monochromatic colours to echo the poetic and magical impressions through the painting.

Nadera’s works, although present the atmosphere of Ubud style painting, his artistic approach can be considered different from most of the Ubud artists. His works are in the collection of Museum Neka (Ubud), Agung Rai Museum of Art (Ubud), Museum Bali (Denpasar), Taman Budaya (Denpasar). His life and works are recorded in the book titled “Ida Bagus made Nadera, A Balinese Painter of Pita Maha” (by Agus Dermawan T, published by Agung Rai Museum of Art, in 2008).

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81 Widja, Ida Bagus Made

(Batuan, Bali, Indonesia, 1912 - 1992)

Barong Attraction acrylic on paper 39 x 57 cm signed (lower right)

Rp 12 - 15.000.000 USD 1,043 - 1,304 This lot is accompanied with certificate of authenticity from Neka Art Museum, Bali, Indonesia.

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82 Widja, Ida Bagus Made

(Batuan, Bali, Indonesia, 1912 - 1992)

Pura di Tepi Sungai

acrylic on canvas glued on board 84 x 113 cm signed in Balinese characters (lower left) Rp 170 - 220.000.000 USD 14,780 - 19,130 Provenance: Private Collection, Australia Literature: MAESTRO SENI RUPA MODERN INDONESIA, Direktorat Pengembangan Seni Rupa, Dirjen Ekonomi Kreatif Berbasis Seni dan Budaya, Kementrian Pariwisata. Illustrated, p. 172

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83 Togog, Ida Bagus Made

(Batuan, Bali, Indonesia, 1924 - 1984)

Bali Life

acrylic on canvas 90 x 150 cm Rp 200 - 250.000.000 USD 17,391 - 21,739 This lot is accompanied with certificate of authenticity from Museum Puri Lukisan, Ubud, Indonesia Provenance: Purchased by an American executive at Pita Maha’s Exhibition in Medan in 1950s- Ganesha Collection, USA

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84 Nadera, Ida Bagus Made

(Tegallinggah, Bali, Indonesia, 1915 - 1998)

The Birth of Sang Bhoma ca. 1950s acrylic on canvas 90 x 180 cm signed (lower right)

Rp 70 - 90.000.000 USD 6,080 - 7,820 Literature: Agus Dermawan T., Ida Bagus Made Nadera - A Balinese Painter of Pitamaha, Agung Rai Museum of Art, Bali, 2008. Illustrated in colour, p. 58

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85 Poleng, Ida Bagus Made

(Tebesaya - Ubud, Bali, Indonesia, 1915 - 1999)

Barong and Rangda

acrylic on canvas 47 x 37 cm signed and inscribed (lower centre) Rp 200 - 250.000.000 USD 17,391 - 21,739 Provenance: Ganesha Collection, USA

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86 Kobot, I Gusti Ketut

(Ubud, Bali, Indonesia, 1917 - 1999)

Sita Satya

acrylic on canvas 92.5 x 132 cm signed (lower centre) Rp 75 - 90.000.000 USD 6,522 - 7,826 Provenance: Private Collection, Australia

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Index of Artist the number following the name of the artists indicates lot numbers Bawa Antara Budi, I Made Budiana, I Made

53 6 42b

Covarrubias, Miguel

5

Diana, I Wayan Dirga, I Wayan Djujul, I Wayan

58, 59 12 71

Galuh, Ni Gusti Agung Gambar, Dewa Putu Gandra, I Wayan Gelgel, I Ketut Ginarsa, I Ketut Gunarsa, Nyoman

38 40a 21 27 22 63, 64

I Gusti Putu I Ketut Rumpin I Made Sukarna Inanta, Hadipranoto

13b 8b 10b 51a

Jiwa, I Made

66

Kalem, Ida Bagus Kasta, I Ketut Kayun, I Nyoman Ketig, I Wayan Ketut Soki Kobot, I Gusti Ketut Kok Pho Krijono

54 29 73 14 10a 86 51b 50

Lesug, I Nyoman Lotra, I Wayan

20, 41 32, 33, 34

Made Tubuh 13a Madra, I Ketut 16 Manggih, I Nyoman 44 Marya, I Wayan 68 Matra, I Wayan 74 Mokoh, I Dewa Putu 26, 60, 61 Mukahar, Rudy 35 Murtika, I Ketut 19

Nadera, Ida Bagus Made 18, 80, 84 Nagano, Paul 55 Naya, I Wayan 67 Nyoman Tjakra 8a Nyoman Setem 65a Padma, Ida Bagus Putu Pageh, I Nyoman Pasek, I Ketut Poleng, Ida Bagus Made

Rai, I Dewa Nyoman 23 Rai, Ida Bagus 24 Rai, Ida Bagus Nyoman 75, 76, 77, 78, 79 Raka Puja, Anak Agung Gde 46 Rapet, I Wayan 45 Ridi, I Nyoman 30, 31 Rudin, I Ketut 1, 2, 3, 4 Roengoen, Dewa Ketut 28 Rusli 56 Sadia, I Wayan Sadia, Ketut Sana, I Gusti Putu Sobrat, Anak Agung Gde Sudana, I Ketut Sudana, I Wayan Sudila, I Ketut

37 57 25 36 69 72 17

Tapa, I Nyoman Theo Meier Tjita, I Dewa Nyoman Tjita, I Nyoman Togog, Ida Bagus Made Tohjiwa, I Wayan Tungeh, Ketut Tungeh, I Ketut Turun, I Wayan

9 7 15 42a 83 47 40b 48 70

Widja, Ida Bagus Made Wiradana, I Made Wiranata, I Gusti Agung Wirdana, I Nyoman

81, 82 62 39 49

Yudhy Susanto (Antok)

122

43 11 65b 85

52

Biographies of the Artists Bawa Antara (b. Ubud, Bali, Indonesia, 1974) He studied art at SMSR / Fine Arts High School, Denpasar. He had a solo exhibition in Jakarta in 2001 and has participated in group exhibitions in Bali.

Jiwa, I Made (b. Ubud, Bali, Indonesia, 1963) His formal education background is Primary School. He learned paint-ing from Mangku Nyoman Lesug. Taking part in The Ubud Style of Balinese Painting exhibition at Damping Gallery.

Budi, I Made (b. Batuan, Gianyar, Bali, Indonesia 1932) Besides as a painter, he also is a carver, musician, and dancer. He combines traditional themes from Balinese religion and mytholoy with contemporary images of reality on the island. He first popularized the ide of showing tourists in his works. He has had numerous exhibitions in USA and Indonesia. He was awarded Dharma Kusuma award in 1982. His works can be found at the Contemporary Museum (Honolulu, Hawaii)

Kasta, I Ketut (b. Peliatan, Ubud, Bali, Indonesia, 1945) After graduated from elementary school, he learned painting under the guidance of I Ketut Djodjol from Tebesaya. Kasta works evidently show his characteristic and became an important element of Balinese traditional art scene. His subjects lingered around the daily life of Bali such as the market scene, legong dance barong, women doing bebanten or weaving cili-cili: all illustrated meticulously. His figures were drawn in wayang’s anatomy of elongated hands and feet in slender body. The impression of his figure is innocent. Some of his pupils are I Ketut Sundra, Ida Bagus Sugata, I wayan Joni and also his son, I Made Sudiarta. His works are exhibited in Bali, Jakarta, Singapore and various European cities.

Covarrubias, Miguel (Mexico, 1904 - 1957) During his first trip to Bali in 1930 under a Gughenheim Fellowship, he gathered materials for his Island of Bali which was published in 1937 and remains a classic to this day. He then became a good friend of Walter Spies. He was an international traveller and his works were reknown in the United States through magazine illustrations. He was also a professor of art history in the National School of Anthropology in Mexico City.

Diana, I Wayan (b. Batuan, Ubud, Bali, Indonesia, 1977) Learning to paint with guidance from his brother I Wayan Bendi. He has exibited in several galleries in Bali. In Jakarta he has exhibited at CSIS (Centre of Strategic and International Studies).

Dirga, I Wayan (b. Bongkasa, Bali, Indonesia, 1955) He has some promising pupils, one of whom is I Wayan Suandi. Dirga is regarded as one of the figures at School of Young Artist in his village. He exhibits his works in several galleries in Bali.

Dirga, I Wayan (b. Bongkasa, Bali, Indonesia, 1955) He has some promising pupils, one of whom is I Wayan Suandi. Dirga is regarded as one of the figures at School of Young Artist in his village. He exhibits his works in several galleries in Bali.

Djudjul, I Wayan (b. Tebesaya, Ubud, Bali, Indonesia, 1942) He studied art in Institute Technology of Bandung’s Art Department in 1960s. During his study in Bandung, his workks were influenced by modern art. He was in the same class with Sam Bimbo and Umi Dachlan. In 1969, he went back to Ubud (Bali) where he began exploring the Ubud traditional style that he had left forsometime but still considered as the root of his style. Djudjul shares the same passion on details with the pupils, among whom are I Wayan Tangkas, I Made Adi Antara and I Wayan Aryana Supartha. He married his deceased brother’s, I Ketut Djodjol’s, widow.

Galuh, Ni Gusti Agung (b. Kapal, Ubud, Bali, Indonesia, 1968) She learned painting from her father, a well known artist from the village of Kapal, West Bali and also from Walter Spies, from which she learned a lot about the use of color shade and light. In 1995, she was invited to Koln, Germany from where she continued to travel to Europe, visiting museums and galleries to learn about European traditions of arts. She actively participated in many group exhibitions in Germany, Hong Kong, Singapore and Indonesia. since 1991.

Gelgel, I Ketut (b. Pengosekan, Ubud, Bali, Indonesia) In mid 1970s, a new genre of paintings was developed in Pengosekan. This style of paintings pay attention on the natural world, which they descibe in detail and I Ketut Gelgel was a master of this new style.

Ginarsa, I Ketut (b. Tebesaya, Ubud, Bali, Indonesia, 1953) He learned painting from I Wayan Djudjul from 1970-1973. His works predominantly illustrated the Goddess of Saraswati. This figure then is presented in numerous scenes. When participating in an exhibition at Bentara Budaya Jakarta in 1985, he featured Saraswati celebrating a baby’s 100 days celebration. In this picture, cheerful atmosphere is depicted with flying butterflies and blooming lotus. Dove as the symbol of peace added to complete the painting. His colours were inspiring. Beside Saraswati, Ginarsa also explores variety of subject including barong, legong dance, baris dance and Balinese daily live. He has joined many exhibitions such as Selaksa Daya Rupa in Jakarta in 2002. He has a potential pupil, I Nyoman Nurtika.

Gunarsa, Nyoman (b. Klungkung, Bali, Indonesia, 1944) He graduated from STSRI “ASRI” / Indonesian College of Fine Arts, Yogyakarta in 1976 and worked as a lecturer at ISI / Indonesian Institute of the Arts, Yogyakarta from 1967 to 1994. In 1970, Gunarsa was one of the co-founders of Sanggar Dewata Indonesia. He has received numerous awards since the 1960s, including the Pratisara Affandi Adhi Karya from STSRI “ASRI†Yogyakarta in 1976; Best Painting Award at the Indonesian Painting Biennial in 1978 and 1980; Lempad Prize awarded by Sanggar Dewata Indonesia in 1980; and the Dharma Kusuma awarded by the Governor of Bali. Gunarsa has participated in dozens of exhibitions throughout Indonesia, Japan, Malaysia, Singapore, Australia, USA, Germany, The Netherlands, France and Italy. He has founded two museums: the Museum of Contemporary Indonesian Painting, Yogyakarta which opened in 1989, and the Museum of Classical Balinese Painting in Klungkung, Bali which opened in 1994.

Kayun, I Nyoman (b. Banjar Tengah, Peliatan, Ubud, Bali, Indonesia, 1954) He learned carving from I Wayan Alip in 1962. A year later, he learned painting fro I Gusti Made Kwanji. Tutorial lesson on art once received from Rudolf Bonnet, especially on colour and composition. He once participated in group exhibitions since 1970s, including the exhibitions in Balai Desa Peliatan, Lembaga Indonesia-Amerika in Surabaya, Museum Puri Lukisan (Ubud), Bali Museum (Denpasar) and Bentara Budaya Jakarta.

Ketig, I Wayan (b. Batuan, Bali, Indonesia, 1930) He leared to paint from his seniors in Batuan like I Made Djata and I Wayan Reneh. His themes include the colossal ceremony of ngaben cremation and the rice field scenes with farmers working. Ketig’s paintings has a strong charcter. He used to paints in black ink on canvas.

Ketut Soki (b. Penestanan, Ubud, Bali, Indonesia, 1946) He was one among the first group of Youngsters to study under Arie Smit in 1960. He favors bright colors in his paintings which influenced other Young Artists painters. His works are filled with figures arranged rhytmically. He also includes architectural motifs and decorative foliage to make his works symmetrical. Neka Museum collected his artwork. Soki has participated in numerous domestic and overseas exhibitions.

Kobot, I Gusti Ketut (Pengosekan, Gianyar, Bali, Indonesia, 1917 - 1999) He learned painting at Puri Peliatan from Tjokorda Oka Gambir. In 1936, Bonnet taught him. He was also a member of Piita Maha and Ubud Painters Group. In 1978, he was awarded Certificate of Wijaya Kusuma from the regency of Gianyar.

Krijono (Jakarta, Indonesia, 1951 - 2011) Born into an artist family, his father was a painting collector who owned the Harris Art Gallery and his mother owns a batik factory. In 1970, he studied at the Indonesian Fine Art Academy (Akademi Seni Rupa Indonesia/ASRI) Yogyakarta. His art works are often brightly colored and expressive with his own flamboyant personality Lesug, I Nyoman (b. Kutuh, Ubud, Bali, Indonesia, 1939) Started painting since 1953 under Ida Bagus Rai’s tutorial. Beside as a painter, he also served as pemangku in the nearby temple. His works are meticulous and thorough featuring various scenes of Balinese daily live, especially Ubud natural scenery. Lesug frequently exhibited in Bali Art Festival in Taman Budaya (Denpasar). His works are among the collections of Museum Puri Lukisan (Ubud), Neka Museum (Ubud), and Museum East West Centre (Honolulu). He participated in the Art of Bali Exhibition in East-West Centre in Honolulu (August - October 1988), and was asked to demonstrate his painting skill. Lesug has several pupils, among the emerging ones are Mangku Sayang, I Made Jiwa and I Made Madra.

Made Tubuh (b. Batuan, Ubud, Bali, Indonesia, 1941) He has painted since elementary school. Later he had learned painting for seven years from his uncles who happened to be the prominent painters I Made Djata and I Ketut Kenyod. Afterward he developed his own skill. His works have participated in numerous exhibitions in Bali. While in Jakarta, his works once was on displayed in Bentara Budaya Jakarta, Pasar Seni Ancol and Sari Pan Pacific Hotel. Several of his paintings one also exhibited in Netherlands organized by Rudolf Bonnet.

Madra, I Ketut (b. Pengosekan, Ubud, Bali, Indonesia, 1945) Madra had his first painting lessons from his older cousin Dewa Putu Sugi while he was still a boy. He learned to paint market scenes, temple festivals, and rice harvests. His second teacher, Tjokorda Oka Gambir, also of Peliatan, had been an early member of the pre-war Pita Maha group of Balinese artists who had adapted European painting materials, styles and subjects to Bali. Working with Gambir, Madra learned not only the stories that are the subject matter of wayang painting, but also the details of iconography and costume for all the scores of specific characters. He is known in Indonesia and beyond as a master painter of wayang stories whose work is collected on every continent.

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Manggih, I Wayan Matra, I Wayan (b. Taman Kaja, Ubud, Bali, Indonesia, 1962) His name is actually I Wayan Matra Arjana, But he is known as Matra, thus the name Arjana is not being used in his life. He lived in the same banjar as I Nyoman Meja, he then took an intern in Meja Studio around the Monkey Forest area in Ubud. He weriously paints since 1978. Exploring Meja’s style and tecnique, he created works depicting comical scene of daily life and filled with sensations. He frequently paints compositions of masks. His works are collected by serious Balines art collectors. Frequently exhibited in Museum Puri Lukisan (Ubud) and Taman Budaya (Bali). He paints with acrylic on canvas.

Maha artists’ society. He received the Dharma Kusuma Award from the Balinese government in 1980. His works can be found at Taman Budaya (Denpasar, Bali), Tropenmuseum (Amsterdam, holland), Rijksmuseum voor Volkenkunde (Leiden, Holland).

Matra, I Wayan (b. Taman Kaja, Ubud, Bali, Indonesia, 1962) His name is actually I Wayan Matra Arjana, But he is known as Matra, thus the name Arjana is not being used in his life. He lived in the same banjar as I Nyoman Meja, he then took an intern in Meja Studio around the Monkey Forest area in Ubud. He weriously paints since 1978. Exploring Mejaäó»s style and tecnique, he created works depicting comical scene of daily life and filled with sensations. He frequently paints compositions of masks. His works are collected by serious Balines art collectors. Frequently exhibited in Museum Puri Lukisan (Ubud) and Taman Budaya (Bali). He paints with acrylic on canvas.

Rai, Ida Bagus Nyoman (b. Sanur. Bali, Indonesia, 1915-2000) Self-taught artist. His works have been published in various important publications like Art in Indonesia, Continuity and Change by Claire Holt and Hans Hoeferäó»s Guide to Bali. His works are among the collection of Museum Puri Lukisan-Ubud and Museum Neka Ubud, Bali. He has taken part in several exhibitions overseas, among which was KIAS exhibition in USA, in 1990-1991.

Mokoh, I Dewa Putu (Ubud, Bali, Indonesia, 1936 - 2010) He learned painting from Gusti Ketut Kobot. He joined the Kelompok Pelukis Pengosekan and always participated in the art exhibitions at the Art Centre, Denpasar, Museum Puri Lukisan Ubud and abroad, together with the society.

Mukahar, Rudi (b. Solo, C. Java, Indonesia, 1971) He studied painting under the guidance of artists at Pasar Seni Ancol / Ancol Art Market in Jakarta. In 1991, he moved to Bali and joined the Sanggar Pejeng founded by the artist Dullah.

Murtika, I Ketut (b. Batuan, Bali, Indonesia, 1952) He was about twelve years old, when begin learning painting from his uncle, I Made Djata. One superb work of his is Kelahiran Hanoman, Sang Kera Putih, 1986, which is now in the collection of a German collector. That work was exhibitied in Bali to welcome the former president of the United State, Ronald Reagan, when he come to Bali, during his visit to Indonesia. His works are also collected by several institutions including Museum Arma Ubud, Bali.

Nadera, Ida Bagus Made (Tegallinggah, Bali, Indonesia, 1905 - 1998) Balinese artist who painted in the Ubud style, he was a member of the Pita Maha artists’ association. He participated in group exhibitions in Bali, Bandung, Jakarta, Medan, Madiun and overseas at the Fukuoka Art Museum, Japan in 1985. In 1984 he received the Dharma Kusuma Art Award from the government of Bali.

Nagano, Paul Tatsumi (b. Honolulu, Hawaii, USA, 1938) He studied art at the Pennsylvania Academy of Fine Arts in Philadelphia, USA. He first visited Bali in 1984. His works are amog the collections of Hawaii State Foundation on Culture and Arts (USA), Contemporary Arts Center (USA), Boston Public Library (Massachusetts, USA), New Britain Museum of American Art (Conneticut, USA). He has participated in numerous exhibitions in Hawaii, Boston, Jakarta, Bali and Singapore.

Naya, I Wayan (b. Kutuh Raja, Petulu, Ubud, Bali, Indonesia, 1972) He studied art in Art High School in Ubud. He was interested with the works of Ida Bagus Made Poleng from Tebesaya. Then he quietly learned from those works. Later on, he was enchanted with I Nyoman meja’s works. Naya’s subtle works feature various themes, such as the barong performance or ritual of the village illustrating. His works have often displayed in Museum Puri Lukisan (Ubud), Bali Art Festival (Denpasar) and other.

Nyoman, Tjakra (b. Penestanan, Ubud, Bali, 1945) Aside as a pioneering painter of the Young Artist style, Tjakra is also reknowned for his notable abilities to play the gamelan percussions and the kendang drums. He was the first pupil of Arie Smit in the organization that was established in 1960. His works of cheerful themes and soft, mixed colors provided a significant part of the exhibition “Peasant Painters of Bali” at Singapore National Mseum from December 1970 - January 1971, organized by a Singaporean Art Collector, Mr. Lim Chong Keat. His works were also exhibited at Adityawarman Museum in Padang, West Sumatra in an exhibition entitled “Balinese Painting” organized by Museum Bali in 1983. A big number of museums cherish his works.

Padma, Ida Bagus Putu (b. Bali, Indonesia, 1972) Pasek, I Dewa Kompiang (b. Banjar Gede, Batuan, Sukawati, Bali, Indonesia, 1924) He has already studiously observed the paintings by Ida Bagus Made Widja, I Nyoman Ngendon.

I Nyoman Patera and others in his teens. Then in the following years, he learned painting from his mentor I Made Djata. He joined Golongan Pelukis Ubud, founded by Rudolf Bonnet. He regarded Bonet as the main mentor. His works have often been exhibited in Bali and abroad.

His older brother, I Dewa Ketut Pasek Genjing, and his son, I Dewa Made Latra, are also good painters of the Batuan style.

Poleng, Ida Bagus Made (Tebesaya, Ubud, Bali, Indonesia, 1915 - 1999) He was born into a family of artists. His father, Ida Bagus Kembeng, was a well-known Balinese painter. Ida Bagus Made studied painting with Rudolf Bonnet, and was a member of the Pita

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Rai, Ida Bagus (Ubud, Bali, Indonesia, 1933-2007) He studied painting from Dewa Ketut Rungun and Rudolf Bonet. His paintins reflect his sensitivity in composing color to convey daily life and mythological episodes with a beauty that refreshes the eyes. His paintings are permeated with a bright and happy character. His works are displayed at the Tropen museum in Amstrdam, the Netherlands, and the Neka Museum in Ubud, Bali.

Raka Puja, Anak Agung Gde (b. Padang Tegal, Ubud, Bali, Indonesia, 1932) He socialized with the member of Golongan Pelukis Ubud painters that influence his style of paintings from ordinary Ubud Traditional style to become more spatially. His figures were illustrated in realistic manner. He has participated in numerous group exhibitions. In 2005 his works were exhibited in Gianyar’s Art Exhibition at YDBA (Yayasan Dharma Bhakti Astra) Gallery, Jakarta. Some of his works are among the important works sought by various auction houses in Jakarta, Den Haag and Amsterdam.

Rapet, I Wayan (b. Tebesaya, Ubud, Bali, Indonesia, 1941) His interest of art has occurred since his childhood and grown knowing his neighbour was the great painter, I Wayan Gerudug. His work represent the decorative style of Ubud.in 1974, one of his painting was selected by Rudolf Bonnet to participate in Different Aspects of Painting in Bali exhibition at Sanur Beach Hotel. Several museum collect his works, including Neka Museum.

Ridi, I Nyoman (b. Penestanan, Ubud, Bali, Indonesia, 1945) He learned painting at the age of 9 from several painters who lived near by his house. In 1956, he intensively painted under the guidance of Rudolf Bonnet who lived in Campuhan-Ubud. This is why Ridi has left somehow ordinary traditional style.

Rudin, I Ketut (Sanur, Bali, Indonesia, 1918) He contributes significantly to the world of painting in Sanur that has eventually generated the Sanur style. The style is characterized by simple lines and forms couple with supple deformation and stylization. His works find their ways into the collections of true art lovers like Hendra Hadiprana in Jakarta. Museum Puri Lukisan, Ubud also cherises his works.

Roengoen, I Dewa Ketut (Padang Tegal, Ubud, Bali, Indonesia, 1922 - 1986) He learned painting by himself, but after Pita Maha was founded, he joined in. He then received his art lesson from Walter Spies and Rudolf Bonnet. He later joined Golongan Pelukis Ubud that was established in 1956 by Bonnet. From this mentor, he was introduced to the idea of an artist personal style illustrates the painter’s objects, forms and characters. He later found his own signature theme, the lives of butterflies amongst the tree, wild birds in the jungle and herons in the paddy field. Though, he paint wayang in several rare occasions. He displayed his works in Surabaya in 1950. In 1953, he painted the mural for Menteng Theatre in Jakarta. His works are collected by various institutions, including Museum Puri Lukisan (Ubud) Neka Museum, Bali Museum, Taman Budaya (Denpasar), Presidential Place’s Museum (Jakarta), and Rijkmuseum voor Volkenkunde (Leiden).

Rusli (Medan, N. Sumatra, Indonesia, 1916 - Jakarta, Indonesia, 2005) “He taught at Taman Siswa (1945-1949). In 1951 he was appointed as an art instructor at the Indonesian Academy of Fine Arts (ASRI), Yogyakarta. He went for two years (1954-1956) to Rusli’s works were exhibited at the Biennale Exhibition II in Sao Paolo, Brazil in 1953. A solo exhibition was held at Palazzo Brancaccio , Rome, Italy (1954-1956). He was elected in 1970 as a life member of the Jakarta Academy.

Sadia, I Wayan (b. Penestanan, ubud, Bali, Indonesia, 1939) He learned painting within his community. At the age of 20, he met Rudolf Bonnet who encouraged him to join Golongan Pelukis Ubud. Ever since then, Sadia’s works had been influenced by Bonnet especially the illustration of human anatomy. But Bonnet’s influence obviously had been shown in his vision leading him to paint more secular themes, such as the peasant life, market scene and others. He had abandoned the traditional theme since then.His works was illustrated in bright colour, aesthetic figures and elongated deformation found in the figures of animal and vegetation (rice and grass). Aside from Indonesia, Sadia’s works have been exhibited in Netherlands, German, Swiss, Mexico and United States.

Sadia, Ketut (b. Batuan, Bali, Indonesia, 1966) He is a younger brother of the famous artist, I Wayan Bendi, whom he began to leared painting with. Sadia’s early works resemble Bendi’s, but in a later development, Sadia takes to use bright colours, giving his paintings their “pop” looks. His works often exhibited in Bali and Jakarta.

Sana, I Gusti Putu (b. Bali, Indonesia, 1945) He began studying painting when he was in fourth grade at school with I Gusti Ketut Kobot. His

father was a farmer and wood carver. His mother was the elder sister of Kobot, so he and I Dewa Putu Mokoh are first cousins. Early in his career, Sana was well known for paintings featuring frogs engaged in human activities such as surfing or driving cars, or flying kites.

Sobrat, Anak Agung Gede (Padangtegal, Ubud, Bali, Indonesia, 1911 - 1992) A member of the Pita Maha artists’ association, he was one of the first Balinese artists to study with Walter Spies and Rudolf Bonnet. His work was influenced by both teachers. Sobrat spent two years as a lecturer at ASRI / Indonesian Academy of Fine Arts, Yogyakarta from 19571959. He received the Dharma Kusuma Art Award and the Wijaya Kusuma Art Award.

Sudana, I Ketut (b. Ubud, Bali, 1937) He began painting wayang by self-training at the age of ten. Learned to paint from Ida Bagus Pugug for more ten years from 1954 through 1973. After that he learned from Rudolf Bonnet. In the 1970s Sudana had a number of pupils that included I Made Djongko from Keliki. Sudana’s son, I Made Palguna is now a modern painter educated at the Institute for the Art in Yogyakarta.

His works featuring elongated figures, often exhibited in Bali and Jakarta also in Australia, Thailand, Malaysia, Italy, the USA and Japan.

Sudana, I Wayan (b. Peliatan, Ubud, Bali, Indonesia, 1966) “Sudana began his painting education since he was ten, at Mr. Ketut Ginarsa’s house. In 1988 he continued study painting with Mr. I Wayan Djudjul. He has had solo exhibitions and has participated in a group exhibition at Bintara, Jakarta.

Sudila, I Ketut (b. Klungkung, Bali, Indonesia, 1974)) At first he was interested with Kamasan paintings. But later after his visit and encounter with I Wayan Bendi in batuan, his painting soon revealed in contemporary Batuan style. In mid 1990, he has found his own sgnature style by illustrating various mask as the objects of his paintings.

His works have been exhibited in Museum Puri Lukisan (Ubud), Arma Museum (Ubud), Taman Budaya (Denpasar) and various venues in Jakarta. His works had intrigued the viewers during one big exhibition in Jakarta. His Terhanyut dalam Situasi illustrated various human masks in variety of expression such as laughing, crying, sad and anger floated on the flood. “They had been carried away by the flood of reformation in Indonesia,”Sudila once said. The painting was selected as the finalist of Indofood Art Award during the fifth year commemoration Indonesian Reformation in 2003.

Tapa, I Nyoman (b. Sayan, Ubud, Bali, Indonesia, 1959) His formal art background is Senior High School for Art. He exhibits at Museum Puri Lukisan, Ubud, Art Center Denpasar, Bali and several art galleries in Jakarta.

Turun, I Wayan (Gianyar, Bali, Indonesia , 1935 - 1986) He learned painting from I Gusti Ketut Kobot, Dewa Ketut Ding, and Rudolf Bonnet. Among the awards received are from Bali Provincial Government, which were Wija Kusma in 1988, Dharma Kusuma Award in 1991. His works are among the collections of Taman Budaya Bali and Rijksmuseum voor Vlkenkunde in Leiden, The Netherlands.

Widja, Ida Bagus Made (Batuan, Bali, Indonesia, 1912 - 1992) He started painting in 1933 from I Nyoman Patera. His early works - prior to 1950s - are dominated by the colours of black, brown and creme. Wija is a rebel on traditional themes in the history of Batuan style, therefore he earned the art award from Indonesian Higher Educatuon in Art (ASRI) in 1982. He also received the medal of Wija Kusuma and Dharma Kusuma from Balinese government. In 1985, he was rewarded with Anugerah Seni from Indonesian government. While in 1990, Indonesian Art Institute (ISI) rewarded him. He was a noted painter with works were already collected by Presiden Sukarno even during the 1950s. Until now, his work is still on displayed in the Presidential Palace. His work has been exhibited in Indonesia, Hawai, Singapore, Australia and USA. Wiradana, I Made (b. Denpasar, Bali, Indonesia, 1968) He graduated from ISI / Indonesian Institute of the Arts, Yogyakarta in 1995. He has had solo exhibitions in Bali and Yogyakarta. Wiradana has participated in group exhibitions in Hong Kong and throughout Indonesia in Bali, Surabaya, Solo, Yogyakarta and Jakarta.

Wiranata, I Gusti Agung (b. Desa Kapal, Bali, Indonesia, 1969) He grew up in an artist family, and known as a regeneration of Walter Spies stily with his own theme. Some of his works are collected by those who interested in art all over the world and also by museums in Bali, one of them is Puri Lukisan Ratna Warta wich was found by Rudolf Bonnet.

Gusti A. Wiranata was a Finalist of Indofood Art Awards in 2002.

Yudhy Susanto (Antok) (b. Magelang, Central Java, 1969) He went to Fine Art School in Yogyakarta in 1989 and learnt painting from Dullah, the Indonesian former famous realist painter. He held many exhibitions not only in Bali and Jakarta, but also in overseas, such as in Singapore (1998). Some of his exhibition in Indonesia was held in various places, such as in Cultural and Educational Department (Depdikbud) Jakarta (1991), Hilton Hotel (1997), Anton Gallery (1999), Imperial Hotel (2001), Hadiprana Gallery (2002), and 678 Gallery (2003).

Tjita, I Dewa Nyoman (b. Batuan, Ubud, Bali, Indonesia, 1927) His father is I Dewa Putu Kebes, a renowned painter who also producing topeng celuluk and bondres. His early works dominately the Kamasan style of wayang paintings. in his 20s, he started to paint in Batuan style. At first, he would paint the wayang theme but then his object shifted to balinese daily scene of temple’s ritual and gamelan player. Like his father, Tjita also carves mask and sculpture, natah wayang, does the woodcarving and plays the classic gambuh.

He has been exhibited his works since he was young, together with Pita Maha association.

Aside from bali, he also exhibited his works in various exhibition from Jakarta to the Netherlands.

His earlier works were in black and white, but later he also uses other colours for his paintings.

Togog, Ida Bagus Made (Togog, Ida Bagus Made) He was a famous painter who received the Wija Kusuma award from Gianyar District and the Dharma Kusuma award from Bali Provincial Government in 1984. Regarded as someone whose great contrbution is in introducing the anatomical rendering of human figures in the mod-ern sense to traditional balinese painting. Most of his surviving works dated 1930-1940 are black and white. Formerly painted in the Kama-san style, copying drawings he found in lontar manuscripts.

In 1930 he met Win Bakker who asked him to draw an illustration on paper. Since then, he worked to improve his forms and themes. And the Batuan style prevailed in his works on paper.

Togog knew Rudolf Bonnet and Walter Spies very well. He even joined Pita Maha. His works are cherished in Museum Puri Lukisan, Museum Neka, Museum Arma in Ubud, Rijks-museum voor Volkendunde, Leiden and Tropenmusuem-Amsterdam, among others. Participated in in tens of exhibitions, at Taman Budaya, Denpasar, Sari Pan pacific Hotel, jakarta, pasar Seni Ancol, jakarta and in several cities in Japan and Europe.

Tohjiwa, I Wayan (Peliatan, Ubud, Bali, Indonesia, 1916 - 2001) Tohjiwa was born in Peliatan, Ubud, in 1916 and died in 2001. During 1930s he met Walter Spies, the German painter who resided in Bali. Later he also met Rudolf Bonnet, a Dutch artist. Both artists founded Pita Maha in which Tohjiwa later joined in. through this association, Tohjiwa’s works had attracted a lot of attention. His works had been frequently exhibited in and outside of the countries. Several auction houses have started to seek his works since 2000.

Tungeh, Ketut (b. Ubud, Bali, Indonesia, 1930) He began painting in 1946 at the age of sixteen. At this time he began to learn the tchniques of watercolor painting without the assistance of a teacher. He had seen the work of Sobrat.

Tungeh liked Sobrat works so much that he just decided to become a painter. Bonnet saw his work and was attracted to it and encouraged Tungeh to continue developing his personal style which now is quite diverse in subject matter and color schemes selected. He was a member of the Golongan Pelukis group.

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